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            <marc:subfield code="a">This mythological figure of &lt;i&gt;Prometheus&lt;/i&gt; symbolises the creativity of man - and &lt;i&gt;Claudio Abbado&lt;/i&gt; took this symbol as the &lt;i&gt;Leitmotif&lt;/i&gt; of this very unique concert recording: An exploration of the Prometheus myth through the works of four composers, evocatively visualized by television director Christopher Swann, known for directing &lt;i&gt;Leonard Bernstein&lt;/i&gt; conducts West Side Story among others.

Featuring &lt;i&gt;Marta Argerich&lt;/i&gt; as the solo pianist, the concert was a giant was a giant collaboration of the Berliner Philharmoniker, the Berliner Singkadamie, the Solistenchor Freiburg, and the vocal soloist Ingrid Ade-Jeseman and Monika Bair-Ivenz and speakers Ulrike Krumbiegel and Matthias Schadock.</marc:subfield>
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Filmed in 1995 at the Berlin Philharmonie, this once-in-a-lifetime concert pairs two of &lt;i&gt;Beethoven's&lt;/i&gt; less-performed works: the &lt;i&gt;Concerto for Piano, Violin, Violoncello and Orchestra&lt;/i&gt; in C major (often simply referred to as the &lt;i&gt;Triple Concerto&lt;/i&gt;) and the &lt;i&gt;Choral Fantasy&lt;/i&gt; for Piano, Choir and Orchestra in C Minor. Accompanied by the prestigious Berliner Philharmoniker and the Chor der Deutschen Staatsoper, the three musicians give these two works the sumptuous and virtuosic treatment they deserve.</marc:subfield>
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            <marc:subfield code="a">The 128 musicians of the prestigious Berlin Philharmonic Orchestra have cast their votes: their new Principal Conductor will be Sir Simon Rattle.

He succeeds Claudio Abbado to become the sixth Principal Director in the 2002/2003 season.

The Berliner Philharmoniker is the only symphony orchestra world-wide choosing its principal conductor in its own responsibility. The camera has been following the orchestra since 1999 at auditions, concerts and guest performances and shows the various steps, from the groundwork preceding the election until the final counting of votes.

The most extensive documentation ever produced about this leading orchestra also presents the orchestra as a microcosm of the German society at the end of the 20th century. Excerpts from auditions and interviews with the Major conductors our time, statements by members of the orchestra, important agents and soloists working with him, reveal the significance of this new election and convey an atmosphere of expectation and excitement.</marc:subfield>
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            <marc:subfield code="a">Acclaimed pianist Andras Schiff performs &lt;i&gt;Bela Bartok's Piano Concerto No. 3&lt;/i&gt; with the City of Birmingham Symphony Orchestra under the baton of Sir Simon Rattle. Throughout the stunning performance of this iconic work, Schiff and Rattle bring to life the intense emotion and passion of Bartok's music and showcase the full power and range of the orchestra and piano. The concert capture the energy and intensity of the live performance and provide a thrilling listening experience.</marc:subfield>
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            <marc:subfield code="a">In this program acclaimed pianist Andras Schiff performs the first part of the fifteen piece cycle &lt;i&gt;On an Overgrown Path&lt;/i&gt;, written by Czech composer &lt;i&gt;Leos Janacek&lt;/i&gt;. Inspired by his Moravian homeland, the music is filled with folk melodies and is highly evocative of the Czech countryside.</marc:subfield>
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            <marc:subfield code="a">From 1999 to 2001, filmmaker Paul Smaczny followed legendary pianist and conductor &lt;i&gt;Daniel Barenboim&lt;/i&gt;, exploring his exceptional life and brilliant career.

Daniel Barenboim, director of Staatskapelle Berlin, is a legendary pianist, conductor, and music director. This man of many passions has played an essential role in some of the most important debates of our time. Paul Smaczny followed Barenboim on a tour that took him to Berlin, Chicago, Weimar, and Buenos Aires (where he made his debut 50 years before), and concluded in Jerusalem (where he dared to present a program featuring Wagner, breaking an implicit taboo of the Jewish state's musical world). Over the course of the journey, Barenboim unveiled his story, from his birth in 1942 in Buenos Aires to his arrival in Europe from Israel at the age of 10.

Cecilia Bartoli, Pierre Boulez, Zubin Mehta, and Waltraud Meier, his colleagues, pay tribute to this exceptional musician. 

This documentary includes one particularly moving scene: the young Barenboim playing in a swimming pool with his wife, the cellist Jacqueline Dupre, who passed away at a young age. The program includes historic photos from the concert in Israel where the conductor offered the audience an encore performance of a work by Wagner.</marc:subfield>
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            <marc:subfield code="a">Mariss Jansons returns to direct the Berliner Philharmoniker, rekindling their long-standing relationship that began in 1976. Tokyo's Suntory Hall is alive to a programme of particular musical energy - sometimes overt and joyous, sometimes suppressed and intense. Jansons' fidelity to music composed during the Soviet era remains heartfelt: Shostakovich's Violin Concerto No. 1, featuring soloist Hilary Hahn, is rendered with poise, elegance and demoniac vigour. This piece is framed by two sprightly works: Weber's charming, zesty Overture to &lt;i&gt;Oberon&lt;/i&gt; and Dvorak's Eighth Symphony, executed with Bohemian-esque lyricism and verve.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">GREAT CONDUCTORS - Pierre Boulez: Emotion and Analysis (NTSC)</marc:subfield>
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            <marc:subfield code="a">The conductor &lt;i&gt;Pierre Boulez&lt;/i&gt; (born in 1925) best describes his relationship with the music of composer &lt;i&gt;Bela Bartok&lt;/i&gt; (1881-1945) as a "sympathy between musicians". The Frenchman has been involved with the music of the Hungarian composer for over five decades. Bartok and Boulez belong to the 20th century's most influential artists. A key work of Bartok is the &lt;i&gt;Concerto for Orchestra&lt;/i&gt;, which was premiered in Boston in 1944. 

The program &lt;i&gt;Emotion and Analysis&lt;/i&gt; follows Pierre Boulez in his rehearsals of this composition with the Berlin Philharmonic. The documentary provides a fascinating look into the methods of the great master of modern music. The rehearsals take place in the spectacular setting of the monastery Mosteiro dos Jeronimos in Lisbon which was also the location of the annual European Concert of the Berlin Philharmonic for the year 2003. Pierre Boulez explains in a series of interviews the historical origins of Bartok's late work, his own personal style of interpretation and his role as conductor as well as his love of composing.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Bach, Johann Sebastian</marc:subfield>
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            <marc:subfield code="a">BACH, J.S.: Magnificat (Koopman)</marc:subfield>
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            <marc:subfield code="a">I. Meine Seel erhebt den Herrn (Chorus) ( 03 min., 44 sec. ) / Bach -- II. Herr, der du stark und machtig bist (Soprano) ( 06 min., 15 sec. ) / Bach -- III. Des Hochsten Gut und Treu (tenor) ( 01 min., 11 sec. ) / Bach -- IV. Gewaltige stosst Gott (bass) ( 02 min., 45 sec. ) / Bach -- V. Er denket der Barmherzigkeit (contralto, tenor) ( 02 min., 04 sec. ) / Bach -- VI. Was Gott den Vatern (tenor) ( 01 min., 58 sec. ) / Bach -- VII. Lob und Preis sei Gott (chorus) ( 02 min., 17 sec. ) / Bach -- I. Magnificat (chorus) ( 03 min., 01 sec. ) / Bach -- II. Et exsultavit (contralto) ( 02 min., 27 sec. ) / Bach -- Vom Himmel hoch (chorus) ( 01 min., 27 sec. ) / Bach -- III. Quia respexit (soprano) ( 02 min., 12 sec. ) / Bach -- IV. Omnes generationes (chorus) ( 01 min., 20 sec. ) / Bach -- V. Quia fecit mihi magna (bass) ( 01 min., 53 sec. ) / Bach -- Freut euch und jubiliert (soprano I &amp; II, contralto, tenor) ( 01 min., 22 sec. ) / Bach -- VI. Et misericordia (contralto, tenor) ( 03 min., 40 sec. ) / Bach -- VII. Fecit potentiam (chorus) ( 01 min., 04 sec. ) / Bach -- Gloria in excelsis Deo (chorus) ( 01 min., 04 sec. ) / Bach -- VIII. Depousit potentes (tenor) ( 02 min., 06 sec. ) / Bach -- IX. Esurientes (contralto) ( 02 min., 54 sec. ) / Bach -- Virga Jesse flourit (soprano,bass) ( 03 min., 29 sec. ) / Bach -- X. Suscepit Israel (chorus) ( 01 min., 49 sec. ) / Bach -- XI. Sicut locutus est (chorus) ( 01 min., 13 sec. ) / Bach -- XII. Gloria Patri (chorus) ( 02 min., 41 sec. ) / Bach -- Credits ( 02 min., 41 sec. ) / Bach</marc:subfield>
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            <marc:subfield code="a">York, Deborah, Artist -- Mertens, Klaus, Artist -- Isidro, Orlanda Velez, Artist -- Dürmüller, Jörg, Artist -- Bartosz, Bogna, Artist -- Amsterdam Baroque Choir, Choir -- Koopman, Ton, Conductor -- Amsterdam Baroque Orchestra, Orchestra -- Bach, Johann Sebastian, Composer</marc:subfield>
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            <marc:subfield code="a">Ton Koopman, a leading authority on Baroque music, gathered his favourite orchestra and eminent Baroque singers for a concert focusing on the &lt;i&gt;Magnificat&lt;/i&gt;, the traditional prayer said by the Virgin Mary after hearing that she would bear God's son. Bach's &lt;i&gt;Magnificat&lt;/i&gt; - his greatest choral work - is programmed together with one of his most beautiful cantatas and a lesser-known baroque gem by Bach's predecessor at St. Thomas' Church, Johann Kuhnau, to form a concert in honour of the spiritual power of Baroque music. The concert was performed at St. Thomas' in Leipzig, the church for which Bach conceived most of his works. The recording captures the atmosphere of the impressive church and shows the musicians "at work". The film also focuses on Ton Koopman, offering insights into his friendly and encouraging conducting style.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5341.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5341</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts5341</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">MOZART! - Live from Beijing (Lang Lang, Chen-Ye Yuan, China Philharmonic, Long Yu) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Così fan tutte, K. 588 (NTSC) ( 00 sec. ) / Mozart -- Symphony No. 25 in G Minor, K. 183 (NTSC) ( 00 sec. ) / Mozart -- Le nozze di Figaro (The Marriage of Figaro), K. 492, Act III: Hai gia vinta la causa! (NTSC) ( 00 sec. ) / Mozart -- Don Giovanni, K. 527, Act I: Finch'han dal vino, "Champagne Aria" (NTSC) ( 00 sec. ) / Mozart -- Piano Concerto No. 24 in C Minor, K. 491 (NTSC) ( 00 sec. ) / Mozart -- Piano Sonata No. 10 in C Major, K. 330: III. Allegretto (NTSC) ( 00 sec. ) / Mozart -- Waltz No. 2 in A-Flat Major, Op. 34, No. 1, "Grande valse brillante" (NTSC) ( 00 sec. ) / Chopin -- The Good Life (NTSC) ( 00 sec. ) / </marc:subfield>
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            <marc:subfield code="a">Yu, Long, Conductor -- China Philharmonic Orchestra, Orchestra -- Yuan, Chen-Ye, Artist -- Lang, Lang, Artist -- Mozart, Wolfgang Amadeus, Composer -- Da Ponte, Lorenzo, Lyricist -- Chopin, Fryderyk, Composer -- Traditional, Composer</marc:subfield>
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            <marc:subfield code="a">On January 27th, 2006 the Chinese piano-phenomenon Lang Lang celebrates the birthday of &lt;i&gt;W.A. Mozart&lt;/i&gt; with a performance of the &lt;i&gt;Piano Concerto No. 24&lt;/i&gt; in the Forbidden City Concert Hall in Beijing. The China Philharmonic Orchestra is conducted by Long Yu. The Forbidden City Concert Hall (formerly known as the Beijing Music Hall, Zhongshan Park) is situated inside the walls of the Forbidden City, among the well-manicured gardens of Zhongshan Park, directly adjacent to Tiananmen Square.</marc:subfield>
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            <marc:subfield code="a">Da Ponte, Lorenzo</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5514.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5514</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts5514</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts5776</marc:controlfield>
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            <marc:subfield code="a">KREMER, Gidon / ARGERICH, Martha: Memory of a Concert (NTSC)</marc:subfield>
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            <marc:subfield code="a">Kremer, Gidon, Artist -- Argerich, Martha, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;We are not a couple in the traditional sense. And that is exactly what is so paradoxical - a musical couple can become even more intimate with one another than a couple in love.&lt;/i&gt; This is how Gidon Kremer describes his long partnership with Martha Argerich.

In 2006, these two exceptional musicians set out on tour performing solos and duets by &lt;i&gt;Bartok&lt;/i&gt; and &lt;i&gt;Schumann&lt;/i&gt;. The last of the concert series at the Berliner Philharmonie has been recorded for this program, featuring a rare solo performance by Martha Argerich. A concert film with personal and moving commentary by Gidon Kremer.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5776.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5776</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts5776</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Liszt, Franz</marc:subfield>
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            <marc:subfield code="a">TRIFONOV, Daniil: Live at Verbier Festival (2013) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Piano Sonata No. 2 in G-Sharp Minor, Op. 19, "Sonata-Fantasy" (NTSC) ( 00 sec. ) / Scriabin -- Piano Sonata in B Minor, S178/R21 (NTSC) ( 00 sec. ) / Liszt -- 24 Preludes, Op. 28 (NTSC) ( 00 sec. ) / Chopin -- Rachmaniana (NTSC) ( 00 sec. ) / Trifonov</marc:subfield>
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            <marc:subfield code="a">This piano recital given by the 21 year old virtuoso &lt;i&gt;Daniil Trifonov&lt;/i&gt; gathers three pieces written during or in a souvenir of a love story. &lt;i&gt;Scriabin&lt;/i&gt; dedicated his &lt;i&gt;Sonata Fantasy No. 2&lt;/i&gt; to his first love, Natalya Sekerina. &lt;i&gt;Lizst&lt;/i&gt; wrote his unique sonata the &lt;i&gt;Sonata in B minor&lt;/i&gt; - while he was sharing his life in Weimar with the Polish-Russian princess Carolyne zu Sayn-Wittgenstein. Eventually, the &lt;i&gt;24 Preludes&lt;/i&gt; by &lt;i&gt;Chopin&lt;/i&gt; were composed during his vacation in Mallorca with George Sand and her children. To conclude this original recital recorded at the Verbier Festival in July 2013, the young Russian rising star of the piano performs one of his own compositions, &lt;i&gt;Rachmaniana&lt;/i&gt;.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Brahms, Johannes</marc:subfield>
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            <marc:subfield code="a">Schumann, Robert</marc:subfield>
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            <marc:subfield code="a">Dietrich, Albert</marc:subfield>
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            <marc:subfield code="a">BRAHMS, J.: Violin Sonatas Nos. 1, 2, 3 (Verbier Festival, 2013) (Kavakos, Yuja Wang) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Violin Sonata No. 1 in G Major, Op. 78 (NTSC) ( 00 sec. ) / Brahms -- Violin Sonata No. 2 in A Major, Op. 100 (NTSC) ( 00 sec. ) / Brahms -- Violin Sonata No. 3 in D Minor, Op. 108 (NTSC) ( 00 sec. ) / Brahms -- Violin Sonata in A Minor, "F-A-E": III. Brahms: Scherzo in C Minor, WoO 2: Allegro (NTSC) ( 00 sec. ) / Schumann</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Kavakos, Leonidas, Artist -- Wang, Yuja, Artist -- Brahms, Johannes, Composer -- Schumann, Robert, Composer -- Dietrich, Albert, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">A promising concert featuring two of the Verbier Festival's most iconic artists performing chamber music works by Brahms together! Now praised on the whole classical music planet, the Greek violinist Leonidas Kavakos took the world by storm in 1985 when he became the youngest winner of the prestigious Sibelius Competition. Acclaimed for his phenomenal virtuosity and musicality, he here joins forces with the pianist Yuja Wang, an accomplished artist at only 26! 

This programme features three sonatas by &lt;i&gt;Brahms&lt;/i&gt;. The first one, the &lt;i&gt;Regensonata&lt;/i&gt;, is written after the composer's &lt;i&gt;Rain Song (Regenlied)&lt;/i&gt;. The second one, the &lt;i&gt;Thuner-Sonata&lt;/i&gt; is about the peaceful landscapes of the Swiss lake of Thun, and contrasts with the third and last sonata played here, the &lt;i&gt;Sonata No. 3&lt;/i&gt;, characterized its by great, passionate and fiery themes.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Concert</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6067</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">RACHMANINOV REVISITED (Documentary, 2020) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Rachmaninoff revisited (Documentary, 2020) (NTSC) ( 50 min., 31 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Pletnev, Mikhail, Artist -- Bronfman, Yefim, Artist -- Tsujii, Nobuyuki, Artist -- Lisitsa, Valentina, Artist -- Kern, Olga, Artist -- Kobrin, Alexander, Artist -- Matsuev, Denis, Artist -- Douglas, Barry, Artist -- Fedorova, Anna, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Celebrated in his day not only as a great composer he was also admired as an outstanding pianist who was a peerless interpreter of his own works including the piano concerti and the &lt;i&gt;Rhapsody on a Theme by Paganini&lt;/i&gt;.

It is well known that he was in effect the sole pianist capable of performing his most demanding Third Piano Concerto and his performances and recording of the concerto came to be considered as the definitive ones.

The relationship between performance, interpretation, and &lt;i&gt;Rachmaninoff's&lt;/i&gt; own life will be addressed in this documentary by the young pianists interviewed. The program explored the evolution of interpretation over the past few decades, hear brief excerpts of recordings by Rachmaninoff as contrasted with contemporary performances by today's well-known young pianists as they comment on the differences (or similarities) of their approach.

This documentary will be the first to explore performance styles and interpretation of the Rachmaninoff piano repertoire. Viewed from a broad perspective the documentary will focus on the danger of how a musician might be bound and stymied by tradition as opposed to being able to use a knowledge of the past to liberate one's approach and infuse the performances with the same sense of improvisatory freedom with which Rachmaninoff approached his own work in his time.

Also, relevant aspects of Rachmaninoff's life as it relates to these thoughts on interpretation, composition, and performance will be articulated by today's generation of pianists, in the context of their own life and personal experiences. Rachmaninoff's biographical story, (illustrated with archival footage ) with its joyous highs and depressing lows, will structure the programs' evolving interviews and performance excerpts.

Another organizing factor will be the music excerpts of each pianists' performance of the Rachmaninoff piano literature, the progress through parts of the concertos, the Rhapsody until the cumulative effect of the complete works becomes evident.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6125</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6125</marc:subfield>
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            <marc:subfield code="a">EUROPA-KONZERT 2016 - BRUSTAD, B. / BEETHOVEN, L. van / GRIEG, E. / MENDELSSOHN, Felix (Frang, Berlin Philharmonic, Rattle) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Lyric Pieces, Book 9, Op. 68: No. 4. Aften på høyfjellet (Evening in the Mountains) (version for orchestra) (NTSC) ( 00 sec. ) / Grieg -- Violin Concerto in E Minor, Op. 64, MWV O14 (NTSC) ( 00 sec. ) / Mendelssohn -- Eventyrsuite (Fairy Tale Suite): II. Veslefrikk: Allegretto (NTSC) ( 00 sec. ) / Brustad -- Symphony No. 3 in E-Flat Major, Op. 55, "Eroica" (NTSC) ( 00 sec. ) / Beethoven</marc:subfield>
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            <marc:subfield code="a">Rattle, Simon, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Frang, Vilde, Artist -- Beethoven, Ludwig van, Composer -- Mendelssohn, Felix, Composer -- Grieg, Edvard, Composer -- Brustad, Bjarne, Composer</marc:subfield>
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            <marc:subfield code="a">The Berliner Philharmoniker celebrate their founding day (May 1st, 1892) in a European city of cultural significance every year. In 2016, they travelled to Roros in Norway, to play in the town's beautiful baroque church. Norwegian violinist Vilde Frang made her debut with the Berliner Philharmonker at this year's concert, joining them for &lt;i&gt;Mendelssohn's Violin Concerto in E Minor&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6148</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6148</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts6225</marc:controlfield>
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            <marc:subfield code="a">Chopin, Fryderyk</marc:subfield>
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            <marc:subfield code="a">Debussy, Claude</marc:subfield>
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            <marc:subfield code="a">Rachmaninov, Sergey</marc:subfield>
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            <marc:subfield code="a">Ravel, Maurice</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">Piano Duo Recital: Freire, Nelson / Argerich, Martha - CHOPIN, F. / DEBUSSY, C. / RACHMANINOV, S. / RAVEL, M. (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Estampes (NTSC) ( 00 sec. ) / Debussy -- 3 Nouvelles etudes, Op. posth. (NTSC) ( 00 sec. ) / Chopin -- Scherzo No. 2 in B-Flat Minor, Op. 31 (NTSC) ( 00 sec. ) / Chopin -- Suite No. 2 in C Major, Op. 17 (NTSC) ( 00 sec. ) / Rachmaninov -- La valse (version for 2 pianos) (NTSC) ( 00 sec. ) / Ravel</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Freire, Nelson, Artist -- Argerich, Martha, Artist -- Chopin, Fryderyk, Composer -- Debussy, Claude, Composer -- Rachmaninov, Sergey, Composer -- Ravel, Maurice, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">A gem of a concert featuring two of the greatest pianists, friends, and musical collaborators of our time... in 1982, fellow South American pianists Nelson Freire and Martha Argerich shared a stage for a program of 19th and 20th century pianistic jewels. 

Freire opens the program with &lt;i&gt;Debussy's Estampes, Chopin's Trois nouvelles etudes&lt;/i&gt; and &lt;i&gt;Scherzo&lt;/i&gt; in B-flat Minor. The Argentinian lioness then joins him for &lt;i&gt;Ravel's&lt;/i&gt; two piano arrangement of his &lt;i&gt;La Valse&lt;/i&gt; and &lt;i&gt;Rachmaninov's Suite No. 2&lt;/i&gt; for Two Pianos.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Concert</marc:subfield>
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            <marc:subfield code="a">Go behind the scenes of Peter Sellars' landmark 1992 production of Messiaen's Saint Francois d'Assise in this documentary directed by Jean-Pierre Gorin. These controversial and ultimately universally acclaimed Salzburg Festival performances of the composer's first and only opera starred Jose van Dam and Dawn Upshaw, joined by the Los Angeles Philharmonic Orchestra and Arnold Schonberg Choir under the baton of Esa-Pekka Salonen.

Commissioned in 1975 by the acclaimed Paris Opera director Rolf Liebermann, &lt;i&gt;Olivier Messiaen&lt;/i&gt; composed both the libretto and score of &lt;i&gt;Saint Francois d'Assise&lt;/i&gt; by himself over the course of the following four years, selecting Catholic saint and fellow bird lover Francis of Assisi as his opera's protagonist. After its orchestration, the work was rehearsed and premiered in 1983 at the Paris Opera under Messiaen's supervision. While these performances were beloved by audiences, critical reception was mixed, which is perhaps why it took almost ten years before the opera would again enjoy a full scenic production, an honor which it would receive in spades at the 1992 Salzburg Festival.

In his documentary, Jean-Pierre Gorin follows the development of Peter Sellars' Salzburg production from its rehearsals to its premiere. In addition to excerpted video footage, interviews with the opera's stars Jose Van Dam and Dawn Upshaw, controversial director Peter Sellars, and conductor Esa-Pekka Salonen give viewers an in-depth look at this overwhelmingly successful production.</marc:subfield>
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            <marc:subfield code="a">Alvarez, Marcelo, Artist -- Fink, Walter, Artist -- Rose, Peter, Artist -- Rattle, Simon, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Vratogna, Marco, Artist -- Vienna Philharmonia Chorus, Choir -- Tsymbalyuk, Alexander, Artist -- Opolais, Kristīne, Artist -- Williams, Douglas, Artist -- Tantsits, Peter, Artist -- Giacosa, Giuseppe, Lyricist -- Puccini, Giacomo, Composer -- Illica, Luigi, Lyricist</marc:subfield>
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            <marc:subfield code="a">For the Easter Festival 2017 in Baden-Baden, Sir Simon Rattle and the Berliner Philharmoniker draw their inspiration from &lt;i&gt;Tosca&lt;/i&gt;, the most well-known and also most brilliant of all the &lt;i&gt;Puccini&lt;/i&gt; operas. And that is deservedly so, since Tosca is not merely a work of art, but also a gripping suspense-packed story. With Kristine Opolais as Tosca and a spectacular staging by Philipp Himmelmann this production offers a fresh view on this beloved classic.</marc:subfield>
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            <marc:subfield code="a">Having made his conducting debut with the Berliner Philharmoniker in 1987, Sir Simon Rattle was appointed as Claudio Abbado's successor in 1999. On 7 September 2002, Sir Simon gave his first concert as the orchestra's chief conductor.

Sixteen years later, an era is coming to an end.

How will Sir Simon and the Berliner Philharmoniker shape the end of their era? The claims have been staked, most highs and lows of the relationship have been surpassed. It is the period of the greatest common denominator and the greatest serenity. &lt;i&gt;Echoing an Era&lt;/i&gt; finds us amidst the part of the relationship that we will come to miss the most. This gives us the opportunity to comprehend which sides of Sir Simon Rattle's personality have come to define his time with the Berliner Philharmoniker the most.</marc:subfield>
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            <marc:subfield code="a">She is a piano legend, he has collaborated as a soloist with all leading conductors and orchestras around the world. Now Martha Argerich and Guy Braunstein come to the Pierre Boulez Saal with their first-ever duo program - an artistic encounter that promises to be an extraordinary musical experience.</marc:subfield>
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            <marc:subfield code="a">BACH, J.S.: Violin Concertos, BWV 1041-1042 / Keyboard Concertos, BWV 1060, 1062, 1063, 1065 (Capuçon, Fray) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Violin Concerto in A Minor, BWV 1041 (NTSC) ( 00 sec. ) / Bach -- Violin Concerto in E Major, BWV 1042 (NTSC) ( 00 sec. ) / Bach -- Violin Concerto in A Minor, BWV 1041: III. Allegro assai (NTSC) ( 00 sec. ) / Bach -- Concerto for 2 Keyboards in C Minor, BWV 1062 (NTSC) ( 00 sec. ) / Bach -- Concerto for 2 Keyboards in C Minor, BWV 1060 (NTSC) ( 00 sec. ) / Bach -- Concerto for 3 Keyboards in D Minor, BWV 1063 (NTSC) ( 00 sec. ) / Bach -- Concerto for 4 Keyboards in A Minor, BWV 1065 (arr. of Vivaldi's, Concerto for 4 Violins in B Minor, Op. 3, No. 10, RV 580) (NTSC) ( 00 sec. ) / Bach</marc:subfield>
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            <marc:subfield code="a">Orchestre national du Capitole de Toulouse, Orchestra -- Capuçon, Renaud, Artist -- Fray, David, Artist -- Vigoureux, Audrey, Artist -- Christien, Emmanuel, Artist -- Rouvier, Jacques, Artist -- Bach, Johann Sebastian, Composer</marc:subfield>
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            <marc:subfield code="a">First Concert (19 June 2020)
In the first concert with Renaud Capucon, we have three masterpieces, which, although they adopt the three-movement structure dear to &lt;i&gt;Vivaldi&lt;/i&gt; and present features that bring them closer to the Italian models, are distinguished by their contrapuntal richness, their writing density and the breadth of their developments. These qualities are particularly evident in the &lt;i&gt;BWV 1042 in E major&lt;/i&gt;, with its extremely powerful architecture.

In these works, where the solo violin is called upon to express itself through singing rather than virtuosic prowess, there are these wonderful slow movements that are enough to crack even the most hardened non-musician. Those in the concertos in &lt;i&gt;A minor&lt;/i&gt; and &lt;i&gt;E major&lt;/i&gt; "offer to the bass repeated figures whose seriousness brings out the sweetness of the solo violin all the more".

Second Concert (02 July 2020)
For the second concert with David Fray, &lt;i&gt;Bach&lt;/i&gt; composed a concerti group for one, two, three and four harpsichords in Leipzig around 1730, and as director of the Collegium Musicum, he was to provide a large amount of music for an essentially worldly audience. All these concerti are transcriptions of earlier works.

Bach left us three concertos for two harpsichords &lt;i&gt;BWV 1060&lt;/i&gt; to &lt;i&gt;1062&lt;/i&gt;, two for three harpsichords &lt;i&gt;BWV 1063&lt;/i&gt; and &lt;i&gt;1064&lt;/i&gt;, and one for four harpsichords &lt;i&gt;BWV 1065&lt;/i&gt;, all conceived at the same time as the concertos for one harpsichord.

In this series of six works, the double concertos must certainly be placed very high up: BWV 1062 in C minor stands out for its extraordinary polyphonic richness; BWV 1060, also in C minor, probably from a concerto for violin and oboe, and indeed very often played in a reconstruction for this pair of instruments, is another high point in Bach's concertante for keyboard.

The superb quadruple concerto BWV 1065 is not far off the same heights, and amazes the attentive listener with the skill with which the musician distributes the roles among the four keyboards to keep the work from becoming overweight.</marc:subfield>
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