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            <marc:subfield code="a">&lt;i&gt;Monteverdi's L'Orfeo&lt;/i&gt; was premiered in 1607 and is the oldest opera still performed today. The narrative is based on the Greek legend Orpheus who, armed with the weapons of music and love, descends into Hades in an attempt to bring his lost bride Eurydice back to the living world. The opera's dramatic power is brought to life in this acclaimed production conducted by the great Monteverdi expert and interpreter Jordi Savall. Filmed at the Opera Comique in Paris &lt;i&gt;L'Orfeo&lt;/i&gt; features a virtuoso cast with the service of text and music always at its core.</marc:subfield>
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            <marc:subfield code="a">One of today's foremost &lt;i&gt;Mozart&lt;/i&gt; interpreters, pianist Friedrich Gulda plays an all-Mozart concert. The programme includes the &lt;i&gt;Fantasia in D Minor, K. 397, Piano Sonata No. 12 in F K. 332, Fantasia C Minor K. 475&lt;/i&gt; and &lt;i&gt;Piano Sonata No. 14 in C Minor, K 457&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">Piano Sonata No. 4 in E-Flat Major, K. 282 (NTSC) ( 00 sec. ) / Mozart -- Piano Sonata No. 9 in D Major, K. 311 (NTSC) ( 00 sec. ) / Mozart -- Piano Sonata No. 12 in F Major, K. 332 (NTSC) ( 00 sec. ) / Mozart -- Fantasia in C Minor, K. 475 (NTSC) ( 00 sec. ) / Mozart -- Piano Sonata No. 14 in C Minor, K. 457 (NTSC) ( 00 sec. ) / Mozart -- Die Zauberflöte (The Magic Flute), K. 620, Act II: Aria: In diesen heil'gen Hallen (arr. F. Gulda for piano) (NTSC) ( 00 sec. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Leichenfantasie, D. 7 (NTSC) ( 00 sec. ) / Schubert -- Der Taucher (The Diver), D. 77 (NTSC) ( 00 sec. ) / Schubert -- Die Bürgschaft (The Surety), D. 246 (NTSC) ( 00 sec. ) / Schubert -- Gruppe aus dem Tartarus, Op. 24, No. 1, D. 583 (NTSC) ( 00 sec. ) / Schubert -- Der Alpenjager, D. 588 (NTSC) ( 00 sec. ) / Schubert -- Hoffnung, Op. 82, No. 2, D. 637 (NTSC) ( 00 sec. ) / Schubert -- Sehnsucht (Ach, aus dieses Tales Grunden), D. 636 (NTSC) ( 00 sec. ) / Schubert -- Der Pilgrim, Op. 37, No. 1, D. 794 (NTSC) ( 00 sec. ) / Schubert</marc:subfield>
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            <marc:subfield code="a">Deutsch, Helmut, Artist -- Prey, Hermann, Artist -- Schiller, Friedrich von, Lyricist -- Schubert, Franz, Composer</marc:subfield>
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            <marc:subfield code="a">This recital by the distinguished lieder singer Hermann Prey, who died in 1998, features some of the songs in which &lt;i&gt;Schubert&lt;/i&gt; set to music poems by the great romantic writer Friedrich Schiller.</marc:subfield>
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Peter Schreier is particularly well known for his interpretations of Lieder, German poems sung by a single voice. Trained as a member of the choir of Dresden's Kreuzkirche, he eventually became one of the most celebrated classical singers of East Germany. During the Cold War his talents enabled him to travel to the West on multiple occasions, performing at Covent Garden, la Scala, and even at the Metropolitan Opera. Over the course of his career he was honored time and again: in 1978, he was elected a member of Berlin's Academy of Arts, in 2009 he received the Bach Prize from the Royal Academy of Music, and in 2013 the Bach Medal from the city of Leipzig.</marc:subfield>
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An intimate documentary about the internationally highly esteemed choreographer &lt;i&gt;Mats Ek&lt;/i&gt;. In May 2013 &lt;i&gt;Juliet and Romeo&lt;/i&gt; premiered at the Royal opera house in Stockholm. A new and much anticipated full length work by choreographer Mats Ek. 

Filmmakers Andreas Soderberg and Bjorn Eriksson have been there from early on in the process, making a documentary with an unique insight into Mats Ek's artistic process. We get as close to Mats as he gets to the dancers.</marc:subfield>
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            <marc:subfield code="a">If the Bejartian style does not always look as boldly modern as it did decades ago, it's only because Bejart's influence on ballet was so great that his revolutionary ideas were taken up as part the standard ballet vocabulary. 

Premiered in 1959, Bejart's staging of &lt;i&gt;Stravinsky's Rite of Spring&lt;/i&gt; still feels, in many ways, a breath of fresh air as invigorating as the season it celebrates. "It must be simple and strong," he often insisted, and indeed, the stark simplicity still dazzles: quick leaps, extended arabesques, bodies that slouch and release as if spring-loaded, dancers clashing in frenzied, up-close confrontation. The mass of moving bodies, arranged in shifting geometric patterns, captivates the eye like a kaleidoscope. 

Bejart's Ballet of the 20th Century restaged the legendary 1959 production ten years later at the Theatre de la Monnaie in Brussels, giving modern viewers the chance to experience the choreographer's singular vision.</marc:subfield>
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            <marc:subfield code="a">Antoun, Frédéric, Artist -- Orfeón Donostiarra, Choir -- Paris Conservatoire Orchestra, Orchestra -- Orchestre de Paris, Orchestra -- Heras-Casado, Pablo, Conductor -- Choeur de l'Orchestre de Paris, Choir -- Daugareil, Roland, Artist -- Berlioz, Hector, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Lutoslawski's&lt;/i&gt; delicate lament serves as prelude to &lt;i&gt;Berlioz's Requiem&lt;/i&gt;, a superlative work requiring an impressive cast of two orchestras and choirs, here under the direction of Pablo Heras-Casado. 

An event not to be forgotten! The concert was recorded on February 20th, 2019 at the Philharmonie de Paris, a building designed by les Ateliers Jean Nouvel.</marc:subfield>
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            <marc:subfield code="a">Antonio Pappano together with the Sachsische Staatskapelle Dresden are presenting a symphonic work with particular relevance for Dresden: &lt;i&gt;Rachmaninoff's Symphony No. 2&lt;/i&gt;, which was written during the composer's years at the Saxon residency. 

The premiere of his 1st symphony had received such harsh criticism that it took months of revision until Rachmaninoff was finall satisfied with his 2nd Symphony, which he conducted himself for the premiere and which received great applause. Because of its formidable length, Symphony No. 2 has been the subject of many revisions, particularly in the 1940s and 1950s, which reduced the piece from nearly an hour to as little as 35 minutes. On this recording, the work can be enjoyed in its entirety.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Elliott Carter&lt;/i&gt; has lived in New York almost a century and describes his music as a reflection on modern democratic society, where people have to cooperate but keep their individuality. This revelatory portrait of the man widely considered to be the greatest living composer was brilliantly created by Scheffer, who has also made a number of award winning films on &lt;i&gt;Stockhausen, John Cage, Mahler&lt;/i&gt; and the history of electronic music.</marc:subfield>
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