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            <marc:subfield code="a">Composed in 1931 by Dmitry Shostakovich, &lt;i&gt;The Bolt&lt;/i&gt; to a book by Viktor Smirnov, is being revived for the first time in more than 70 years.

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Alexei Ratmansky's choreography develops into a true marvel, opening with a ballet of giant robots and ending in a blood red delirious grand parade.</marc:subfield>
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            <marc:subfield code="a">Bolle, Roberto, Artist -- Semionova, Polina, Artist -- Coleman, David, Conductor -- Milan La Scala Ballet, Ensemble -- Milan La Scala Orchestra, Orchestra -- Ghisleni, Gianni, Artist -- Vallone, Flavia, Artist -- Licitra, Maurizio, Artist -- Romagna, Marta, Artist -- Zeni, Mick, Artist -- Buongiorno, Matteo, Artist -- Hewison, Bryan, Artist -- Sutera, Antonino, Artist -- Cavalleri, Daniela, Artist -- Grillo, Alessandro, Artist -- Saidakova, Nadja, Artist -- Savkovic, Ronald, Artist -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC037</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC037</marc:subfield>
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            <marc:subfield code="a">In granting us the rare privilege of entry, the Beijing Opera School offers access to the age-old art from of traditional Chinese opera. Based on a typical day for students and their teachers, the film lets us follow them through dawn-to-dusk activities that include acrobatics, classes in singing, music and dance, makeup sessions, schoolwork, rehearsals and performances. This is a total immersion in an establishment where discipline is, in many respects, that of a military academy.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC038.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC038</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC038</marc:subfield>
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            <marc:subfield code="a">Ionization (NTSC) ( 00 sec. ) / Not Applicable -- Chaconne (NTSC) ( 00 sec. ) / Not Applicable -- Tea for Two (NTSC) ( 00 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Jones, Bill T., Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">A major figure on the contemporary choreography scene, Bil T. Jones is also a remarkable dance and a performer with an electrifying stage presence. Here, alone in a studio and filmed from a totally cinematic point of view, he speaks to us of violence, gentleness and emotion in three short pieces: &lt;i&gt;Ionization,&lt;/i&gt; to music by Edgar Varese; &lt;i&gt;Chaconne,&lt;/i&gt; from Bach's Partita for Solo Violin in D minor; and &lt;i&gt;Tea for Two&lt;/i&gt;, the famous classic song.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC039</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC039</marc:subfield>
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            <marc:subfield code="a">DONIZETTI, G.: Elisir d'amore (L') (Paris National Opera, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">L'elisir d'amore (The elixir of love) (Paris National Opera, 2006) (NTSC) ( 02 hrs., 12 min., 29 sec. ) / Donizetti</marc:subfield>
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            <marc:subfield code="a">Groves, Paul, Artist -- Naouri, Laurent, Artist -- Maestri, Ambrogio, Artist -- Murphy, Heidi Grant, Artist -- Paris National Opera Chorus, Choir -- Paris National Opera Orchestra, Orchestra -- Zamojska, Aleksandra, Artist -- Gardner, Edward, Conductor -- Romani, Felice, Lyricist -- Donizetti, Gaetano, Composer</marc:subfield>
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            <marc:subfield code="a">After an absence of almost twenty years &lt;i&gt;L'elisir d'amore&lt;/i&gt; is back at the Paris Opera in a crazy version by Laurent Pelly.

The plot is simple but effective: a shy, naive young peasant buys a love philtre from a quack - all he gets, in fact, is a flask of wine - in order to win the heart of the girl he is in love with; in the end, and with no help from the philtre, she will realise that she loves him too. Add to this a sparkling musical language and marvellously inspired melodies - including the legendary "Una Furtiva Lagrima" - and you have the authentic masterpiece Donizetti turned out in just two weeks.

Transposing the plot to the Italy of the 1950s, director Laurent Pelly offers us an absolute jewel, beautifully crafted and shot through with poetry.</marc:subfield>
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Three romantic heroes each with a solitary destiny: Tatiana, a Romanesque young woman seeking absolution; Onegin, a distant dandy hiding emptiness under affected haughtiness; and Lenski, abandoned by his literary idol. Between these three, barren affections presage the inexorable social ruin.

With a stage setting as sombre as it is effective ?EUR" a great dining table appears in the middle of a salon ?EUR" the director Dmitri Tcherniakov separates two different worlds and lends the drama a clarity rarely reached.</marc:subfield>
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            <marc:subfield code="a">Offenbach?EUR(TM)s &lt;i&gt;Les Contes d'Hoffmann,&lt;/i&gt; staged by Olivier Py. High art at Geneva?EUR(TM)s Grand Théâtre!

Three fables. A man falls in love with a doll, a young woman sings herself to death and a courtesan steals her lovers' reflections. "Three women in the same woman," and the same number of stories told by Hoffmann. A picture of the cursed artist slipping through women's arms into those of his muse, under the treacherous eye of the evil one, the latter also appearing in three diabolical incarnations. Intertwining themes borrowed from the German poet, the libretto fed the composer's fantasies with material both fantastic and fanciful, sustaining his dreams that this work would one day be a triumph at the Opéra Comique. Alas, he was to die before he could see it performed.

Baroque and mystical, carnal yet metaphysical, Olivier Py's theatrical universe comes into its own when highlighting the oddities of this truly singular work.</marc:subfield>
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            <marc:subfield code="a">Alagna, Roberto, Artist -- Bologna Teatro Comunale Chorus, Choir -- Bologna Teatro Comunale Orchestra, Orchestra -- Barrard, Marc, Artist -- Gamberoni, Serena, Artist -- Bisanti, Giampaolo, Conductor -- Gluck, Christoph Willibald, Composer -- Moline, Pierre Louis, Lyricist</marc:subfield>
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            <marc:subfield code="a">Roberto Alagna as Orpheus in his brother David?EUR(TM)s new version of the Gluck masterpiece. A major event recorded in Bologna.

Opting for the French-language version of Gluck's &lt;i&gt;Orpheus&lt;/i&gt;, David Alagna was faced with the task of achieving an appropriately subtle adaptation. In a plot transposed to the present day, Eurydice dies in a car accident on the day of her wedding, and Orpheus's quest for his beloved is a dream beginning and ending at the cemetery. No happy ending in this interpretation, but a new approach to characterisation: Amore, sung by a baritone, becomes a funeral parlour employee and Orpheus's guide. And Orpheus, of course, loses his loved one forever by turning to look back.

The enormously talented Roberto Alagna throws himself body and soul into this production. His incredible vitality and flawless timbre and diction make him a great Orpheus. His partner, young Italian soprano Serena Gamberoni, is simply stunning as Euridice, while French baritone Marc Barrard is suitably terrifying as the guide to the Underworld. The orchestra of the Teatro Comunale di Bologna is conducted by Giampaolo Bisanti, who masterfully brings out all Gluck's poetry, romantic melancholy and depth.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Opera</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Gluck, Christoph Willibald</marc:subfield>
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            <marc:subfield code="a">Moline, Pierre Louis</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC052.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC052</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC052</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">BAC056</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">BAROQUE ACADEMIE (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Baroque Academie (NTSC) ( 01 hrs., 32 min., 38 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Christie, William, Conductor -- Jardin des Voix, Le, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">To reveal the talent of unknown young singers by sending them on a tour of the world's leading venues: this is the aim of "Le Jardin des Voix," the academy of Les Arts Florissants founded by William Christie. We share moments of grace, uncertainty and disappointment as the film follows the jury through the auditioning process. Then, a year later, we find the ten winners at the Theatre de Caen for three weeks of intensive rehearsal with some of the leading figures from today's Baroque music scene.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC056.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC056</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC056</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Bel Air Classiques Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BOLSHOI - A Renaissance (Documentary) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Bolshoi - A Renaissance (NTSC) ( 54 min., 53 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">In this remarkable film, Denis Sneguirev invites us to witness the rescue and revival of Moscow's legendary Bolshoi Theatre. In a mix of 3D images, animation, documentary footage and interviews, he recounts the history of the Bolshoi from its origins to the present day. Hitherto unknown archival material takes viewers back to a time when stars like Ulanova, Maximova, Plisetskaya, Vasiliev or Grigorovich graced the Bolshoi stage. Here we watch the teams of architechts engineers and construction workers labouring day and night to rebuild the theatre in the course of a colossal venture Russia's media dubbed the "construction project of the century."</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC075.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC075</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC075</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Bel Air Classiques Naxos</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">GOUNOD, C.: Roméo et Juliette (Arena di Verona, 2011) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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            <marc:subfield code="a">Romeo et Juliette (Arena di Verona, 2011) (NTSC) ( 02 hrs., 57 min., 05 sec. ) / Gounod -- Disc 2 ( 00 sec. ) / Gounod</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Secco, Stefano, Artist -- Giuseppini, Giorgio, Artist -- Arena of Verona Choir, Choir -- Mastrangelo, Fabio, Conductor -- Arena of Verona Ballet, Ensemble -- Kemoklidze, Ketevan, Artist -- Arena of Verona Orchestra, Orchestra -- Ruggeri, Gianpiero, Artist -- Vatchkov, Deyan, Artist -- Machaidze, Nino, Artist -- Borras, Jean-Francois, Artist -- Rucinski, Artur, Artist -- Melis, Cristina, Artist -- Antognetti, Paolo, Artist -- Ceriani, Nicolo, Artist -- Signorini, Manrico, Artist -- Carré, Michel, Lyricist -- Barbier, Jules, Lyricist -- Gounod, Charles-François, Composer</marc:subfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC081</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC081</marc:subfield>
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            <marc:subfield code="a">We all identify &lt;i&gt;Traviata&lt;/i&gt; with the corrupt, led-astray heroine of Verdi's opera; with those women whose fatal sensuality incriminated families, threatening the social order, and compromising a morality where desire, with its subversive powers, was to be eliminated.

However, every myth benefits from a fresh perspective. And from the bedside of a repentant Madeleine, the guilty conscience of the XIXth century's hypocritical honesty, Peter Mussbach sees this myth differently. He sees it from a closer perspective. Perhaps his very contemporary vision of this past era can shed some
light on our vision of the modern woman.

The only performance from the eventful 2003 Festival d'Aix, this &lt;i&gt;Traviata&lt;/i&gt; is carried all the way through by a radiant Mireille Delunsch, who, as always, pushes the limits of her art. Appearing in a wedding dress, evoking the sacrificed icon reminiscent of both Marylin and Lady Di, trapped by tragedy, Mireille Delunsch is Violetta.

Filmed by Don Kent, a master in the domain, Peter Mussbach's brilliant production is one long flashback, which leaves the spectator breathless. A truly remarkable director of actors, Mussbach focuses on the psychology of the opera's characters, and knows how to get the best out of his singers. For him, &lt;i&gt;La Traviata&lt;/i&gt; is "written like a film in which the final act is one long twenty five minute shot, where we act as witnesses to Violetta's agony."</marc:subfield>
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            <marc:subfield code="a">Strike Up the Band: Overture (NTSC) ( 08 min., 06 sec. ) / Gershwin -- Pavane, Op. 50 (NTSC) ( 07 min., 20 sec. ) / Fauré -- The Show is On: By Strauss (NTSC) ( 03 min., 55 sec. ) / Gershwin -- Rosalie: How Long Has This Been Going On? (NTSC) ( 06 min., 40 sec. ) / Gershwin -- A Damsel in Distress: Nice Work if You Can Get It (NTSC) ( 05 min., 09 sec. ) / Gershwin -- La valse (version for orchestra) (NTSC) ( 13 min., 10 sec. ) / Ravel -- Girl Crazy, Act I: Embraceable You (NTSC) ( 08 min., 20 sec. ) / Gershwin -- Funny Face: 'S Wonderful! (NTSC) ( 05 min., 18 sec. ) / Gershwin -- A Damsel in Distress: A Foggy Day (NTSC) ( 10 min., 51 sec. ) / Gershwin -- Daphnis et Chloe Suite No. 2 (NTSC) ( 18 min., 06 sec. ) / Ravel</marc:subfield>
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            <marc:subfield code="a">The Berlin Philharmonic, under the baton of Sir Simon Rattle and with the Grammy Award-winning jazz vocalist Dianne Reeves, usher in the New Year in style. In this gala concert, they present a programme of music by three of the twentieth century's most famous composers: Maurice Ravel, Gabriel Fauré and George Gershwin.</marc:subfield>
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