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            <marc:subfield code="a">Introduction ( 03 min., 10 sec. ) -- Free Arrangement of a Folksong - ( 14 min., 52 sec. ) -- Free Arrangement of a Folksong (continued) ( 07 min., 04 sec. ) -- Strict Arrangement of a Piano Composition - ( 09 min., 54 sec. ) -- Strict Arrangement of a Piano Composition (continued) - ( 56 sec. ) -- Strict Arrangement of a Piano Composition (continued) - ( 01 min., 59 sec. ) -- Strict Arrangement of a Piano Composition (continued) - ( 03 min., 45 sec. ) -- Strict Arrangement of a Piano Composition (continued) - ( 02 min., 33 sec. ) -- Strict Arrangement of a Piano Composition (continued) ( 03 min., 18 sec. ) -- Background Scoring ( 12 min., 31 sec. ) -- Organ-Like Orchestration of a Chorale ( 04 min., 17 sec. )</marc:subfield>
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            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming audio.</marc:subfield>
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            <marc:subfield code="a">A Basic Strum ( 01 min., 09 sec. ) -- Now with the left hand ( 22 sec. ) -- Now with the index finger ( 56 sec. ) -- The Fifth String ( 43 sec. ) -- Now take that same song ( 25 sec. ) -- Hammering On ( 01 min., 16 sec. ) -- Here's a little bit of the ( 21 sec. ) -- Pulling Off ( 01 min., 10 sec. ) -- Well, now, if you study the ( 46 sec. ) -- Double Thumbing ( 49 sec. ) -- Now, for just one more time ( 23 sec. ) -- Now, not all songs, alfterall ( 55 sec. ) -- Here's the song. Hard Ain't It Hard ( 28 sec. ) -- Frailing ( 59 sec. ) -- In the G tuning, you might try ( 01 min., 02 sec. ) -- Now, frailing is the best way ( 50 sec. ) -- Three-Finger Picking ( 01 min., 14 sec. ) -- Here's another devleopment of ( 01 min., 01 sec. ) -- Here's the song, Cindy ( 21 sec. ) -- A Loud Strum ( 55 sec. ) -- Here is a variation of the above ( 48 sec. ) -- Three Micscellaneous Postscripts ( 01 min., 06 sec. ) -- If you ever want to play a ( 46 sec. ) -- A roll is a special banjo effect ( 24 sec. ) -- 3/4 and 6/8 Time ( 57 sec. ) -- Using this method, and a little ( 26 sec. ) -- For a more sustained effect ( 01 min., 37 sec. ) -- Incidentally, this type of ( 01 min., 13 sec. ) -- Now 6/8 time is the same ( 01 min., 05 sec. ) -- Blues and Jazz ( 01 min., 04 sec. ) -- Another common blues guitar ( 38 sec. ) -- Here's a sample blues passage ( 28 sec. ) -- Spanish and South American Guitar Techniques ( 50 sec. ) -- Here's one way to get a rhumba ( 55 sec. ) -- Here's still another way of ( 01 min., 36 sec. ) -- This last pattern can be ( 01 min. )</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Seeger, Pete, Reader</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Spoken Word</marc:subfield>
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            <marc:subfield code="a">Seeger, Pete</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">http://vuw.naxosspokenwordlibrary.com/catalogue/item.asp?cid=829410722957</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2u 4500</marc:leader>
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            <marc:subfield code="a">TRADITIONAL CAJUN ACCORDION</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">1977</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming audio.</marc:subfield>
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            <marc:subfield code="a">Octaves ( 01 min., 02 sec. ) -- Scale of C ( 01 min., 34 sec. ) -- Bass acc. Two Step in C ( 01 min., 10 sec. ) -- Right and Left Hands ( 01 min., 28 sec. ) -- Right Hand Chord C ( 01 min., 09 sec. ) -- Right Hand Chord G ( 11 sec. ) -- Right Hand Chord G7 ( 39 sec. ) -- Two-Step in C: Colinda ( 03 min., 20 sec. ) -- Two-Step C: Bayou Pompon ( 04 min., 24 sec. ) -- Bass acc. Waltz in C ( 45 sec. ) -- Exercise Right and Left Hands ( 01 min., 09 sec. ) -- Waltz in C: Gabriel ( 02 min., 06 sec. ) -- Waltz in C: Grand Marais ( 05 min., 22 sec. ) -- Scale in G ( 01 min., 17 sec. ) -- Right Hand Chords D ( 18 sec. ) -- Two-Step in G: La Queue de Tortue ( 03 min., 40 sec. ) -- Two-Step in G, Madam Bosso ( 04 min., 22 sec. ) -- Two-Step in G, Allons a Lafayette ( 04 min., 42 sec. ) -- Two-Step in G, J'Etais au Bal Hier au Soir ( 04 min., 51 sec. ) -- Waltz in G, Jolie Blonde ( 05 min., 55 sec. ) -- Appendix, Dance de Mardi Gras in A minor, in D minor, Two-Step in F Cocodrie Stomp ( 01 min., 55 sec. )</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Dole, Gerard, Artist -- Not Applicable, na, Author</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Spoken Word</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Author</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">http://vuw.naxosspokenwordlibrary.com/catalogue/item.asp?cid=829410723053</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2u 4500</marc:leader>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">HISTORIC SECOND DECLARATION OF HAVANA (THE) - Feb. 4, 1962</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">1973</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming audio.</marc:subfield>
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            <marc:subfield code="a">Part 1 ( 21 min., 23 sec. ) / Not Applicable -- Part 2 ( 16 min., 12 sec. ) / Not Applicable -- Part 3 ( 19 min., 07 sec. ) / Not Applicable -- Second Declaration of Havana Speech, 2/4/62 ( 23 min., 29 sec. ) / Not Applicable -- Part 4 ( 15 min., 55 sec. ) / Not Applicable -- Second Declaration of Havana Speech, 2/4/62 ( 18 min., 37 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Castro, Fidel, Reader -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Spoken Word</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">http://vuw.naxosspokenwordlibrary.com/catalogue/item.asp?cid=829410730150</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2u 4500</marc:leader>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">829410730556</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">CHE GUEVARA SPEAKS</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">1973</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming audio.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Que Tengo Yo Que Hablarte, Comandante? ( 02 min., 07 sec. ) -- Los revolucionarios no son gente normal… ( 01 min., 19 sec. ) -- In Commemoration of Camilo Cienfuegos ( 07 min., 01 sec. ) -- En general lo que se puede decir… ( 01 min., 52 sec. ) -- Diciembre 3 y 4 ( 02 min., 01 sec. ) -- Puerto Rico Es un Caso Distinto ( 02 min., 31 sec. ) -- Speech at the United Nations General Assembly, December 11, 1964, 19th Assembly ( 11 min., 04 sec. ) -- Tribute to Antonio Maceo, December 7, 1962 ( 18 min., 21 sec. ) -- Farewell Letter to Fidel and the Cuban People, Octover 3, 1965 ( 05 min., 40 sec. ) -- Fusil Contra Fusil ( 03 min. )</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Milanes, Pablo, Artist -- Guevara, Che, Reader -- Nicola, Noel, Author -- Rodriguez, Silvio, Author</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Spoken Word</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Milanes, Pablo</marc:subfield>
            <marc:subfield code="e">Author</marc:subfield>
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            <marc:subfield code="a">Guevara, Che</marc:subfield>
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            <marc:subfield code="a">Nicola, Noel</marc:subfield>
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            <marc:subfield code="a">Rodriguez, Silvio</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">http://vuw.naxosspokenwordlibrary.com/catalogue/item.asp?cid=829410730556</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2u 4500</marc:leader>
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        <marc:controlfield tag="008">201022s1961||||cc zzz|fs|     h    eng|d</marc:controlfield>
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            <marc:subfield code="a">829410753968</marc:subfield>
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        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DUBOIS, W.E.B.: Recorded Autobiography - Interview with Moses Asch (A)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">1961</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming audio.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Early College Years, Fisk U. ( 04 min., 26 sec. ) -- Harvard U. ( 09 min., 23 sec. ) -- Germany ( 03 min., 10 sec. ) -- Atlanta U. ( 09 min., 56 sec. ) -- N.A.A.C.P. ( 02 min., 13 sec. ) -- The Crisis ( 02 min., 57 sec. ) -- World War I Pan-African Conference ( 04 min., 51 sec. ) -- Africa and U.S.A. and Russia ( 05 min., 31 sec. ) -- Atlanta U. ( 06 min., 02 sec. ) -- N.A.A.C.P. and the U.N. ( 04 min., 51 sec. ) -- Peace Congresses and the Trial ( 06 min., 21 sec. ) -- The Negro and Young People ( 03 min., 21 sec. ) -- The Negro and Africa of Today ( 08 min., 24 sec. )</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Dubois, W.E.B., Reader</marc:subfield>
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            <marc:subfield code="a">Spoken Word</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
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        <marc:leader>     njm a22     2u 4500</marc:leader>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DUBOIS, W.E.B.: Socialism and the American Negro</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">1960</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming audio.</marc:subfield>
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            <marc:subfield code="a">Introduction ( 02 min., 57 sec. ) -- Dr. DuBois ( 18 min., 09 sec. ) -- Dr. DuBois (continued) ( 18 min., 36 sec. )</marc:subfield>
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            <marc:subfield code="a">HAIL TO THE CHIEF - An Inquiry into the Powers of the President</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Introduction ( 01 min., 10 sec. ) -- Chief of State ( 08 min., 45 sec. ) -- Chief Executive, Part 1 ( 08 min., 05 sec. ) -- Chief Executive, Part 2 ( 13 min., 46 sec. ) -- Commander-in-Chief ( 19 min., 17 sec. ) -- Chief Architect of Foreign Policy ( 18 min., 57 sec. ) -- Chief Legislator, Part 1 ( 20 min., 10 sec. ) -- Chief Legislator, Part 2 ( 16 min., 48 sec. ) -- Conclusion ( 02 min. )</marc:subfield>
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            <marc:subfield code="a">Spoken Word</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">INTERNATIONAL MORSE CODE (THE) - A Teaching Record Using the Audio-Vis-Tac Method</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Introduction to Learning the Code ( 02 min., 23 sec. ) / Not Applicable -- Using the Sound Symbol ( 06 min., 47 sec. ) / Not Applicable -- Numbers and the Alphabet ( 01 min., 09 sec. ) / Not Applicable -- Learning the Numbers ( 02 min., 09 sec. ) / Not Applicable -- Numbers 1-5 ( 50 sec. ) / Not Applicable -- Dictation Lesson No. 1: The Alphabet ( 02 min., 50 sec. ) / Not Applicable -- Numbers ( 01 min., 11 sec. ) / Not Applicable -- Dictation Lesson No. 2 ( 06 min., 18 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Gross, Philip Sidney, Reader -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Spoken Word</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">UNDERSTANDING OF SEX, Vol. 1 - Sex Principles for Adults: The Psychology of Love and Sex</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
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            <marc:subfield code="a">Part 1: Professional Advice for Adults Only ( 11 min., 30 sec. ) / Not Applicable -- Part 2: Professional Advice for Adults Only ( 10 min., 42 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">http://vuw.naxosspokenwordlibrary.com/catalogue/item.asp?cid=829410761567</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">HUTCHINS, R.M.: Interview with Dr. Robert M. Hutchins</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">1958</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Introduction ( 04 min., 34 sec. ) / Not Applicable -- The Basic Issues Program ( 08 min. ) / Not Applicable -- American Education ( 09 min., 24 sec. ) / Not Applicable -- Free Press ( 04 min., 19 sec. ) / Not Applicable -- For Young People ( 03 min., 59 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Hutchins, Robert M., Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Spoken Word</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">http://vuw.naxosspokenwordlibrary.com/catalogue/item.asp?cid=829410764667</marc:subfield>
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        <marc:leader>     njm a22     2u 4500</marc:leader>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">HERITAGE USA, Vol. 1, Part I - The American Revolution</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">1959</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming audio.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Introduction ( 01 min., 24 sec. ) / Not Applicable -- Writs of Assistance ( 03 min., 44 sec. ) -- House of Burgess ( 02 min., 08 sec. ) -- Stamp Act Cong. ( 54 sec. ) -- 14 Jan. 1766 ( 02 min., 04 sec. ) -- William Pitt's Reply - 14 Jan. 1766 ( 05 min., 07 sec. ) -- Townshend's Comment ( 33 sec. ) -- Rejoinder ( 02 min., 55 sec. ) -- Franklin's Examination In Parliament ( 03 min., 02 sec. ) -- Defense of the British Soldiers ( 04 min., 27 sec. ) -- Oration on the Massacre ( 05 min., 02 sec. )</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Morris, Richard, Reader -- Kurlan, David, Reader -- Not Applicable, na, Composer -- Otis, James, Author -- Henry, Patrick, Author -- Dickinson, John, Author -- Greenville, George, Author -- Pitt, William, Author -- Anonymous, Author -- Barre, Isaac, Author -- Warren, Joseph, Author</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Spoken Word</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Otis, James</marc:subfield>
            <marc:subfield code="e">Author</marc:subfield>
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            <marc:subfield code="a">Henry, Patrick</marc:subfield>
            <marc:subfield code="e">Author</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Dickinson, John</marc:subfield>
            <marc:subfield code="e">Author</marc:subfield>
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            <marc:subfield code="a">Greenville, George</marc:subfield>
            <marc:subfield code="e">Author</marc:subfield>
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            <marc:subfield code="a">Pitt, William</marc:subfield>
            <marc:subfield code="e">Author</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Anonymous</marc:subfield>
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            <marc:subfield code="a">Barre, Isaac</marc:subfield>
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            <marc:subfield code="a">Warren, Joseph</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Spoken Word Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">http://vuw.naxosspokenwordlibrary.com/catalogue/item.asp?cid=829410959261</marc:subfield>
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            <marc:subfield code="a">MCCARTHY, Joseph: Senator Joseph R. McCarthy</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">1968</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Introduction. Wendel Purry ( 04 min., 44 sec. ) -- Reed Haris, Loyalty Board Member. Latimore Charged. Witness: Matusow, accused: Doran ( 08 min., 49 sec. ) -- Stevenson accused - Stevenson Replies. Taft on McCarthy. Democrats attacked. ( 07 min., 50 sec. ) -- Murrow, A.C.L.U. accused. General Ralph Zwicker. ( 07 min., 42 sec. ) -- Welsh cross-examines: McCarthy, Juliana, McCarthy. ( 06 min., 16 sec. ) -- Welsh questions Cohen. McCarthy of F. Fisher. Welsh responds McCarthyism defined. ( 12 min., 32 sec. )</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">McCarthy, Joseph, Reader</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">MARTINEZ, R.: Puerto Rico - Its History: Pre-1493 to the Present</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">SILVERMAN, J.: Folksinger's Guitar Guide, Vol. 2 - An Instruction Record</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Introduction ( 01 min., 02 sec. ) -- Chromatic Bass Runs ( 06 min., 23 sec. ) -- Melody and Accompaniment ( 04 min., 38 sec. ) -- Four Finger Picking ( 05 min., 14 sec. ) -- Inversions ( 05 min., 43 sec. ) -- Special Effects ( 04 min., 24 sec. ) -- Circle of Fiths ( 02 min., 41 sec. ) -- Greek Music in 7/8 Time ( 03 min., 43 sec. ) -- South of the Border ( 06 min., 50 sec. )</marc:subfield>
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            <marc:subfield code="a">Silverman, Jerry, Reader</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GLOVER, Tony Little Sun: Blues Harp - An Instruction Method for Playing the Blues Harmonica</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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            <marc:subfield code="a">Tone Layout ( 02 min., 23 sec. ) -- Single Note Exercises ( 03 min., 03 sec. ) -- 1st and 2nd Position- Explanation and Examples ( 05 min., 08 sec. ) -- Cross Harp ( 05 min., 42 sec. ) -- Simple Rhythm Exercise ( 02 min., 56 sec. ) -- More Complex Rhythm Exercise ( 02 min., 18 sec. ) -- 12-bar Rhythm Exercise ( 02 min., 15 sec. ) -- Varying Rhythms, Tonal Effects ( 05 min., 26 sec. ) -- Bending Notes ( 04 min., 04 sec. ) -- Transitional Bends, 10-bar Exercise ( 03 min., 58 sec. ) -- 3rd Position - Explanation and Examples ( 03 min., 55 sec. ) -- 4th Position - Explanation and Examples ( 03 min., 28 sec. ) -- Combined Effects - Two Examples ( 02 min., 18 sec. )</marc:subfield>
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            <marc:subfield code="a">Glover, Tony Little Sun, Artist</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">http://vuw.naxosspokenwordlibrary.com/catalogue/item.asp?cid=829410981569</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">SCHREIBER, M.: How to Write an Effective Composition</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Narrative and Descriptive Writing ( 18 min., 29 sec. ) -- Exposition: Organizing and Writing an Essay ( 24 min., 20 sec. )</marc:subfield>
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            <marc:subfield code="a">Part 1: Art and Range of the Essay ( 11 min., 13 sec. ) -- Part 2: The Essay as a Literary Type ( 08 min., 09 sec. ) -- Part 3: How the Essay Evolved ( 10 min., 19 sec. ) -- Part 4: Style in the Essay ( 03 min., 43 sec. ) -- Part 5: Modern Masters of the Essay ( 12 min., 18 sec. ) -- Part 6: The Summing Up ( 02 min., 42 sec. )</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Introduction- Self Expression Through Writing ( 05 min., 47 sec. ) -- Sources of Ideas ( 08 min., 16 sec. ) -- Methods of Developing Your Ideas ( 09 min., 46 sec. ) -- Autobiographical Narrative ( 04 min., 34 sec. ) -- Selecting and Arranging Material ( 07 min., 13 sec. ) -- Finding the Inspiration ( 08 min., 32 sec. ) -- Format for Writing- Literary Types and Media ( 03 min., 03 sec. ) -- The Art of Writing- Literary Style and Technique ( 06 min. )</marc:subfield>
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            <marc:subfield code="a">Titelblatt ( 40 sec. ) -- Matthesons Vorwort Grundsätzliches zum Vorrang von Werk und Sache vor der Person zu mangelnder Gewissenhaftigkeit des Biografen ( 14 min., 36 sec. ) -- Lebenslauf von G. F. Händel Geburt und erstes Abenteuer des Sechsjährigen ( 05 min., 53 sec. ) -- Erste Talentprobe am Hof von Weißenfels und Beschluss die musikalische Begabung zu fördern ( 08 min. ) -- Lehrjahre in Halle bei Zachau ( 04 min., 51 sec. ) -- Am Berliner Hof bei Buononcini und Ariosti Ablehnung königlichen Stipendiats ( 12 min., 01 sec. ) -- An der hamburgischen Oper ( 05 min., 09 sec. ) -- Situation der hamburgischen Oper nebst kritischem Einschub von Mattheson ( 08 min., 26 sec. ) -- Querelen in Hamburg und Kompositionsauftrag nebst kritischem Einschub Matthesons ( 08 min., 27 sec. ) -- Händels Opern in Hamburg nebst Korrekturen von Mattheson ( 07 min., 04 sec. ) -- In Distanz zu Hamburg Kontakt zum toskanischen Prinzen ( 05 min., 11 sec. ) -- Aufbruch nach Italien nebst Blick auf die Musik dort und in Frankreich ( 11 min., 14 sec. ) -- Florenz ( 03 min., 01 sec. ) -- Venedig ( 04 min., 20 sec. ) -- Rom - Begegnungen mit Corelli - Il trionfo del tempo e del disinganno ( 05 min., 46 sec. ) -- Begegnungen mit Alessandro und Domenico Scarlatti ( 04 min., 18 sec. ) -- Bei den Kardinälen Colonna und Pamphilij - Konversionsansinnen - La Resurrezione ( 04 min., 34 sec. ) -- Sonstiges in Italien u. a. in Neapel ( 04 min., 33 sec. ) -- Anstellung am Hof von Hannover - Besuche in Halle und Düsseldorf ( 06 min., 30 sec. ) -- Erste Reise nach London - Zustand der dortigen Musik ( 04 min., 59 sec. ) -- Rinaldo nebst Blick auf den Librettisten Rossi ( 07 min., 59 sec. ) -- Zurück in Hannover ( 01 min., 35 sec. ) -- Zweite Reise nach England wenig Neigung zur Rückkehr ( 04 min., 09 sec. ) -- Der Kurfürst von Hannover wird englischer König - Wassermusik ( 03 min., 27 sec. ) -- Kontakte zu Lord Burlington Pope und zum Herzog von Chandois ( 06 min., 48 sec. ) -- Anwerbung Dresdner Sänger - Radamisto ( 03 min., 57 sec. ) -- Akademie im Theater am Heumarkt ( 07 min., 02 sec. ) -- Zerwürfnis mit Senesino und Cuzzoni ( 07 min., 40 sec. ) -- Kompagnie mit Heidegger - Neue Sänger aus Italien - Wechsel nach Lincolns-Inn-Fields ( 05 min., 03 sec. ) -- Wechsel nach Coventgarden - Krise im Selbstbewusstsein ( 07 min., 10 sec. ) -- Kur in Aachen ( 02 min., 10 sec. ) -- Neuversuch im Theater am Heumarkt - Zuwendung zu Oratorien ( 11 min., 17 sec. ) -- In Dublin - Messiah als Wohltätigkeitskonzert ( 03 min., 50 sec. ) -- Rückkehr nach London - Beifall für Oratorien - Messiah für eine Waisenhaus-Stiftung - Tod ( 05 min., 28 sec. ) -- Erblindung - Appetitverlust - Der Mensch als Schlüssel zum Künstler ( 08 min., 42 sec. ) -- Verzeichniß der von Georg Friderich Händel verfertigten Werke Überblick und Allgemeines ( 03 min., 15 sec. ) -- Werkverzeichnis ( 09 min., 12 sec. ) -- Anmerkungen über Georg Friderich Händels Werke Allgemeines zu Regeln (Wissenschaft) Erfindung und Geschmack sowie deren Wirken ( 07 min., 41 sec. ) -- Zitat mit Vergleich deutscher und italienischer Art - Vorrang Händels vor den Italienern ( 04 min., 41 sec. ) -- Italienische Musik seit Palestrina ( 05 min., 56 sec. ) -- Wechselwirkung Händel und Italiener - Spezielle Meisterschaft Händels in Chor - und Kirchenmusik nebst Mattheson-Bestätigung ( 03 min., 28 sec. ) -- Stellenwert von Harmonie und Melodie in Instrumental and Vokalmusik ( 08 min., 23 sec. ) -- Unterschiedlich erfolgreiche Handhabung bei Händel ( 04 min., 11 sec. ) -- Tartini als Beispiel ( 02 min., 31 sec. ) -- Bedeutung kompositionsförderlicher Textvorgaben ( 04 min., 01 sec. ) -- Exzeptionalität Händelscher Chormusik trotz Pope's Kritik ( 04 min., 17 sec. ) -- Wirkungen von Händels Oratorienstil - Zum Beispiel Messiah ( 03 min., 23 sec. ) -- Besondere Wirkung von Rezitativen mitreligiösem und philanthropischem Gehalt ( 01 min., 14 sec. ) -- Duette und Terzette - Acis und Galatea als vollkommenste Komposition ( 08 min., 52 sec. ) -- Qualitäten der Instrumentalmusik ( 03 min., 43 sec. ) -- Klaviermusik ( 01 min., 49 sec. ) -- Stellenwert und Bedeutung von Religion und Leutseligkeit in Händels Werk ( 01 min., 46 sec. ) -- Vorbildcharakter von Händels Werk ( 04 min., 34 sec. )</marc:subfield>
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            <marc:subfield code="a">COLLINS, W.: No Name (Unabridged)</marc:subfield>
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            <marc:subfield code="a">No Name ( 03 min., 24 sec. ) -- First Scene. Combe-Raven, Somersetshire. ( 10 min., 52 sec. ) -- The mother and daughter slowly descended… ( 12 min., 48 sec. ) -- 'You really should check Magdalen,' pleaded… ( 10 min., 30 sec. ) -- Chapter 2 ( 13 min., 46 sec. ) -- Chapter 3 ( 11 min., 43 sec. ) -- Chapter 4 ( 08 min., 38 sec. ) -- In later years, when Frank had reached the age of… ( 09 min., 42 sec. ) -- The example thus set by the master of the house… ( 08 min., 59 sec. ) -- Chapter 5 ( 09 min., 09 sec. ) -- 'Quite right, my dear,' observed Mr Vanstone. ( 09 min., 37 sec. ) -- Chapter 6 ( 11 min., 51 sec. ) -- In four nights more the play was to be performed. ( 13 min., 46 sec. ) -- Chapter 7 ( 11 min., 29 sec. ) -- Chapter 8 ( 09 min., 58 sec. ) -- Here was an opportunity of letting in the light of… ( 08 min., 12 sec. ) -- Chapter 9 ( 10 min., 06 sec. ) -- In the presence of such an emergency… ( 09 min., 37 sec. ) -- 'Have you thought long of this, my dear?' he asked… ( 11 min. ) -- Chapter 10 ( 11 min., 44 sec. ) -- Miss Garth pointed significantly to the letter in… ( 14 min., 24 sec. ) -- Chapter 11 ( 11 min., 29 sec. ) -- As the morning advanced, Frank came to make… ( 10 min., 44 sec. ) -- Chapter 12 ( 09 min., 47 sec. ) -- He rose; unlocked a little iron safe in the corner… ( 12 min., 06 sec. ) -- Chapter 13 ( 14 min., 21 sec. ) -- 'The meeting of that night decided their future.' ( 11 min., 34 sec. ) -- He paused, and, before proceeding further… ( 14 min., 46 sec. ) -- Chapter 14 ( 09 min., 31 sec. ) -- Norah was still in her own room. She was sitting… ( 10 min., 05 sec. ) -- Chapter 15 ( 13 min., 31 sec. ) -- '…You are now in possession of my wishes…' ( 12 min., 13 sec. ) -- Norah's face crimsoned with indignation. ( 10 min., 55 sec. ) -- 'I can't give Frank up,' she said, faintly. ( 11 min., 23 sec. ) -- Between the Scenes. Letter 1: From Norah Vanstone… ( 09 min., 49 sec. ) -- 'When breakfast-time came (on Thursday morning)…' ( 10 min. ) -- Letter 2: From Miss Garth to Mr Pendril ( 06 min., 46 sec. ) -- Letter 3: From Magdalen to Norah ( 01 min., 39 sec. ) -- Letter 4: From Sergeant Bulmer to Mr Pendril ( 04 min., 05 sec. ) -- Letter 5: Anonymous Letter addressed to Mr Pendril ( 01 min., 10 sec. ) -- Second Scene. Skeldergate, York. Chapter 1 ( 09 min., 10 sec. ) -- Accustomed as Captain Wragge was to keep… ( 11 min., 04 sec. ) -- She looked at him with a cold surprise. ( 09 min., 18 sec. ) -- 'Suppose I choose to depend on nobody, and to act…' ( 08 min., 56 sec. ) -- Chapter 2 ( 11 min., 47 sec. ) -- She picked up the book, looked into the pages… ( 08 min., 53 sec. ) -- 'Very pleasant! very pleasant!' said the captain… ( 09 min., 58 sec. ) -- He opened one of the books. Magdalen was no… ( 09 min., 34 sec. ) -- Chapter 3 ( 12 min., 29 sec. ) -- Captain Wragge mentally appraised the rings… ( 11 min., 37 sec. ) -- 'Mr Huxtable's opinion is my opinion,' he began. ( 12 min., 21 sec. ) -- Between the Scenes. 1: Chronicle for October ( 08 min., 02 sec. ) -- 2: Chronicle for November ( 01 min., 16 sec. ) -- 3: Chronicle for December. First Fortnight ( 02 min., 20 sec. ) -- 4: Chronicle for December. Second Fortnight ( 03 min., 40 sec. ) -- 5: Chronicle for January ( 05 min., 34 sec. ) -- 6: Chronicle for February ( 02 min., 05 sec. ) -- 7: Chronicle for March ( 01 min., 09 sec. ) -- 8: Chronicle for April and May ( 07 min., 22 sec. ) -- 9: Chronicle for June ( 10 min. ) -- Under ordinary circumstances these absurd… ( 08 min., 19 sec. ) -- Third Scene. Vauxhall Walk, Lambeth. Chapter 1 ( 09 min., 11 sec. ) -- Mrs Wragge's meek snoring deepened in tone… ( 07 min., 23 sec. ) -- Chapter 2 ( 11 min., 02 sec. ) -- She followed them into St James's Park… ( 10 min., 58 sec. ) -- She glided imperceptibly a step or two nearer… ( 10 min., 30 sec. ) -- Chapter 3 ( 09 min., 49 sec. ) -- 'You hear what Lecount has just said?'… ( 10 min., 40 sec. ) -- There were two doors of entrance to the room. ( 13 min. ) -- Chapter 4 ( 08 min., 03 sec. ) -- Without waiting for his reply she went into the back… ( 10 min., 03 sec. ) -- The one remaining chance in such an emergency… ( 10 min., 08 sec. ) -- Between the Scenes. 1: Extract from the Advertising… ( 27 sec. ) -- 2: Letter from Captain Wragge to Magdalen ( 02 min., 53 sec. ) -- 3: Letter from Norah to Magdalen ( 02 min., 09 sec. ) -- 4: Letter from Miss Garth to Magdalen ( 04 min., 39 sec. ) -- 5: Letter from Francis Clare, Jun., to Magdalen ( 03 min., 22 sec. ) -- 6: Letter from Francis Clare, Sen., to Magdalen ( 37 sec. ) -- 7: Letter from Mrs Wragge to her Husband ( 02 min., 23 sec. ) -- 8: Letter from Norah to Magdalen ( 01 min. ) -- 9: Letter from Magdalen to Norah ( 03 min., 43 sec. ) -- 10: Letter from Magdalen to Miss Garth ( 02 min., 11 sec. ) -- 11: Letter from Magdalen to Captain Wragge ( 04 min., 33 sec. ) -- 12: Letter from Captain Wragge to Magdalen ( 07 min., 15 sec. ) -- 13: Extract from the 'East Suffolk Argus' ( 31 sec. ) -- Fourth Scene. Aldborough, Suffolk. Chapter 1 ( 13 min., 25 sec. ) -- 'A friend of yours?' inquired Captain Wragge… ( 14 min., 13 sec. ) -- Captain Wragge expressed the profound… ( 13 min., 46 sec. ) -- Chapter 2 ( 13 min., 29 sec. ) -- Chapter 3 ( 09 min., 38 sec. ) -- She lay down on her bed with a heavy sigh… ( 10 min., 13 sec. ) -- Chapter 4 ( 14 min., 19 sec. ) -- Captain Wragge was far too sharp to risk his… ( 13 min., 40 sec. ) -- Chapter 5 ( 13 min., 06 sec. ) -- This policy of waiting was so manifestly the wise… ( 11 min., 13 sec. ) -- They left the village and walked to the ruins of a… ( 12 min., 02 sec. ) -- Chapter 6 ( 10 min., 40 sec. ) -- The first letter was in a handwriting familiar to… ( 11 min., 55 sec. ) -- Noel Vanstone thought of the domestic passage… ( 11 min., 57 sec. ) -- Chapter 7 ( 11 min., 23 sec. ) -- 'I don't think Lecount's mad,' said Noel Vanstone… ( 11 min., 25 sec. ) -- 'I never enjoyed a walk so much in my life!'… ( 10 min., 52 sec. ) -- Chapter 8 ( 10 min., 56 sec. ) -- Captain Wragge received this proposal… ( 09 min., 01 sec. ) -- 'Play any trick you like on Lecount,' said Noel… ( 10 min., 41 sec. ) -- Chapter 9 ( 11 min., 18 sec. ) -- Noel Vanstone was easily accessible to visitors… ( 09 min., 55 sec. ) -- Four o'clock struck, five o'clock, six o'clock… ( 13 min., 56 sec. ) -- Chapter 10 ( 10 min., 04 sec. ) -- Thus far the housekeeper's conclusions led her… ( 10 min., 12 sec. ) -- 'May I ask a favour?' inquired Mrs. Lecount... ( 10 min., 42 sec. ) -- Chapter 11 ( 12 min., 47 sec. ) -- The coach appeared at last, and drew up at Sea View. ( 11 min., 19 sec. ) -- Chapter 12 ( 09 min., 54 sec. ) -- Chapter 13 ( 13 min. ) -- After a few turns backwards and forwards in the… ( 11 min., 18 sec. ) -- Her last thought at night had been the thought… ( 13 min., 32 sec. ) -- It was past two o'clock when she shut herself up… ( 11 min., 43 sec. ) -- Chapter 14 ( 11 min. ) -- Magdalen looked at him in surprise. ( 12 min., 44 sec. ) -- It was done. The awful words which speak from… ( 06 min., 32 sec. ) -- Between The Scenes. 1: Letter from George Bartram… ( 11 min., 52 sec. ) -- 2: Letter from Norah Vanstone to Miss Garth ( 03 min., 19 sec. ) -- 3: Letter from Mr John Loscombe (Solicitor) to… ( 01 min., 31 sec. ) -- 4: Letter from Norah Vanstone to Miss Garth ( 02 min., 16 sec. ) -- 5: Letter from Mrs Lecount to Mr de Bleriot… ( 05 min., 43 sec. ) -- 6: Letter from Mr de Bleriot to Mrs Lecount ( 03 min., 08 sec. ) -- 7: Letter from Mr Pendril to Norah Vanstone ( 02 min., 36 sec. ) -- 8: Letter from Norah Vanstone to Mr Pendril ( 01 min., 20 sec. ) -- 9: Letter from Mr de Bleriot to Mrs Lecount ( 02 min., 13 sec. ) -- 10: Letter from Miss Garth to Mr Pendril ( 05 min., 36 sec. ) -- 11: Letter from Mrs Lecount to Mr de Bleriot ( 02 min., 22 sec. ) -- 12: Letter from Mr Pendril to Miss Garth ( 53 sec. ) -- 13: Letter from Mr de Bleriot to Mrs Lecount ( 01 min., 58 sec. ) -- 14: Letter from Mrs Lecount to Mr de Bleriot ( 39 sec. ) -- Fifth Scene. Baliol Cottage, Dumfries. Chapter 1 ( 11 min., 20 sec. ) -- They were down at the fence again as she made… ( 11 min., 02 sec. ) -- He looked at her in breathless silence, his lips falling… ( 09 min., 01 sec. ) -- Chapter 2 ( 12 min., 39 sec. ) -- That reply answered the question. ( 12 min., 04 sec. ) -- 'This is the last Will and Testament of me, Noel…' ( 12 min., 55 sec. ) -- Chapter 3 ( 13 min., 13 sec. ) -- 'Baliol Cottage, Dumfries, November 3rd, 1847' ( 09 min., 13 sec. ) -- 'Have you signed, sir?' asked Mrs Lecount. ( 12 min., 26 sec. ) -- The civil and submissive Louisa received her orders… ( 09 min., 05 sec. ) -- Between the Scenes. 1: Letter From Mrs. Noel… ( 02 min., 51 sec. ) -- 2: Letter from Mr Loscombe to Mrs Noel Vanstone ( 01 min., 10 sec. ) -- 3: Letter From Mrs Noel Vanstone to Miss Garth ( 10 min., 36 sec. ) -- 4: Letter from Mr Loscombe to Mrs Noel Vanstone ( 01 min., 06 sec. ) -- 5: Letter From Mr Pendril to Miss Garth ( 02 min., 11 sec. ) -- 6: Letter From Mr Loscombe to Mrs Noel Vanstone ( 06 min., 35 sec. ) -- 7: Letter From Mrs Noel Vanstone to Mr Loscombe ( 40 sec. ) -- 8: Letter From Mr Loscombe to Mrs Noel Vanstone ( 06 min., 04 sec. ) -- 9: Letter From Mrs Noel Vanstone to Mr Loscombe ( 01 min., 25 sec. ) -- Sixth Scene. St John's Wood. Chapter 1 ( 10 min., 55 sec. ) -- Magdalen was the first to recover herself. ( 08 min., 47 sec. ) -- Chapter 2 ( 09 min., 16 sec. ) -- 'But you are a lady, ma'am,' objected Louisa… ( 07 min., 34 sec. ) -- Between the Scenes. 1: Letter from Miss Garth to… ( 02 min., 35 sec. ) -- 2: Letter from Mr Pendril to Miss Garth ( 02 min., 37 sec. ) -- 3: Letter From Admiral Bartram to Mrs Drake ( 01 min., 55 sec. ) -- 4: Letter From Mrs Drake to Admiral Bartram ( 52 sec. ) -- Seventh Scene. St Crux-in-the-Marsh. Chapter 1 ( 10 min., 33 sec. ) -- Having placed the wine and dessert on the table… ( 10 min., 21 sec. ) -- The east passage, after leading them on for a few… ( 12 min., 37 sec. ) -- Chapter 2 ( 08 min., 55 sec. ) -- In Magdalen's situation all experiments of this sort… ( 07 min., 57 sec. ) -- Chapter 3 ( 09 min., 13 sec. ) -- 'Call them crimes if you like, sir – I say again…' ( 11 min. ) -- Chapter 4 ( 09 min., 06 sec. ) -- The morning came, and for the first time at St Crux… ( 12 min., 35 sec. ) -- At the first of the stairs on which she set her foot… ( 13 min., 50 sec. ) -- She went into the room, and, shading the… ( 13 min., 51 sec. ) -- He roused himself for the moment by main force… ( 10 min., 53 sec. ) -- Between the Scenes. 1: Letter from George Bartram… ( 01 min., 27 sec. ) -- 2: Letter from George Bartram to Miss Garth ( 02 min., 36 sec. ) -- 3: Letter from Miss Garth to George Bartram ( 07 min., 38 sec. ) -- 4: Letter from Mrs Drake to George Bartram ( 05 min., 52 sec. ) -- 5: Letter from George Bartram to Miss Garth ( 54 sec. ) -- 6: Letter from Mr Loscombe to Mrs Noel Vanstone ( 06 min., 52 sec. ) -- 7: Letter from George Bartram to Miss Garth ( 06 min., 16 sec. ) -- 8: Letter from Mr Loscombe to Mrs Noel Vanstone ( 02 min., 09 sec. ) -- 9: Letter from Mrs Ruddock (Lodging-house Keeper)… ( 02 min., 14 sec. ) -- 10: Letter from Mr Loscombe to Mrs Ruddock ( 36 sec. ) -- The Last Scene. Aaron's Buildings. Chapter 1 ( 14 min., 02 sec. ) -- Physician or surgeon, there was something in his… ( 10 min., 11 sec. ) -- Chapter 2 ( 13 min., 52 sec. ) -- Would she ask the question which it had been… ( 11 min., 35 sec. ) -- The doctor made another sign to Kirke. ( 10 min., 54 sec. ) -- Chapter 3 ( 09 min., 44 sec. ) -- Before he could add another word she left the table… ( 11 min., 07 sec. ) -- Chapter 4 ( 10 min., 23 sec. ) -- A month had passed. The autumn sunshine… ( 08 min., 38 sec. )</marc:subfield>
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            <marc:subfield code="a">Boulton, Nicholas, Reader -- Rintoul, David, Reader -- Scott, Lucy, Reader -- Foley, John, Reader -- Bentley, Russell, Reader -- Atkins, Rachel, Reader -- Collins, Wilkie, Author</marc:subfield>
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            <marc:subfield code="a">WHARTON, E.: Ethan Frome (Unabridged)</marc:subfield>
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            <marc:subfield code="a">Ethan Frome ( 13 min., 16 sec. ) -- The next morning, when I looked out… ( 14 min., 21 sec. ) -- Chapter 1 ( 08 min., 08 sec. ) -- Mattie Silver had lived under his roof for a year… ( 09 min., 24 sec. ) -- Chapter 2 ( 07 min., 33 sec. ) -- These alterations of mood were the despair and joy… ( 10 min., 31 sec. ) -- Chapter 3 ( 12 min., 05 sec. ) -- Chapter 4 ( 12 min., 39 sec. ) -- The afternoon was drawing to an end… ( 13 min., 01 sec. ) -- Chapter 5 ( 12 min., 11 sec. ) -- Chapter 6 ( 09 min., 31 sec. ) -- Chapter 7 ( 12 min., 23 sec. ) -- Zeena waited a moment, as if giving him time… ( 14 min., 07 sec. ) -- Chapter 8 ( 08 min., 07 sec. ) -- He fell asleep, and when he woke the chill of… ( 09 min., 59 sec. ) -- Chapter 9 ( 13 min., 38 sec. ) -- Suddenly she rose to her feet and said… ( 09 min., 35 sec. ) -- Deep silence had fallen with the starless dusk… ( 10 min., 41 sec. ) -- The querulous drone ceased as I entered… ( 10 min., 20 sec. )</marc:subfield>
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            <marc:subfield code="a">Sims, Adam, Reader -- Wharton, Edith, Author</marc:subfield>
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            <marc:subfield code="a">PIZAN, C. de: Book of the City of Ladies (The) (Unabridged)</marc:subfield>
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            <marc:subfield code="a">The Book of the City of Ladies ( 07 min., 16 sec. ) -- 2. Christine tells how three ladies appeared to her… ( 05 min., 05 sec. ) -- 3. Christine recounts how the lady who had spoken… ( 06 min., 54 sec. ) -- 4. How, before the lady revealed her name… ( 04 min., 08 sec. ) -- 5. Christine tells how the second lady gave her name… ( 02 min., 45 sec. ) -- 6. Christine tells how the third lady revealed her name… ( 03 min., 56 sec. ) -- 7. Christine tells how she replied to the three ladies. ( 02 min., 34 sec. ) -- 8. Christine explains how Reason instructed her… ( 11 min., 48 sec. ) -- 9. How Christine dug over the earth: in other words… ( 09 min., 57 sec. ) -- 10. More questions and answers on this subject. ( 13 min., 54 sec. ) -- 11. Christine asks Reason why women aren't allowed… ( 03 min., 37 sec. ) -- 12. About the Empress Nicaula. ( 01 min., 51 sec. ) -- 13. About a queen of France called Fredegunde… ( 06 min., 44 sec. ) -- 14. More discussion and debate between Christine… ( 05 min., 14 sec. ) -- 15. About Queen Semiramis. ( 05 min., 35 sec. ) -- 16. About the Amazons. ( 03 min., 40 sec. ) -- 17. About the Amazon queen, Thamiris. ( 03 min., 32 sec. ) -- 18. How the mighty Hercules and his companion… ( 09 min., 21 sec. ) -- 19. About Queen Penthesilea and how she went to… ( 09 min., 17 sec. ) -- 20. About Zenobia, Queen of Palmyria. ( 08 min., 06 sec. ) -- 21. About the noble Queen Artemisia. ( 06 min., 39 sec. ) -- 22. About Lilia, mother of the valiant knight Theodoric. ( 02 min., 48 sec. ) -- 23. More about Queen Fredegunde. ( 03 min., 36 sec. ) -- 24. About the virgin Camilla. ( 02 min., 39 sec. ) -- 25. About Queen Berenice of Cappadocia. ( 01 min., 02 sec. ) -- 26. About the brave Cloelia. ( 02 min., 13 sec. ) -- 27. Christine asks Reason if God has ever blessed… ( 03 min., 50 sec. ) -- 28. Reason begins to speak about ladies who were… ( 02 min., 40 sec. ) -- 29. About Proba the Roman. ( 03 min., 14 sec. ) -- 30. About Sappho, who was an extremely fine poet… ( 03 min., 44 sec. ) -- 31. About the maiden Manto. ( 02 min., 17 sec. ) -- 32. About Medea, and another queen named Circe. ( 02 min., 43 sec. ) -- 33. Christine asks Reason if any woman has ever… ( 06 min., 21 sec. ) -- 34. About Minerva, who invented countless sciences… ( 05 min., 58 sec. ) -- 35. About Queen Ceres, who invented agriculture… ( 02 min., 11 sec. ) -- 36. About Isis, who discovered the art of making… ( 02 min., 10 sec. ) -- 37. About all the great good that these ladies have… ( 03 min., 33 sec. ) -- 38. More on the same topic. ( 05 min., 50 sec. ) -- 39. About the maiden Arachne, who invented… ( 03 min., 39 sec. ) -- 40. About Pamphile, who discovered the art of… ( 01 min., 38 sec. ) -- 41. About Thamaris, who was a supremely gifted… ( 05 min., 30 sec. ) -- 42. About Sempronia of Rome. ( 02 min., 05 sec. ) -- 43. Christine asks Reason if women are naturally… ( 05 min., 29 sec. ) -- 44. The 'Epistle of Solomon' from the Book of Proverbs. ( 02 min., 46 sec. ) -- 45. About Gaia Cirilla. ( 01 min., 53 sec. ) -- 46. About the good sense and cleverness of Queen… ( 11 min., 04 sec. ) -- 47. About Opis, Queen of Crete. ( 01 min., 43 sec. ) -- 48. About Lavinia, daughter of King Latinus. ( 03 min., 10 sec. ) -- Part 2. Here begins the Second Part of the Book… ( 05 min., 59 sec. ) -- 2. About the sibyl Erythrea. ( 03 min., 52 sec. ) -- 3. About the sibyl Almathea. ( 03 min., 24 sec. ) -- 4. About several prophetesses. ( 05 min., 16 sec. ) -- 5. About Cassandra and Queen Basine, as well as… ( 04 min., 36 sec. ) -- 6. About Antonia, who became empress of… ( 04 min., 21 sec. ) -- 7. Christine addresses Lady Rectitude. ( 06 min., 52 sec. ) -- 8. Here begins a series of daughters who loved… ( 01 min. ) -- 9. About Hypsipyle. ( 01 min., 47 sec. ) -- 10. About the virgin Claudine. ( 01 min., 55 sec. ) -- 11. About a woman who breastfed her mother… ( 03 min., 12 sec. ) -- 12. Here Rectitude explains that the houses of… ( 02 min., 32 sec. ) -- 13. Christine asks Lady Rectitude if it's true what men… ( 07 min., 29 sec. ) -- 14. About Queen Hypsicratea. ( 05 min., 18 sec. ) -- 15. About the Empress Triaria. ( 01 min., 36 sec. ) -- 16. More about Queen Artemisia. ( 03 min., 59 sec. ) -- 17. About Argia, daughter of King Adrastus. ( 04 min., 57 sec. ) -- 18. About the noble lady Agrippina. ( 01 min., 46 sec. ) -- 19. Christine addresses Rectitude, who replies to her… ( 04 min., 18 sec. ) -- 20. About the noble lady Tertia Aemilia. ( 02 min., 04 sec. ) -- 21. About Xanthippe, wife of the philosopher Socrates. ( 02 min., 02 sec. ) -- 22. About Pompeia Paulina, Seneca's wife. ( 02 min., 11 sec. ) -- 23. About the noble Sulpicia. ( 02 min., 33 sec. ) -- 24. About several ladies who, together, saved their… ( 02 min., 11 sec. ) -- 25. Christine speaks to Lady Rectitude about those… ( 03 min., 55 sec. ) -- 26. On the same subject: about the noble lady Curia. ( 02 min., 17 sec. ) -- 27. More on this subject. ( 01 min., 46 sec. ) -- 28. Proof against those who claim that only an idiot… ( 04 min., 59 sec. ) -- 29. About various men who did well to trust their… ( 05 min., 54 sec. ) -- 30. Christine talks about all the good that women… ( 03 min., 14 sec. ) -- 31. About Judith, the noble widow. ( 04 min., 42 sec. ) -- 32. About Queen Esther. ( 04 min. ) -- 33. About the Sabine women. ( 06 min., 45 sec. ) -- 34. About Veturia. ( 02 min., 54 sec. ) -- 35. About Clotilde, Queen of France. ( 04 min., 12 sec. ) -- 36. Against those who claim that it is not good… ( 05 min., 30 sec. ) -- 37. Christine addresses Rectitude, who gives… ( 02 min., 58 sec. ) -- 38. About Sarah. ( 01 min., 22 sec. ) -- 39. About Rebecca. ( 01 min., 10 sec. ) -- 40. About Ruth. ( 53 sec. ) -- 41. About Penelope, Ulysses's wife. ( 01 min., 57 sec. ) -- 42. Against those who assert that there are… ( 01 min., 40 sec. ) -- 43. More on this subject: the example of Antonia… ( 03 min., 14 sec. ) -- 44. In order to contradict those who claim that… ( 04 min., 27 sec. ) -- 45. On this same subject: the example of the queen… ( 01 min., 44 sec. ) -- 46. Still on this same subject: the examples of… ( 03 min., 01 sec. ) -- 47. Proofs to refute the view that women are lacking… ( 06 min., 11 sec. ) -- 48. About Nero. ( 03 min., 52 sec. ) -- 49. About the Emperor Galba, as well as others. ( 06 min., 08 sec. ) -- 50. About Griselda, the marchioness of Saluzzo… ( 13 min., 59 sec. ) -- 51. About Florence of Rome. ( 05 min., 41 sec. ) -- 52. About the wife of Bernabo the Genoese. ( 14 min., 29 sec. ) -- 53. After Rectitude has finished talking about women… ( 04 min., 39 sec. ) -- 54. Christine asks Rectitude if it’s true what certain… ( 05 min., 19 sec. ) -- 55. On the subject of women's constancy in love… ( 03 min., 30 sec. ) -- 56. About Medea in love. ( 02 min., 28 sec. ) -- 57. About Thisbe! ( 04 min., 24 sec. ) -- 58. About Hero. ( 02 min., 41 sec. ) -- 59. About Ghismonda daughter of the prince of… ( 16 min., 39 sec. ) -- 60. About Lisabetta, and other women in love. ( 06 min., 53 sec. ) -- 61. About Juno, and some other famous ladies. ( 04 min., 27 sec. ) -- 62. Christine addresses Rectitude who, in her reply… ( 02 min., 36 sec. ) -- 63. About the Roman woman Claudia. ( 02 min., 07 sec. ) -- 64. Rectitude explains that some women are loved… ( 02 min., 55 sec. ) -- 65. About Queen Blanche, mother of Saint Louis… ( 03 min. ) -- 66. Christine addresses Rectitude who, in her reply… ( 04 min., 51 sec. ) -- 67. About a generous and wealthy woman named… ( 03 min., 30 sec. ) -- 68. About the princesses and ladies of France. ( 05 min., 44 sec. ) -- 69. Christine addresses princesses and all other ladies. ( 01 min., 24 sec. ) -- Part 3. Here begins the Third Part of the Book… ( 05 min., 21 sec. ) -- 2. About Our Lady's sisters and Mary Magdalene. ( 01 min., 05 sec. ) -- 3. About Saint Catherine. ( 07 min., 26 sec. ) -- 4. About Saint Margaret. ( 02 min., 51 sec. ) -- 5. About Saint Lucy. ( 03 min., 13 sec. ) -- 6. About the blessed virgin Martina. ( 08 min., 07 sec. ) -- 7. About another Saint Lucy who was a virgin, as well… ( 04 min., 35 sec. ) -- 8. About Saint Justine and other virgins. ( 05 min., 52 sec. ) -- 9. About the virgin Theodosina, Saint Barbara… ( 07 min., 51 sec. ) -- 10. About the life of Saint Christine the virgin. ( 16 min., 55 sec. ) -- 11. About several saints who saw their children… ( 02 min., 55 sec. ) -- 12. About Saint Marina the virgin. ( 05 min., 24 sec. ) -- 13. About the blessed virgin Euphrosryna. ( 05 min., 13 sec. ) -- 14. About the blessed lady Anastasia. ( 06 min., 28 sec. ) -- 15. About the blessed Theodota. ( 03 min., 28 sec. ) -- 16. About the noble and holy Nathalia. ( 03 min., 22 sec. ) -- 17. About Saint Afra, a repentant prostitute who… ( 02 min., 38 sec. ) -- 18. Justice talks about several noble ladies who… ( 06 min., 25 sec. ) -- 19. The end of the book: Christine addresses all… ( 08 min., 01 sec. ) -- Translator's Introduction ( 13 min., 37 sec. ) -- These two traditions bequeathed to the medieval… ( 12 min., 39 sec. ) -- Christine did not become a professional writer… ( 11 min., 03 sec. ) -- Christine reinforces this paradoxical idea that women… ( 09 min., 38 sec. ) -- Not content simply to cite examples from classical… ( 09 min., 51 sec. )</marc:subfield>
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            <marc:subfield code="a">CATHER, W.: My Ántonia (Unabridged)</marc:subfield>
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            <marc:subfield code="a">My Ántonia ( 08 min., 55 sec. ) -- Book 1: The Shimerdas. Chapter 1 ( 07 min., 39 sec. ) -- Chapter 2. I do not remember our arrival… ( 07 min., 01 sec. ) -- Fuchs told me everything I wanted to know… ( 09 min., 32 sec. ) -- Chapter 3. On Sunday morning Otto Fuchs was to… ( 14 min., 20 sec. ) -- Chapter 4. On the afternoon of that same Sunday… ( 06 min., 51 sec. ) -- Chapter 5. We knew that things were hard for our… ( 07 min., 53 sec. ) -- Chapter 6. One afternoon we were having our… ( 08 min., 04 sec. ) -- Chapter 7. Much as I liked Ántonia, I hated a… ( 11 min., 49 sec. ) -- Chapter 8. While the autumn colour was growing… ( 08 min., 16 sec. ) -- Gradually, relief came to all of us. ( 09 min., 37 sec. ) -- Chapter 9. The first snowfall came early in December. ( 12 min., 49 sec. ) -- Chapter 10. For several weeks after my sleigh-ride… ( 14 min., 16 sec. ) -- Chapter 11. During the week before Christmas… ( 06 min., 30 sec. ) -- Chapter 12. On Christmas morning, when I got down… ( 06 min., 14 sec. ) -- Chapter 13. The week following Christmas brought… ( 08 min., 18 sec. ) -- Chapter 14. On the morning of the twenty-second… ( 14 min., 55 sec. ) -- Chapter 15. Otto Fuchs got back from Black Hawk… ( 08 min., 32 sec. ) -- All afternoon, wherever one went in the house… ( 06 min., 48 sec. ) -- Chapter 16. Mr Shimerda lay dead in the barn… ( 07 min., 53 sec. ) -- Chapter 17. When spring came, after that hard… ( 10 min., 44 sec. ) -- Chapter 18. After I began to go to the country… ( 14 min., 40 sec. ) -- Chapter 19. July came on with that breathless… ( 05 min., 29 sec. ) -- Book 2: The Hired Girls. Chapter 1 ( 06 min., 30 sec. ) -- Chapter 2. Grandmother often said that if she had… ( 10 min., 14 sec. ) -- Chapter 3. On Saturday Ambrosch drove up to… ( 06 min., 50 sec. ) -- Chapter 4. 'I won't have none of your weevily wheat…' ( 08 min., 11 sec. ) -- Lena lived in the Norwegian settlement west of… ( 07 min., 12 sec. ) -- Chapter 5. After Lena came to Black Hawk… ( 04 min., 30 sec. ) -- Chapter 6. Winter comes down savagely over… ( 12 min., 39 sec. ) -- Chapter 7. Winter lies too long in country towns… ( 09 min., 35 sec. ) -- One day Samson was standing thus while Miss Nellie… ( 09 min., 44 sec. ) -- Chapter 8. The Harling children and I were never… ( 06 min., 49 sec. ) -- Chapter 9. There was a curious social situation… ( 11 min. ) -- Chapter 10. It was at the Vannis' tent that Ántonia… ( 06 min., 21 sec. ) -- Chapter 11. Wick Cutter was the money-lender… ( 08 min., 09 sec. ) -- Chapter 12. After Ántonia went to live with… ( 08 min., 54 sec. ) -- After I refused to join 'the Owls,' as they were called… ( 09 min., 33 sec. ) -- Chapter 13. I noticed one afternoon that… ( 07 min., 14 sec. ) -- Chapter 14. The day after commencement I moved… ( 11 min., 08 sec. ) -- It was noon now, and so hot that the dogwoods… ( 11 min., 21 sec. ) -- Chapter 15. Late in August the Cutters went to… ( 11 min., 58 sec. ) -- Book 3: Lena Lingard. Chapter 1 ( 09 min., 29 sec. ) -- Chapter 2. One March evening in my sophomore… ( 13 min., 14 sec. ) -- Chapter 3. In Lincoln the best part of the theatrical… ( 11 min., 53 sec. ) -- Chapter 4. How well I remember the stiff little parlour… ( 10 min., 42 sec. ) -- One Saturday evening when I was having supper… ( 14 min., 55 sec. ) -- Book 4: The Pioneer Woman's Story. Chapter 1 ( 08 min., 59 sec. ) -- Chapter 2. Soon after I got home that summer… ( 04 min., 32 sec. ) -- Chapter 3. On the first or second day of August… ( 08 min., 14 sec. ) -- 'The next morning I got brother to drive me over.' ( 11 min., 20 sec. ) -- Chapter 4. The next afternoon I walked over… ( 06 min., 43 sec. ) -- Book 5: Cuzak's Boys. Chapter 1 ( 08 min., 58 sec. ) -- She dropped my hand and began rushing about. ( 10 min., 24 sec. ) -- At some distance behind the house were an ash… ( 10 min., 51 sec. ) -- We brought the cows home to the corner nearest… ( 11 min., 06 sec. ) -- Chapter 2. When I awoke in the morning… ( 11 min., 11 sec. ) -- Wick Cutter and his wife had gone on living in… ( 10 min., 35 sec. ) -- Chapter 3. After dinner the next day I said good-bye… ( 06 min., 33 sec. )</marc:subfield>
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            <marc:subfield code="a">Slade, Robert G., Reader -- Cather, Willa, Author</marc:subfield>
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            <marc:subfield code="a">BALZAC, H. de: Cousin Bette (Unabridged)</marc:subfield>
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            <marc:subfield code="a">Cousin Bette ( 11 min., 34 sec. ) -- During all these preparations – odd, to say the least… ( 11 min., 52 sec. ) -- 'I, a widower five years since,' Crevel began… ( 13 min., 41 sec. ) -- Madame Hulot looked at Crevel with a hopeful… ( 12 min., 01 sec. ) -- From the first days of her married life to the present… ( 09 min., 40 sec. ) -- Three years before the conversation reported above… ( 08 min., 08 sec. ) -- Lisbeth Fischer, though the daughter of the eldest… ( 14 min., 40 sec. ) -- At the time when this drama opens, if Cousin Bette… ( 10 min., 31 sec. ) -- Hortense, with an artfulness that would have… ( 11 min., 18 sec. ) -- Hulot, after a short silence, which was terrible to… ( 12 min., 27 sec. ) -- In 1823 the low rents in these already condemned… ( 11 min., 51 sec. ) -- The ignorance in which the dwellers under one roof… ( 10 min., 05 sec. ) -- This was the incident that had given rise to… ( 10 min., 19 sec. ) -- So Rivet went off to see, on behalf of that poor… ( 12 min., 12 sec. ) -- On the day after, these three lives, so differently… ( 11 min., 03 sec. ) -- On the following morning, Hortense, who had slept… ( 11 min., 27 sec. ) -- The word cousin dazzled the artist's mind… ( 15 min., 48 sec. ) -- Mademoiselle Fischer's galley slave, obliged at last… ( 11 min., 48 sec. ) -- This state of things lasted for several days. ( 11 min., 17 sec. ) -- 'You are as pale as death!' exclaimed Valérie. ( 11 min. ) -- Like a true Parisian Creole, Madame Marneffe… ( 13 min., 13 sec. ) -- Have you ever observed how in childhood… ( 07 min., 36 sec. ) -- At the Bourse, Crevel was regarded as a man… ( 13 min., 17 sec. ) -- By seven o'clock Lisbeth had returned home in an… ( 12 min., 55 sec. ) -- Hortense looked at her mother, but her head… ( 14 min., 06 sec. ) -- When the clerk was out of sight, Fischer called back… ( 13 min., 31 sec. ) -- Madame Marneffe particularly wished to be invited… ( 11 min., 14 sec. ) -- In Paris, when a woman determines to make a… ( 10 min., 56 sec. ) -- Within three months of settling in the Rue Vanneau… ( 12 min., 05 sec. ) -- This retrospective explanation, quite necessary after… ( 16 min., 11 sec. ) -- The residence Hulot had found for his wife… ( 09 min., 52 sec. ) -- The Marshal now came in; he had made such haste… ( 10 min., 18 sec. ) -- While the whole family in concert tried to persuade… ( 09 min., 43 sec. ) -- 'Did Madame Marneffe ever speak to you of this…' ( 09 min., 38 sec. ) -- The door bolted once more, the Brazilian came out… ( 13 min., 45 sec. ) -- Madame Marneffe now came in; she saw that… ( 10 min., 31 sec. ) -- 'By Heaven! only a woman of the world is capable of…' ( 12 min., 11 sec. ) -- 'If we had come to an agreement, like the simple…' ( 12 min., 09 sec. ) -- Hortense and Wenceslas had the ground floor… ( 16 min., 01 sec. ) -- Superficial thinkers – and there are many in the artist… ( 14 min., 55 sec. ) -- Valérie, informed the same evening of this success… ( 13 min., 45 sec. ) -- Many men desire to have two editions of the same… ( 15 min., 38 sec. ) -- Nothing annoys a married man so much as finding… ( 12 min., 55 sec. ) -- Madame Hulot, struck to the heart by the dreadful… ( 12 min., 32 sec. ) -- By the end of three weeks, Madame Marneffe… ( 15 min., 14 sec. ) -- When Wenceslas returned home and had read… ( 09 min., 40 sec. ) -- At eleven o'clock, when the evening was at its gayest… ( 09 min., 31 sec. ) -- At nine the next morning, the Baron… ( 09 min., 23 sec. ) -- For we all know the secret of our own wrong-doing… ( 06 min., 34 sec. ) -- In Paris each ministry is a little town by itself… ( 08 min., 33 sec. ) -- The Baron in his distress wrote the following note… ( 10 min., 27 sec. ) -- During this relapse into virtue Baron Hulot… ( 09 min., 03 sec. ) -- Valérie shot a flash from her eye which would have… ( 09 min., 44 sec. ) -- Marriage, no doubt, must be accepted as a tie… ( 08 min., 48 sec. ) -- A terrible disaster overthrew the old maid… ( 07 min., 49 sec. ) -- She sat down at her desk and wrote as follows… ( 08 min., 27 sec. ) -- 'What the devil can that worthy Baroness Hulot want…' ( 09 min., 20 sec. ) -- Fearing that Hortense might come in, she bolted… ( 11 min., 40 sec. ) -- The words made Madame Hulot shudder… ( 11 min., 34 sec. ) -- And at the Vava she tweaked his nose to the right… ( 10 min., 56 sec. ) -- Marshal Hulot, being obliged to live in a style suited… ( 11 min., 51 sec. ) -- 'You have robbed the State! You have made…' ( 14 min., 47 sec. ) -- 'The office vacated by Baron Hulot is the object of…' ( 12 min., 29 sec. ) -- Notwithstanding Lisbeth's nursing, Marshal Hulot… ( 13 min., 12 sec. ) -- She made Hulot sit down in the splendid… ( 13 min., 12 sec. ) -- When Olympe Bijou was gone, Josépha looked… ( 12 min., 04 sec. ) -- Thus, about twenty months passed by, during which… ( 10 min., 51 sec. ) -- Hortense started in horror. 'Victorin will see…' ( 08 min., 41 sec. ) -- The words spoken by Lisbeth, 'He begs from his…' ( 11 min., 34 sec. ) -- Josépha rose, and foraging among the rare plants… ( 12 min., 37 sec. ) -- At the very time when Madame Hulot was calling… ( 12 min., 16 sec. ) -- By seven next morning Lisbeth had driven in a… ( 12 min., 21 sec. ) -- Twenty minutes after, Lisbeth and Crevel… ( 10 min., 28 sec. ) -- Lisbeth returned to dine in the Rue Louis-le-Grand… ( 06 min., 29 sec. ) -- Baron Montès de Montejanos was a social lion… ( 12 min., 49 sec. ) -- The Brazilian refilled his glass, bowed to Carabine… ( 12 min., 36 sec. ) -- At a wink from Madame Nourrisson, Cydalise cast… ( 12 min., 25 sec. ) -- The paradise let to Count Steinbock had been hung… ( 11 min., 22 sec. ) -- Towards the end of May, Baron Hulot's pension… ( 12 min., 11 sec. ) -- Célestine came back to beg her husband… ( 14 min., 19 sec. ) -- Among the many noble associations founded in Paris… ( 10 min., 18 sec. ) -- Atala, told by the stove-fitter's daughter that she was… ( 13 min., 56 sec. ) -- Adeline, left alone, and looking round the squalid… ( 13 min., 26 sec. )</marc:subfield>
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            <marc:subfield code="a">Scott, Lucy, Reader -- Balzac, Honoré de, Author</marc:subfield>
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            <marc:subfield code="a">FRIEDLI, B.: Sy no Frage? Live im City-Chäller (B. Friedli)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2020</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming audio.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Glaris, gueten Aabe! ( 57 sec. ) -- Händ Sii scho en Nöistart probiert? ( 04 min., 50 sec. ) -- Das Gesetz vermutet… ( 05 min., 03 sec. ) -- Nöd Goran beläidige! ( 03 min., 54 sec. ) -- Betrach and Tenesfro ( 04 min., 28 sec. ) -- Chumm, bring en Hai ( 03 min., 55 sec. ) -- Architekt und Hausmann ( 39 sec. ) -- Stress Ade! ( 04 min., 23 sec. ) -- We die mii nid hätte! ( 03 min., 36 sec. ) -- Gut gedütscht, Monn! ( 03 min., 57 sec. ) -- Es Herrgöttli ( 02 min., 40 sec. ) -- Findest du mich dick? ( 03 min., 32 sec. ) -- E Chue mit ganz vielne Schnäbi ( 04 min., 05 sec. ) -- Meine Bikini-Figur ( 02 min., 01 sec. ) -- Kömerle u Schätzele ( 01 min., 15 sec. ) -- Gianluca vo Bümpliz forever ( 04 min., 28 sec. ) -- Früehserbisch ( 02 min., 47 sec. ) -- Hot Shot ( 45 sec. ) -- Die Welt spinnt ( 02 min., 51 sec. ) -- Dr Problemelefant ( 03 min., 14 sec. ) -- Chinderübergab ( 02 min., 12 sec. ) -- Kauderwelsch und Bundesdeutsch ( 02 min., 58 sec. ) -- Es abgchartets Spiil ( 03 min. ) -- Früecher woni no bi ga schaffe? ( 53 sec. ) -- Pfäffikon, Endbahnhof ( 02 min., 23 sec. ) -- Kulturkampf im Überlandtram ( 02 min., 15 sec. ) -- Grümpf, mümpf, Lausemädchen ( 03 min., 15 sec. ) -- Fifteen Minutes of Shame ( 03 min., 02 sec. ) -- Autogrammstunde ( 47 sec. ) -- Lobet und preiset die Dame! ( 02 min., 28 sec. ) -- YB forever! ( 01 min., 49 sec. ) -- Wi seisch? ( 03 min., 23 sec. ) -- Heimatland, di hüttigi Jugend! ( 02 min., 03 sec. ) -- Bummm! Knuff!! Zack!!! Boing!!!! ( 02 min., 46 sec. ) -- Warum üse Bueb Hans heisst ( 03 min., 36 sec. ) -- Generation Ypsilon ( 03 min., 56 sec. ) -- Bänzfridliii …! ( 02 min., 03 sec. ) -- Göga, Fäderli and Oldie Sacki ( 03 min., 12 sec. ) -- Dee Zopf hetsch jetz au chönne faxe ( 04 min., 21 sec. ) -- Sternstunde der Experten ( 02 min., 59 sec. ) -- Sy no Frage ( 04 min., 54 sec. ) -- Wilderswil ( 59 sec. ) -- Desperate Househusband ( 03 min., 15 sec. )</marc:subfield>
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            <marc:subfield code="a">Friedli, Bänz, Reader</marc:subfield>
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            <marc:subfield code="a">Spoken Word</marc:subfield>
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            <marc:subfield code="a">Friedli, Bänz</marc:subfield>
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