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            <marc:subfield code="a">Winner of the Internationaler Musikwettbewerb der ARD 2015, the Carl Nielsen International Competition 2014 and the Kobe International Flute Competition 2013, Mr. Jacot is regularly invited to perform with the Mahler Chamber Orchestra, Orchestra Mozart and the Munchener Kammerorchester.

Born in Geneva, &lt;i&gt;Sebastian Jacot&lt;/i&gt; entered the Haute ecole de musique de Geneve at age fifteen, studying in the class of Professor Jacques Zoon and obtaining his Soloist Diploma with Distinction in 2010. Mr. Jacot is currently the 1st Principal Flute at the Gewandhausorchester in Leipzig and has previously held positions as Assistant Principal Flutist at the Hong Kong Philharmonic Orchestra, Principal Flutist at the Seiji Ozawa Matsumoto Festival-Saito Kinen in Japan and Solo Flutist of the Ensemble Contrechamps in Geneva, Switzerland.</marc:subfield>
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            <marc:subfield code="a">Miles, Alastair, Artist -- Lehtipuu, Topi, Artist -- Glyndebourne Chorus, Choir -- Jurowski, Vladimir, Conductor -- London Philharmonic Orchestra, Orchestra -- Gabler, Anna, Artist -- Finley, Gerald, Artist -- Kränzle, Johannes Martin, Artist -- Judson, Colin, Artist -- Jentzsch, Marco, Artist -- Selinger, Michaela, Artist -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">Audiences around the world have always found &lt;i&gt;Die Meistersinger&lt;/i&gt; to be a life-enhancing celebration of wisdom, art and song. So it proves in David McVicar's production - the first at Glyndebourne - which is updated to the early 19th century of &lt;i&gt;Wagner's&lt;/i&gt; childhood. At the centre of a true ensemble cast is Gerald Finley, a 'gleamingly sung', 'eminently believable' Sachs (The Independent Sunday), supported by the dynamic conducting of Vladimir Jurowski which like McVicar's production, uses Glyndebourne's special intimacy to bring sharp focus to bear on the subtlely of Wagner's musical and dramatic counterpoint.</marc:subfield>
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            <marc:subfield code="a">Le nozze di Figaro (The Marriage of Figaro), K. 492 (Glyndebourne, 2012) (NTSC) ( 02 hrs., 50 min., 16 sec. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Murray, Ann, Artist -- Matthews, Sally, Artist -- Priante, Vito, Artist -- Glyndebourne Chorus, Choir -- Teuscher, Lydia, Artist -- Oke, Alan, Artist -- Shore, Andrew, Artist -- Folwell, Nicholas, Artist -- Orchestra of the Age of Enlightenment, Orchestra -- Iversen, Audun, Artist -- Judson, Colin, Artist -- Ticciati, Robin, Conductor -- Leonard, Isabel, Artist -- Shafer, Sarah, Artist -- Laugharne, Ellie, Artist -- Bray, Katie, Artist -- Mozart, Wolfgang Amadeus, Composer -- Da Ponte, Lorenzo, Lyricist</marc:subfield>
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            <marc:subfield code="a">Perhaps no opera is as closely and affectionately associated with a single house as &lt;i&gt;Le nozze di Figaro&lt;/i&gt; is with Glyndebourne. Effortlessly witty yet shot through with pain and sadness, this deeply ambivalent day in the life of masters and servants as they scheme and outwit one another was Glyndebourne's opening production in 1934.

Michael Grandage's staging is the seventh, set in a louche Sixties ambience. Marshalled by the 'ideal pacing' of Robin Ticciati, a youthful cast of principals has 'no weak link' and 'looks gorgeous'  in a production that continues Glyndebourne's rewarding history of engagement with Mozart's and Da Ponte's 'day of madness.' (The Sunday Times)</marc:subfield>
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            <marc:subfield code="a">Teatro Regio's 2013 revival of their highly successful 2006 production of &lt;i&gt;Verdi's Don Carlo&lt;/i&gt; celebrates the 40th anniversary of the theatre's reopening in 1973. With traditional staging and lavish costume design, the production garnered high acclaim in the national and international press, with GB Opera commending the 'sumptuous' setting and French online music magazine ResMusica praising  director Hugo de Ana's decision to revive the show 'in all its splendour'. 

Shown here in the four-act version, &lt;i&gt;Don Carlo&lt;/i&gt; is the fascinating tale of father-son power struggles, adultery and love that borders on incest. The cast - under the powerful baton of Gianandrea Noseda - is headed by renowned Mexican tenor Ramon Vargas, and also features Ludovic Tezier, who has been hailed as 'one of the best Verdian singers of our time' (ResMusica).</marc:subfield>
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            <marc:subfield code="a">Glyndebourne's wartime history as a home for evacuee children is the ingenious context for a new production of this unclassifiable entertainment in which low comedy and high tragedy compete for our attention, 'borne aloft by &lt;i&gt;Strauss's&lt;/i&gt; divine music nd Hofmannsthal's visionary poetry'. At the centre of this production from Katharina Thoma is the noble, tragic figure of the abandoned Ariadne herself, in a haunting performance from Soile Isokoski, 'with brilliant support from the pit' (The Independent).</marc:subfield>
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Barry Wordsworth conducts the Orchestra of the Royal Opera House in the rapturous &lt;i&gt;Rachmaninoff&lt;/i&gt; and &lt;i&gt;Messager&lt;/i&gt; scores.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=OA1303D</marc:subfield>
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            <marc:subfield code="a">MACMILLAN, K.: Concerto / ASHTON, F.: Enigma Variations / NUREYEV, R.: Raymonda, Act III [Ballets] (Royal Ballet, 2019) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Concerto (Royal Ballet, 2019) (NTSC) ( 00 sec. ) / Shostakovich -- Enigma Variations (Royal Ballet, 2019) (NTSC) ( 00 sec. ) / Not Applicable -- Raymonda, Op. 57, Act III (Royal Ballet, 2019) (NTSC) ( 00 sec. ) / Glazunov</marc:subfield>
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            <marc:subfield code="a">Royal Ballet, Covent Garden, Ensemble -- Royal Opera House Orchestra, Covent Garden, Orchestra -- Hirano, Ryoichi, Artist -- Sorokin, Pavel, Conductor -- Hay, James, Artist -- Magri, Mayara, Artist -- Naghdi, Yasmine, Artist -- O'Sullivan, Anna Rose, Artist -- Shipway, Kate, Artist -- Saunders, Christopher, Artist -- Kay, Paul, Artist -- Gartside, Bennet, Artist -- Morera, Laura, Artist -- Mosley, Philip, Artist -- Pajdak, Romany, Artist -- Mendizabal, Itziar, Artist -- Stix-Brunell, Beatriz, Artist -- Hayward, Francesca, Artist -- Richardson, Calvin, Artist -- Ball, Matthew, Artist -- Acri, Luca, Artist -- Clarke, Reece, Artist -- Montes, Erico, Artist -- Osipova, Natalia, Artist -- Muntagirov, Vadim, Artist -- Calvert, Claire, Artist -- Hinkis, Meaghan Grace, Artist -- Kaneko, Fumi, Artist -- Glazunov, Alexander Konstantinovich, Composer -- Shostakovich, Dmitry, Composer -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">From The Royal Ballet's classical origins in the works of Petipa, to the home-grown choreographers who put British ballet on the world  stage, this mixed programme highlights the versatility of the Company. &lt;i&gt;Petipa's Raymonda Act III&lt;/i&gt; is Russian classical ballet summarized in one act, full of sparkle and precise technique, while  &lt;i&gt;Ashton's Enigma Variations&lt;/i&gt; is quintessentially British in every way - from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton's signature style, the essence of British ballet. &lt;i&gt;Concerto, MacMillan's&lt;/i&gt; fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of the Company's heritage.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DAK083-04</marc:subfield>
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            <marc:subfield code="a">Piano Masterclasses with András Schiff (NTSC) ( 03 min., 16 sec. ) / Not Applicable -- Interview with András Schiff (NTSC) ( 12 min., 34 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Sir Andras Schiff&lt;/i&gt;, the legendary Hungarian-British pianist and conductor, is one of the most renowned interpreters on today's scene. Born in Budapest, he began piano lessons at the age of five, studying at the Ferenc Liszt Academy with Gyorgy Kurtag and Ferenc Rados and later in London with the period specialist George Malcolm. 

Mr. Schiff  has received numerous awards and honours, including the Grammy Award, a Gramophone Award, The Royal Philharmonic Society's Gold Medal, the Mozarteum's Foundation Golden Medal and the Royal Academy of Music Bach Prize, being knighted by the Queen Elizabeth of England for his services to music in 2014.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DAK083-05</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DAK083-05</marc:subfield>
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    <marc:record>
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            <marc:subfield code="a">BEETHOVEN, L. van: Piano Trio No. 6: I. Poco sostenuto - Allegro ma non troppo (Masterclass with András Schiff) (Schiff, Trio Sora) (NTSC)</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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        </marc:datafield>
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            <marc:subfield code="a">Piano Trio No. 6 in E-Flat Major, Op. 70, No. 2: I. Poco sostenuto - Allegro ma non troppo (NTSC) ( 58 min., 04 sec. ) / Beethoven</marc:subfield>
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            <marc:subfield code="a">DakApp is proud to present this extraordinary chamber music masterclass with the legendary Hungarian-British soloist Sir Andras Schiff, exclusively recorded by DakApp at the Verbier Festival Academy 2018. Alongside the talented young musicians Pauline Chenais, Magdalena Geka and Angele Legasa from the Trio Sora, Maestro Schiff shares his outstanding vision on the &lt;i&gt;Trio in E-Flat Major for Piano, Violin and Cello Op. 70 No. 2&lt;/i&gt; by &lt;i&gt;Ludwig van Beethoven&lt;/i&gt;.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DAK103</marc:controlfield>
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        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">FESTIVAL CANTABILE (Classical Documentary, 2016) (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Festival Cantabile (NTSC) ( 17 min., 08 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Faust, Isabelle, Artist -- Poppen, Diemut, Artist -- Pinho Vargas, António, Artist -- Lima, Paulo Gaio, Artist -- Mazzeo, Massimo, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Presented for the first time in 2010, with the artistic direction of Diemut Poppen and under the initiative of Goethe Institute, &lt;i&gt;Festival Cantabile&lt;/i&gt; occurs yearly, during the month of September in the city of Lisbon, and is one of the most important festivals of chamber music in the country.

Festival Cantabile, &lt;i&gt;The art of Chamber Music&lt;/i&gt;, offers a variety of classical and modern repertoires to the Portuguese people, in particular habitants of the Lisbon region, connecting periods of time and crossing pieces of classical masters with contemporary composers such as &lt;i&gt;Rihm, Ligeti, Kurtag, Kancheli&lt;/i&gt; and the Portuguese &lt;i&gt;Antonio Pinho Vargas&lt;/i&gt; and &lt;i&gt;Luis Tinoco&lt;/i&gt;.
https://en.cantabilefest.pt/festival-cantabile</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">&lt;i&gt;Kes reimagined&lt;/i&gt; is a new film by award-winning choreographer Jonathan Watkins and International Emmy award-winning director Ross MacGibbon, based on the novel &lt;i&gt;A Kestrel for a Knave&lt;/i&gt; by Barry Hines.

Jonathan Watkin's acclaimed production was conceived and created for Sheffield's Crucible Theatre in 2014.

Set in a Yorkshire mining community, this re-imagining of Hine's tale told through dance and puppetry, takes a us on a journey with the young working-class boy, Billy Casper. Billy is troubled at home and at school but his outlook on life is transformed when he finds and trains a kestrel. As the beloved Kes swoops and spins in the expansive freedom of the Yorkshire countryside, Billy's self-confidence begins to soar, and boy and bird become one.</marc:subfield>
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            <marc:subfield code="a">Mr. Pommier began playing piano at the age of four and gave his first public performance at the age of seven, being awarded as a teenager at the International Tchaikovsky competition, the Young Musicians Competition in Berlin and the "Prix de la Guilde des Artistes Solistes Francais's . Mr. Pommier is regularly invited to perform at the most prestigious festivals under the baton of eminent conductors such as Herbert von Karajan, Bernard Haitink, Pierre Boulez, Riccardo Muti, Kurt Masur, Kurt Sanderling, Leonard Slatkin, Edo de Waart, Zubin Mehta and Daniel Barenboim, who conducted Mr. Pommier in the performances of the complete &lt;i&gt;Beethoven's Concertos&lt;/i&gt; with the Orchestre de Paris. His chamber music partners include master musicians such as Isaac Stern, Itzhak Perlman, Pinchas Zukerman: Viola, Leonard Rose, Alexander Schneider, Jean-Pierre Louis Rampal, Paul Tortelier, Maurice Bourgue, the Guarneri String Quartet and the Vermeer Quartet.</marc:subfield>
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            <marc:subfield code="a">Il Ritmo della Terra (The Rhythm of the Earth): I. Rinnovato mistero I (Renewed mystery I) (NTSC) ( 07 min., 13 sec. ) / Curtoni -- Percussion Trio (NTSC) ( 01 min., 47 sec. ) / Rubino -- II. Quel metro che ci avvicina (The Metre Bringing Us Close) ( 03 min., 47 sec. ) / Curtoni -- IV. Rinnovato mistero II: Calmo (cadenza) ( 04 min., 42 sec. ) / Curtoni -- V. Io guardo spesso il cielo (I Often Watch the Sky) ( 03 min., 59 sec. ) / Curtoni -- VII. Pochi metri più in qua (A Few Metres Back) ( 02 min., 02 sec. ) / Curtoni -- Percussion Minimal (NTSC) ( 03 min., 56 sec. ) / Rubino -- IX. Silenzio mio (You My Silence) ( 03 min., 34 sec. ) / Curtoni -- X. Allora io vado all'acqua (Then I Go to the Water) ( 03 min., 56 sec. ) / Curtoni -- XI. Adagio ( 05 min., 59 sec. ) / Curtoni -- XII. La preghiera più alta (The Highest Prayer) ( 04 min., 40 sec. ) / Curtoni -- XIII. Finale ( 03 min., 19 sec. ) / Curtoni</marc:subfield>
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            <marc:subfield code="a">In this day and age, the rhythm of the earth is changing drastically. For this reason a suspension in time, a dialogue, is necessary before we can return to ourselves, to our connection with nature and the animal world. A chamber opera to feel the rhythm again, both our own and that of the world around us.

&lt;i&gt;Il Ritmo della Terra&lt;/i&gt; ('The Rhythm of the Earth') is a chamber opera. The music, as it develops, takes the listener on a journey back to a spring-like state, a state of purity. The earth's needs, as well as our own, are rapidly changing and a suspension in time is necessary for an introspective dialogue before we can return to ourselves, to our connection with nature and the animal world. Mariangela Gualtieri's texts are precious gifts, reflections and reminiscences that lead the listener on his or her own journey.</marc:subfield>
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            <marc:subfield code="a">MAKING OF SI YEOU KI (THE) (Classical Documentary, 2021) (from Naxos 8.574392) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The eclectic career of multi award-winning composer &lt;i&gt;Laurent Petitgirard&lt;/i&gt; has seen him become one of France's leading musicians and conductors, as well as taking him into the worlds of opera and ballet. The &lt;i&gt;Journey to the West&lt;/i&gt; is a ballet that tells the story of a monk named Xuanzang who is sent on a perilous journey of redemption from China to India in order to seek out the scriptures of truth in the land of Buddha. the ordeals of Xuanzang and his companions are expressed in music that reflects the poetry and spiritual elevation found in this great monument of Chinese literature.</marc:subfield>
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            <marc:subfield code="a">ROSSINI, G.: Barbiere di Siviglia (Il) [Opera] (Théâtre des Champs-Élysées, 2017) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Il barbiere di Siviglia (The Barber of Seville) (Théâtre des Champs-Élysées, 2017) (NTSC) ( 02 hrs., 39 min. ) / Rossini</marc:subfield>
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            <marc:subfield code="a">Gleadow, Robert, Artist -- Vestri, Annunziata, Artist -- Kálmán, Peter, Artist -- Rhorer, Jérémie, Conductor -- Cercle de l'Harmonie, Le, Orchestra -- Sempey, Florian, Artist -- Andrieux, Guillaume, Artist -- Unikanti, Choir -- Trottmann, Catherine, Artist -- Angelini, Michele, Artist -- Facco, Stéphane, Artist -- Sterbini, Cesare, Lyricist -- Rossini, Gioachino, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Rossini's&lt;/i&gt; comic masterpiece was based on Pierre-Agustin Caron de Beaumarchais's French play &lt;i&gt;Le Barbier de Seville&lt;/i&gt; and is the ultimate opera buffa. The score is a compendium of the composer's wittiest and most brilliant writing, and includes the famous entrance aria &lt;i&gt;Largo al factotum&lt;/i&gt; and a raft of superbly dynamic ensembles. This vibrant and youthful production features Florian Sempey, one of the world's best Figaros, the 'Rossini tenor' Michelle Angelini, vivacious and critically admired Catherine Trottmann, and the award-winning team of acclaimed director Laurent Pelly and conductor Jeremie Rhorer who directs his spirited period ensemble Le Cercle de l'Harmonie.</marc:subfield>
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            <marc:subfield code="a">An exile from his native land following the failed revolution of 1848, the impoverished &lt;i&gt;Richard Wagner's&lt;/i&gt; is in Zurich working on his opera &lt;i&gt;Tristan und Isolde&lt;/i&gt;. There he meets Otto and Mathilde Wesendonck, ardent admirers of his music. Wagner's passionate and scandalous affair with Mathilde, whose poems he set to music, is explored in this featuring film by director Jen's Neubert. After their relationship ended, Wagner left Zurich for Italy, forever remembering Mathilde as 'my first and only love'.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/2.110758.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=2.110758</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/2.110758</marc:subfield>
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            <marc:subfield code="a">HUMPERDINCK, E.: Königskinder [Opera] (DNO, 2022) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2023</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Königskinder (The King's Children) (DNO, 2022) (NTSC) ( 02 hrs., 55 min. ) / Humperdinck</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Soffel, Doris, Artist -- Netherlands Philharmonic Orchestra, Orchestra -- Behle, Daniel, Artist -- Albrecht, Marc, Conductor -- Wagner, Josef, Artist -- Dutch National Opera Chorus, Choir -- Kulchynska, Olga, Artist -- Nieuw Amsterdams Kinderkoor, Choir -- Humperdinck, Engelbert, Composer -- Bernstein-Porges, Elsa, Lyricist</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Hansel und Gretel&lt;/i&gt; brought &lt;i&gt;Humperdinck&lt;/i&gt; worldwide fame but his tragic fairy story &lt;i&gt;Konigskinder&lt;/i&gt; (The King's Children') offers a stark contrast to it and has only begun to be revived in recent years. The doomed love of a goose girl and a prince - as they battle prejudice and are obstructed by magic - ends in their loving deaths, and with it a rebuke to the villagers who rejected them. This acclaimed production by the renowned German director Christof Loy features the award-winning singers ?EUR" tenor Daniel Behle and Ukrainian soprano Olga Kulchynska.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/2.110759.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=2.110759</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/2.110759</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">GVDD0101</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">HAZEL IS BACK - Restoring an Icon (A Documentary from the Diocese of Orange) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Hazel Is Back: Restoring an Icon (A Documentary from the Diocese of Orange) (NTSC) ( 49 min., 29 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Normandin, Peggy, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">The Hazel Wright Organ at Christ Cathedral in Garden Grove, California, is an icon of the musical world with a unique history. This is her story.

The Diocese of Orange and The Gothic Catalog are pleased to present &lt;i&gt;Hazel Is Back: Restoring an Icon&lt;/i&gt;, a documentary about the history and restoration of the Hazel Wright Organ.

Hazel, as the organ is affectionately called, is the world's most widely heard pipe organ, with more than 17,000 pipes, over 300 stops and nearly 300 ranks. First built in 1982 and heard worldwide by millions on the Rev. Robert Schuller's &lt;i&gt;Hour of Power&lt;/i&gt; broadcast from the former Crystal Cathedral, Hazel now enjoys a renewed musical life following her full restoration in 2022 by Diocese of Orange.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/GVDD0101.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GVDD0101</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GVDD0101</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SWR19132DVD</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">SWR Classic</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">MUTTER, Anne-Sophie: Vivace (Documentary, 2023) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Vivace (NTSC) ( 01 hrs., 31 min. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Mutter, Anne-Sophie, Artist -- Barenboim, Daniel, Artist -- Orkis, Lambert, Artist -- Williams, John, Conductor -- Widmann, Jörg, Conductor -- Cohen, Steve, Artist -- Federer, Roger, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Anne-Sophie Mutter&lt;/i&gt; is one of the greatest musicians of our age and for the last five decades has appeared at the world's leading concert venues. In addition to premiering 31 new works from leading composers, she is an inspiring mentor, has promoted top young musicians and fostered numerous charitable projects. In this documentary, she meets figures she admires, such as tennis star Roger Federer, as well as Daniel Barenboim, legendary film composer John Williams, and others. Anne-Sophie Mutter talks candidly about her personal life and the demands of her international career. This unprecedented portrait of a socially active artist is supplemented by archive material from her stellar career.</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SWR19132DVD.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SWR19132DVD</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SWR19132DVD</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">APDVD03</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Achord Pictures</marc:subfield>
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        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Illersberg, Antonio</marc:subfield>
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            <marc:subfield code="a">This mythological figure of &lt;i&gt;Prometheus&lt;/i&gt; symbolises the creativity of man - and &lt;i&gt;Claudio Abbado&lt;/i&gt; took this symbol as the &lt;i&gt;Leitmotif&lt;/i&gt; of this very unique concert recording: An exploration of the Prometheus myth through the works of four composers, evocatively visualized by television director Christopher Swann, known for directing &lt;i&gt;Leonard Bernstein&lt;/i&gt; conducts West Side Story among others.

Featuring &lt;i&gt;Marta Argerich&lt;/i&gt; as the solo pianist, the concert was a giant was a giant collaboration of the Berliner Philharmoniker, the Berliner Singkadamie, the Solistenchor Freiburg, and the vocal soloist Ingrid Ade-Jeseman and Monika Bair-Ivenz and speakers Ulrike Krumbiegel and Matthias Schadock.</marc:subfield>
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Filmed in 1995 at the Berlin Philharmonie, this once-in-a-lifetime concert pairs two of &lt;i&gt;Beethoven's&lt;/i&gt; less-performed works: the &lt;i&gt;Concerto for Piano, Violin, Violoncello and Orchestra&lt;/i&gt; in C major (often simply referred to as the &lt;i&gt;Triple Concerto&lt;/i&gt;) and the &lt;i&gt;Choral Fantasy&lt;/i&gt; for Piano, Choir and Orchestra in C Minor. Accompanied by the prestigious Berliner Philharmoniker and the Chor der Deutschen Staatsoper, the three musicians give these two works the sumptuous and virtuosic treatment they deserve.</marc:subfield>
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            <marc:subfield code="a">BRUCKNER, A.: Symphony No. 8 (ed. R. Haas from 1887 and 1890 versions) (Vienna Philharmonic, Boulez) (NTSC)</marc:subfield>
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            <marc:subfield code="a">On the occasion of &lt;i&gt;Bruckner's&lt;/i&gt; 100th day of death, Pierre Boulez conducts his eighth Symphony. The performance took place in the Stiftskirche of St. Florian where Bruckner was first exposed to the learnings of music. Boulez' much discussed interpretation is unique in its clarity of the musical structure without losing the rich expression of the symphony.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">MAESTROS IN DEMOCRACY - The Berlin Philharmonic Elects Their Conductor (NTSC)</marc:subfield>
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            <marc:subfield code="a">Barenboim, Daniel, Artist -- Abbado, Claudio, Conductor -- Mehta, Zubin, Conductor -- Maazel, Lorin, Conductor -- Salonen, Esa-Pekka, Conductor -- Rattle, Simon, Conductor -- Haitink, Bernard, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">The 128 musicians of the prestigious Berlin Philharmonic Orchestra have cast their votes: their new Principal Conductor will be Sir Simon Rattle.

He succeeds Claudio Abbado to become the sixth Principal Director in the 2002/2003 season.

The Berliner Philharmoniker is the only symphony orchestra world-wide choosing its principal conductor in its own responsibility. The camera has been following the orchestra since 1999 at auditions, concerts and guest performances and shows the various steps, from the groundwork preceding the election until the final counting of votes.

The most extensive documentation ever produced about this leading orchestra also presents the orchestra as a microcosm of the German society at the end of the 20th century. Excerpts from auditions and interviews with the Major conductors our time, statements by members of the orchestra, important agents and soloists working with him, reveal the significance of this new election and convey an atmosphere of expectation and excitement.</marc:subfield>
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            <marc:subfield code="a">Acclaimed pianist Andras Schiff performs &lt;i&gt;Bela Bartok's Piano Concerto No. 3&lt;/i&gt; with the City of Birmingham Symphony Orchestra under the baton of Sir Simon Rattle. Throughout the stunning performance of this iconic work, Schiff and Rattle bring to life the intense emotion and passion of Bartok's music and showcase the full power and range of the orchestra and piano. The concert capture the energy and intensity of the live performance and provide a thrilling listening experience.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BARENBOIM, Daniel: Multiple Identities - Encounters with Daniel Barenboim (NTSC)</marc:subfield>
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            <marc:subfield code="a">Multiple Identities: Encounters with Daniel Barenboim (NTSC) ( 01 hrs., 30 min. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">From 1999 to 2001, filmmaker Paul Smaczny followed legendary pianist and conductor &lt;i&gt;Daniel Barenboim&lt;/i&gt;, exploring his exceptional life and brilliant career.

Daniel Barenboim, director of Staatskapelle Berlin, is a legendary pianist, conductor, and music director. This man of many passions has played an essential role in some of the most important debates of our time. Paul Smaczny followed Barenboim on a tour that took him to Berlin, Chicago, Weimar, and Buenos Aires (where he made his debut 50 years before), and concluded in Jerusalem (where he dared to present a program featuring Wagner, breaking an implicit taboo of the Jewish state's musical world). Over the course of the journey, Barenboim unveiled his story, from his birth in 1942 in Buenos Aires to his arrival in Europe from Israel at the age of 10.

Cecilia Bartoli, Pierre Boulez, Zubin Mehta, and Waltraud Meier, his colleagues, pay tribute to this exceptional musician. 

This documentary includes one particularly moving scene: the young Barenboim playing in a swimming pool with his wife, the cellist Jacqueline Dupre, who passed away at a young age. The program includes historic photos from the concert in Israel where the conductor offered the audience an encore performance of a work by Wagner.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5041.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5041</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts5041</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts5044</marc:controlfield>
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            <marc:subfield code="a">Dvořák, Antonín</marc:subfield>
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            <marc:subfield code="a">Weber, Carl Maria von</marc:subfield>
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            <marc:subfield code="a">Shostakovich, Dmitry</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Bach, Johann Sebastian</marc:subfield>
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            <marc:subfield code="a">SHOSTAKOVICH, D.: Violin Concerto No. 1 / DVORAK, A.: Symphony No. 8 (Hahn, Jansons) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Oberon, J. 306: Overture (NTSC) ( 09 min., 37 sec. ) / Weber -- Violin Concerto No. 1 in A Minor, Op. 77 (NTSC) ( 39 min., 17 sec. ) / Shostakovich -- Violin Sonata No. 1 in G Minor, BWV 1001: IV. Presto (NTSC) ( 02 min., 53 sec. ) / Bach -- Symphony No. 8 in G Major, Op. 88, B. 163 (NTSC) ( 41 min., 32 sec. ) / Dvořák -- Slavonic Dances, Series 2, Op. 72, B. 147: No. 7 in C Major (NTSC) ( 03 min., 34 sec. ) / Dvořák</marc:subfield>
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            <marc:subfield code="a">Jansons, Mariss, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Hahn, Hilary, Artist -- Dvořák, Antonín, Composer -- Weber, Carl Maria von, Composer -- Shostakovich, Dmitry, Composer -- Bach, Johann Sebastian, Composer</marc:subfield>
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            <marc:subfield code="a">Mariss Jansons returns to direct the Berliner Philharmoniker, rekindling their long-standing relationship that began in 1976. Tokyo's Suntory Hall is alive to a programme of particular musical energy - sometimes overt and joyous, sometimes suppressed and intense. Jansons' fidelity to music composed during the Soviet era remains heartfelt: Shostakovich's Violin Concerto No. 1, featuring soloist Hilary Hahn, is rendered with poise, elegance and demoniac vigour. This piece is framed by two sprightly works: Weber's charming, zesty Overture to &lt;i&gt;Oberon&lt;/i&gt; and Dvorak's Eighth Symphony, executed with Bohemian-esque lyricism and verve.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Weber, Carl Maria von</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5044.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5044</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts5044</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">GREAT CONDUCTORS - Pierre Boulez: Emotion and Analysis (NTSC)</marc:subfield>
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            <marc:subfield code="a">Pierre Boulez - Emotion and Analysis (NTSC) ( 01 hrs. ) / Not Applicable -- Concerto for Orchestra, BB 123 (NTSC) ( 00 sec. ) / Bartók</marc:subfield>
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            <marc:subfield code="a">Boulez, Pierre, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Bartók, Béla, Composer -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">The conductor &lt;i&gt;Pierre Boulez&lt;/i&gt; (born in 1925) best describes his relationship with the music of composer &lt;i&gt;Bela Bartok&lt;/i&gt; (1881-1945) as a "sympathy between musicians". The Frenchman has been involved with the music of the Hungarian composer for over five decades. Bartok and Boulez belong to the 20th century's most influential artists. A key work of Bartok is the &lt;i&gt;Concerto for Orchestra&lt;/i&gt;, which was premiered in Boston in 1944. 

The program &lt;i&gt;Emotion and Analysis&lt;/i&gt; follows Pierre Boulez in his rehearsals of this composition with the Berlin Philharmonic. The documentary provides a fascinating look into the methods of the great master of modern music. The rehearsals take place in the spectacular setting of the monastery Mosteiro dos Jeronimos in Lisbon which was also the location of the annual European Concert of the Berlin Philharmonic for the year 2003. Pierre Boulez explains in a series of interviews the historical origins of Bartok's late work, his own personal style of interpretation and his role as conductor as well as his love of composing.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5330.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts5330</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts5341</marc:controlfield>
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            <marc:subfield code="a">BACH, J.S.: Magnificat (Koopman)</marc:subfield>
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            <marc:subfield code="a">I. Meine Seel erhebt den Herrn (Chorus) ( 03 min., 44 sec. ) / Bach -- II. Herr, der du stark und machtig bist (Soprano) ( 06 min., 15 sec. ) / Bach -- III. Des Hochsten Gut und Treu (tenor) ( 01 min., 11 sec. ) / Bach -- IV. Gewaltige stosst Gott (bass) ( 02 min., 45 sec. ) / Bach -- V. Er denket der Barmherzigkeit (contralto, tenor) ( 02 min., 04 sec. ) / Bach -- VI. Was Gott den Vatern (tenor) ( 01 min., 58 sec. ) / Bach -- VII. Lob und Preis sei Gott (chorus) ( 02 min., 17 sec. ) / Bach -- I. Magnificat (chorus) ( 03 min., 01 sec. ) / Bach -- II. Et exsultavit (contralto) ( 02 min., 27 sec. ) / Bach -- Vom Himmel hoch (chorus) ( 01 min., 27 sec. ) / Bach -- III. Quia respexit (soprano) ( 02 min., 12 sec. ) / Bach -- IV. Omnes generationes (chorus) ( 01 min., 20 sec. ) / Bach -- V. Quia fecit mihi magna (bass) ( 01 min., 53 sec. ) / Bach -- Freut euch und jubiliert (soprano I &amp; II, contralto, tenor) ( 01 min., 22 sec. ) / Bach -- VI. Et misericordia (contralto, tenor) ( 03 min., 40 sec. ) / Bach -- VII. Fecit potentiam (chorus) ( 01 min., 04 sec. ) / Bach -- Gloria in excelsis Deo (chorus) ( 01 min., 04 sec. ) / Bach -- VIII. Depousit potentes (tenor) ( 02 min., 06 sec. ) / Bach -- IX. Esurientes (contralto) ( 02 min., 54 sec. ) / Bach -- Virga Jesse flourit (soprano,bass) ( 03 min., 29 sec. ) / Bach -- X. Suscepit Israel (chorus) ( 01 min., 49 sec. ) / Bach -- XI. Sicut locutus est (chorus) ( 01 min., 13 sec. ) / Bach -- XII. Gloria Patri (chorus) ( 02 min., 41 sec. ) / Bach -- Credits ( 02 min., 41 sec. ) / Bach</marc:subfield>
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            <marc:subfield code="a">York, Deborah, Artist -- Mertens, Klaus, Artist -- Isidro, Orlanda Velez, Artist -- Dürmüller, Jörg, Artist -- Bartosz, Bogna, Artist -- Amsterdam Baroque Choir, Choir -- Koopman, Ton, Conductor -- Amsterdam Baroque Orchestra, Orchestra -- Bach, Johann Sebastian, Composer</marc:subfield>
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            <marc:subfield code="a">Ton Koopman, a leading authority on Baroque music, gathered his favourite orchestra and eminent Baroque singers for a concert focusing on the &lt;i&gt;Magnificat&lt;/i&gt;, the traditional prayer said by the Virgin Mary after hearing that she would bear God's son. Bach's &lt;i&gt;Magnificat&lt;/i&gt; - his greatest choral work - is programmed together with one of his most beautiful cantatas and a lesser-known baroque gem by Bach's predecessor at St. Thomas' Church, Johann Kuhnau, to form a concert in honour of the spiritual power of Baroque music. The concert was performed at St. Thomas' in Leipzig, the church for which Bach conceived most of his works. The recording captures the atmosphere of the impressive church and shows the musicians "at work". The film also focuses on Ton Koopman, offering insights into his friendly and encouraging conducting style.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5341.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5341</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts5341</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts5514</marc:controlfield>
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            <marc:subfield code="a">Così fan tutte, K. 588 (NTSC) ( 00 sec. ) / Mozart -- Symphony No. 25 in G Minor, K. 183 (NTSC) ( 00 sec. ) / Mozart -- Le nozze di Figaro (The Marriage of Figaro), K. 492, Act III: Hai gia vinta la causa! (NTSC) ( 00 sec. ) / Mozart -- Don Giovanni, K. 527, Act I: Finch'han dal vino, "Champagne Aria" (NTSC) ( 00 sec. ) / Mozart -- Piano Concerto No. 24 in C Minor, K. 491 (NTSC) ( 00 sec. ) / Mozart -- Piano Sonata No. 10 in C Major, K. 330: III. Allegretto (NTSC) ( 00 sec. ) / Mozart -- Waltz No. 2 in A-Flat Major, Op. 34, No. 1, "Grande valse brillante" (NTSC) ( 00 sec. ) / Chopin -- The Good Life (NTSC) ( 00 sec. ) / </marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Yu, Long, Conductor -- China Philharmonic Orchestra, Orchestra -- Yuan, Chen-Ye, Artist -- Lang, Lang, Artist -- Mozart, Wolfgang Amadeus, Composer -- Da Ponte, Lorenzo, Lyricist -- Chopin, Fryderyk, Composer -- Traditional, Composer</marc:subfield>
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            <marc:subfield code="a">On January 27th, 2006 the Chinese piano-phenomenon Lang Lang celebrates the birthday of &lt;i&gt;W.A. Mozart&lt;/i&gt; with a performance of the &lt;i&gt;Piano Concerto No. 24&lt;/i&gt; in the Forbidden City Concert Hall in Beijing. The China Philharmonic Orchestra is conducted by Long Yu. The Forbidden City Concert Hall (formerly known as the Beijing Music Hall, Zhongshan Park) is situated inside the walls of the Forbidden City, among the well-manicured gardens of Zhongshan Park, directly adjacent to Tiananmen Square.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts5776</marc:controlfield>
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            <marc:subfield code="a">KREMER, Gidon / ARGERICH, Martha: Memory of a Concert (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;We are not a couple in the traditional sense. And that is exactly what is so paradoxical - a musical couple can become even more intimate with one another than a couple in love.&lt;/i&gt; This is how Gidon Kremer describes his long partnership with Martha Argerich.

In 2006, these two exceptional musicians set out on tour performing solos and duets by &lt;i&gt;Bartok&lt;/i&gt; and &lt;i&gt;Schumann&lt;/i&gt;. The last of the concert series at the Berliner Philharmonie has been recorded for this program, featuring a rare solo performance by Martha Argerich. A concert film with personal and moving commentary by Gidon Kremer.</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Liszt, Franz</marc:subfield>
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            <marc:subfield code="a">Trifonov, Daniil</marc:subfield>
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            <marc:subfield code="a">TRIFONOV, Daniil: Live at Verbier Festival (2013) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Piano Sonata No. 2 in G-Sharp Minor, Op. 19, "Sonata-Fantasy" (NTSC) ( 00 sec. ) / Scriabin -- Piano Sonata in B Minor, S178/R21 (NTSC) ( 00 sec. ) / Liszt -- 24 Preludes, Op. 28 (NTSC) ( 00 sec. ) / Chopin -- Rachmaniana (NTSC) ( 00 sec. ) / Trifonov</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Trifonov, Daniil, Artist -- Chopin, Fryderyk, Composer -- Liszt, Franz, Composer -- Scriabin, Alexander, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This piano recital given by the 21 year old virtuoso &lt;i&gt;Daniil Trifonov&lt;/i&gt; gathers three pieces written during or in a souvenir of a love story. &lt;i&gt;Scriabin&lt;/i&gt; dedicated his &lt;i&gt;Sonata Fantasy No. 2&lt;/i&gt; to his first love, Natalya Sekerina. &lt;i&gt;Lizst&lt;/i&gt; wrote his unique sonata the &lt;i&gt;Sonata in B minor&lt;/i&gt; - while he was sharing his life in Weimar with the Polish-Russian princess Carolyne zu Sayn-Wittgenstein. Eventually, the &lt;i&gt;24 Preludes&lt;/i&gt; by &lt;i&gt;Chopin&lt;/i&gt; were composed during his vacation in Mallorca with George Sand and her children. To conclude this original recital recorded at the Verbier Festival in July 2013, the young Russian rising star of the piano performs one of his own compositions, &lt;i&gt;Rachmaniana&lt;/i&gt;.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Concert</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Chopin, Fryderyk</marc:subfield>
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            <marc:subfield code="a">Liszt, Franz</marc:subfield>
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            <marc:subfield code="a">Scriabin, Alexander</marc:subfield>
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            <marc:subfield code="a">Trifonov, Daniil</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts6063.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6063</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6063</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts6067</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a"></marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">EuroArts DVD</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
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        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Brahms, Johannes</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Schumann, Robert</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Dietrich, Albert</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BRAHMS, J.: Violin Sonatas Nos. 1, 2, 3 (Verbier Festival, 2013) (Kavakos, Yuja Wang) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Violin Sonata No. 1 in G Major, Op. 78 (NTSC) ( 00 sec. ) / Brahms -- Violin Sonata No. 2 in A Major, Op. 100 (NTSC) ( 00 sec. ) / Brahms -- Violin Sonata No. 3 in D Minor, Op. 108 (NTSC) ( 00 sec. ) / Brahms -- Violin Sonata in A Minor, "F-A-E": III. Brahms: Scherzo in C Minor, WoO 2: Allegro (NTSC) ( 00 sec. ) / Schumann</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Kavakos, Leonidas, Artist -- Wang, Yuja, Artist -- Brahms, Johannes, Composer -- Schumann, Robert, Composer -- Dietrich, Albert, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">A promising concert featuring two of the Verbier Festival's most iconic artists performing chamber music works by Brahms together! Now praised on the whole classical music planet, the Greek violinist Leonidas Kavakos took the world by storm in 1985 when he became the youngest winner of the prestigious Sibelius Competition. Acclaimed for his phenomenal virtuosity and musicality, he here joins forces with the pianist Yuja Wang, an accomplished artist at only 26! 

This programme features three sonatas by &lt;i&gt;Brahms&lt;/i&gt;. The first one, the &lt;i&gt;Regensonata&lt;/i&gt;, is written after the composer's &lt;i&gt;Rain Song (Regenlied)&lt;/i&gt;. The second one, the &lt;i&gt;Thuner-Sonata&lt;/i&gt; is about the peaceful landscapes of the Swiss lake of Thun, and contrasts with the third and last sonata played here, the &lt;i&gt;Sonata No. 3&lt;/i&gt;, characterized its by great, passionate and fiery themes.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Concert</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Brahms, Johannes</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Schumann, Robert</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Dietrich, Albert</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts6067.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6067</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6067</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts6125</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">EuroArts DVD</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">RACHMANINOV REVISITED (Documentary, 2020) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Rachmaninoff revisited (Documentary, 2020) (NTSC) ( 50 min., 31 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Pletnev, Mikhail, Artist -- Bronfman, Yefim, Artist -- Tsujii, Nobuyuki, Artist -- Lisitsa, Valentina, Artist -- Kern, Olga, Artist -- Kobrin, Alexander, Artist -- Matsuev, Denis, Artist -- Douglas, Barry, Artist -- Fedorova, Anna, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Celebrated in his day not only as a great composer he was also admired as an outstanding pianist who was a peerless interpreter of his own works including the piano concerti and the &lt;i&gt;Rhapsody on a Theme by Paganini&lt;/i&gt;.

It is well known that he was in effect the sole pianist capable of performing his most demanding Third Piano Concerto and his performances and recording of the concerto came to be considered as the definitive ones.

The relationship between performance, interpretation, and &lt;i&gt;Rachmaninoff's&lt;/i&gt; own life will be addressed in this documentary by the young pianists interviewed. The program explored the evolution of interpretation over the past few decades, hear brief excerpts of recordings by Rachmaninoff as contrasted with contemporary performances by today's well-known young pianists as they comment on the differences (or similarities) of their approach.

This documentary will be the first to explore performance styles and interpretation of the Rachmaninoff piano repertoire. Viewed from a broad perspective the documentary will focus on the danger of how a musician might be bound and stymied by tradition as opposed to being able to use a knowledge of the past to liberate one's approach and infuse the performances with the same sense of improvisatory freedom with which Rachmaninoff approached his own work in his time.

Also, relevant aspects of Rachmaninoff's life as it relates to these thoughts on interpretation, composition, and performance will be articulated by today's generation of pianists, in the context of their own life and personal experiences. Rachmaninoff's biographical story, (illustrated with archival footage ) with its joyous highs and depressing lows, will structure the programs' evolving interviews and performance excerpts.

Another organizing factor will be the music excerpts of each pianists' performance of the Rachmaninoff piano literature, the progress through parts of the concertos, the Rhapsody until the cumulative effect of the complete works becomes evident.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts6125.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6125</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6125</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts6148</marc:controlfield>
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            <marc:subfield code="a">EuroArts DVD</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Beethoven, Ludwig van</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Mendelssohn, Felix</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Grieg, Edvard</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Brustad, Bjarne</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">EUROPA-KONZERT 2016 - BRUSTAD, B. / BEETHOVEN, L. van / GRIEG, E. / MENDELSSOHN, Felix (Frang, Berlin Philharmonic, Rattle) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2016</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
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            <marc:subfield code="a">Piano Duo Recital: Freire, Nelson / Argerich, Martha - CHOPIN, F. / DEBUSSY, C. / RACHMANINOV, S. / RAVEL, M. (NTSC)</marc:subfield>
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            <marc:subfield code="a">Estampes (NTSC) ( 00 sec. ) / Debussy -- 3 Nouvelles etudes, Op. posth. (NTSC) ( 00 sec. ) / Chopin -- Scherzo No. 2 in B-Flat Minor, Op. 31 (NTSC) ( 00 sec. ) / Chopin -- Suite No. 2 in C Major, Op. 17 (NTSC) ( 00 sec. ) / Rachmaninov -- La valse (version for 2 pianos) (NTSC) ( 00 sec. ) / Ravel</marc:subfield>
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            <marc:subfield code="a">Freire, Nelson, Artist -- Argerich, Martha, Artist -- Chopin, Fryderyk, Composer -- Debussy, Claude, Composer -- Rachmaninov, Sergey, Composer -- Ravel, Maurice, Composer</marc:subfield>
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            <marc:subfield code="a">A gem of a concert featuring two of the greatest pianists, friends, and musical collaborators of our time... in 1982, fellow South American pianists Nelson Freire and Martha Argerich shared a stage for a program of 19th and 20th century pianistic jewels. 

Freire opens the program with &lt;i&gt;Debussy's Estampes, Chopin's Trois nouvelles etudes&lt;/i&gt; and &lt;i&gt;Scherzo&lt;/i&gt; in B-flat Minor. The Argentinian lioness then joins him for &lt;i&gt;Ravel's&lt;/i&gt; two piano arrangement of his &lt;i&gt;La Valse&lt;/i&gt; and &lt;i&gt;Rachmaninov's Suite No. 2&lt;/i&gt; for Two Pianos.</marc:subfield>
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            <marc:subfield code="a">MESSIAEN, O.: Saint Francois d'Assise (Documentary, 1992) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Upshaw, Dawn, Artist -- Van Dam, José, Artist -- Arnold Schoenberg Choir, Choir -- Salonen, Esa-Pekka, Conductor -- Los Angeles Philharmonic Orchestra, Orchestra -- Messiaen, Olivier, Composer</marc:subfield>
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            <marc:subfield code="a">Go behind the scenes of Peter Sellars' landmark 1992 production of Messiaen's Saint Francois d'Assise in this documentary directed by Jean-Pierre Gorin. These controversial and ultimately universally acclaimed Salzburg Festival performances of the composer's first and only opera starred Jose van Dam and Dawn Upshaw, joined by the Los Angeles Philharmonic Orchestra and Arnold Schonberg Choir under the baton of Esa-Pekka Salonen.

Commissioned in 1975 by the acclaimed Paris Opera director Rolf Liebermann, &lt;i&gt;Olivier Messiaen&lt;/i&gt; composed both the libretto and score of &lt;i&gt;Saint Francois d'Assise&lt;/i&gt; by himself over the course of the following four years, selecting Catholic saint and fellow bird lover Francis of Assisi as his opera's protagonist. After its orchestration, the work was rehearsed and premiered in 1983 at the Paris Opera under Messiaen's supervision. While these performances were beloved by audiences, critical reception was mixed, which is perhaps why it took almost ten years before the opera would again enjoy a full scenic production, an honor which it would receive in spades at the 1992 Salzburg Festival.

In his documentary, Jean-Pierre Gorin follows the development of Peter Sellars' Salzburg production from its rehearsals to its premiere. In addition to excerpted video footage, interviews with the opera's stars Jose Van Dam and Dawn Upshaw, controversial director Peter Sellars, and conductor Esa-Pekka Salonen give viewers an in-depth look at this overwhelmingly successful production.</marc:subfield>
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            <marc:subfield code="a">Alvarez, Marcelo, Artist -- Fink, Walter, Artist -- Rose, Peter, Artist -- Rattle, Simon, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Vratogna, Marco, Artist -- Vienna Philharmonia Chorus, Choir -- Tsymbalyuk, Alexander, Artist -- Opolais, Kristīne, Artist -- Williams, Douglas, Artist -- Tantsits, Peter, Artist -- Giacosa, Giuseppe, Lyricist -- Puccini, Giacomo, Composer -- Illica, Luigi, Lyricist</marc:subfield>
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            <marc:subfield code="a">For the Easter Festival 2017 in Baden-Baden, Sir Simon Rattle and the Berliner Philharmoniker draw their inspiration from &lt;i&gt;Tosca&lt;/i&gt;, the most well-known and also most brilliant of all the &lt;i&gt;Puccini&lt;/i&gt; operas. And that is deservedly so, since Tosca is not merely a work of art, but also a gripping suspense-packed story. With Kristine Opolais as Tosca and a spectacular staging by Philipp Himmelmann this production offers a fresh view on this beloved classic.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Having made his conducting debut with the Berliner Philharmoniker in 1987, Sir Simon Rattle was appointed as Claudio Abbado's successor in 1999. On 7 September 2002, Sir Simon gave his first concert as the orchestra's chief conductor.

Sixteen years later, an era is coming to an end.

How will Sir Simon and the Berliner Philharmoniker shape the end of their era? The claims have been staked, most highs and lows of the relationship have been surpassed. It is the period of the greatest common denominator and the greatest serenity. &lt;i&gt;Echoing an Era&lt;/i&gt; finds us amidst the part of the relationship that we will come to miss the most. This gives us the opportunity to comprehend which sides of Sir Simon Rattle's personality have come to define his time with the Berliner Philharmoniker the most.</marc:subfield>
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            <marc:subfield code="a">Violin Sonata No. 1 in A Minor, Op. 105 (NTSC) ( 00 sec. ) / Schumann -- Violin Sonata No. 2 in D Major, Op. 94bis (NTSC) ( 00 sec. ) / Prokofiev -- Violin Sonata in A Major, M. 8 (NTSC) ( 00 sec. ) / Franck -- Liebesleid (version for violin and piano) (NTSC) ( 00 sec. ) / Kreisler -- Schon Rosmarin (NTSC) ( 00 sec. ) / Kreisler</marc:subfield>
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            <marc:subfield code="a">She is a piano legend, he has collaborated as a soloist with all leading conductors and orchestras around the world. Now Martha Argerich and Guy Braunstein come to the Pierre Boulez Saal with their first-ever duo program - an artistic encounter that promises to be an extraordinary musical experience.</marc:subfield>
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            <marc:subfield code="a">BACH, J.S.: Violin Concertos, BWV 1041-1042 / Keyboard Concertos, BWV 1060, 1062, 1063, 1065 (Capuçon, Fray) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Violin Concerto in A Minor, BWV 1041 (NTSC) ( 00 sec. ) / Bach -- Violin Concerto in E Major, BWV 1042 (NTSC) ( 00 sec. ) / Bach -- Violin Concerto in A Minor, BWV 1041: III. Allegro assai (NTSC) ( 00 sec. ) / Bach -- Concerto for 2 Keyboards in C Minor, BWV 1062 (NTSC) ( 00 sec. ) / Bach -- Concerto for 2 Keyboards in C Minor, BWV 1060 (NTSC) ( 00 sec. ) / Bach -- Concerto for 3 Keyboards in D Minor, BWV 1063 (NTSC) ( 00 sec. ) / Bach -- Concerto for 4 Keyboards in A Minor, BWV 1065 (arr. of Vivaldi's, Concerto for 4 Violins in B Minor, Op. 3, No. 10, RV 580) (NTSC) ( 00 sec. ) / Bach</marc:subfield>
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            <marc:subfield code="a">Orchestre national du Capitole de Toulouse, Orchestra -- Capuçon, Renaud, Artist -- Fray, David, Artist -- Vigoureux, Audrey, Artist -- Christien, Emmanuel, Artist -- Rouvier, Jacques, Artist -- Bach, Johann Sebastian, Composer</marc:subfield>
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            <marc:subfield code="a">First Concert (19 June 2020)
In the first concert with Renaud Capucon, we have three masterpieces, which, although they adopt the three-movement structure dear to &lt;i&gt;Vivaldi&lt;/i&gt; and present features that bring them closer to the Italian models, are distinguished by their contrapuntal richness, their writing density and the breadth of their developments. These qualities are particularly evident in the &lt;i&gt;BWV 1042 in E major&lt;/i&gt;, with its extremely powerful architecture.

In these works, where the solo violin is called upon to express itself through singing rather than virtuosic prowess, there are these wonderful slow movements that are enough to crack even the most hardened non-musician. Those in the concertos in &lt;i&gt;A minor&lt;/i&gt; and &lt;i&gt;E major&lt;/i&gt; "offer to the bass repeated figures whose seriousness brings out the sweetness of the solo violin all the more".

Second Concert (02 July 2020)
For the second concert with David Fray, &lt;i&gt;Bach&lt;/i&gt; composed a concerti group for one, two, three and four harpsichords in Leipzig around 1730, and as director of the Collegium Musicum, he was to provide a large amount of music for an essentially worldly audience. All these concerti are transcriptions of earlier works.

Bach left us three concertos for two harpsichords &lt;i&gt;BWV 1060&lt;/i&gt; to &lt;i&gt;1062&lt;/i&gt;, two for three harpsichords &lt;i&gt;BWV 1063&lt;/i&gt; and &lt;i&gt;1064&lt;/i&gt;, and one for four harpsichords &lt;i&gt;BWV 1065&lt;/i&gt;, all conceived at the same time as the concertos for one harpsichord.

In this series of six works, the double concertos must certainly be placed very high up: BWV 1062 in C minor stands out for its extraordinary polyphonic richness; BWV 1060, also in C minor, probably from a concerto for violin and oboe, and indeed very often played in a reconstruction for this pair of instruments, is another high point in Bach's concertante for keyboard.

The superb quadruple concerto BWV 1065 is not far off the same heights, and amazes the attentive listener with the skill with which the musician distributes the roles among the four keyboards to keep the work from becoming overweight.</marc:subfield>
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            <marc:subfield code="a">Delunsch, Mireille, Artist -- Degout, Stéphane, Artist -- Antoun, Frédéric, Artist -- Pichon, Raphaël, Conductor -- Pygmalion, Orchestra -- Devieilhe, Sabine, Artist -- Rougier, François, Artist -- Bré, Ambroisine, Artist -- Estèphe, Philippe, Artist -- Pygmalion Chorus, Choir -- Jacquard, Marielou, Artist -- Boudreault, Elisabeth, Artist -- Gondinet, Edmond, Lyricist -- Gille, Philippe, Lyricist -- Delibes, Léo, Composer</marc:subfield>
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            <marc:subfield code="a">Berlin Philharmonic in Singapore - RACHMANINOV, S.: Symphonic Dances / MAHLER, G.: Symphony No. 1 (Rattle) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Symphonic Dances, Op. 45 (NTSC) ( 39 min., 40 sec. ) / Rachmaninov -- Symphony No. 1 in D Major, "Titan" (NTSC) ( 01 hrs., 02 min., 13 sec. ) / Mahler</marc:subfield>
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            <marc:subfield code="a">The 2010 tour by the Berliner Philharmoniker and their Artistic Director Sir Simon Rattle concluded in Singapore, their very first visit there. They presented Mahler's unique and breathtaking First Symphony, which once briefly enjoyed the title "Titan" in homage to the Romantic novelist Jean Paul. They also performed Rachmaninov's late &lt;i&gt;Symphonic Dances,&lt;/i&gt; highly evocative pieces that originally bore the titles "Noon," "Twilight," and "Midnight," and which were conceived as ballet numbers. In this concert, the Berliner Philharmoniker beautifully captures Mahler's love of nature and Rachmaninov's nostalgic memories of the old Russia he had left behind.</marc:subfield>
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            <marc:subfield code="a">Symphony No. 5 in E Minor, Op. 64 (NTSC) ( 00 sec. ) / Tchaikovsky -- Sérénade mélancolique, Op. 26 (NTSC) ( 00 sec. ) / Tchaikovsky -- Valse-scherzo, Op. 34 (NTSC) ( 00 sec. ) / Tchaikovsky -- Souvenir d'un lieu cher, Op. 42: No. 3. Melodie (NTSC) ( 00 sec. ) / Tchaikovsky -- 1812 Festival Overture, Op. 49 (NTSC) ( 00 sec. ) / Tchaikovsky -- Berliner Luft (Berlin Air): Overture (NTSC) ( 00 sec. ) / Lincke</marc:subfield>
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            <marc:subfield code="a">Under the baton of the young Latvian conductor Andris Nelsons, together with the 1st concertmaster Daishin Kashimoto as a soloist, the great Berliner Philharmoniker musically focused on &lt;i&gt;Tchaikovsky&lt;/i&gt;. Along with Tchaikovsky's stirring &lt;i&gt;Symphony No. 5&lt;/i&gt;, the program included beguiling shorter works featuring violinist Daishin Kashimoto - the &lt;i&gt;Serenade melancolique&lt;/i&gt; in B flat Minor, &lt;i&gt;Waltz-Scherzo&lt;/i&gt; in C Major and &lt;i&gt;Souvenir d'un lieu cher&lt;/i&gt;.

The charismatic conductor Nelsons has been Music Director of the City of the Birmingham Symphony Orchestra since 2008, enjoying a critically acclaimed first few seasons. Over the next seasons he will continue collaborations with the Berliner Philharmoniker, Wiener Philharmoniker, Het Koninklijk Concertgebouworkest, New York Philharmonic, and others.</marc:subfield>
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            <marc:subfield code="a">ABSOLUTE PROKOFIEV - The Easter Festival in Moscow, Concert No. 1 (Trifononv, St. Petersburg Mariinsky Theatre Orchestra, Gergiev) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Easter Festival is an internationally renowned event among classical music lovers, traditionally opened in Moscow on Easter Sunday. Each year the Mariinsky Theatre Orchestra and its musical director Valery Gergiev travel across Russia - for the past 10 years. 

The Mariinsky Theatre Symphony Orchestra under the baton of Valery Gergiev performs the complete cycle of &lt;i&gt;Sergei Prokofiev's&lt;/i&gt; symphonies and piano concerti - a composer with whom Maestro Gergiev and the orchestra seem particularly in tune.</marc:subfield>
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            <marc:subfield code="a">Atmosphères (NTSC) ( 00 sec. ) / Ligeti -- Lohengrin: Prelude (NTSC) ( 00 sec. ) / Wagner -- Cello Concerto in E Minor, Op. 85 (NTSC) ( 00 sec. ) / Elgar -- Le sacre du printemps (The Rite of Spring) (NTSC) ( 00 sec. ) / Stravinsky</marc:subfield>
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            <marc:subfield code="a">Rattle, Simon, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Gabetta, Sol, Artist -- Elgar, Edward, Composer -- Stravinsky, Igor, Composer -- Wagner, Richard, Composer -- Ligeti, György, Composer</marc:subfield>
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            <marc:subfield code="a">Sol Gabetta's debut with the Berliner Philharmoniker at the Easter Festival 2014 in Baden-Baden stood under the sign of contrast: Beginning with &lt;i&gt;Wagner's Lohengrin&lt;/i&gt; and &lt;i&gt;Gyorgy Ligeti's&lt;/i&gt; orchestral piece &lt;i&gt;Atmospheres&lt;/i&gt; they show how they both pursue similar objectives in different ways - that of an iridescent, otherworldly sound &lt;i&gt;Elgar's&lt;/i&gt; warm and melodically charged &lt;i&gt;Cello Concerto&lt;/i&gt; is contrasted with &lt;i&gt;Stravinsky's Le Sacre du Printemps&lt;/i&gt;, an entirely progressive piece that pushes the conventional boundaries of classical music. 

"Sol Gabetta's Elgar Concerto is one of the best around, a heartfelt, tonally rounded performance. Hers is a softly spoken presence, especially beautiful in those infinitely sad modulations that fall towards the end of the piece." - Gramophone magazine</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5996.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5996</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Mozart, Wolfgang Amadeus</marc:subfield>
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            <marc:subfield code="a">Rameau, Jean-Philippe</marc:subfield>
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            <marc:subfield code="a">Khachaturian, Aram Il'yich</marc:subfield>
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            <marc:subfield code="a">Kodály, Zoltán</marc:subfield>
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            <marc:subfield code="a">GALA FROM BERLIN, 2014 (Pressler, Berlin Philharmonic, Rattle) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Les Indes galantes Suite (NTSC) ( 00 sec. ) / Rameau -- Piano Concerto No. 23 in A Major, K. 488 (NTSC) ( 00 sec. ) / Mozart -- Nocturne No. 20 in C-Sharp Minor, Op. posth. (NTSC) ( 00 sec. ) / Chopin -- Slavonic Dances, Series 1, Op. 46, B. 83: No. 2 in E Minor (NTSC) ( 00 sec. ) / Dvořák -- Slavonic Dances, Series 2, Op. 72, B. 147: No. 7 in C Major (NTSC) ( 00 sec. ) / Dvořák -- Háry János Suite (NTSC) ( 00 sec. ) / Kodály -- 21 Hungarian Dances, WoO 1: No. 1 in G Minor (arr. for orchestra) (NTSC) ( 00 sec. ) / Brahms -- Gayane Suite No. 1: VIII. Lezghinka (NTSC) ( 00 sec. ) / Khachaturian</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Rattle, Simon, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Pressler, Menahem, Artist -- Brahms, Johannes, Composer -- Mozart, Wolfgang Amadeus, Composer -- Dvořák, Antonín, Composer -- Chopin, Fryderyk, Composer -- Rameau, Jean-Philippe, Composer -- Khachaturian, Aram Il'yich, Composer -- Kodály, Zoltán, Composer</marc:subfield>
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            <marc:subfield code="a">Pianist Menahem Pressler has made recording and interpretation history for more than half a century with the Beaux Arts Trio, which he founded in 1955. The grand seigneur of piano gave his long-overdue debut with the Berliner Philharmoniker in January 2014. The audience hailed Pressler with a standing ovation; the press raved about the "masterful exhilaration" of his musicality and his "unique tone, as full as it was intimate". For his appearance at this year's New Year's Eve Concert in Philharmonie, Berlin, Pressler has selected &lt;i&gt;Mozart&lt;/i&gt; again: the &lt;i&gt;Piano Concerto in A major, K. 488&lt;/i&gt;, composed during Mozart's prime in Vienna and one of his most beautiful contributions to the genre. 

The New Year's Eve concert opens with Sir Simon Rattle conducting music by &lt;i&gt;Rameau&lt;/i&gt;: a suite of instrumental pieces from the opera-ballet &lt;i&gt;Les Indes galantes&lt;/i&gt; show French Baroque music at its finest. Following the intermission, the musicians ring in the New Year in a lively way with Slavic strains: an orchestral suite from &lt;i&gt;Zoltan Kodaly's&lt;/i&gt; charming folk opera &lt;i&gt;Hary Janos&lt;/i&gt; as well as a selection from the popular &lt;i&gt;Slavonic Dances&lt;/i&gt; by &lt;i&gt;Antonin Dvorak&lt;/i&gt;.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Brahms, Johannes</marc:subfield>
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            <marc:subfield code="a">Khachaturian, Aram Il'yich</marc:subfield>
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            <marc:subfield code="a">Kodály, Zoltán</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5997.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5997</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Schubert, Franz</marc:subfield>
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            <marc:subfield code="a">VERBIER FESTIVAL 2013 - 20th Anniversary Concert (NTSC)</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Piano Trio No. 1 in B-Flat Major, Op. 99, D. 898: II. Andante un poco mosso (NTSC) ( 11 min., 22 sec. ) / Schubert -- Piano Quintet in A Major, Op. 81, B. 155: II. Dumka: Andante con moto (NTSC) ( 14 min., 35 sec. ) / Dvořák -- 3 Klezmer Dances: No. 3. — (NTSC) ( 04 min., 49 sec. ) / Fröst -- Piano Quintet in E-Flat Major, Op. 44: I. Allegro brillante (NTSC) ( 08 min., 35 sec. ) / Schumann -- Happy Birthday Variations (NTSC) ( 04 min., 56 sec. ) / Alexander -- Cinderella Suite No. 2, Op. 108 (excerpts) (arr. M. Pletnev for 2 pianos) (NTSC) ( 10 min., 27 sec. ) / Prokofiev -- 24 Preludes, Op. 28 (arr. D. Sitkovetsky) (NTSC) ( 41 min., 20 sec. ) / Chopin</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Kissin, Evgeny, Artist -- Capuçon, Renaud, Artist -- Capuçon, Gautier, Artist -- Pressler, Menahem, Artist -- Quatuor Ébène, Ensemble -- Fröst, Martin, Artist -- Verbier Festival Chamber Orchestra, Orchestra -- Ax, Emanuel, Artist -- Kavakos, Leonidas, Artist -- Takács-Nagy, Gábor, Artist -- Tamestit, Antoine, Artist -- Alexander, Monty, Artist -- Pletnev, Mikhail, Artist -- Trifonov, Daniil, Artist -- Maisky, Mischa, Artist -- Gringolts, Ilya, Artist -- Auerbach, Lera, Artist -- Sitkovetsky, Dmitry, Artist -- Bashmet, Yuri, Artist -- Angelich, Nicholas, Artist -- Wang, Yuja, Artist -- Carpenter, David Aaron, Artist -- Frang, Vilde, Artist -- Mesh, Leigh, Artist -- Maisky, Lily, Artist -- Quentin, Julien, Artist -- Buniatishvili, Khatia, Artist -- Rabinovich, Roman, Artist -- Schumann, Robert, Composer -- Schubert, Franz, Composer -- Dvořák, Antonín, Composer -- Fröst, Göran, Composer -- Prokofiev, Sergey, Composer -- Chopin, Fryderyk, Composer</marc:subfield>
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            <marc:subfield code="a">The greatest artists of the classical music scene gather to celebrate the 20th anniversary of the Verbier Festival. Be them regulars of the Verbier Festival or young artists coming there for the second time, they all share their extraordinary talents with and offer to the audience an memorable musical moment in the company of &lt;i&gt;Schubert, Brahms, Schumann, Chopin, Prokofiev&lt;/i&gt;... A guest of honor, Thomas Quasthoff presents this joyful tribute to what has indeed become one of the most prestigious events on the classical music planet.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Schumann, Robert</marc:subfield>
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            <marc:subfield code="a">Schubert, Franz</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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Young star Beatrice Rana brings pyrotechnic panache to &lt;i&gt;Stravinsky's Firebird&lt;/i&gt; before Elisabeth Leonskaja's &lt;i&gt;Beethoven&lt;/i&gt;, brimming with passion, gives way to &lt;i&gt;Mario Laginha's Concerto for Two Pianos&lt;/i&gt; with the composer himself as soloist, accompanied by Pedro Burmester.</marc:subfield>
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Piano legend Martha Argerich lends her ample virtuosity to &lt;i&gt;Ravel's concerto in G&lt;/i&gt;, and the Israel Philharmonic Orchestra under Lahav Shani performs &lt;i&gt;Stravinsky's&lt;/i&gt; masterpiece! An enthralling programme of German Romanticism from the IPO's homebase, the Lowy Concert Hall in Tel Aviv's Charles Bronfman Auditorium.</marc:subfield>
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            <marc:subfield code="a">JANÁČEK, L. / SMOLKA, M.: Choral Sacred Music / RACHMANINOV, S.: Piano Concerto No. 1 (Yuja Wang, Prague Phiharmonic Chorus, Semyon) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Agnus Dei (version for 2 choirs) (NTSC) ( 00 sec. ) / Smolka -- Piano Concerto No. 1 in F-Sharp Minor, Op. 1 (NTSC) ( 00 sec. ) / Rachmaninov -- Mša glagolskaja (Glagolitic Mass), JW III/9 (1928 final version) (NTSC) ( 00 sec. ) / Janáček</marc:subfield>
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            <marc:subfield code="a">Prague Philharmonic Chorus, Choir -- Vasilek, Lukas, Conductor -- Bychkov, Semyon, Conductor -- Czech Philharmonic Orchestra, Orchestra -- Wang, Yuja, Artist -- Briscein, Ales, Artist -- Hilscherova, Lucie, Artist -- Dobračeva, Evelina, Artist -- Prýgl, Boris, Artist -- Rachmaninov, Sergey, Composer -- Janáček, Leoš, Composer -- Mass Text, Lyricist -- Anonymous, Lyricist -- Smolka, Martin, Composer</marc:subfield>
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            <marc:subfield code="a">Artist-in-residence for the 2022 season, pianist Yuja Wang meets the Czech Philharmonic, conducted by Semyon Bychkov. 

The centrepiece of this exciting evening is the &lt;i&gt;Glagolitic Mass&lt;/i&gt;, a late masterpiece by &lt;i&gt;Leos Janacek&lt;/i&gt;. The programme opens with &lt;i&gt;Agnus Dei&lt;/i&gt; for choir without orchestral accompaniment by &lt;i&gt;Martin Smolka&lt;/i&gt;, followed by &lt;i&gt;Rachmaninoff's Piano Concerto No. 1&lt;/i&gt; in F sharp minor.</marc:subfield>
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            <marc:subfield code="a">Violin and Piano Recital: Capuçon, Renaud / Pires, Maria João - BEETHOVEN, L. van / MOZART, W.A. (Sommets Musicaux de Gstaad) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Violin Sonata No. 21 in E Minor, K. 304 (NTSC) ( 00 sec. ) / Mozart -- Violin Sonata No. 27 in G Major, K. 379 (NTSC) ( 00 sec. ) / Mozart -- Violin Sonata No. 5 in F Major, Op. 24, "Spring" (NTSC) ( 00 sec. ) / Beethoven -- Violin Sonata No. 6 in A Major, Op. 30, No. 1: II. Adagio molto espressivo (NTSC) ( 00 sec. ) / Beethoven</marc:subfield>
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            <marc:subfield code="a">Pires, Maria João, Artist -- Capuçon, Renaud, Artist -- Mozart, Wolfgang Amadeus, Composer -- Beethoven, Ludwig van, Composer</marc:subfield>
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            <marc:subfield code="a">The 22nd edition of the Sommets Musicaux de Gstaad hosted the great Portuguese pianist Maria Joao Pires and French violin virtuoso Renaud Capucon.
 
They performed a programme celebrating the sonata, keystone of the Classical era, beginning with &lt;i&gt;Mozart's&lt;/i&gt; poignant &lt;i&gt;Violin Sonata No. 21&lt;/i&gt; written in 1778 while the composer was in Paris grieving the death of his mother, this moving sonata is Mozart's only instrumental work in the plaintive key of E Minor. Next up is another of Mozart's violin sonatas, composed three years later: &lt;i&gt;Violin Sonata No. 27&lt;/i&gt;, written in the lighter tonality of G Major but suffused nonetheless with an air of contemplative solemnity, one of the Salzburg-born genius's finest works. 

The two virtuosos bring their program to a close with the &lt;i&gt;Spring, Violin Sonata No. 5&lt;/i&gt; in F Major by &lt;i&gt;Beethoven&lt;/i&gt;, a thoroughly enchanting early work (1801) whose dazzling clarity endears first-time listeners as easily as those who already know and love it.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6916</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6916</marc:subfield>
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            <marc:subfield code="a">TCHAIKOVSKY, P.I.: Piano Concerto No. 1 / BRAHMS, J.: Symphony No. 1 (Verbier, Festival, 2014) (Argerich, Dutoit) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Piano Concerto No. 1 in B-Flat Minor, Op. 23 (NTSC) ( 00 sec. ) / Tchaikovsky -- Kinderszenen (Scenes of Childhood), Op. 15: No. 1. Von fremden Landern und Menschen (Of Foreign Lands and People) (NTSC) ( 00 sec. ) / Schumann -- Symphony No. 1 in C Minor, Op. 68 (NTSC) ( 00 sec. ) / Brahms</marc:subfield>
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            <marc:subfield code="a">Argerich, Martha, Artist -- Dutoit, Charles, Conductor -- Verbier Festival Orchestra, Orchestra -- Schumann, Robert, Composer -- Brahms, Johannes, Composer -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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&lt;i&gt;English Suite No. 2&lt;/i&gt; in A minor begins with a longer Prelude demonstrating admirably the flexibility of the introductory prelude concept which lays down few structural rules unlike the other movements which generally adhere to specific dance patterns. Following the sheer energy of the &lt;i&gt;Prelude&lt;/i&gt;, the &lt;i&gt;Allemande&lt;/i&gt; comes as a gentle stream of tranquillity. The single &lt;i&gt;Courante is&lt;/i&gt; less extended than those in &lt;i&gt;Suite No. 1&lt;/i&gt;, the texture being that of flowing quavers.

For the &lt;i&gt;Sarabande&lt;/i&gt; J.S. Bach put in a second example of the piece complete with agrements or embellishments, an idea which had found a precedent in &lt;i&gt;Couperin's Premier Ordre&lt;/i&gt; (Paris 1713). This establishes a guide to the composer's own approach to embellishing his music. The two &lt;i&gt;Bourrees&lt;/i&gt; offer elegant contrasts to each other in key, texture and mood, the second being more chordal and buoyant than its two-part invention-like predecessor. The &lt;i&gt;Gigue&lt;/i&gt; differs from that of Suite No. 1 in that the second half leads back to the beginning for a repeat.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Bach's&lt;/i&gt; keyboard works known as the English Suites offer a series of dance movements which, despite their name, owe more to earlier French and German models. Transcriptions of Bach for solo guitar have been popular since the nineteenth century and the emergence of the guitar duo extends still further the potential for exciting and revelatory performances.

&lt;i&gt;English Suite No. 3 in G minor, BWV 808&lt;/i&gt;, is possibly the most popular suite of the set. The &lt;i&gt;Prelude&lt;/i&gt; contrasts chordal accompaniments against brilliant semiquavers in a manner reminiscent of &lt;i&gt;Vivaldi's concerto grosso&lt;/i&gt;. The &lt;i&gt;Allemande&lt;/i&gt; differs from the previous suites in that the opening theme is in the bass. The fluent beauty of the particular composition makes this an example (if ever one was needed!), of the ideal allemande.

The &lt;i&gt;Courante&lt;/i&gt; presents complex rhythmic patterns as Bach subtly advances the form, moulding the structure into a sonorous contrapuntal labyrinth. The &lt;i&gt;Sarabande&lt;/i&gt; also is a magnificent vision of the possibilities of this dance taken to its most refined level. As with the previous suite, Bach has written out a more elaborately ornamented version as well as providing a (comparatively) simplified offering. 

&lt;i&gt;Gavotte I&lt;/i&gt; is contrasted against a &lt;i&gt;Gavotte&lt;/i&gt; subtitled &lt;i&gt;Musette&lt;/i&gt;, intended to be imitative of an instrument similar to the bagpipe. The &lt;i&gt;Gigue&lt;/i&gt; takes us into the structure of a true fugue in a magnificent climax to one of the greatest examples of the suite form.</marc:subfield>
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            <marc:subfield code="a">ADAM, A.: Orfa [Ballet] (concert performance, 2022) (Sofia Philharmonic, Salvi) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Sofia Philharmonic Orchestra, Orchestra -- Trichkova, Vesela, Artist -- Salvi, Dario, Conductor -- Hristova, Kalina, Artist -- Adam, Adolphe, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Orfa&lt;/i&gt; was &lt;i&gt;Adolphe Adam's&lt;/i&gt; penultimate ballet, with an intriguing scenario based on Nordic mythology. It shares analogies with &lt;i&gt;Hesiod's Theogony&lt;/i&gt; and &lt;i&gt;Wagner's Ring cycle&lt;/i&gt; in depicting the struggle between the older gods (Loki) and younger gods (Odin). Full of archetypal Romantic elements, Orfa was mounted with the lavish stage spectacle for which the Paris Opera was famous, and featured Fanny Cerrito in the title role. Adam's writing shows increasingly vivid orchestral imagination, drama and tonal colour, with roles for several instrumental soloists. This world premiere recording uses a new edition copied from Adam's original manuscript score held at the Bibliotheque nationale de France.</marc:subfield>
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            <marc:subfield code="a">TRIFONOV, Daniil: Daniil Trifonov in Castelfranco Veneto (Classical Documentary, 2015) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Etude No. 8 in F Major, Op. 10, No. 8 (NTSC) ( 00 sec. ) / Chopin -- 8 Etudes, Op. 42: No. 5 in C-Sharp Minor (NTSC) ( 00 sec. ) / Scriabin -- Variations on a Theme of Chopin, Op. 22 (NTSC) ( 00 sec. ) / Rachmaninov -- Die Fledermaus: Overture (arr. D. Trifonov for solo piano) (NTSC) ( 00 sec. ) / Strauss II</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Daniil Trifonov&lt;/i&gt; is 23 years old. Among several prizes he has won both the &lt;i&gt;Tchaikovsky&lt;/i&gt; and &lt;i&gt;Rubinstein&lt;/i&gt; competitions but is respected by many leading musicians for something much more than the prizes. His is not just another remarkable piano talent, Trifonov is a supergifted musician for whom composing, improvising and performing flow seamlessly into each other in a way that is very, very rare. He has taken his own 17-minute piano sonata on tour and gave the first performance of his first piano Concerto in Cleveland, Ohio, in April of 2014.</marc:subfield>
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            <marc:subfield code="a">Kožená, Magdalena, Artist -- Stutzmann, Nathalie, Artist -- Van Dam, José, Artist -- Royal, Kate, Artist -- Rattle, Simon, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Massis, Annick, Artist -- Ivashchenko, Dimitri, Artist -- Lemalu, Jonathan, Artist -- Breslik, Pavol, Artist -- Berlin Radio Choir, Choir -- Nagy, Michael, Artist -- Hulett, Benjamin, Artist -- Elliott, James, Artist -- Durlovski, Ana, Artist -- Mühlemann, Regula, Artist -- Jerusalem, David, Artist -- Schager, Andreas, Artist -- Mozart, Wolfgang Amadeus, Composer -- Schikaneder, Emanuel, Lyricist</marc:subfield>
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            <marc:subfield code="a">The main focus of the Easter Festival 2013, held for the first time with the Berliner Philharmoniker at the Festspielhaus Baden-Baden, will be on the four performances of Mozart's opera &lt;i&gt;The Magic Flute&lt;/i&gt; conducted by Sir Simon Rattle. The principal roles are sung by Ana Durlovski (Queen of the Night), Pavol Breslik (Tamino), Kate Royal (Pamina), Michael Nagy (Papageno) and Regula Muhlemann (Papagena). The "Three Ladies" are also portrayed by prominent performers, namely Annick Massis, Magdalena Kozena and Nathalie Stutzmann. Jose van Dam functions as narrator and Canadian artist and seasoned opera director Robert Carsen is in charge of directing.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5956</marc:subfield>
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            <marc:subfield code="a">RAMEAU, J.P.: Hippolyte et Aricie [Opera] (Staatsoper unter den Linden, 2018) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hippolyte et Aricie (Staatsoper unter den Linden, 2018) (NTSC) ( 02 hrs., 32 min., 52 sec. ) / Rameau</marc:subfield>
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            <marc:subfield code="a">Trekel, Roman, Artist -- Kožená, Magdalena, Artist -- Rose, Peter, Artist -- Berlin State Opera Chorus, Choir -- Rattle, Simon, Conductor -- Freiburg Baroque Orchestra, Orchestra -- Queiroz, Adriane, Artist -- Smallwood, Michael, Artist -- Prohaska, Anna, Artist -- Orendt, Gyula, Artist -- Mechelen, Reinoud van, Artist -- Dreisig, Elsa, Artist -- Rameau, Jean-Philippe, Composer -- Pellegrin, Simon-Joseph, Lyricist</marc:subfield>
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            <marc:subfield code="a">The French Baroque opera &lt;i&gt;Hippolyte et Aricie&lt;/i&gt; carries its audience away into a realm of wonders with magnificent dance and choir scenes and the greatest possible multitude of musical forms. &lt;i&gt;Philippe Rameau&lt;/i&gt;, a French contemporary of &lt;i&gt;Bach&lt;/i&gt; and &lt;i&gt;Handel&lt;/i&gt;, revolutionized the music of his time with radically novel, sometimes dissonant harmonics; extraordinarily colourful and complex orchestral movements, multifarious rhythms and dramatic intensity.

The artist Olafur Eliasson, who created the set design for the opera &lt;i&gt;Phaedra&lt;/i&gt; and the ballet &lt;i&gt;Tree of Codes&lt;/i&gt; is responsible for the set and costume design. In his art, he deconstructs natural phenomena and he rethinks them with the help of color, light, reflections and motion. For Eliasson it is never about the work of art as an autonomous object, but about the interchange with the beholder.</marc:subfield>
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            <marc:subfield code="a">GALA FROM BERLIN, 2017 (DiDonato, Berlin Philharmonic, Rattle) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Carnival, Op. 92, B. 169 (NTSC) ( 00 sec. ) / Dvořák -- Apollon musagète, "Apollo", Tableau II: Pas de deux (NTSC) ( 00 sec. ) / Stravinsky -- 8 Gedichte aus Letzte Blätter, Op. 10, TrV 141: No. 1. Zueignung (orch. R. Heger) (NTSC) ( 00 sec. ) / Strauss -- 5 Lieder, Op. 41, TrV 195: No. 1. Wiegenlied (NTSC) ( 00 sec. ) / Strauss -- 3 Gesänge alterer deutscher Dichter, Op. 43, TrV 196: No. 2. Muttertandelei (version for voice and orchestra) (NTSC) ( 00 sec. ) / Strauss -- 4 Lieder, Op. 27, TrV 170: No. 4. Morgen (version for voice and orchestra) (NTSC) ( 00 sec. ) / Strauss -- On the Town: 3 Dance Episodes (NTSC) ( 00 sec. ) / Bernstein -- A White House Cantata, Part I: Take Care of This House (after 1600 Pennsylvania Avenue) (NTSC) ( 00 sec. ) / Bernstein -- The Golden Age Suite, Op. 22a (NTSC) ( 00 sec. ) / Shostakovich -- Slavonic Dances, Series 2, Op. 72, B. 147: No. 2 in E Minor (version for orchestra) (NTSC) ( 00 sec. ) / Dvořák -- 21 Hungarian Dances, WoO 1: Hungarian Dance No. 1 in G Minor (orch. J. Brahms) (version for orchestra) (NTSC) ( 00 sec. ) / Brahms</marc:subfield>
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            <marc:subfield code="a">Rattle, Simon, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- DiDonato, Joyce, Artist -- Dvořák, Antonín, Composer -- Brahms, Johannes, Composer -- Strauss, Richard, Composer -- Shostakovich, Dmitry, Composer -- Bernstein, Leonard, Composer -- Gilm, Hermann von, Lyricist -- Heger, Robert, Arranger -- Stravinsky, Igor, Composer -- Lerner, Alan Jay, Lyricist</marc:subfield>
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            <marc:subfield code="a">Join Joyce DiDonato, the Berliner Philharmoniker and Sir Simon Rattle and enjoy virtuous and ravishing interpretations of &lt;i&gt;Dvorak, Stravinsky, R.Strauss, Shostakovich, Brahms&lt;/i&gt; and of course &lt;i&gt;Leonard Bernstein&lt;/i&gt;, thus heralding the &lt;i&gt;Bernstein at 100 Centennial&lt;/i&gt; as it were.</marc:subfield>
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            <marc:subfield code="a">These magnificent interpretations of three Mendelssohn works - two orchestral and one chamber - are given by the phenomenally talented young Chinese pianist Yuja Wang and other young performers. Praised in &lt;i&gt;BBC Music Magazine&lt;/i&gt; for her "keen intelligence" and "staggering technique," Yuja Wang has also been described by the &lt;i&gt;San Francisco Chronicle&lt;/i&gt; as "the sort of musician whose combination of talents appears in the world only rarely." The Verbier Festival Orchestra consists of musicians hand-picked from every part of the world. Here they are directed by the doyen of German Mendelssohn conductors, Kurt Masur.</marc:subfield>
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            <marc:subfield code="a">Piano Trio No. 2 in C Minor, Op. 66, MWV Q33 (NTSC) ( 00 sec. ) / Mendelssohn -- Sonata for 2 Violins in A Minor: I. Poco lento ( 00 sec. ) / Ysaÿe -- Csárdás (NTSC) ( 00 sec. ) / Monti -- Piano Quartet No. 1 in G Minor, Op. 25: IV. Rondo alla zingarese (NTSC) ( 00 sec. ) / Brahms -- Variations on a Theme by Paganini (NTSC) ( 00 sec. ) / Lutosławski</marc:subfield>
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            <marc:subfield code="a">Piano Concerto No. 2 in F Minor, Op. 21 (NTSC) ( 00 sec. ) / Chopin -- Waltz No. 1 in E-Flat Major, Op. 18, "Grande valse brillante" (NTSC) ( 00 sec. ) / Chopin -- Etudes, Op. 10 (excerpts) (NTSC) ( 00 sec. ) / Chopin -- 12 Etudes, Op. 25 (excerpts) (NTSC) ( 00 sec. ) / Chopin -- Images, Book 1: No. 2. Hommage a Rameau (NTSC) ( 00 sec. ) / Debussy</marc:subfield>
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            <marc:subfield code="a">The Verbier Festival is arguably one of the most prestigious classical music events in the world. The quality of the participating artists as well as the originality of the programmes has established the festival as a culminating point in the music season. This series present the highlights of the 19th edition of the Verbier Festival, featuring renowned artists such as Neeme Jarvi, Denis Matsuev, Menahem Pressler, Christoph Pregardien, and the Capucon brothers.</marc:subfield>
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            <marc:subfield code="a">CLASSIC ARCHIVE - Celebrating Verdi (Callas, Gobbi, NBC Symphony, London Symphony, Toscanini, Giulini,  Sébastian, Mackerras) (1943-1968) (NTSC)</marc:subfield>
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            <marc:subfield code="a">La forza del destino: Overture (NTSC) ( 00 sec. ) / Verdi -- I vespri siciliani: Overture (NTSC) ( 00 sec. ) / Verdi -- 4 Pezzi sacri: No. 2. Stabat mater (NTSC) ( 00 sec. ) / Verdi -- Falstaff, Act III: Ehi! Taverniere! (NTSC) ( 00 sec. ) / Verdi -- Otello, Act II: Vanne! la tua meta gia vedo - Credo in un dio crude! (NTSC) ( 00 sec. ) / Verdi -- Il trovatore, Act IV: Vanne, lasciami - D'amor sull'ali rosee vanne - Miserere (NTSC) ( 00 sec. ) / Verdi</marc:subfield>
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            <marc:subfield code="a">The collection &lt;i&gt;Classic Archive&lt;/i&gt; presents great performances by legendary artists, remastered using the latest digital technology and enhanced with commentary for today's audiences. These jewels of music broadcasting have been salvaged from various archives and been made accessible for home viewing audiences - appealing and enjoyable performances, that offer a unique glimpse into our classical music heritage. This Classic Archive episode brings into focus the greatest performers of &lt;i&gt;Giuseppe Verdi's&lt;/i&gt; compositions.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;English Suite No. 6&lt;/i&gt; opens in chorale style in 9/8 time with elegantly broken chords. This is interrupted by a sudden burst of semiquavers leading to a moment's reflection before plunging into an extended and brilliant fugal Allegro. Of the &lt;i&gt;Preludes&lt;/i&gt; in the English Suites this is the longest and most elaborate. The &lt;i&gt;Allemande&lt;/i&gt; which follows is, in comparison, an oasis of calm, with superb contrapuntal writing and ingenious tonal modulations. The &lt;i&gt;Courante&lt;/i&gt; unites a French-style melodic line with a sparkling walking bass. After the restrained eloquence of the Allemande this movement seems to imply its own celebration of Bachian joie de vivre.

The &lt;i&gt;Sarabande&lt;/i&gt;, in 3/2, has a hymn-like grandeur and dignity, The &lt;i&gt;Double&lt;/i&gt; extends the emotional range with an interwoven texture creating a fine tapestry of sonorities.

The &lt;i&gt;Gigue&lt;/i&gt;, in 12/16 metre, is virtuosic in both compositional aspects and the technical demands on the performers. &lt;i&gt;Bach's&lt;/i&gt; incomparable art of fugal writing is at full stretch here, the second half representing, as in mirror images, inversions of the exposition of the opening first section. The magnificence of the trills at strategic points is matched by the driving thrust of the triplets in perpetual motion building up to a dramatic finale.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;L'Italiana in Londra&lt;/i&gt; was &lt;i&gt;Domenico Cimarosa's&lt;/i&gt; first international triumph, thrilling audiences all over Europe after its premiere in 1778. However, it later became eclipsed by the even bigger success of &lt;i&gt;Il matrimonio segreto&lt;/i&gt;, and has become a rarity on stage today. Set in a London hotel, this cheerful &lt;i&gt;Intermezzo in musica&lt;/i&gt; has cleverly crafted arias, duets and ensembles that drive the plot along, the story being one of thwarted love, quarrels, and misundertandings. L'Italiana in Londra has been summed up by the director R.B. Schlather as 'incredibly charming and sophisticated... demanding, dark, dirty and very funny ... an impeccable rom-com.'</marc:subfield>
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The magical story tells of Amahl, a disabled boy who befriends the Three Kings when they stop at his house on their journey to see the newborn Jesus. Amahl decides to give his crutch to Jesus, at which point his legs is miraculously healed. Long a Christmas favourite, this new Viennese production, sung in German, boldly re-examines the story finding its key elements to be fantasy, empathy and the enduring power of love.</marc:subfield>
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            <marc:subfield code="a">Fedoseyev, Vladimir, Conductor -- Zurich Opera House Orchestra, Orchestra -- Blanc, Nicolas, Artist -- Zurich Opera House Ballet, Ensemble -- Jermakov, Stanislav, Artist -- Seneca, Karine, Artist -- Castel, Marine, Artist -- Petit, Francois, Artist -- Varga, Jozef, Artist -- Prokofiev, Sergey, Composer</marc:subfield>
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            <marc:subfield code="a">Once upon a time was a former prima ballerina called Cinderella. After her mother's death she became a servant in the dance company of her stepmother and her two stepsisters. The invitation to a charity gala performance, which the celebrated solo dancer Frédéric will attend, looking for an equally gifted new partner, is going to change her life?

Heinz Spoerli has the great idea to turn Cinderella into a poor and wretched corps de ballet girl in a provincial company, exploited and humiliated by the wicked ballet mistress who favors her own two daughters - with the Good Fairy as a haggard rehearsal pianist. The stepmother and both stepsisters are played in drag. The stepmother, jealous of seeing Cinderella capturing the attention of the dancing master as she excels at the barre more than her stepsisters, frequently stops Cinderella from dancing.

This is the plot of Heinz Spoerli's Zurich Ballet &lt;i&gt;Cinderella&lt;/i&gt; production filmed by Andy Sommer as a musical from Hollywood, which turned out to be a big success at its premiere and must rank as one of the danciest stagings Prokofiev's popular ballet has ever received.</marc:subfield>
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            <marc:subfield code="a">TCHAIKOVSKY, P.I.: Swan Lake (Zurich Ballet, 2009) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Semionova, Polina, Artist -- Fedoseyev, Vladimir, Conductor -- Zurich Opera House Orchestra, Orchestra -- Zurich Opera House Ballet, Ensemble -- Mehrabyan, Arsen, Artist -- Jermakov, Stanislav, Artist -- Pellmont, Karin, Artist -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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            <marc:subfield code="a">A &lt;i&gt;Swan Lake&lt;/i&gt; for our times.

A magical version of Tchaikovsky's masterpiece by the Zurich Ballet and choreographer Heinz Spoerli.

&lt;i&gt;Swan Lake&lt;/i&gt; for our times capable of transporting the audience to another world. The magic in the story suddenly takes hold of the viewer. Ballet is not simply a way of telling the story. Rather than gestures asking to be deciphered, the choreographer created large-scale, visionary movements closer to an artistic language of symbols and plays on the whole spectrum of human emotions. It always maintains a relationship of creative tension with its surroundings, especially the music, the poetry of the set, the use of light and colour, the texture of the costumes.

A key element of this artistic responsibility is to tell the story precisely but openly, without pinning it down, especially the ending - an ending which is in a many-facetted sense a "deliverance." Does this mean that the lovers are saved? Is the spell's power broken? Are there other kinds of salvation and deliverance? Perhaps even by death and transfiguration?</marc:subfield>
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            <marc:subfield code="a">Produced in the 1930s, &lt;i&gt;The Flames of Paris,&lt;/i&gt; with music by Boris Asafiev, was presented on the eve of the anniversary of the October Revolution, and later continued to be included in the ranks of works which were always brought out for an airing on anniversaries of this sort. This is hardly surprising, &lt;i&gt;The Flames of Paris&lt;/i&gt; is about the conflagration of the great French Revolution. It had a new 'hero' type which, up to then, had not been encountered in ballet ?EUR" one of its main characters was the populace, revolutionary in mood and ready for action.</marc:subfield>
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            <marc:subfield code="a">The Sleeping Beauty, Op. 66 (Bolshoi Ballet, 2011) (NTSC) ( 02 hrs., 18 min. ) / Tchaikovsky</marc:subfield>
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            <marc:subfield code="a">Zakharova, Svetlana, Artist -- Bolshoi Ballet, Ensemble -- Bolshoi Theatre Orchestra, Orchestra -- Sinaisky, Vassily, Conductor -- Allash, Maria, Artist -- Kaptsova, Nina, Artist -- Loparevich, Alexei, Artist -- Ovcharenko, Artem, Artist -- Sitnikov, Andrei, Artist -- Hallberg, David, Artist -- Karasyova, Kristina, Artist -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Sleeping Beauty&lt;/i&gt;, the mythical &lt;i&gt;Tchaikovsky's&lt;/i&gt; ballet in a new production of the Bolshoi Ballet. Set for the reopening of the world famous historical stage completely renovated while celebrating David Hallberg's Bolshoi debut.

The choreographer, &lt;i&gt;Yuri Grigorovich&lt;/i&gt; presents a new version of one of his most famous choreography for a breath taking experience in splendid sets designed by &lt;i&gt;Ezio Frigerio&lt;/i&gt; and  more than 400 new costumes designed  by &lt;i&gt;Franca Squarciapino&lt;/i&gt;.

The american superstar dancer David Hallberg is Prince Desire while Principal Dancer Svetlana Zakharova, well known by Parisian audience thanks to her many performances at the Palais Garnier is Princess Aurora. They are joined by a great cast such as Maria Allash as Lilac Fairy, Artem Ovcharenko as Bluebird and Nina Kaptsova as Princess Florine.</marc:subfield>
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            <marc:subfield code="a">SPOERLI, H.: Magnificat (Zurich Ballet, 2012) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Magnificat (Zurich Ballet, 2012) (NTSC) ( 01 hrs., 13 min. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Minkowski, Marc, Conductor -- Zurich La Scintilla Orchestra, Orchestra -- Zurich Opera House Ballet, Ensemble -- Kim, Seh Yun, Artist -- Brodbeck, Sarah-Jane, Artist -- Mikhaylova, Galina, Artist -- Brunner, Juliette, Artist -- Mednick, Samantha, Artist -- Borel, Melanie, Artist -- Martirosyan, Vahe, Artist -- Portugal, Filipe, Artist -- Grigoryan, Arman, Artist -- Kollmannsperger, Olaf, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">The starting point and destination of &lt;i&gt;Heinz Spoerli's&lt;/i&gt; new ballet is the &lt;i&gt;Magnificat&lt;/i&gt; by &lt;i&gt;Johann Sebastian Bach&lt;/i&gt;. 

From the beginning of the Allemande' movement of the Partita in A minor for solo flute, through the joy of &lt;i&gt;Brandenburg Concerto No. 3&lt;/i&gt;, this is the question of faith, which sparked Heinz Spoerli's interest in this piece.

Heinz Spoerli intensifies the emotions here, by inserting two moving arias from the cantatas &lt;i&gt;Wo soll ich fliehen hin&lt;/i&gt; and &lt;i&gt;Ich habe genug&lt;/i&gt;.

This is an important aspect for Heinz Spoerli in his discourse with the text of the Magnificat, in which his deep respect for all religions, or rather every faith, is not about the worship of a certain creator-figure, but more about the conditions and prerequisites of this for the expression of a profound devoutness, which also involves rejection, exclusion, uncertainty and separation.

Performed by Orchestra La Scintilla and conducted by Marc Minkowski in February 2012. In 1996 the group was founded as an independent ensemble by specialist musicians of the Zurich Opera Orchestra and soon obtained an excellent reputation. The spark that ignited the enthusiasm for new 'old music' gave its name to the ensemble: &lt;i&gt;La Scintilla&lt;/i&gt; - The Spark. Performances with eminent authorities in the field such as Nikolaus Harnoncourt, William Christie, Mark Minkowski, Reinhard Goebel and Giuliano Carmignola were so successful that the Opera House Zurich has this ensemble perform all baroque operas and nearly all operas of the classical period.</marc:subfield>
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            <marc:subfield code="a">MINKUS, L.: Bayadère (La) (Bolshoi Ballet, 2013) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Marius Petipa's&lt;/i&gt; exotic ballet, set in legendary and mysterious India, is a story of love, death and vengeful judgement. &lt;i&gt;Yuri Grigorovich's&lt;/i&gt; sumptuous recreation of Petipa's choreography, with breathtaking sets and costumes designed by Nikolay Sharonov, stars Svetlana Zakharova as the Bayadere Nikiya, Vladislav Lantratov as Solor and Maria Alexandrova as Gamzatti whose alluring presence challenges Solor's love for Nikiya.

The Bolchoi Theatre Orchestra is conduced by Pavel Sorokin.</marc:subfield>
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            <marc:subfield code="a">Marco Spada, ou Le bandit, S. 46 (Bolshoi Ballet, 2014) (NTSC) ( 02 hrs., 06 min. ) / Auber</marc:subfield>
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            <marc:subfield code="a">Bolshoi Ballet, Ensemble -- Bolshoi Theatre Orchestra, Orchestra -- Obraztsova, Evgenia, Artist -- Loparevich, Alexei, Artist -- Tsvirko, Igor, Artist -- Sitnikov, Andrei, Artist -- Hallberg, David, Artist -- Smirnova, Olga, Artist -- Chudin, Semyon, Artist -- Stashkevich, Anastasia, Artist -- Lopatin, Vyacheslav, Artist -- Bogorad, Alexei, Conductor -- Auber, Daniel-François, Composer</marc:subfield>
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            <marc:subfield code="a">Performed in 1981 by &lt;i&gt;Rudolf Nureyev&lt;/i&gt; and recently added to the Bolshoi's repertoire, this rarely presented swashbuckling ballet, now sees its rebirth on the stage of the famed theatre. Re-created specifically for the Bolshoi by French choreographer Pierre Lacotte, &lt;i&gt;Marco Spada&lt;/i&gt;, or &lt;i&gt;the Bandit's Daughter&lt;/i&gt; is a grandiose and unique ballet both on a technical and dramatic level: complex choreography, five lead roles created for five principals, several changes in scenery, the participation of nearly all the Corps de ballet, and even the presence of animals on stage. With its scenes of pantomime, devilish intrigue, rejected suitors, kidnapping heroines, rebellion, and lovers misunderstandings, Marco Spada is a fresh and joyful ballet to discover.

The american soloist David Hallberg stars as Marco Spada with Evguenia Obraztsova, Olga Smirnova, Semion Chudin and the Corps de ballet of the Bolshoi Ballet.</marc:subfield>
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            <marc:subfield code="a">The Nutcracker, Op. 71 (Staatsballet Berlin) (NTSC) ( 01 hrs., 53 min. ) / Tchaikovsky</marc:subfield>
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            <marc:subfield code="a">Berlin Deutsche Opera Orchestra, Orchestra -- Banzhaf, Michael, Artist -- Staatsballett Berlin, Ensemble -- Berlin Deutsche Opera Children's Choir, Choir -- Reimer, Robert, Conductor -- Staatliche Ballettschule Berlin, Ensemble -- Salenko, Iana, Artist -- Walter, Marian, Artist -- Ghalumyan, Arshak, Artist -- Iseki, Elena, Artist -- Schmidt, Linus, Artist -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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            <marc:subfield code="a">At long last, the &lt;i&gt;Staatsballett Berlin&lt;/i&gt; is once more dancing &lt;i&gt;The Nutcracker&lt;/i&gt;, one of the most popular ballets ever. &lt;i&gt;Vasily Medvedev &lt;/i&gt; and &lt;i&gt;Yuri Burlaka&lt;/i&gt;, two Russian choreographers and connoisseurs of the tradition, have developed a version for the Staatsballett Berlin which is based on the historic stage designs and choreography from the original of 1892. The stage designs and costumes have been modeled on the historic designs, part of the treasures of the Russian ballet archives.

The choreography, which was created for Lev Ivanov's inaugural performance, is largely based on his specifications - after all, it was he who gave this ballet his unmistakable style of dancing and whose art continues to be stylistically influential even to this day.

In combination with the brilliance of modern dance, this production - a loving reconstruction designed as a great ballet feerie - reveals all of its nostalgic charm and promises the wonderful anticipation of Christmas: it's as if &lt;i&gt;Pyotr Il'yich Tchaikovsky&lt;/i&gt; had composed the falling of snowflakes or the fragrance of Christmas spices - a piece of musical genius.</marc:subfield>
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            <marc:subfield code="a">Ferri, Alessandra, Artist -- Murru, Massimo, Artist -- Vanadia, Maurizio, Artist -- Seabra, Isabel, Artist -- Connelly, Paul, Conductor -- Milan La Scala Ballet, Ensemble -- Milan La Scala Orchestra, Orchestra -- Adam, Adolphe, Composer</marc:subfield>
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            <marc:subfield code="a">The whole is thoroughly enjoyable, witty, charming, dramatic and completely absorbing. The dancing is marvellous and the characterisation strong too, with Alessandra Ferri making a wonderfully vibrant Giselle while still alive, and a touchingly haunting ghost Giselle once dead. The score, for those who have only heard suites from this music before, is a melodic joy from beginning to end. With fine musicianship, the sound is everything one can expect from a stereo live recording. &lt;i&gt;(MusicWeb International)&lt;/i&gt;</marc:subfield>
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            <marc:subfield code="a">For the first time in Europe, Katia and Marielle Labeque, who are sibling pianists renowned for their incredible synchronicity and energy, present &lt;i&gt;Philip Glass's Double Concerto for Two Pianos and Orchestra&lt;/i&gt;. Philip Glass composed the Concerto especially for this duo in the Autumn and Winter of 2014-15 as a work commissioned by the Los Angeles Philharmonic, Orchestre de Paris, Borusan Istanbul Philharmonic Orchestra, Goteborgs Symfoniker and the Orquesta Nacional de Espana. Other acclaimed works by Philip Glass, one of today's mosprominent composers, include the opera &lt;i&gt;Einstein on the Beach&lt;/i&gt; (1967) and a grand &lt;i&gt;Violin Concerto&lt;/i&gt; (1987).

Philip Glass's Double Concerto is followed by &lt;i&gt;Shostakovich's Fifth Symphony&lt;/i&gt;. Probably the composer's most performed symphony, the work was composed in 1937 in Leningrad and proved to be an unprecedented triumph for its creator. Its emotional intensity reflects the horrors of the Great Terror. Under the baton of Jaap van Zweden, the Orchestre de Paris offers an interpretation infused with precision and passion.</marc:subfield>
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            <marc:subfield code="a">String Quartet No. 13 in A Minor, Op. 29, No. 1, D. 804 (NTSC) ( 00 sec. ) / Schubert -- Al Asr (NTSC) ( 00 sec. ) / Attahir -- String Quartet No. 4 in E Minor, Op. 44, No. 2, MWV R26 (NTSC) ( 00 sec. ) / Mendelssohn -- Capriccio in E Minor, Op. 81, No. 3, MWV R32: I. Andante con moto (NTSC) ( 00 sec. ) / Mendelssohn</marc:subfield>
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            <marc:subfield code="a">In 2013, four talented musicians fresh out of the Paris Conservatory (Conservatoire National Superieur de Musique de Paris) decided to join forces-and thus the Quatuor Arod was born. In less than a decade, the young ensemble has racked up a host of prestigious awards - including first prize for string quartets in the ARD International Music Competition in Munich in 2016 - and has performed everywhere from Wigmore Hall and the Berliner Philharmonie to the Concertgebouw and Carnegie Hall!

For this 2017 concert the ensemble lend their talents to &lt;i&gt;Schubert's&lt;/i&gt; perennially moving &lt;i&gt;Rosamunde&lt;/i&gt;, as well as the second quartet from &lt;i&gt;Mendelssohn's Op. 44&lt;/i&gt;. The program also includes the world premiere of &lt;i&gt;Al 'Asr&lt;/i&gt;, The Afternoon Prayer by the young French composer, conductor, and violinist &lt;i&gt;Benjamin Attahir&lt;/i&gt; - a figure who, like the four accomplished musicians of the Quatuor Arod, proves that classical music is also a young person's game...</marc:subfield>
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            <marc:subfield code="a">Presenting Petipa's extravaganza, &lt;i&gt;The Pharaoh's Daughter&lt;/i&gt;, in a stunning production by &lt;i&gt;Pierre Lacotte&lt;/i&gt;. Recreating the spectacular sumptuousness of the original, the ballet tells the tale of a young Englishman who dreams he elopes with a Pharaoh's daughter. Despite a desert storm, a lion hunt and an attempted suicide, the couple finally wins the Pharaoh's blessing of their marriage. From its creation in 1862, Petipa's grandiose ballet was a sensational success; its stupendous costumes and striking scenery, its exotica, romanticism and drama appealing to audiences as much as the virtuoso choreography.

The Bolshoi Ballet and the two soloists Svetlana Zakharova and Sergey Filin are at their best in spite of the difficulty of Pierre Lacotte's choreography.

Special features includes a documentary about the creation of the ballet at the Bolshoi and an exclusive interview of Pierre Lacotte.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Nur wer die Sehnsucht kennt ('None but the lonely heart')&lt;/i&gt;, probably the best known of &lt;i&gt;Tchaikovsky's&lt;/i&gt; songs, lends its name to an intimate theatrical evening in which Christof Loy has combines songs or 'romances' and instrumental music to create a chamber opera of striking beauty and intensity. Tchaikovsky's songs cover a stylistic diversity and unsayable create expressive tensions and encapsulate true human emotions. Given a sumptuous period setting, these qualities create a unique drama in which suppressed love is confronted with longed for moments of passion, and sadness over broken relationships leads to withdrawal and lonelines.</marc:subfield>
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            <marc:subfield code="a">At the palace, the royal family and their guests are gathered for Prince Siegfried's birthday celebrations. In a majestic ceremony, Siegfried is made a knight; young girls try to attract his attention, as he must choose a wife during the ball. Overcome by the sudden awareness of his future responsibilities, he escapes into the night and meets a strange flock of swans by a magical lake. White swan by day, human by night, the beautiful Odette awaits an  oath of true love to break the curse. The great legend of the enigmatic swan/woman is one of the most romantic classical ballets, appropriately set in the era of courtly romance and characterized by elegance, style and harmony.

With &lt;i&gt;Tchaikovsky's&lt;/i&gt; famous, lyrical score, &lt;i&gt;Swan Lake&lt;/i&gt; depicts the tragic love between Princess Odette and Prince Siegfried, and will no doubt be performed to perfection by the unparalleled virtuosity of Russia's great &lt;i&gt;Bolshoi Ballet&lt;/i&gt;. This universal and enchanting masterpiece of love, deception and drama is a must.

With wonderful ballerina &lt;i&gt;Svetlana Zakharova&lt;/i&gt;, one of the most beautiful Odette/Odile of the time, &lt;i&gt;Denis Rodkin, Artemy Belyakov and Bolshoi Ballet.&lt;/i&gt;</marc:subfield>
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            <marc:subfield code="a">TCHAIKOVSKY, P.I.: Sleeping Beauty (The) (Staatsballett Berlin, 2015) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Berlin Deutsche Opera Orchestra, Orchestra -- Banzhaf, Michael, Artist -- Knop, Beatrice, Artist -- Staatsballett Berlin, Ensemble -- Reimer, Robert, Conductor -- Salenko, Iana, Artist -- Walter, Marian, Artist -- Yulbarisov, Rishat, Artist -- Mestrovic, Sarah, Artist -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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            <marc:subfield code="a">When she is finally released from an evil spell by the kiss of a young prince, the Sleeping Beauty awakes and is - despite of a hundred years of sleep - as beautiful as a young woman. The love of the prince is simply stronger than the curse that rests on the haunted princess. 

The artistic director of the Staatsballett Berlin, Nacho Duato, has brought new life to this beloved classic, which itself is over a hundred years old and for which Tchaikovsky has composed the unforgettable music. This production demonstrates that Nacho Duato can also tackle classical ballets with dance en pointe with great success. Nothing in this production is old and dusty, rather the entire choreography looks fresh and is bursting with vitality and brings an air of spring to the stage.

Likewise, the costumes by Angelina Atlagic deserve admiration as they sparkle on stage like spring buds in morning dew. The stage design, also designed by Atlagic, offers as refined setting for the ballet fairy tale. The decor of this production is highly imaginative, colourful, elegant and stylish.</marc:subfield>
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            <marc:subfield code="a">Les Indes galantes (Bavarian State Opera, 2016) (NTSC) ( 03 hrs. ) / Rameau -- Disc 2 ( 00 sec. ) / Rameau</marc:subfield>
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            <marc:subfield code="a">Vidal, Mathias, Artist -- Auvity, Cyril, Artist -- Balthasar Neumann Choir, Choir -- Bolton, Ivor, Conductor -- Prohaska, Anna, Artist -- Lis, Francois, Artist -- Moore, John, Artist -- Nazmi, Tareq, Artist -- Quintans, Ana, Artist -- Eastman Ballet Company, Ensemble -- Juric, Goran, Artist -- Oropesa, Lisette, Artist -- Benoit, Elsa, Artist -- Münchner Festspielorchester, Orchestra -- Fuzelier, Louis, Lyricist -- Rameau, Jean-Philippe, Composer</marc:subfield>
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            <marc:subfield code="a">In Dreams of Babel, a documentary about the dance prodigy Sidi Larbi Cherkaoui released on DVD by Bel Air Classiques in 2010, the choreographer explained how shifting identities, multiculturalism, and his own plural heritage as the son of an immigrant, had shaped his dramaturgy and artistic inspiration. Thus, to take on the stage direction for &lt;i&gt;Les Indes Galantes&lt;/i&gt;, whose multiple plots take place in a fantasized exotic elsewhere, supposed to mirror the European society, meant for Cherkaoui bringing the tension between identity and alterity to a whole new level. And the choreographer pushes his reflection much farther than mere baroque specular aesthetics: his Indes Galantes raise the sensible issues of population movements, fragmented and ever-changing territories and borders, but also the refugee crisis that has shaken Europe to its very core.

For this new production at the Prinzregenten Theater, Sidi Larbi Cherkaoui brought his own dance ensemble, the Eastman company, as well as a brilliant vocal cast, among which Anna Prohaska, Francois Lis or Lisette Oropesa. Ivor Bolton conducts a Munchner Festspielorchester at the top of its game.</marc:subfield>
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            <marc:subfield code="a">KARLSSON, M.: Midsummer Night's Dream [Ballet] (Royal Swedish Ballet, 2016) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Midsummer Night's Dream (Royal Swedish Ballet, 2016) (NTSC) ( 01 hrs., 37 min. ) / Karlsson</marc:subfield>
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            <marc:subfield code="a">Brommare, Niklas, Artist -- Royal Swedish Ballet, Ensemble -- Nilsson, Jenny, Artist -- Brodbeck, Sarah-Jane, Artist -- Måwe, Henrik, Artist -- Mihalcea, Dragos, Artist -- Ved, Lea, Artist -- Martinson, Ross, Artist -- Åkesson, Amanda, Artist -- Carbone, Devon, Artist -- Ivanova, Daria, Artist -- Stoeva, Desislava, Artist -- Mcmillan, Johnny, Artist -- Norgren-Jensen, Daniel, Artist -- Hausswolff, Anna von, Artist -- Dahlkvist Quartet, Ensemble -- Karlsson, Mikael, Composer</marc:subfield>
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            <marc:subfield code="a">After the sensational success of &lt;i&gt;A Swan Lake&lt;/i&gt;, performed by the Norwegian National Ballet in 2014 at the Oslo Opera, the choreographical prodige &lt;i&gt;Alexander Ekman&lt;/i&gt; created his &lt;i&gt;Midsummer Night's Dream&lt;/i&gt; in April 2015 for the Royal Swedish Ballet at the Stockholm Opera. A powerful contemporary piece that explores the energy and the mysteries conjured up by the summer solstice in the scandinavian tradition!

It is the height of summer, the longest day of the year, and everyone gets together to celebrate the most loved of all traditions - Midsummer. Expectations are high, seven kinds of flower must be picked, schnapps must be drunk, and everyone dances giddily around the maypole - perhaps there will even be new love in the air? It is a night filled of love and eroticism as nature gushes with vitality. The border between the world of mortals and the kingdom of the supernatural becomes thinner and thinner as the bottle becomes emptier and emptier. Traditions play jokes on us, the world changes and suddenly we are no longer sure - is it all a dream? a midsummer night's dream.</marc:subfield>
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            <marc:subfield code="a">SHOSTAKOVICH, D.: Golden Age (The) [Ballet] (Bolshoi Ballet, 2016) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Zolotoy vek (The Golden Age), Op. 22 (Bolshoi Ballet, 2016) (NTSC) ( 01 hrs., 43 min. ) / Shostakovich</marc:subfield>
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            <marc:subfield code="a">Bolshoi Ballet, Ensemble -- Bolshoi Theatre State Academic Orchestra, Orchestra -- Klinichev, Pavel, Conductor -- Kaptsova, Nina, Artist -- Skvortsov, Ruslan, Artist -- Lopatin, Vyacheslav, Artist -- Lobukhin, Mikhail, Artist -- Krysanova, Ekaterina, Artist -- Shostakovich, Dmitry, Composer</marc:subfield>
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            <marc:subfield code="a">A rare and refined ballet, which ran the risk of falling into oblivion twice, is danced by the new generation of the Bolshoi Ballet, among which are Nina Kaptsova and Mikhail Lobukhin.

A modern and visionary work, this ballet, set to a music by &lt;i&gt;Dmitri Shostakovich&lt;/i&gt;, was created in 1930. Its central theme was the highly moralized battle and triumph of the proletariat against the decadent bourgeoisie, set in Europe during the Roaring Twenties. Surprisingly, the score by Dmitri Shostakovich raised political controversies, probably because it borrowed much to european dance forms (and was openly inspired by jazz music) and consequently, the ballet vanished from the theaters until 1982, when Yuri Grigorovich restaged it with sets by Simon Virsaladze and a completely new libretto mainly revolving around the love story between Rita, a cabaret dancer, and Boris, an young idealist. The conflict in the original production was also recast as a clash between fishermen - the morally superior workers - and society's criminal elements.

To bring back on stage The Golden Age in autumn 2016, a few months prior to Yuri Grigorovich's 90th birthday, was a highly symbolic choice for the Bolshoi Ballet: this work, the last Grigorovich would ever choreograph for his company, hadn't been staged for almost 10 years!</marc:subfield>
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            <marc:subfield code="a">A sparkling personality on the contemporary dance scene, Swedish choreographer &lt;i&gt;Alexander Ekman&lt;/i&gt; has been invited for the first time to work with the dancers of the Paris Opera Ballet. His language, both visceral and tinged with humour, combining theatricality, and classical and contemporary vocabulary alike, perfectly resonates with the incredible versatility and stage presence of the Ballet: the result is &lt;i&gt;Play&lt;/i&gt;, a piece that evokes the world of childhood and its careless pleasures. But beyond pure entertainment, this performance contemplates the meaning and the importance of play when we become adults...

Best known for the spectacular quality of his pieces and their dreamlike imagery, like for instance his &lt;i&gt;Midsummer Night's Dream&lt;/i&gt;, the Swedish choreographer fills the stage of the Palais Garnier with an entrancing energy. The metallic structures, dancers suspended in space, and the elevations are but a few of the powerful images that will strike the audience's imagination!

For this new creation, Alexander Ekman worked with his acolyte composer &lt;i&gt;Mikael Karlsson&lt;/i&gt;, but also with a talented team of instrumentalists not often seen on the stage of the Palais Garnier, among which gospel singer Callie Day, or the incredible drums and marimba player Adelaide Ferriere. An unexpected performance, carried along by enticing rhythms and communicative energy!</marc:subfield>
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            <marc:subfield code="a">Karlsson, Mikael</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">BAC190</marc:controlfield>
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            <marc:subfield code="a">Saint-Georges, Joseph Bologne, Chevalier de</marc:subfield>
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            <marc:subfield code="a">SAINT-GEORGES, J.B.C. de: Chevalier de Saint-George (Le) - The Enlightened Violinist (Documentary, 2021) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="c">2022</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Le Chevalier de Saint-George - The Enlightened Violinist (NTSC) ( 54 min. ) / Saint-Georges</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Léger, Magali, Artist -- Chauvin, Julien, Artist -- Cambini-Paris Quartet, Ensemble -- Saint-Georges, Joseph Bologne, Chevalier de, Composer</marc:subfield>
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            <marc:subfield code="a">An emancipated slave, the &lt;i&gt;Chevalier de Saint-George&lt;/i&gt; managed to elevate himself to the highest spheres of the Enlightened 18th-century French society, thanks to his incredible accomplishments as a fencer, horseman, and musician. From the Guadeloupe where he was born, to Paris and Versailles where he made a name for himself, to Lille that he defended against the royalists during the French Revolution, he quickly became one of the most important characters in both the musical and the military scenes. Through his compositions, testimonies from specialists and secrets shared by some of his best interprets, this film narrates his extraordinary adventures.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Saint-Georges, Joseph Bologne, Chevalier de</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC190.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC190</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC190</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">Bel Air Classiques Naxos</marc:subfield>
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            <marc:subfield code="a">Pachelbel, Johann</marc:subfield>
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            <marc:subfield code="a">Bach, Johann Sebastian</marc:subfield>
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            <marc:subfield code="a">Gounod, Charles-François</marc:subfield>
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            <marc:subfield code="a">Holmès, Augusta</marc:subfield>
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            <marc:subfield code="a">Adam, Adolphe</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">CHRISTMAS CONCERT IN STRASBOURG (Equilbey) (NTSC)</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Minuit, chrétiens (O Holy Night) (NTSC) ( 00 sec. ) / Adam -- Les anges dans nos campagnes (Angels We Have Heard on High) (arr. T. Perrine) (NTSC) ( 00 sec. ) /  -- Noël (Trois anges sont venus ce soir) (arr. T. Perrine) (NTSC) ( 00 sec. ) / Holmès -- Silent Night (Stille Nacht) (NTSC) ( 00 sec. ) / Gruber -- Exsultate jubilate, K. 165: Alleluia (NTSC) ( 00 sec. ) / Mozart -- Canon and Gigue in D Major: Canon (NTSC) ( 00 sec. ) / Pachelbel -- Christmas Oratorio, BWV 248, Part I: Jauchzet, frohlocket, auf, preiset die Tage (NTSC) ( 00 sec. ) / Bach -- Herz und Mund und Tat und Leben, BWV 147: Jesus, que ma joie demeure (Jesu, Joy of Man's Desiring) (NTSC) ( 00 sec. ) / Bach -- Der Herr ist mit mir, BuxWV 15: Alleluia (NTSC) ( 00 sec. ) / Buxtehude -- L'Arlesienne Suite No. 2: IV. Farandole (arr. T. Perrine) ( 00 sec. ) / Bizet -- Oratorio de Noël, Op. 12: Benedictus (NTSC) ( 00 sec. ) / Saint-Saëns -- Ave Maria (NTSC) ( 00 sec. ) / Bach -- Messe à 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus ( 00 sec. ) / Franck -- Part I: For unto a child is born ( 00 sec. ) / Handel -- Part II: Hallelujah ( 00 sec. ) / Handel</marc:subfield>
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            <marc:subfield code="a">Breslik, Pavol, Artist -- Accentus Chamber Choir, Choir -- Equilbey, Laurence, Conductor -- Stutzmann, Nathalie, Artist -- Concerto Köln, Orchestra -- Piau, Sandrine, Artist -- Wieder-Atherton, Sonia, Artist -- Saraf, Aurelie, Artist -- Weisser, Johannes, Artist -- Pachelbel, Johann, Composer -- Bach, Johann Sebastian, Composer -- Henrici, Christian Friedrich, Lyricist -- Gounod, Charles-François, Composer -- Bible - New Testament, Lyricist -- Mozart, Wolfgang Amadeus, Composer -- Anonymous, Lyricist -- Buxtehude, Dieterich, Composer -- Bible - Old Testament, Lyricist -- Handel, George Frideric, Composer -- Aquinas, Thomas, Lyricist -- Franck, César, Composer -- Mohr, Josef, Lyricist -- Gruber, Franz Xaver, Composer -- Traditional, Composer -- Perrine, Thibault, Arranger -- Saint-Saëns, Camille, Composer -- Bizet, Georges, Composer -- Holmès, Augusta, Composer -- Cappeau, Placide, Lyricist -- Adam, Adolphe, Composer</marc:subfield>
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            <marc:subfield code="a">For more than 20 years, the choir Accentus has performed choral music in all its diversity. For Christmas 2009, Accentus, Laurence Equilbey and their guests created the event with a programme featuring some of the most famous sacred music pieces at the Church of Saint Thomas in Strasbourg to hear the most beautiful Christmas songs interpreted by: Concerto Koln, Sandrine Piau (Soprano), Nathalie Stutzmann (Alto), Pavol Breslik (Tenor), Johannes Weisser (Bass), Sonia Wieder Atherton (Cello), Aurelie Saraf (Harp) and Daniel Maurer, organist of the Church of St. Thomas.</marc:subfield>
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            <marc:subfield code="a">KRASAVIN, Y.: Paquita [Ballet] (after É. Deldevez and L. Minkus) (Ural Opera Ballet, 2021) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Paquita (after É. Deldevez and L. Minkus) (Ural Opera Ballet, 2021) (NTSC) ( 01 hrs., 42 min. ) / Krasavin</marc:subfield>
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            <marc:subfield code="a">Klinichev, Pavel, Conductor -- Ural Opera Ballet, Ensemble -- Ural Opera Ballet Orchestra, Orchestra -- Malkovich, Ekaterina, Artist -- Lazarev, Arsenti, Artist -- Klekovkin, Maxim, Artist -- Mekhanoshin, Victor, Artist -- Beknazarova, Kamila, Artist -- Guzeev, Anton, Artist -- Krasavin, Yuri, Composer</marc:subfield>
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            <marc:subfield code="a">A breath of fresh air is blowing over the Ural Opera Ballet with this new version of &lt;i&gt;Paquita&lt;/i&gt;, halfway between tradition and modernity!

A festive ballet recounting the thwarted loves of a gypsy and an officer, Paquita marked the debut of Marius Petipa in Saint Petersburg. But only the last scene of the ballet, the famous Grand pas Classique, remained in the companies' repertoire. Thanks to a careful reconstruction, the Ural Opera Ballet finally revives the original version in three acts.

The product of methodical research by expert Sergei Vikharev and former Principal Vyacheslav Samodurov, the choreography scrupulously recreates Petipa's 1881 version, according to notes kept at the Harvard Theater Collection. The original score has been rearranged by the famous Saint Petersburg composer, &lt;i&gt;Yuri Krasavin&lt;/i&gt;.

But if this new production uses the original libretto of the ballet, it nonetheless transposes it in time. The result is a show of great relevance, which brings up to date the strong political and social substrate of the original plot by illustrating it with artistic references gleaned throughout the 20th century. A powerful theatrical experience, crowned with the jury's special award of the "Golden Masks" in 2019.</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Requiem (Aix-en-Provence Festival, 2019) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Requiem in D Minor, K. 626 (Aix-en-Provence Festival, 2019) (NTSC) ( 01 hrs., 38 min., 56 sec. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Piau, Sandrine, Artist -- Mingardo, Sara, Artist -- Tittoto, Luca, Artist -- Pichon, Raphaël, Conductor -- Pygmalion, Orchestra -- Giustiniani, Anicio Zorzi, Artist -- Pygmalion Chorus, Choir -- Lazreq, Chadi, Artist -- Mozart, Wolfgang Amadeus, Composer -- Mass Text, Lyricist</marc:subfield>
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            <marc:subfield code="a">These musings by &lt;i&gt;Mozart&lt;/i&gt; on life and death were the starting point for Raphael Pichon and Romeo Castellucci's interpretation of the composer's emblematic unfinished &lt;i&gt;Requiem&lt;/i&gt;. An expression of humankind's existential dread in the face of mortality, this requiem mass confronts us with the transience of nature and culture, of humankind and of the individual. 

'We should understand and celebrate the end as the other side of a party, where the dance carries on. This &lt;i&gt;Missa pro defunctis&lt;/i&gt; is thus transposed and its meaning changed.' Thanks to Castellucci's theatrical vision and the musical dramaturgy by Pichon, who supplements the work with other religious pieces by Mozart, this Requiem becomes the ultimate celebration of life.</marc:subfield>
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