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            <marc:subfield code="a">Inheriting the Future of Music (NTSC) ( 58 min. ) / Not Applicable -- Jeux (NTSC) ( 16 min., 50 sec. ) / Debussy -- Notations (version for orchestra) (NTSC) ( 19 min., 47 sec. ) / Boulez -- Repons (NTSC) ( 32 min., 01 sec. ) / Boulez</marc:subfield>
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            <marc:subfield code="a">Pierre Boulez has already left an indelible imprint on the international music scene, not only as a composer and conductor but also as a music philosopher and teacher. This documentary, a homage on the occasion of his 85th birthday, shows his invaluable nurturing of young musicians as they come together during the summer for intensive rehearsal weeks. Adopting the perspective of both Pierre Boulez and of the students, the film conveys an infectious enthusiasm for contemporary music, a determination on the part of everybody to do it justice, and a wonderful insight into the legacy that Pierre Boulez passes on to the next generation.</marc:subfield>
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            <marc:subfield code="a">This debut concert performance with the Berliner Philharmoniker by the Japanese conductor Yutaka Sado was hailed in the press as a triumph. The musicians decided to raise funds for the relief efforts following the cataclysmic earthquake and tsunami that struck Japan in March 2011. The program consists of &lt;i&gt;From me flows what you call time,&lt;/i&gt; a perfect blend of East and West, by Japan's most enduring composer Toru Takemitsu; and Dmitry Shostakovich's Fifth Symphony, which so successfully blends the demands of the Soviet authorities with the oppressed public's need for an emotional outlet.</marc:subfield>
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            <marc:subfield code="a">Piano Sonata No. 31 in A-Flat Major, Op. 110 (NTSC) ( 00 sec. ) / Beethoven -- Mazurka No. 5 in B-Flat Major, Op. 7, No. 1 (NTSC) ( 00 sec. ) / Chopin -- Mazurka No. 7 in F Minor, Op. 7, No. 3 (NTSC) ( 00 sec. ) / Chopin -- Mazurka No. 13 in A Minor, Op. 17, No. 4 (NTSC) ( 00 sec. ) / Chopin -- Estampes (NTSC) ( 00 sec. ) / Debussy -- Piano Sonata No. 21 in B-Flat Major, D. 960 (NTSC) ( 00 sec. ) / Schubert -- Nocturne No. 20 in C-Sharp Minor, Op. posth. (NTSC) ( 00 sec. ) / Chopin</marc:subfield>
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            <marc:subfield code="a">I have devoted my life to the piano and to music-making. Whether you acquire public fame or not, devoting one's existence to serving art provides a rich life and the healthiest form of fulfillment. I feel music is my religion, the hall is my temple and the composer is my god whose works I preach. It is no exaggeration to say that music saved my life.

Beethoven's Sonata, Op. 110 illustrates idealism in the first movement, hedonism in the second, and regret and pain in the last movement from which two fugues emerge triumphantly, as if saying, "Yes, life is worth living" - and this is what I feel. This is to be considered alongside Schubert's last sonata D. 960, which explores the emotions of a man who knows he has a limited time to live, and in which the slow movement resonates like a funeral march whilst also showing happiness and peace of mind.

&lt;i&gt;- Menahem Pressler&lt;/i&gt;</marc:subfield>
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            <marc:subfield code="a">CLASSIC ARCHIVE: Martha Argerich Celebration (A) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Piano Concerto No. 1 in B-Flat Minor, Op. 23 (NTSC) ( 32 min., 42 sec. ) / Tchaikovsky -- Piano Concerto No. 3 in C Major, Op. 26 (NTSC) ( 27 min., 33 sec. ) / Prokofiev</marc:subfield>
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            <marc:subfield code="a">Argerich, Martha, Artist -- Royal Liverpool Philharmonic Orchestra, Orchestra -- Groves, Charles, Conductor -- Previn, André, Conductor -- London Symphony Orchestra, Orchestra -- Tchaikovsky, Pyotr Il'yich, Composer -- Prokofiev, Sergey, Composer</marc:subfield>
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            <marc:subfield code="a">This video from the Classic Archive collection presents two unreleased performances filmed by BBC television in 1977: celebrated pianist Martha Argerich plays Prokofiev's Piano Concerto No. 3 and the Tchaikovsky Piano Concerto No. 1. Both pieces are technically demanding and prove to be an ideal vehicle for Argerich's musical inspiration, demonstrating why she is hailed as one of the world's leading musicians. She is joined by the London Symphony Orchestra, conducted by Andre Previn, and the Royal Liverpool Philharmonic Orchestra, under the baton of Sir Charles Groves, in two powerhouse performances that offer a unique glimpse into our classical music heritage.</marc:subfield>
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