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            <marc:subfield code="a">PRESIDENT'S OWN UNITED STATES MARINE BAND (THE): Masterpieces for Symphonic Band, Programs 1-3 (G. Schwarz) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Lincolnshire Posy (NTSC) ( 00 sec. ) / Grainger -- Above and Beyond (NTSC) ( 00 sec. ) / Schwarz -- Fanfare Ritmico (NTSC) ( 00 sec. ) / Higdon -- Semper Fidelis (NTSC) ( 00 sec. ) / Sousa -- New England Triptych (NTSC) ( 00 sec. ) / Schuman -- Masquerade, Op. 102 (NTSC) ( 00 sec. ) / Persichetti -- The Stars and Stripes Forever (NTSC) ( 00 sec. ) / Sousa -- Suite No. 1 in E-Flat Major, Op. 28, No. 1 (NTSC) ( 00 sec. ) / Holst -- Symphony in B-Flat Major (NTSC) ( 00 sec. ) / Hindemith -- Shang Hai Overture (NTSC) ( 00 sec. ) / Sheng</marc:subfield>
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            <marc:subfield code="a">Schwarz, Gerard, Conductor -- President's Own United States Marine Band, The, Orchestra -- Fettig, Jason K., Conductor -- Sousa, John Philip, Composer -- Schuman, William, Composer -- Grainger, Percy, Composer -- Higdon, Jennifer, Composer -- Persichetti, Vincent, Composer -- Holst, Gustav, Composer -- Hindemith, Paul, Composer -- Sheng, Bright, Composer</marc:subfield>
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            <marc:subfield code="a">A unique collaboration: the All-Star Orchestra's Music Director Gerard Schwarz guest conducts the United States Marine Band. Founded by an Act of Congrass in 1787, it is America's oldest continually active musical ensemble. Three programs feature masterpieces for symphonic band and the history of the famed ensemble.

Program 1: Above and Beyond
The beloved folk melodies and lively dances of &lt;i&gt;Percy Grainger's Lincolnshire Posy&lt;/i&gt; are followed by Maestro Schwarz's own Above and Beyond and Pulitzer Prize-winner &lt;i&gt;Jennifer Higdon's Fanfare Ritmico&lt;/i&gt;. &lt;i&gt;John Philip Sousa's&lt;/i&gt; march, &lt;i&gt;Semper Fidelis&lt;/i&gt;, is led by the Director of the United States Marine Band, Col. Jason K. Fettig.

Program 2: New England Spirit
Revolutionary war melodies inspire &lt;i&gt;William Schumann's New England Triptych&lt;/i&gt; including &lt;i&gt;When Jesus Wept&lt;/i&gt; and the thrilling &lt;i&gt;Chester&lt;/i&gt; (as heard at several Presidential inaugurations). &lt;i&gt;Vincent Persichetti's&lt;/i&gt; colorful &lt;i&gt;Masquerade&lt;/i&gt; shows off the Marine Band's amazing virtuosity. The program conclude with Sousa's &lt;i&gt;The Stars and Stripes Forever&lt;/i&gt;.

Program 3: Classic Band Masterpieces
The masterful &lt;i&gt;First Suite for Military Band&lt;/i&gt; by composer of the &lt;i&gt;The Planets, Gustav Holst&lt;/i&gt;, is paired with the landmark &lt;i&gt;Symphony for Band in B flat&lt;/i&gt; by the great &lt;i&gt;Paul Hindemith&lt;/i&gt;. The splendor of Chinese percussion adds a festive note to &lt;i&gt;Bright Sheng's&lt;/i&gt; exhilarating &lt;i&gt; Shanghai Overture&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">WAGNER, R.: Global Wagner - From Bayreuth to the World (Documentary, 2021) (International version) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Global Wagner - From Bayreuth to the World (NTSC) ( 01 hrs., 37 min. ) / Wagner</marc:subfield>
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            <marc:subfield code="a">Domingo, Plácido, Artist -- Beczała, Piotr, Artist -- Thielemann, Christian, Conductor -- Gergiev, Valery, Conductor -- Ross, Alex, Artist -- Wagner, Katharina, Artist -- Harteros, Anja, Artist -- Kosky, Barrie, Artist -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">Global Wagner - From Bayreuth to the World is not a biography of &lt;i&gt;Richard Wagner&lt;/i&gt;, nor is it a musicological analysis of his work. This is a documentary dedicated solely to the world's fascination with the man, and an exploration of the question as to how such massive hype and world-wide cult following developed around this highly controversial artist. The program is a revealing feature-length study of life with Wagner's legacy from one Bayreuth Festival to the next, and we travel the world to meet devoted Wagnerians and those most intimately involved in commenting on and producing his work today.</marc:subfield>
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            <marc:subfield code="a">ZANDONAI, R.: Francesca da Rimini [Opera] (Deutsche Oper Berlin, 2021) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Francesca da Rimini (Deutsche Oper Berlin, 2021) (NTSC) ( 02 hrs., 20 min. ) / Zandonai</marc:subfield>
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            <marc:subfield code="a">Workman, Charles, Artist -- Rizzi, Carlo, Conductor -- Berlin Deutsche Opera Orchestra, Orchestra -- Jakubiak, Sara, Artist -- Berlin Deutsche Opera Chorus, Choir -- Hutton, Alexandra, Artist -- Johnson, Samuel Dale, Artist -- Tetelman, Jonathan, Artist -- Inverardi, Ivan, Artist -- Marrero, Meechot, Artist -- Galoyan, Mané, Artist -- Manganello, Arianna, Artist -- Tucker, Karis, Artist -- Elmadfa, Amira, Artist -- Dickinson, Andrew, Artist -- Cook, Patrick, Artist -- Murphy, Dean, Artist -- Lehman, Thomas, Artist -- Zandonai, Riccardo, Composer -- D'Annuzio, Gabriele, Lyricist -- Ricordi, Tito, Lyricist</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Riccardo Zandonai's Francesco da Rimini&lt;/i&gt; is a four-act opera set during the Renaissance period. The plot concerns an arranged marriage between Francesca and Giovanni, also known as Gianciotto, who is impersonated by his handsome brother Paolo, and with whom Francesca falls passionately in love. Sometimes referred to as the 'Italian Tristan', the opera ends in betrayal and a double murder. The production of the rarely performed opera from the Deutsche Oper Berlin proved to be a huge critical success.</marc:subfield>
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            <marc:subfield code="a">On Christmas Eve, a young girl has a dream... Emotional awakening, physical transformation, childhood that slowly merges into adulthood... behind what seems to be a tale for children slowly emerges a danced initiatory journey. And while children revel in Drosselmeyer's magic tricks and enjoy a good scare with the apparition of the Mouse King, the adults notice all the finesse that pervades this narrative and admire the virtuosity of the choreography.

A first class company, the Ballet Company of the National Opera of Ukraine has toured all around the world : from the United States to Europe and Asia. Thanks to its rich classical heritage, the Company has managed to win the hearts of its audience thanks to its amazing technique and artistic maestria, and as in every good dance company, the whole is equal to the sum of its parts. The Company has also, over the years, establised itself as a unique talent pool, that has nurtured first class dancers such as Iana Salenko (Staatsballet Berlin), Alina Cojocaru (Royal Ballet), Maxim Beloserkovsky and Irina Dvorovenko (American Ballet Theater); and the young gifted dancers that make the Ballet's reputation ensure the preservation of the classical heritage of this historical and world-renowned company.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Gioacchino Rossini&lt;/i&gt; was only 23 years old when he wrote what was to become his most famous opera, composed after the scandalous eponymous play by Beaumarchais. &lt;i&gt;Il Barbiere di Siviglia&lt;/i&gt; premiered in Rome in 1816: an innovative work, full of sophistication and finesse that first intrigued the Italian public, before winning over the entire peninsula and the rest of the world.

The opera displays with great clarity the essence of the Rossinian revolution: situation comedy, sharp criticism of social hypocrisy, together with a witty musical style, the glory of belcanto, and the contagious energy of assertive melodic lines. With the adventures of the factotum Figaro and his master Almaviva, looking to seduce the beautiful Rosina and steal her away from the old Bartolo; through the endless criss-crossing of this lover's chase, Rossini was to begin a new chapter in Italian opera, and forge a new brand that shaped the musical landscape of the 19th century.

For this reprisal of Hugo de Ana's famous staging at the Arena di Verona, Rossini's masterpiece is conducted by Maestro Daniel Oren. Italian baritone Leo Nucci, a true connoisseur of the part, is a boastful and virtuoso Figaro, while soprano Nino Machaidze and tenor Dmitry Korchak are perfect as the not-so-candid lovers around whom the opera revolves. And who better than Italian bass Ferruccio Furlanetto, who shines in the Calunnia aria, for the part of Basilio?</marc:subfield>
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            <marc:subfield code="a">PUCCINI, G.: Turandot [Opera] (Teatro Real, 2018) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Gimenez, Raul, Artist -- Esteve, Vicenç, Artist -- Kunde, Gregory, Artist -- Madrid Teatro Real Chorus, Choir -- Martín-Royo, Joan, Artist -- Madrid Teatro Real Orchestra, Orchestra -- Luisotti, Nicola, Conductor -- Mastroni, Andrea, Artist -- Sanabria, Juan Antonio, Artist -- Theorin, Iréne, Artist -- Auyanet, Yolanda, Artist -- Pequenos Cantores de la Jorcam, Choir -- Bullón, Gerardo, Artist -- Simoni, Renato, Lyricist -- Puccini, Giacomo, Composer -- Adami, Giuseppe, Lyricist</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Giacomo Puccini&lt;/i&gt; wrote what was supposed to be his last opera at a time where, riddled with disease and old age as he was, he felt like his own turmoil was reflected in the outside world: itself staggering, unsteady, overwhelmed and smashed by the chaos of European diplomacy. In spite of these obstacles, he persevered and worked until the very end of his life on this opera that he left unfinished but that proved to be a "way out" for him in many ways. Drawn from an ancient Persian epic from the 13th century, &lt;i&gt;Turandot&lt;/i&gt; was indeed an excuse to escape into a new dramatic universe, one made of unexpected sounds and symbols. Here, in a world removed both geographically and chronologically from his own reality, he gave into the seductive powers of exoticism and eroticism, just as his own heroin Princess Turandot abandons herself to the mysteries of love and forgiveness.

After twenty years of absence, Puccini's Turandot was revived on the stage of the Teatro Real in a new production by American stage director Robert Wilson. One of the most important theatre and visual artist of our times, the director who gave life to &lt;i&gt;Philip Glass's Einstein of the Beach&lt;/i&gt; and who reinvented &lt;i&gt;Debussy's Pelleas et Melisande&lt;/i&gt; hadn't worked on a Puccini opera in twenty-five years, since his ground-breaking &lt;i&gt;Madama Butterfly&lt;/i&gt; commissioned by the Paris Opera in 1993. This new encounter between his powerful visual universe and Puccini's evocative music was bound to be an outstanding event. Carried out by a brilliant cast of singers, dominated by Irene Theorin as Turandot, Gregory Kunde as Calaf and Yolanda Auyanet as Liu, this magnificent production is conducted by the Teatro Real's associate musical director Nicola Luisotti - and has been met with universal acclaim.</marc:subfield>
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            <marc:subfield code="a">TCHAIKOVSKY, P.I.: Swan Lake [Ballet] (National Opera of Ukraine Ballet, 2019) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Swan Lake, Op. 20 (National Opera of Ukraine Ballet, 2019) (NTSC) ( 02 hrs., 09 min. ) / Tchaikovsky</marc:subfield>
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            <marc:subfield code="a">Muromtseva, Ganna, Artist -- Matsak, Natalia, Artist -- Nedak, Denys, Artist -- Tkachuk, Yaroslav, Artist -- Skripchenko, Olga, Artist -- Skulkin, Oleksandre, Artist -- Alyanakh, Margarita, Artist -- Borisova, Irina, Artist -- Onipko, Svetlana, Artist -- Goguidze, Elisaveta, Artist -- Didenko, Katerina, Artist -- Chorna, Inna, Artist -- Chupina, Katerina, Artist -- Litvinenko, Sergey, Artist -- Ivashchenko, Vladislav, Artist -- Melnik, Ludmila, Artist -- Dyadura, Mykola, Conductor -- National Opera of Ukraine Ballet Company, Ensemble -- National Opera of Ukraine Orchestra, Orchestra -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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            <marc:subfield code="a">The impossible love between a human prince and a swan princess, tragic fates, the constant opposition between imagination and reality: these are the core elements of &lt;i&gt;Tchaikovsky's Swan Lake&lt;/i&gt;. Profoundly classical, Valery Kovtun's version for the Ballet of the National Opera of Ukraine is an homage to Tchaikovsky's talent, but also to Marius Petipa's timeless heritage. As in the original libretto, this Swan Lake ends with the two main character's death, drowned into the lake's tears. But evil is overpowered by love, and in the final apotheosis, Odette and Siegfried are forever united in a world of perfect harmony.

A first class company, the Ballet Company of the National Opera of Ukraine has toured all around the world : from the United States to Europe and Asia. Thanks to its rich classical heritage, the Company has managed to win the hearts of its audience thanks to its amazing technique and artistic maestria, and as in every good dance company, the whole is equal to the sum of its parts. The Company has also, over the years, establised itself as a unique talent pool, that has nurtured first class dancers such as Iana Salenko (Staatsballet Berlin), Alina Cojocaru (Royal Ballet), Maxim Beloserkovsky and Irina Dvorovenko (American Ballet Theater); and the young gifted dancers that make the Ballet's reputation ensure the preservation of the classical heritage of this historical and world-renowned company.</marc:subfield>
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            <marc:subfield code="a">PROKOFIEV, S.: Romeo and Juliet [Ballet] (Ural Opera Ballet, 2019) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Romeo and Juliet, Op. 64 (Ural Opera Ballet, 2019) (NTSC) ( 01 hrs., 57 min. ) / Prokofiev</marc:subfield>
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            <marc:subfield code="a">Klinichev, Pavel, Conductor -- Ural Opera Ballet, Ensemble -- Sapogova, Ekaterina, Artist -- Merkushev, Alexandr, Artist -- Bulytsyn, Igor, Artist -- Sageev, Gleb, Artist -- Eremin, Vadim, Artist -- Ural Opera Ballet Orchestra, Orchestra -- Prokofiev, Sergey, Composer</marc:subfield>
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            <marc:subfield code="a">A love to die for: &lt;i&gt;Prokofiev&lt;/i&gt; dance with the Ural Opera Ballet in this contemporary version of &lt;i&gt;Romeo and Juliet&lt;/i&gt; choreographed by Vyacheslav Samodurov.

Two lovers, united by fate but kept apart by an old family feud, who can only be together in death: Shakespeare's timeless tale, set to ballet music by &lt;i&gt;Sergey Prokofiev&lt;/i&gt; in 1935, needs no introduction. However, this production from the Ural Opera Ballet in Ekaterinburg, which won the prestigious Golden Mask Prize as "Best Ballet" in 2017, adds interesting twists to this well-known frame, as choreographer Vyacheslav Samodurov sets his performance in a dance studio, during a rehearsal of the Romeo and Juliet ballet.

This way, the characters of the play are placed out of a specific country or era: the action could take place anytime and anywhere. It could even be happening in front of your window right now: it is not by chance that the dancers reminded the audience of today's 'boys and girls from the Uralmash district', as some viewers have noted in social media. The motive of struggle between the two clans disappears from the performance - it does not matter which families the street fighters belong to. The concept of repetition and inexorability of the theatrical ritual plays a central part: a tragedy is about to happen and the lovers will die today, but afterwards everyone will go home, a new rehearsal will start tomorrow, and the story will be repeated again from the start.

With outstanding performances from principals Ekaterina Sapogova and Alexandr Merkushev, choreographer Vyacheslav Samodurov creates an intricate and surprisingly modern choreographical language that draws from classical movements but also from pantomime to best express the feelings and the drama at play in this eternal masterpiece.</marc:subfield>
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            <marc:subfield code="a">RIMSKY-KORSAKOV, N.A.: Sadko [Opera] (Bolshoi Opera, 2020) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Durseneva, Aleksandra, Artist -- Bolshoi Theatre Chorus, Choir -- Bolshoi Theatre Orchestra, Orchestra -- Ulianov, Dmitri, Artist -- Murzaev, Sergey, Artist -- Semenchuk, Ekaterina, Artist -- Petrenko, Mikhail, Artist -- Garifullina, Aida, Artist -- Muravitsky, Roman, Artist -- Trofimov, Stanislav, Artist -- Mavlyanov, Nazhmiddin, Artist -- Minenko, Yuri, Artist -- Paster, Maxim, Artist -- Neklyudov, Alexey, Artist -- Zhilikhovsky, Andrey, Artist -- Komovich, Vladimir, Artist -- Rubtsova, Irina, Artist -- Zangiev, Timur, Conductor -- Rimsky-Korsakov, Nikolay Andreyevich, Composer</marc:subfield>
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            <marc:subfield code="a">In the 13th century, the rich merchants of Novgorod mock the dreams of far-away journeys and of commercial conquests brought forth by Sadko, a musician and singer. But Volkhova, the Sea King's daughter, is enchanted by Sadko's voice, and promises to help him fulfill his dreams...

&lt;i&gt;Sadko&lt;/i&gt; is a decisive work in &lt;i&gt;Nikolai Rimsky-Korsakov's&lt;/i&gt; aesthetic evolution. As in many operas, the composer draws his artistic material from Russian folk and fairytales, but also from old musical and poetic forms. The result is a prodigious opera, whose modernity - both dramatic and musical - erupts from the fabulous resources of traditional Russian epics, but also from the wonders of the marine universe, close to his former navigator self's heart.

A subtle analyst of the slavic soul, stage director Dmitri Tcherniakov comes back to the great stage of the Bolshoi Theater and devises a surprising production that perfectly underlines the ambiguities of this paradoxical opera, between past and present, fantasy and reality. He surrounds himself with magnificent Russian soprano Aida Garifullina, but also some of his favorite singers: Mikhail Petrenko, Ekaterina Semenchuk... In the pit and at the head of the Bolshoi Theater Orchestra, young Russian conductor Timur Zangiev breathes in this little-know masterpiece all the energy, all the poetry, and all the passion it requires.</marc:subfield>
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            <marc:subfield code="a">The dramatists of ancient Greece, Aeschylus, Sophocles and Euripides had a huge influence on their own times but they are arguably just as significant today. In this program Malcolm Hossick uncovers how they worked and why their ideas and methods were so revolutionary.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Mark Twain&lt;/i&gt; was born Samuel Langhorn Clemens in the small town of Florida Missouri. When he was four his parents moved the family to Hannibal, a larger town not far away on the banks of the Mississippi river. There he had an idyllic childhood which was to form the basis of some of his later novels. He began life as a river pilot then became a gold prospector. He finally began writing under the name Mark Twain and achieved immense success with a wide range of novels and essays on every topic under the sun. He was irreverent and funny, optimistic and charming and unsurprisingly this program by Malcolm Hossick of his hectic and fascinating life is equally rewarding.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Voltaire&lt;/i&gt; was born the son of a prominent lawyer and from his earliest days showed a precocious literary talent. He wrote plays and novels and historical and philosophical works his outspokeness constantly landed him in trouble with the authorities. He became the leading liberal voice of the french enlightenment and he has had a world wide influence ever since. The program traces his fascinating life and ends with an overview of his works.</marc:subfield>
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            <marc:subfield code="a">The poet &lt;i&gt;Walt Whitman&lt;/i&gt; was born in a small village in Long Island, New York State in 1819. When he was quite young the family moved to Brooklyn where he received a modest education. He began work as a typesetter. He published his most famous book of poems &lt;i&gt;Leaves of Grass&lt;/i&gt; in 1855 and gradually his reputation grew. He died in Camden New Jersey in 1892 already recognized as one of the outstanding voices of the American spirit. The program by Malcolm Hossick covers his life and background and is followed by an overview of his work.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Oscar Wilde&lt;/i&gt; was certainly one of the most brilliant writers of comedy for the English stage. The tale of his tragic downfall, caused by the society of his time condemning his private sexual life, has generally overshadowed the importance of his work. This program by Malcolm Hossick follows his early career and attempts to regain the balance between tragic figure and artist. It covers his life and background and ends with an overview of his work.</marc:subfield>
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            <marc:subfield code="a">This program by Malcolm Hossick follows the fascinating life of the novelist &lt;i&gt;Virginia Woolf&lt;/i&gt;. She was born in London in 1882. Her father was Leslie Stephen, a writer and literary editor. She was educated privately and in 1912 married Leonard Woolf. He encouraged her to write and they began their own publishing house called the Hogarth Press where they printed her remarkable books.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;William Butler Yeats&lt;/i&gt; was born in Dublin. His father was a successful artist and from an early age Yeats determined to be and was soon accepted as a poet. On the London literary scene he was a leading light and in Dublin was instrumental in setting up an Irish Theatre. He became the recognized poet of the Irish struggle for freedom and ended his long life as a senator and venerated patriarch of the new state. The documentary traces his life and ends with an overview of his works.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Zola&lt;/i&gt; was born the son of an Italian engineer. He early determined to be a writer and via work with the publishing firm Hachette, he began writing the many realistic novels with which he made his mark. His work was very popular with a wide audience and he was seen as a champion of democracy and the people. He was exiled for the stance he took against the government at the Dreyfus trial. The documentary traces his successful and industrious life and ends with an overview of his works.</marc:subfield>
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            <marc:subfield code="a">A forest engaging in dialogue with the exuberant fauna. A restless river cascades towards the sea. One of the monuments of Brazilian symphonic music, &lt;i&gt;Canticum Naturale&lt;/i&gt;, by &lt;i&gt;Edino Krieger&lt;/i&gt;, is revisited fifty years after its premiere by means of digital art in &lt;i&gt;Canticum Digitale&lt;/i&gt; (2022), an audiovisual piece of digital art, or visual music, in which rhythm, harmony, and melody are transposed into the domain of imagery.

Canticum Digitale is an immersive and synesthetic work, where sound and visual stimuli merge harmoniously to create a unique audiovisual experience for the viewer on the volumetric membrane of the eight screens in the Brazil pavilion at Dubai Expo. This performance features soprano Flavia Fernandes and the Goias Philharmonic Orchestra, conducted by Neil Thomson.</marc:subfield>
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            <marc:subfield code="a">KRIEGER, E.: Canticum Digitale (Brazil Pavilion at Dubai International Expo 2022) (Fernandes, Goiás Philharmonic, N. Thomson) (multiscreen version)</marc:subfield>
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            <marc:subfield code="a">A forest engaging in dialogue with the exuberant fauna. A restless river cascades towards the sea. One of the monuments of Brazilian symphonic music, &lt;i&gt;Canticum Naturale&lt;/i&gt;, by &lt;i&gt;Edino Krieger&lt;/i&gt;, is revisited fifty years after its premiere by means of digital art in &lt;i&gt;Canticum Digitale&lt;/i&gt; (2022), an audiovisual piece of digital art, or visual music, in which rhythm, harmony, and melody are transposed into the domain of imagery. 

Canticum Digitale is an immersive and synesthetic work, where sound and visual stimuli merge harmoniously to create a unique audiovisual experience for the viewer on the volumetric membrane of the eight screens in the Brazil pavilion at Dubai Expo. This performance features soprano Flavia Fernandes and the Goias Philharmonic Orchestra, conducted by Neil Thomson in a multiscreen version.</marc:subfield>
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            <marc:subfield code="a">SAINT-GEORGES, J.B.C de: Giving Voice - Recording the 6 Concertante Quartet (Documentary, 2021)  (NTSC)</marc:subfield>
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            <marc:subfield code="a">Causa, Ettore, Artist -- Kwok, Sarita, Artist -- Arabella String Quartet, Ensemble -- Eskar, Julie, Artist -- Lecarme, Alexandre, Artist -- Bradley, Allan, Artist -- Saint-Georges, Joseph Bologne, Chevalier de, Composer</marc:subfield>
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            <marc:subfield code="a">A brilliant swordsman, athlete, violin virtuoso and composer, &lt;i&gt;Joseph Bologne, Chevalier de Saint-Georges&lt;/i&gt; might well lay claim to being the most talented figure in an age of remarkable individuals. The string quartet was still in its infancy in France in the 1770s, but while these pieces are small in scale they are exceptionally rewarding. 

Saint-Georges appreciated the intimate nature of this genre, avoiding overt soloistic virtuosity and exploring chamber music timbres, amply demonstrating his rich lyrical gifts and a natural ability to delight performers and audiences alike.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">STRAVINSKY, I.: Rossignol (Le) (The Nightingale) [Opera] (Aix-en-Provence Festival, 2010) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Le rossignol (The Nightingale) (Aix-en-Provence Festival, 2010) (NTSC) ( 03 hrs., 27 min., 57 sec. ) / Stravinsky</marc:subfield>
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            <marc:subfield code="a">Bannik, Ilya, Artist -- Peretyatko, Olga, Artist -- Lyon National Opera Chorus, Choir -- Ono, Kazushi, Conductor -- Lyon National Opera Orchestra, Orchestra -- Montvidas, Edgaras, Artist -- Vorobiev, Yuri, Artist -- Suliman, Nabil, Artist -- Shilova, Svetlana, Artist -- Semenova, Elena, Artist -- Stravinsky, Igor, Composer -- Mitusov, Stephan, Lyricist</marc:subfield>
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            <marc:subfield code="a">In &lt;i&gt;The Nightingale'&lt;/i&gt;, Robert Lepage incorporates the usual operatic arts, adds puppetry and acrobatics, and reverses the usual performance arrangement by placing the orchestra on the stage and turning the orchestra pit into a shimmering pool of water. This alchemy transmutes some children's tales about animals into an unusually integrated and spellbinding piece of theater.

The triumph of this Nightingale production is the way in which all the   arts illuminate the music in an emotional rather than purely plot - and character-centered manner while remaining firmly grounded in storytelling... (The Wall Street Journal)</marc:subfield>
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            <marc:subfield code="a">LIED (LE) - Histoire d'un voyage: Episode No. 1 (Documentary, 2021) (NTSC)</marc:subfield>
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            <marc:subfield code="a">In his Parisian living room, music critic &lt;i&gt;Andre Tubeuf&lt;/i&gt; (1930-2021) tells, with his knowledge, his language and his memory, the story of the German Lied. From Mozart and Beethoven to Mahler and Strauss, through &lt;i&gt;Schubert, Schumann, Brahms&lt;/i&gt; and &lt;i&gt;Wolf&lt;/i&gt;, a major part of the European culture and of music history is reborn before our eyes and ears.

Featuring Episode 1 entitled &lt;i&gt;Mozart and Beethoven - The Lied's Dawn&lt;/i&gt; from a series of seven episodes filmed by Martin Mirabel.</marc:subfield>
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        <marc:controlfield tag="001">P741</marc:controlfield>
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            <marc:subfield code="a">Beethoven, Ludwig van</marc:subfield>
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            <marc:subfield code="a">Schumann, Robert</marc:subfield>
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            <marc:subfield code="a">Chopin, Fryderyk</marc:subfield>
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            <marc:subfield code="a">Brahms, Johannes</marc:subfield>
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            <marc:subfield code="a">PRIVATE CONCERT AT MARTHA ARGERICH'S (A) (NTSC)</marc:subfield>
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            <marc:subfield code="a">A Private Concert at Martha Argerich's (NTSC) ( 52 min. ) / Not Applicable -- Variations in E-Flat Major on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte, WoO 46 (NTSC) ( 00 sec. ) / Beethoven -- Fantasiestücke, Op. 73 (NTSC) ( 00 sec. ) / Schumann -- Introduction and Polonaise brillante in C Major, Op. 3 (NTSC) ( 00 sec. ) / Chopin -- 4 Gesänge, Op. 70: No. 2. Lerchengesang (arr. for cello and piano) (NTSC) ( 00 sec. ) / Brahms</marc:subfield>
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            <marc:subfield code="a">Argerich, Martha, Artist -- Dutoit-Argerich, Annie, Artist -- Maisky, Mischa, Artist -- Beethoven, Ludwig van, Composer -- Schumann, Robert, Composer -- Chopin, Fryderyk, Composer -- Not Applicable, na, Composer -- Brahms, Johannes, Composer</marc:subfield>
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            <marc:subfield code="a">What if chamber music returned to its traditional venue: within well-loved artists' homes? Initially, chamber music was composed for the private sphere, but ended up losing part of its essence as this form started performing within venues that gradually expanded. 

This program rekindles the origins of the genre by showing itself inside the living rooms of grand artists for original concerts, played in an intimate and privileged setting: at &lt;i&gt;Martha Argerich's&lt;/i&gt; in Geneva, with &lt;i&gt;Mischa Maisky&lt;/i&gt;. They invite us to hear masterpieces of the chamber repertoire in a new light: &lt;i&gt;Ludwig van Beethoven, Robert Schumann, Frederic Chopin and Johannes Brahms&lt;/i&gt; and between each movement, the Argerich confide about her lives and her art to presenter, Annie Dutoit, who has known her since childhood. A tender musical lesson.</marc:subfield>
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