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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DYLAN, Bob: 1966-1974 World Tours (Through the Camera of Barry Feinstein) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Bob Dylan: 1966-1974 World Tours (Through the Camera of Barry Feinstein) (NTSC) ( 01 hrs., 58 min., 33 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Dylan, Bob, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Barry Feinstein was the exclusive tour photographer on Bob Dylan and The Band's legendary 1966 and 1974 world tours. In this film, Feinstein and director Joel Gilbert chronicle these epic tours, featuring over 150 selections of Feinstein's finest portraits - most revealed for the first time - in this extraordinary document of Bob Dylan and rock music history. For the years in between, Gilbert visits Woodstock and Greenwich Village, New York, where he investigates Dylan's secluded life before his return to the road in 1974. Gilbert recreates the singer-songwriter's 1966 motorcycle accident, pays a visit to Big Pink, examines Dylan's first encounter with the Beatles, and even confronts fanatic Dylanologist A.J. Weberman. Interviews with filmmaker D.A. Pennebaker, rock journalism godfather Al Aronowitz, Band drummer Mickey Jones and others help reveal Bob Dylan's hidden history behind Feinstein's astonishing images.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BD1414H.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BD1414H</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BD1414H</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CVIS395</marc:controlfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">SMALL FACES: Under Review (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Small Faces: Under Review (NTSC) ( 01 hrs., 07 min., 19 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Small Faces, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">When discussing songwriting genius in the 1960s, three bands are often mentions in the same breath &amp;#x2026; and we all know who they are.

But two others are often unfairly forgotten or dismissed. The Kinks of course were right up there with the market leaders, but for many of us the absolute pinnacle of creative genius during that influential decade came from four East End lads (ok, so one was from Middlesex), each not much bigger than a milk bottle.

&lt;i&gt;The Small Faces - Under Review&lt;/i&gt; features rare live and studio performances of this extraordinary band, interspersed with the independent review and criticism of a panel of esteemed experts. These include: Mod expert and Steve Marriott biographer, Paolo Hewitt; &lt;i&gt;Melody Maker&lt;/i&gt; contributor during the 1960s and early champion of the Small Faces, Chris Welch; Small Faces biographer and all-around expert, John Hellier; 1960s &lt;i&gt;NME&lt;/i&gt; editor and friend of the group, Keith Altham; &lt;i&gt;Uncut Magazine&lt;/i&gt; feature editor, Nigel Williamson, and many, many more.

The film also features rarely seen promo films, interview footage with the band members, TV clips and a host of other features. And with a collection of incredible segments featuring the one and the only (we are not worthy!) Sir Stanley Unwin, this is not just the only full-length Small Faces video on the market, it's also an inspiring, revelatory and downright entertaining look at a truly exceptional band.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CVIS395.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CVIS395</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CVIS395</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">655690841190</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">POETS IN HIP HOP (NTSC)</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Poets in Hip Hop (NTSC) ( 01 hrs., 27 min., 40 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Gray, Bridget, Artist -- Roxwell, GaKnew, Artist -- Gonzales, Mark, Artist -- Loring, Gina, Artist -- Johnson, Javon, Artist -- Miss Kim,, Artist -- Jones, Joy, Artist -- Mike the Poet,, Artist -- Colon, Jahaira, Artist -- Conscious, Tony B., Artist -- Jonez, Buttafly, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Live from the Ivar Theater in Hollywood, Touchstar Media presents &lt;i&gt;Poets in Hip Hop,&lt;/i&gt; featuring some of today's hottest spoken word artists, including Bridget Gray (2001 Grand Slam Champion), GaKnew, Miss Kim, Joy Jones, Gina Loring, Jahaira and many more. These gifted and talented poets speak on topics from racism to politics in a way that all can relate. This is one of the most significant spoken word performances of our time, one that's guaranteed to inspire and lift you to a higher level of consciousness. Each performance is incredibly emancipating and liberating, representing a movement that's guaranteed to make history. So sit back, relax ... and be entertained.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/D8411.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=D8411</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/D8411</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DJ-865</marc:controlfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">CRY OF JAZZ (The) (Documentary, 1959)</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">The Cry of Jazz (NTSC) ( 34 min., 14 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Sun Ra, , Artist -- Sun Ra Arkestra, The, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DJ-865</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DJ-865</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DJ-904.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DJ-904</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DJ-904</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">In the history of modern American music there are few bands like the Pixies. Theirs was an unparalleled musical path, influencing countless others despite modest financial success. In 1992, their chief songwriter and vocalist Black Francis announced his intention to quit via a blunt facsimile. That, it seemed, was that. But to the amazement of everyone, the Pixies reunited in 2004. &lt;i&gt;loudQUIETloud&lt;/i&gt; is the story of this unforeseen plot twist - a deeply compelling protrait of four band members and their difficult, tense and ultimately triumphant return. From the first rehearsal to the final bow nearly one year later, the press-shy Pixies granted unprecedented access to award-winning directors Steven Cantor and Matthew Galkin. The result is an insider's perspective on the Pixies, their relationships with family, fans and each other, and the combustible dynamic when the four members come together on stage.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DR-4529.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DR-4529</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;The Interview Collection&lt;/i&gt; has numerous rarely seen interviews which show why Michael was and is loved by so many worldwide. There was only one Michael Jackson, the performer, the superstar and the giving person who we all came to know through his music and dance.</marc:subfield>
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            <marc:subfield code="a">Summer Nights (NTSC) ( 00 sec. ) /  -- Forever Frank (NTSC) ( 00 sec. ) /  -- When I Fall In Love (NTSC) ( 00 sec. ) / Young -- No Moe (NTSC) ( 00 sec. ) /  -- Straight No Chaser (NTSC) ( 00 sec. ) / Monk</marc:subfield>
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            <marc:subfield code="a">Berg, Bob, Artist -- Niels Lan Doky Jazz Trio, Ensemble -- Anonymous, Composer -- Young, Victor, Composer -- Monk, Thelonious, Composer</marc:subfield>
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            <marc:subfield code="a">Geneva 1994: The legendary New Morning club rose from its ashes for the duration of a memorable jazz festival. Among the heavyweights in the blockbuster line-up was Bob Berg. No one who heard him there has forgotten the white-hot saxophone, the intensity and the rough lyricism of this very "Scorsesean" former Manhattan taxi driver. Backed superbly by Alvin Queen, Niels Lan Doky and Pierre Boussaguet, Bob gave one of his best concerts ever; on that evening, Berg was certainly still "the rebel with the angry saxophone" Miles Davis had asked to join his comeback tour in 1984. But the rebel had learned to control his fiery spirit - fishing off Cape Cod had taught him the meaning of "zen" - and Bob had grown into a fully rounded artist, roaming majestically somewhere between Sonny Rollins and Stan Getz. Our friend Bob was on his way to the top (and to buying a pack of cigarettes) in 2002 when his path crossed that of a skidding truck on an icy mountain road ...

&lt;i&gt;Bonus features:&lt;/i&gt;
- &lt;i&gt;In Conversation with Bob Berg (2001)&lt;/i&gt;
- &lt;i&gt;Nancy With the Laughing Face (1994)&lt;/i&gt;</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/INAK6463.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6463</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVDV4882</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">PUNK IN LONDON (NTSC)</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This incredible documentary captures the punk phenomenon in all its raw power and energy. Featuring early performances from The Clash, X-Ray Spex, The Jam, The Adverts, Subway Sect, The Boomtown Rats and many others, &lt;i&gt;Punk in London&lt;/i&gt; is a unique visual record of punk life as it happened in the late 1970s.

Filled with live performances and interviews, this video also features previously unseen footage of The Clash along with a retrospective interview with &lt;i&gt;Punk in London's&lt;/i&gt; cinematographer and director, Wolfgang Büld.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVDV4882.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVDV4882</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVDV4882</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PG2DVD123</marc:controlfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">QUEEN: Complete Review, 1973-1991 (The) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Queen: Under Review, 1973-1980 (NTSC) ( 01 hrs., 43 min., 07 sec. ) / Not Applicable -- Queen: Under Review, 1980-1991 (NTSC) ( 01 hrs., 17 min., 53 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Queen, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">It's close to 20 years since the tragic death of Freddie Mercury, meaning that Queen (at least the version that mattered) have been absent longer than they ever existed as the quite extraordinary group who made so much incredible music between 1973 and 1991.

This video looks again at every album and standout track Queen ever recorded and in doing so tells their fascinating story via their musical output.

Featuring contributions from friends and close colleagues of Queen, and with commentary and critique from the finest rock journalists in the world, plus much rare and classic footage - including seldom-seen performances of their finest tracks - news reports, location shoots, and photographs from private collections, this video will prove a delight to the millions of fans who to this day worship one of the very few rock groups to have earned the accolade of "truly great band."</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PG2DVD123.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PG2DVD123</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PG2DVD123</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PG2DVD145</marc:controlfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">WAITS, Tom: Complete Review (The) (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
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        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Tom Waits: The Complete Review (NTSC) ( 02 hrs., 57 min., 49 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Waits, Tom, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">It's almost 40 years since Tom Waits' debut record, and during a career that, for most fans, has quite simply gotten better, more exciting and more challenging with each new release, he is surely the only performer and writer from the rock age to be consistently satisfying while remaining as difficult to predict as the weather.

This video reviews Tom's career from his pre-contract days when he worked as a struggling songwriter right through his Island years and his experimental phase, bringing the story up to date with his most recent records.

With the aid of plentiful archive and rare footage, interviews with the man himself plus contributions from his nearest colleagues, this set comes as close as it's possible to get in tracking the true Tom Waits and revealing quite what it is that has made this extraordinary artist the maverick he truly remains.

This film includes brand new interviews with producer Bones Howe, biographer Barney Hoskyns, collaborator Jerry Yester, ex-&lt;i&gt;Village Voice&lt;/i&gt; music editor Robert Christgau, &lt;i&gt;Rolling Stone'&lt;/i&gt;s Anthony De Curtis and many others.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
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            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PG2DVD145.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
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        <marc:controlfield tag="001">PGDVD106</marc:controlfield>
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            <marc:subfield code="a">COMPOSING THE BEATLES SONGBOOK: Lennon and McCartney, 1957-1965 (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Beatles' music is more familiar to more people than that of any other group, artist or composer; there can barely be an adult on the planet who can't hum at least a couple of their tunes. And the composers of the vast majority of these timeless songs have arguably eclipsed the offerings of anyone who's penned a tune before or since.

&lt;i&gt;Composing the Beatles Songbook: Lennon and McCartney, 1957-1965&lt;/i&gt; is an independent documentary film which reviews the partnership, music and impact of Lennon and McCartney as composers. Covering the period from the day they met in 1957 until the release of the &lt;i&gt;Rubber Soul&lt;/i&gt; album at the end of 1965, the film dissects, contrasts, and reassesses their music, ultimately providing one of the finest documents of this portion of the band's career.

Drawing on rare footage, classic performances and penetrating revelations from friends of the pair, Beatles academics and musicologists, this program discovers the true story of how those classic songs were written.

Included here are contributions from friends Barry Miles, Klaus Voorman and Maureen Cleave; musicians Alan Moore and Chris Ingham; journalists Robert Christgau (Village Voice) and Anthony De Curtis (Rolling Stone); authors Johnny Rogan, Pete Doggett, Steve Turner and Nigel Williamson; and broadcaster Paul Gambaccini.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PGDVD110</marc:controlfield>
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            <marc:subfield code="a">OASIS: Big Picture (The)</marc:subfield>
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            <marc:subfield code="a">Oasis: Sibling Rivalry (NTSC) ( 01 hrs., 06 min., 26 sec. ) / Not Applicable -- Oasis: (What's the Story) Morning Glory? (NTSC) ( 01 hrs., 22 min., 35 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">While the memory of Britpop is a distant one, and one that prompts the names of very few bands to trip off the tongue, the mighty Oasis have long survived the genre they were almost single-handed in creating, something they've achieved through unquestionable talent, mind-blowing performances and songwriting skills that go way beyond the call of duty.

This video is a documentary review concentrating on Oasis's music and career, from their days in the early 1990s as Manchester's favorite Stone Roses wannabes right through to their global position today as godfathers of guitar-based music for millions of fans. Also featured is the full-length documentary based around their classic &lt;i&gt;Morning Glory&lt;/i&gt; album, a film which won Vodafone's "DVD of the Year" in 2007.

Also included are rare and classic performance footage of Oasis and of their influences, interviews with the band and those who know them best, exclusive contributions from friends, associates and the finest rock journalists and writers around, location shoots and news clips, seldom-seen photographs and a host of other features.</marc:subfield>
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        <marc:controlfield tag="001">PGDVD132</marc:controlfield>
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            <marc:subfield code="a">COHEN, Leonard: Leonard Cohen's Lonesome Heroes (NTSC)</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Leonard Cohen's Lonesome Heroes (NTSC) ( 01 hrs., 50 min., 20 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Although it can be difficult to detect the influences in the work of Leonard Cohen, as with all significant artists he was informed by a far-reaching list of performers, musicians, writers, poets and philosophies. And, when we look in the right places, his sources reveal themselves in the songs often considered to have emerged fully formed from their composer's pen.

In &lt;i&gt;Leonard Cohen's Lonesome Heroes&lt;/i&gt;, the scope and detail of his artistic inspirations are put under the microscope to quite fascinating result. Cohen's first love was poetry, and in both the works of his fellow Canadian Irving Layton and the Spanish bard Federico Garcia Lorca he found the words that moved him to create his own verse. The best writers too hit a positive note with Cohen, and their work has lived with him throughout his career. While it may come as no surprise to find Bob Dylan and Judy Collins included in this film, a less acknowledged genre of interest to Leonard is country music. He was deeply affected by performers such as Hank Williams, Hank Snow and the country recordings of Ray Charles. And the fact that his records have always achieved greater success in Europe than in North America may be due in part to his love of Belgian &lt;i&gt;chansonnier&lt;/i&gt; Jacques Brel. These and many other artists are here shown to have played a crucial role in the formation of Leonard Cohen's muse. But religion and spirituality too have contributed enormously to Leonard's life and music, particularly the faith into which he was born, Judaism, and his more recent study of Buddhism, which drove him to spend several years in a monastery meditating for hours every day.

With the aid of rare and classic performance footage of both Cohen and those he has been influenced by most, archive interviews and films of Leonard, seldom-seen photographs, plus exclusive contributions from those who have worked closely with him, this fascinating and wholly unique film is all at once informative, inspiring and eminently watchable, and is bound to delight everyone with even a hint of interest in the man.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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    <marc:record>
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        <marc:controlfield tag="001">PP015</marc:controlfield>
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            <marc:subfield code="a">The Rolling Stones are an English rock band that formed in 1962 when former schoolmates Mick Jagger and Keith Richards met Brian Jones. The original line-up included Mick Jagger (vocals, harmonica), Brian Jones (guitar, harmonica, vocals), Keith Richards (guitar, vocals), Ian Stewart (piano), Dick Taylor (bass) and various drummers. Taylor left shortly after to return to art school and was replaced by Bill Wyman, and Charlie Watts joined in 1963. They have often since been referred to as "The Greatest Rock 'n Roll Band in the World."

This video reveals why the Stones, more than any other rock group, have survived where so many have faded into obscurity. Contained here for the first time is much previously unseen footage, often humorous, showing a further side to these original rebels of the rock 'n roll world.

Every effort has been made to provide the highest possible picture and sound quality available from the original masters.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PP015</marc:subfield>
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            <marc:subfield code="a">VITOUS, Miroslav: Live in Vienna (2005) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Free Improvisations (NTSC) ( 00 sec. ) / Vitous -- Beethoven (NTSC) ( 00 sec. ) / Vitous -- Variations on Dvorak's Cello Concerto in B Minor, Op. 104, B. 191 (NTSC) ( 00 sec. ) / Vitous -- My Foolish Heart (NTSC) ( 00 sec. ) / Young -- Jewish Psalm (NTSC) ( 00 sec. ) / Vitous -- Milestones (NTSC) ( 00 sec. ) / Davis -- Opera (NTSC) ( 00 sec. ) / Vitous -- Bamboo Forest (NTSC) ( 00 sec. ) / Vitous</marc:subfield>
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            <marc:subfield code="a">The double bass is the deepest of all string instruments. It is not always up front, but it is an influential element in classical, world and jazz music.

Miroslav Vitous arrived in New York in 1967, where he quickly involved himself in the music scene, playing with many different artists including Charlie Mariano, Bob Broolmeyer, Stan Getz, Herbie Mann, Miles Davis and Chick Corea. In 1970, along with Wayne Shorter and Joe Zawinul, he formed the supergroup Weather Report. He then formed the Miroslav Vitous Group with John Surman, Kenny Kirkland and Jon Christensen. He later reunited with Chick Corea and Roy Haynes, and then with Stanley Clark before embarking on an equally successful solo career.

&lt;i&gt;Bonus feature:&lt;/i&gt;
- Interview with Miroslav Vitous</marc:subfield>
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            <marc:subfield code="a">Feather, Leonard</marc:subfield>
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            <marc:subfield code="a">Adams, Carl B.</marc:subfield>
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            <marc:subfield code="a">Holiday, Billie</marc:subfield>
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            <marc:subfield code="a">Walker, T-Bone</marc:subfield>
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            <marc:subfield code="a">Andrews, Ernie</marc:subfield>
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            <marc:subfield code="a">Memphis Slim,</marc:subfield>
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            <marc:subfield code="a">Otis, Johnny</marc:subfield>
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            <marc:subfield code="a">Johnson, Pete</marc:subfield>
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            <marc:subfield code="a">Turner, Big Joe</marc:subfield>
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            <marc:subfield code="a">McGhee, Brownie</marc:subfield>
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            <marc:subfield code="a">Dixon, Willie</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Rogers, Jimmy</marc:subfield>
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            <marc:subfield code="a">Cox, Jimmy</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">AMERICA'S MUSIC LEGACY - Blues (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">St. Louis Blues (NTSC) ( 00 sec. ) / Handy -- Paying the Cost to Be the Boss (NTSC) ( 00 sec. ) / King -- How Blue Can You Get (NTSC) ( 00 sec. ) / Feather -- All Over Again (NTSC) ( 00 sec. ) / Adams -- Fine and Mellow (NTSC) ( 00 sec. ) / Holiday -- Call It Stormy Monday (But Tuesday Is Just as Bad) (NTSC) ( 00 sec. ) / Walker -- Ernie's Blues (NTSC) ( 00 sec. ) / Andrews -- Cleanhead Blues (NTSC) ( 00 sec. ) / Vinson -- Born on a Friday (NTSC) ( 00 sec. ) / Feather -- Everyday I Have the Blues (NTSC) ( 00 sec. ) / Memphis Slim -- St. Louis Blues (NTSC) ( 00 sec. ) / Handy -- After Hours (NTSC) ( 00 sec. ) / Parrish -- Jammin' the Blues (NTSC) ( 00 sec. ) / Not Applicable -- Come Back (NTSC) ( 00 sec. ) / Williams -- Ain't Nobody's Business (NTSC) ( 00 sec. ) / Grainger -- Early in the Morning Blues (NTSC) ( 00 sec. ) / Otis -- Cherry Red (NTSC) ( 00 sec. ) / Johnson -- Life Is a Gamble (NTSC) ( 00 sec. ) / McGhee -- I Think I Got the Blues (NTSC) ( 00 sec. ) / Dixon -- That's All Right (NTSC) ( 00 sec. ) / Rogers -- After Hours (NTSC) ( 00 sec. ) / Parrish -- Tell Me Where To Scratch (NTSC) ( 00 sec. ) / Williams -- Nobody Knows You When You're Down and Out (NTSC) ( 00 sec. ) / Cox</marc:subfield>
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            <marc:subfield code="a">Hopkins, Linda, Artist -- King, B. B., Artist -- Galloway, Leata, Artist -- Andrews, Ernie, Artist -- Vinson, Eddie "Cleanhead", Artist -- Redd, Vi, Artist -- Crayton, Pee Wee, Artist -- Williams, Joe, Artist -- Kelly, Paula, Artist -- Phillips, Esther, Artist -- McGhee, Brownie, Artist -- Clement, Addie, Artist -- Wells, Junior, Artist -- Guy, George Buddy, Artist -- Donegan, Dorothy, Artist -- Handy, William Christopher, Composer -- Feather, Leonard, Composer -- Adams, Carl B., Composer -- Holiday, Billie, Composer -- Walker, T-Bone, Composer -- Memphis Slim,, Composer -- Parrish, Avery, Composer -- Not Applicable, na, Composer -- Grainger, Porter, Composer -- Robbins, Everett, Composer -- Otis, Johnny, Composer -- Johnson, Pete, Composer -- Turner, Big Joe, Composer -- Dixon, Willie, Composer -- Rogers, Jimmy, Composer -- Cox, Jimmy, Composer</marc:subfield>
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            <marc:subfield code="a">Today, America's music does what it has always done - bring people together. In American music every aspect of life, ethnicity and culture is merged, mixed and highlighted. The rich diversity of American culture and life is reflected in its lively beat-filled rhythms. American music is the story of the country, a reflection of a nation alive with change, filled with curiosity and led by hope and excitement.

America's music legacy, be it blues, jazz, country, rock, R&amp;B, or folk, is the songs and artists who have a special power to express what words alone cannot: hopes, fears, dreams, love, hate, anger, pride, aspirations and disappointments. Because songs span the breadth of human experience, they are uniquely able to communicate across time and space the beliefs and ideas held by their composers, performers and listeners.

The blues genre is based on the blues form but possesses other characteristics such as specific lyrics, bass lines and instruments. Blues can be subdivided into several subgenres ranging from country to urban blues that were more or less popular during different periods of the 20th century. Best known are the Delta, Piedmont, jump and Chicago blues styles. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience. In the 1960s and 1970s, a hybrid form called blues rock evolved.

&lt;i&gt;America's Music Legacy&lt;/i&gt; showcases the musical legends performing the songs that continue to attract and entice the whole world, because they truly are the best of all that is America.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Handy, William Christopher</marc:subfield>
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            <marc:subfield code="a">This video portrays the man behind the myth of James Joseph Brown who was recognized by a plethora of titles, including Soul Brother Number One, Mr. Dynamite, The Hardest Working Man in Show Business, Minister of The New New Super Heavy Funk, Mr. Please Please Please, The Boss, and the best-known, the Godfather of Soul.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;In Search of Beethoven&lt;/i&gt; has brought together the world's leading performers and experts on Beethoven to reveal new insights into this legendary composer. The line-up of performers and interviewees includes Gianandrea Noseda, Sir Roger Norrington, Riccardo Chailly, Claudio Abbado, Fabio Luisi, Frans Brüggen, Ronald Brautigam, Hélène Grimaud, Vadim Repin, Janine Jansen, Paul Lewis, Lars Vogt, and Emanuel Ax among others. The film is narrated by Juliet Stevenson and young RSC actor David Dawson. 

As with the Mozart film, &lt;i&gt;In Search of Beethoven&lt;/i&gt; takes a comprehensive look at the composer's life through his musical output. Having created a blueprint with &lt;i&gt;In Search of Mozart&lt;/i&gt;, Phil Grabsky documents each piece of music chronologically, marrying it to Beethoven's biography and letters. 

Phil Grabsky travelled across Europe and North America to interview historians and musicians between rehearsals and performances. He managed to film a remarkable 55 performances for the film - and has once again captured the raw energy of these world-class artists. It includes exclusive footage of Claudio Abbado's critically-acclaimed performance of Beethoven's opera &lt;i&gt;Fidelio.&lt;/i&gt; There are further performances from Frans Brüggen's Orchestra of the 18th Century, the Salzburg Camerata with Sir Roger Norrington, Leipzig Gewandhaus with Riccardo Chailly, Vienna Symphony with Fabio Luisi, violinists Vadim Repin and Janine Jansen, cellist Alban Gerhardt, and pianists Leif Ove Andsnes, Ronald Brautigam, Jonathan Biss, Emanuel Ax, and Lars Vogt; each reveal their unique approach and share their passions. The Endellion String Quartet gave exclusive access to film a number of complete Beethoven quartets.

Above all, &lt;i&gt;In Search of Beethoven&lt;/i&gt; addresses the romantic myth that Beethoven was a heroic, tormented figure struck down by deafness, who battled to overcome his tragic fate and searched in vain for his "immortal beloved." It delves beyond the image of the tortured, cantankerous, unhinged personality to reveal someone quite different and far more interesting.</marc:subfield>
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&lt;i&gt;Bonus features:&lt;/i&gt;
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As with his two previous international hits &lt;i&gt;(In Search of Mozart, In Search of Beethoven),&lt;/i&gt; Grabsky's biographical account of the life of Haydn is a visual and aural extravaganza, including breathtaking performances by some of the world's most celebrated musicians: Alison Balsom, Sir Roger Norrington, The Endellion String Quartet, Gianandrea Noseda, Ronald Brautigam, Christophe Rousset and Les Talens Lyriques, Emanuel Ax, The Classical Opera Company, Sophie Bevan, and The Orchestra of the 18th Century with Frans Brüggen, among others.

Through intimate and revealing interviews with experts, detailed extracts from personal accounts and beautiful location footage, Grabsky offers tremendous insight into not only Haydn's music but the man himself.</marc:subfield>
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With &lt;i&gt;Low, "Heroes",&lt;/i&gt; and &lt;i&gt;Lodger,&lt;/i&gt; Bowie stopped moving from persona to persona as he had previously done, settling instead on being simply himself. He began to blend the music he was hearing in his adopted homeland (Krautrock, Kraftwerk) with thrilling and often avant-garde methodologies as used by his friend and colleague Brian Eno.

&lt;i&gt;David Bowie - Under Review 1976-1979: The Berlin Trilogy&lt;/i&gt; features live and studio performances by Bowie, rare interviews, and a host of other features, all interspersed with independent review and criticism from a panel of esteemed experts. These include former members of both Neu! and Cluster (and key Bowie influences), Dieter Moebius and Michael Rother; broadcaster, journalist and author of &lt;i&gt;The Ambient Century&lt;/i&gt;, Mark Prendergast; ex-&lt;i&gt;Melody Maker/Mojo&lt;/i&gt; scribe and Reviews Editor at &lt;i&gt;Wire,&lt;/i&gt; David Stubbs; music expert and author Daryl Easlea; style aficionado, Paolo Hewitt among others.</marc:subfield>
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            <marc:subfield code="a">Although it wasn't until after the release of the &lt;i&gt;Back in Black&lt;/i&gt; album that AC/DC became global superstars, the era most fondly remembered by fans of this extraordinary band is when Bon Scott was at the helm - between 1974 and 1980. And if there's one album from that time which illustrates best what the mighty 'DC were all about during those years, it has to be &lt;i&gt;Highway to Hell.&lt;/i&gt;

This film puts the album under the spotlight and with the help of those who worked on the record, friends of Bon Scott, AC/DC biographers and others who were there at the time, discovers how the album was made, how it was received and how it still inspires musicians and fans alike to this day.

Featuring rare and classic footage of the group, interviews with Bon Scott and Angus Young, and exclusive contributions from friends, colleagues, journalists and biographers, this film presents every track from the album reviewed and reappraised by a panel of esteemed experts and plenty more besides.</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD533.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD533</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD533</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD539</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">LED ZEPPELIN: Physical Graffiti - A Classic Album Under Review (NTSC)</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Physical Graffiti - A Classic Album Under Review (NTSC) ( 00 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Led Zeppelin, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">By 1973, Led Zeppelin was the most popular rock band on the planet. Having already played to the largest audiences ever to attend a music event and achieved sales across their first five albums in figures previously unheard of in the music industry, the band were still thinking big. So, when &lt;i&gt;Physical Graffiti&lt;/i&gt; hit the stores two years later, it was greeted with a sense of awe and astonishment - Led Zeppelin had gone one better than anyone thought possible by making what &lt;i&gt;Rolling Stone&lt;/i&gt; magazine called "their &lt;i&gt;Tommy, Beggar's Banquet,&lt;/i&gt; and &lt;i&gt;Sgt. Pepper&lt;/i&gt; rolled into one."

This is a documentary about the build up to, the making and release of and - crucially - the music contained on this most revered of albums. With the aid of rare and classic performances and interviews, seldom-seen photographs and contributions from those involved in the making of the record - plus the review and critique from a panel of Led Zeppelin experts - this programme finally lifts the lid on what many believe to be Led Zeppelin's very finest offering.

This film includes contributions from the album's engineer, Ron Nevison; former Yardbird Chris Dreja; Swan Song recording artist Maggie Bell; author of &lt;i&gt;The Rough Guide to Led Zeppelin&lt;/i&gt;, Nigel Williamson; &lt;i&gt;Tight But Loose&lt;/i&gt; editor Dave Lewis; &lt;i&gt;Classic Rock&lt;/i&gt; magazine's Malcolm Dome; renowned guitar tutor and author Rikky Rooksby; and Robert Plant biographer Neil Daniels.

&lt;i&gt;Bonus features:&lt;/i&gt;
&lt;i&gt;-Ron on Quad&lt;/i&gt; - Ron Nevison compares his experiences working on &lt;i&gt;Quadrophenia&lt;/i&gt; with those on &lt;i&gt;Physical Graffiti.&lt;/i&gt;</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD539.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD539</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD539</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">CLAPTON, Eric: 1960s Review (The)</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Eric Clapton: The 1960s Review (NTSC) ( 02 hrs., 49 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
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            <marc:subfield code="a">Clapton, Eric, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">While few would not agree that Eric Clapton is one of the finest guitarists of all time, it is sometimes forgotten just how pivotal, influential and downright startling his work was during the 1960s. And while in following decades Clapton has remained a musician and songwriter of rare ability with moments of glory present album after album, it was during this decade that he stepped into the public eye and his awesome skills were used most creatively. As an early member of the Yardbirds, a crucial part of the Bluesbreakers, a founder member of Cream and "the one who mattered most" in the short-lived Blind Faith, EC to many really was a deity.

In this fascinating documentary his life and career throughout these crucial years is put under the microscope, and with the help of archive interviews with the man himself, exclusive contributions from friends, band mates and colleagues, rare and classic performance footage, seldom-seen photographs, location shoots and period archive, plus a host of other features, the story in question is told in a way it has never been told before.

Includes brand new interviews with musicians and performers John Mayall, Paul Jones, Neil Innes, Tom McGuinness, Chris Dreja, Top Topham, Ben Palmer, Dave Kelly and Cream producer Bill Halverson, plus expert insight from Cream biographer Chris Welch, Yardbirds biographer Alan Clayson and &lt;i&gt;Uncut&lt;/i&gt; magazine's contributing editor, Nigel Williamson.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD559.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD559</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD559</marc:subfield>
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