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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CM9203</marc:controlfield>
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            <marc:subfield code="a">C Major</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">KARAJAN, Herbert von: Maestro for the Screen</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Maestro for the Screen (NTSC) ( 52 min. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Karajan, Herbert von, Conductor -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Herbert von Karajan was the only major orchestral conductor to create film &amp;#x2013; and later video productions &amp;#x2013; at his own expense. "I am actually born too early," he said, well aware that video's possibilities were still in their infancy. Georg Wubbolt did interviews with Karajan's team: his director of photography, his cutter, his secretary, his producer and musicians of the Vienna Philharmonic Orchestra and the Berlin Philharmonic Orchestra. This documentary includes outstanding performance material from the Unitel and Telemondial library, as well as unreleased digitally remastered excerpts from the legendary RBB (SFB) and ORF archive. We see Karajan talking about this subject in talk shows and television. It underlines Karajan's appearance as a real &lt;i&gt;Maestro for the Screen&lt;/i&gt; from a side unknown to most people, introduced by his closest collaborators.

The film is constructed chronologically. It starts with the very first concert productions in 1957 at NHK in Japan, followed by the impressive cooperation with director Henri-Georges Clouzot in 1965 and ends with Karajan's own film company Telemondial. The Silvesterkonzert 1988 at the Philharmonie in Berlin marks the end of the great era, long before music video entered the entertainment industry.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CM9203.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9203</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CM9203</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CM9290</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">C Major</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">WALTZ, Sasha: Garden of Lust</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="b">cr</marc:subfield>
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        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Garden of Lust (NTSC) ( 01 hrs., 20 min., 57 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Waltz, Sasha, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Sasha Waltz is one of the world's most exciting choreographers. Her work includes provocative one-woman shows, inventive dance comedies, and philosophical dance-drama exploring subjects like the human body, sensuality and transcendence. The international company Sasha Waltz and Guests is renowned for the originality and creativity it has brought to contemporary dance. Brigitte Kramer's biopic lays bare the trials, the tribulations and the triumphs of 20 years in Sasha Waltz's soaring career. It reveals her research and working methods, her self-doubt and self-reflection, and her capacity for joy - including interviews with Waltz and her dancers. &lt;i&gt;Garden of Lust&lt;/i&gt; presents extracts from many of the choreographies in rehearsal and performance, and captures astonishing moments on and off stage.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CM9290.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9290</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CM9290</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CM9548</marc:controlfield>
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            <marc:subfield code="a">C Major</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">HARNONCOURT, Nikolaus: Legend Celebrates His 80th Birthday (A) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Nikolaus Harnoncourt: A Legend Celebrates His 80th Birthday (NTSC) ( 59 min., 15 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The world is going to see increasingly less of legendary conductor Nikolaus Harnoncourt, who celebrates his 80th birthday in December 2009. So the time is right for a comprehensive portrait of one the most important conductors of our time.

Harnoncourt - the captivator. One immediately comes under the spell of his admirable intensity, his humorous comparisons, his wit and his brilliant rhetoric. It's nearly impossible not to succumb to his fascinating congeniality. Even his critics are captivated! 

The film also draws parallels between Nikolaus Harnoncourt and Joseph
Haydn, who in their popularity and diversity are both unique. Besides great concerts in Eisenstadt and Esterháza, Harnoncourt conducts Haydn's famous opera &lt;i&gt;Il mondo della Luna&lt;/i&gt; at the stunning Theater an der Wien. In his inimitable way Harnoncourt presents his own picture of Haydn, which is different from anything we have known before.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CM9548.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9548</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CM9548</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CM9552</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">C Major</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">CLASSICAL MUSIC AND THE COLD WAR (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Classical Music and the Cold War (NTSC) ( 52 min., 46 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">"In my opinion, comrades, we really should end the monotony of this Yeah, Yeah, Yeah or whatever they call it" (SED General Secretary Walter Ulbricht about pop music).

As classical music was considered politically harmless in the former GDR, its education was highly encouraged. The regime quickly discovered its great potential for generating valuable cultural exchange &amp;#x2014; as well as much needed hard currency.

Classical music "made in the GDR" became an export hit for the regime, thanks to, for example, the Staatskapelle Dresden, the Gewandhausorchester Leipzig and renowned artists like Kurt Masur, Peter Schreier, Franz Konwitschny, Kurt Sanderling and Theo Adam.

Through case studies of individuals who lived under the system, "Classical Music &amp; Cold War" explores the fates of both the privileged and the non-privileged, and delivers insight into the influence of the political system on artistic life. The film includes interviews with contemporary witnesses both from GDR and the Federal Republic of Germany (FRG).</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CM9552.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9552</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CM9553</marc:controlfield>
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            <marc:subfield code="a">C Major</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">WITTGENSTEIN, Paul: Man Who Wouldn't Give Up (The)</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Paul Wittgenstein: The Man Who Wouldn't Give Up ( 00 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Wittgenstein, Paul, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Paul Wittgenstein, the Austrian concert pianist, lost his arm at the age of twenty-seven while serving as an officer in the First World War. Nonetheless, he was determined to continue his career. Major composers such as Ravel and Strauss wrote pieces for him, and from this he gained international acclaim. Eventually forced to leave Austria by the Nazis, he died in New York in 1961.

Paul's father Karl, millionaire and chief Austrian iron and steel baron, had been determined to have his five sons follow in his footsteps and become industrialists, so he did not permit them to pursue artistic careers. He paid for his intransigence with the lives of his three eldest children, who escaped their father's authority by committing suicide; finally he allowed his two remaining sons the freedom to choose their own profession. Paul chose music, and his younger brother Ludwig turned to philosophy.

Paul Wittgenstein's biography is an extraordinary, life-affirming story. It is the tale of a man who persevered in the face of seemingly insurmountable obstacles and prevailed.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CM9553.jpg</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9553</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">MUSIC, MON AMOUR</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Music, mon amour (NTSC) ( 01 hrs., 34 min., 05 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Oehring, Helmut, Artist -- Goto, Midori, Artist -- Levy, Yasmin, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Music, Mon Amour&lt;/i&gt; delves into the secret of a grand passion &amp;#x2013; the love of music. What makes it irresistible? Why can't we live without music? In &lt;i&gt;Music, Mon Amour&lt;/i&gt; we embark on a search for clues &amp;#x2013; together with the Israeli singer Yasmin Levy, the Japanese violinist Midori and the German composer Helmut Oehring. They reveal their deep love of music and talk of the joy and despair that go with it. Their accounts, intimate and affecting, and from widely differing perspectives, convey their existential and contradictory relationship to music.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CM9556.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9556</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CM9556</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CM9781</marc:controlfield>
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            <marc:subfield code="a">Komeda, Krzysztof</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">KOMEDA, Krzysztof: Soundtrack for a Life (A)</marc:subfield>
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            <marc:subfield code="a">Krzysztof Komeda: A Soundtrack for Life (NTSC) ( 52 min., 01 sec. ) / Komeda</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Komeda, Krzysztof, Artist</marc:subfield>
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            <marc:subfield code="a">Krzysztof Komeda &amp;#x2013; jazz pianist and film composer. With compositions like the lullaby for &lt;i&gt;Rosemary's Baby&lt;/i&gt; from Roman Polanski, Komeda succeeded in writing his own chapter in the history of soundtracks. As a jazz musician he gained cult status in Poland. As a film composer he made it into Hollywood's first ranks. But there his career came to a sudden end.

The film essay &lt;i&gt;Komeda - A Soundtrack for a Life&lt;/i&gt; is a reflection on Komeda's soundtracks, which changed the common film scores forever. It is a contemporary document about the attitude to life in a time of social, political and cultural change after war, and about the work and exodus of the Polish artist in the 50s and 60s.

This film features interviews with directors who worked with Komeda and who were also his friends, including Roman Polanski, Jerzy Skolimowski, Henning Carlsen, and Andrzej Wajda. His wife, Zofia Komeda, and his sister, Irena Orlowska, also remember him.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CM9781.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9781</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CM9781</marc:subfield>
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            <marc:subfield code="a">Dvořák, Antonín</marc:subfield>
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            <marc:subfield code="a">Chopin, Fryderyk</marc:subfield>
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            <marc:subfield code="a">DVORAK, A.: Cello Concerto in B Minor / CHOPIN, F.: Nocturne No. 19 in E Minor (Mork, Stott, Nott) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Truls Mørk was the first Scandinavian ever to win the Moscow Tchaikovsky competition, a triumph that marked the start of his musical career. He enjoys a close friendship with the principal conductor of the Bamberg Symphony Orchestra, Jonathan Nott. He played the Cello Concerto in B minor by Anton Dvo&amp;#x0159;ák with the entire orchestra at the conclusion of his time as "artist in residence."

"Extraordinary pieces of music transport me to another state of consciousness. I don't know if I can describe it any better. At least that is how playing the Dvo&amp;#x0159;ák cello concerto makes me feel."

The film visits Truls Mørk at his Scandinavian holiday home, accompanying him on his boat out at sea and on walks along the coast. The Cello Concerto by Anton Dvo&amp;#x0159;ák with the Bamberg Symphony Orchestra and the Chopin interpretations are focal points of the story.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9289</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Piano Concerto No. 23 (Horowitz, Giulini) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Horowitz, Vladimir, Artist -- Giulini, Carlo Maria, Conductor -- Milan La Scala Orchestra, Orchestra -- Mozart, Wolfgang Amadeus, Composer</marc:subfield>
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            <marc:subfield code="a">Legendary pianist Vladimir Horowitz, conductor Carlo Maria Giulini and The Orchestra of La Scala perform Mozart's Piano Concerto No. 23 in A Major in a studio setting. The film also includes discussions, playback sessions and interviews.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9304</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CM9304</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">BRUCKNER, A.: Symphony No. 5 (Wand) (BBC Proms, 1990) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Wand, Günter, Conductor -- BBC Symphony Orchestra, Orchestra -- Bruckner, Anton, Composer</marc:subfield>
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            <marc:subfield code="a">Renowned for his interpretations of Bruckner's symphonies, Günter Wand had a great affinity for Bruckner's Fifth Symphony, as noted by the composer Bernd Alois Zimmermann. His first recording of the work became a great success, winning the German Record Prize in 1978. Wand's London concerts with the BBC Symphony as Principal Guest Conductor acquired legendary status in his later years, rewarding him with the recognition that was so greatly deserved.

The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly restored.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/ICAD5049.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=ICAD5049</marc:subfield>
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            <marc:subfield code="a">TCHAIKOVSKY, P.I.: Ballet Masterpieces (Fonteyn, Somes) (1954-1959) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Sleeping Beauty, Op. 66 (excerpts) (NTSC) ( 00 sec. ) / Tchaikovsky -- Swan Lake, Op. 20 (excerpts) (NTSC) ( 00 sec. ) / Tchaikovsky -- The Nutcracker, Op. 71: Act II (NTSC) ( 00 sec. ) / Tchaikovsky</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Lanchbery, John, Conductor -- Royal Opera House Orchestra, Covent Garden, Orchestra -- Fonteyn, Margot, Artist -- Somes, Michael, Artist -- London Philharmonic Orchestra, Orchestra -- Irving, Robert, Conductor -- Rignold, Hugo, Conductor -- Royal Philharmonic Orchestra, Orchestra -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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            <marc:subfield code="a">Exceptional studio productions from the late 1950s, all three of the Tchaikovsky ballet performances featured on this video are released for the first time. The perfect partners, Margot Fonteyn and Michael Somes give stunning performances with Fonteyn at her most beguiling as Aurora in &lt;i&gt;Sleeping Beauty&lt;/i&gt; ?EUR" the ballet in which she and the Sadler's Wells Ballet made their historic American debut in 1949.

The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly restored.</marc:subfield>
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The &lt;i&gt;ICA Classics Legacy series&lt;/i&gt; represents an historic account of performances by some of the world's greatest artists. This video features some of the earliest televised concerts with the Boston Symphony Orchestra and their Music Director, Erich Leinsdorf.

While the material has been restored using the greatest care and state-of-the-art techniques, certain visual artefacts and distortions remain in some instances due to the age of the film. Despite this, it remains of exceptional musical interest and historic value and is released here for the first time on DVD.</marc:subfield>
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            <marc:subfield code="a">A great admirer of Schumann's Second Symphony, Charles Munch programmed the work in four different Boston Symphony Orchestra seasons, taking it on tour on each occasion. He never recorded the symphony with the BSO nor with any other orchestra, which makes this exciting video a new addition to his discography.

The ICA Classics Legacy series represents an historic account of performances by some of the world's greatest artists. This video features some of the earliest televised concerts with the Boston Symphony Orchestra and their Music Director, Charles Munch.

While the material has been restored using the greatest care and state-of-the-art techniques, certain visual artefacts and distortions remain in some instances due to the age of the film. Despite this, it remains of exceptional musical interest and historic value and is released here for the first time.</marc:subfield>
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            <marc:subfield code="a">Sheng, Bright, Artist -- Wyner, Yehudi, Artist -- Prangcharoen, Narong, Artist -- Yen, Ming-Hsiu, Artist -- Kim, Min-Young, Artist -- Tommasini, Matthew, Artist -- Ramakrishnan, Raman, Artist -- Faria Gomes, Pedro, Artist -- Goldman, Ted, Artist -- Pollard, Gary, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;The Intimacy of Creativity &amp;#x2013; The Bright Sheng Partnership: Composers Meet Performers in Hong Kong&lt;/i&gt; is a pioneering, internationally-acclaimed partnership devoted to promoting an intimate dialogue between composers and performers. 

Distinguished composers, together with selected emerging composers from Hong Kong and around the world, present and revise their chamber music compositions after in-depth discussions with world-renowned performers during open discussions. The revised compositions are presented at two world premiere concerts in downtown Hong Kong, preceded by preview concerts on the campus of The Hong Kong University of Science and Technology, which hosts the partnership.

For the 2011 inaugural season, artistic director and internationally-acclaimed composer, conductor, and pianist Bright Sheng was joined by distinguished guests Richard Stoltzman, Yehudi Wyner, and the Daedalus Quartet; Hong Kong guest artists Mary Wu, Stephen Chong, and Olivier Nowak; and emerging composers Pedro Faria Gomes, Ted Goldman, Moon Young Ha, Narong Prangcharoen, Matthew Tommasini, and Ming-Hsiu Yen.</marc:subfield>
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            <marc:subfield code="a">Hymnus, Op. 57 (NTSC) ( 00 sec. ) / Klengel -- Milonga del Angel (arr. J. Carli) (NTSC) ( 00 sec. ) / Piazzolla -- Pavane, Op. 50 (arr. W. Kaiser-Lindemann) (NTSC) ( 00 sec. ) / Fauré -- La Muerte del Angel (arr. J. Carli) (NTSC) ( 00 sec. ) / Piazzolla -- Preludes, Book 1: No. 10. La cathedrale engloutie (arr. R. Leopold) (NTSC) ( 00 sec. ) / Debussy -- 4 Pezzi sacri: No. 1. Ave Maria (arr. D. Riniker) (NTSC) ( 00 sec. ) / Verdi -- Resurreccion del Angel (arr. J. Carli) (NTSC) ( 00 sec. ) / Piazzolla -- Aubade: Presto (NTSC) ( 00 sec. ) / Françaix -- Blues, Espagnola und Rumba philharmonica: Espagnola (NTSC) ( 00 sec. ) / Blacher -- Die 12 in Bossa-nova, Op. 36 (NTSC) ( 00 sec. ) / Kaiser-Lindemann -- Suite for Variety Orchestra, "Jazz Suite No. 2": V. Lyric Waltz (arr. D. Riniker for 12 cellos) ( 00 sec. ) / Shostakovich -- Oh Kay!: Clap Yo' Hands (arr. M. Tsygutkin) (NTSC) ( 00 sec. ) / Gershwin -- C'era una volta il West (Once Upon a Time in the West): Man with the Harmonica (arr. W. Kaiser-Lindemann) (NTSC) ( 00 sec. ) / Morricone -- Mas que nada (arr. V. Despalj) (NTSC) ( 00 sec. ) / Ben -- La flor de la canela (arr. J. Carli) (NTSC) ( 00 sec. ) / Granda -- Fuga y Misterio (arr. J. Carli) (NTSC) ( 00 sec. ) / Piazzolla -- Libertango (arr. J. Carli) (NTSC) ( 00 sec. ) / Piazzolla -- The Pink Panther: Main Theme (arr. W. Kaiser-Lindemann) (NTSC) ( 00 sec. ) / Mancini -- El cant dels ocells (Song of the Birds) (version for cello ensemble) (NTSC) ( 00 sec. ) / Casals</marc:subfield>
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            <marc:subfield code="a">Kinderszenen (Scenes of Childhood), Op. 15 (NTSC) ( 00 sec. ) / Schumann -- Piano Sonata No. 2 in B-Flat Minor, Op. 36 (arr. V. Horowitz) (NTSC) ( 00 sec. ) / Rachmaninov -- Waltz No. 9 in A-Flat Major, Op. 69, No. 1, "L'adieu" (NTSC) ( 00 sec. ) / Chopin -- Lachtäubchen, Op. 303, "Polka de WR" (arr. S. Rachmaninov for piano) (NTSC) ( 00 sec. ) / Behr -- 12 Etudes, Op. 8: No. 12 in D-Sharp Minor (NTSC) ( 00 sec. ) / Scriabin</marc:subfield>
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            <marc:subfield code="a">Keyboard Sonata in B Minor, K.87/L.33/P.43 (NTSC) ( 00 sec. ) / Scarlatti -- Keyboard Sonata in E Major, K.380/L.23/P.483 (NTSC) ( 00 sec. ) / Scarlatti -- Keyboard Sonata in E Major, K.135/L.224/P.234 (NTSC) ( 00 sec. ) / Scarlatti -- Piano Sonata No. 10 in C Major, K. 330 (NTSC) ( 00 sec. ) / Mozart -- No. 12 in G-Sharp Minor: Allegro ( 00 sec. ) / Rachmaninov -- No. 5 in G Major: Moderato ( 00 sec. ) / Rachmaninov -- 3 Pieces, Op. 2: No. 1. Etude in C-Sharp Minor (NTSC) ( 00 sec. ) / Scriabin -- 12 Etudes, Op. 8: No. 12 in D-Sharp Minor (NTSC) ( 00 sec. ) / Scriabin -- 4 Impromptus, Op. 142, D. 935: No. 3 in B-Flat Major (NTSC) ( 00 sec. ) / Schubert -- Schubert - Soirees de Vienne, S427/R252: No. 6. Allegro con strepito (NTSC) ( 00 sec. ) / Liszt -- Annees de pelerinage, 2nd year, Italy, S161/R10b: No. 5. Sonetto del Petrarca no. 104 (Pace non trovo) (NTSC) ( 00 sec. ) / Liszt -- Mazurka No. 21 in C-Sharp Minor, Op. 30, No. 4 (NTSC) ( 00 sec. ) / Chopin -- Mazurka No. 7 in F Minor, Op. 7, No. 3 (NTSC) ( 00 sec. ) / Chopin -- Polonaise No. 6 in A-Flat Major, Op. 53, "Heroic" (NTSC) ( 00 sec. ) / Chopin -- Kinderszenen (Scenes of Childhood), Op. 15: No. 7. Träumerei (Dreaming) (NTSC) ( 00 sec. ) / Schumann -- 8 Morceaux caractéristiques, Op. 36: No. 6. Etincelles (NTSC) ( 00 sec. ) / Moszkowski -- Lachtäubchen, Op. 303, "Polka de WR" (arr. S. Rachmaninov for piano) (NTSC) ( 00 sec. ) / Behr</marc:subfield>
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            <marc:subfield code="a">A recording of Horowitz's historic recital in Moscow, the program also includes highlights of his return to his native Soviet Union - his first visit in 61 years.</marc:subfield>
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            <marc:subfield code="a">Horowitz, Vladimir, Artist -- Toscanini Horowitz, Wanda, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">After a few years rest and some at-home unofficial rehabilitation Horowitz was ready to begin performing again. Horowitz recorded the material on this production in his own living room. We see a rejuvinated, different Horowitz, someone in much more control than in the 1982 and 1983 recitals. The only thing lacking in Horowitz's performance from this point on was preparation; Horowitz admittedly did not practice very much and it shows.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9313-1</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9313-2</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CM9313-2</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9313-3</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CM9313-3</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Marsalis on Music: Tackling the Monster (Marsalis on Practicing) (NTSC) ( 56 min., 53 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Ma, Yo-Yo, Artist -- Marsalis, Wynton, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">A series for young people of our time, it embraces classical music as well as jazz. After each performance, Marsalis illuminates the music in terms that everyone can understand, using language that is clear and simple, and infused with the colourful vernacular of Jazz. Musical performances include &lt;i&gt;The Nutcracker&lt;/i&gt;, Prokofiev's &lt;i&gt;Classical Symphony&lt;/i&gt;, &lt;i&gt;Stars and Stripes Forever&lt;/i&gt; and more.</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CM9313-4.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9313-4</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CM9313-4</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">STRAVINSKY, I.: Oedipus rex (Saito Kinen Festival Matsumoto, 1992) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Oedipus rex (Saito Kinen Festival Matsumoto, 1992) (NTSC) ( 57 min., 42 sec. ) / Stravinsky</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Terfel, Bryn, Artist -- Norman, Jessye, Artist -- Peeters, Harry, Artist -- Langridge, Philip, Artist -- Shin-yu Kai Choir, Choir -- Ozawa, Seiji, Conductor -- Swensen, Robert, Artist -- Tokyo Opera Singers, Choir -- Tanaka, Min, Artist -- Tatara, Michio, Artist -- Shiraishi, Kayoko, Artist -- Saito Kinen Festival Dancers, Ensemble -- Saito Kinen Orchestra, Orchestra -- Stravinsky, Igor, Composer -- Cocteau, Jean, Lyricist</marc:subfield>
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            <marc:subfield code="a">This ambitious production uses a number of striking visual elements including a massive set that floats above a reflecting pool, huge puppets and sculptures. The noted Butoh artist, Min Tanaka, dances the role of Oedipus, and is joined by twenty dancers to portray this classical tragedy.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9318</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CM9318</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">This 1985 documentary focuses on conductor Seiji Ozawa and the behind-the-scenes world of the symphony orchestra. It communicates the intensity and passion that Ozawa brings to his work as conductor and teacher, and shows him in the context of his relationship with former masters, current students and family. It also explores the cultural tensions that caused him to leave Japan and begin a career in the West.</marc:subfield>
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            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9319</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CM9319</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">PUCCINI, G.: Gianni Schicchi (Kerstmatinee 2000) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Kurt Masur, one of the world's greatest maestros, challenges and teaches the next generation of young musicians and conductors by stretching their limits and transforming their perspectives and abilities. Following master classes around the world over a period of few years, the film is a carefully constructed collage organically interviewing the maestro's teachings and his personal life experiences.

The result is a comprehensive emotional portrait of one of the most respected conductors of our time.</marc:subfield>
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            <marc:subfield code="a">Between 8-10 July 2010 in Wyastone Concert Hall, Monmouth, Chinese pianist Duanduan Hao recorded keyboard sonatas by Domenico Scarlatti for release on Naxos 8.572586.</marc:subfield>
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            <marc:subfield code="a">Obsessive in gambling and in love, the soldier Hermann is the protagonist of Tchaikovsky's &lt;i&gt;Pique Dame&lt;/i&gt;, based on a story by Pushkin. He is smitten with the aristocratic Lisa and fixated on learning the winning secret of "the three cards" from her grandmother, the Countess, played by iconic contralto Ewa Podles. This opulent production from Barcelona's Liceu captures St Petersburg in the era of Catherine the Great, while the house's Music Director Michael Border conducts a large and impressive cast.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Boris Godunov&lt;/i&gt; is the story not only of a troubled leader but of an entire nation, and its history is as eventful as that of Mother Russia herself. In this new production, the legendary director Andrei Konchalovsky presents a personal vision of the opera that takes Mussorgsky's bare and monumental first version as its basis, while adding the final scene from the composer's revision, in which not only the Tsar but the people themselves reveal their fatal flaws. 
 
Orlin Anastassov stars in the title role, conducted by Gianandrea Noseda.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Peter and the Wolf&lt;/i&gt;, Prokofiev's musical fairy tale, has been delighting children since 1936. Nearly 60 years later, in 1995, the young choreographer Matthew Hart created a witty choreographed version for the Royal Ballet School with designs by Ian Spurling. Described as 'an utterly delightful ballet and a perfect showcase for the younger students,' by the Royal Ballet's Director, Monica Mason, it was staged again in 2010.</marc:subfield>
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            <marc:subfield code="a">Macbeth (Royal Opera House, 2011) (NTSC) ( 02 hrs., 50 min. ) / Verdi</marc:subfield>
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            <marc:subfield code="a">Keenlyside, Simon, Artist -- Aceto, Raymond, Artist -- Pappano, Antonio, Conductor -- Royal Opera House Chorus, Covent Garden, Choir -- Royal Opera House Orchestra, Covent Garden, Orchestra -- Coad, Jonathan, Artist -- Fisher, Jonathan, Artist -- Cliffe, Nigel, Artist -- Ebel, Steven, Artist -- Jakobski, Lukas, Artist -- Monastyrska, Liudmyla, Artist -- Meister, Elisabeth, Artist -- Pittas, Dimitri, Artist -- Lindsay, Ian, Artist -- Richardson, Will, Artist -- Zetterstrom, Olle, Artist -- Payne, William, Artist -- Buchanan, Archie, Artist -- Piave, Francesco Maria, Lyricist -- Verdi, Giuseppe, Composer -- Maffei, Andrea, Lyricist</marc:subfield>
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            <marc:subfield code="a">Black, red, cream and gold are the colours that define Phyllida Lloyd's Royal Opera House staging of Verdi's robust, yet penetrating setting of Shakespeare's Scottish play. Manipulated by a whole coven of cunning, scarlet-turbanned witches, the characters often evoke figures in a splendid Gothic fresco. With Simon Keenlyside making his British debut, as an athletic, brooding Macbeth and Liudmyla Monastyrska as his Lady, both imperious and subtle, this performance, masterfully conducted by Antonio Pappano, goes far beyond mere sound and fury.

&lt;i&gt;Bonus features:&lt;/i&gt;
- Interview with Liudmyla Monastryrska, Simon Keenlyside, Raymond Aceto
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            <marc:subfield code="a">Tchaikovsky, Pyotr Il'yich</marc:subfield>
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            <marc:subfield code="a">TCHAIKOVSKY, P.I.: Eugene Onegin (DNO, 2011) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Eugene Onegin, Op. 24 (DNO, 2011) (NTSC) ( 02 hrs., 31 min. ) / Tchaikovsky</marc:subfield>
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            <marc:subfield code="a">Skovhus, Bo, Artist -- De Mey, Guy, Artist -- Netherlands Opera Chorus, Choir -- Jansons, Mariss, Conductor -- Royal Concertgebouw Orchestra, Orchestra -- Stoyanova, Krassimira, Artist -- Smeets, Roger, Artist -- Dunaev, Andrey, Artist -- Petrenko, Mikhail, Artist -- Savova, Olga, Artist -- Romanova, Nina, Artist -- Arink, Peter, Artist -- Prada, Richard, Artist -- Maximova, Elena, Artist -- Shilovsky, Konstantin, Lyricist -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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            <marc:subfield code="a">Described by Tchaikovsky as "lyric scenes", &lt;i&gt;Eugene Onegin&lt;/i&gt; receives a spectacular reinterpretation from the Norwegian director Stefan Herheim. His productions create controversy and excitement around Europe, and here he takes Pushkin's story of illusion, disaffection and frustrated love, and places the protagonists – world-weary Onegin and naïve, passionate Tatyana – in a triple temporal perspective, referencing the theatrical present, the period of the work's composition, and the pageant of Russia's history. Mariss Jansons, renowned for his mastery of Tchaikovsky's symphonies, conducts this performance from Amsterdam's Muziektheater.</marc:subfield>
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            <marc:subfield code="a">BERLIN OPERA NIGHT 2005 (Foster) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Don Giovanni, K. 527, Act I: Aria: Dalla sua pace (NTSC) ( 00 sec. ) / Mozart -- Così fan tutte, K. 588, Act I: Terzet: E voi ridete? (NTSC) ( 00 sec. ) / Mozart -- Act I: Cavatina: Una voce poco fa ( 00 sec. ) / Rossini -- Act II: Aria: Cessa di più resistere ( 00 sec. ) / Rossini -- Rusalka, Op. 114, B. 203, Act I: Mesicku na nebi hlubokem (NTSC) ( 00 sec. ) / Dvořák -- Aleko: Cavatina: Ves' tabor spit. Luna nad nim (NTSC) ( 00 sec. ) / Rachmaninov -- Ave Maria (after Cavalleria rusticana: Intermezzo) (NTSC) ( 00 sec. ) / Mascagni -- La sonnambula (The Sleepwalker), Act III: Ah! Non giunge uman pensiero (NTSC) ( 00 sec. ) / Bellini -- I due Foscari, Act II: Notte! Perpetua notte … Non maledirmi, o prode (NTSC) ( 00 sec. ) / Verdi -- Act IV: Pieta, rispetto, amore ( 00 sec. ) / Verdi -- Act I: Vieni! t'affretta … Or tutti suggete ( 00 sec. ) / Verdi -- Samson et Dalila, Act II: Mon coeur s'ouvre a ta vox … (NTSC) ( 00 sec. ) / Saint-Saëns -- Mignon, Act II: Je suis Titania (NTSC) ( 00 sec. ) / Thomas -- Werther, Act III: Pourquoi me reveiller (NTSC) ( 00 sec. ) / Massenet -- La traviata, Act I: Libiamo, ne' lieti calci, "Brindisi" (Drinking Song) (NTSC) ( 00 sec. ) / Verdi</marc:subfield>
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            <marc:subfield code="a">Piave, Francesco Maria</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Les vêpres siciliennes&lt;/i&gt;, like the similarly epic &lt;i&gt;Don Carlos&lt;/i&gt;, was conceived as a grand opéra for Paris and is driven by the tensions between private passions and public politics. Originally set during Sicily’s 13th-century uprising against French rule, in Christof Loy’s staging for the Netherlands Opera the action is transposed to a 1940s world of sudden violence and shadowy double-dealing. Imaginatively cast and idiomatically conducted, the performance presents this magnificent score in its entirety, including the allegorical ballet &lt;i&gt;The Four Seasons&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">Il Temistocle: Aria: Non tremar vassallo indegno (NTSC) ( 00 sec. ) / Caldara -- Ifigenia in Aulide: Aria: Tutto fa nocchiero (NTSC) ( 00 sec. ) / Caldara -- Scipione nelle Spagne: Aria: O mi rendi il mio bel ch'io spero (NTSC) ( 00 sec. ) / Caldara -- La clemenza di Tito: Aria: Opprimete i contumaci (NTSC) ( 00 sec. ) / Caldara -- Cello Concerto in D Minor, RV 407: III. Allegro (NTSC) ( 00 sec. ) / Vivaldi -- Demofoonte: Aria: Misero pargoletto (NTSC) ( 00 sec. ) / Caldara -- L'olimpiade: Aria: Lo seguitai felice (NTSC) ( 00 sec. ) / Caldara -- Polifemo: Aria: Alto giove (NTSC) ( 00 sec. ) / Porpora -- Achille in Sciro: Se un core annodi (NTSC) ( 00 sec. ) / Caldara</marc:subfield>
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            <marc:subfield code="a">The young French countertenor Philippe Jaroussky is one of the most exceptional artists of our time. He is highly acclaimed by critics all over the world for his virtuoso coloratura technique, as well as for his compelling and lively interpretations of baroque cantatas and operas. Together with the Concerto Köln he embarks on a journey into the world of an almost forgotten composer. Antonio Caldara (1670-1736) was on one of the most renowned opera composers of his time. Philippe Jaroussky and the ensemble transfer selected arias of the composer into the 21st century. The film accompanies the musicians to rehearsals and to the concert at the Prinzregententheater in Munich.</marc:subfield>
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            <marc:subfield code="a">Die Zauberflöte (The Magic Flute), K. 620, Act I: Arie: Dies Bildnis ist bezaubernd schön (NTSC) ( 00 sec. ) / Mozart -- Fidelio, Op. 72, Act II: Aria: Gott! Welch' Dunkel hier! … In des Lebens Fruhlingstagen (NTSC) ( 00 sec. ) / Beethoven -- Der Freischutz, J. 277, Act I: Nein! Langer trag' ich nicht die Qualen … Durch die Walder, durch die Auen (NTSC) ( 00 sec. ) / Weber -- Die Walküre, Act I: Wintersturme wichen dem Wonnemond (NTSC) ( 00 sec. ) / Wagner -- Parsifal, Act II: Amfortas! Die Wunde! (NTSC) ( 00 sec. ) / Wagner -- Act I: Prelude ( 00 sec. ) / Wagner -- Act III: In fernem Land, unnahbar euren Schritten ( 00 sec. ) / Wagner -- Giuditta, Act I: Freunde, das Leben ist lebenswort! (NTSC) ( 00 sec. ) / Lehár</marc:subfield>
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            <marc:subfield code="a">Kaufmann, Jonas, Artist -- Munich Radio Orchestra, Orchestra -- Guettler, Michael, Conductor -- Munich Philharmonic Orchestra, Orchestra -- Mozart, Wolfgang Amadeus, Composer -- Schikaneder, Emanuel, Lyricist -- Weber, Carl Maria von, Composer -- Kind, Johann Friedrich, Lyricist -- Wagner, Richard, Composer -- Treitschke, Georg Friedrich, Lyricist -- Beethoven, Ludwig van, Composer -- Sonnleithner, Joseph, Lyricist -- Löhner-Beda, Fritz, Lyricist -- Knepler, Paul, Lyricist -- Lehár, Franz, Composer</marc:subfield>
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            <marc:subfield code="a">From the Gasteig in Munich: Germany's most popular tenor Jonas Kaufmann presents an evening with the most famous German operatic arias. Amongst them are "Dies Bildnis ist bezaubernd schön" from W.A. Mozart's &lt;i&gt;The Magic Flute,&lt;/i&gt; "In fernem Land" from Wagner's &lt;i&gt;Lohengrin&lt;/i&gt; and "Winterstürme" from &lt;i&gt;Die Walküre.&lt;/i&gt; With this repertoire Kaufmann goes back to his roots: "I grew up with this music. It is embedded in my genes."</marc:subfield>
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            <marc:subfield code="a">Daniel Harding, one of the most sought-after young conductors of our time, and the Royal Concertgebouw Orchestra performing Janá&amp;#x010D;ek's &lt;i&gt;Lachian Dances,&lt;/i&gt; which originally were titled &lt;i&gt;Wallachian Dances&lt;/i&gt; after the Moravian Wallachia region. The composition reflects folk songs from that specific area of Janá&amp;#x010D;ek's home country.</marc:subfield>
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            <marc:subfield code="a">The Italian composer Giacomo Puccini is reputed to have once described himself as "a passionate hunter of water birds, texts and women." It was an ironic description of the problems which are said to have accompanied him throughout his life. He was indeed a passionate, yet terrible, hunter. With every opera he wrote, he wore out numerous librettists in the search for the perfect text, because unlike Mozart, he couldn't write a single note before the "script" for a new piece of work was just as he wanted it. And for as long as he lived, he was almost manic in his hunt for and collection of beautiful women.

The film by Andreas Morell looks at Giacomo Puccini's life from the point of view of his manic psychological preoccupation with one subject: women. He makes connections between the women in Puccini's life and those in his operas, looking as he goes at what made Puccini tick. Starting with a characteristic situation in Vienna in 1923 &amp;#x2013; one year before the composer's death &amp;#x2013; the film offers an insight into Puccini and reflects a repetitive pattern which spanned almost three decades of his life. As he summarised for his own credo: "I cannot compose without love in my life!"</marc:subfield>
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            <marc:subfield code="a">Haydn's lifetime saw a series of striking changes in musical style. At the time of his birth and childhood Baroque traditions still prevailed. By the end of his life the apparent stability of the Classical style was being challenged, notably by Beethoven. Haydn did not simply live through this long development; he was a central part of it. Nele Munchmeyer's documentary throws light upon Haydn as the ingenious composer and as the private person &amp;#x2013; the "Libertine" in his private life and the "Servant" as the Kapellmeister of the Esterhazys.

The film includes excerpts from highly acclaimed performances of Haydn works. Amongst them are the opera &lt;i&gt;Armida&lt;/i&gt; with the German soprano Annette Dasch, arias from Haydn performed by the Freiburger Barockorchester and the baritone Thomas Quasthoff, and performances of &lt;i&gt;Die Schopfung&lt;/i&gt; and &lt;i&gt;Die Jahreszeiten&lt;/i&gt; conducted by Roger Norrington.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CM9555.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9555</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CM9555</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">BRUCKNER, A.: Symphony No. 8 (Steinberg) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Symphony No. 8 in C Minor, WAB 108 (1892 version) (NTSC) ( 01 hrs., 06 min. ) / Bruckner</marc:subfield>
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            <marc:subfield code="a">Steinberg, William, Conductor -- Boston Symphony Orchestra, Orchestra -- Bruckner, Anton, Composer</marc:subfield>
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            <marc:subfield code="a">A compelling performance of Bruckner's Symphony No. 8, this video presents Steinberg at his most majestic in a sympathetic interpretation of this mighty work. The Boston Symphony Orchestra is once again on top form, as testified by a rapturous Sanders Theatre audience.

The ICA Classics Legacy series represents an historic account of performances by some of the world's greatest artists. This series features some of the earliest televised concerts with the Boston Symphony Orchestra and their Music Director, William Steinberg.

While the material has been restored using the greatest care and state-of-the-art techniques, certain visual artefacts and distortions remain in some instances due to the age of the film. Despite this, it remains of exceptional musical interest and historic value and is released here for the first time.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/ICAD5071.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=ICAD5071</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/ICAD5071</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Mahler, Gustav</marc:subfield>
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            <marc:subfield code="a">MAHLER, G.: Symphony No. 4 / MOZART, W.A.: Symphony No. 35, "Haffner" (Tennstedt) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Symphony No. 4 in G Major (NTSC) ( 57 min., 01 sec. ) / Mahler -- Symphony No. 35 in D Major, K. 385, "Haffner" (NTSC) ( 20 min., 55 sec. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Bryn-Julson, Phyllis, Artist -- Tennstedt, Klaus, Conductor -- Boston Symphony Orchestra, Orchestra -- Mozart, Wolfgang Amadeus, Composer -- Mahler, Gustav, Composer -- Traditional, Lyricist</marc:subfield>
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            <marc:subfield code="a">This rare audiovisual footage presents Klaus Tennstedt at the height of his very special relationship with the Boston Symphony Orchestra during his prime recording period. Joyous Mozart is combined with evocative Mahler, both performed with the greatest sensitivity and conviction.

The &lt;i&gt;ICA Classics Legacy series&lt;/i&gt; represents an historic account of performances by some of the world's greatest artists. This video features only the second public release of a full-length symphonic work with the Boston Symphony Orchestra under Klaus Tennstedt and the third available with this mighty conductor.

While the material has been restored using the greatest care and state-of-the-art techniques, certain visual artefacts and distortions remain in some instances due to the age of the film. Despite this, it remains of exceptional musical interest and historic value.</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/ICAD5072.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=ICAD5072</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/ICAD5072</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">ICAD5073</marc:controlfield>
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            <marc:subfield code="a">Beethoven, Ludwig van</marc:subfield>
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            <marc:subfield code="a">Chopin, Fryderyk</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">CHOPIN, F.: Ballade No. 3 / Scherzo No. 3 / Fantasy in F Minor (Cliburn) / BEETHOVEN, L. van: Piano Sonatas Nos. 23 and 32 (Arrau) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2012</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Ballade No. 3 in A-Flat Major, Op. 47 (NTSC) ( 08 min., 07 sec. ) / Chopin -- Scherzo No. 3 in C-Sharp Minor, Op. 39 (NTSC) ( 07 min., 35 sec. ) / Chopin -- Fantasie in F Minor, Op. 49 (NTSC) ( 13 min., 55 sec. ) / Chopin -- Piano Sonata No. 23 in F Minor, Op. 57, "Appassionata" (NTSC) ( 25 min., 46 sec. ) / Beethoven -- Piano Sonata No. 32 in C Minor, Op. 111 (NTSC) ( 27 min., 52 sec. ) / Beethoven</marc:subfield>
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            <marc:subfield code="a">Sparkling Chopin performances from Van Cliburn just one year after his triumph at the 1958 inaugural Tchaikovsky Competition are coupled with fiery intensity from Claudio Arrau in two of Beethoven's best loved piano sonatas. This video presents rare audiovisual material from two of the world's finest pianists.

The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on video for the first time, incorporating rare archive footage that has been expertly and lovingly restored.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/ICAD5073.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=ICAD5073</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
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The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on video for the first time, incorporating rare archive footage that has been expertly and lovingly restored.</marc:subfield>
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The founding artistic directors were violist Lars Anders Tomter and pianist Leif Ove Andsnes. In 2011 Andsnes handed over the co-artistic leadership to violinist Henning Kraggerud. The festival takes place in the last week of June each year. The films shown here are produced by Music in Motion (www.musicinmotion.no).</marc:subfield>
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The founding artistic directors were violist Lars Anders Tomter and pianist Leif Ove Andsnes. In 2011 Andsnes handed over the co-artistic leadership to violinist Henning Kraggerud. The festival takes place in the last week of June each year. The films shown here are produced by Music in Motion (www.musicinmotion.no).</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MIM1216A</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MIM1216A</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">FRODE LARSEN IN CONVERSATION WITH LOUISE FRYER (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Risør Festival of Chamber Music has firmly established itself as one of the most prestigious and recognized chamber music festivals in the world. Each year, international artists visit the small fishing town in southern Norway and join forces with some of Norway's best musicians for six days of chamber music making. The setting is amongst the most beautiful to be found in Norway, the exquisite coastline architecture and quintessential southern white houses providing an atmosphere of intimacy and calmness.

The founding artistic directors were violist Lars Anders Tomter and pianist Leif Ove Andsnes. In 2011 Andsnes handed over the co-artistic leadership to violinist Henning Kraggerud. The festival takes place in the last week of June each year. The films shown here are produced by Music in Motion (www.musicinmotion.no).</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MIM1216B.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MIM1216B</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MIM1216B</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Meyerbeer, Giacomo</marc:subfield>
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            <marc:subfield code="a">Tommasini, Vincenzo</marc:subfield>
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            <marc:subfield code="a">Tchaikovsky, Pyotr Il'yich</marc:subfield>
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            <marc:subfield code="a">Massenet, Jules</marc:subfield>
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            <marc:subfield code="a">Paganini, Niccolò</marc:subfield>
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            <marc:subfield code="a">Strauss II, Johann</marc:subfield>
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            <marc:subfield code="a">Stravinsky, Igor</marc:subfield>
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            <marc:subfield code="a">ASHTON, Frederick: Patineurs (Les) / Divertissements / Scenes de ballet (Royal Ballet) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Les Patineurs (Royal Ballet) (NTSC) ( 00 sec. ) / Meyerbeer -- Divertissements (Royal Ballet) (NTSC) ( 00 sec. ) / Tommasini -- Scenes de ballet (Royal Ballet) (NTSC) ( 00 sec. ) / Stravinsky</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Ashton, Frederick, Artist -- Murphy, Paul, Conductor -- Royal Ballet Sinfonia, Orchestra -- McRae, Steven, Artist -- Lamb, Sarah, Artist -- Morera, Laura, Artist -- Kura, Kenta, Artist -- Hirano, Ryoichi, Artist -- Raine, Samantha, Artist -- Pennefather, Rupert, Artist -- Arestis, Christina, Artist -- Filpi, Francesca, Artist -- Scarlett, Liam, Artist -- Uspenski, Andrej, Artist -- Bussell, Darcey, Artist -- Wordsworth, Barry, Conductor -- Royal Opera House Orchestra, Covent Garden, Orchestra -- Soares, Thiago, Artist -- Galeazzi, Mara, Artist -- Acosta, Carlos, Artist -- Benjamin, Leanne, Artist -- Cervera, Ricardo, Artist -- Rojo, Tamara, Artist -- Cope, Jonathan, Artist -- Samodurov, Viacheslav, Artist -- Putrov, Ivan, Artist -- Yoshida, Miyako, Artist -- Cuthbertson, Lauren, Artist -- Watson, Edward, Artist -- Meyerbeer, Giacomo, Composer -- Tommasini, Vincenzo, Composer -- Tchaikovsky, Pyotr Il'yich, Composer -- Massenet, Jules, Composer -- Paganini, Niccolò, Composer -- Strauss II, Johann, Composer -- Brahms, Johannes, Composer -- Stravinsky, Igor, Composer</marc:subfield>
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            <marc:subfield code="a">Founder choreographer of The Royal Ballet, Frederick Ashton created more than 100 ballets over a 60 year career. Showcasing three of his shorter works, this video reflects the breadth of his sophisticated, elegant and widely popular style.

&lt;i&gt;Les Patineurs&lt;/i&gt; evokes the Edwardian skating rink, with all its youthful charm and humour, in contrast to &lt;i&gt;Scènes de Ballet&lt;/i&gt; where sharp geometric shapes and the music of Igor Stravinsky are combined to create perhaps Ashton's most modernist work. &lt;i&gt;Divertissements&lt;/i&gt;, a collection of eight short dances, features some of Ashton's most lyrical choreography, including pas de deux set to Romantic masterpieces by Tchaikovsky and Massenet.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/OA1064D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=OA1064D</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/OA1064D</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Crossed Wires (NTSC) ( 00 sec. ) / Mainieri -- Sarah's Touch (NTSC) ( 00 sec. ) / Mainieri -- Bamboo (NTSC) ( 00 sec. ) / Mainieri -- Bullet Train (NTSC) ( 00 sec. ) / Mainieri -- Hi Fly (NTSC) ( 00 sec. ) / Cole -- Ziegfeld Follies of 1936: I Can't Get Started (NTSC) ( 00 sec. ) / Duke -- Punishment Blues (NTSC) ( 00 sec. ) / Cole -- Yard Bird Suite (NTSC) ( 00 sec. ) / Parker -- Red Top (NTSC) ( 00 sec. ) / Kynard</marc:subfield>
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            <marc:subfield code="a">Mike Mainieri Quintet, Ensemble -- Richie Cole Quintet, Ensemble -- Mainieri, Mike, Composer -- Cole, Richie, Composer -- Duke, Vernon, Composer -- Parker, Charlie, Composer -- Kynard, Ben, Composer -- Hampton, Lionel, Composer</marc:subfield>
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            <marc:subfield code="a">Primarily recognized as an award-winning jazz vibraphonist, Mike Mainieri's equally remarkable talents as producer, arranger and composer have contributed to shaping the cutting-edge in music. Throughout his career, Mike has collaborated with the world's most formidable jazz players, produced numerous albums and discovered a host of innovative, young talent.

At the age of 14, his own jazz trio was touring with the Paul Whiteman Orchestra; by 17 he was playing and arranging for Buddy Rich's sextet - a tenure which continued up until 1962 - and at the age of 18, he won the International Jazz Critic's Award. In 1962, he joined the groundbreaking jazz/rock group Jeremy &amp; The Satyrs and performed with such monumental figures as Frank Zappa, Richie Havens and Jimi Hendrix. From 1969-1972, he was an integral part of the White Elephant Orchestra that created so many musical directions for the decades to follow.

During the late '70's, Mainieri founded the pioneering jazz fusion group Steps Ahead, delving into contemporary sounds while maintaining experimentation and compositional integrity as a launching pad for young talent and new musical ideas.  He subsequently founded NYC Records; an extension of himself, the independent label is a vehicle for exposing new ideas grounded in the jazz idiom.

&lt;i&gt;Bonus:&lt;/i&gt;
- &lt;i&gt;Richie Cole Live at the Village Vanguard, 1982&lt;/i&gt;</marc:subfield>
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            <marc:subfield code="a">Hampton, Lionel</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DJ-862.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DJ-862</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DJ-862</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">JAZZ LEGENDS - George Shearing Live at Ambassador Auditorium (1981)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">The New Yorkers: Love for Sale (NTSC) ( 00 sec. ) / Porter -- On a Clear Day You Can See Forever: On a Clear Day You Can See Forever (NTSC) ( 00 sec. ) / Lane -- I'd Rather be Right: Have You Met Miss Jones (NTSC) ( 00 sec. ) / Rodgers -- Lazy River (NTSC) ( 00 sec. ) / Carmichael</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Shearing, George, Artist -- Torff, Brian, Artist -- Porter, Cole, Composer -- Lane, Burton, Composer -- Hart, Lorenz, Lyricist -- Rodgers, Richard, Composer -- Carmichael, Hoagy, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Few musicians in the history of jazz have made such a lasting popular and worldwide impression as pianist George Shearing. Deified in the 1950s by Jack Kerouac in the novel &lt;i&gt;On the Road,&lt;/i&gt; Shearing moved from early success in his native Britain to postwar New York where he captured the spirit of successive jazz generations and created a permanent place for himself in the Hall of Fame with his quintet's &lt;i&gt;September in the Rain&lt;/i&gt; and his own quintessentially hip composition &lt;i&gt;Lullaby of Birdland.&lt;/i&gt; The artistry of Shearing's legendary bluesy, "locked-hands" style is as fresh and appealing as ever.

In Shearing we have a jazz artist who has seen and heard it all. His influences range from boogie-woogie to stride to bebop, and he incorporates all of those distinct styles into one that sounds like ... George Shearing. Shearing is one of a handful of jazz legends still giving us the benefit of their experience. Overlook him at your own risk.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Torff, Brian</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DJ-864.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DJ-864</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DJ-864</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Frucht und Form (Fruit and Shape) (NTSC) ( 00 sec. ) / Attersee -- Nachtstuck (NTSC) ( 00 sec. ) / Nitsch -- Vermutlich (NTSC) ( 00 sec. ) / Wiener -- Gstanzln aus dem Salzkammergut (NTSC) ( 00 sec. ) /  -- Armer Igel (NTSC) ( 00 sec. ) / Attersee -- Linzer Geschwatze (NTSC) ( 00 sec. ) / Brus -- Ein Wienerlied (NTSC) ( 00 sec. ) / Attersee -- Der zurnende Barde, D. 785 (NTSC) ( 00 sec. ) / Schubert -- Kitzel zwishen Kase und Kuchen, eine Vollerie (NTSC) ( 00 sec. ) / Rühm -- Variated Variations On Variations, Op. 57 (NTSC) ( 00 sec. ) / Gosewitz -- Musica (NTSC) ( 00 sec. ) / Not Applicable -- scha still (NTSC) ( 00 sec. ) / Bartz -- Malstunde (Painting Lesson) (NTSC) ( 00 sec. ) -- Triple Trip Touch (NTSC) ( 00 sec. ) / Lupertz</marc:subfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">Steiger, Dominik</marc:subfield>
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            <marc:subfield code="a">Brus, Gunter</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">Rainer, Arnulf</marc:subfield>
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            <marc:subfield code="a">Schwaiger, Brigitte</marc:subfield>
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            <marc:subfield code="a">Lupertz, Markus</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/OR0001-4.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=OR0001-4</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/OR0001-4</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV103</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">Mozart, Wolfgang Amadeus</marc:subfield>
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            <marc:subfield code="a">IN SEARCH OF MOZART</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">In Search of Mozart (NTSC) ( 02 hrs., 08 min., 39 sec. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Stevenson, Juliet, Artist -- West, Samuel, Artist -- Barrett, Sean, Artist -- Adams-Brown, Frank, Artist -- Mozart, Wolfgang Amadeus, Composer</marc:subfield>
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            <marc:subfield code="a">Made to celebrate the 250th anniversary of Mozart's birth, &lt;i&gt;In Search of Mozart&lt;/i&gt; is a detective story that takes us to the heart of genius. 

Produced with the world's leading orchestras and musicians, the prolific composer's story is told through a 25,000 mile journey along every route Mozart followed. 

Without resorting to docudrama or visual reenactment, &lt;i&gt;In Search of Mozart&lt;/i&gt; traces his life through his music and extensive correspondence. From K.1a to K.626 (Requiem), over 80 works are featured, revealing striking parallels between the music and Mozart's own experiences.

But it is the music that takes centre stage, with the jigsaw of Mozart's life fitting snugly around it. With rigorous analysis from musicologists and experts such as Jonathan Miller, Cliff Eisen, Nicholas Till, Bayan Northcott and the late Stanley Sadie, a new, vivid impression of the composer emerges. It dispels the many common myths about Mozart's genius, health, relationships, death and character to present a new image very different from Milos Forman's &lt;i&gt;Amadeus.&lt;/i&gt; 

Narrated by Juliet Stevenson and with Mozart voiced by Samuel West, the series features interviews and performances with over 70 of the greatest exponents of Mozart's music.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Mozart, Wolfgang Amadeus</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV103.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV103</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV103</marc:subfield>
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    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">BD1414H</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DYLAN, Bob: 1966-1974 World Tours (Through the Camera of Barry Feinstein) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Bob Dylan: 1966-1974 World Tours (Through the Camera of Barry Feinstein) (NTSC) ( 01 hrs., 58 min., 33 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Dylan, Bob, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Barry Feinstein was the exclusive tour photographer on Bob Dylan and The Band's legendary 1966 and 1974 world tours. In this film, Feinstein and director Joel Gilbert chronicle these epic tours, featuring over 150 selections of Feinstein's finest portraits - most revealed for the first time - in this extraordinary document of Bob Dylan and rock music history. For the years in between, Gilbert visits Woodstock and Greenwich Village, New York, where he investigates Dylan's secluded life before his return to the road in 1974. Gilbert recreates the singer-songwriter's 1966 motorcycle accident, pays a visit to Big Pink, examines Dylan's first encounter with the Beatles, and even confronts fanatic Dylanologist A.J. Weberman. Interviews with filmmaker D.A. Pennebaker, rock journalism godfather Al Aronowitz, Band drummer Mickey Jones and others help reveal Bob Dylan's hidden history behind Feinstein's astonishing images.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BD1414H.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BD1414H</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BD1414H</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CVIS395</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
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            <marc:subfield code="a">823564507194</marc:subfield>
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            <marc:subfield code="a">823564507194</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">SMALL FACES: Under Review (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Small Faces: Under Review (NTSC) ( 01 hrs., 07 min., 19 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Small Faces, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">When discussing songwriting genius in the 1960s, three bands are often mentions in the same breath &amp;#x2026; and we all know who they are.

But two others are often unfairly forgotten or dismissed. The Kinks of course were right up there with the market leaders, but for many of us the absolute pinnacle of creative genius during that influential decade came from four East End lads (ok, so one was from Middlesex), each not much bigger than a milk bottle.

&lt;i&gt;The Small Faces - Under Review&lt;/i&gt; features rare live and studio performances of this extraordinary band, interspersed with the independent review and criticism of a panel of esteemed experts. These include: Mod expert and Steve Marriott biographer, Paolo Hewitt; &lt;i&gt;Melody Maker&lt;/i&gt; contributor during the 1960s and early champion of the Small Faces, Chris Welch; Small Faces biographer and all-around expert, John Hellier; 1960s &lt;i&gt;NME&lt;/i&gt; editor and friend of the group, Keith Altham; &lt;i&gt;Uncut Magazine&lt;/i&gt; feature editor, Nigel Williamson, and many, many more.

The film also features rarely seen promo films, interview footage with the band members, TV clips and a host of other features. And with a collection of incredible segments featuring the one and the only (we are not worthy!) Sir Stanley Unwin, this is not just the only full-length Small Faces video on the market, it's also an inspiring, revelatory and downright entertaining look at a truly exceptional band.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CVIS395.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/D8411.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=D8411</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/D8411</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Filmed in Chicago and finished in 1959, &lt;i&gt;The Cry of Jazz&lt;/i&gt; is filmmaker, composer and arranger Edward O. Bland's polemical essay on the politics of music and race - a forecast of what he called "the death of jazz." A landmark moment in black film, foreseeing the civil unrest of subsequent decades, it also features the only known footage of visionary pianist Sun Ra from his beloved Chicago period. Featured are ample images of tenor saxophonist John Gilmore and the rest of Ra's Arkestra in Windy City nightclubs, all shot in glorious black and white.</marc:subfield>
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            <marc:subfield code="a">In the history of modern American music there are few bands like the Pixies. Theirs was an unparalleled musical path, influencing countless others despite modest financial success. In 1992, their chief songwriter and vocalist Black Francis announced his intention to quit via a blunt facsimile. That, it seemed, was that. But to the amazement of everyone, the Pixies reunited in 2004. &lt;i&gt;loudQUIETloud&lt;/i&gt; is the story of this unforeseen plot twist - a deeply compelling protrait of four band members and their difficult, tense and ultimately triumphant return. From the first rehearsal to the final bow nearly one year later, the press-shy Pixies granted unprecedented access to award-winning directors Steven Cantor and Matthew Galkin. The result is an insider's perspective on the Pixies, their relationships with family, fans and each other, and the combustible dynamic when the four members come together on stage.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DR-4529</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DR-4529</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;The Interview Collection&lt;/i&gt; has numerous rarely seen interviews which show why Michael was and is loved by so many worldwide. There was only one Michael Jackson, the performer, the superstar and the giving person who we all came to know through his music and dance.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/FC1002.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=FC1002</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">INAK6463</marc:controlfield>
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            <marc:subfield code="a">Summer Nights (NTSC) ( 00 sec. ) /  -- Forever Frank (NTSC) ( 00 sec. ) /  -- When I Fall In Love (NTSC) ( 00 sec. ) / Young -- No Moe (NTSC) ( 00 sec. ) /  -- Straight No Chaser (NTSC) ( 00 sec. ) / Monk</marc:subfield>
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            <marc:subfield code="a">Geneva 1994: The legendary New Morning club rose from its ashes for the duration of a memorable jazz festival. Among the heavyweights in the blockbuster line-up was Bob Berg. No one who heard him there has forgotten the white-hot saxophone, the intensity and the rough lyricism of this very "Scorsesean" former Manhattan taxi driver. Backed superbly by Alvin Queen, Niels Lan Doky and Pierre Boussaguet, Bob gave one of his best concerts ever; on that evening, Berg was certainly still "the rebel with the angry saxophone" Miles Davis had asked to join his comeback tour in 1984. But the rebel had learned to control his fiery spirit - fishing off Cape Cod had taught him the meaning of "zen" - and Bob had grown into a fully rounded artist, roaming majestically somewhere between Sonny Rollins and Stan Getz. Our friend Bob was on his way to the top (and to buying a pack of cigarettes) in 2002 when his path crossed that of a skidding truck on an icy mountain road ...

&lt;i&gt;Bonus features:&lt;/i&gt;
- &lt;i&gt;In Conversation with Bob Berg (2001)&lt;/i&gt;
- &lt;i&gt;Nancy With the Laughing Face (1994)&lt;/i&gt;</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/INAK6463.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6463</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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Filled with live performances and interviews, this video also features previously unseen footage of The Clash along with a retrospective interview with &lt;i&gt;Punk in London's&lt;/i&gt; cinematographer and director, Wolfgang Büld.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVDV4882</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">QUEEN: Complete Review, 1973-1991 (The) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Queen: Under Review, 1973-1980 (NTSC) ( 01 hrs., 43 min., 07 sec. ) / Not Applicable -- Queen: Under Review, 1980-1991 (NTSC) ( 01 hrs., 17 min., 53 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">It's close to 20 years since the tragic death of Freddie Mercury, meaning that Queen (at least the version that mattered) have been absent longer than they ever existed as the quite extraordinary group who made so much incredible music between 1973 and 1991.

This video looks again at every album and standout track Queen ever recorded and in doing so tells their fascinating story via their musical output.

Featuring contributions from friends and close colleagues of Queen, and with commentary and critique from the finest rock journalists in the world, plus much rare and classic footage - including seldom-seen performances of their finest tracks - news reports, location shoots, and photographs from private collections, this video will prove a delight to the millions of fans who to this day worship one of the very few rock groups to have earned the accolade of "truly great band."</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PG2DVD123.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PG2DVD123</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PG2DVD145</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">WAITS, Tom: Complete Review (The) (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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            <marc:subfield code="a">Tom Waits: The Complete Review (NTSC) ( 02 hrs., 57 min., 49 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">It's almost 40 years since Tom Waits' debut record, and during a career that, for most fans, has quite simply gotten better, more exciting and more challenging with each new release, he is surely the only performer and writer from the rock age to be consistently satisfying while remaining as difficult to predict as the weather.

This video reviews Tom's career from his pre-contract days when he worked as a struggling songwriter right through his Island years and his experimental phase, bringing the story up to date with his most recent records.

With the aid of plentiful archive and rare footage, interviews with the man himself plus contributions from his nearest colleagues, this set comes as close as it's possible to get in tracking the true Tom Waits and revealing quite what it is that has made this extraordinary artist the maverick he truly remains.

This film includes brand new interviews with producer Bones Howe, biographer Barney Hoskyns, collaborator Jerry Yester, ex-&lt;i&gt;Village Voice&lt;/i&gt; music editor Robert Christgau, &lt;i&gt;Rolling Stone'&lt;/i&gt;s Anthony De Curtis and many others.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="z">Cover image</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PGDVD106</marc:controlfield>
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            <marc:subfield code="a">COMPOSING THE BEATLES SONGBOOK: Lennon and McCartney, 1957-1965 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Composing the Beatles Songbook: Lennon and McCartney, 1957-1965 (NTSC) ( 01 hrs., 19 min., 24 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Lennon, John, Artist -- McCartney, Paul, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">The Beatles' music is more familiar to more people than that of any other group, artist or composer; there can barely be an adult on the planet who can't hum at least a couple of their tunes. And the composers of the vast majority of these timeless songs have arguably eclipsed the offerings of anyone who's penned a tune before or since.

&lt;i&gt;Composing the Beatles Songbook: Lennon and McCartney, 1957-1965&lt;/i&gt; is an independent documentary film which reviews the partnership, music and impact of Lennon and McCartney as composers. Covering the period from the day they met in 1957 until the release of the &lt;i&gt;Rubber Soul&lt;/i&gt; album at the end of 1965, the film dissects, contrasts, and reassesses their music, ultimately providing one of the finest documents of this portion of the band's career.

Drawing on rare footage, classic performances and penetrating revelations from friends of the pair, Beatles academics and musicologists, this program discovers the true story of how those classic songs were written.

Included here are contributions from friends Barry Miles, Klaus Voorman and Maureen Cleave; musicians Alan Moore and Chris Ingham; journalists Robert Christgau (Village Voice) and Anthony De Curtis (Rolling Stone); authors Johnny Rogan, Pete Doggett, Steve Turner and Nigel Williamson; and broadcaster Paul Gambaccini.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PGDVD106</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PGDVD110</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">OASIS: Big Picture (The)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Oasis: Sibling Rivalry (NTSC) ( 01 hrs., 06 min., 26 sec. ) / Not Applicable -- Oasis: (What's the Story) Morning Glory? (NTSC) ( 01 hrs., 22 min., 35 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Oasis, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">While the memory of Britpop is a distant one, and one that prompts the names of very few bands to trip off the tongue, the mighty Oasis have long survived the genre they were almost single-handed in creating, something they've achieved through unquestionable talent, mind-blowing performances and songwriting skills that go way beyond the call of duty.

This video is a documentary review concentrating on Oasis's music and career, from their days in the early 1990s as Manchester's favorite Stone Roses wannabes right through to their global position today as godfathers of guitar-based music for millions of fans. Also featured is the full-length documentary based around their classic &lt;i&gt;Morning Glory&lt;/i&gt; album, a film which won Vodafone's "DVD of the Year" in 2007.

Also included are rare and classic performance footage of Oasis and of their influences, interviews with the band and those who know them best, exclusive contributions from friends, associates and the finest rock journalists and writers around, location shoots and news clips, seldom-seen photographs and a host of other features.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:controlfield tag="001">PGDVD132</marc:controlfield>
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            <marc:subfield code="a">Although it can be difficult to detect the influences in the work of Leonard Cohen, as with all significant artists he was informed by a far-reaching list of performers, musicians, writers, poets and philosophies. And, when we look in the right places, his sources reveal themselves in the songs often considered to have emerged fully formed from their composer's pen.

In &lt;i&gt;Leonard Cohen's Lonesome Heroes&lt;/i&gt;, the scope and detail of his artistic inspirations are put under the microscope to quite fascinating result. Cohen's first love was poetry, and in both the works of his fellow Canadian Irving Layton and the Spanish bard Federico Garcia Lorca he found the words that moved him to create his own verse. The best writers too hit a positive note with Cohen, and their work has lived with him throughout his career. While it may come as no surprise to find Bob Dylan and Judy Collins included in this film, a less acknowledged genre of interest to Leonard is country music. He was deeply affected by performers such as Hank Williams, Hank Snow and the country recordings of Ray Charles. And the fact that his records have always achieved greater success in Europe than in North America may be due in part to his love of Belgian &lt;i&gt;chansonnier&lt;/i&gt; Jacques Brel. These and many other artists are here shown to have played a crucial role in the formation of Leonard Cohen's muse. But religion and spirituality too have contributed enormously to Leonard's life and music, particularly the faith into which he was born, Judaism, and his more recent study of Buddhism, which drove him to spend several years in a monastery meditating for hours every day.

With the aid of rare and classic performance footage of both Cohen and those he has been influenced by most, archive interviews and films of Leonard, seldom-seen photographs, plus exclusive contributions from those who have worked closely with him, this fascinating and wholly unique film is all at once informative, inspiring and eminently watchable, and is bound to delight everyone with even a hint of interest in the man.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PGDVD132</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PP015</marc:controlfield>
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            <marc:subfield code="a">ROLLING STONES (THE): Satisfaction (Interviews) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Rolling Stones are an English rock band that formed in 1962 when former schoolmates Mick Jagger and Keith Richards met Brian Jones. The original line-up included Mick Jagger (vocals, harmonica), Brian Jones (guitar, harmonica, vocals), Keith Richards (guitar, vocals), Ian Stewart (piano), Dick Taylor (bass) and various drummers. Taylor left shortly after to return to art school and was replaced by Bill Wyman, and Charlie Watts joined in 1963. They have often since been referred to as "The Greatest Rock 'n Roll Band in the World."

This video reveals why the Stones, more than any other rock group, have survived where so many have faded into obscurity. Contained here for the first time is much previously unseen footage, often humorous, showing a further side to these original rebels of the rock 'n roll world.

Every effort has been made to provide the highest possible picture and sound quality available from the original masters.</marc:subfield>
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            <marc:subfield code="a">Free Improvisations (NTSC) ( 00 sec. ) / Vitous -- Beethoven (NTSC) ( 00 sec. ) / Vitous -- Variations on Dvorak's Cello Concerto in B Minor, Op. 104, B. 191 (NTSC) ( 00 sec. ) / Vitous -- My Foolish Heart (NTSC) ( 00 sec. ) / Young -- Jewish Psalm (NTSC) ( 00 sec. ) / Vitous -- Milestones (NTSC) ( 00 sec. ) / Davis -- Opera (NTSC) ( 00 sec. ) / Vitous -- Bamboo Forest (NTSC) ( 00 sec. ) / Vitous</marc:subfield>
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            <marc:subfield code="a">The double bass is the deepest of all string instruments. It is not always up front, but it is an influential element in classical, world and jazz music.

Miroslav Vitous arrived in New York in 1967, where he quickly involved himself in the music scene, playing with many different artists including Charlie Mariano, Bob Broolmeyer, Stan Getz, Herbie Mann, Miles Davis and Chick Corea. In 1970, along with Wayne Shorter and Joe Zawinul, he formed the supergroup Weather Report. He then formed the Miroslav Vitous Group with John Surman, Kenny Kirkland and Jon Christensen. He later reunited with Chick Corea and Roy Haynes, and then with Stanley Clark before embarking on an equally successful solo career.

&lt;i&gt;Bonus feature:&lt;/i&gt;
- Interview with Miroslav Vitous</marc:subfield>
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            <marc:subfield code="a">King, B. B.</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Feather, Leonard</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Adams, Carl B.</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Holiday, Billie</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Walker, T-Bone</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Andrews, Ernie</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Memphis Slim,</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Parrish, Avery</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Williams, Joe</marc:subfield>
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            <marc:subfield code="a">Grainger, Porter</marc:subfield>
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            <marc:subfield code="a">Robbins, Everett</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Otis, Johnny</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Johnson, Pete</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Turner, Big Joe</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">McGhee, Brownie</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
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            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Rogers, Jimmy</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Cox, Jimmy</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">AMERICA'S MUSIC LEGACY - Blues (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">St. Louis Blues (NTSC) ( 00 sec. ) / Handy -- Paying the Cost to Be the Boss (NTSC) ( 00 sec. ) / King -- How Blue Can You Get (NTSC) ( 00 sec. ) / Feather -- All Over Again (NTSC) ( 00 sec. ) / Adams -- Fine and Mellow (NTSC) ( 00 sec. ) / Holiday -- Call It Stormy Monday (But Tuesday Is Just as Bad) (NTSC) ( 00 sec. ) / Walker -- Ernie's Blues (NTSC) ( 00 sec. ) / Andrews -- Cleanhead Blues (NTSC) ( 00 sec. ) / Vinson -- Born on a Friday (NTSC) ( 00 sec. ) / Feather -- Everyday I Have the Blues (NTSC) ( 00 sec. ) / Memphis Slim -- St. Louis Blues (NTSC) ( 00 sec. ) / Handy -- After Hours (NTSC) ( 00 sec. ) / Parrish -- Jammin' the Blues (NTSC) ( 00 sec. ) / Not Applicable -- Come Back (NTSC) ( 00 sec. ) / Williams -- Ain't Nobody's Business (NTSC) ( 00 sec. ) / Grainger -- Early in the Morning Blues (NTSC) ( 00 sec. ) / Otis -- Cherry Red (NTSC) ( 00 sec. ) / Johnson -- Life Is a Gamble (NTSC) ( 00 sec. ) / McGhee -- I Think I Got the Blues (NTSC) ( 00 sec. ) / Dixon -- That's All Right (NTSC) ( 00 sec. ) / Rogers -- After Hours (NTSC) ( 00 sec. ) / Parrish -- Tell Me Where To Scratch (NTSC) ( 00 sec. ) / Williams -- Nobody Knows You When You're Down and Out (NTSC) ( 00 sec. ) / Cox</marc:subfield>
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            <marc:subfield code="a">Hopkins, Linda, Artist -- King, B. B., Artist -- Galloway, Leata, Artist -- Andrews, Ernie, Artist -- Vinson, Eddie "Cleanhead", Artist -- Redd, Vi, Artist -- Crayton, Pee Wee, Artist -- Williams, Joe, Artist -- Kelly, Paula, Artist -- Phillips, Esther, Artist -- McGhee, Brownie, Artist -- Clement, Addie, Artist -- Wells, Junior, Artist -- Guy, George Buddy, Artist -- Donegan, Dorothy, Artist -- Handy, William Christopher, Composer -- Feather, Leonard, Composer -- Adams, Carl B., Composer -- Holiday, Billie, Composer -- Walker, T-Bone, Composer -- Memphis Slim,, Composer -- Parrish, Avery, Composer -- Not Applicable, na, Composer -- Grainger, Porter, Composer -- Robbins, Everett, Composer -- Otis, Johnny, Composer -- Johnson, Pete, Composer -- Turner, Big Joe, Composer -- Dixon, Willie, Composer -- Rogers, Jimmy, Composer -- Cox, Jimmy, Composer</marc:subfield>
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            <marc:subfield code="a">Today, America's music does what it has always done - bring people together. In American music every aspect of life, ethnicity and culture is merged, mixed and highlighted. The rich diversity of American culture and life is reflected in its lively beat-filled rhythms. American music is the story of the country, a reflection of a nation alive with change, filled with curiosity and led by hope and excitement.

America's music legacy, be it blues, jazz, country, rock, R&amp;B, or folk, is the songs and artists who have a special power to express what words alone cannot: hopes, fears, dreams, love, hate, anger, pride, aspirations and disappointments. Because songs span the breadth of human experience, they are uniquely able to communicate across time and space the beliefs and ideas held by their composers, performers and listeners.

The blues genre is based on the blues form but possesses other characteristics such as specific lyrics, bass lines and instruments. Blues can be subdivided into several subgenres ranging from country to urban blues that were more or less popular during different periods of the 20th century. Best known are the Delta, Piedmont, jump and Chicago blues styles. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience. In the 1960s and 1970s, a hybrid form called blues rock evolved.

&lt;i&gt;America's Music Legacy&lt;/i&gt; showcases the musical legends performing the songs that continue to attract and entice the whole world, because they truly are the best of all that is America.</marc:subfield>
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            <marc:subfield code="a">Holiday, Billie</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=QLDVD7179</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/QLDVD7179</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Brown, James, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">This video portrays the man behind the myth of James Joseph Brown who was recognized by a plethora of titles, including Soul Brother Number One, Mr. Dynamite, The Hardest Working Man in Show Business, Minister of The New New Super Heavy Funk, Mr. Please Please Please, The Boss, and the best-known, the Godfather of Soul.</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SB002.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SB002</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SB002</marc:subfield>
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            <marc:subfield code="a">In Search of Beethoven (NTSC) ( 02 hrs., 19 min., 37 sec. ) / Beethoven</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;In Search of Beethoven&lt;/i&gt; has brought together the world's leading performers and experts on Beethoven to reveal new insights into this legendary composer. The line-up of performers and interviewees includes Gianandrea Noseda, Sir Roger Norrington, Riccardo Chailly, Claudio Abbado, Fabio Luisi, Frans Brüggen, Ronald Brautigam, Hélène Grimaud, Vadim Repin, Janine Jansen, Paul Lewis, Lars Vogt, and Emanuel Ax among others. The film is narrated by Juliet Stevenson and young RSC actor David Dawson. 

As with the Mozart film, &lt;i&gt;In Search of Beethoven&lt;/i&gt; takes a comprehensive look at the composer's life through his musical output. Having created a blueprint with &lt;i&gt;In Search of Mozart&lt;/i&gt;, Phil Grabsky documents each piece of music chronologically, marrying it to Beethoven's biography and letters. 

Phil Grabsky travelled across Europe and North America to interview historians and musicians between rehearsals and performances. He managed to film a remarkable 55 performances for the film - and has once again captured the raw energy of these world-class artists. It includes exclusive footage of Claudio Abbado's critically-acclaimed performance of Beethoven's opera &lt;i&gt;Fidelio.&lt;/i&gt; There are further performances from Frans Brüggen's Orchestra of the 18th Century, the Salzburg Camerata with Sir Roger Norrington, Leipzig Gewandhaus with Riccardo Chailly, Vienna Symphony with Fabio Luisi, violinists Vadim Repin and Janine Jansen, cellist Alban Gerhardt, and pianists Leif Ove Andsnes, Ronald Brautigam, Jonathan Biss, Emanuel Ax, and Lars Vogt; each reveal their unique approach and share their passions. The Endellion String Quartet gave exclusive access to film a number of complete Beethoven quartets.

Above all, &lt;i&gt;In Search of Beethoven&lt;/i&gt; addresses the romantic myth that Beethoven was a heroic, tormented figure struck down by deafness, who battled to overcome his tragic fate and searched in vain for his "immortal beloved." It delves beyond the image of the tortured, cantankerous, unhinged personality to reveal someone quite different and far more interesting.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV156.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV156</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV156</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV160</marc:controlfield>
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            <marc:subfield code="a">Bach, Johann Sebastian</marc:subfield>
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            <marc:subfield code="a">Durrant, Richard</marc:subfield>
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            <marc:subfield code="a">Barrios Mangoré, Agustín</marc:subfield>
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            <marc:subfield code="a">Tárrega, Francisco</marc:subfield>
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            <marc:subfield code="a">Myers, Stanley</marc:subfield>
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            <marc:subfield code="a">Walton, William</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Reich, Steve</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Oldfield, Mike</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Albéniz, Isaac</marc:subfield>
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            <marc:subfield code="a">DURRANT, Richard: Guitar Whisperer (The)</marc:subfield>
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            <marc:subfield code="a">Cello Suite No. 1 in G Major, BWV 1007: I. Prelude (arr. R. Durrant) (NTSC) ( 00 sec. ) / Bach -- Cello Suite No. 3 in C Major, BWV 1009: V. Bourree I-II (arr. R. Durrant) (NTSC) ( 00 sec. ) / Bach -- Lute Partita in E Major, BWV 1006a: III. Gavotte en rondeau (arr. R. Durrant) (NTSC) ( 00 sec. ) / Bach -- Un Sueno en la Floresta (NTSC) ( 00 sec. ) / Barrios Mangoré -- Capricho arabe (NTSC) ( 00 sec. ) / Tárrega -- Gran vals (NTSC) ( 00 sec. ) / Tárrega -- Cavatina (arr. R. Durrant) (NTSC) ( 00 sec. ) / Myers -- 5 Bagatelles (NTSC) ( 00 sec. ) / Walton -- Electric Counterpoint (NTSC) ( 00 sec. ) / Reich -- Tubular Bells (arr. R. Durrant) (NTSC) ( 00 sec. ) / Oldfield -- Suite española No. 1, Op. 47: V. Asturias (Leyenda) (arr. R. Durrant) (NTSC) ( 00 sec. ) / Albéniz -- The Walrus Tree (NTSC) ( 00 sec. ) / Durrant</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Durrant, Richard, Artist -- Bach, Johann Sebastian, Composer -- Barrios Mangoré, Agustín, Composer -- Tárrega, Francisco, Composer -- Myers, Stanley, Composer -- Walton, William, Composer -- Reich, Steve, Composer -- Oldfield, Mike, Composer -- Albéniz, Isaac, Composer</marc:subfield>
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            <marc:subfield code="a">Richard Durrant's extraordinary virtuosity and category-defying repertoire have earned him a unique place in the world of the guitar. After 24 years of touring and recording, Richard is now ackowledged as one of the outstanding guitarists of his generation. His continually evolving performances are testimony not only to his boundless creativity but also his dazzling versatility and mastery of the guitar and its music.

&lt;i&gt;Bonus features:&lt;/i&gt;
- A comprehensive and unedited interview.
- A documentary film in which Richard Durrant explores what it is to be a 21st-century itinerant musician.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Durrant, Richard</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV160.jpg</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV175</marc:controlfield>
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            <marc:subfield code="a">IN SEARCH OF HAYDN (NTSC)</marc:subfield>
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            <marc:subfield code="a">In Search of Haydn (NTSC) ( 01 hrs., 42 min., 18 sec. ) / Haydn</marc:subfield>
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            <marc:subfield code="a">Stevenson, Juliet, Artist -- Goodman, Henry, Artist -- Haydn, Franz Joseph, Composer</marc:subfield>
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            <marc:subfield code="a">Joseph Haydn is the composer that Mozart and Beethoven revered, yet he is somewhat overlooked. In this eagerly-awaited documentary, award-winning filmmaker Phil Grabsky goes in search of one of the greatest composers of all.

As with his two previous international hits &lt;i&gt;(In Search of Mozart, In Search of Beethoven),&lt;/i&gt; Grabsky's biographical account of the life of Haydn is a visual and aural extravaganza, including breathtaking performances by some of the world's most celebrated musicians: Alison Balsom, Sir Roger Norrington, The Endellion String Quartet, Gianandrea Noseda, Ronald Brautigam, Christophe Rousset and Les Talens Lyriques, Emanuel Ax, The Classical Opera Company, Sophie Bevan, and The Orchestra of the 18th Century with Frans Brüggen, among others.

Through intimate and revealing interviews with experts, detailed extracts from personal accounts and beautiful location footage, Grabsky offers tremendous insight into not only Haydn's music but the man himself.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">David Bowie - Under Review 1976-1979: The Berlin Trilogy (NTSC) ( 01 hrs., 25 min., 22 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">By the mid 1970s David Bowie was the biggest pop star in the UK, but his personal life was in turmoil. In a bid to escape the chaos of his drug problems and to flee from the media spotlight, the singer eventually found his way to Berlin, where he started to work on what would become some of the most memorable and critically lauded recordings of his entire career.

With &lt;i&gt;Low, "Heroes",&lt;/i&gt; and &lt;i&gt;Lodger,&lt;/i&gt; Bowie stopped moving from persona to persona as he had previously done, settling instead on being simply himself. He began to blend the music he was hearing in his adopted homeland (Krautrock, Kraftwerk) with thrilling and often avant-garde methodologies as used by his friend and colleague Brian Eno.

&lt;i&gt;David Bowie - Under Review 1976-1979: The Berlin Trilogy&lt;/i&gt; features live and studio performances by Bowie, rare interviews, and a host of other features, all interspersed with independent review and criticism from a panel of esteemed experts. These include former members of both Neu! and Cluster (and key Bowie influences), Dieter Moebius and Michael Rother; broadcaster, journalist and author of &lt;i&gt;The Ambient Century&lt;/i&gt;, Mark Prendergast; ex-&lt;i&gt;Melody Maker/Mojo&lt;/i&gt; scribe and Reviews Editor at &lt;i&gt;Wire,&lt;/i&gt; David Stubbs; music expert and author Daryl Easlea; style aficionado, Paolo Hewitt among others.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD512</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD533</marc:controlfield>
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            <marc:subfield code="a">AC/DC: Highway to Hell - A Classic Album Under Review</marc:subfield>
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            <marc:subfield code="a">Although it wasn't until after the release of the &lt;i&gt;Back in Black&lt;/i&gt; album that AC/DC became global superstars, the era most fondly remembered by fans of this extraordinary band is when Bon Scott was at the helm - between 1974 and 1980. And if there's one album from that time which illustrates best what the mighty 'DC were all about during those years, it has to be &lt;i&gt;Highway to Hell.&lt;/i&gt;

This film puts the album under the spotlight and with the help of those who worked on the record, friends of Bon Scott, AC/DC biographers and others who were there at the time, discovers how the album was made, how it was received and how it still inspires musicians and fans alike to this day.

Featuring rare and classic footage of the group, interviews with Bon Scott and Angus Young, and exclusive contributions from friends, colleagues, journalists and biographers, this film presents every track from the album reviewed and reappraised by a panel of esteemed experts and plenty more besides.</marc:subfield>
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            <marc:subfield code="a">LED ZEPPELIN: Physical Graffiti - A Classic Album Under Review (NTSC)</marc:subfield>
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            <marc:subfield code="a">By 1973, Led Zeppelin was the most popular rock band on the planet. Having already played to the largest audiences ever to attend a music event and achieved sales across their first five albums in figures previously unheard of in the music industry, the band were still thinking big. So, when &lt;i&gt;Physical Graffiti&lt;/i&gt; hit the stores two years later, it was greeted with a sense of awe and astonishment - Led Zeppelin had gone one better than anyone thought possible by making what &lt;i&gt;Rolling Stone&lt;/i&gt; magazine called "their &lt;i&gt;Tommy, Beggar's Banquet,&lt;/i&gt; and &lt;i&gt;Sgt. Pepper&lt;/i&gt; rolled into one."

This is a documentary about the build up to, the making and release of and - crucially - the music contained on this most revered of albums. With the aid of rare and classic performances and interviews, seldom-seen photographs and contributions from those involved in the making of the record - plus the review and critique from a panel of Led Zeppelin experts - this programme finally lifts the lid on what many believe to be Led Zeppelin's very finest offering.

This film includes contributions from the album's engineer, Ron Nevison; former Yardbird Chris Dreja; Swan Song recording artist Maggie Bell; author of &lt;i&gt;The Rough Guide to Led Zeppelin&lt;/i&gt;, Nigel Williamson; &lt;i&gt;Tight But Loose&lt;/i&gt; editor Dave Lewis; &lt;i&gt;Classic Rock&lt;/i&gt; magazine's Malcolm Dome; renowned guitar tutor and author Rikky Rooksby; and Robert Plant biographer Neil Daniels.

&lt;i&gt;Bonus features:&lt;/i&gt;
&lt;i&gt;-Ron on Quad&lt;/i&gt; - Ron Nevison compares his experiences working on &lt;i&gt;Quadrophenia&lt;/i&gt; with those on &lt;i&gt;Physical Graffiti.&lt;/i&gt;</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD539</marc:subfield>
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            <marc:subfield code="a">Eric Clapton: The 1960s Review (NTSC) ( 02 hrs., 49 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Clapton, Eric, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">While few would not agree that Eric Clapton is one of the finest guitarists of all time, it is sometimes forgotten just how pivotal, influential and downright startling his work was during the 1960s. And while in following decades Clapton has remained a musician and songwriter of rare ability with moments of glory present album after album, it was during this decade that he stepped into the public eye and his awesome skills were used most creatively. As an early member of the Yardbirds, a crucial part of the Bluesbreakers, a founder member of Cream and "the one who mattered most" in the short-lived Blind Faith, EC to many really was a deity.

In this fascinating documentary his life and career throughout these crucial years is put under the microscope, and with the help of archive interviews with the man himself, exclusive contributions from friends, band mates and colleagues, rare and classic performance footage, seldom-seen photographs, location shoots and period archive, plus a host of other features, the story in question is told in a way it has never been told before.

Includes brand new interviews with musicians and performers John Mayall, Paul Jones, Neil Innes, Tom McGuinness, Chris Dreja, Top Topham, Ben Palmer, Dave Kelly and Cream producer Bill Halverson, plus expert insight from Cream biographer Chris Welch, Yardbirds biographer Alan Clayson and &lt;i&gt;Uncut&lt;/i&gt; magazine's contributing editor, Nigel Williamson.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD559.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD559</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD559</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CVIS393</marc:controlfield>
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            <marc:subfield code="a">WHO (THE): Under Review, 1964-1968 (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">The Who: Under Review 1964-1968 (NTSC) ( 01 hrs., 02 min., 36 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Who, The, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Between 1964 and 1968, the self-proclaimed "Loudest Rock Band in the World" released a body of work of such quality, strength and cultural significance that the legacy of those classic records has remained indelibly stamped on the music of every subsequent generation. And although it was in the years that followed that The Who attained the status of global millionaire superstars, the records from their "early period" remain their badge of true identity.

&lt;i&gt;The Who: Under Review 1964-1968&lt;/i&gt; features rare live and studio performances of the band interspersed with the independent review and criticism of a panel of esteemed experts. These include The Who's early producer Shel Talmy, journalist and author Paolo Hewitt, Keith Moon biographer Alan Clayson, ex-&lt;i&gt;Melody Maker&lt;/i&gt; journalist and early champion of The Who Chris Welch, &lt;i&gt;Classic Rock Magazine&lt;/i&gt; writer Malcolm Dome and a host of other expert contributors.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CVIS393.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CVIS393</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">QUEEN: Under Review, 1973-1980</marc:subfield>
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            <marc:subfield code="a">Queen: Under Review, 1973-1980 (NTSC) ( 01 hrs., 43 min., 07 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Queen, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Between 1973 and 1980, one of England's finest-ever groups released a body of work displaying such quality, strength and individuality that such an outpouring of creativity has rarely been equalled in the rock era. The legacy of those classic records has maintained an indelible stamp on the radar of every music fan across the globe, and the band's absolute pinnacle of achievement during this period remains among the world's all-time favourite pieces of music.

The legendary status of Queen as classic rock's most endearing act was accomplished through the enormous talents of all the band members, be it Brian May's classic songwriting and almost inconceivable skills on the guitar, Roger Taylor's reliable yet unique drumming style, John Deacon's solid backbone of bass or the irreplaceable Freddie Mercury's unparalleled ability to delight an audience, making him quite possibly the finest entertainer of all time. Their status increases year after year, but it was during the 1970s that such an accolade was nailed down and became permanent.

&lt;i&gt;Queen Under Review, 1973-1980&lt;/i&gt; features rare live and studio performances of the band, rare and classic Queen interview footage and a host of  other features, all interspersed with the independent review and criticism from a panel of esteemed experts including the broadcaster, journalist and long-time friend of Freddie Mercury, Paul Gambaccini; rock author, journalist and Queen expert Malcolm Dome; guitarist and journalist Simon Bradley; contributing editor from &lt;i&gt;Uncut Magazine,&lt;/i&gt; Nigel Williamson; ex-&lt;i&gt;Melody Maker&lt;/i&gt; writer Chris Welch; and others.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CVIS394.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CVIS394</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CVIS394</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DJ-861</marc:controlfield>
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            <marc:subfield code="a">Composer, photgrapher and filmmaker Phill Niblock's classic of experimental underground filmmaking with a sensational soundtrack by pianist Sun Ra and the members of his Solar Arkestra! Shot in the mid-'60s, when the Arkestra was based in New York, this film was produced using a unique negative process and ultra-tight close-ups on the moving hands and mouths of the musicians.

The result is a virtually abstract music film, mastered from a new print in all its incredibly sharp black and white glory.</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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It's been a long and varied journey from playing boogie woogie piano as a six year old in Racine, Wisconsin, to growing up to play boogie woogie piano around the world, and despite the reality that Sidran is better known in Europe and Japan than in America, "a fact of life for most jazz musicians," Ben Sidran is an international superstar.</marc:subfield>
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            <marc:subfield code="a">Musician, composer and recording artist Scott Cossu's background in jazz and rhythm 'n blues, combined with his years of classical training and his study of ethnic music from Sudan, Thailand, China, Romania and Ecuador, result in unique music that has been performed in concerts worldwide and recorded since 1981. 

His music shows imagination and taste, with varied meters and tempo. This set, with longtime sideman Van Manakas on electric guitar and Eddie Wood on percussion, exhibits Scott's many departures from the New Age field with a melodic blend of jazz, classical and ethnic influences.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Jazz</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Cossu, Scott</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DJ-899.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DJ-899</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DJ-899</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DR-4551</marc:controlfield>
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            <marc:subfield code="a">022891455196</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Michaeli, Mic</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">EUROPE: Final Countdown Tour (The) - Live in Sweden, 1986 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
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        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">The Final Countdown (NTSC) ( 00 sec. ) / Tempest -- Wings of Tomorrow (NTSC) ( 00 sec. ) / Tempest -- Ninja (NTSC) ( 00 sec. ) / Tempest -- Carrie (NTSC) ( 00 sec. ) / Tempest -- On the Loose (NTSC) ( 00 sec. ) / Tempest -- Cherokee (NTSC) ( 00 sec. ) / Tempest -- The Time Has Come (NTSC) ( 00 sec. ) / Tempest -- Open Your Heart (NTSC) ( 00 sec. ) / Tempest -- Rock the Night (NTSC) ( 00 sec. ) / Tempest -- Stormwind (NTSC) ( 00 sec. ) / Tempest -- Dance the Night Away (NTSC) ( 00 sec. ) / Tempest</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Europe, Ensemble -- Tempest, Joey, Composer -- Michaeli, Mic, Composer</marc:subfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Tempest, Joey</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Michaeli, Mic</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DR-4551.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DR-4551</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DR-4551</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GREEN DAY: Collector's Box (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Green Day: Pogo Paradise (NTSC) ( 01 hrs., 01 sec. ) / Not Applicable -- Green Day: Under Review, 1995-2000 -  The Middle Years (NTSC) ( 01 hrs., 08 min., 10 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Green Day, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The world's most successful punk band, Green Day's transformation from San Francisco cult heroes to global rock phenomenon is as staggering as it is captivating. From a scene credited with introducing the American public at large to punk rock in the early 1990s, the group were quick  to establish themselves as the most vital of their peers, with major label debut &lt;i&gt;Dookie&lt;/i&gt; going on to sell 20 million copies worldwide. Over the following decade, a series of further massive-selling albums, numerous sold-out world tours and a never-ending array of awards kept Green Day in the limelight. But with the release of 2004's extraordinary &lt;i&gt;American Idiot&lt;/i&gt; the band crossed into another dimension and opened themselves up to a whole new audience.

&lt;i&gt;Green Day - The DVD Collector's Box&lt;/i&gt; celebrates the astonishing career of this glorious band. Included is one video which charts the band's rise to the top, featuring exclusive interviews with ex-band members, friends, and those who know them best, plus archive footage and a host of other features, revealing an inspirational and insightful story. The second film consists of an in-depth analysis of Green Day's recorded output, featuring live and studio performances, rare footage, contributions from colleagues and peers and expert opinion from some of rock's most esteemed journalists.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DVDIS022.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DVDIS022</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DVDIS022</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">5060244550827</marc:subfield>
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            <marc:subfield code="a">5060244550827</marc:subfield>
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            <marc:subfield code="a">ICA Classics</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Stravinsky, Igor</marc:subfield>
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            <marc:subfield code="a">Sibelius, Jean</marc:subfield>
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            <marc:subfield code="a">STRAVINSKY, I.: Rite of Spring (The) / SIBELIUS, J.: Symphony No. 5 (Bernstein) (NTSC)</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2012</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Le sacre du printemps (The Rite of Spring) (NTSC) ( 36 min. ) / Stravinsky -- Symphony No. 5 in E-Flat Major, Op. 82 (NTSC) ( 34 min., 08 sec. ) / Sibelius</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bernstein, Leonard, Conductor -- London Symphony Orchestra, Orchestra -- Stravinsky, Igor, Composer -- Sibelius, Jean, Composer</marc:subfield>
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            <marc:subfield code="a">These sensational accounts of &lt;i&gt;The Rite of Spring&lt;/i&gt; and Sibelius's Symphony No. 5 were filmed for the BBC's historic Symphonic Twilight series, which introduced the British public to Leonard Bernstein's electrifying conducting. In performances that are thrilling and energetic, but also subtle and sensitive, Bernstein demonstrates his supreme understanding of these twentieth-century masterworks.

The ICA Classics Legacy series presents a collection of historical performances by some of the world's greatest artists. These performances are released on here for the first time, incorporating rare archive footage that has been expertly and lovingly restored.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/ICAD5082.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=ICAD5082</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/ICAD5082</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Symphony No. 40 in G Minor, K. 550 (NTSC) ( 25 min., 59 sec. ) / Mozart -- Nocturne, Op. 60 (NTSC) ( 27 min., 19 sec. ) / Britten -- III. Adagio ( 09 min., 02 sec. ) / Mendelssohn -- II. Vivace non troppo ( 05 min., 16 sec. ) / Mendelssohn</marc:subfield>
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            <marc:subfield code="a">Britten, Benjamin, Conductor -- English Chamber Orchestra, Orchestra -- Pears, Peter, Artist -- Mozart, Wolfgang Amadeus, Composer -- Mendelssohn, Felix, Composer -- Wordsworth, William, Author -- Tennyson, Alfred, Lyricist -- Coleridge, Samuel Taylor, Lyricist -- Owen, Wilfred, Lyricist -- Shelley, Percy Bysshe, Lyricist -- Shakespeare, William, Lyricist -- Keats, John, Lyricist -- Middleton, Thomas, Lyricist</marc:subfield>
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            <marc:subfield code="a">This video presents Benjamin Britten at the height of his powers in an affectionately nuanced account of Mozart's Symphony No. 40 ?EUR" "surely the loveliest bit of music ever conceived," according to Britten ?EUR" and an intimate and evocative performance of his own Nocturne with Peter Pears. As a bonus, the video includes extracts from Mendelssohn's "Scottish" Symphony which Britten conducts with the utmost subtlety and style despite being gravely ill at the time. All three performances give fascinating insights into one of the finest musicians of the twentieth century.

The ICA Classics Legacy series presents a collection of historical performances by some of the world's greatest artists. These performances are released on here for the first time, incorporating rare archive footage that has been expertly and lovingly restored.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/ICAD5083</marc:subfield>
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            <marc:subfield code="a">Billy Cobham is the uncontested champion of the drumming world. His incomparable instrumental mastery contributed immensely to putting fusion and jazz-rock into orbit. From Horace Silver, Michael and Randy Brecker to John McLaughlin, and right up to the great Miles, almost every important jazz musician of the past three decades is deeply indebted to his genius as an accompanist. The years have left hardly a trace on the dazzling technique and the hard-rocking, funky energy with an R&amp;B edge of "the man with the golden sticks." Together with his Culture Mix sidekicks - onstage at the New Morning club in Paris - Billy Cobham is reinventing and intensifying the miracle of an art form open to younger generations of musicians and music lovers from all horizons.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6452DVD</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">The Risør Festival of Chamber Music has firmly established itself as one of the most prestigious and recognized chamber music festivals in the world. Each year, international artists visit the small fishing town in southern Norway and join forces with some of Norway's best musicians for six days of chamber music making. The setting is amongst the most beautiful to be found in Norway, the exquisite coastline architecture and quintessential southern white houses providing an atmosphere of intimacy and calmness.

The founding artistic directors were violist Lars Anders Tomter and pianist Leif Ove Andsnes. In 2011 Andsnes handed over the co-artistic leadership to violinist Henning Kraggerud. The festival takes place in the last week of June each year. The films shown here are produced by Music in Motion (www.musicinmotion.no).</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">BASIE, Count: Then As Now, Count's the King</marc:subfield>
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            <marc:subfield code="a">Count Basie: Then As Now, Count's the King (NTSC) ( 01 hrs., 10 min., 35 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Jazz great William "Count" Basie comes back to life in this rich documentary, which traces the history of the pianist, composer, and bandleader over several decades. Filmmaker Gary Keys juxtaposes a roundtable discussion among old cats from the Count Basie Orchestra with recorded performances, including a cameo performance in the film &lt;i&gt;Blazing Saddles.&lt;/i&gt;

Archival clips and a gallery of portraits and snapshots show the ever-smiling face of a man as vivacious as the grooves he delivers - his good humor suffusing the music and the players going at it all around him, from Lester Young to Ella Fitzgerald.</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="830" ind1=" " ind2="0">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5072D.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5072D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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        <marc:controlfield tag="001">MVDV4932</marc:controlfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">JACKSON, Michael: The Life and Times of the King of Pop, 1958-2009</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">When a king dies, the heir or a peer takes over the throne. The passing of Michael Jackson, the King of Pop, is a different case. Michael is irreplaceable. He was born on 29 August 1958 in Gary, Indiana, to a working class family, and he died on 25 June 2009 as the undisputed King of Pop.

Michael's last days and the memorial service are captured in this engaging film that pays respect to the King. As the world celebrates Michael's life and legacy, it is easy to see why he was the brightest star. As an artist and entertainer, he still looms larger than life. The King will live forever through his music.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVDV4932.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVDV4932</marc:subfield>
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            <marc:subfield code="a">DEPECHE MODE - Rewind: 30 Years at the Edge (NTSC)</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Depeche Mode: The Dark Progression (NTSC) ( 01 hrs., 37 min., 29 sec. ) / Not Applicable -- Depeche Mode: Random Access Memory (NTSC) ( 01 hrs., 01 min., 27 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Depeche Mode, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">When four lads from London's home counties got together in 1980, sharing a love of David Bowie and all with a keen eye on the synthesizer sounds then just gaining ground in the UK via artists like Gary Numan and Ultravox, they could barely have envisaged the kind of impact they would have on the world music scene. But today Depeche Mode remain the most popular and successful electronic group ever, and they have influenced a huge array of groups and artists in so becoming, including Marilyn Manson, Nine Inch Nails, Ministry, Pet Shop Boys, Linkin Park and the creators of thousands of dance and techno records.

This video celebrates the astonishing music and lengthy career of Depeche Mode by way of a stunning documentary film in which their extraordinary story is told in depth. Featuring an array of performance and studio footage of the band, numerous archive interviews with members past and present, contributions from those who know the group best - including Gary Numan, Thomas Dolby and OMD's Andy McCluskey - news reports, location shoots and seldom-seen photographs, plus comment and review by the band's official biographer and the finest rock writers around. Throw into the mix some of the most outstanding music from the last three decades and the programme will prove a joy for the millions of Depeche Mode fans across the globe.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PG2DVD135</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PG2DVD135</marc:subfield>
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        <marc:controlfield tag="001">PG2DVD146</marc:controlfield>
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            <marc:subfield code="a">COLDPLAY: Story of Musical Genius (A)</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Coldplay: Back to the Start (NTSC) ( 01 hrs., 11 sec. ) / Not Applicable -- Coldplay: New Dimensions (NTSC) ( 52 min., 22 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Having emerged from humble beginnings to become one of the biggest bands in the world, with a level of acclaim presently only matched by the likes of U2 and Radiohead, Coldplay are nothing short of a phenomenon. Creating music intersected with moments of delicate poignancy and striking euphoria, endearing the group to legions of fans the world over, this extraordinary band celebrate the culmination of their first decade of success with yet another collection of brilliant tunes all set to enter the public consciousness alongside those from their previous records, further reminding us that here is one of the very few acts around today who are guaranteed a bright future.

This set both documents and celebrates the first 10 years of Coldplay's career and charts their rise from student band to top drawer entertainers. Featuring multiple interviews with the guys themselves, we are here provided exclusive insight into the group dynamic as they all talk with brutal honesty about all manner of subjects and topics. And with the aid of many close colleagues, friends and the best music critics around, plus archive footage, news reports, rare footage and seldom-seen photographs, &lt;i&gt;Coldplay - New Dimensions&lt;/i&gt; offers the viewer a close up and personal experience rarely obtained with acts of such magnitude.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PG2DVD146.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PG2DVD146</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PG2DVD146</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PGDVD109</marc:controlfield>
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            <marc:subfield code="a">METALLICA: Complete Story (The)</marc:subfield>
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            <marc:subfield code="a">Metallica: Dark Souls (NTSC) ( 01 hrs., 02 min., 34 sec. ) / Not Applicable -- Aural Amphetamine: Metallica and the Dawn of Thrash (NTSC) ( 01 hrs., 31 min., 36 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">They're the most important and influential metal band ever, and more than 25 years into an incredible career they still have the power, energy, talent and creativity to produce the most enthralling rock music in existence; Metallica are nothing if not a phenomenon.

This set is a documentary review concentrating on Metallica's music and career, from their earliest days as pioneers of the American thrash metal scene right up to their status today as global superstars and godfathers of the genre they still reign over.

The film includes rare and classic performance footage of Metallica and of their influences, interviews with the band and those who know them best, exclusive contributions from friends, associates and the finest rock journalists and writers, location shoots and news clips, seldom-seen photographs and a host of other features.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PGDVD109.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PGDVD109</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PGDVD109</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PGDVD126</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COMPOSING OUTSIDE THE BEATLES: Lennon and McCartney, 1967-1972 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Composing Outside the Beatles: Lennon and McCartney, 1967-1972 (NTSC) ( 02 hrs., 18 min., 05 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Lennon, John, Artist -- McCartney, Paul, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Recordings from individual Beatles had appeared as early as 1966, with Paul McCartney and George Martin's &lt;i&gt;Family Way&lt;/i&gt; soundtrack, but it wasn't until John Lennon's string of superb late 1960s singles that anything emerged which appealed to Beatles fans in droves and started the ball rolling for two quite fascinating and wildly creative solo careers.

Between the closing days of the Beatles and the point at which McCartney formed Wings and Lennon left the UK to live in New York, some of their finest individual solo work appeared.

&lt;i&gt;Composing Outside the Beatles - Lennon and McCartney 1967-1972&lt;/i&gt; is an independent documentary film which reviews the music and impact of Lennon and McCartney as solo composers during this first post-Beatles period. From the avant-garde brace of Lennon/Ono albums, to some superb singles and albums from both players, and culminating with the first Wings record from Macca and Lennon celebrating his new city of residence with the most political songs he ever wrote, this film shows how and why they composed the music they did during this era. It also illustrates their usage of old and new techniques as well as their continuance to borrow from each other despite being in both legal and personal disputes at the time.

Drawing on rare footage, archive and exclusive interviews, classic performances and penetrating revelations from close friends of the pair, fellow musicians, Beatles academics and musicologists, we discover here the true story of how their music was composed when writing alone or with new partners.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PGDVD126</marc:subfield>
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    <marc:record>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Rolling Stones: Under Review, 1962-1966 (NTSC) ( 01 hrs., 22 min., 29 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Rolling Stones, The, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;The Rolling Stones: Under Review, 1962-1966&lt;/i&gt; reviews the music and career of one of rock music's true giants during their formative years. The Stones are unquestionably one of the most influential bands the world has ever known; this film acknowledges and reinforces this fact while revealing insight, anecdote and opinion not previously considered.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD506</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD506</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD515</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">U2: Achtung Baby - A Classic Album Under Review (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">U2: Achtung Baby - A Classic Album Under Review (NTSC) ( 01 hrs., 08 min., 53 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">U2, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Achtung Baby&lt;/i&gt; was the album that fired U2 into the 90s. Displaying a broader musical palette than before and with a newfound smattering of irony, the four-piece dramatically overhauled their traditional approach to songwriting. The so-called "band of the 80s" were moving on. They now reflected their moods in their music, had loosened up and were taking sonic risks - and every single one paid off.

&lt;i&gt;U2 Achtung Baby: A Classic Album Under Review&lt;/i&gt; offers a previously unobtainable level of insight into the band during the recording of their most dynamic and well-respected album. Via the use of live footage, long-forgotten videos and the review, criticism and insight of a panel of highly opinionated experts, this package delivers the finest documentary film yet to emerge on Dublin's favourite sons.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD515.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD515</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD515</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD517</marc:controlfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">COHEN, Leonard: Under Review 1934-1977 (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Leonard Cohen: Under Review, 1934-1977 (NTSC) ( 01 hrs., 27 min., 03 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">The man is an enigma wrapped in a mystery, his music is an acquired taste that appeals universally, and his life is one of great art, astonishing experience, and myriad circumstance. Leonard Cohen was never going to be the man on the street. &lt;i&gt;Leonard Cohen - Under Review 1935-1977&lt;/i&gt; is a documentary film which reviews the poetry, music, performances and career of one of contemporary America's greatest artists.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD517.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD517</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD517</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">YOUNG, Neil: Under Review, 1976-2006 (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Neil Young: Under Review, 1976-2006 (NTSC) ( 01 hrs., 19 min., 06 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Neil Young: Under Review, 1976-2006&lt;/i&gt; is a documentary film reviewing the music and second half of the career of one of the finest songwriters and most significant artists of the rock age.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD522.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD522</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD522</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD525</marc:controlfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Guns N' Roses, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Released simultaneously in September 1991, the brace of albums making up the &lt;i&gt;Use Your Illusion&lt;/i&gt; double set made history before most fans had heard a note - never before (and never since) had any group or artist occupied the &lt;i&gt;Billboard&lt;/i&gt; chart positions one and two in the same week. But this is Guns N' Roses we're discussing - a band who never do things by halves.

This is a documentary film about those albums - the people who made them, the process of making them, the tour that surrounded them and, most crucially, the awesome music they contained.

Featuring rare footage of the band from that time, including exclusive backstage film rarely seen before; lengthy interviews from musicians and vocalists who were there working on the records and the tour; commentary from friends of the group and scenesters from the L.A. rock underground; insight and critique from biographers, journalists, and DJs who championed Guns N' Roses throughout their career; and many other notable contributors.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD525</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">PRINCE: Glory Years (The) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Prince: The Glory Years (NTSC) ( 01 hrs., 25 min., 41 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Prince, , Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Prince is the most original and innovative music artist to have emerged over the past 25 years, and he continues to release startling new material and sell out electric live shows at an alarming rate. But it cannot be denied that it was during the 1980s that this maverick performer's star shone brightest.

&lt;i&gt;Prince - The Glory Years&lt;/i&gt; is a documentary film which reviews and recaptures this golden decade and with the aid of his friends, colleagues, fellow musicians and other notable contributors helps discover why Prince Rogers Nelson simply stole the '80s as far as music was concerned.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD532.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD532</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD532</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD535</marc:controlfield>
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            <marc:subfield code="a">823564512891</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">MORRISON, Van: Under Review, 1964-1974 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Van Morrison: Under Review, 1964-1974 (NTSC) ( 01 hrs., 49 min., 34 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Morrison, Van, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Van Morrison - Under Review, 1964-1974&lt;/i&gt; is a documentary film which covers this extraordinary performer's music and career during that period. From the formation of Them through Van's classic solo period - taking in albums such as &lt;i&gt;Astral Weeks, Moondance, St. Dominic's Preview, Tupelo Honey, Veedon Fleece&lt;/i&gt; and &lt;i&gt;It's Too Late to Stop Now&lt;/i&gt; - this was a time of quite startling creativity in a musical career that has rarely failed to delight fans and critics alike.

This programme looks again at these records and the man who made them, and in doing so provides the most enlightening, revealing and entertaining Van Morrison documentary yet to emerge.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD535.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD535</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD535</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD562</marc:controlfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564523590</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">WHATEVER HAPPENED TO PINK FLOYD?: The Strange Case of Waters and Gilmour (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Whatever Happened to Pink Floyd?: The Strange Case of Waters and Gilmour (NTSC) ( 01 hrs., 22 min., 29 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Pink Floyd, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">One of the most commercially popular rock groups of the 1970s, Pink Floyd achieved superstar status despite being routinely experimental and downright bizarre. Indeed the group have proven an enormous influence on numerous contemporary bands - stand up Muse, Radiohead, Linkin Park and 100 others - and remain a wholly credible name to drop more than 30 years since punk rock was supposed to have killed off their kind of "progressive nonsense."

So to many, the end of Floyd was all but signalled by &lt;i&gt;The Wall&lt;/i&gt; (and its accompanying feature film), both released during punk's dying hours. But the years since that epic double album have been a quite fascinating era for the band and its main axis of creativity, Roger Waters and Dave Gilmour.

This film traces the path Floyd took after the recording of the pre-&lt;i&gt;Wall&lt;/i&gt; &lt;i&gt;Animals&lt;/i&gt; album - an era when cracks in the band first started to show - and brings the strange story of the group and the intense relationship between Waters and Gilmour right up to date, culminating with the wholly unexpected collaboration of these two maverick musicians at a 2010 charity event. Featuring numerous interviews with Waters, Gilmour, Wright and Mason liberally interspersed with classic and rare performance footage, plus contributions from friends, colleagues and the finest rock journalists, this film also includes seldom-seen photographs, news reports and a host of other features.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD562.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD562</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD562</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD566</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">JAGGER, Mick: The Roaring 20s - Mick Jagger's Glory Years (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="b">cr</marc:subfield>
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        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Roaring 20s - Mick Jagger's Glory Years (NTSC) ( 01 hrs., 45 min., 47 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Jagger, Mick, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Not always credited with such, Mick Jagger has been equally as pivotal to the Rolling Stones as his songwriting partner and bandmate for almost 50 years. Indeed the differences in style, character and philosophy between Mick and Keith make for probably the greatest union - albeit often far from the most harmonious - in the history of popular music.

This film concentrates on Jagger's life and career both within and without the Stones when he was in his twenties, the same period that for most fans was the band's heyday, during which they produced music of quite staggering quality.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="a">WEILL, K.: Aufstieg und Fall der Stadt Mahagonny [Opera] (Sung in English) (Teatro Real, 2010) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Aufstieg und Fall der Stadt Mahagonny (Sung in English) (Teatro Real, 2010) (NTSC) ( 02 hrs., 18 min. ) / Weill</marc:subfield>
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            <marc:subfield code="a">White, Willard, Artist -- Brueggergosman, Measha, Artist -- Intermezzo Choir, Choir -- Madrid Teatro Real Chorus, Choir -- Madrid Symphony Orchestra, Orchestra -- Kaasch, Donald, Artist -- Madrid Teatro Real Orchestra, Orchestra -- Konig, Michael, Artist -- Henschel, Jane, Artist -- Easterlin, John, Artist -- Humes, Steven, Artist -- Katzameier, Otto, Artist -- Heras-Casado, Pablo, Conductor -- Weill, Kurt, Composer -- Brecht, Bertolt, Lyricist -- Feingold, Michael, Lyricist</marc:subfield>
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            <marc:subfield code="a">A hard-hitting new production of Kurt Weill's &lt;i&gt;Rise and Fall of the City of Mahagonny&lt;/i&gt; by the Catalan collective La Fura dels Baus at the Teatro Real de Madrid.

Composed in the 1930s by Kurt Weill and Bertolt Brecht, this is a mordant satire on capitalism and the inexorable industrialisation of a society in which the ultimate crime is not having money. In twenty scenes the authors tell the story of a city lost in the middle of a desert and run by three thugs; in Mahagonny food, sex, gambling and violence rule supreme.

The production by Alex Olle and Carlus Padrissa, both of La Fura dels Baus, combines enormous inventiveness, joy and energy with awe-inspiring ferocity.

Perfect casting brings together a group of singers - Measha Brueggergosman, Michael Konig, Jane Henschel and Willard White - who are also marvellous actors.

The Teatro Real Orchestra and Chorus are directed by young Spanish conductor Pablo Heras-Casado, who actually began his career at the Teatro Real. In November 2010, he received the El Ojo Critico prize, awarded annually to Spain's most outstanding artists in the classical music field.</marc:subfield>
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            <marc:subfield code="a">TRIBUTE TO JEROME ROBBINS (Paris Opera Ballet, 2008) (NTSC)</marc:subfield>
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            <marc:subfield code="a">In G Major (En Sol) (Paris Opera Ballet, 2008) (NTSC) ( 00 sec. ) / Not Applicable -- Triade (Paris Opera Ballet, 2008) (NTSC) ( 00 sec. ) / Muhly -- In the Night (Paris Opera Ballet, 2008) (NTSC) ( 00 sec. ) / Not Applicable -- The Concert (Paris Opera Ballet, 2008) (NTSC) ( 00 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Paris National Opera Ballet, Ensemble -- Paris National Opera Orchestra, Orchestra -- Gillot, Marie-Agnes, Artist -- Kessels, Koen, Conductor -- Robbins, Jerome, Artist -- Magnenet, Florian, Artist -- Bonnay, Elena, Artist -- Pujol, Laetitia, Artist -- Millepied, Benjamin, Artist -- Bezard, Audric, Artist -- Moreau, Marc, Artist -- Lagnau, Frederic, Artist -- Letestu, Agnes, Artist -- Riche, Nicolas Le, Artist -- Osta, Clairemarie, Artist -- Moussin, Delphine, Artist -- Bullion, Stephane, Artist -- Pech, Benjamin, Artist -- Hisayama, Ryoko, Artist -- Phavorin, Stephane, Artist -- Gilbert, Dorothee, Artist -- Carbone, Alessio, Artist -- Thibault, Emmanuel, Artist -- Pelovska, Vessela, Artist -- Cardinale, Alexandra, Artist -- Delfino, Clara, Artist -- Muret, Laure, Artist -- Laffon, Laurence, Artist -- Dominiak, Gregory, Artist -- Guerri, Jean-Christophe, Artist -- Not Applicable, na, Composer -- Muhly, Nico, Composer</marc:subfield>
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            <marc:subfield code="a">Ten years after his death, the Paris Opera Ballet payed homage to the American choreographer who considered the Paris Opera as his second home after New York City Ballet. The three pieces performed here illustrate not only the diversity of the choreographer's repertoire and sources of inspiration, but also his love of music and his all-embracing attitude to the performing arts. Jerome Robbins brought new energy to classical dance, introducing 20th century urban rhythms, confirming its status as a modern entertainment form and instilling it with the interrogations of contemporary theatre.

&lt;i&gt;In G Major (En Sol)&lt;/i&gt;, set to Maurice Ravel's &lt;i&gt;Piano Concerto in G major&lt;/i&gt;, follows no particular narrative line or dramatic effect. Echoing the music's jazzy invitations and light-heartedly copying Broadway style, this is a light and joyous piece for two soloists and an ensemble. It provided Jerome Robbins with an opportunity to reveal the relaxed, fluid feel so emblematic of his style.

&lt;i&gt;In the Night&lt;/i&gt; and &lt;i&gt;The Concert&lt;/i&gt; are two tributes to Frederic Chopin, each in a different register. Seeking to free the composer from the commonplaces that have often belittled his music, Robbins transforms &lt;i&gt;Les Nocturnes&lt;/i&gt; into &lt;i&gt;In the Night,&lt;/i&gt; a long and poetic pas de deux built like a metaphor of love in all its states. &lt;i&gt;The Concert&lt;/i&gt; joins the ranks of the few comic ballets in the history of dance. Taking as its point of departure images inspired by some of Chopin's more fancifully entitled scores, Jerome Robbins' piano recital is a comic plea for the cause of human vulnerability.

At the very same period, Robbins was contributing to the renewal of the musical by bringing a tragic side to his &lt;i&gt;West Side Story,&lt;/i&gt; a fact that only underlines his insatiable thirst for originality and his immense talent for freely combining genres and styles. Lastly, Benjamin Millepied, who made his dance debut with Robbins in New York, dedicates his second creation for the Paris Opera Ballet, &lt;i&gt;Triade,&lt;/i&gt; to the choreographer. "Dance is composed of human relations," Robbins used to say. A worthy heir to his master, Benjamin Millepied matches this credo through a fruitful dialogue with composer Nico Muhly.</marc:subfield>
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            <marc:subfield code="a">PUCCINI, G.: Turandot (Arena di Verona, 2010) (Blu-ray, Full-HD)</marc:subfield>
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            <marc:subfield code="a">Turandot (Arena di Verona, 2010) (Blu-ray, Full-HD) ( 02 hrs., 08 min., 25 sec. ) / Puccini</marc:subfield>
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            <marc:subfield code="a">Licitra, Salvatore, Artist -- Guleghina, Maria, Artist -- Bosi, Carlo, Artist -- Arena of Verona Choir, Choir -- Arena of Verona Ballet, Ensemble -- Iveri, Tamar, Artist -- Carella, Giuliano, Conductor -- Arena of Verona Orchestra, Orchestra -- Fiore, Saverio, Artist -- Pelizon, Giuliano, Artist -- Faria, Luiz-Ottavio, Artist -- Lopez Linares, Leonardo, Artist -- Bocchino, Gianluca, Artist -- A.LI.VE., Choir -- Kaufman, Angel Julio Harkatz, Artist -- Simoni, Renato, Lyricist -- Puccini, Giacomo, Composer -- Adami, Giuseppe, Lyricist</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Turandot&lt;/i&gt; from the Arena di Verona: Franco Zeffirelli's legendary production of a Puccini masterpiece.

For its 88th edition, the prestigious Arena di Verona Festival honored internationally acclaimed Italian stage director Franco Zeffirelli. Zeffirelli delivers an opulent staging of the fairy-tale story of the Chinese Princess Turandot, who will only marry a prince capable of solving her riddles.

The Russian soprano Maria Guleghina proved a brilliant Turandot. Salvatore Licitra's trump card is his imposingly radiant tenor voice of which he remains in sovereign control even in the role's much-feared highest register. The soprano Tamar Iveri is a beautiful and sensitive Liù.

The Orchestra and Chorus of the Arena di Verona are conducted by Maestro Giuliano Carella.</marc:subfield>
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            <marc:subfield code="a">Bolshoi Ballet, Ensemble -- Bolshoi Theatre Orchestra, Orchestra -- Lunkina, Svetlana, Artist -- Gudanov, Dmitri, Artist -- Allash, Maria, Artist -- Klinichev, Pavel, Conductor -- Biktimirov, Vitaly, Artist -- Adam, Adolphe, Composer</marc:subfield>
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            <marc:subfield code="a">First performed in 1841, &lt;i&gt;Giselle&lt;/i&gt; was an immediate hit. With music by Adolphe Adam and a libretto by Theophile Gautier and Jules-Henri Vernoy de Saint-Georges, the ballet touches on the great romantic themes: local colour, a pastoral love affair doomed to end in tragedy, a plunge into fantasy and redemption through the power of love.

Learning that Albrecht, her beloved, is in fact a nobleman engaged to be married to a princess, the naive peasant girl Giselle dies. The Queen of the Wilis - the spirits of deceased young virgins - decides that Albrecht should follow Giselle to the grave, and condemns him to dance until he dies of exhaustion. But Giselle's spirit dances with him and saves him.

Composer Adolphe Adam owes his reputation to this archetypal, richly melodic romantic ballet. As Giselle Svetlana Lunkina is simply sensational. Her Albrecht is the iconically noble dancer Dmitri Gudanov. And the cast is perfectly rounded off by Maria Allash as the Queen of the Wilis.

The Bolshoi Theatre Orchestra is conducted by Pavel Klinichev.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Ballet &amp; Dance</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC474.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC474</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC474</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">BEAT25</marc:controlfield>
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            <marc:subfield code="a">JACKSON, Michael: Fan's Camera Footage (NTSC)</marc:subfield>
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            <marc:subfield code="a">Michael Jackson: Fan's Camera Footage (NTSC) ( 02 hrs., 21 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Michael Jackson - Fan's Camera Footage&lt;/i&gt; is a two-hour programme culled from over 45 hours of camera footage from private collectors and fans worldwide. Through the fan's eye, a private and more revealing insight into the true world of Michael Jackson the superstar is shown.

Adored by millions worldwide, wherever Michael went the fans were waiting; whether out shopping, in hotels or traveling, the fans captured these intimate moments portraying more of the real person than the media myth ever could.</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BEAT25.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BEAT25</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CTG50018</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">STEPPING THE DOCUMENTARY (NTSC)</marc:subfield>
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            <marc:subfield code="a">Stepping The Documentary (NTSC) ( 01 hrs., 12 min., 13 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Filmmakers Marshall Blackwell and Norman Whiteburn make their feature directorial debut with this documentary on the stepping culture. A modernized version of what is know as the African gumboot dance, stepping was adopted by African-American fraternities and sororities, eventually evolving into an essential element of the black college experience. Stepping is a high energy montage of dance, jazz and military movements.

Today, stepping has become a movement amongst the youth all across the globe and has become more than just stomping the yard - it's an art form that is taking the world by storm. This documentary contains some of the most explosive step moves ever taped! &lt;i&gt;Stepping The Documentary&lt;/i&gt; is an official selection of the 2008 Pan African American Film and Arts Festival.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CTG50018.jpg</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CTG50018</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CTG50018</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5030D</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">PAUL MCCARTNEY REALLY IS DEAD: The Last Testament of George Harrison (NTSC)</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Paul McCartney Really Is Dead: The Last Testament of George Harrison? (NTSC) ( 01 hrs., 37 min., 20 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">In the summer of 2005, a package arrived at the Hollywood offices of Highway 61 Entertainment from London with no return address. Inside were two mini-cassette audio tapes dated December 30, 1999 and labeled "The Last Testament of George Harrison." A voice eerily similar to Harrison's tells a shocking story: Paul McCartney was killed in a car crash in November of 1966 and replaced with a double! British intelligence, MI5, had forced the Beatles to cover up McCartney's death to prevent mass suicides of Beatles fans. However, the remaining Beatles tried to signal fans with clues on album covers and in songs.

Until now, the "Paul is dead" mystery that exploded worldwide in 1969 was considered a hoax. However, in this film, the mysterious voice on the tapes reveals a secret Beatles history, chronicling McCartney's fatal accident, the cover up, dozens of unknown clues, and a dangerous cat and mouse game with "Maxwell," the Beatles' MI5 handler, as John Lennon became increasingly reckless with the secret. The voice also claims that Lennon was assasinated in 1980 after he threatened to finally expose "Paul McCartney" as an imposter!

Highway 61 Entertainment has investigated this stunning new account of the conspiracry to hide McCartney's tragic death and produced this unauthorized documentary that includes newly unearthed evidence. The mysterious voice on the audio tapes narrates the entire film in what may prove to be the most important document in rock and roll history, leaving little doubt that Paul McCartney really is dead!</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5030D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5030D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5030D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PG2DVD117</marc:controlfield>
        <marc:controlfield tag="005">20230831061143.0</marc:controlfield>
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            <marc:subfield code="a">823564517193</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564517193</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">SPRINGSTEEN, Bruce: Road Trip: 40 Years of the Boss</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Bruce Springsteen: Becoming The Boss, 1949-1989 (NTSC) ( 01 hrs., 28 min., 09 sec. ) / Not Applicable -- Bruce Springsteen: Under Review, 1978-1982  - Tales of the Working Man (NTSC) ( 01 hrs., 22 min., 37 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Springsteen, Bruce, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The Boss began performing around the bars and night spots of New Jersey in the late 1960s and in so doing started one of the most eventful, productive and inspiring stories in musical history. His "Road Trip" reads like the Great American Novel, and while Bruce unquestionably remains amongst the most respected performers alive today and undoubtedly has much more great work to come, having already notched four decades of incredible music and quite probably the best live shows ever performed, he has already achieved far more than even he could have ever hoped for.

This set celebrates the astonishing career of Bruce Springsteen by telling the story of his rise to fame, fortune and enormous popularity in vivid detail. And with the help of rare footage, rarely seen performances, archive interviews with the man himself, exclusive contributions from E Street Band members, former managers, producers and close associates of Bruce, and the finest rock writers and Springsteen experts around, this three-hour programme will prove a delight for the Boss's millions of fans around the globe.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PG2DVD117.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PG2DVD117</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PG2DVD117</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PG2DVD148</marc:controlfield>
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            <marc:subfield code="a">823564529295</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564529295</marc:subfield>
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        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GUNS N' ROSES: Use Your Illusion I and II - 2 Classic Albums Under Review (20th Anniversary Edition) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Guns N' Roses: Use Your Illusion I and II - 2 Classic Albums Under Review (NTSC) ( 01 hrs., 25 min., 34 sec. ) / Not Applicable -- Guns N' Roses: Sex N' Drugs N' Rock N' Roll (NTSC) ( 01 hrs., 58 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Guns N' Roses, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">They have come to epitomise rock n' roll with glorious excesses and captivating showmanship that assure that Guns N' Roses will forever be thought of as one of the world's most iconic bands. Since roaring out of LA in 1987 with their debut album &lt;i&gt;Appetite for Destruction&lt;/i&gt; they have sold over 100 million records worldwide and created just as many newspaper headlines, and as line ups have come and gone, the legend of Guns N' Roses has continued to grow exponentially.

But it was with the release of their albums &lt;i&gt;Use Your Illusion I and II&lt;/i&gt; - now more than 20 years ago - that the band cemented their place in musical history, proving these LA reprobates were far more than one trick ponies and in the process becoming the first group ever to occupy the top two positions on the Billboard 200 chart.

&lt;i&gt;Guns N' Roses - Use Your Illusion Special Edition&lt;/i&gt; is a documentary set offering the definitive review of these record-breaking albums, whilst also providing an unparalleled insight into the band themselves. With the help of some notable contributors, the first video looks exclusively at the two 1991 releases, exploring their creation, reception, subsequent tour and most importantly, the music itself. The second video chronicles G &amp; R's full career, with unrivalled access and exclusive content giving an insight into the band that has rarely been equalled. Both films feature archive interviews with members and those closest to them, seldom-seen film footage, rare photographs plus a host of other features and extras to complete the quintessential Guns N' Roses video document.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PG2DVD148.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PG2DVD148</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PG2DVD148</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PGDVD111</marc:controlfield>
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            <marc:subfield code="a">823564515595</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564515595</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COMPOSING THE BEATLES SONGBOOK: Lennon and McCartney, 1966-1970 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
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        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Composing the Beatles Songbook: Lennon and McCartney, 1966-1970 (NTSC) ( 01 hrs., 51 min., 29 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Lennon, John, Artist -- McCartney, Paul, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">By 1966, the Beatles were at the major turning point of their career. Having spent '65 both touring manically and recording the adventurous and critically acclaimed &lt;i&gt;Rubber Soul,&lt;/i&gt; they knew they had to creatively progress in order to retain their position as the world's favourite group; that meant Messrs. Lennon and McCartney giving it everything they had.

They didn't disappoint with &lt;i&gt;Revolver;&lt;/i&gt; indeed, the more serious music critics who had previously viewed the group as irrelevant now began to sit up and take notice. When they followed it with &lt;i&gt;Sgt. Pepper, Magical Mystery Tour E.P., The White Album, Abbey Road, Let It Be&lt;/i&gt; and several non-album singles and B-sides, all of which were magnificent, they forged a reputation that has sealed their legacy ever since, and to most extents offered other songwriters no room to match their quite incredible achievements.

&lt;i&gt;Composing the Beatles Songbook - Lennon and McCartney, 1966-1970&lt;/i&gt; is an independent documentary film which reviews the partnership, music and impact of Lennon and McCartney as composers during this hugely creative period. From the first bars of "Eleanor Rigby" to the closing &lt;i&gt;Abbey Road&lt;/i&gt; song cycle, this film shows how and why they barely put a step wrong while making the most joyous music the world has ever witnessed.

Drawing on rare footage, classic performances and penetrating revelations from friends of the pair, Beatles academics and musicologists, we here discover the true story of how those classic songs were written.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PGDVD111.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PGDVD111</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PGDVD111</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PGDVD142</marc:controlfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COMPOSING OUTSIDE THE BEATLES: Lennon and McCartney, 1973-1980 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Composing Outside The Beatles: Lennon and McCartney, 1973-1980 (NTSC) ( 02 hrs., 18 min., 55 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">In the early 1970s John Lennon and Paul McCartney each carved out hugely successful solo careers, both critically and commercially, but by the end of 1972 the pair had their lowest points since first finding success with the Beatles. However, the following year's output placed both of them back on the musical map, and so began the final period during which John and Paul were recording and releasing music simultaneously. This period is the subject of this video.

John made only four more albums, his final set of songs released shortly before his brutal murder at the end of 1980. Paul made six further records with Wings and his second solo set, which appeared the summer before his former songwriting partner passed on.

&lt;i&gt;Composing Outside The Beatles - Lennon and McCartney, 1973-1980&lt;/i&gt; is an independent documentary film which reviews John's and Paul's music during the second and final part of their parallel post-Beatles careers. It covers each of their comeback albums - &lt;i&gt;Mind Games&lt;/i&gt; and &lt;i&gt;Red Rose Speedway&lt;/i&gt; respectively - and continues through Lennon's most successful phase and the enormity of the Wings phenomenon, culminating in John's grand finale and Paul's bizarre but brilliant sophomore solo record.

With the aid of rare footage, archive and exclusive interviews, contributions from friends, colleagues and experts, and a generous helping of some superb music, this film tells the story of how and why the further compositions of Lennon and McCartney were written.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PGDVD142.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PGDVD142</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PGDVD142</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PGDVDCD127</marc:controlfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">JACKSON, Michael: Thank You For the Music - The Final Word (NTSC)</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Michael Jackson: Thank You For the Music - The Final Word (NTSC) ( 01 hrs., 28 min., 58 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Jackson, Michael, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">There's very little left to say about Michael Jackson that by now hasn't been said a million times. So after the media frenzy in which every microsecond of his tragically short life has been put under the microscope, every controversy and indiscretion has been magnified, and every word he ever uttered in public has been repeated again and again, all we can say is, "Thank you for the music."

Ultimately the music is why Michael Jackson was and still is universally loved and why, despite often being seen as less than orthodox in his general behaviour, at the time of his sad passing his life was celebrated around the world in a manner that, among pop performers, has previously only been witnessed for Elvis Presley and John Lennon.

This film celebrates the joyous and timeless music of Michael Jackson from his first recordings with the Jackson 5 through hit after hit from the seventies, eighties, and nineties, right up to his most recent cuts. In so doing it tells the story of a true pop genius the way it really happened.

Featuring rare performance and interview footage of Michael, archive material featuring him in a number of seldom-seen settings, and contributions from friends, those who have worked closely with him and the finest industry broadcasters and writers, this film also includes location shoots, news clips and a host of other features all set to a backdrop of Michael Jackson music.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
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        <marc:datafield tag="700" ind1="1" ind2=" ">
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PGDVDCD127.jpg</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PGDVDCD127</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PGDVDCD127</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PGDVDCD137</marc:controlfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564525396</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">STROKES (THE): From Then 'Til Now (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Strokes: From Then 'Til Now (NTSC) ( 01 hrs., 03 min., 23 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Strokes, The, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">A full decade on from their stunning debut and five years since their last record, The Strokes return in triumphant form with a new set of songs that are making the diehards and casuals alike sit up and take notice all over again - while reminding us all just what it was that made the world fall in love with this extraordinary group in the first place.</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PGDVDCD137.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PGDVDCD137</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PGDVDCD137</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PGDVDCD144</marc:controlfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">RED HOT CHILI PEPPERS: With Or Without You - The Hidden Truth (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Red Hot Chili Peppers: With Or Without You - The Hidden Truth (NTSC) ( 01 hrs., 03 min., 32 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Red Hot Chili Peppers, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Almost 30 years into a career that has witnessed this incredible band go to hell and back, but in so doing make the finest American rock music of the era, Red Hot Chili Peppers return triumphantly and in fine form, reminding us all just what a true phenomenon these west coast funksters really are. This documentary features a full-length film tracing the Chilis' rise to the top and covering their career from its earliest incarnation.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PGDVDCD144.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PGDVDCD144</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PGDVDCD144</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PP009</marc:controlfield>
        <marc:controlfield tag="005">20230831061149.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">603777900995</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">603777900995</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">METALLICA: Phantom Puppets - Interviews (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Metallica: Phantom Puppets - Interviews (NTSC) ( 01 hrs., 30 min., 06 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Metallica, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Metallica is an American heavy metal band formed in October 1981. They are a huge phenomenon in the metal world, and this video reveals how they have still managed to keep their feet fixed firmly on the ground despite the massive attention the media and fans have heaped upon them.

This footage shows many never-before-seen interviews that reveal the true lives of these larger-than-life metal heroes. With sales of over 90 million albums, they are one of the most commercially successful heavy metal acts ever. Their notoriety is even evidenced in the fact that U.S. interrogators were known to expose Iraqi POWs to Metallica tracks for prolonged periods during the Second Gulf War in an attempt to make them talk!

Every effort has been made to provide the highest possible picture and sound quality available from the original masters.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PP009.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PP009</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PP009</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD541</marc:controlfield>
        <marc:controlfield tag="005">20230831061133.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">823564514192</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564514192</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">KRAFTWERK AND THE ELECTRONIC REVOLUTION (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Kraftwerk and the Electronic Revolution (NTSC) ( 02 hrs., 59 min., 24 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Kraftwerk, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">As innovative as they are influential, Kraftwerk's contribution to the development of electronic music since their formation in 1970 remains unsurpassed. Having inspired everyone from Bowie to Coldplay, Siouxsie to Radiohead, this bizarre collective has also proven partly responsible for the emergence of entire genres - electronica, techno and synth-pop to name but three.

This film reviews the career and music of Kraftwerk, from their inception in the late 1960s (as pre-Kraftwerk ensemble Organization), through their most celebrated period in the mid-1970s, and culminating with their resurgence during the 1980s with the popularity of synth-pop and techno. The film further explores how Kraftwerk both fitted into and pulled away from the electronic wing of what is often lazily referred to as "Krautrock." Sparing time also for many of the group's contemporaries from the same field and tracing the unfolding of electronics in German contemporary music generally, this programme presents a fascinating story previously untold on film.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD541.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD541</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD541</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD551</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">823564519494</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564519494</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">WHO, THE MODS AND THE QUADROPHENIA CONNECTION (THE) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Who, The Mods and the Quadrophenia Connection (NTSC) ( 01 hrs., 33 min., 29 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Who, The, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">There's barely any misinformation regarding the astonishing career path of The Who: the band formed in 1964, were adopted as figureheads by the British Mods, continued through the 1960s and 1970s making extraordinary record after extraordinary record (with a couple of "rock operas" thrown in for good measure), Keith Moon, their madcap drummer, died in 1978 - and then it all went a bit pear shaped. The remaining members have not made a standout track since.

But as far as the Mod movement which had guaranteed The Who's early success and the Pete Townsend-composed musical depiction of that movement, &lt;i&gt;Quadrophenia,&lt;/i&gt; are concerned, the story has been twisted, complicated and misunderstood, but remains endlessly fascinating. The band, the movement, the album, the second wave, the movie and now the 30th anniversary of the latter two all make for a story that needs to be told in depth. That is exactly what this film does.

Using recently unearthed archive footage from the early movement, rarely seen performance and interview footage of The Who, plus expert contributions and commentary from a panel headed by a friend of Pete Townsend and the band's "Mr. Fixit" throughout their career, Richard Barnes, this film features Mod experts Paulo Hewitt and Terry Rawlins; the ever delightful owner of Acid Jazz records, DJ and broadcaster Eddie Pillar; members of Mod revivalists The Chords and The Purple Hearts; The Who biographer and 1960s expert Alan Clayson and a host of others.

The film also includes a wealth of news reports, film and video clips, location shoots and much more, all set to a backbeat of music from the greatest rock n' roll band of all time.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD551.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD551</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD551</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD561</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564523392</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">WILSON, Brian: Songwriter, 1962-1969 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Brian Wilson: Songwriter, 1962-1969 (NTSC) ( 03 hrs., 23 min., 16 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Wilson, Brian, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Brian Wilson: Songwriter, 1962-1969&lt;/i&gt; is a documentary film in which the rich tapestry of music written and produced by this brilliant 20th-century composer is investigated and reviewed. Running at over three hours in length, the songs Brian wrote for and recorded with The Beach Boys during the 1960s are here put under the microscope to quite startling effect.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD561.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD561</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD561</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DR-4484</marc:controlfield>
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            <marc:subfield code="a">022891448495</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">022891448495</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DYLAN, Bob: Rolling Thunder and the Gospel Years, 1975-1981</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Bob Dylan: Rolling Thunder and the Gospel Years, 1975-1981 (NTSC) ( 04 hrs., 26 min., 12 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Dylan, Bob, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Bob Dylan's creative genius reached a crescendo as he hit the road with a ragtag band of folk troubadours in the 1975 Rolling Thunder Revue. Appearing unannounced in small venues, the Revue culminated in "The Night of the Hurricane" benefit at Madison Square Garden for wrongly-convicted boxer Rubin "Hurricane" Carter. In his first interview in 30 years, "The Hurricane" tells all. Folk legend Ramblin' Jack Elliot, violinist Scarlet Rivera, bassist Rob Stoner, and Jacques Levy reveal the inside story of the &lt;i&gt;Desire&lt;/i&gt; album, Joey Gallo, the Rolling Thunder Revue and the maligned tour film, &lt;i&gt;Renaldo and Clara.&lt;/i&gt;

Following his reinvention as "The Entertainer" in 1978, Bob Dylan fell into the arms of the Lord through the Vineyard Christian Fellowship Church. Dylan made three gospel albums, winning a Grammy for "Gotta Serve Somebody." However, his radical new direction alienated fans and enraged critics as he preached evangelical messages from the Book of Revelation. In his first-ever interview, Dylan's Bible class teacher, Pastor Bill Dwyer, describes Dylan's born-again transformation. Legendary &lt;i&gt;Slow Train Coming&lt;/i&gt; producer Jerry Wexler, background singer Regina McCrary, keyboardist Spooner Oldham, songwriter Al Kasha, &lt;i&gt;San Francisco Chronicle&lt;/i&gt; rock reporter Joel Selvin, AJ Weberman and others tell the tale of Bob Dylan's Gospel Years.

Director and producer Joel Gilbert weaves the story of this monumental period of Dylan's life and music through revealing insider portraits, exclusive photos, live concert video clips and TV footage from 1975-1981, and with visits to Rundown Studios, the Muscle Shoals Sound Studio, the Vineyard Church, and the Fox Warfield Theater.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DR-4484.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DR-4484</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DR-4484</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DVDIS030</marc:controlfield>
        <marc:controlfield tag="005">20230831061159.0</marc:controlfield>
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            <marc:subfield code="a">823564529196</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564529196</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">METALLICA: Collector's Box (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Aural Amphetamine: Metallica and the Dawn of Thrash (NTSC) ( 01 hrs., 31 min., 36 sec. ) / Not Applicable -- Metallica: Dark Souls (NTSC) ( 01 hrs., 02 min., 34 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Metallica, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">A full three decades since they initially exploded onto the American metal scene, Metallica have remained at the forefront of the genre, a testament to their pioneering spirit, enormous talent and enduring legacy. This is a band that have consistently pushed the boundaries of innovation, altering the musical landscape on a number of occasions, and not only within their own genre elect, but within the music industry as a whole. With an influence that is undeniable, Metallica have achieved that hallowed combination of commercial and critical success, confirming their standing as the most iconic of metal acts.

&lt;i&gt;Metallica Collector's Box&lt;/i&gt; is a set celebrating 30 years of the band's superb music. The first disc offers a perfect retrospective of their career, starting right back at the beginning of their incredible journey and carrying through to their recent activities. It is packed with interviews, footage, rare archives and contributions from those closest to the group. The second video considers their beginnings, musical evolution, and their impact on the heavy metal genre. Both films feature interviews with the band plus the inclusion of other metal acts who remain influenced by this most prominent of groups.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DVDIS030.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DVDIS030</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DVDIS030</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5294D</marc:controlfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">ELVIS FOUND ALIVE (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Bob Dylan: Rolling Thunder and the Gospel Years, 1975-1981 (NTSC) ( 04 hrs., 26 min., 12 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Dylan, Bob, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Elvis has been found alive! After visiting Graceland, director Joel Gilbert made a Freedom of Information Act request for US government files on Elvis Presley. Incredibly, documents arrived from the FBI revealing an address for Federal Agent "Jon Burrows," Elvis' 1970's alias, in Simi Valley, California. After a brief confrontation, Elvis agreed to chronicle the secret history of his life and "death" in an exclusive interview.

In &lt;i&gt;Elvis Found Alive,&lt;/i&gt; Elvis reflects on his early life and career and describes his admiration for his look-alike, comic book hero Captain Marvel Jr. He explains that social unrest in the late 1960s and terrorism by the Weather Underground drove him to ask President Nixon to make him a federal agent. "If I could help save America, maybe it was my true destiny that God had prepared me for."

Elvis reveals that he battled Weatherman Bill Ayers and the Mafia crime families during the 1970s, leading to a faked death to go undercover. What followed was a long struggle to return to his singing career and an Obama administration that is preventing it to this day. Elvis Presley remains the single most influential and respected figure in the history of rock and roll music. Today he is a symbol of America, as recognizable as the flag. Get ready, he's back!</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5294D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5294D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5294D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVDV4794</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">760137479499</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137479499</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DYLAN, Bob: Inside Bob Dylan's Jesus Years - Busy Being Born ... Again! (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Inside Bob Dylan's Jesus Years - Busy Being Born ... Again! (NTSC) ( 02 hrs., 03 min., 26 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Dylan, Bob, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">At first called "Dylan's God-Awful Gospel" by his most loyal fans, Bob Dylan's "Jesus years" are today regarded as among the best of his career. How did a Jewish folk singer from the Midwest come to Jesus? Finally, here is an insider's view of Bob Dylan's "born again" transformation, and its effect on his life and music.

In late 1978, Bob Dylan fell into the arms of the Lord through the Vineyard Christian Fellowship Church. In his first-ever interview, Dylan's Bible class teacher, Pastor Bill Dwyer, details Bob Dylan's embrace of Jesus Christ and Christianity. Dylan then made three gospel albums, winning a Grammy for &lt;i&gt;Gotta Serve Somebody.&lt;/i&gt; However, Dylan's radical new direction alienated fans and enraged critics as he preached apocalyptic messages from the Book of Revelation.

Director Joel Gilbert weaves the intimate story &lt;i&gt;Inside Bob Dylan's Jesus Years&lt;/i&gt; through revealing interviews, including legendary &lt;i&gt;Slow Train Coming&lt;/i&gt; producer Jerry Wexler, background singer Regina McCrary, keyboardist Spooner Oldham, iconic &lt;i&gt;San Francisco Chronicle&lt;/i&gt; rock reporter Joel Selvin, award-winning songwriter Al Kasha, Jews for Jesus pioneer Mitch Glaser, and Dylanologist AJ Weberman. Included are rare photos and exclusive live concert footage from 1978-1981, while Bob Dylan himself explains the impact of Jesus on his art and soul in a recently unearthed interview from 1981. Visits to the Muscle Shoals Sound Studio, the Vineyard Church, and the Fox Warfield Theatre all take us deep &lt;i&gt;Inside Bob Dylan's Jesus Years.&lt;/i&gt;</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVDV4794.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVDV4794</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVDV4794</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PG2DVD151</marc:controlfield>
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            <marc:subfield code="a">823564528793</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564528793</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">IRON MAIDEN: The Future Has Come To Pass (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
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        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Iron Maiden: The Future Has Come To Pass (NTSC) ( 03 hrs., 52 min. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Iron Maiden, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">They've been in the business almost 35 years and remain amongst the world's favourite rock bands, still selling out stadiums and scoring top 10 records regularly. But Iron Maiden's history has not been an easy journey; despite the group making their ongoing popularity appear effortless, blood, sweat and tears have all been shed in the band's passionate desire to remain at the top of their game for this incredible period.

This independent documentary collection reveals much previously unknown about Iron Maiden and its personnel. With the assistance of rare archival material, exclusive and vintage interviews, contributions from close collaborators, contempoaries and the finest rock journalists, plus seldom-seen footage and photographs, this video draws an accurate picture of what it has taken for this giant amongst rock bands to achieve so much over such a long time.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PG2DVD151.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PG2DVD151</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PG2DVD151</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD509</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">887683000097</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">887683000097</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">RADIOHEAD: OK Computer - A classic album under review (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Radiohead: OK Computer - A Classic Album Under Review (NTSC) ( 58 min., 48 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Radiohead, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">By eary 1997, Radiohead had already delighted cristics and fans alike with their sophomore album &lt;i&gt;The Bends&lt;/i&gt;, a record that knocked spots off a somewhat pedestrian debut. Tired and anxious after a mammoth world tour, the band now went back into the studio to produce what would become &lt;i&gt;OK Computer&lt;/i&gt; - a masterwork amongst rock records and that decade's peak of musical achievement.

&lt;i&gt;OK Computer: A Classic Album Under Review&lt;/i&gt; is a documentary film which reassesses and offers new insight on what has become one of the seminal works of the rock age.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD509.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD509</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD509</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD523</marc:controlfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BOWIE, David: Plastic Soul Review (The) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">David Bowie: The Plastic Soul Review (NTSC) ( 01 hrs., 09 min., 59 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bowie, David, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">There were three distinct periods in the career of David Bowie during the 1970s. The first, of course, consisted of his glam years, defined best by the startling &lt;i&gt;Ziggy Stardust&lt;/i&gt; album. At the other end of the decade came the Berlin trilogy - three dark, industrial, yet ambient and often joyous records. But sandwiched between these is what has come to be known - via the man's own comments - as the Plastic Soul Era, an era just as creative, magnificent and popular as any other during Bowie's life so far, yet one rarely considered as a standalone and separate entity within his complete body of work.

All that changes with &lt;i&gt;David Bowie - The Plastic Soul Review,&lt;/i&gt; as the albums &lt;i&gt;David Live,&lt;/i&gt; &lt;i&gt;Young Americans&lt;/i&gt; and &lt;i&gt;Station to Station,&lt;/i&gt; and the performances that accompanied them, are here reexamined and newly appraised more than 30 years after they first appeared.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD523.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD523</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD523</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD528</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">823564511290</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564511290</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">SPRINGSTEEN, Bruce: Under Review 1978-1982: Tales Of The Working Man (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
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        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Bruce Springsteen: Under Review, 1978-1982  - Tales of the Working Man (NTSC) ( 01 hrs., 22 min., 37 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Springsteen, Bruce, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Although Bruce Springsteen's huge body of work has had its highs and its not-so-highs, there is one distinct period within his career that remains, almost inarguably, his most creative, consistent, and satisfying. We talk of course of the trilogy of albums he released between 1978 and 1982, comprising &lt;i&gt;Darkness On The Edge of Town,&lt;/i&gt; &lt;i&gt;The River&lt;/i&gt; and &lt;i&gt;Nebraska.&lt;/i&gt; Across these records Bruce's storyelling was up there with Steinbeck's, his songs ranked with Dylan's best and the live shows were as exciting as anything James Brown had ever delivered.

This documentary film looks again at these albums and the shows he performed around them and charts Springsteen's journey through this dark but glorious period.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD528.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD528</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD528</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD540</marc:controlfield>
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            <marc:subfield code="a">823564513591</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564513591</marc:subfield>
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        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COHEN, Leonard: Under Review, 1978-2006 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
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        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Leonard Cohen - Under Review: 1978-2006 (NTSC) ( 01 hrs., 04 min. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Cohen, Leonard, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">By 1978 Leonard Cohen had already produced a staggering body of work that had firmly set the standard for the singer-songwriter genre and contained numerous classic songs within its canon. If like many of his contemporaries his muse had abandoned him around this time, he would still today be regarded as a genius. But the six studio albums released between then and 2006 contained some of the finest work of Cohen's entire career, and on tracks such as "First We Take Manhattan," "Dance Me To The End Of Love," "The Future," "I'm Your Man," "Ain't No Cure For Love," "Tower Of Song" and so many others, he augmented his music with a philosophy, wisdom and enlightenment that both delighted his existing fanbase and endeared him to new generations in a manner that few others could hope to achieve.

This film mixes rare performance footage, studio recordings, interviews, rarely seen photographs, location shoots and many other features with contributions from some of Cohen's closest colleagues and from experts on his life and music. It features his official biographer Ira Nadel; Cohen producers John Lissauer, David Gold and John Simon; journalists Robert Christgau, Anthony DeCurtis, and Nigel Williamson; authors Johnny Rogan and Jim Devlin; and many others.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD540.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD540</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD540</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD558</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">823564522494</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564522494</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">PEARL JAM: Under Review (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Pearl Jam: Under Review (NTSC) ( 01 hrs., 28 min., 45 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Pearl Jam, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Since bursting out of the Seattle scene in 1991 with their multi-platinum selling debut &lt;i&gt;Ten,&lt;/i&gt; Pearl Jam have not just remained one of that city's truly great acts, they have also become - over the intervening two decades - one of the very finest rock bands in the world today. Famously labelled "grunge sell-outs" by Kurt Cobain, Pearl Jam went on to become by 1992 the biggest selling music artists in the USA. This success did not, however, sit easily with the group. After sophomore album &lt;i&gt;Vs&lt;/i&gt; went on to become the fastest-moving American record of all time, Eddie Vedder and Co. set about reconstructing their sound while launching a campaign against what they perceived to be the more unjust aspects of the music industry. And even now, after 20 years in the game, Pearl Jam refuse to rest on their laurels, constantly exploring new musical directions while remaining as fiercely loyal to their fans as ever.

&lt;i&gt;Pearl Jam - Under Review&lt;/i&gt; documents this extraordinary band's rise to glory and explores how they have confounded fans and critics alike, maintaining their status among rock's elite while refusing to compromise their artisitic and ethical values. It includes archive interviews with the band themselves from across their career, contributions from their closest allies and from the finest rock writers and commentators, rare and classic performance footage, previously unseen photographs, tour antics, location shoots and many other features, which all at once make for the finest documentary in existence on the most iconic rock act of the past quarter century.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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        <marc:datafield tag="655" ind1=" " ind2=" ">
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD558.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD558</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD558</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD567</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">PLANT, Robert: Robert Plant's Blue Note (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Robert Plant's Blue Note (NTSC) ( 02 hrs., 37 min., 31 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Plant, Robert, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Robert Plant's journey through the territories that have most acutely informed and inspired his music is perhaps one of the most multi-faceted of any artist from his generation. In a remarkable career that has spanned five decades, Plant has travelled from gold-maned god of hard rock to balladeering country troubadour, a process of reinvention guided by an ever-expanding musical palette and tireless searches through global song. His fantastic voyage has essayed the plantations of Mississippi, the deserts and townships of Africa and the settlements of the Appalachians.

This film follows Robert's incredible and ongoing tour of music styles and acts as travelogue in its unique approach to documenting and reviewing a career that has been built on endless fascination, consistent experimentation and a unique talent that makes the incorporation of his discoveries into a popular contemporary form seem almost effortless.

Featured here are rare footage, archive performances, recorded interviews, contributions from his closest collaborators, expert critique from the finest music writers, location film, news reports, seldom-seen photographs, and a host of other features.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD567.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD567</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD567</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD572</marc:controlfield>
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            <marc:subfield code="a">823564530499</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BOWIE, David: The Calm Before the Storm, Under Review 1969-1971 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">David Bowie: The Calm Before the Storm, Under Review 1969-1971 (NTSC) ( 01 hrs., 02 min., 18 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bowie, David, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">David Bowie's first record was issued as early as 1964, and so began, in the view of many, the most creative career in the history of contemporary music. But it was in 1969 with the release of his startling &lt;i&gt;Space Oddity&lt;/i&gt; that Bowie first gained the recognition that has accompanied his music since. And although it was not for another three years, when the &lt;i&gt;Ziggy Stardust&lt;/i&gt; album hit the stores, that his name would become forever linked with pure, unadulterated genius, between '69 and late '71 the Thin White Duke made three albums that have not only stood the test of time but for many fans include his finest work.

The film documents Bowie associates from this period including drummer John Cambridge, guitarist and harmony vocalist John Hutchinson, guitarist Keith Christmas, Bob Solly from early Bowie outfit The Mannish Boys, early mentor John Peel (in one of his very last interviews), DJ and early Bowie champion Annie Nightingale, plus many others. The programme also includes seldom-seen footage and photographs plus a host of other features which all together make for the finest film yet on this period of David Bowie's life and career.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD572.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD572</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD572</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">ICAD5025</marc:controlfield>
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            <marc:subfield code="a">ICA Classics</marc:subfield>
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            <marc:subfield code="a">Tchaikovsky, Pyotr Il'yich</marc:subfield>
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            <marc:subfield code="a">Britten, Benjamin</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">TCHAIKOVSKY, P.I.: Rococo Variations / Pezzo capriccioso / Romeo and Juliet Fantasy Overture (Rostropovich, Britten) (1968) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2012</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="b">cr</marc:subfield>
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        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Variations on a Rococo Theme in A Major, Op. 33 (NTSC) ( 19 min., 33 sec. ) / Tchaikovsky -- Pezzo capriccioso in B Minor, Op. 62 (NTSC) ( 07 min., 53 sec. ) / Tchaikovsky -- Romeo and Juliet Fantasy Overture (3rd version, 1880) (NTSC) ( 21 min., 11 sec. ) / Tchaikovsky -- The Tournament ( 04 min., 41 sec. ) / Britten -- The Lute Song ( 04 min., 56 sec. ) / Britten -- Apotheosis ( 07 min., 10 sec. ) / Britten</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Rostropovich, Mstislav, Artist -- Britten, Benjamin, Conductor -- English Chamber Orchestra, Orchestra -- Pears, Peter, Artist -- Aldeburgh Festival Choir, Choir -- Tchaikovsky, Pyotr Il'yich, Composer -- Plomer, William, Lyricist</marc:subfield>
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            <marc:subfield code="a">These recordings represent an overview of some of the headiest years of Mstislav Rostropovich's career. Introduced to Britten through Shostakovich, Rostropovich formed a close partnership with the British composer, who was inspired to write several major cello compositions by the Russian cellist. This special relationship is evident here in their collaborative performances from the opening concert of the new Snape Maltings Concert Hall, which includes rare audiovisual footage of the Maltings before it was destroyed by fire in 1969 and rebuilt.</marc:subfield>
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            <marc:subfield code="a">Concert</marc:subfield>
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            <marc:subfield code="a">Britten, Benjamin</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Plomer, William</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/ICAD5025.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=ICAD5025</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/ICAD5025</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Widely regarded as the definitive version of comic ballet &lt;i&gt;La Fille mal gardée&lt;/i&gt;, this video showcases Frederick Ashton's choreography as designed for the London Royal Ballet in 1960 and features the original cast, with Nadia Nerina and David Blair in roles that Ashton created with them in mind. Nadia Nerina's "joyous, soaring skill, which is Lise's signature" (Financial Times) and David Blair's technical and interpretative genius are perfectly offset by Stanley Holden's hilarious travesti turn as Widow Simone, and Alexander Grant, who brings pathos and humour to the character of Alain.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Revisiting Stravinsky&lt;/i&gt; is a music theatre piece in memory of Stravinsky and in recognition to Robert Craft. A dramatic musical reading with multimedia resources conceived and written by Jocy de Oliveira, it is based on her diary of acquaintance and rare collection of letters written to her by Stravinsky and his most important collaborator and interpreter, the conductor and writer Robert Craft.

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