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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DAK010-03.jpg</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DAK010-03</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DAK010-03</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Salgán, Horacio</marc:subfield>
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            <marc:subfield code="a">Gardel, Carlos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Bardi, Agustín</marc:subfield>
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            <marc:subfield code="a">Di Sarli, Carlos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Piazzolla, Astor</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Matos Rodríguez, Gerardo</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
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        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Exposito, Virgilio</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Traditional</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BARENBOIM, Daniel: Tango Argentina (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="c">2007</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
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        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Tango Argentina (NTSC) ( 01 hrs., 36 min. ) / Not Applicable -- Seleccion (NTSC) ( 08 min., 18 sec. ) / Gardel -- Gallo Ciego (NTSC) ( 03 min., 38 sec. ) / Bardi -- Milonguero Viejo (NTSC) ( 04 min., 37 sec. ) / Di Sarli -- Decarissimo (NTSC) ( 05 min., 05 sec. ) / Piazzolla -- La Cumparsita (NTSC) ( 04 min., 39 sec. ) / Matos Rodríguez -- Seleccion (NTSC) ( 06 min., 13 sec. ) / De Caro -- Adios Nonino (NTSC) ( 12 min., 11 sec. ) / Piazzolla -- Sueno de Tango (NTSC) ( 04 min., 39 sec. ) /  -- Naranjo en flor (NTSC) ( 03 min., 55 sec. ) / Exposito -- Seleccion de temas populares (NTSC) ( 02 min., 50 sec. ) / Not Applicable -- Al galope (NTSC) ( 03 min., 29 sec. ) /  -- Tanti anni prima (NTSC) ( 05 min., 33 sec. ) / Piazzolla -- El dia que me quieras (NTSC) ( 05 min., 03 sec. ) / Gardel -- El firulete (NTSC) ( 03 min., 27 sec. ) / Salgán -- Libertango (NTSC) ( 05 min., 16 sec. ) / Piazzolla -- Don Agustin Bardi (NTSC) ( 03 min., 45 sec. ) / Salgán -- Aquellos tangos camperos (NTSC) ( 06 min., 33 sec. ) / Salgán -- A fuego lento (arr. for orchestra) (NTSC) ( 05 min., 13 sec. ) / Salgán</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Barenboim, Daniel, Artist -- Federico, Leopoldo, Artist -- Buenos Aires Philharmonic Orchestra, Orchestra -- Tipica Orchestra, Orchestra -- Godoy, Mora, Artist -- Cervila, Junior, Artist -- Gari, Carlos, Artist -- Not Applicable, na, Composer -- Anonymous, Arranger -- Salgán, Horacio, Composer -- Gardel, Carlos, Composer -- Bardi, Agustín, Composer -- Di Sarli, Carlos, Composer -- Piazzolla, Astor, Composer -- Matos Rodríguez, Gerardo, Composer -- De Caro, Julio, Composer -- Expósito, Homero, Lyricist -- Exposito, Virgilio, Composer -- Traditional, Composer -- Le Pera, Alfredo, Lyricist</marc:subfield>
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            <marc:subfield code="a">The year 2006 come to a close with a spectacular musical event: a festival of Argentinean music broadcast live from Buenos Aires. At the height of the Argentinean summer, the Orquesta Filarmonica del Teatro Colon under Daniel Barenboim (conductor and soloist) join the excellent bandoneon virtuoso Leopoldo Federico and his Orquesta Tipica to present an extraordinary New Year's Eve show with popular tangos and Latin American orchestra classics. The old master of tango, Jose Carli, has created enchanting new arrangements of works by the Argentinean artists &lt;i&gt;Astor Piazzolla&lt;/i&gt;, &lt;i&gt;Carlos Gardel&lt;/i&gt;, &lt;i&gt;Julio de Caro&lt;/i&gt;, &lt;i&gt;Alberto Ginastera&lt;/i&gt; and &lt;i&gt;Horacio Salgan&lt;/i&gt;. Performances by the leading tango dancers Mora Godoy and Junior Cervilla from Buenos Aires add atmosphere and round off the night.</marc:subfield>
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            <marc:subfield code="a">Salgán, Horacio</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Bardi, Agustín</marc:subfield>
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            <marc:subfield code="a">Di Sarli, Carlos</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Piazzolla, Astor</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5586.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5586</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts5586</marc:subfield>
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            <marc:subfield code="a">Schumann, Robert</marc:subfield>
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            <marc:subfield code="a">Rachmaninov, Sergey</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GILTBURG, Boris: Five Minute Library (The) (Classical Documentary, 2021) (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">The Five Minute Library (Classical Documentary, 2021) (NTSC) ( 00 sec. ) / Not Applicable -- Piano Sonata No. 32 in C Minor, Op. 111 (NTSC) ( 00 sec. ) / Beethoven -- Piano Sonata No. 28 in A Major, Op. 101 (NTSC) ( 00 sec. ) / Beethoven -- Piano Sonata in B Minor, S178/R21 (NTSC) ( 00 sec. ) / Liszt -- Pictures at an Exhibition: Promenades (NTSC) ( 00 sec. ) / Mussorgsky -- Etudes-tableaux, Op. 39:  No. 6 in A Minor (NTSC) ( 00 sec. ) / Rachmaninov -- Rhapsody on a Theme of Paganini, Op. 43: Variation 18: Andante cantabile (NTSC) ( 00 sec. ) / Rachmaninov -- Arabeske in C Major, Op. 18 (NTSC) ( 00 sec. ) / Schumann -- Carnaval, Op. 9: Sphinxes 1-3 (NTSC) ( 00 sec. ) / Schumann -- Piano Concerto No. 1 in B-Flat Minor, Op. 23 (NTSC) ( 00 sec. ) / Tchaikovsky</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Giltburg, Boris, Artist -- Tchaikovsky, Pyotr Il'yich, Composer -- Schumann, Robert, Composer -- Beethoven, Ludwig van, Composer -- Mussorgsky, Modest Petrovich, Composer -- Rachmaninov, Sergey, Composer -- Liszt, Franz, Composer -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">A series of short films, recorded at the Louisiana Museum of Modern Art in Denmark.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Tchaikovsky, Pyotr Il'yich</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Schumann, Robert</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Beethoven, Ludwig van</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Mussorgsky, Modest Petrovich</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Rachmaninov, Sergey</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Liszt, Franz</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5769.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5769</marc:subfield>
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To all of this he added something from within himself - a melody more breathless than that of Verdi, but in many ways, sweeter. Add to that an ingenious fire in which ideas flow and the themes are inspired. The fact that the Berliner Philharmoniker turn to Puccini - this beloved yet ostracized composer - is symbolic. Here is someone who was thought to be outmoded for a long time, but there is really so much more to be discovered about him and his work. The tale of one who becomes a model but remains a girl, is very contemporary.</marc:subfield>
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Dealing with cultural censorship in Iran, women singers started using also digital media more. Invited by Negar, a magical entity, female voices from all over this vast country come out of isolation, gather in a garden in the very middle of Iran to make their dream come true. Nobody has tried this before, so Negar seeks the help of two travelers to connect. Along the way they meet surprisingly strong female personalities of diverse cultural backgrounds and come closer to understanding the orient...</marc:subfield>
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            <marc:subfield code="a">Wolf, Hugo</marc:subfield>
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            <marc:subfield code="a">Brahms, Johannes</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">Vocal Music - SCHUBERT, F. / WOLF, H. / BRAHMS, J. (Masterclass with Dietrich Fischer-Dieskau) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Die schöne Müllerin, Op. 25, D. 795: No. 4. Danksagung an den Bach (NTSC) ( 00 sec. ) / Schubert -- Mörike Lieder: No. 44. Der Feuerreiter (NTSC) ( 00 sec. ) / Wolf -- 15 Romanzen aus Die Schöne Magelone, Op. 33: No. 5. So willst du des Armen dich gnädig erbarmen? (NTSC) ( 00 sec. ) / Brahms -- Lieder der Mignon: No. 4. Kennst du das Land (NTSC) ( 00 sec. ) / Wolf -- Des Sängers Habe, D. 832 (NTSC) ( 00 sec. ) / Schubert -- Auf der Donau, Op. 21, No. 1, D. 553 (NTSC) ( 00 sec. ) / Schubert -- Ganymed (Ganymede), Op. 19, No. 3, D. 544 (NTSC) ( 00 sec. ) / Schubert</marc:subfield>
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            <marc:subfield code="a">Fischer-Dieskau, Dietrich, Artist -- Diaz, Mario Trelles, Artist -- Heger, Adrian, Artist -- Maruhn, Peter, Artist -- Matsuba, Yuka, Artist -- Buchwald, Jan, Artist -- Sellheim, Katharina, Artist -- Palmer, Nelly, Artist -- Sharp, Timothy, Artist -- Wistinghausen, Martin, Artist -- Laufen, Raimund, Artist -- Winger, Marret, Artist -- Hartmann, Steffen, Artist -- Wolf, Hugo, Composer -- Mörike, Eduard, Lyricist -- Schubert, Franz, Composer -- Müller, Wilhelm, Lyricist -- Goethe, Johann Wolfgang von, Lyricist -- Brahms, Johannes, Composer -- Tieck, Ludwig, Lyricist -- Schlechta, Franz Xaver von, Lyricist -- Mayrhofer, Johann Baptist, Lyricist</marc:subfield>
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            <marc:subfield code="a">With his precision of articulating every word &lt;i&gt;Dietrich Fischer-Dieskau&lt;/i&gt; set permanent standards. Als "best Singer of Lieder of the World" (Times) he filled of course every concert hall. After 45 years he terminated his concert activities and is since very busy as a conductor, reciter, author of books and teacher.

The film &lt;i&gt;Meister-Singer&lt;/i&gt; produced at the Musik- und Singschule Heidelberg, is about the classical Kunstlied and composers such as &lt;i&gt;Franz Schubert, Hugo Wolf, Johannes Brahms, Gustav Mahler&lt;/i&gt; or &lt;i&gt;Johann Strauss&lt;/i&gt;. Four long days Dietrich Fischer-Dieskau taught eight singing students. He not only gave suggestions but even let resound every now and then his "Heldenbariton". Also the participants of master course describe their impressions of this worldwide re-known interpreter of Lieder.</marc:subfield>
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            <marc:subfield code="a">Goethe, Johann Wolfgang von</marc:subfield>
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            <marc:subfield code="a">Schlechta, Franz Xaver von</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6346</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6346</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts6358</marc:controlfield>
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            <marc:subfield code="a">SCRIABIN, Alexander: Vers la Flamme - Portrait of Alexander Scriabin (Classical Documentary, 1996) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Vers la Flamme: Portrait of Alexander Scriabin (Classical Documentary, 1996) (NTSC) ( 58 min., 16 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Solem, Monica, Artist -- Becker, Oliver, Television Director -- Heys, John Edward, Artist -- Jost, Jean-Theo, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This documentary on the unconventional life and ground-breaking music of the Russian pianist and composer &lt;i&gt;Alexander Scriabin&lt;/i&gt; (1872-1915) sheds light on the mystical ideas which inspired him. He became consumed by a vision of a union of the arts, a coalescence of music, words, movement, light, colour and ideas, to create transcendent experiences. Contributors to his fascinating exploration of the composer's life and work are musicians Vladimir Ashkenazy and Vladimir Horowitz; conductor Mikhail Pletnev; and Scriabin's daughter, Marina. 

The programme draws on Scriabin's writings, archive photographs and documentation, and footage shot in Switzerland, Italy and Moscow. Among a wealth of musical extracts, Scriabin himself is heard playing his &lt;i&gt;Poem Op.32 No. 1&lt;/i&gt;, recorded in 1908 on a Welte Mignon player-piano.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">WAGNER, R.: Liebesverbot (Das) [Opera] (Teatro Real, 2016) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Das Liebesverbot (Teatro Real, 2016) (NTSC) ( 02 hrs., 40 min. ) / Wagner</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bolton, Ivor, Conductor -- Madrid Symphony Orchestra, Orchestra -- Vas, Francisco, Artist -- Alegret, David, Artist -- Jerkunica, Ante, Artist -- Maltman, Christopher, Artist -- Lodahl, Peter, Artist -- Uhl, Manuela, Artist -- Galan, Isaac, Artist -- Jerusalem, David, Artist -- Miro, Maria Angels, Artist -- Hinojosa, Maria, Artist -- Arcayürek, Ilker, Artist -- Coro Titular del Teatro Real, Choir -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Das Liebesverbot&lt;/i&gt; is one of &lt;i&gt;Wagner's&lt;/i&gt; earliest operas - and yet, a central motive of many other works such as &lt;i&gt;Tristan and Isolde&lt;/i&gt; is already clearly visible: The overpowering force of love and lust, that no law - manmade or otherwise - can tame. 

In this co-production of the Teatro Real Madrid, the Royal Opera House Covent Garden of London and the Teatro Colon of Buenos Aires, we watch Isabella as she strives to free her brother from a cruel death penalty and the city of Palermo from the puritanical, joy-forsaking rule of a German bureaucrat.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6362</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">&lt;i&gt;Romeo and Juliet&lt;/i&gt; is one of the most frequently performed ballets at the Prague National Theatre. The first one premiered on the 30th December 1938, yet this new staging, which is already the sixth, will be very different compared to previous productions. Petr Zuska, artistic director of the Czech National Ballet unlike in the origina Shakespearean tragedy does not focus on the story of lovers but on the reason for resentment and blood feud between the Montagues and Capulets: The eternal conflict of the male and female principle. This rendering leaves more room for other, all too often neglected characters, such as Friar Laurence. In this piece his role is highlighted as renaissance man representing human faith in God. His nemesis is Queen Mab, a mythical ruler of shadows, the "midwife of dreams and phantoms".</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Nacho Duato&lt;/i&gt; composed the one-act ballet &lt;i&gt;White Darkness&lt;/i&gt; as a requiem for his sister. The result is a masterpiece which, according to critics, has reached heights deemed hitherto impossible on the landscape of modern arts. In contrast, American choreographer &lt;i&gt;Joseph Hernandez&lt;/i&gt;, a regular guest at Les Ballets de Monte-Carlo, creates an exhilarating aesthetic universe with an urge to live and a lust for life in &lt;i&gt;The Lavender Follies&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;The man of the future will overcome man, but will rediscover what it is to be human while having become something fundamentally different.&lt;/i&gt; (Maurice Bejart)

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            <marc:subfield code="a">Danza Contemporanea de Cuba, Ensemble -- Duarte, Giovanni, Conductor -- Havana Grand Theater Symphony Orchestra, Orchestra -- Stravinsky, Igor, Composer -- de la O, Alexis, Composer -- Simone, Nina, Composer -- Craven, Eric, Composer -- Selvik, Einar, Composer -- Gaahl, , Composer -- Heistek, Genevieve, Composer</marc:subfield>
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            <marc:subfield code="a">Alma Redemptoris Mater, S. 22 (NTSC) ( 00 sec. ) / Heinichen -- Sonata in F Major, K.78/L.75/P.26 (NTSC) ( 00 sec. ) / Scarlatti -- Nisi Dominus, RV 608 (NTSC) ( 00 sec. ) / Vivaldi -- Gesu al Calvario, ZWV 62, Aria: S'una sol lagrima (NTSC) ( 00 sec. ) / Zelenka -- Tam non splendet sol creatus (NTSC) ( 00 sec. ) / Fago -- Sinfonia a 8 concertanti in A Minor (NTSC) ( 00 sec. ) / Zelenka -- Sanctus Petrus et Sancta Maria Magdalena, Aria: Mea Tornamenta, Properate! (NTSC) ( 00 sec. ) / Hasse -- Il Faraone sommerso: Alla gente a Dio diletta (NTSC) ( 00 sec. ) / Fago -- Il Giustino, RV 717, Act I: Allor che mi vedro (NTSC) ( 00 sec. ) / Vivaldi</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Corti, Francesco, Artist -- Pomo d'Oro, Il, Ensemble -- Orliński, Jakub Józef, Artist -- Anonymous, Lyricist -- Heinichen, Johann David, Composer -- Scarlatti, Alessandro, Composer -- Vivaldi, Antonio, Composer -- Bible - Old Testament, Lyricist -- Zelenka, Jan Dismas, Composer -- Fago, Francesco Nicola, Composer -- Hasse, Johann Adolf, Composer -- Pariati, Pietro, Lyricist</marc:subfield>
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            <marc:subfield code="a">The Polish countertenor &lt;i&gt;Jakub Jozef Orlinski&lt;/i&gt; is quickly gaining a  reputation as a singer of striking vocal beauty and daring stage craft. He has been hailed by critics and audiences alike, prompting the New York Times to write: "Jakub Jozef Orlinski combined beauty of tone and an uncommon unity of color and polish across his range."

This concert recording reflects the greatly anticipated release of his debut album, &lt;i&gt;Anima Sacra&lt;/i&gt;, a recital of 18th-century rediscovered sacred arias with the baroque ensemble Il Pomo d'oro.</marc:subfield>
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At the 2018 Deauville Easter Festival in the Normandy region of France, Pierre Dumoussaud leads a group of highly accomplished instrumentalists, as well as actors Didier Sandre, Maxime Coggio, and Gabriel Acremant, in this Stravinsky masterpiece. The colorful program is rounded out by &lt;i&gt;Mahler's&lt;/i&gt; sole &lt;i&gt;String Quartet in A Minor&lt;/i&gt;, which he never completed-though you'll hear the finished first movement alongside a later completion by Russian composer &lt;i&gt;Alfred Schnittke&lt;/i&gt; of Mahler's partially sketched second movement - and &lt;i&gt;Alban Berg's&lt;/i&gt; expansive and evocative &lt;i&gt;Seven Early Songs&lt;/i&gt;, superbly performed by prizewinning mezzo Adele Charvet.</marc:subfield>
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            <marc:subfield code="a">OMG! Van Eyck was here. Celebrating Jan van Eyck: Herreweghe and Collegium Vocale.

Commissioned by the City of Ghent and on the occasion of the Van Eyck Year, the Estonian composer &lt;i&gt;Arvo Part&lt;/i&gt; wrote a new work with the world-famous altarpiece the &lt;i&gt;Adoration of the Mystic Lamb&lt;/i&gt; as its starting point. Around this world creation, which was given the title &lt;i&gt;Fur Jan van Eyck&lt;/i&gt;, Philippe Herreweghe and Collegium Vocale Gent present an exquisite programme of mass movements, motets and organ works by &lt;i&gt;Claudio Monteverdi, Anton Bruckner&lt;/i&gt; and &lt;i&gt;Olivier Messiaen&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">Pärt, Arvo</marc:subfield>
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            <marc:subfield code="a">Monteverdi, Claudio</marc:subfield>
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            <marc:subfield code="a">Bruckner, Anton</marc:subfield>
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            <marc:subfield code="a">Bible - Old Testament</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6590</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6590</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts6749</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">Mateju, Zbynek</marc:subfield>
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            <marc:subfield code="a">MATĚJŮ, Z.: Little Mermaid (The) (after H.C. Andersen) [Ballet] (National Theatre Prague, 2017) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">The Little Mermaid (after H.C. Andersen) (National Theatre Prague, 2017) (NTSC) ( 01 hrs., 39 min., 54 sec. ) / Mateju</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Prague National Theatre Orchestra, Orchestra -- Vinklat, Ondrej, Artist -- Wenzelova, Michaela, Artist -- Czech National Ballet, Ensemble -- Matejkova, Magdalena, Artist -- Podarilova, Tereza, Artist -- Weiser, Andreas Sebastian, Conductor -- Mateju, Zbynek, Composer</marc:subfield>
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            <marc:subfield code="a">A ballet based on the fairy tale by Hans Christian Andersen

This beautiful ballet, based on the famous fairy tale by &lt;i&gt;Hans Christian Andersen&lt;/i&gt;, tells the heartbreaking story of a young mermaid who is willing to give up her life and identity out of love. This charming performance, abounding in poetic dance scenes, is intended not only for parents and children but for everyone who loves this immortal story.

Delivered by the National Theatre Orchestra, choreographed by Jan Kodet and directed by the acclaimed SKUTR tandem (Martin Kukucka and Lukas Trpisovsky to a new composition by Czech composer &lt;i&gt;Zbynek Mateju&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Ballet &amp; Dance</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Mateju, Zbynek</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts6749.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6749</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6749</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts6752</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">EuroArts DVD</marc:subfield>
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            <marc:subfield code="a">Buxtehude, Dieterich</marc:subfield>
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            <marc:subfield code="a">BUXTEHUDE, D.: Vocal and Chamber Music (Abendmusiken) (Vox Luminis, Ensemble Masques) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Gott hilf mir, BuxWV 34 (NTSC) ( 00 sec. ) / Buxtehude -- Sonata in A Minor, BuxWV 272 (NTSC) ( 00 sec. ) / Buxtehude -- Befiehl dem Engel, dass er komm, BuxWV 10 (NTSC) ( 00 sec. ) / Buxtehude -- Jesu meine Freude, BuxWV 60 (NTSC) ( 00 sec. ) / Buxtehude -- Sonata in D Major, BuxWV 267 (NTSC) ( 00 sec. ) / Buxtehude -- Herzlich lieb hab ich dich o Herr, BuxWV 41 ( 00 sec. ) / Buxtehude -- Sonata in B-Flat Major, Op. 1, No. 4, BuxWV 255 ( 00 sec. ) / Buxtehude -- Jesu, meines Lebens Leben, BuxWv 62 (NTSC) ( 00 sec. ) / Buxtehude -- Wie schön leuchtet der Morgenstern, BuxWV 223 (NTSC) ( 00 sec. ) / Buxtehude</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Ensemble Masques, Ensemble -- Vox Luminis, Ensemble -- Fortin, Olivier, Artist -- Buxtehude, Dieterich, Composer -- Anonymous, Lyricist -- Bible - Old Testament, Lyricist -- Franck, Johann, Lyricist -- Schalling, Martin, Lyricist -- Homburg, Ernst Christoph, Lyricist</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Dietrich Buxtehude&lt;/i&gt; (1637-1707) is considered today one of the founding fathers of the 17th century German school, whose influence on composers such as Johann Sebastian Bach, his spiritual son, cannot be overestimated. Not only was he an indisputable master of organ music, but also a most prolific composer whose oeuvre consists of more than 200 works.

Let's us join the Masques Ensemble and the Vox Luminis choir and discover 17th century baroque music and the composer Buxtehude through his vocal compositions, ranging from spiritual concert, choral, aria to cantata parties, many of which directly influenced Johann Sebastian Bach's compositions. It is to a journey in space and time, a journey in which violins, viola, viola da gamba, violone, harpsichord, canned organ and choral ensemble will share the legacy and influence of Dietrich Buxtehude who has transcended borders with us.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Concert</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Buxtehude, Dieterich</marc:subfield>
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            <marc:subfield code="a">Anonymous</marc:subfield>
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            <marc:subfield code="a">Bible - Old Testament</marc:subfield>
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            <marc:subfield code="a">Franck, Johann</marc:subfield>
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            <marc:subfield code="a">Schalling, Martin</marc:subfield>
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            <marc:subfield code="a">Homburg, Ernst Christoph</marc:subfield>
            <marc:subfield code="e">Lyricist</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts6752.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6752</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6752</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts6766</marc:controlfield>
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            <marc:subfield code="a">Messiaen, Olivier</marc:subfield>
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            <marc:subfield code="a">MESSIAEN, O.: Visions de l'Amen [Ballet] (Teatro Mayor Julio Mario Santo Domingo, 2013) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Visions de l'Amen (Teatro Mayor Julio Mario Santo Domingo, 2013) (NTSC) ( 58 min., 29 sec. ) / Messiaen</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">BdB Duo, Ensemble -- Compania Cuerpo de India, Ensemble -- Messiaen, Olivier, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;7 VISIONS OF AMEN&lt;/i&gt; is a masterpiece of &lt;i&gt;Olivier Messiaen's&lt;/i&gt; musical production consisting of seven meanings of the word Amen. It is extraordinarily contemporary despite its 70 years of existence and its writing music is highlighted by four main essences: complex timbre, rhythmic and harmonic richness, deep spirituality, sound seduction - color and knowledge of nature through singing birds.

VISIONS OF AMEN is a dream. An adventure. A fusion of artistic expression made possible by a bold investment in talents. A great technical and human team led by Carlos Osorio's personal vision to visually enhance Olivier Messiaen's sound universe, and send it to all audiences of the world.</marc:subfield>
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            <marc:subfield code="a">The 2018/2019 concert season is &lt;i&gt;Michael Sanderling's&lt;/i&gt; eighth as Principal Conductor of the Dresden Philharmonic. His name is associated with a great musical and technical ambition, concentrated rehearsal work, and concert events of unforgettable intensity. The focus on &lt;i&gt;Dmitri Shostakovich&lt;/i&gt; continues, both in concert and the recording project of the Shostakovich symphonies.

The new concert hall is the heart of the rebuilt Kulturpalast right in the city centre. Similar to the Philharmonie in Berlin and the Gewandhaus in Leipzig it was built in the so called Weinberg style which guarantees clear acoustics. The concert hall with its 1760 seats and mid-oriented stage offers the Dresdner Philharmonie optimum spatial and tonal conditions, for the first time in its 150 years old history.</marc:subfield>
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            <marc:subfield code="a">Rediscover a classic of Czech music alongside a lesser-heard masterwork by experimental composer &lt;i&gt;Luciano Berio&lt;/i&gt;! The concert opens with the Italian's &lt;i&gt;Sinfonia&lt;/i&gt;, interpreted with brio by the London Voices and a Czech Philharmonic in high form, under the baton of Maestro Semyon Bychkov. This fascinating choral symphony features eight amplified voices, singing and speaking texts extracted from Claude L?vi-Strauss, James Joyce, and Samuel Beckett - with a second movement in homage to Dr. Martin Luther King, Jr. - and also quotes musical works by &lt;i&gt;Beethoven, Debussy, Ravel, Stravinsky, Schoenberg&lt;/i&gt;, and many other composers in its highly allusive third movement.

The evening's second half is dedicated to the music of &lt;i&gt;Dvorak&lt;/i&gt;, with his &lt;i&gt;Symphony No. 7 in D Minor&lt;/i&gt; as the centerpiece. This passionate work, dedicated to the London Philharmonic Society who had commissioned it, was an unmitigated success at its premiere and has continued to enchant audiences through the centuries-including this one at the Rudolfinum in Prague, where Dvorak himself conducted the Czech Philharmonic's first ever concert in 1896. Two of the Bohemian composer's spirited &lt;i&gt;Slavonic Dances&lt;/i&gt; serve as encores to round out the program, which also includes a nod to Frank Sinatra...</marc:subfield>
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            <marc:subfield code="a">The great German baritone &lt;i&gt;Dietrich Fischer-Dieskau&lt;/i&gt; is greatly admired for his interpretive insight, note-perfect control of the tonal qualities, and shadings of color in his voice, for exceptional rhythmic sense and impeccable diction. His reputation as a lieder singer is so high - he had a repertoire of more than 3.000 songs - that it is easy to forget his extensive list of operatic roles. 

In this conversation Fischer-Dieskau reveals for the last time on camera the secrets of his outstanding career. His &lt;i&gt;Last Words&lt;/i&gt; provide a deep insight into the extraordinary artistic life of one of the most famous and prolific lieder singer of our time. Fischer-Dieskau died in May 2012 at the age of 86.</marc:subfield>
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            <marc:subfield code="a">A documentary on &lt;i&gt;Pierre Boulez&lt;/i&gt; and his work &lt;i&gt;Eclat&lt;/i&gt;. Eclat is a real study of resonance written for fifteen instruments and created in 1965.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts7746.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts7746</marc:subfield>
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            <marc:subfield code="a">Behind the scenes of the premier of &lt;i&gt;The Helicopter String Quartet&lt;/i&gt; he dreamt of it and he did it.

&lt;i&gt;Karlheinz Stockhausen&lt;/i&gt; is the composer of the superlative: in everything, he is "the most" (crazy, prolific, demanding, committed, innovative, radical, extravagant, etc.). Born near Cologne in 1928, he left a world that had become too small for him on December 5th, 2007. Before doing so he left three hundred and sixty works which experiment with all genres: serialism, electronics, pointillism, quotations, the collage and the aleotary. He will be remembered as a master of electro-acoustic music and of the spatialisation of sound, as revealed in this documentary dedicated to the world premiere, on June 26th, 1995 at the Holland Festival, of his Helicopter String Quartet.

This is not a joke. Karlheinz Stockhausen dreamt of it and he did it. He wrote a score for a string quartet whose musicians (in this instance the Arditti Quartet) would each play in a helicopter, while their music would be mixed on the ground by Stockhausen and broadcasted in the concert hall. The helicopter rotors are naturally present.

Frank Scheffer enables us to take part in the preparation of this "borderline" experiment: a huge amount of work rehearsing with the participation of the Dutch Navy, who supplied the helicopters and the pilots. Thanks to a camera fixed on the fifth helicopter, we fly in the sky with the "musicians" helicopters over Amsterdam. Magical.

A "concert" that really isn't like any other in that after landing, when the members of the Arditti Quartet enter the concert hall to receive the audience's applause, they haven't even heard what they played.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts7750</marc:subfield>
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            <marc:subfield code="a">Sasha Waltz: A Portrait (Dance Documentary, 2014) (NTSC) ( 01 hrs., 10 min., 06 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Waltz, Sasha, Artist -- Kramer, Brigitte, Television Director -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Sasha Waltz&lt;/i&gt; is one of Europe's best-known and most exciting choreographers. Her choreographies are outstanding as she always surprises with new formations, deep subjects and stunning aesthetic style. But she does not only work with dancers: the dialogue with all other art forms is her special interest. All her deep and beautifully choreographed pieces are featured in this film where Sasha Waltz gives us insight into her work. The film portrait by Brigitte Kramer draws a line from 2006 to today, the important years of Sasha Waltz' international career.</marc:subfield>
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            <marc:subfield code="a">BRITTEN, B.: Peter Grimes [Opera] (Aldeburgh Festival, 2013) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Wyn-Rogers, Catherine, Artist -- Gillett, Christopher, Artist -- Bedford, Steuart, Conductor -- Richardson, Stephen, Artist -- Opera North Chorus, Choir -- Oke, Alan, Artist -- Keeble, Gaynor, Artist -- Waddington, Henry, Artist -- Murray, Robert, Artist -- Bedford, Charmian, Artist -- Kempster, David, Artist -- Guildhall School of Music and Drama Chorus, Choir -- Britten-Pears Orchestra, Orchestra -- Allen, Giselle, Artist -- Hutton, Alexandra, Artist -- Rice, Charles, Artist -- Britten, Benjamin, Composer -- Slater, Montagu, Lyricist</marc:subfield>
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            <marc:subfield code="a">Filmed in June 2013 during three extraordinary performances that took place during the Aldeburgh Festival, &lt;i&gt;Peter Grimes on Aldeburgh beach&lt;/i&gt; takes place in the heart of the town that inspired it and is the film interpretation of &lt;i&gt;Britten's Peter Grimes&lt;/i&gt;, the most successful opera of post-war Britain. Based on &lt;i&gt;George Crabbe's&lt;/i&gt; 1810 poem &lt;i&gt;The Borough&lt;/i&gt;, Britten's powerful and masterful evocation of the North Sea in all its moods has become inextricably linked with the Aldeburgh that was home to Crabbe in the late eighteenth century and Britten in the twentieth, and where both poem and opera were written. 

Conceived and hosted by the Aldeburgh Festival, the performances of Peter Grimes were directed by Tim Albery who placed the audience on the beach watching the story of Peter Grimes unfold as dusk fades over the sea. The cast and chorus, with Alan Oke in the eponymous role of Peter Grimes, Giselle Allen as Ellen Orford, and David Kempster as Captain Balstrode, sing live with amplification, while the Britten-Pears Orchestra under the baton of Britten expert Steuart Bedford is pre-recorded.</marc:subfield>
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            <marc:subfield code="a">BEETHOVEN, L. van: Piano Sonata No. 5 (Behind the Notes - Boris Giltburg Introduces Sonata No. 5) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Piano Sonata No. 5 in C Minor, Op. 10, No. 1 (NTSC) ( 33 min., 37 sec. ) / Beethoven</marc:subfield>
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            <marc:subfield code="a">C minor: by far the most iconic &lt;i&gt;Beethoven&lt;/i&gt; key. It's the key of the &lt;i&gt;Fifth Symphony&lt;/i&gt;, the Third Piano Concerto, the Coriolan Overture, the Pathetique, etc., etc. - so much, in fact, that 'C minor mood' became a semi-official term in Beethoven literature. It's temptingly easy for us to connect the brooding scowl on Beethoven's portraits and busts to the dramatic, stormy, high-intensity music he wrote in this key: works full of deep pathos and possessed by a relentless, sometimes demonic drive.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">BEETHOVEN, L. van: Piano Sonata No. 1 (Behind the Notes - Boris Giltburg Introduces Piano Sonata No. 1) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Beethoven's sonatas Op. 2&lt;/i&gt; were his calling card in Vienna as a composer. At that point - 1795 - he was already famous as a keyboard virtuoso, but the transition to fame as a composer was not obvious, and he took great care with the first works he published, a set of three trios (Op. 1) and three sonatas (Op. 2).

The &lt;i&gt;F minor sonata&lt;/i&gt;, opening the opus, is laconic in its musical language and form, but highly expressive in its emotional content. The first movement sets the tone: very personal and sincere; but reserved, its emotional outbursts never overpowering. It is followed by a serene second movement showing Beethoven already on a quest for lyrical, poetic beauty. The third movement is a hybrid minuet and scherzo, starting off as a melancholy, somewhat stylized dance, which changes its character drastically towards the end. And it is the finale which is perhaps the most striking movement of the four. Beethoven takes the closing chords of the first movement and puts them above a stormy whirlwind of sound, at times furious, at times impassioned, at times haunted and driven. A beautiful middle section, repeated twice, serves as a point of calm, but can only delay the inevitable return of the storm and the final collapse.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">If the first &lt;i&gt;sonata of Op. 2&lt;/i&gt; showed us a laconic, tense and passionate Beethoven, here in the A major sonata he is charming, good natured, outgoing, eloquent. The form, too, is gradually becoming larger, the textures more generous, the writing more pianistic. The first movement, energetic and at places blazingly virtuosic, contains an unexpected and inspired second subject in the minor key, lending a personal, urgent note to the music. (It also contains a fiendishly difficult canon-like section in the development...) The second movement is a stately procedure, with a very slow, yet steady pulse. There's a feeling of great depth and awe there, but also of elegance and beauty. The third movement is a lovely minuet, gentle and, apart from the more animated trio, carefree. The rondo finale contrasts a wonderfully flowing refrain with more ebullient episodes as well as a highly dramatic middle section. The repeats of the refrain (five in number!) become increasingly varied and ornamented, showing Beethoven's easy ingenuity and delight in exploring the material in an improvisatory way.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of &lt;i&gt;Beethoven's&lt;/i&gt; 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">As with the 3 Trios Op. 1, also among the 3 Sonatas Op. 2, it was the final, third work which was to be the culmination of the opus. After the passion and darkness of the F minor sonata, and the easy, warm eloquence of the A major sonata, Beethoven turned to C major for a work of explosive brilliance. Virtuosity is the core trait of the music, whether serious or humorous, thundering or quick-fingered. One can imagine &lt;i&gt;Beethoven&lt;/i&gt; proclaiming with happy self-assuredness: "look what I can do at the piano, no holds barred!" And yet there's nothing empty or ostentatious here: the technical brilliance rests upon a glowing musical foundation, and there's so much atmosphere, colour and narrative throughout to complement the passagework. The slow movement, too, stands out in its emotional maturity and often exquisite beauty - its deep musicality wonderfully balancing the fireworks of the fast movements.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">In 1796, a year after the successful publication of the three sonatas Op. 2, &lt;i&gt;Beethoven&lt;/i&gt; composed the &lt;i&gt;Grande Sonata for Pianoforte, Op. 7&lt;/i&gt;. By the &lt;i&gt;Grande&lt;/i&gt; designation, Beethoven wanted to single it out as a special work, which didn't need other sonatas to be published as an opus. Later, he would give the same epithet to the &lt;i&gt;Pathetique&lt;/i&gt;, the &lt;i&gt;Waldstein&lt;/i&gt; and the &lt;i&gt;Hammerklavier&lt;/i&gt;.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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