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            <marc:subfield code="a">&lt;i&gt;Henry Purcell&lt;/i&gt; was a genius whose ability to combine French and Italian influences transported the English language to new levels of expression in music. &lt;i&gt;Dido and Aeneas&lt;/i&gt; was pioneering in its day and is considered one of Purcell's foremost theatrical works, with a moving tale of love, betrayal and tragedy that has proved to be of unceasing appeal to audiences for centuries. Deborah Warner's affection for this opera shines through in an overwhelmingly acclaimed performance filmed in December 2008 at the Opera Comique in Paris.</marc:subfield>
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            <marc:subfield code="a">Bou, Felipe, Artist -- Liceu Grand Theatre Chorus, Choir -- Pons, Josep, Conductor -- López, José Antonio, Artist -- Alegret, David, Artist -- Liceu Grand Theatre Orchestra, Orchestra -- Infante, Marta, Artist -- Lozano, Antonio, Artist -- Cook, Allison, Artist -- Sabata, Xavier, Artist -- Blanch, Sara, Artist -- Masllorens, Anaïs, Artist -- de Munck, Sonia, Artist -- Noval-Moro, Juan, Artist -- Casablancas, Benet, Composer -- Argullol, Rafael, Lyricist</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Benet Casablancas&lt;/i&gt; is widely acclaimed as one of the leading Spanish composers of his generation, and his first opera, &lt;i&gt;L'enigma de Lea&lt;/i&gt;, is the fruit of his close collaboration with award-winning writer Rafael Argullol. Reality and myth intertwine and become one in his story of love, grief and passion, as Lea wanders through time and space, a castaway of existence, and the bearer of immortality and a secret that cannot be revealed. The winner of several awards, L'enigma di Lea was declared 'a roaring theatrical success... beautifully staged and exquisitely sung' by Barcelona Metropolitan.</marc:subfield>
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            <marc:subfield code="a">The &lt;i&gt;Trois Romances sans paroles, Op. 2&lt;/i&gt; (Three Songs Without Words) were published by Belaieff in 1904, the same year as the Tema con variazioni, Op. 1, and the set bears the dedication 'To my wife Vera'. The associations with &lt;i&gt;Mendelssohn&lt;/i&gt; that come from the title &lt;i&gt;songs without words&lt;/i&gt; are obvious: concise form, simple structure, pianistic writing which is light in the first and third pieces, weightier in the rather Tchaikovskian second. 

The variety of articulations employed in the &lt;i&gt;Adagio sostenuto&lt;/i&gt; in G sharp minor make this the most complex of the three pieces. A short central section, Piu mosso, which builds to a dynamic climax, begins as the lilting quavers of the opening come to an end.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Life and Work of Jane Austen (Documentary, 2017) (NTSC) ( 35 min., 12 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Elysium Ensemble, Ensemble -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Like most women of her time &lt;i&gt;Jane Austen&lt;/i&gt; lived out her life on home ground. Her adventurous brothers meant however that she was very much in touch with her age. Coupling this with her own remarkable personality she produced some of the finest novels in English literature. This program by Malcolm Hossick covers her life and background and ends with an overview of her work.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="856" ind1="4" ind2="0">
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BLAKE, W.: Famous Authors - The Life and Work of William Blake (music by W. Boyce and H. Parry) (Documentary, 2020) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Life and Work of William Blake (Documentary, 2020) (NTSC) ( 38 min., 35 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Elysium Ensemble, Ensemble -- Hossick, Malcolm, Artist -- Bradshaw, Kenneth, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">This program by Malcolm Hossick explores the life and work of &lt;i&gt;William Blake&lt;/i&gt;. He was born the son of a hosier in the then respectable district of Soho in London. He had no formal education but was taught by his mother. He was a voracious reader and as a boy he drew constantly. He studied at an art school and learned the trade of engraving by which he lived. His painting and poetry were valued by only a few in his own times and he died in poverty. Gradually over the ensuing centuries his reputation has grown until now he is highly regarded as a remarkable and talented visionary. The film includes several of his unusual illustrated poems. It is followed by a brief overview of his work.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/L7872DVD.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=L7872DVD</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">FAMOUS AUTHORS - The Life and Work The Bronte Sisters (music by J. Haydn and F. Schubert) (Documentary, 2020) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Life and Work The Bronte Sisters (Documentary, 2020) (NTSC) ( 32 min., 48 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Elysium Ensemble, Ensemble -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">This program introduces the rich imaginative life of &lt;i&gt;Charlotte, Emily&lt;/i&gt;, and &lt;i&gt;Anne Bronte&lt;/i&gt;, exposed to the world of literature by their father Patrick Bronte priest, examiner, and writer. The family struggled with poverty, and the family home Haworth and moorland provided inspiration for the daughters. Charlotte and Emily were educated at Cowan Bridge School, later the inspiration for Charlotte's Jane Eyre, until their father could no longer ignore the mistreatment they suffered there. Afterward, the Brontw daughters pursued education at home, where they had access to literature, contemporary art, newspapers, and magazines. When their father got sick, the sisters tried to earn a living, but all the girls struggled with the stifling loss of freedom of being a teacher, student, or governess, and Emily returned to Haworth quickly. After years of trying to live as governesses, the three set out to open their own school.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/L7873DVD.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=L7873DVD</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Life and Work of Robert Burns (NTSC) ( 34 min., 43 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
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            <marc:subfield code="a">This film by Malcolm Hossick follows the life and times of the 18th century Scottish poet, &lt;i&gt;Robert Burns&lt;/i&gt;. Burns came from a simple farming background but his poetry was soon accepted as of remarkable quality and he is now remembered as the ploughman poet. The program includes examples of his work and is followed by an overview of his work.</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">CONFUCIUS: Famous Authors - The Life and Work of Confucius (Documentary, 2008) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Life and Work of Confucius (NTSC) ( 35 min., 53 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Hossick, Malcolm, Artist -- Naxi Orchestra, Orchestra -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This program by Malcolm Hossick explores the life and work of the Chinese sage known to the west as &lt;i&gt;Confucius&lt;/i&gt;. He did not found a religion and there is nothing about what he said which we have to believe. But the ideas about government and how humans should behave if they wish to live a frutiful life have coloured Chinese life throughout its history. The program explores his background and ideas and how even today Confucius is a powerful force for good in Chinese society.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DEFOE, D.: Famous Authors - The Life and Work of Daniel Defoe (music by H. Purcell) (Documentary, 2017) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Hossick, Malcolm, Artist -- Bradshaw, Kenneth, Artist -- Young, Abigail, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This program in the Famous Author series by Malcolm Hossick tries to uncover the astonishing life of &lt;i&gt;Daniel Defoe&lt;/i&gt; who wrote &lt;i&gt;Robinson Crusoe&lt;/i&gt;, one of the earliest novels to achieve world wide success. Defoe was a dissenting Christian when deviation from the norm was dangerous. He made a fortune making bricks just after London burned down: he was a very active government spy and he was one of the busiest writers ever. What a man! The film is followed by an overview of his works.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DICKENS, C.: Famous Authors - The Life and Work of Charles Dickens (music by S. Wallace) (Documentary, 2008) (NTSC)</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Life and Work of Charles Dickens (NTSC) ( 37 min., 04 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Elysium Ensemble, Ensemble -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Drawing on archival and contemporary materials, this program presents a factual outline of &lt;i&gt;Charles Dicken's&lt;/i&gt; life as well as the social and historical background to his writings.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=L7877DVD</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/L7877DVD</marc:subfield>
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            <marc:subfield code="a">DICKINSON, E.: Famous Authors - The Life and Work of Emily Dickinson (music by F. Schubert) (Documentary, 2017) (NTSC)</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Sturrock, Kathron, Artist -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">This program by Malcolm Hossick follows the improbable life of &lt;i&gt;Emily Dickinson&lt;/i&gt; writing very imaginative poetry in the little New England town of Amherst in the middle of the 19th century. Against all the odds her work, largely unpublished during her lifetime was printed and has found an appreciative audience. A brief overview of her work follows.</marc:subfield>
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            <marc:subfield code="a">DONNE, J.: Famous Authors - The Life and Work of John Donne (Documentary, 2020) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;John Donne&lt;/i&gt; was born into a fascinating and creative period of human history. He got the best education on offer in the England of Queen Elizabeth and hardly out of his teens he was recognized as a poet of astonishing ability. In a period when the pace was set by no less a mortal than Shakespeare Donne had a unique way with words and ideas which delighted and amazed his brightest contemporaries. But it was an age of terrible religious division and as a Roman Catholic by birth he was at once at odds with the prevailing Protestant faith. It was a problem that coloured his whole life and this program by Malcolm Hossick covers the course of his work and the struggles he had to make his way. It includes several of his delightful poems and we see how in spite of his travails Donne's positive spirit rose above them all.</marc:subfield>
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            <marc:subfield code="a">POE, E.A.: Famous Authors - The Life and Work Edgar Allan Poe (music by G.F. Handel and S. Foster) (Documentary, 2016) (NTSC)</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Elysium Ensemble, Ensemble -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Edgar Allan Poe&lt;/i&gt; was born in Boston the son of actors David and Elizabeth Poe. His father disappeared when he was three and his mother died a year later. He was adopted by a Richmond, Virginia family called Allan. When he was 17 he was disowned by his foster parents. He was determined to be a writer and through many difficulties he succeeded in becoming one of the first great imaginative writers in the United States. This program by Malcolm Hossick covers his extraordinary life and goes some way to explaining his remarkable and continuing success. It is followed by a brief overview of his work.</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Sturrock, Kathron, Artist -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;George Eliot&lt;/i&gt; was born Mary Anne Evans in 1819 near the small town of Nuneaton in Warwickshire. Her father ran the estate of the local landowner. She had an excellent education in local schools and took up journalism. She began writing novels when she was over 30 and became one of the most celebrated and influential writers of her age. The program by Malcolm Hossick traces her life and her remarkable achievements in fields until then dominated by men. It is followed by a brief overview of her work.</marc:subfield>
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            <marc:subfield code="a">Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Introduces the major themes of &lt;i&gt;Faulkner's&lt;/i&gt; poems, plays, short stories, and novels. The program contextualizes life in the American south in the first half of the 20th century; Faulkner's southern upbringing, family history, and race relations in the wake of the Civil War were a major influence on his fiction. In 1924, Faulkner left his small town of Oxford and spent six months in New Orleans, where he was finally able to see the conditions of his upbringing from a distance and become acquainted with a literary circle with Sherwood Anderson at the center, jump-starting his serious fiction writing.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;F. Scott Fitzgerald&lt;/i&gt; was born in St. Paul Minnesota into a fairly well-off family. He began his first novel while at Princeton University and very shortly after leaving it was accepted by Scribners and successfully published. He went on to be the prophet of the Jazz age of the twenties but his popularity declined. He is now recognised as one of the greatest American writers of the 20th century. This film by Malcolm Hossick covers his life and background and ends with an overview of his work.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Johann Wolfgang von Goethe&lt;/i&gt; (1749-1832) was born in Frankfurt on Main, Germany, into a well-to-do family. He made some attempts to become a lawyer but eventually began writing poetry and novels. He was immediately successful. He joined the court of the Duke of Weimar and from there became accepted as the greatest writer of his age. The film covers his life and background and ends with an overview of his work.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Nathaniel Hawthorne&lt;/i&gt; was an American novelist and short story writer who enjoyed considerable success with his romantic tales usually set in in the puritanical world of his home state Massachusetts. He traveled extensively in England and Italy and reflected American views on the old world of Europe. This documentary explores his roots in puritanical culture, his growth at Bowdoin College, his explosion in the literary world, his political appointments and his journey abroad.</marc:subfield>
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            <marc:subfield code="a">Traces the life and literary career of &lt;i&gt;Ernest Hemingway&lt;/i&gt;, using portraits and views of places associated with his life. "Enigmatic and intriguing, Hemingway is one of America's favorite authors. His dramatic understatement, dialogue and use of heroes made for great human interest.</marc:subfield>
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            <marc:subfield code="a">Begins with &lt;i&gt;Henry James'&lt;/i&gt; comfortable boyhood in New York, during which his father moved James and his brother around and back and forth from Europe frequently for the sake of education. He eventually went to Harvard to study law and began writing, but felt uncomfortable with American culture and left for England, where he spent most of the rest of his life.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Victor Hugo&lt;/i&gt; was born the son of a General under Napoleon Bonaparte. At an early age he began writing and his career as a poet, playwright, novelist and even politician has rarely been equaled. His fearless stance for the rights of the common man endeared him to the French people but caused governments to drive him into exile. He lived for nineteen years in the English Channel islands. The film covers his life and background and ends with an overview of his work.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Henrik Ibsen&lt;/i&gt; was born in the small coastal town of Skien in Norway. His family were middle class burghers. He worked as an apprentice to an apothecary before going to Oslo to study. He began writing plays which found little favour in Norway. He lived and wrote  for about 30 years in Italy and Germany and became recognized worldwide as the greatest dramatist of his age and the Father of modern drama. This documentary traces his life and is followed by a brief overview of his works.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Samuel Johnson&lt;/i&gt; was one of the most interesting figures of literature in 18th century England. He founded a literary magazine The Rambler and compiled the first major dictionary of English. He is best remembered as the subject of a biography by his friend Boswell. This documentary by Malcolm Hossick explores his life and the influence he had on the thought and manners of his age. It is followed by an overview of his work.</marc:subfield>
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            <marc:subfield code="a">Trio Kalysta was born in 2019 from a fruitful collaboration between Duo Kalysta - flutist Lara Deutsch and harpist Emily Belvedere - and Juno-nominated violist, Marina Thibeault, on the duo's debut album, Origins. Recognized both for their "polish" and their "mad skills" (Robert Rowat, CBC Music), the trio champions the lesser-known but incredibly colourful repertoire written for its rich instrumentation, highlighting works by female and Canadian composers whenever possible. 

In this program, the ensemble presents music from &lt;i&gt;Claude Debussy's Sonata for Flute, Viola, Harp&lt;/i&gt; and &lt;i&gt;R. Murray Schafer's Trio for Flute, Harp and Viola&lt;/i&gt;.</marc:subfield>
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The tides are dramatic. When the tide is out the seabed is exposed. The various layers of topography reveal themselves twice a day. For a while now he wanted to compose something about these hidden landscapes. The composition includes multiple flute, guitar, and voice parts. The solo parts are performed live while the backing tracks, processing, and soundscapes are projected through speakers. The work is technically challenging and exciting to perform. For live performances, a video of various seascapes from around Nova Scotia is projected on a screen.</marc:subfield>
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Featured in this program is &lt;i&gt;Nocturne 3&lt;/i&gt; is like a dream-listlessly lyrical at first, then surges of splendour and lurking uncertainty, always settling back to the calmer dreamy state, and simply ending. Performed by Jennifer King and filmed a music video at  Birch Cove, Blue Mountain Wilderness Area and Lucky Penny Cafe, HRM, Nova Scotia.</marc:subfield>
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            <marc:subfield code="a">Dialogues des Carmélites, FP 159 (Bavarian State Opera, 2010) (NTSC) ( 02 hrs., 32 min. ) / Poulenc</marc:subfield>
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            <marc:subfield code="a">Resmark, Susanne, Artist -- Gritton, Susan, Artist -- Vernhes, Alain, Artist -- Isokoski, Soile, Artist -- Bavarian State Opera Chorus, Choir -- Nagano, Kent, Conductor -- Bavarian State Orchestra, Orchestra -- Brunet, Sylvie, Artist -- Richter, Bernard, Artist -- Guilmette, Hélène, Artist -- Morel, Anaik, Artist -- Grotzinger, Heike, Artist -- Poulenc, Francis, Composer -- Bernanos, Georges, Lyricist</marc:subfield>
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            <marc:subfield code="a">Rife with historical references, &lt;i&gt;Poulenc's Dialogues of the Carmelites&lt;/i&gt; is a 20th-century opera masterpiece and an insightful exploration of wide-reaching themes: life, death, honor, and religion. In 1789, at the beginning of French Revolution, Blanche de la Force-daughter of a nobleman-senses the rising wave of anti-aristocratic sentiment and decides to become a nun, hoping to find safety in the convent. After their prioress dies, the whole convent-including the new Sister Blanche of the Agony of Christ-take a vow of martyrdom and, when sentenced to death, resign themselves to their fate, singing the moving "Salve Regina" as they march to the guillotine.

Visionary Russian stage director Dmitri Tcherniakov, winner of four Golden Mask awards for Best Director, transposes Poulenc's opera into a Soviet context, with sparse and unadorned scenography and a stellar cast that includes Susan Gritton as Sister Blanche and Bernard Richter as her brother, the Chevalier de la Force. Under the baton of the great Kent Nagano, the Orchestra and Choir of the Bayerische Staatsoper bring out the poetry in Poulenc's opera, with its "subtle and intricate tonal language [that] is by turns hymnal and haunting" (Anthony Tommasini).</marc:subfield>
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            <marc:subfield code="a">BRINGUIER, Lionel / FREIRE, Nelson: Live at the Royal Albert Hall (BBC Proms, 2010) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Le corsaire, Op. 21: Overture (NTSC) ( 00 sec. ) / Berlioz -- Piano Concerto No. 2 in F Minor, Op. 21 (NTSC) ( 00 sec. ) / Chopin -- Orfeo ed Euridice: Melodie (arr. G. Sgambati for piano) ( 00 sec. ) / Gluck -- Symphony No. 3 in G Minor, Op. 42 (NTSC) ( 00 sec. ) / Roussel -- Daphnis et Chloe Suite No. 2 (NTSC) ( 00 sec. ) / Ravel</marc:subfield>
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            <marc:subfield code="a">BBC Symphony Orchestra, Orchestra -- Bringuier, Lionel, Conductor -- Freire, Nelson, Artist -- Chopin, Fryderyk, Composer -- Ravel, Maurice, Composer -- Berlioz, Hector, Composer -- Sgambati, Giovanni, Arranger -- Gluck, Christoph Willibald, Composer -- Roussel, Albert, Composer</marc:subfield>
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            <marc:subfield code="a">The prodigious Lionel Bringuier (boasting "good instincts [...] bolstered by good taste plus a strong technique": Financial Times), just 24 in this delightful 2010 recording, conducts the BBC Orchestra in a generous program that opens with &lt;i&gt;Berlioz's&lt;/i&gt; lighthearted, cheeky &lt;i&gt;Le Corsaire Overture&lt;/i&gt;, continues with &lt;i&gt;Albert Roussel's Symphony No. 3&lt;/i&gt; brimming with adventure, perhaps the fruit of the composer's long experience as a sailor across the Atlantic and in Southeast Asia - and closes with the enchanting impressionism of &lt;i&gt;Ravel's Daphnis et Chloe&lt;/i&gt;. Don't miss this uniquely crafted concert guaranteed to stir the imagination!</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC079.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC079</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC079</marc:subfield>
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            <marc:subfield code="a">BESSY, C.: Pas de Dieux / STAATS, L.: Soir de Fête (Ballet Nice Méditerranée, 2014) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Pas de Dieux (Ballet Nice Méditerranée, 2014) (NTSC) ( 00 sec. ) / Not Applicable -- Soir de Fête (arr. É. Vu-An) (Ballet Nice Méditerranée, 2014) (NTSC) ( 00 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Garforth, David, Conductor -- Nice Philharmonic Orchestra, Orchestra -- Ballet Nice Méditerranée, Ensemble -- Not Applicable, na, Composer -- Vu-An, Éric, Arranger</marc:subfield>
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            <marc:subfield code="a">GENE KELLY - &lt;i&gt;PAS DE DIEUX&lt;/i&gt;
&lt;i&gt;Pas de Dieux&lt;/i&gt; tells the story of Aphrodite and Eros, who descend to earth. On the beach where they have landed, the ardent goddess and mischievous god seduce respectively a lifeguard and his fiancee. These newly-formed couples bask in the pleasures of love. Just when the beautiful Aphrodite is dancing with her suitor, Zeus arrives to win back his fickle wife, and everything returns to normal. The reconciled immortals return to Olympus, leaving the humans to their earthly loves.

This admirably constructed ballet by Gene Kelly faithfully follows the three movements of &lt;i&gt;Gershwin's Concerto in F&lt;/i&gt;. The choreography is snappy and full of fantasy, each step a gag. Dancing while rolling the shoulders, knees bent and feet turned in perhaps constitutes an approach contrary to laws of aesthetics but it certainly complies with those of humour.

LEO STAATS - &lt;i&gt;SOIR DE FETE&lt;/i&gt;
A choreographer appreciated by Balanchine, Leo Staats is a figure from the world of dance who does not enjoy the fame he deserves. Competing in his time with the scandalous Ballets Russes, he was a brilliant albeit discreet maitre de ballet and, above all, a great teacher. His choreographies had the merit of getting down to a task that was considerable at the time: restoring to favour the role of the male dancer, which the 19th century had relegated to that of simple bearer. With &lt;i&gt;Soir de Fete&lt;/i&gt;, a work from 1925, witness the remarkable renaissance of the male dancer, leaping and moving freely alongside his female partners. This choreography ideally illustrates the end of a counterproductive male/female antagonism that had finished by draining dance.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC127</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Berlioz, Hector</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Poulenc, Francis</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Saint-Saëns, Camille</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Rachmaninov, Sergey</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Bizet, Georges</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">CHUNG, Myung-Whun / ARGERICH, Martha / ANGELICH, Nicholas: Live at the Théâtre Antique d'Orange (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2016</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Le carnaval romain, Op. 9: Overture (NTSC) ( 00 sec. ) / Berlioz -- Concerto for 2 Pianos in D Minor, FP 61 (NTSC) ( 00 sec. ) / Poulenc -- Symphony No. 3 in C Minor, Op. 78, "Organ" (NTSC) ( 00 sec. ) / Saint-Saëns -- 2 Pieces for Piano 6 Hands: No. 2. Romance (NTSC) ( 00 sec. ) / Rachmaninov -- Carmen, Act I: Overture (NTSC) ( 00 sec. ) / Bizet</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Chung, Myung-Whun, Conductor -- Radio France Philharmonic Orchestra, Orchestra -- Argerich, Martha, Artist -- Angelich, Nicholas, Artist -- Henry, Christophe, Artist -- Berlioz, Hector, Composer -- Poulenc, Francis, Composer -- Saint-Saëns, Camille, Composer -- Rachmaninov, Sergey, Composer -- Bizet, Georges, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The concert begins with &lt;i&gt;Berlioz's Roman Carnival Overture&lt;/i&gt;, composed in 1844 and ends with &lt;i&gt;Saint-Saens's 3rd Symphony in C minor&lt;/i&gt;. This &lt;i&gt;Organ Symphony&lt;/i&gt;, dating from 1885-86, is dedicated to &lt;i&gt;Franz Liszt&lt;/i&gt;, who had recently died.

Between these two works, the internationally celebrated Argentine pianist Martha Argerich and the equally talented American Nicholas Angelich join to interpret &lt;i&gt;Francis Poulenc's Concerto for Two Pianos and Orchestra&lt;/i&gt;, a joyous score in the musical spirit of the 1930s.

The Korean conductor-pianist Myung-Whun Chung, aged 62, conducts the Orchestre Philharmonique de Radio France, which he has shaped over many long years.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Concert</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Rachmaninov, Sergey</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Bizet, Georges</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC132.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC132</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC132</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">BAC139</marc:controlfield>
        <marc:controlfield tag="005">20230831064948.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s2017||||cc btz|fsaefh       eng|d</marc:controlfield>
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            <marc:subfield code="a">3760115301399</marc:subfield>
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            <marc:subfield code="a">3760115301399</marc:subfield>
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            <marc:subfield code="a">Bel Air Classiques</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BALANCHINE, G.: Walpurgisnacht Ballet / Sonatine / La Valse / Symphony in C [Ballets] (New York City Ballet, 2016) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2017</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Walpurgisnacht Ballet (New York City Ballet, 2016) (NTSC) ( 00 sec. ) / Not Applicable -- Sonatine (New York City Ballet, 2016) (NTSC) ( 00 sec. ) / Not Applicable -- La Valse (New York City Ballet, 2016) (NTSC) ( 00 sec. ) / Not Applicable -- Symphony in C (New York City Ballet, 2016) (NTSC) ( 00 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Capps, Daniel, Conductor -- New York City Ballet, Ensemble -- Orchestre Prométhée, Orchestra -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The New York City Ballet, with its collection of extraordinary dancers and its unique repertoire, is one of the most prestigious dance companies in the world. This exceptional production, performed in Paris after eight years of absence, revolves around three great French composers who inspired NYCB founder &lt;i&gt;George Balanchine&lt;/i&gt;: &lt;i&gt;Charles Gounod, Maurice Ravel&lt;/i&gt; and &lt;i&gt;Georges Bizet&lt;/i&gt;.

The four ballets performed, choreographed from 1925 to 1980, perfectly encapsulate Balanchine's genius and his very own neo-classical style. They also provide a particular insight on the bonds that tied Balanchine to France. What is known today as &lt;i&gt;Walpurgisnacht Ballet&lt;/i&gt; was a ballet choreographed for the opera &lt;i&gt;Faust&lt;/i&gt; (Charles Gounod) at the Paris Opera in 1975. It premiered as an independant piece in New York in 1980. &lt;i&gt;Sonatine&lt;/i&gt;, set to a music by Maurice Ravel, was created by two New York City Ballet French principals, the recently departed Violette Verdy and Jean-Pierre Bonnefoux. &lt;i&gt;La valse&lt;/i&gt; was originally composed by Maurice Ravel for the Ballets Russes and Serge Diaghilev, then exiled in France, shortly before Balanchine entered the company. &lt;i&gt;Symphony in C&lt;/i&gt; (Georges Bizet), better known as Le Palais de Cristal, premiered at the Paris Opera.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Ballet &amp; Dance</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC139.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC139</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC139</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">BAC142</marc:controlfield>
        <marc:controlfield tag="005">20230831064951.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s2017||||cc opz|fsaefh       eng|d</marc:controlfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">3760115301429</marc:subfield>
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            <marc:subfield code="a">Bel Air Classiques</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Bellini, Vincenzo</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BELLINI, V.: Puritani (I) [Opera] (Teatro Real, 2016) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2017</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">I puritani (The Puritans) (Teatro Real, 2016) (NTSC) ( 03 hrs., 01 min. ) / Bellini -- Disc 2 ( 00 sec. ) / Bellini</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Damrau, Diana, Artist -- Tézier, Ludovic, Artist -- Teste, Nicolas, Artist -- Madrid Teatro Real Chorus, Choir -- Pido, Evelino, Conductor -- Madrid Teatro Real Orchestra, Orchestra -- Camarena, Javier, Artist -- Lozano, Antonio, Artist -- Sebestyén, Miklós, Artist -- Stroppa, Annalisa, Artist -- Pepoli, Carlo, Lyricist -- Bellini, Vincenzo, Composer</marc:subfield>
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            <marc:subfield code="a">A jewel of bel canto, and &lt;i&gt;Bellini's&lt;/i&gt; last masterpiece, &lt;i&gt;I Puritani&lt;/i&gt; encapsulates every major theme held dear by the Italian romantic generation: a love triangle, quid pro quos, a shattered love affair leading to madness, set in Cromwell's England with its lot of political rivalries. It is also an ode to resistance and to freedom, echoing the political struggles that the Italian peninsula was facing in the 1830's. But it is mainly a testament to Bellini's unique musical brand, a genius combination of melodic brightness, post rossinian ornaments, and a profound and melancolic lamento that owes much to traditional Neapolitan songs.

It is therefore one of the most vocally demanding opera of the repertoire, and to face this challenge, the Teatro Real of Madrid called on four exceptional singers: the great diva Diana Damrau is Elvira, Javier Camarena is Arturo (both triumphed at the Metropolitan Opera of New York in the same opera in 2017), as well as baritone Ludovic Tezier and bass-baritone Nicolas Teste.

Catalan director Emilio Sagi offers a staging both elegant and simple, and bel canto expert Evelino Pido, along with the Teatro Real Orchestra and Chorus, brings forth every nuance of this immense and unforgettable score.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Opera</marc:subfield>
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            <marc:subfield code="a">Pepoli, Carlo</marc:subfield>
            <marc:subfield code="e">Lyricist</marc:subfield>
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            <marc:subfield code="a">Bellini, Vincenzo</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC142.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC142</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC142</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">BAC162</marc:controlfield>
        <marc:controlfield tag="005">20230831064955.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">A tenement on the East Side of Manhattan is our window into a multitude of precarious lives pushed to the limits. Romance, disputes, gossip mongering, betrayals, and constant tension mark the routines of this community of neighbors in the socially conscious &lt;i&gt;Street Scene&lt;/i&gt;, the first opera &lt;i&gt;Kurt Weill&lt;/i&gt; composed in the United States after escaping Nazi persecution. The brilliance of the music complements a sparkling libretto by Elmer Rice - an adaptation of his Pulitzer-winning play of the same name - and lyrics by legendary Harlem Renaissance poet Langston Hughes.

Weill sought to write an "American opera" drawing on Broadway musicals, blues, and jazz, all with an eye toward the European operatic tradition-recitatives, arias, ensemble - in which he had been immersed before crossing the Atlantic. The final product lies somewhere between Weill's &lt;i&gt;Threepenny Opera&lt;/i&gt; (a collaboration with Brecht and the origin of the famous &lt;i&gt;Mack the Knife&lt;/i&gt;) and &lt;i&gt;Bernstein's West Side Story&lt;/i&gt;: a masterful depiction of everyday life in a big city, brutally realistic but with a refined poetic sensibility.

Under Tim Murray's precise baton, this new production by John Fulljames, featuring a top-notch vocal cast, vividly renders the vitality and energy of the New York streets that inspired Weill's brilliant theatrical mind.</marc:subfield>
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            <marc:subfield code="a">MOLVÆR, N.P.: Ghosts [Ballet] (after H. Ibsen) (Norwegian National Ballet, 2017) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Molvaer, Nils Petter, Artist -- Norwegian National Ballet, Ensemble -- Borud Nybakken, Grete Sofie, Artist -- Currell, Philip, Artist -- Østraat, Erle, Artist -- Heise, Andreas, Artist -- Haglund, Kristoffer Ask, Artist -- Spidsøe, Camilla, Artist -- Vinograd, Sonia, Artist -- Falkhaugen, Ole Willy, Artist -- Inao, Yoshifumi, Artist</marc:subfield>
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            <marc:subfield code="a">Are we ever honest enough to be unaffected by lies? This is the question asked by &lt;i&gt;Henrik Ibsen's&lt;/i&gt; drama &lt;i&gt;Ghosts&lt;/i&gt; (Gengangere). Oswald Alving returns from a bohemian existence in Paris to small-town Norway. Encountering people who do not communicate, Oswald responds by becoming ironic and distant. He gradually learns more of the secrets that weigh on his family, as well as those inside himself. His mother, Mrs. Alving, welcomes her much-missed son home - and slowly understands what, or whom, he has brought home with him.

&lt;i&gt;Ghosts&lt;/i&gt; is a psychological thriller in which the characters learn more and more about their own stories, says director Marit Moum Aune. It's about how the unsaid can grow to become insuperable. Immense courage is required to make peace with one's illusions.

Together with the young, critically acclaimed choreographer Cina Espejord, she retells Ibsen's play as a ballet. The pair feel the story is suited to dance because both its inner and outer brutality can be pitted against the power of dance.

Ibsen's Ghosts is an evocative production in a modern dance style. &lt;i&gt;Nils Petter Molvaer&lt;/i&gt; has composed new music, which he performs on-stage together with Jan Bang.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;James Joyce&lt;/i&gt; was born in Dublin. He was sent first to a Jesuit school but had to leave after three years because his father could no longer afford the fees. He went to another Jesuit school in Dublin and then to University College there. He went to Paris in 1902 and rarely returned to Ireland. His writing was difficult to publish and he had a very tricky character but with his unique style he became one of the most influential writers of the twentieth century. The documentary covers his life and background and is followed by an overview of his works.</marc:subfield>
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            <marc:subfield code="a">Elysium Ensemble, Ensemble -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Franz Kafka&lt;/i&gt; was born in Prague, still under the Austro-Hungarian Empire. He was well educated and from an early age he determined to become a writer. He worked in an insurance company and in his ample free time wrote a number of remarkable novels and short stories. His heroes are all struggling to find themselves against a background of the totalitarian state or tribe or religion, and his name has become synonymous with the idea of modern man and his struggle to maintain his individuality. The documentary traces his unusual life and is followed by a brief overview of his works.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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            <marc:subfield code="a">KEATS, J.: Famous Authors - The Life and Work of John Keats (music by F. Schubert) (Documentary, 2011) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Life and Work of John Keats (NTSC) ( 33 min., 36 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Elysium Ensemble, Ensemble -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">The English poet &lt;i&gt;Keats&lt;/i&gt; was born into comfortable circumstances in 1795. He had a good education. His father died in an accident when he was in his early teens and he took up the profession of surgeon. He was however writing poetry and he was soon recognized by his discerning friends as someone quite exceptional. He died of tuberculosis at the age of 26. This documentary traces his brief life and is followed by an overview of his delightful work.</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="856" ind1="4" ind2="0">
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=L7895DVD</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">LAWRENCE, D.H.: Famous Authors - The Life and Work of D.H. Lawrence (music by F. Delius and P. Grainger) (Documentary, 2004) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Life and Work of D.H. Lawrence (NTSC) ( 35 min., 48 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;D.H. Lawrence&lt;/i&gt; was born into the family of a coal miner in 1885. His remarkable achievement in becoming one of the most successful novelists of his day is explored in this film by Malcolm Hossick. Not only did he make it as a writer but in his honesty and open mindedness he had a huge effect on the way novels are written in general. The film is followed by a brief overview of his work. Lawrence was born in Eastwood, Nottinghamshire. His father was a coalminer and his mother a schoolteacher. He went to Nottingham University College. He began a teaching career in London but in 1812 became a full-time writer. He went off with the aristocratic German wife of his professor at Nottingham. After a turbulent but ultimately successful career which included taking up painting,he died of tuberculosis when he was forty-five.</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">MONTAIGNE, M. de: Famous Authors - The Life and Work of Michel Eyquem de Montaigne (music by J.S. Bach) (Documentary, 2015) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">The Life and Work of Michel Eyquem de Montaigne (NTSC) ( 31 min., 52 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Elysium Ensemble, Ensemble -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Montaigne&lt;/i&gt; was a French aristocrat born in the middle of the 16th century a while before Shakespeare. He wrote essays about his views on life and in particular about himself. They are wise and amusing and just as pertinent today as they were in this own times. This documentary by Malcolm Hossick follows his unusual and fascinating life. The program begins by giving a sense of Montaigne's views on life suggesting why they are so prescient for today. It follows his unusual education and gives a background of the history of France of which he was for a time actually an intimate part. His brief friendship with a man called La Boetie colours his understanding of mankind and probably plays a part in his deciding to write down all he could think of about himself which forms what we know of as his essays. The program ends with some of the topics which so engaged him and which make him such a charming candidate for our attention in the twenty first century!</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/L7898DVD.jpg</marc:subfield>
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            <marc:subfield code="a">O'NEILL, E.: Famous Authors - The Life and Work of Eugene O'Neill (Documentary, 2005) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Life and Work of Eugene O'Neill (NTSC) ( 34 min., 11 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;O'Neill&lt;/i&gt; was born in 1888 into a theatrical family. He got a good education but led a turbulent existence until he finally began to have some success with the plays he wrote for the tiny theatre in Providence Massachusetts. The program follows his early life and the influence he has had on world theatre through his work. It is followed by a brief overview of his work. O'Neill's father was a successful actor and as a child he was loved and cared for. He spent his youth rebelling against everything and finally settled down to become America's first serious dramatist of international stature. He won the Nobel prize for literature in 1936.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/L7899DVD.jpg</marc:subfield>
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        <marc:controlfield tag="001">L7900DVD</marc:controlfield>
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            <marc:subfield code="a">ORWELL, G.: Famous Authors - The Life and Work of George Orwell (music by Delius, Finzi, Debussy and Satie) (Documentary, 2018) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Life and Work of George Orwell (NTSC) ( 34 min., 48 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Elysium Ensemble, Ensemble -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">This program by Malcolm Hossick follows the life and work of &lt;i&gt;George Orwell&lt;/i&gt;. Orwell was born in India and educated at Eton College. In 1922 he went out to Burma as a police officer. He returned to England in 1927 and determined to be a writer. He was interested in politics and the lot of the poor in society and his works reflect this interest. Just as he was becoming a successful novelist he died of tuberculosis. Many rate him as one of the most influential writers of the 20th century. The film is followed by a brief summary of his works.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/L7900DVD.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=L7900DVD</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/L7900DVD</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">L7901DVD</marc:controlfield>
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            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">PROUST, M.: Famous Authors - The Life and Work of Marcel Proust (music by C. Debussy and M. Ravel) (Documentary, 2020) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Life and Work of Marcel Proust (NTSC) ( 32 min., 32 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Elysium Ensemble, Ensemble -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Proust&lt;/i&gt; wrote a remarkable and very long novel called La Recheche de Temps Perdue, translated usually as Remembrance of Things Past. It's size and reputaiton for density and incomprehensibility mean that not many folk take it on. This is a great pity as once you have started reading it is hard not to be drawn into Proust's world. This is because you will find yourself there in it's huge cast of sensitively drawn characters. The film explores how he did it and is followed by an overview of his work. Proust was born the son of a wealthy Parisian doctor and had an easy entry into the higher echelons of French society. His knowledge of this world was the background to the astonishing series of novels called A La Recherche du Temps Perdu (Remembrance of Things Past). He did not have an early success but by the end of his life it was recognized that his work - sensitive, searching, amusing and amazingly perceptive about how humans work - was in a class of its own. The program traces his unusual life and ends with an overview of his works.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Walter Scott&lt;/i&gt; was a prolific and passionate storyteller who saw an understanding of the past as the key to getting along in the present. His canvas was usually the history of Scotland but his means were such that he found an audience throughout the literary world. He was as much loved in foreign translations as he was in English. The program covers his eventful life and is followed by an overview of his extensive output. Scott was born in Edinburgh in 1771. His father was a successful lawyer. In childhood he contracted polio which lamed him for life. He was not a very successful pupil at Edinburgh High School but went to the university to qualify as a lawyer. Writing poetry and novels soon became the activity for which he became world famous. He died in his beloved home of Abbotsford in the Scottish Borders in 1832.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Shelley&lt;/i&gt; was born in 1792 in a house in Surrey on the estate of his grandfather Sir Bysshe Shelley. He was educated at Syon House Academy in London and at Eton. In 1810 he went to University College Oxford and published his first poems. He was expelled from Oxford and lived variously in England and Italy where he died in a sailing accident off Leghorn in 1822 when he was thirty. He was much engaged by social politics and this is reflected unusually in his work.</marc:subfield>
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            <marc:subfield code="a">STEINBECK, J.: Famous Authors - The Life and Work of John Steinbeck (music by S. Wallace) (Documentary, 2017) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;John Steinbeck&lt;/i&gt; was one of the most popular writers of the 20th century and several of his books were made into films. This program in the Famous Author series by Malcolm Hossick explores his eventful life. and it is followed by a brief overview of his works.</marc:subfield>
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            <marc:subfield code="a">STEVENSON, R.L.: Famous Authors - The Life and Work of Robert Louis Stevenson (Documentary, 2000) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Stevenson&lt;/i&gt; was born in Edinburgh the only child of middle class parents. He went to the University of Edinburgh and took a law degree but in spite of his parents' opposition he was intent on being a writer. He suffered from poor health throughout his life but was successful from early in his career. He died in Samoa celebrated the world over. He wrote many travel books and short stories but is best known for his novels mostly with a background of Scottish history. The program covers his life and times and ends with an overview of his work.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Jonathan Swift&lt;/i&gt; was born in Dublin into a well off English protestant family. His father died and he was brought up and given the best possible education at the expense of his uncle. He was not grateful for this and his acid views on man's iniquities were the subject of his many writings. He worked for the English government and as a church administrator but loved and was much beloved by his friends. In Ireland he is seen as the first hero of the struggle against English dominance. This program traces his fascinating life and ends with an overview of his works.</marc:subfield>
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            <marc:subfield code="a">Lincolnshire Posy (NTSC) ( 00 sec. ) / Grainger -- Above and Beyond (NTSC) ( 00 sec. ) / Schwarz -- Fanfare Ritmico (NTSC) ( 00 sec. ) / Higdon -- Semper Fidelis (NTSC) ( 00 sec. ) / Sousa -- New England Triptych (NTSC) ( 00 sec. ) / Schuman -- Masquerade, Op. 102 (NTSC) ( 00 sec. ) / Persichetti -- The Stars and Stripes Forever (NTSC) ( 00 sec. ) / Sousa -- Suite No. 1 in E-Flat Major, Op. 28, No. 1 (NTSC) ( 00 sec. ) / Holst -- Symphony in B-Flat Major (NTSC) ( 00 sec. ) / Hindemith -- Shang Hai Overture (NTSC) ( 00 sec. ) / Sheng</marc:subfield>
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            <marc:subfield code="a">A unique collaboration: the All-Star Orchestra's Music Director Gerard Schwarz guest conducts the United States Marine Band. Founded by an Act of Congrass in 1787, it is America's oldest continually active musical ensemble. Three programs feature masterpieces for symphonic band and the history of the famed ensemble.

Program 1: Above and Beyond
The beloved folk melodies and lively dances of &lt;i&gt;Percy Grainger's Lincolnshire Posy&lt;/i&gt; are followed by Maestro Schwarz's own Above and Beyond and Pulitzer Prize-winner &lt;i&gt;Jennifer Higdon's Fanfare Ritmico&lt;/i&gt;. &lt;i&gt;John Philip Sousa's&lt;/i&gt; march, &lt;i&gt;Semper Fidelis&lt;/i&gt;, is led by the Director of the United States Marine Band, Col. Jason K. Fettig.

Program 2: New England Spirit
Revolutionary war melodies inspire &lt;i&gt;William Schumann's New England Triptych&lt;/i&gt; including &lt;i&gt;When Jesus Wept&lt;/i&gt; and the thrilling &lt;i&gt;Chester&lt;/i&gt; (as heard at several Presidential inaugurations). &lt;i&gt;Vincent Persichetti's&lt;/i&gt; colorful &lt;i&gt;Masquerade&lt;/i&gt; shows off the Marine Band's amazing virtuosity. The program conclude with Sousa's &lt;i&gt;The Stars and Stripes Forever&lt;/i&gt;.

Program 3: Classic Band Masterpieces
The masterful &lt;i&gt;First Suite for Military Band&lt;/i&gt; by composer of the &lt;i&gt;The Planets, Gustav Holst&lt;/i&gt;, is paired with the landmark &lt;i&gt;Symphony for Band in B flat&lt;/i&gt; by the great &lt;i&gt;Paul Hindemith&lt;/i&gt;. The splendor of Chinese percussion adds a festive note to &lt;i&gt;Bright Sheng's&lt;/i&gt; exhilarating &lt;i&gt; Shanghai Overture&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">Global Wagner - From Bayreuth to the World (NTSC) ( 01 hrs., 37 min. ) / Wagner</marc:subfield>
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            <marc:subfield code="a">Domingo, Plácido, Artist -- Beczała, Piotr, Artist -- Thielemann, Christian, Conductor -- Gergiev, Valery, Conductor -- Ross, Alex, Artist -- Wagner, Katharina, Artist -- Harteros, Anja, Artist -- Kosky, Barrie, Artist -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">Global Wagner - From Bayreuth to the World is not a biography of &lt;i&gt;Richard Wagner&lt;/i&gt;, nor is it a musicological analysis of his work. This is a documentary dedicated solely to the world's fascination with the man, and an exploration of the question as to how such massive hype and world-wide cult following developed around this highly controversial artist. The program is a revealing feature-length study of life with Wagner's legacy from one Bayreuth Festival to the next, and we travel the world to meet devoted Wagnerians and those most intimately involved in commenting on and producing his work today.</marc:subfield>
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            <marc:subfield code="a">ZANDONAI, R.: Francesca da Rimini [Opera] (Deutsche Oper Berlin, 2021) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Workman, Charles, Artist -- Rizzi, Carlo, Conductor -- Berlin Deutsche Opera Orchestra, Orchestra -- Jakubiak, Sara, Artist -- Berlin Deutsche Opera Chorus, Choir -- Hutton, Alexandra, Artist -- Johnson, Samuel Dale, Artist -- Tetelman, Jonathan, Artist -- Inverardi, Ivan, Artist -- Marrero, Meechot, Artist -- Galoyan, Mané, Artist -- Manganello, Arianna, Artist -- Tucker, Karis, Artist -- Elmadfa, Amira, Artist -- Dickinson, Andrew, Artist -- Cook, Patrick, Artist -- Murphy, Dean, Artist -- Lehman, Thomas, Artist -- Zandonai, Riccardo, Composer -- D'Annuzio, Gabriele, Lyricist -- Ricordi, Tito, Lyricist</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Riccardo Zandonai's Francesco da Rimini&lt;/i&gt; is a four-act opera set during the Renaissance period. The plot concerns an arranged marriage between Francesca and Giovanni, also known as Gianciotto, who is impersonated by his handsome brother Paolo, and with whom Francesca falls passionately in love. Sometimes referred to as the 'Italian Tristan', the opera ends in betrayal and a double murder. The production of the rarely performed opera from the Deutsche Oper Berlin proved to be a huge critical success.</marc:subfield>
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            <marc:subfield code="a">TCHAIKOVSKY, P.I.: Nutcracker (The) [Ballet] (National Opera of Ukraine Ballet, 2018) (NTSC)</marc:subfield>
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            <marc:subfield code="a">On Christmas Eve, a young girl has a dream... Emotional awakening, physical transformation, childhood that slowly merges into adulthood... behind what seems to be a tale for children slowly emerges a danced initiatory journey. And while children revel in Drosselmeyer's magic tricks and enjoy a good scare with the apparition of the Mouse King, the adults notice all the finesse that pervades this narrative and admire the virtuosity of the choreography.

A first class company, the Ballet Company of the National Opera of Ukraine has toured all around the world : from the United States to Europe and Asia. Thanks to its rich classical heritage, the Company has managed to win the hearts of its audience thanks to its amazing technique and artistic maestria, and as in every good dance company, the whole is equal to the sum of its parts. The Company has also, over the years, establised itself as a unique talent pool, that has nurtured first class dancers such as Iana Salenko (Staatsballet Berlin), Alina Cojocaru (Royal Ballet), Maxim Beloserkovsky and Irina Dvorovenko (American Ballet Theater); and the young gifted dancers that make the Ballet's reputation ensure the preservation of the classical heritage of this historical and world-renowned company.</marc:subfield>
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            <marc:subfield code="a">ROSSINI, G.: Barbiere di Siviglia (Il) [Opera] (Arena di Verona, 2018) (NTSC)</marc:subfield>
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The opera displays with great clarity the essence of the Rossinian revolution: situation comedy, sharp criticism of social hypocrisy, together with a witty musical style, the glory of belcanto, and the contagious energy of assertive melodic lines. With the adventures of the factotum Figaro and his master Almaviva, looking to seduce the beautiful Rosina and steal her away from the old Bartolo; through the endless criss-crossing of this lover's chase, Rossini was to begin a new chapter in Italian opera, and forge a new brand that shaped the musical landscape of the 19th century.

For this reprisal of Hugo de Ana's famous staging at the Arena di Verona, Rossini's masterpiece is conducted by Maestro Daniel Oren. Italian baritone Leo Nucci, a true connoisseur of the part, is a boastful and virtuoso Figaro, while soprano Nino Machaidze and tenor Dmitry Korchak are perfect as the not-so-candid lovers around whom the opera revolves. And who better than Italian bass Ferruccio Furlanetto, who shines in the Calunnia aria, for the part of Basilio?</marc:subfield>
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            <marc:subfield code="a">Gimenez, Raul, Artist -- Esteve, Vicenç, Artist -- Kunde, Gregory, Artist -- Madrid Teatro Real Chorus, Choir -- Martín-Royo, Joan, Artist -- Madrid Teatro Real Orchestra, Orchestra -- Luisotti, Nicola, Conductor -- Mastroni, Andrea, Artist -- Sanabria, Juan Antonio, Artist -- Theorin, Iréne, Artist -- Auyanet, Yolanda, Artist -- Pequenos Cantores de la Jorcam, Choir -- Bullón, Gerardo, Artist -- Simoni, Renato, Lyricist -- Puccini, Giacomo, Composer -- Adami, Giuseppe, Lyricist</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Giacomo Puccini&lt;/i&gt; wrote what was supposed to be his last opera at a time where, riddled with disease and old age as he was, he felt like his own turmoil was reflected in the outside world: itself staggering, unsteady, overwhelmed and smashed by the chaos of European diplomacy. In spite of these obstacles, he persevered and worked until the very end of his life on this opera that he left unfinished but that proved to be a "way out" for him in many ways. Drawn from an ancient Persian epic from the 13th century, &lt;i&gt;Turandot&lt;/i&gt; was indeed an excuse to escape into a new dramatic universe, one made of unexpected sounds and symbols. Here, in a world removed both geographically and chronologically from his own reality, he gave into the seductive powers of exoticism and eroticism, just as his own heroin Princess Turandot abandons herself to the mysteries of love and forgiveness.

After twenty years of absence, Puccini's Turandot was revived on the stage of the Teatro Real in a new production by American stage director Robert Wilson. One of the most important theatre and visual artist of our times, the director who gave life to &lt;i&gt;Philip Glass's Einstein of the Beach&lt;/i&gt; and who reinvented &lt;i&gt;Debussy's Pelleas et Melisande&lt;/i&gt; hadn't worked on a Puccini opera in twenty-five years, since his ground-breaking &lt;i&gt;Madama Butterfly&lt;/i&gt; commissioned by the Paris Opera in 1993. This new encounter between his powerful visual universe and Puccini's evocative music was bound to be an outstanding event. Carried out by a brilliant cast of singers, dominated by Irene Theorin as Turandot, Gregory Kunde as Calaf and Yolanda Auyanet as Liu, this magnificent production is conducted by the Teatro Real's associate musical director Nicola Luisotti - and has been met with universal acclaim.</marc:subfield>
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            <marc:subfield code="a">TCHAIKOVSKY, P.I.: Swan Lake [Ballet] (National Opera of Ukraine Ballet, 2019) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Swan Lake, Op. 20 (National Opera of Ukraine Ballet, 2019) (NTSC) ( 02 hrs., 09 min. ) / Tchaikovsky</marc:subfield>
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            <marc:subfield code="a">Muromtseva, Ganna, Artist -- Matsak, Natalia, Artist -- Nedak, Denys, Artist -- Tkachuk, Yaroslav, Artist -- Skripchenko, Olga, Artist -- Skulkin, Oleksandre, Artist -- Alyanakh, Margarita, Artist -- Borisova, Irina, Artist -- Onipko, Svetlana, Artist -- Goguidze, Elisaveta, Artist -- Didenko, Katerina, Artist -- Chorna, Inna, Artist -- Chupina, Katerina, Artist -- Litvinenko, Sergey, Artist -- Ivashchenko, Vladislav, Artist -- Melnik, Ludmila, Artist -- Dyadura, Mykola, Conductor -- National Opera of Ukraine Ballet Company, Ensemble -- National Opera of Ukraine Orchestra, Orchestra -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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            <marc:subfield code="a">The impossible love between a human prince and a swan princess, tragic fates, the constant opposition between imagination and reality: these are the core elements of &lt;i&gt;Tchaikovsky's Swan Lake&lt;/i&gt;. Profoundly classical, Valery Kovtun's version for the Ballet of the National Opera of Ukraine is an homage to Tchaikovsky's talent, but also to Marius Petipa's timeless heritage. As in the original libretto, this Swan Lake ends with the two main character's death, drowned into the lake's tears. But evil is overpowered by love, and in the final apotheosis, Odette and Siegfried are forever united in a world of perfect harmony.

A first class company, the Ballet Company of the National Opera of Ukraine has toured all around the world : from the United States to Europe and Asia. Thanks to its rich classical heritage, the Company has managed to win the hearts of its audience thanks to its amazing technique and artistic maestria, and as in every good dance company, the whole is equal to the sum of its parts. The Company has also, over the years, establised itself as a unique talent pool, that has nurtured first class dancers such as Iana Salenko (Staatsballet Berlin), Alina Cojocaru (Royal Ballet), Maxim Beloserkovsky and Irina Dvorovenko (American Ballet Theater); and the young gifted dancers that make the Ballet's reputation ensure the preservation of the classical heritage of this historical and world-renowned company.</marc:subfield>
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            <marc:subfield code="a">PROKOFIEV, S.: Romeo and Juliet [Ballet] (Ural Opera Ballet, 2019) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Romeo and Juliet, Op. 64 (Ural Opera Ballet, 2019) (NTSC) ( 01 hrs., 57 min. ) / Prokofiev</marc:subfield>
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            <marc:subfield code="a">Klinichev, Pavel, Conductor -- Ural Opera Ballet, Ensemble -- Sapogova, Ekaterina, Artist -- Merkushev, Alexandr, Artist -- Bulytsyn, Igor, Artist -- Sageev, Gleb, Artist -- Eremin, Vadim, Artist -- Ural Opera Ballet Orchestra, Orchestra -- Prokofiev, Sergey, Composer</marc:subfield>
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            <marc:subfield code="a">A love to die for: &lt;i&gt;Prokofiev&lt;/i&gt; dance with the Ural Opera Ballet in this contemporary version of &lt;i&gt;Romeo and Juliet&lt;/i&gt; choreographed by Vyacheslav Samodurov.

Two lovers, united by fate but kept apart by an old family feud, who can only be together in death: Shakespeare's timeless tale, set to ballet music by &lt;i&gt;Sergey Prokofiev&lt;/i&gt; in 1935, needs no introduction. However, this production from the Ural Opera Ballet in Ekaterinburg, which won the prestigious Golden Mask Prize as "Best Ballet" in 2017, adds interesting twists to this well-known frame, as choreographer Vyacheslav Samodurov sets his performance in a dance studio, during a rehearsal of the Romeo and Juliet ballet.

This way, the characters of the play are placed out of a specific country or era: the action could take place anytime and anywhere. It could even be happening in front of your window right now: it is not by chance that the dancers reminded the audience of today's 'boys and girls from the Uralmash district', as some viewers have noted in social media. The motive of struggle between the two clans disappears from the performance - it does not matter which families the street fighters belong to. The concept of repetition and inexorability of the theatrical ritual plays a central part: a tragedy is about to happen and the lovers will die today, but afterwards everyone will go home, a new rehearsal will start tomorrow, and the story will be repeated again from the start.

With outstanding performances from principals Ekaterina Sapogova and Alexandr Merkushev, choreographer Vyacheslav Samodurov creates an intricate and surprisingly modern choreographical language that draws from classical movements but also from pantomime to best express the feelings and the drama at play in this eternal masterpiece.</marc:subfield>
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            <marc:subfield code="a">Durseneva, Aleksandra, Artist -- Bolshoi Theatre Chorus, Choir -- Bolshoi Theatre Orchestra, Orchestra -- Ulianov, Dmitri, Artist -- Murzaev, Sergey, Artist -- Semenchuk, Ekaterina, Artist -- Petrenko, Mikhail, Artist -- Garifullina, Aida, Artist -- Muravitsky, Roman, Artist -- Trofimov, Stanislav, Artist -- Mavlyanov, Nazhmiddin, Artist -- Minenko, Yuri, Artist -- Paster, Maxim, Artist -- Neklyudov, Alexey, Artist -- Zhilikhovsky, Andrey, Artist -- Komovich, Vladimir, Artist -- Rubtsova, Irina, Artist -- Zangiev, Timur, Conductor -- Rimsky-Korsakov, Nikolay Andreyevich, Composer</marc:subfield>
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            <marc:subfield code="a">In the 13th century, the rich merchants of Novgorod mock the dreams of far-away journeys and of commercial conquests brought forth by Sadko, a musician and singer. But Volkhova, the Sea King's daughter, is enchanted by Sadko's voice, and promises to help him fulfill his dreams...

&lt;i&gt;Sadko&lt;/i&gt; is a decisive work in &lt;i&gt;Nikolai Rimsky-Korsakov's&lt;/i&gt; aesthetic evolution. As in many operas, the composer draws his artistic material from Russian folk and fairytales, but also from old musical and poetic forms. The result is a prodigious opera, whose modernity - both dramatic and musical - erupts from the fabulous resources of traditional Russian epics, but also from the wonders of the marine universe, close to his former navigator self's heart.

A subtle analyst of the slavic soul, stage director Dmitri Tcherniakov comes back to the great stage of the Bolshoi Theater and devises a surprising production that perfectly underlines the ambiguities of this paradoxical opera, between past and present, fantasy and reality. He surrounds himself with magnificent Russian soprano Aida Garifullina, but also some of his favorite singers: Mikhail Petrenko, Ekaterina Semenchuk... In the pit and at the head of the Bolshoi Theater Orchestra, young Russian conductor Timur Zangiev breathes in this little-know masterpiece all the energy, all the poetry, and all the passion it requires.</marc:subfield>
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            <marc:subfield code="a">GREEK DRAMATISTS - The Playwrights of Ancient Greece (Documentary, 2017) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Greek Dramatists (NTSC) ( 49 min., 39 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">The dramatists of ancient Greece, Aeschylus, Sophocles and Euripides had a huge influence on their own times but they are arguably just as significant today. In this program Malcolm Hossick uncovers how they worked and why their ideas and methods were so revolutionary.</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">TWAIN, M.: Famous Authors - The Life and Work of Mark Twain (music by S. Wallace) (Documentary, 2017) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Mark Twain&lt;/i&gt; was born Samuel Langhorn Clemens in the small town of Florida Missouri. When he was four his parents moved the family to Hannibal, a larger town not far away on the banks of the Mississippi river. There he had an idyllic childhood which was to form the basis of some of his later novels. He began life as a river pilot then became a gold prospector. He finally began writing under the name Mark Twain and achieved immense success with a wide range of novels and essays on every topic under the sun. He was irreverent and funny, optimistic and charming and unsurprisingly this program by Malcolm Hossick of his hectic and fascinating life is equally rewarding.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Voltaire&lt;/i&gt; was born the son of a prominent lawyer and from his earliest days showed a precocious literary talent. He wrote plays and novels and historical and philosophical works his outspokeness constantly landed him in trouble with the authorities. He became the leading liberal voice of the french enlightenment and he has had a world wide influence ever since. The program traces his fascinating life and ends with an overview of his works.</marc:subfield>
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            <marc:subfield code="a">WHITMAN, W.: Famous Authors - The Life and Work of Walt Whitman (Documentary, 2017) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The poet &lt;i&gt;Walt Whitman&lt;/i&gt; was born in a small village in Long Island, New York State in 1819. When he was quite young the family moved to Brooklyn where he received a modest education. He began work as a typesetter. He published his most famous book of poems &lt;i&gt;Leaves of Grass&lt;/i&gt; in 1855 and gradually his reputation grew. He died in Camden New Jersey in 1892 already recognized as one of the outstanding voices of the American spirit. The program by Malcolm Hossick covers his life and background and is followed by an overview of his work.</marc:subfield>
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            <marc:subfield code="a">WILDE, O.: Famous Authors - The Life and Work of Oscar Wilde (music from Patience by A. Sullivan) (Documentary, 2005) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Elysium Ensemble, Ensemble -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Oscar Wilde&lt;/i&gt; was certainly one of the most brilliant writers of comedy for the English stage. The tale of his tragic downfall, caused by the society of his time condemning his private sexual life, has generally overshadowed the importance of his work. This program by Malcolm Hossick follows his early career and attempts to regain the balance between tragic figure and artist. It covers his life and background and ends with an overview of his work.</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Wu, Mary, Artist -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">This program by Malcolm Hossick follows the fascinating life of the novelist &lt;i&gt;Virginia Woolf&lt;/i&gt;. She was born in London in 1882. Her father was Leslie Stephen, a writer and literary editor. She was educated privately and in 1912 married Leonard Woolf. He encouraged her to write and they began their own publishing house called the Hogarth Press where they printed her remarkable books.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
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            <marc:subfield code="a">WORDSWORTH, W.: Famous Authors - The Life and Work of William Wordsworth (music by L. van Beethoven) (Documentary, 2007) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Mistry String Quartet, Ensemble -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;William Wordsworth&lt;/i&gt; was born in Cockermouth in the Lake District in 1770. His father ran the estate of a local landowner and the family lived in a large and comfortable house. He was well educated at the grammar school in nearby Hawkshead and he went to St John's College Cambridge in 1737. He lived most of his life in his beloved Lake District enjoying the fame he achieved as the greatest poet of the romantic age.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;William Butler Yeats&lt;/i&gt; was born in Dublin. His father was a successful artist and from an early age Yeats determined to be and was soon accepted as a poet. On the London literary scene he was a leading light and in Dublin was instrumental in setting up an Irish Theatre. He became the recognized poet of the Irish struggle for freedom and ended his long life as a senator and venerated patriarch of the new state. The documentary traces his life and ends with an overview of his works.</marc:subfield>
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Canticum Digitale is an immersive and synesthetic work, where sound and visual stimuli merge harmoniously to create a unique audiovisual experience for the viewer on the volumetric membrane of the eight screens in the Brazil pavilion at Dubai Expo. This performance features soprano Flavia Fernandes and the Goias Philharmonic Orchestra, conducted by Neil Thomson.</marc:subfield>
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            <marc:subfield code="a">A forest engaging in dialogue with the exuberant fauna. A restless river cascades towards the sea. One of the monuments of Brazilian symphonic music, &lt;i&gt;Canticum Naturale&lt;/i&gt;, by &lt;i&gt;Edino Krieger&lt;/i&gt;, is revisited fifty years after its premiere by means of digital art in &lt;i&gt;Canticum Digitale&lt;/i&gt; (2022), an audiovisual piece of digital art, or visual music, in which rhythm, harmony, and melody are transposed into the domain of imagery. 

Canticum Digitale is an immersive and synesthetic work, where sound and visual stimuli merge harmoniously to create a unique audiovisual experience for the viewer on the volumetric membrane of the eight screens in the Brazil pavilion at Dubai Expo. This performance features soprano Flavia Fernandes and the Goias Philharmonic Orchestra, conducted by Neil Thomson in a multiscreen version.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">SAINT-GEORGES, J.B.C de: Giving Voice - Recording the 6 Concertante Quartet (Documentary, 2021)  (NTSC)</marc:subfield>
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            <marc:subfield code="a">Causa, Ettore, Artist -- Kwok, Sarita, Artist -- Arabella String Quartet, Ensemble -- Eskar, Julie, Artist -- Lecarme, Alexandre, Artist -- Bradley, Allan, Artist -- Saint-Georges, Joseph Bologne, Chevalier de, Composer</marc:subfield>
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            <marc:subfield code="a">A brilliant swordsman, athlete, violin virtuoso and composer, &lt;i&gt;Joseph Bologne, Chevalier de Saint-Georges&lt;/i&gt; might well lay claim to being the most talented figure in an age of remarkable individuals. The string quartet was still in its infancy in France in the 1770s, but while these pieces are small in scale they are exceptionally rewarding. 

Saint-Georges appreciated the intimate nature of this genre, avoiding overt soloistic virtuosity and exploring chamber music timbres, amply demonstrating his rich lyrical gifts and a natural ability to delight performers and audiences alike.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">STRAVINSKY, I.: Rossignol (Le) (The Nightingale) [Opera] (Aix-en-Provence Festival, 2010) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Le rossignol (The Nightingale) (Aix-en-Provence Festival, 2010) (NTSC) ( 03 hrs., 27 min., 57 sec. ) / Stravinsky</marc:subfield>
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            <marc:subfield code="a">Bannik, Ilya, Artist -- Peretyatko, Olga, Artist -- Lyon National Opera Chorus, Choir -- Ono, Kazushi, Conductor -- Lyon National Opera Orchestra, Orchestra -- Montvidas, Edgaras, Artist -- Vorobiev, Yuri, Artist -- Suliman, Nabil, Artist -- Shilova, Svetlana, Artist -- Semenova, Elena, Artist -- Stravinsky, Igor, Composer -- Mitusov, Stephan, Lyricist</marc:subfield>
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            <marc:subfield code="a">In &lt;i&gt;The Nightingale'&lt;/i&gt;, Robert Lepage incorporates the usual operatic arts, adds puppetry and acrobatics, and reverses the usual performance arrangement by placing the orchestra on the stage and turning the orchestra pit into a shimmering pool of water. This alchemy transmutes some children's tales about animals into an unusually integrated and spellbinding piece of theater.

The triumph of this Nightingale production is the way in which all the   arts illuminate the music in an emotional rather than purely plot - and character-centered manner while remaining firmly grounded in storytelling... (The Wall Street Journal)</marc:subfield>
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            <marc:subfield code="a">In his Parisian living room, music critic &lt;i&gt;Andre Tubeuf&lt;/i&gt; (1930-2021) tells, with his knowledge, his language and his memory, the story of the German Lied. From Mozart and Beethoven to Mahler and Strauss, through &lt;i&gt;Schubert, Schumann, Brahms&lt;/i&gt; and &lt;i&gt;Wolf&lt;/i&gt;, a major part of the European culture and of music history is reborn before our eyes and ears.

Featuring Episode 1 entitled &lt;i&gt;Mozart and Beethoven - The Lied's Dawn&lt;/i&gt; from a series of seven episodes filmed by Martin Mirabel.</marc:subfield>
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            <marc:subfield code="a">A Private Concert at Martha Argerich's (NTSC) ( 52 min. ) / Not Applicable -- Variations in E-Flat Major on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte, WoO 46 (NTSC) ( 00 sec. ) / Beethoven -- Fantasiestücke, Op. 73 (NTSC) ( 00 sec. ) / Schumann -- Introduction and Polonaise brillante in C Major, Op. 3 (NTSC) ( 00 sec. ) / Chopin -- 4 Gesänge, Op. 70: No. 2. Lerchengesang (arr. for cello and piano) (NTSC) ( 00 sec. ) / Brahms</marc:subfield>
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            <marc:subfield code="a">Argerich, Martha, Artist -- Dutoit-Argerich, Annie, Artist -- Maisky, Mischa, Artist -- Beethoven, Ludwig van, Composer -- Schumann, Robert, Composer -- Chopin, Fryderyk, Composer -- Not Applicable, na, Composer -- Brahms, Johannes, Composer</marc:subfield>
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            <marc:subfield code="a">What if chamber music returned to its traditional venue: within well-loved artists' homes? Initially, chamber music was composed for the private sphere, but ended up losing part of its essence as this form started performing within venues that gradually expanded. 

This program rekindles the origins of the genre by showing itself inside the living rooms of grand artists for original concerts, played in an intimate and privileged setting: at &lt;i&gt;Martha Argerich's&lt;/i&gt; in Geneva, with &lt;i&gt;Mischa Maisky&lt;/i&gt;. They invite us to hear masterpieces of the chamber repertoire in a new light: &lt;i&gt;Ludwig van Beethoven, Robert Schumann, Frederic Chopin and Johannes Brahms&lt;/i&gt; and between each movement, the Argerich confide about her lives and her art to presenter, Annie Dutoit, who has known her since childhood. A tender musical lesson.</marc:subfield>
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            <marc:subfield code="a">PUCCINI, G.: Bohème (La) [Opera] (Norwegian National Opera, 2012) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Solberg, Marita, Artist -- Parodi, Giovanni Battista, Artist -- Norwegian National Opera Chorus, Choir -- Norwegian National Opera Orchestra, Orchestra -- Jensen, Eivind Gullberg, Conductor -- Torre, Diego, Artist -- Ladjuk, Vasilij, Artist -- Rowley, Jennifer, Artist -- Langvik, Espen, Artist -- Sagbraten, Svein Erik, Artist -- Norwegian National Opera Children's Chorus, Choir -- Giacosa, Giuseppe, Lyricist -- Puccini, Giacomo, Composer -- Illica, Luigi, Lyricist</marc:subfield>
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            <marc:subfield code="a">Set in the artistic but impoverished milieu of early 19th-century Paris, the tragic love of the poet Rodolfo and seamstress Mimi is on the most affecting in all opera. &lt;i&gt;La Boheme's&lt;/i&gt; arias are also some of the most intensely passionate &lt;i&gt;Puccini&lt;/i&gt; ever wrote, making it is one of the best-loved of all his works. 

In what Opera News called a 'through rethinking and brilliant re-creation' this exceptional Oslo production, strongly cast and conducted, and staged by internationally acclaimed director Stefan Herheim, explores the work as never before to create what The New York Times called an 'ultimately haunting' experience.</marc:subfield>
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            <marc:subfield code="a">BELLINI, V.: Capuleti e i Montecchi (I) [Opera] (La Fenice, 2015) (NTSC)</marc:subfield>
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            <marc:subfield code="a">I Capuleti e i Montecchi (La Fenice, 2015) (NTSC) ( 02 hrs., 16 min. ) / Bellini</marc:subfield>
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            <marc:subfield code="a">Ganassi, Sonia, Artist -- Amoretti, Ruben, Artist -- Dall'Amico, Luca, Artist -- Teatro la Fenice Orchestra, Orchestra -- Teatro la Fenice Chorus, Choir -- Pratt, Jessica, Artist -- Wellber, Omer Meir, Conductor -- Mukeria, Shalva, Artist -- Romani, Felice, Lyricist -- Bellini, Vincenzo, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Vincenzo Bellini's&lt;/i&gt; first great operatic success &lt;i&gt;I Capuleti e i Montecchi&lt;/i&gt; is based on an Italian version of &lt;i&gt;Romeo and Juliet&lt;/i&gt; in which the feuding clans seek reconciliation through the wedding of Giulietta and Tebaldo. Giulietta's lover, Romeo, begs her to elope with him, but fate has other plans for the couple.

Topped with the 'agile' coloratura runs and lyrical grace' (The New York Times) of soprano Jessica Pratt, this acclaimed production takes places in the historical and beautifully atmospheric Teatro La Fenice, the same venue in which I Capuleti e i Montecchi had its triumphant premiere in 1830.</marc:subfield>
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            <marc:subfield code="a">The Russian director's aim with this bold, sensitive transposition was "to highlight the hidden sorrows of a late twentieth-century man dwelling in a megalopolis."

The redoubtably complex title role was entrusted to Austrian baritone Georg Nigl. Born in Vienna in 1972, Georg Nigl was solo soprano with the Vienna Boys Choir prior to three years as an actor at the Burgtheater in Vienna. He began training as a singer at the Hochschule fur Musik in Vienna in 1990, before going on to the Kammersangerin Hilde Zadek. Over the last few years he has worked with, among others, Thomas Hengelbrock and his Baltasar Neumann Ensemble, Jordi Savall and his Hesperion XXI Ensemble, and Giovanni Antonini and Luca Pianca and their Il Giardino Armonico.

American soprano Mardi Byers plays Marie. A native of Colorado, she made her international debut as Tosca in Lubeck and Elisabetta in Don Carlos in Wiesbaden and Basel. She has also sung Donna Anna and Suor Angelica at the New York City Opera, as well as Elisabeth in Tannhauser and Ariadne in Nuremberg.

Greek conductor Teodor Currentzis directs the Bolshoi Theatre Orchestra and Chorus. Artistic director of the Perm Opera and founder and musical director of the Musica Aeterna ensemble, Teodor Currentzis is now to be seen in the world's leading venues: the Opera de Paris, Opernhaus Zurich, Bayerische Staatsoper Munich, the Royal Opera House Covent Garden and the Teatro Real in Madrid.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">TRIFONOV, Daniil: Magics of Music (The) (Documentary, 2015) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Daniil Trifonov - The Magics of Music (Documentary, 2015) (NTSC) ( 01 hrs., 07 min., 03 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">A Christopher Nupen film with &lt;i&gt;Daniil Trifonov&lt;/i&gt; - pianist, composer, Russian and a magician at the keyboard. The astonishing musical gifts of Daniil Trifonov have to be seen and heard to be believed. How many have won both the Rubinstein and &lt;i&gt;Tchaikovsky&lt;/i&gt; competitions in the same year - at the age of 20 - and then played a hundred and ten concerts in the following 12 months? Knowledgeable critics and leading musicians are saying that the world has not seen his like in more than fifty years.

Trifonov is immensely appealing. In addition to his astonishing musical gifts - as both pianist and composer - he is modest and unassuming, highly intelligent, generously co-operative and a pleasure to work with. An ideal subject for an intimate portrait film at the start of his career - a genre which employed with such happy results several times in the past with artists who were soon to become world famous. The films contributed a great deal to that.

The cameras are all close to Trifonov on the stage - even in the live concert performances - which involves the viewer and adds a dramatic quality that is seldom achieved in television relays. The films include five minutes shot at the Cleveland Institute in Ohio, during the first performance of Trifonov's recently composed first piano concerto - a work of considerable charm, which enjoyed a touching success with both the public and the critics at the premiere. There is something heartening about seeing super talented youth finding its audience.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts3699</marc:controlfield>
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            <marc:subfield code="a">DU PRE, Jacqueline: Gift Beyond Words (A) (Documentary, 2017) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Jacqueline du Pre: A Gift Beyond Words (Documentary, 2017) (NTSC) ( 31 min. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Barenboim, Daniel, Artist -- Du Pré, Jacqueline, Artist -- Barbirolli, John, Artist -- Zukerman, Pinchas, Artist -- Fou, Ts'ong, Artist -- Nupen, Christopher, Artist -- Pleeth, William, Artist -- Maguire, Hugh, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">A tribute to &lt;i&gt;Jacqueline du Pre&lt;/i&gt; to mark the thirtieth anniversary of her death thirty years ago, on 19 October 1987.

The documentary contains archive footage shot during Jacqueline du Pre's lifetime which captures some glorious and professionally filmed live performances. It also remembers both her personality and her music through the memories and tributes of her closest friends and colleagues including Daniel Barenboim, Pinchas Zukerman, Itzhak Perlman, Toby Perlman, Fou Ts'ong, Zubin Mehta, William Pleeth, Dietrich Fischer-Dieskau, Hugh Maguire, Elizabeth Wilson, Cynthia Friend, Charles Beare, Suvi Grubb, Dr Len Selby and Clive Barda.

In the music she is accompanied by Daniel Barenboim, Pinchas Zukerman, Gervase de Peyer, Itzhak Perlman, Zubin Mehta, Janet Baker The New Philharmonia Orchestra and the Israel Philharmonic Orchestra.

There is music by &lt;i&gt;Beethoven, Eccles, Couperin, Clementi, Elgar, Brahms, Offenbach&lt;/i&gt; and &lt;i&gt;Bruch&lt;/i&gt;. The writer and director is Christopher Nupen who was close to Jacqueline du Pre for more than 20 years and made five films with her during her lifetime.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DA VINCI, Leonardo: Portrait of An Uncomfortable Genius (Documentary, 2018) (NTSC)</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">Leonardo da Vinci: Portrait of An Uncomfortable Genius (Documentary, 2018) (NTSC) ( 48 min., 46 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Leonardo da Vinci&lt;/i&gt; is famous all over the world as the man who painted the Mona Lisa. But he was a very unusual painter. He did not complete many paintings and his interests ranged over a wide variety of subjects. He was very unorthodox in an age which was just opening up to the new renaissance ideas on science and beliefs. This program by Malcolm Hossick explores the life and work of this most remarkable man.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">It was common practice in &lt;i&gt;Rameau's&lt;/i&gt; time to produce a suite of
ballet movements from operas to perform in concert. This performance by Septura features the classic 'French' &lt;i&gt;Ouverture&lt;/i&gt; from &lt;i&gt;Darnanus&lt;/i&gt;, with its grandiose dotted-rhythm opening giving way to a compelling energetic movement, is a musical highlight of the opera.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Symphony No. 2, "Le Double"&lt;/i&gt; (1955-59) was commissioned by the Koussevitzky Foundation for the 75th anniversary of the Boston Symphony Orchestra who premiered it on 11th December 1959 under the baton of Charles Munch. It is scored for a 12-strong chamber ensemble featuring representatives from each instrumental family (oboe, clarinet, bassoon, trumpet, trombone, harpsichord, celeste, timpani and string quartet) in addition to a full orchestra. 

The formation allows for subtle interplay between the two musical protagonists as they join forces, confront each other and offer reflected images of each other in a series of shifting inter-relationships. It is this dual personality, together with a use of stereophonic effects and polyrhythms which gives the symphony its subtitle "Le Double". As the composer put it, it's a musical play of mirrors and of contrasting colours'.</marc:subfield>
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            <marc:subfield code="a">ONSLOW, G.: String Quintet No. 10: III. Menuetto (Elan Quintet) (from Naxos 8.573689) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The &lt;i&gt;String Quintet No. 10 in F minor, Op. 32&lt;/i&gt; was first published in 1827, the year of Beethoven's death. As was typical for the time, no full score was produced of the piece: only parts were made available, since the notion of 'studying' a work in a full scored format was only to become the norm gradually, and largely as a result of musicians and music-lovers struggling to study and come to grips with the innovations of Beethoven's last string quartets.</marc:subfield>
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            <marc:subfield code="a">OFFENBACH, J.: Ouverture à grand orchestre (Lille National Orchestra, Darrell Ang) (from Naxos 8.573694) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Jacques Offenbach&lt;/i&gt; is best remembered for his operettas, but the dramatic &lt;i&gt;Ouverture a grand orchestre&lt;/i&gt; is a rarely heard early piece that presages his future in musical theatre.

By far the most substantial in terms of duration, Offenbach's Ouverture a grand orchestre is the earliest music to feature here, composed in 1843 when he was just 24 years old. At this time he was playing the cello in fashionable salons and shared a platform with Liszt in Paris, as well as being summoned to perform for royalty all over Europe. His compositions from this period include numerous fantasies on popular operas and also the Ouverture a grand orchestre. With its skilful writing and light touch, this dramatic work presages the composer's theatrical future, revealing as it does the influence of such models as &lt;i&gt;Spohr, Herold&lt;/i&gt; and &lt;i&gt;Weber&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">The cyclical structure of the &lt;i&gt;Christmas Oratorio&lt;/i&gt; is reinforced by the fact that this same chorale appears in the final chorus of &lt;i&gt;Part 6, Nun seid ihr wohl gerochen&lt;/i&gt; (Now you are well avenged). It seems fitting for the group to play that chorus, especially because in its original form it is a trumpet solo. This is the triumphant climax of the final part, and the virtuosic solo is played on a piccolo trumpet, as the chorus celebrate the failure of Herod's plan.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Pyotr Il'yich Tchaikovsky's The Crown of Roses&lt;/i&gt; is the first of several of the ensemble's Christmas pieces that use the image of the Christ-child to presage the grim reality of Jesus's fate. It is popular as a carol despite its stark subject - the other children made Jesus a crown of thorns "and with rough fingers pressed it down, till on his forehead fair and young, red drops of blood like roses sprung". 

The text, by Richard Henry Stoddard, was translated into Russian and
originally set by Tchaikovsky for voice and piano in his Sixteen Children's Songs (1884). He later reworked this for a cappella choir, and this is the version that the group have transcribed. Three verses and a coda in the sombre key of E minor contrast childlike innocence - for which we use the homogenous warmth of the brass section - with violence and pain - for which we unleash our full power.</marc:subfield>
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            <marc:subfield code="a">The &lt;i&gt;String Quintet No. 28 in G minor, Op. 72&lt;/i&gt;, is an effective bringing together of Baroque poise and rich Romantic writing. The final two movements of the G minor Quintet are full of bounce and energy, with the &lt;i&gt;Finale&lt;/i&gt; reintroducing chromatic material similar to the opening, destabilising the music  it goes, bringing it to an exciting climax and conclusion.</marc:subfield>
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            <marc:subfield code="a">Free she was born and free she will die. This sometime cigar-maker, sometime smuggler with something of the sorceress about her is often in love - as capable of making a deserter of the sergeant Don Jose as she is of wooing the toreador, Escamillo. She is the ally of love - that rebellious bird and gypsy's child she resembles so much. Her first name: Carmen. Around these two syllables Prosper Merimee built a novella that Georges Bizet used to create a character that his opera would turn into a myth: that of a free woman who heeds her desires without worrying about propriety, and who is condemned to end up stabbed to death by a deserter consumed by passion. But a myth is open to an infinite number of possible readings.

Although it has become the most popular opera in the world &lt;i&gt;Carmen&lt;/i&gt; - like any universal masterpiece - can still benefit from an innovative approach. Visionary director Dmitri Tcherniakov's take on it promises some strong emotions as, like Merimee, he shows us Carmen through the eyes of Jose. And against the dizzying vortex created by the meticulous direction, under the baton of an unbridled Pablo Heras-Casado, the eternal dance of love-unto-death plays out once more. &lt;i&gt;https://festival-aix.com/en/event/carmen&lt;/i&gt;</marc:subfield>
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            <marc:subfield code="a">Cappella Mediterranea, Ensemble -- García Alarcón, Leonardo, Conductor -- Bonsignore, Andrea, Artist -- Vistoli, Carlo, Artist -- Jackson, Stuart, Artist -- Aspromonte, Francesca, Artist -- Desandre, Lea, Artist -- Orliński, Jakub Józef, Artist -- Hurrell, Susanna, Artist -- Miminoshvili, Alexander, Artist -- Oney, Tai, Artist -- Abernethy, Jonathan, Artist -- Aureli, Aurelio, Lyricist -- Cavalli, Francesco, Composer</marc:subfield>
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            <marc:subfield code="a">A king haunted by nightmares, princes as charming as they are flighty, a young woman disguised as a warrior to find her unfaithful lover, a slave who wants to be queen without giving up her lovers - without forgetting the old nurse who dreams of love! The portrait gallery on which &lt;i&gt;Erismena&lt;/i&gt; opens promises dizzying romantic intrigue. This work by &lt;i&gt;Cavalli&lt;/i&gt;, who had become the most eminent opera composer of his time, seems to have been a huge success following its creation in Venice in 1655, if the large number of productions staged over the following twenty years or so - even reaching as far as England - are anything to go by. Maestro Leonardo Garcia Alarcon, a fervent admirer of Cavalli, joins forces with director Jean Bellorini, poet of the stage and leader of the company, to revive this rarely-performed work. With its wealth of arias and tragicomic situations, Erismena offers a romantic, human kind of opera, in contrast to the mythological works of previous decades. There are no more gods here, or ancient heroes, but kings, princesses, soldiers and slaves carried away by a deliciously convoluted plot in which disguise and hidden identities become the allies of all conquering desire. 
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            <marc:subfield code="a">&lt;i&gt;Mieczyslaw Weinberg's&lt;/i&gt; powerful Holocaust drama &lt;i&gt;Die Passagierin&lt;/i&gt; channels his and his family's ordeals of wartime and Soviet persecution, applying them musically to Zofia Posmysz's autobiographical novel. The score was praised by &lt;i&gt;Shostakovich&lt;/i&gt; for its 'beauty and greatness', with a narrative that unfolds on an ocean liner bound for Brazil on which a former Auschwitz guard and one of her Polish prisoners confront impossible moral conflict and harrowing flashbacks in music that is sparse, dark, sardonic and intermittently tender. This acclaimed Oper Graz production draws us movingly into the raw unimaginable madness of this imperishable moment in history.</marc:subfield>
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            <marc:subfield code="a">Naxos Regular CD (NRE)</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Rimsky-Korsakov, Nikolay Andreyevich</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">RIMSKY-KORSAKOV, N.A.: Golden Cockerel (The) [Opera] (Lyon Opera, 2021) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2022</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Le Coq d'Or (The Golden Cockerel) (Lyon Opera, 2021) (NTSC) ( 02 hrs., 08 min. ) / Rimsky-Korsakov</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Lyon National Opera Chorus, Choir -- Lyon National Opera Orchestra, Orchestra -- Popov, Andrei, Artist -- Efimov, Vasily, Artist -- Nekrasova, Margarita, Artist -- Schelomianski, Mischa, Artist -- Rustioni, Daniele, Conductor -- Ulyanov, Dmitri, Artist -- Nazarova, Maria, Artist -- Minasyan, Nina, Artist -- Zhilikhovsky, Andrey, Artist -- Gonon, Wilfried, Artist -- Arestan-Orré, Stéphane, Artist -- Benard, Rémi, Artist -- Letarnec, Vivien, Artist -- West, Christophe, Artist -- Rimsky-Korsakov, Nikolay Andreyevich, Composer -- Belsky, Vladimir Nikolayevich, Lyricist</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Rimsky-Korsakov's The Golden Cockerel&lt;/i&gt; (Le Coq d'or) is based on a Pushkin fold take, but the opera's Orientalism, comedy and sultry elements go far beyond its original influence. The composer saw in the story of Tsar, punished for his cowardice and despotism, and opportunity to employ satire to condemn Russian's autocratic ruler, Nicholas II.

This new production premiered in May 2021 and was staged by the Australian director, Barrie Kosky, a specialist in Russian opera. Critics hailed the 'glorious' singing of Dmitry Ulyanov and the 'exquisite' performance of Nina Minasyan calling the event 'a triumphant evening for all concerned' (Bachtrack.com).</marc:subfield>
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            <marc:subfield code="a">Belsky, Vladimir Nikolayevich</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/2.110731.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=2.110731</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/2.110731</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">BAC163</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">Bel Air Classiques</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Delibes, Léo</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DELIBES, L.: Coppélia [Ballet] (Bolshoi Ballet, 2018) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2019</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Coppelia (Bolshoi Ballet, 2018) (NTSC) ( 01 hrs., 40 min. ) / Delibes</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bolshoi Theatre Chorus, Choir -- Bolshoi Ballet, Ensemble -- Bolshoi Theatre State Academic Orchestra, Orchestra -- Sorokin, Pavel, Conductor -- Loparevich, Alexei, Artist -- Biktimirov, Vitaly, Artist -- Ovcharenko, Artem, Artist -- Karasyova, Kristina, Artist -- Shrayner, Margarita, Artist -- Averina, Xenia, Artist -- Gaglianone, Bruna Cantanhede, Artist -- Chapkina, Antonina, Artist -- Denisova, Anastasia, Artist -- Bochkova, Daria, Artist -- Pavlova, Svetlana, Artist -- Kruteleva, Elizaveta, Artist -- Skvortsova, Yulia, Artist -- Blagova, Nadezhda, Artist -- Fadeyechev, Alexander, Artist -- Ostrovsky, Yuri, Artist -- Mayorov, Nikolay, Artist -- Sharova, Oksana, Artist -- Vodopetov, Alexander, Artist -- Besedina, Ekaterina, Artist -- Ekaterinin, Dmitry, Artist -- Averina, Ksenia, Artist -- Mishina, Maria, Artist -- Postnova, Stanislava, Artist -- Tiliguzova, Tatiana, Artist -- Delibes, Léo, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Leo Delibes's Coppelia&lt;/i&gt; is not only a collection of fine dances. It is primarily an abrasive and sardonic comedy, which is somewhat unusual in the world of classical ballet. But most importantly, it is a comedy for which excellent music was composed. Pyotr Ilyich Tchaikovsky's assessment of Delibes's ballet scores, allegedly capable of overshadowing the choreography itself, is well known: "What beauty, what elegance, what richness of melody, rhythm and harmony!" It is not fortuitous that music from this ballet should be performed, for its own merits, during concerts.

Funnily enough, the main theme of this light-hearted ballet is taken from E.T.A. Hoffmann's anything but joyful novellas - mainly from The Sandman. In Hoffmann's tale, the young man's infatuation with the doll ends tragically, while in the ballet, the lively and energetic Swanilda (Frantz's fiancee) is able to over wit the old Coppelius, the cunning inventor of the "Girl with the enamel eyes" and free her lover from the doll's poisonous charm.

&lt;i&gt;Coppelia&lt;/i&gt; was premiered in 1870 at the Paris Opera on choreographer Arthur Saint-Leon's initiative. A virtuoso dancer, Saint-Leon was Marius Petipa's predecessor as Head of the Petersburg Ballet. His interest in folk culture, music and dance, is mainly responsible for the appearance in the music score of such a rich "selection" of dance melodies based on folklore, and especially Slavic and Eastern European themes. A few years later, Marius Petipa and Enrico Cecchetti brought the ballet "back" to the Russia that had proved such a vivid source of inspiration for its librettist, and adapted the choreography for the Russian stage. However, this new version fell out of interest during the 20th century, until Sergey Vikharev and Pavel Gershenzon's revival in 2009. It is here interpreted by the Bolshoi Ballet's finest dancers: Margarita Shrayner is the witty Swanilda, and Artem Ovcharenko the love-sick Frantz.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Ballet &amp; Dance</marc:subfield>
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            <marc:subfield code="a">Delibes, Léo</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC163.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC163</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC163</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts5199</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">CLASSIC YO-YO MA (Documentary, 2001) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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            <marc:subfield code="a">Classic Yo-Yo Ma (Documentary, 2001) (NTSC) ( 54 min., 18 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Barenboim, Daniel, Artist -- Ax, Emanuel, Artist -- McFerrin, Bobby, Artist -- Ma, Yo-Yo, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Classic Yo-Yo Ma&lt;/i&gt; chronicles Ma's unique work process and legendary performances with rarely seen rehearsal and concert footage from throughout his entire career.

In addition to these exquisite musical selections, the program includes newly-taped interviews with &lt;i&gt;Yo-Yo Ma&lt;/i&gt; and his friends and colleagues Daniel Barenboim, Emanuel Ax, Tan Dun and Bobby McFerrin. Yo-Yo Ma is world-renowned for his incomparable artistry and range. His discography of nearly fifty albums includes fourteen Grammy Awards. His remarkable talent and limitless interests have created new boundaries for classical music.

The program highlights Ma's unique ability to explore cultures and musical forms outside the Western classical tradition. His diversity is demonstrated not only through richly nuanced interpretations of &lt;i&gt;Bach, Beethoven&lt;/i&gt;, and &lt;i&gt;Brahms&lt;/i&gt;, but also &lt;i&gt;Piazzolla, Edgar Meyer&lt;/i&gt;, American folk music and &lt;i&gt;Tan Dun&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5199.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5199</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts5199</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">EuroArts DVD</marc:subfield>
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            <marc:subfield code="a">Bartók, Béla</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">BOULEZ CONDUCTS BARTÓK (Kremer, Bashmet, Berlin Philharmonic, Boulez) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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            <marc:subfield code="a">Dance Suite, BB 86a (NTSC) ( 00 sec. ) / Bartók -- Violin Concerto No. 1, BB 48a (NTSC) ( 00 sec. ) / Bartók -- Viola Concerto, BB 128 (completed by Tibor Serly, 1949) (NTSC) ( 00 sec. ) / Bartók -- A csodálatos mandarin (The Miraculous Mandarin), Op. 19, BB 82 (concert version) (NTSC) ( 00 sec. ) / Bartók</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Boulez, Pierre, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Kremer, Gidon, Artist -- Bashmet, Yuri, Artist -- Bartók, Béla, Composer -- Bartók, Peter, Arranger</marc:subfield>
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            <marc:subfield code="a">An all &lt;i&gt;Bartok&lt;/i&gt; programme featuring one of the leading violinists - Gidon Kremer - and one of the world's leading viola players - Yuri Bashmet. Accompanied by the Berlin Philharmonic conducted by Pierre Boulez.

Bela Bartok's &lt;i&gt;Dance Suite&lt;/i&gt; is an orchestral work composed in 1923 to celebrate the 50th anniversary of the union between Buda, Pest and Obuda. At that time, three composers were commissioned new scores: Bela Bartok composed his Dance Suite, &lt;i&gt;Erno Dohnanyi&lt;/i&gt; composed the &lt;i&gt;Festival Overture&lt;/i&gt; and &lt;i&gt;Zoltan Kodaly&lt;/i&gt; composed his &lt;i&gt;Psalmus Hungaricus&lt;/i&gt;. Rejecting any kind of nationalism, Bartok draws freely his inspiration from Romanian, Arabian and Hungarian folk music for his piece.

Dedicated to the violinist Stefi Geye, the &lt;i&gt;Violin and Orchestra Concerto No. 1&lt;/i&gt; is one of the two concertos composed by Bela Bartok. The concerto avoids the traditional concerto's division in three movements and opts for a two-part division, the former being slow, the latter fast. Though the &lt;i&gt;Violin Concerto No. 1&lt;/i&gt; was composed in 1907, it was only published in 1959 thanks to Paul Sacher.

During July and August 1945, Bartok composed his &lt;i&gt;Viola Concerto&lt;/i&gt; when he was in terminal leukemia. This concerto, unfinished at the composer's death, is the last work composed by Bartok. His pupil &lt;i&gt;Tibor Serly&lt;/i&gt; completed the score in 1949. The Viola Concerto was premiered in 1950 by the Minneapolis Symphony Orchestra, conducted by Antal Dorati, and the viola player William Primrose.

To conclude this concert dedicated to Bela Bartok, Pierre Boulez conducts the Berlin Philharmonic to perform &lt;i&gt;The Miraculous Mandarin&lt;/i&gt;, a work composed in 1918-1919. By the time it was premiered, the score caused a scandal due to the eroticism of its argument.
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5385.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5385</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Purcell, Henry</marc:subfield>
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            <marc:subfield code="a">CHARPENTIER, M.-A.: Te Deum / PURCELL, H.: Hail, bright Cecilia (Masterpieces from Bruges) (Vox Luminis, B'Rock, Meunier) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hail, bright Cecilia, Z. 328 (NTSC) ( 00 sec. ) / Purcell -- Te Deum, H. 146 (NTSC) ( 00 sec. ) / Charpentier</marc:subfield>
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            <marc:subfield code="a">Meunier, Lionel, Conductor -- Vox Luminis, Ensemble -- B'Rock, Orchestra -- Charpentier, Marc-Antoine, Composer -- Purcell, Henry, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Charpentier's&lt;/i&gt; most famous &lt;i&gt;Te Deum&lt;/i&gt; - he wrote four - overawes in exultant D Major, with an eight-part ensemble and show stealing trumpets and timpani. It is no great surprise then that this work - and especially its instrumental prelude - became a hit! 

Together with B'Rock, resident artist Vox Luminis completes the programme with a triumphant ode to the patron saint of music: &lt;i&gt;Cecilia&lt;/i&gt;. Commissioned by London's 'Gentlemen Lovers of Musick', &lt;i&gt;Purcell&lt;/i&gt; composed a celebratory festival of colours that shines brighter than ever in this rendition by two of Europe's most exciting Baroque ensembles.</marc:subfield>
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            <marc:subfield code="a">Purcell, Henry</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5534.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts5534</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">L7935DVD</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">MYSTERY OF ART (THE) (music by J.S. Bach and C. Debussy) (Documentary, 2018) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Mystery of Art (Documentary, 2018) (NTSC) ( 43 min., 51 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Elysium Ensemble, Ensemble -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">The program traces how humans beings have made 'art' from the earliest recorded times. Until the fundamental changes in the way human societies viewed themselves we know as the Renaissance, artists were the servants of the rulers. This is true of all human groups throughout the world. Now in the age of individual freedom artists have come to enjoy a new role. The documentary explores this change and how art has come to be such a powerful and fruitful force in the daily lives.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/L7935DVD.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=L7935DVD</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/L7935DVD</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">L7936DVD</marc:controlfield>
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            <marc:subfield code="a">709629279360</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">VAN GOGH AN ARTIST AND HIS WORK (music by C. Debussy) (Documentary, 2018) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Van Gogh An Artist and His Work (Documentary, 2018) (NTSC) ( 30 min., 03 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Elysium Ensemble, Ensemble -- Hossick, Malcolm, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Vincent van Gogh&lt;/i&gt; was born in 1853 the 5th child of a respected Dutch Protestant priest. Largely self taught he only settled on becoming an artist in his late twenties. He was very practical and knew the difficulties of what he wanted to do. He suffered from depression but in a working career of a dozen or so years he produced some of the best loved paintings of any age. 

This program by Malcolm Hossick introduces some of his greatest works and through some of the letters he wrote to his brother and friends we learn of his approach to his work. Uncomplicated, astonishingly talented and extraordinarily confident Van Gogh was a master of his craft and a great believer in human worth. He produced work which touches the heart of all who see it and this is a celebration of the man and his art.</marc:subfield>
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            <marc:subfield code="a">RENAISSANCE WHT IT MATTERS TO THE WORLD (Documentary, 2017) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Renaissance which began in Italy 600 years ago is probably the most important and astonishing event in human history. Until that time throughout the world tyrants and authoritarian religions controlled the lives of most human beings. War was the means of settling disputes. The lives of the majority of people counted for nothing. The Renaissance changed everything and its effect is now felt in every corner of the globe. This film by Malcolm Hossick explores how it began and how it is effecting all our lives today.</marc:subfield>
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            <marc:subfield code="a">The novel is a relatively new art form which has arrived on the scene since the renaissance. However storytelling has always it seems been a part of human culture. This program by Malcolm Hossick traces the development of the novel and how it has come to have a huge impact on our lives.</marc:subfield>
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            <marc:subfield code="a">The program traces how humans beings have made 'art' from the earliest recorded times. Until the fundamental changes in the way human societies viewed themselves we know as the Renaissance, artists were the servants of the rulers. This is true of all human groups throughout the world. Now in the age of individual freedom artists have come to enjoy a new role. This explores the change and how art has come to be such a powerful and fruitful force in our daily lives.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Cavatina&lt;/i&gt; is a tribute to Italy and in particular to Venice, and
&lt;i&gt;Tansman&lt;/i&gt; noted that it 'wrote itself'. The movements are formally simple, except for Scherzino, which is in A-B-A form. Recorded by Segovia in 1954, the Cavatina proved to be the Polish composer's most popular work for guitar.</marc:subfield>
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            <marc:subfield code="a">Marakova, Natalia, Artist -- Pita, Arthur, Artist -- Acosta, Carlos, Artist -- Nuñez, Marianela, Artist -- Golding, Matthew, Artist -- Osipova, Natalia, Artist -- Muntagirov, Vadim, Artist -- Cherkaoui, Sidi Larbi, Artist -- Cowley, Olivia, Artist -- Corrales, Cesar, Artist -- Goddard, Jonathan, Artist -- Kittelberger, Jason, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Force of Nature Natalia&lt;/i&gt; follows a season in the life of dance superstar &lt;i&gt;Natalia Osipova&lt;/i&gt;. With unique access to Natalia's personal archive, we follow her preparations for a fifth season as a principal of The Royal Ballet as she continues to champion contemporary dance with some of the world's greatest choreographers. This compelling portrait chronicles the rehearsal process of two new works, The Mother by Arthur Pita, and Sidi Larbi Cherkaoui's Medussa, and follows legendary ballerina and choreographer Natalia Makarova as she directs a revival of her classic production of La Bayadere for The Royal Ballet.

Natalia opens up about her life and history, her childhood in Russia, her time with American Ballet Theatre and her journey to the Royal Opera House. It is an unparalleled opportunity to get up close and personal with the leading ballerina of our generation and understand why critics and audiences all over the world call her a ''force of nature' of the dance world.</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">ESSENTIAL ROYAL BALLET (Dance Documentary, 2019) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2020</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Essential Royal Ballet (NTSC) ( 01 hrs., 45 min. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Royal Ballet, Covent Garden, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Katie Derham introduces highlights from the past ten years at the Royal Ballet in this special, extended edition of Essential Royal Ballet.

Presented on location in Covent Garden at the iconic Royal Opera House, Katie weaves the history of ballet through carefully curated excerpts from the past decade of performances and goes behind the scenes to see what it takes to be a dancer in the company of The Royal Ballet as they prepare to take to the stage.

From the great classics of The Sleeping Beauty and The Nutcracker to the exciting frontiers of contemporary dance, Katie takes us on a romp through the repertory, showcasing the diversity of the UK's biggest ballet company.

With stunning solos, passionate pas de deux and jaw-dropping numbers for the corps de ballet, it is a chance to see your favourite dancers up close, including Carlos Acosta, Marianela Nunez, Natalia Osipova and Steven McRae, alongside rising stars like Francesca Hayward and Matthew Ball, who will introduce their favourite ballets and share stories of their life on the stage.

The ballets featured include the classics &lt;i&gt;Giselle, La Bayadere, Swan Lake, The Sleeping Beauty&lt;/i&gt; and &lt;i&gt;The Nutcracker&lt;/i&gt; while the 20th-century heritage of the Royal Ballet is explored in works by &lt;i&gt;Frederick Ashton&lt;/i&gt; and &lt;i&gt;Kenneth MacMillan&lt;/i&gt;. The contemporary life of the company is showcased in works by &lt;i&gt;Christopher Wheeldon&lt;/i&gt;, and &lt;i&gt;Wayne McGregor&lt;/i&gt; along side recent productions of classic works.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/OA1313D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=OA1313D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/OA1313D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV204</marc:controlfield>
        <marc:controlfield tag="005">20230831065110.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s2019||||cc stz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">5060115340625</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">5060115340625</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Seventh Art Productions</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">EXHIBITION ON SCREEN - DEGAS: Passion for Perfection (Art Documentary, 2018) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2019</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Degas - Passion for Perfection (Art Documentary) (NTSC) ( 01 hrs., 31 min. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">EXHIBITION ON SCREEN journeys from the streets of Paris to the heart of the superb Fitzwilliam Museum in Cambridge, whose extensive collection of Degas' works is the most representative in Britain.

With exclusive access to view rare and diverse works, &lt;i&gt;Degas&lt;/i&gt;: Passion for Perfection offers a unique insight into Degas' personal and creative life. The film uncovers the fascinating story of Degas' obsessive pursuit for perfection through both experimentation with new techniques and lessons learnt from studying the past masters.

Never fully satisfied, many of Degas' drawings and sculptures were kept in private during his lifetime but now, through close examination, they can be seen as some of the most beautifully detailed and expressive works in the modern era. Using written accounts by friends and commentators, and the narration of letters written by Degas himself, this film reveals a more complex truth behind one of the most influential French artists of the late 19th-century and serves as an exploration of the complex workings of Degas' artistic mind.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Fine Arts</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV204.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV204</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV204</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV205</marc:controlfield>
        <marc:controlfield tag="005">20230831065112.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s2019||||cc stz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">5060115340632</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">5060115340632</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Seventh Art Productions</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">EXHIBITION ON SCREEN - YOUNG PICASSO (Art Documentary, 2019) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2019</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Young Picasso (Art Documentary) (NTSC) ( 01 hrs., 31 min. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Malaga, Barcelona, Paris. The path to genius.

&lt;i&gt;Pablo Picasso&lt;/i&gt; is one of the greatest artists of all time. Many films have dealt with the later years - the art, the affairs and the wide circle of friends. But where did this all begin?

Too long overlooked, it is time to look at the early years of Picasso. What are the reasons behind Picasso's rise to artistic greatness? Three cities played a key role: Malaga, Barcelona and Paris. Young Picasso visits each and explores their influence on Picasso, focusing on artworks from these early years. Looking carefully at two key early periods - the so-called Blue Period and Pink Period - the film takes us all the way to 1907 and the creation of a critical painting in the history of art; Les Demoiselles d'Avignon.

With privileged access to the Picasso Museums in Malaga, Barcelona and Paris this film, directed by award-winning filmmaker Phil Grabsky, explains how Pablo Ruiz Picasso became 'Picasso'.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Fine Arts</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV205.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV205</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV205</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV206</marc:controlfield>
        <marc:controlfield tag="005">20230831065115.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s2019||||cc stz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">5060115340649</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">5060115340649</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Seventh Art Productions</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">EXHIBITION ON SCREEN - VAN GOGH AND JAPAN (Art Documentary, 2019) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
            <marc:subfield code="c">2019</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Van Gogh and Japan (Art Documentary) (NTSC) ( 01 hrs., 27 min. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">"I envy the Japanese" Van Gogh wrote to his brother Theo. Though &lt;i&gt;Vincent van Gogh&lt;/i&gt; never visited Japan it is the country that had the most profound influence on him and his art. Through journeying from the Van Gogh Museum, Amsterdam, to Van Gogh's adopted home of Provence, France and eventually to Japan itself, this film provides a fascinating look at just how remarkable this influence proved to be.

One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the huge impact it had on artists like Monet, Degas and, above all, Van Gogh. Seeing Japanese art in art shops and small Parisian galleries and then creating his own perception of Japan - through in-depth research, print collecting and detailed discussions with other artists - Van Gogh's encounter with Japanese artworks gave his work a new and exciting direction. Featuring Van Gogh's personal letters, written accounts from friends and contemporaries as well as insights from artists and experts, Van Gogh and Japan provides a fresh and revealing understanding of this extraordinary artist.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Francisco Cilea's Adriana Lecouvreur&lt;/i&gt; was inspired by the real-life story of a celebrated actress at the Comedie-Francaise who was much admired by Voltaire. Hailed as a masterpiece, the opera was triumphantly staged in cities around the world after its premiere in 1902. The dramatically effective narrative is a passionate love triangle filled with intrigue and complicated plot twists set in the gallant 19th century. Its subtle ironies and gorgeous cantabile style of music provide a perfect vehicle for the star cast in the stunning production from the Teatro del Maggio Musicale Fiorentino.</marc:subfield>
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            <marc:subfield code="a">Semele, HWV 58 (Alexandra Palace, 2019) (NTSC) ( 02 hrs., 48 min., 29 sec. ) / Handel</marc:subfield>
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            <marc:subfield code="a">In Spring 2019, the Monteverdi Choir and English Baroque Soloists, led by John Eliot Gardiner, presented a critically-acclaimed European tour of &lt;i&gt;Handel's&lt;/i&gt; opera &lt;i&gt;Semele&lt;/i&gt;, including Alexandra Palace Theatre in London, where this live recording took place. Semele had not been performed by John Eliot Gardiner and the Monteverdi ensembles since they originally recorded it in the 1980s and this recording gives listeners the chance to hear a fuller version of the work. 

A glamorous team of young soloists joins the Monteverdi ensembles to bring the story of Semele to life, including celebrated English soprano Louise Alder, who takes on the title role, with the young tenor Hugo Hymas portraying the amorous Jupiter.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Iolanta&lt;/i&gt;, &lt;i&gt;Tchaikovsky's&lt;/i&gt; final opera, in Peter Sellars' 2012 production at the Teatro Real in Madrid. Premiered in 1892, it is a one-act work based on the Danish play Kong Renes Datter (King Rene's Daughter) by Henrik Hertz, a romanticized account of the life of Yolande de Bar. It contains all aspects of the composer's mastery: beautiful melodies, clear structure and genuine passion. Sellars paints this production as a spiritual quest in search of light.

Iolanta is a young princess, who doesn't know that she is blind. Her father, the king, has forbidden his people from telling her the truth. A young knight, Count Vaudemont, stumbles upon the princess's hidden castle and falls hopelessly in love with her. As he declares his love, he realizes she is blind. Vaudemont begins passionately explaining to Iolanta what light and color are when they are discovered by the King. Aware that the princess is now aware of her blindness and that she has no intention of curing it, King Ren? gives Iolanta an ultimatum: if she does not accept to be treated for her blindness, he will execute the young knight. Horrified by her father's words, Iolanta agrees in order to save her beloved. Once cured, she confirms with her own eyes that her beloved Vaudemont has been spared. Rejoicing, Iolanta sings the praises of love and God.</marc:subfield>
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            <marc:subfield code="a">Maistre, Xavier de, Artist -- Billy, Bertrand de, Conductor -- ORF Vienna Radio Symphony Orchestra, Orchestra -- Haydn, Franz Joseph, Composer -- Grandjany, Marcel, Composer -- Parish Alvars, Elias, Composer -- Debussy, Claude, Composer</marc:subfield>
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            <marc:subfield code="a">In Spring 2009, the year of &lt;i&gt;Joseph Haydn&lt;/i&gt;, Xavier de Maistre was invited to the Esterhazy Castle in Eisenstadt, where the composer officiated nearly thirty years. After an introduction in which he plays a solo &lt;i&gt;Fantasy on a Theme of Haydn&lt;/i&gt; by &lt;i&gt;Marcel Grandjany&lt;/i&gt;, we find with the Vienna Radio Symphony Orchestra conducted by Bertrand de Billy performing the &lt;i&gt;Haydn Concerto in D Major&lt;/i&gt;. The solo pieces Mandolin by &lt;i&gt;Elias Parish-Alvars&lt;/i&gt; and &lt;i&gt;Arabesque No. 1&lt;/i&gt; by &lt;i&gt;Claude Debussy&lt;/i&gt; complete this performance.</marc:subfield>
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            <marc:subfield code="a">McLaughlin, Marie, Artist -- Purves, Christopher, Artist -- Madrid Teatro Real Chorus, Choir -- Davies, Dennis Russell, Conductor -- Fikret, Nazan, Artist -- Tynan, Sarah, Artist -- Kelly, Janis, Artist -- Kaasch, Donald, Artist -- Madrid Teatro Real Orchestra, Orchestra -- Easterlin, John, Artist -- Pittsinger, David, Artist -- Lomas, Rosie, Artist -- Improbable, Ensemble -- James, Zachary, Artist -- Noval-Moro, Juan, Artist -- Gálvez, Beatriz de, Artist -- Buñuel, Noelia, Artist -- Glass, Philip, Composer -- Wurlitzer, Rudy, Lyricist</marc:subfield>
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            <marc:subfield code="a">At the age of 75, one of the leading figures on the 20th century music, &lt;i&gt;Philip Glass&lt;/i&gt;, is composing a new work for the Teatro Real. &lt;i&gt;The Perfect American&lt;/i&gt;, imagining the final months of the life of Walt Disney - the person who has, more than any other, influenced the current world of consumers. Children nowadays only see mices and ducks as Mickey Mouse or Donald Duck, thanks to the image invented for them by Walt Disney factory. In opposition to the world of happiness he devised, the existence of this perfect American was marked by an unhappy youth and a personality whose "political correctness" outdid that of even Richard Nixon. 

From the hand of  Dennis Russell Davies, who has conducted almost all the premieres of Glass's operas, and the stage director Phelim McDermott, we will be penetrating into the nightmare of a happy world. World Premiere, commission of the Teatro Real De Madrid and English National Opera of London.</marc:subfield>
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            <marc:subfield code="a">Dvořák, Antonín</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DVOŘÁK, A.: Requiem (Eerens, Fink, Schmitt, M. Berg, Collegium Vocale Gent, Royal Flemish Philharmonic, Herreweghe) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Requiem, Op. 89, B. 165 (NTSC) ( 01 hrs., 37 min., 56 sec. ) / Dvořák</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Fink, Bernarda, Artist -- Berg, Nathan, Artist -- Collegium Vocale Gent, Choir -- Royal Flemish Philharmonic Orchestra, Orchestra -- Herreweghe, Philippe, Conductor -- Schmitt, Maximilian, Artist -- Eerens, Ilse, Artist -- Dvořák, Antonín, Composer -- Mass Text, Lyricist</marc:subfield>
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            <marc:subfield code="a">Philippe Herreweghe, principal conductor of the Royal Flemish Philharmonic, has devoted himself for over ten years to fresh and invigorating readings of the (pre-) Romantic repertoire. Together with the Collegium Vocale, founded in 1970 by Herreweghe himself, and superb soloists they will perform &lt;i&gt;Dvorak's&lt;/i&gt; superb &lt;i&gt;Requiem&lt;/i&gt;.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts6057.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6057</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6057</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts6151</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">EuroArts DVD</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">TCHAIKOVSKY FILES (THE) - Confessions of a Composer (Film Documentary, 2015) (NTSC)</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Tchaikovsky Files: Confessions of a Composer (Film Documentary, 2015) (NTSC) ( 52 min., 09 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Johnston, Dirk, Artist -- Matt, Norman, Artist -- Mei, Francesco, Artist -- Pleger, Ralf, Television Director -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This documentary brings the Russian composer to the present - radically: Based on &lt;i&gt;Tchaikovsky's&lt;/i&gt; diaries and letters, director Ralf Pleger discovers an entirely new side and sketches an entirely different profile of the man whose mind and talent brought us &lt;i&gt;Swan Lake&lt;/i&gt;.

The film focuses on what it meant for Tchaikovsky, a homosexual man, to have to live his life in a homophobic environment - considerations that are all the more relevant and topical in light of recent developments not only in present day Russia, but also in the light of a still present homophobia in the so-called "liberal" Western countries.</marc:subfield>
        </marc:datafield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="830" ind1=" " ind2="0">
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts6151.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6151</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6151</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">EuroArts DVD</marc:subfield>
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            <marc:subfield code="a">Guilmant, Alexandre</marc:subfield>
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            <marc:subfield code="a">Bach, Johann Sebastian</marc:subfield>
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            <marc:subfield code="a">Vierne, Louis</marc:subfield>
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            <marc:subfield code="a">Daquin, Louis-Claude</marc:subfield>
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            <marc:subfield code="a">Dupré, Marcel</marc:subfield>
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            <marc:subfield code="a">Cochereau, Pierre</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">Organ Recital: Latry, Olivier - BACH, J.S. / COCHEREAU, P. / DAQUIN, L.-C. / DUPRÉ, M. / GUILMANT, A. / LISZT, F. / VIERNE, L. (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Organ Sonata No. 1 in D Minor, Op. 42: III. Final (NTSC) ( 00 sec. ) / Guilmant -- 2 Légendes, S175/R17: No. 2. St. Francois de Paule marchant sur les flots (arr. M. Reger for organ) (NTSC) ( 00 sec. ) / Liszt -- Organ Symphony No. 2 in E Minor, Op. 20: III. Scherzo (NTSC) ( 00 sec. ) / Vierne -- Passacaglia and Fugue in C Minor, BWV 582 (NTSC) ( 00 sec. ) / Bach -- Noel No. 10, "Noel grand-jeu et duo" (NTSC) ( 00 sec. ) / Daquin -- Cortege et litanie, Op. 19, No. 2 (NTSC) ( 00 sec. ) / Dupré -- Bolero sur un theme de Charles Racquet (NTSC) ( 00 sec. ) / Cochereau -- Carillon de Westminster (NTSC) ( 00 sec. ) / Vierne</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Latry, Olivier, Artist -- Guilmant, Alexandre, Composer -- Reger, Max, Arranger -- Liszt, Franz, Composer -- Bach, Johann Sebastian, Composer -- Vierne, Louis, Composer -- Daquin, Louis-Claude, Composer -- Dupré, Marcel, Composer -- Cochereau, Pierre, Composer</marc:subfield>
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            <marc:subfield code="a">A live concert from Olivier Latry, the current holder of the Great Organ of Notre Dame. This performance of his, showcasing pieces of &lt;i&gt;Bach, Vierne&lt;/i&gt; and &lt;i&gt;Daquin&lt;/i&gt;, was recorded in 2015, at Notre Dame Cathedral in Paris.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Concert</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Guilmant, Alexandre</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Reger, Max</marc:subfield>
            <marc:subfield code="e">Arranger</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Liszt, Franz</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Vierne, Louis</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Daquin, Louis-Claude</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Dupré, Marcel</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Cochereau, Pierre</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts6175.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6175</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts6175</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EuroArts6227</marc:controlfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">EuroArts DVD</marc:subfield>
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            <marc:subfield code="a">Chopin, Fryderyk</marc:subfield>
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            <marc:subfield code="a">GULDA, Friedrich: Chopin Recital (Pour ma douce) (NTSC)</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
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        </marc:datafield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
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            <marc:subfield code="a">&lt;i&gt;Claudio Monteverdi&lt;/i&gt; developed the principles of opera with &lt;i&gt;L'Orfeo&lt;/i&gt; in the first decade of the 17th-century. At the very end of his life he wrote &lt;i&gt;L'incoronazione di Poppea&lt;/i&gt;. The opera marked a decisive move from allegorical and mythic elements towards a historical subject - the love affair between the Roman Emperor Nero and his mistress Poppea. His final masterpiece, where the beauty of the arias vanquished the decadence of the storyline, was first performed in the year of his death. 

For decades John Eliot Gardiner has been at the forefront of Monteverdi performance and scholarship, and for the 450th anniversary of Monteverdi's birth in 2017 he conducted all three of the composer's surviving full-length operas. This semi-staged production, recorded in Venice's historical Teatro La Fenice is part of that acclaimed cycle.</marc:subfield>
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            <marc:subfield code="a">Leichenfantasie, D. 7 (NTSC) ( 00 sec. ) / Schubert -- Der Taucher (The Diver), D. 77 (NTSC) ( 00 sec. ) / Schubert -- Die Bürgschaft (The Surety), D. 246 (NTSC) ( 00 sec. ) / Schubert -- Gruppe aus dem Tartarus, Op. 24, No. 1, D. 583 (NTSC) ( 00 sec. ) / Schubert -- Der Alpenjager, D. 588 (NTSC) ( 00 sec. ) / Schubert -- Hoffnung, Op. 82, No. 2, D. 637 (NTSC) ( 00 sec. ) / Schubert -- Sehnsucht (Ach, aus dieses Tales Grunden), D. 636 (NTSC) ( 00 sec. ) / Schubert -- Der Pilgrim, Op. 37, No. 1, D. 794 (NTSC) ( 00 sec. ) / Schubert</marc:subfield>
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            <marc:subfield code="a">This recital by the distinguished lieder singer Hermann Prey, who died in 1998, features some of the songs in which &lt;i&gt;Schubert&lt;/i&gt; set to music poems by the great romantic writer Friedrich Schiller.</marc:subfield>
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            <marc:subfield code="a">Peter Schreier, accompanied by Norman Shetler, presents a recital of &lt;i&gt;Beethoven's&lt;/i&gt; Lieder at the Festhalle Bad Urach in 1987.

Peter Schreier is particularly well known for his interpretations of Lieder, German poems sung by a single voice. Trained as a member of the choir of Dresden's Kreuzkirche, he eventually became one of the most celebrated classical singers of East Germany. During the Cold War his talents enabled him to travel to the West on multiple occasions, performing at Covent Garden, la Scala, and even at the Metropolitan Opera. Over the course of his career he was honored time and again: in 1978, he was elected a member of Berlin's Academy of Arts, in 2009 he received the Bach Prize from the Royal Academy of Music, and in 2013 the Bach Medal from the city of Leipzig.</marc:subfield>
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            <marc:subfield code="a">How is the perfect sequence of steps formed?

An intimate documentary about the internationally highly esteemed choreographer &lt;i&gt;Mats Ek&lt;/i&gt;. In May 2013 &lt;i&gt;Juliet and Romeo&lt;/i&gt; premiered at the Royal opera house in Stockholm. A new and much anticipated full length work by choreographer Mats Ek. 

Filmmakers Andreas Soderberg and Bjorn Eriksson have been there from early on in the process, making a documentary with an unique insight into Mats Ek's artistic process. We get as close to Mats as he gets to the dancers.</marc:subfield>
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            <marc:subfield code="a">STRAVINSKY, I.: Rite of Spring (The) [Ballet] (La Monnaie - De Munt, 1971) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Le sacre du printemps (The Rite of Spring) (La Monnaie - De Munt, 1971) (NTSC) ( 34 min., 18 sec. ) / Stravinsky</marc:subfield>
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            <marc:subfield code="a">Vandernoot, André, Conductor -- Ballet of the 20th century, Ensemble -- Belgique National Orchestra, Orchestra -- Bari, Tania, Artist -- Casado, Germinal, Artist -- Bortoluzzi, Paolo, Artist -- Dobrievich, Pierre, Artist -- Brabant, Christine, Artist -- Carrie, Marie-Claire, Artist -- Dobrievich, Louba, Artist -- Kerendi, Jaleh, Artist -- Alexander, Floris, Artist -- Cano, Antonio, Artist -- Stravinsky, Igor, Composer</marc:subfield>
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            <marc:subfield code="a">If the Bejartian style does not always look as boldly modern as it did decades ago, it's only because Bejart's influence on ballet was so great that his revolutionary ideas were taken up as part the standard ballet vocabulary. 

Premiered in 1959, Bejart's staging of &lt;i&gt;Stravinsky's Rite of Spring&lt;/i&gt; still feels, in many ways, a breath of fresh air as invigorating as the season it celebrates. "It must be simple and strong," he often insisted, and indeed, the stark simplicity still dazzles: quick leaps, extended arabesques, bodies that slouch and release as if spring-loaded, dancers clashing in frenzied, up-close confrontation. The mass of moving bodies, arranged in shifting geometric patterns, captivates the eye like a kaleidoscope. 

Bejart's Ballet of the 20th Century restaged the legendary 1959 production ten years later at the Theatre de la Monnaie in Brussels, giving modern viewers the chance to experience the choreographer's singular vision.</marc:subfield>
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            <marc:subfield code="a">BERLIOZ, H.: Grande messe des morts, "Requiem" (Heras-Casado) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Lutoslawski's&lt;/i&gt; delicate lament serves as prelude to &lt;i&gt;Berlioz's Requiem&lt;/i&gt;, a superlative work requiring an impressive cast of two orchestras and choirs, here under the direction of Pablo Heras-Casado. 

An event not to be forgotten! The concert was recorded on February 20th, 2019 at the Philharmonie de Paris, a building designed by les Ateliers Jean Nouvel.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DAK010-03.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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            <marc:subfield code="a">Salgán, Horacio</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BARENBOIM, Daniel: Tango Argentina (NTSC)</marc:subfield>
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            <marc:subfield code="a">A series of short films, recorded at the Louisiana Museum of Modern Art in Denmark.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Rochholl, Andreas, Television Director -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">A feature documentary about female singers living inside Iran and their daily life and the deepest wish: "I want my voice to be heard".

Dealing with cultural censorship in Iran, women singers started using also digital media more. Invited by Negar, a magical entity, female voices from all over this vast country come out of isolation, gather in a garden in the very middle of Iran to make their dream come true. Nobody has tried this before, so Negar seeks the help of two travelers to connect. Along the way they meet surprisingly strong female personalities of diverse cultural backgrounds and come closer to understanding the orient...</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts6124.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6124</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Wolf, Hugo</marc:subfield>
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            <marc:subfield code="a">Schubert, Franz</marc:subfield>
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            <marc:subfield code="a">Brahms, Johannes</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">Vocal Music - SCHUBERT, F. / WOLF, H. / BRAHMS, J. (Masterclass with Dietrich Fischer-Dieskau) (NTSC)</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Die schöne Müllerin, Op. 25, D. 795: No. 4. Danksagung an den Bach (NTSC) ( 00 sec. ) / Schubert -- Mörike Lieder: No. 44. Der Feuerreiter (NTSC) ( 00 sec. ) / Wolf -- 15 Romanzen aus Die Schöne Magelone, Op. 33: No. 5. So willst du des Armen dich gnädig erbarmen? (NTSC) ( 00 sec. ) / Brahms -- Lieder der Mignon: No. 4. Kennst du das Land (NTSC) ( 00 sec. ) / Wolf -- Des Sängers Habe, D. 832 (NTSC) ( 00 sec. ) / Schubert -- Auf der Donau, Op. 21, No. 1, D. 553 (NTSC) ( 00 sec. ) / Schubert -- Ganymed (Ganymede), Op. 19, No. 3, D. 544 (NTSC) ( 00 sec. ) / Schubert</marc:subfield>
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            <marc:subfield code="a">Fischer-Dieskau, Dietrich, Artist -- Diaz, Mario Trelles, Artist -- Heger, Adrian, Artist -- Maruhn, Peter, Artist -- Matsuba, Yuka, Artist -- Buchwald, Jan, Artist -- Sellheim, Katharina, Artist -- Palmer, Nelly, Artist -- Sharp, Timothy, Artist -- Wistinghausen, Martin, Artist -- Laufen, Raimund, Artist -- Winger, Marret, Artist -- Hartmann, Steffen, Artist -- Wolf, Hugo, Composer -- Mörike, Eduard, Lyricist -- Schubert, Franz, Composer -- Müller, Wilhelm, Lyricist -- Goethe, Johann Wolfgang von, Lyricist -- Brahms, Johannes, Composer -- Tieck, Ludwig, Lyricist -- Schlechta, Franz Xaver von, Lyricist -- Mayrhofer, Johann Baptist, Lyricist</marc:subfield>
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            <marc:subfield code="a">With his precision of articulating every word &lt;i&gt;Dietrich Fischer-Dieskau&lt;/i&gt; set permanent standards. Als "best Singer of Lieder of the World" (Times) he filled of course every concert hall. After 45 years he terminated his concert activities and is since very busy as a conductor, reciter, author of books and teacher.

The film &lt;i&gt;Meister-Singer&lt;/i&gt; produced at the Musik- und Singschule Heidelberg, is about the classical Kunstlied and composers such as &lt;i&gt;Franz Schubert, Hugo Wolf, Johannes Brahms, Gustav Mahler&lt;/i&gt; or &lt;i&gt;Johann Strauss&lt;/i&gt;. Four long days Dietrich Fischer-Dieskau taught eight singing students. He not only gave suggestions but even let resound every now and then his "Heldenbariton". Also the participants of master course describe their impressions of this worldwide re-known interpreter of Lieder.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Müller, Wilhelm</marc:subfield>
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            <marc:subfield code="a">Goethe, Johann Wolfgang von</marc:subfield>
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            <marc:subfield code="a">Schlechta, Franz Xaver von</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6346</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">SCRIABIN, Alexander: Vers la Flamme - Portrait of Alexander Scriabin (Classical Documentary, 1996) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Vers la Flamme: Portrait of Alexander Scriabin (Classical Documentary, 1996) (NTSC) ( 58 min., 16 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Solem, Monica, Artist -- Becker, Oliver, Television Director -- Heys, John Edward, Artist -- Jost, Jean-Theo, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This documentary on the unconventional life and ground-breaking music of the Russian pianist and composer &lt;i&gt;Alexander Scriabin&lt;/i&gt; (1872-1915) sheds light on the mystical ideas which inspired him. He became consumed by a vision of a union of the arts, a coalescence of music, words, movement, light, colour and ideas, to create transcendent experiences. Contributors to his fascinating exploration of the composer's life and work are musicians Vladimir Ashkenazy and Vladimir Horowitz; conductor Mikhail Pletnev; and Scriabin's daughter, Marina. 

The programme draws on Scriabin's writings, archive photographs and documentation, and footage shot in Switzerland, Italy and Moscow. Among a wealth of musical extracts, Scriabin himself is heard playing his &lt;i&gt;Poem Op.32 No. 1&lt;/i&gt;, recorded in 1908 on a Welte Mignon player-piano.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">WAGNER, R.: Liebesverbot (Das) [Opera] (Teatro Real, 2016) (NTSC)</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Das Liebesverbot (Teatro Real, 2016) (NTSC) ( 02 hrs., 40 min. ) / Wagner</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bolton, Ivor, Conductor -- Madrid Symphony Orchestra, Orchestra -- Vas, Francisco, Artist -- Alegret, David, Artist -- Jerkunica, Ante, Artist -- Maltman, Christopher, Artist -- Lodahl, Peter, Artist -- Uhl, Manuela, Artist -- Galan, Isaac, Artist -- Jerusalem, David, Artist -- Miro, Maria Angels, Artist -- Hinojosa, Maria, Artist -- Arcayürek, Ilker, Artist -- Coro Titular del Teatro Real, Choir -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Das Liebesverbot&lt;/i&gt; is one of &lt;i&gt;Wagner's&lt;/i&gt; earliest operas - and yet, a central motive of many other works such as &lt;i&gt;Tristan and Isolde&lt;/i&gt; is already clearly visible: The overpowering force of love and lust, that no law - manmade or otherwise - can tame. 

In this co-production of the Teatro Real Madrid, the Royal Opera House Covent Garden of London and the Teatro Colon of Buenos Aires, we watch Isabella as she strives to free her brother from a cruel death penalty and the city of Palermo from the puritanical, joy-forsaking rule of a German bureaucrat.</marc:subfield>
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            <marc:subfield code="a">Pictures at an Exhibition (arr. M. Ravel for orchestra) (Royal Ballet of Flanders, 2016) (NTSC) ( 00 sec. ) / Mussorgsky -- Pavane pour une infante defunte (Royal Ballet of Flanders, 2016) (NTSC) ( 00 sec. ) / Ravel -- Ma mere l'oye (Mother Goose) (Royal Ballet of Flanders, 2016) (NTSC) ( 00 sec. ) / Ravel</marc:subfield>
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            <marc:subfield code="a">Flanders Opera Symphony Orchestra, Orchestra -- Pouspourikas, Yannis, Conductor -- Ballet Vlaanderen, Ensemble -- Mussorgsky, Modest Petrovich, Composer -- Ravel, Maurice, Arranger</marc:subfield>
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            <marc:subfield code="a">The French composer &lt;i&gt;Maurice Ravel&lt;/i&gt; remains a source of inspiration for any choreographer. Artistic director and star choreographer &lt;i&gt;Sidi Larbi Cherkaoui&lt;/i&gt; and rising talent &lt;i&gt;Jeroen Verbruggen&lt;/i&gt; take their vision of Ravel's music to the stage. Jeroen Verbruggen, who as a young student dancer at the Royal Ballet School won the Prix de Lausanne, has drawn his inspiration from Ravel's &lt;i&gt;Pavane pour une Infante defunte&lt;/i&gt; and from &lt;i&gt;Ma mere l'oye&lt;/i&gt;. Sidi Larbi Cherkaoui also translates Ravel into dance, opting for &lt;i&gt;Pictures at an Exhibition&lt;/i&gt;, which was originally composed by &lt;i&gt;Modest Mussorgsky&lt;/i&gt;, but which was later orchestrated by Ravel to become the most widely performed orchestration of this work: It has thus become truly canonical. It is a programme full of surprises with which the Royal Ballet Flanders/ Ballet Vlaanderen might just write a page of dance history.</marc:subfield>
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            <marc:subfield code="a">Zahradník, Václav, Conductor -- Marova, Nicola, Artist -- Konvalinka, Viktor, Artist -- Drastikova, Marta, Artist -- Vinklat, Ondrej, Artist -- Deneux, Mathias, Artist -- Wenzelova, Michaela, Artist -- Kodym, Jiri, Artist -- Nanu, Alina, Artist -- Burlac, Veaceslav, Artist -- Czech National Ballet, Ensemble -- Czech State Opera Orchestra, Orchestra -- Prokofiev, Sergey, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Romeo and Juliet&lt;/i&gt; is one of the most frequently performed ballets at the Prague National Theatre. The first one premiered on the 30th December 1938, yet this new staging, which is already the sixth, will be very different compared to previous productions. Petr Zuska, artistic director of the Czech National Ballet unlike in the origina Shakespearean tragedy does not focus on the story of lovers but on the reason for resentment and blood feud between the Montagues and Capulets: The eternal conflict of the male and female principle. This rendering leaves more room for other, all too often neglected characters, such as Friar Laurence. In this piece his role is highlighted as renaissance man representing human faith in God. His nemesis is Queen Mab, a mythical ruler of shadows, the "midwife of dreams and phantoms".</marc:subfield>
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            <marc:subfield code="a">Ya Gotta Try (NTSC) ( 00 sec. ) / Nestico -- Tribute to Miles Davies (NTSC) ( 00 sec. ) / Taylor -- Angel Eyes (NTSC) ( 00 sec. ) / Dennis -- Me gusta sonar (NTSC) ( 00 sec. ) / Moreán -- El catire (NTSC) ( 00 sec. ) / Romero -- El negro Jose (NTSC) ( 00 sec. ) / Romero -- Bemsha Swing (NTSC) ( 00 sec. ) / Monk -- Caravan (NTSC) ( 00 sec. ) / Ellington -- Cruisin' for a Bluesin (NTSC) ( 00 sec. ) / Weiner</marc:subfield>
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            <marc:subfield code="a">Briceno, Andres Eloy, Conductor -- Simon Bolivar Big Band, Ensemble -- Sierra, Ocmaly, Artist -- Occeas, Maria Beatriz, Artist -- Brito, Genesis, Artist -- Nestico, Sammy, Composer -- Dennis, Matt, Composer -- Brent, Earl K., Lyricist -- Monk, Thelonious, Composer -- Taylor, Mark, Composer -- Moreán, Carlos, Composer -- Romero, Aldemaro, Composer -- Ellington, Duke, Composer -- Tizol, Juan, Composer -- Weiner, Andy, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Nacho Duato&lt;/i&gt; composed the one-act ballet &lt;i&gt;White Darkness&lt;/i&gt; as a requiem for his sister. The result is a masterpiece which, according to critics, has reached heights deemed hitherto impossible on the landscape of modern arts. In contrast, American choreographer &lt;i&gt;Joseph Hernandez&lt;/i&gt;, a regular guest at Les Ballets de Monte-Carlo, creates an exhilarating aesthetic universe with an urge to live and a lust for life in &lt;i&gt;The Lavender Follies&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">RAVEL, M.: Bolero [Ballet] (Choreography by M. Bejart) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Starring the celebrated dancer &lt;i&gt;Maya Plisetskaya&lt;/i&gt;, this brilliant performance of &lt;i&gt;Bolero&lt;/i&gt; was given just under two decades after the 1960 premiere of what has become one of &lt;i&gt;Maurice Bejart's&lt;/i&gt; most famous choreographies. 

The ballet is set to &lt;i&gt;Ravel's&lt;/i&gt; 1928 eponymous composition, whose music is comprised of a hypnotic theme and variations: a simple repeating melody is passed among instruments in a fascinating exploration of orchestral timbres that gradually and insistently crescendos into sonic ecstasy. Mirroring this structure, Bejart's choreography places a single individual (usually a woman) at the center of a male collective that surrounds, observes, imitates, admires, and stalks her in a choreography that progressively transforms from subtle understated gestures to high-voltage electricity!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;The man of the future will overcome man, but will rediscover what it is to be human while having become something fundamentally different.&lt;/i&gt; (Maurice Bejart)

Maurice Bejart and the Ballet du XXeme siecle with a visionary and groundbreaking choreography, rarely performed.</marc:subfield>
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            <marc:subfield code="a">Alma Redemptoris Mater, S. 22 (NTSC) ( 00 sec. ) / Heinichen -- Sonata in F Major, K.78/L.75/P.26 (NTSC) ( 00 sec. ) / Scarlatti -- Nisi Dominus, RV 608 (NTSC) ( 00 sec. ) / Vivaldi -- Gesu al Calvario, ZWV 62, Aria: S'una sol lagrima (NTSC) ( 00 sec. ) / Zelenka -- Tam non splendet sol creatus (NTSC) ( 00 sec. ) / Fago -- Sinfonia a 8 concertanti in A Minor (NTSC) ( 00 sec. ) / Zelenka -- Sanctus Petrus et Sancta Maria Magdalena, Aria: Mea Tornamenta, Properate! (NTSC) ( 00 sec. ) / Hasse -- Il Faraone sommerso: Alla gente a Dio diletta (NTSC) ( 00 sec. ) / Fago -- Il Giustino, RV 717, Act I: Allor che mi vedro (NTSC) ( 00 sec. ) / Vivaldi</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">Corti, Francesco, Artist -- Pomo d'Oro, Il, Ensemble -- Orliński, Jakub Józef, Artist -- Anonymous, Lyricist -- Heinichen, Johann David, Composer -- Scarlatti, Alessandro, Composer -- Vivaldi, Antonio, Composer -- Bible - Old Testament, Lyricist -- Zelenka, Jan Dismas, Composer -- Fago, Francesco Nicola, Composer -- Hasse, Johann Adolf, Composer -- Pariati, Pietro, Lyricist</marc:subfield>
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            <marc:subfield code="a">The Polish countertenor &lt;i&gt;Jakub Jozef Orlinski&lt;/i&gt; is quickly gaining a  reputation as a singer of striking vocal beauty and daring stage craft. He has been hailed by critics and audiences alike, prompting the New York Times to write: "Jakub Jozef Orlinski combined beauty of tone and an uncommon unity of color and polish across his range."

This concert recording reflects the greatly anticipated release of his debut album, &lt;i&gt;Anima Sacra&lt;/i&gt;, a recital of 18th-century rediscovered sacred arias with the baroque ensemble Il Pomo d'oro.</marc:subfield>
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            <marc:subfield code="a">Vocal and Chamber Music - STRAVINSKY, I. / MAHLER, G. / BERG, A. (The Soldier's Tale) (L'Atelier de Musique, Quatuor Hanson, Dumoussaud) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Piano Quartet in A Minor (NTSC) ( 00 sec. ) / Mahler -- Piano Quartet (NTSC) ( 00 sec. ) / Schnittke -- 7 Frühe Lieder (7 Early Songs) (NTSC) ( 00 sec. ) / Berg -- Histoire du soldat (The Soldier's Tale) (narrated in French) (NTSC) ( 00 sec. ) / Stravinsky</marc:subfield>
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            <marc:subfield code="a">Quatuor Hanson, Ensemble -- Charvet, Adèle, Artist -- Dumoussaud, Pierre, Conductor -- Atelier de musique, L', Ensemble -- Sandre, Didier, Artist -- Coggio, Maxime, Artist -- Acremant, Gabriel, Artist -- Berg, Alban, Composer -- Stravinsky, Igor, Composer -- Mahler, Gustav, Composer -- Schnittke, Alfred, Composer</marc:subfield>
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            <marc:subfield code="a">Stranded in Switzerland due to the events of the First World War and the October Revolution in Russia, &lt;i&gt;Stravinsky&lt;/i&gt; was introduced to the Swiss novelist Charles-Ferdinand Ramuz in 1915 by their mutual friend and conductor Ernest Ansermet. This encounter would ultimately lead to a creative partnership that brought forth one of the most important works of the 20th century: &lt;i&gt;L'Histoire du Soldat (The Soldier's Tale)&lt;/i&gt;. Based on a Russian folk tale, L'Histoire du Soldat unites a Faustian fable with Stravinsky's colourful and sweeping composition that includes elements of jazz and Russian folk music.

At the 2018 Deauville Easter Festival in the Normandy region of France, Pierre Dumoussaud leads a group of highly accomplished instrumentalists, as well as actors Didier Sandre, Maxime Coggio, and Gabriel Acremant, in this Stravinsky masterpiece. The colorful program is rounded out by &lt;i&gt;Mahler's&lt;/i&gt; sole &lt;i&gt;String Quartet in A Minor&lt;/i&gt;, which he never completed-though you'll hear the finished first movement alongside a later completion by Russian composer &lt;i&gt;Alfred Schnittke&lt;/i&gt; of Mahler's partially sketched second movement - and &lt;i&gt;Alban Berg's&lt;/i&gt; expansive and evocative &lt;i&gt;Seven Early Songs&lt;/i&gt;, superbly performed by prizewinning mezzo Adele Charvet.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">RACHMANINOV, S.: Aleko / The Miserly Knight [Operas] (Dmitry Hvorostovsky Festival, 2019) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Leiferkus, Sergey, Artist -- Lande, Vladimir, Conductor -- Golovushkin, Mikhail, Artist -- Siberian State Symphony Orchestra, Orchestra -- Tebe Poem Krasnoyarsk, Choir -- Pirogov, Mikhail, Artist -- Guseva, Elena, Artist -- Basova, Olga, Artist -- Baturkin, Andrei, Artist -- Grivnov, Vsevolod, Artist -- Paster, Maxim, Artist -- Rachmaninov, Sergey, Composer -- Nemirovich-Danchenko, Vladimir Ivanovich, Lyricist -- Pushkin, Alexander, Lyricist</marc:subfield>
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            <marc:subfield code="a">OMG! Van Eyck was here. Celebrating Jan van Eyck: Herreweghe and Collegium Vocale.

Commissioned by the City of Ghent and on the occasion of the Van Eyck Year, the Estonian composer &lt;i&gt;Arvo Part&lt;/i&gt; wrote a new work with the world-famous altarpiece the &lt;i&gt;Adoration of the Mystic Lamb&lt;/i&gt; as its starting point. Around this world creation, which was given the title &lt;i&gt;Fur Jan van Eyck&lt;/i&gt;, Philippe Herreweghe and Collegium Vocale Gent present an exquisite programme of mass movements, motets and organ works by &lt;i&gt;Claudio Monteverdi, Anton Bruckner&lt;/i&gt; and &lt;i&gt;Olivier Messiaen&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">MATĚJŮ, Z.: Little Mermaid (The) (after H.C. Andersen) [Ballet] (National Theatre Prague, 2017) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Little Mermaid (after H.C. Andersen) (National Theatre Prague, 2017) (NTSC) ( 01 hrs., 39 min., 54 sec. ) / Mateju</marc:subfield>
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            <marc:subfield code="a">Prague National Theatre Orchestra, Orchestra -- Vinklat, Ondrej, Artist -- Wenzelova, Michaela, Artist -- Czech National Ballet, Ensemble -- Matejkova, Magdalena, Artist -- Podarilova, Tereza, Artist -- Weiser, Andreas Sebastian, Conductor -- Mateju, Zbynek, Composer</marc:subfield>
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            <marc:subfield code="a">A ballet based on the fairy tale by Hans Christian Andersen

This beautiful ballet, based on the famous fairy tale by &lt;i&gt;Hans Christian Andersen&lt;/i&gt;, tells the heartbreaking story of a young mermaid who is willing to give up her life and identity out of love. This charming performance, abounding in poetic dance scenes, is intended not only for parents and children but for everyone who loves this immortal story.

Delivered by the National Theatre Orchestra, choreographed by Jan Kodet and directed by the acclaimed SKUTR tandem (Martin Kukucka and Lukas Trpisovsky to a new composition by Czech composer &lt;i&gt;Zbynek Mateju&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">Ballet &amp; Dance</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6749</marc:subfield>
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            <marc:subfield code="a">BUXTEHUDE, D.: Vocal and Chamber Music (Abendmusiken) (Vox Luminis, Ensemble Masques) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Gott hilf mir, BuxWV 34 (NTSC) ( 00 sec. ) / Buxtehude -- Sonata in A Minor, BuxWV 272 (NTSC) ( 00 sec. ) / Buxtehude -- Befiehl dem Engel, dass er komm, BuxWV 10 (NTSC) ( 00 sec. ) / Buxtehude -- Jesu meine Freude, BuxWV 60 (NTSC) ( 00 sec. ) / Buxtehude -- Sonata in D Major, BuxWV 267 (NTSC) ( 00 sec. ) / Buxtehude -- Herzlich lieb hab ich dich o Herr, BuxWV 41 ( 00 sec. ) / Buxtehude -- Sonata in B-Flat Major, Op. 1, No. 4, BuxWV 255 ( 00 sec. ) / Buxtehude -- Jesu, meines Lebens Leben, BuxWv 62 (NTSC) ( 00 sec. ) / Buxtehude -- Wie schön leuchtet der Morgenstern, BuxWV 223 (NTSC) ( 00 sec. ) / Buxtehude</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Dietrich Buxtehude&lt;/i&gt; (1637-1707) is considered today one of the founding fathers of the 17th century German school, whose influence on composers such as Johann Sebastian Bach, his spiritual son, cannot be overestimated. Not only was he an indisputable master of organ music, but also a most prolific composer whose oeuvre consists of more than 200 works.

Let's us join the Masques Ensemble and the Vox Luminis choir and discover 17th century baroque music and the composer Buxtehude through his vocal compositions, ranging from spiritual concert, choral, aria to cantata parties, many of which directly influenced Johann Sebastian Bach's compositions. It is to a journey in space and time, a journey in which violins, viola, viola da gamba, violone, harpsichord, canned organ and choral ensemble will share the legacy and influence of Dietrich Buxtehude who has transcended borders with us.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;7 VISIONS OF AMEN&lt;/i&gt; is a masterpiece of &lt;i&gt;Olivier Messiaen's&lt;/i&gt; musical production consisting of seven meanings of the word Amen. It is extraordinarily contemporary despite its 70 years of existence and its writing music is highlighted by four main essences: complex timbre, rhythmic and harmonic richness, deep spirituality, sound seduction - color and knowledge of nature through singing birds.

VISIONS OF AMEN is a dream. An adventure. A fusion of artistic expression made possible by a bold investment in talents. A great technical and human team led by Carlos Osorio's personal vision to visually enhance Olivier Messiaen's sound universe, and send it to all audiences of the world.</marc:subfield>
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            <marc:subfield code="a">The 2018/2019 concert season is &lt;i&gt;Michael Sanderling's&lt;/i&gt; eighth as Principal Conductor of the Dresden Philharmonic. His name is associated with a great musical and technical ambition, concentrated rehearsal work, and concert events of unforgettable intensity. The focus on &lt;i&gt;Dmitri Shostakovich&lt;/i&gt; continues, both in concert and the recording project of the Shostakovich symphonies.

The new concert hall is the heart of the rebuilt Kulturpalast right in the city centre. Similar to the Philharmonie in Berlin and the Gewandhaus in Leipzig it was built in the so called Weinberg style which guarantees clear acoustics. The concert hall with its 1760 seats and mid-oriented stage offers the Dresdner Philharmonie optimum spatial and tonal conditions, for the first time in its 150 years old history.</marc:subfield>
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The evening's second half is dedicated to the music of &lt;i&gt;Dvorak&lt;/i&gt;, with his &lt;i&gt;Symphony No. 7 in D Minor&lt;/i&gt; as the centerpiece. This passionate work, dedicated to the London Philharmonic Society who had commissioned it, was an unmitigated success at its premiere and has continued to enchant audiences through the centuries-including this one at the Rudolfinum in Prague, where Dvorak himself conducted the Czech Philharmonic's first ever concert in 1896. Two of the Bohemian composer's spirited &lt;i&gt;Slavonic Dances&lt;/i&gt; serve as encores to round out the program, which also includes a nod to Frank Sinatra...</marc:subfield>
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            <marc:subfield code="a">Monsaingeon, Bruno, Television Director -- Fischer-Dieskau, Dietrich, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">The great German baritone &lt;i&gt;Dietrich Fischer-Dieskau&lt;/i&gt; is greatly admired for his interpretive insight, note-perfect control of the tonal qualities, and shadings of color in his voice, for exceptional rhythmic sense and impeccable diction. His reputation as a lieder singer is so high - he had a repertoire of more than 3.000 songs - that it is easy to forget his extensive list of operatic roles. 

In this conversation Fischer-Dieskau reveals for the last time on camera the secrets of his outstanding career. His &lt;i&gt;Last Words&lt;/i&gt; provide a deep insight into the extraordinary artistic life of one of the most famous and prolific lieder singer of our time. Fischer-Dieskau died in May 2012 at the age of 86.</marc:subfield>
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            <marc:subfield code="a">BOULEZ, P.: Eclat (Classical Documentary, 1994) (NTSC)</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Spanjaard, Ed, Conductor -- Nieuw Ensemble, Ensemble -- Boulez, Pierre, Composer</marc:subfield>
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            <marc:subfield code="a">A documentary on &lt;i&gt;Pierre Boulez&lt;/i&gt; and his work &lt;i&gt;Eclat&lt;/i&gt;. Eclat is a real study of resonance written for fifteen instruments and created in 1965.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts7746.jpg</marc:subfield>
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            <marc:subfield code="a">Helicopter String Quartet (Classical Documentary, 1996) (NTSC) ( 01 hrs., 17 min., 06 sec. ) / Stockhausen</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Stockhausen, Karlheinz, Artist -- Arditti Quartet, Ensemble</marc:subfield>
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            <marc:subfield code="a">Behind the scenes of the premier of &lt;i&gt;The Helicopter String Quartet&lt;/i&gt; he dreamt of it and he did it.

&lt;i&gt;Karlheinz Stockhausen&lt;/i&gt; is the composer of the superlative: in everything, he is "the most" (crazy, prolific, demanding, committed, innovative, radical, extravagant, etc.). Born near Cologne in 1928, he left a world that had become too small for him on December 5th, 2007. Before doing so he left three hundred and sixty works which experiment with all genres: serialism, electronics, pointillism, quotations, the collage and the aleotary. He will be remembered as a master of electro-acoustic music and of the spatialisation of sound, as revealed in this documentary dedicated to the world premiere, on June 26th, 1995 at the Holland Festival, of his Helicopter String Quartet.

This is not a joke. Karlheinz Stockhausen dreamt of it and he did it. He wrote a score for a string quartet whose musicians (in this instance the Arditti Quartet) would each play in a helicopter, while their music would be mixed on the ground by Stockhausen and broadcasted in the concert hall. The helicopter rotors are naturally present.

Frank Scheffer enables us to take part in the preparation of this "borderline" experiment: a huge amount of work rehearsing with the participation of the Dutch Navy, who supplied the helicopters and the pilots. Thanks to a camera fixed on the fifth helicopter, we fly in the sky with the "musicians" helicopters over Amsterdam. Magical.

A "concert" that really isn't like any other in that after landing, when the members of the Arditti Quartet enter the concert hall to receive the audience's applause, they haven't even heard what they played.</marc:subfield>
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            <marc:subfield code="a">Sasha Waltz: A Portrait (Dance Documentary, 2014) (NTSC) ( 01 hrs., 10 min., 06 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Sasha Waltz&lt;/i&gt; is one of Europe's best-known and most exciting choreographers. Her choreographies are outstanding as she always surprises with new formations, deep subjects and stunning aesthetic style. But she does not only work with dancers: the dialogue with all other art forms is her special interest. All her deep and beautifully choreographed pieces are featured in this film where Sasha Waltz gives us insight into her work. The film portrait by Brigitte Kramer draws a line from 2006 to today, the important years of Sasha Waltz' international career.</marc:subfield>
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            <marc:subfield code="a">Filmed in June 2013 during three extraordinary performances that took place during the Aldeburgh Festival, &lt;i&gt;Peter Grimes on Aldeburgh beach&lt;/i&gt; takes place in the heart of the town that inspired it and is the film interpretation of &lt;i&gt;Britten's Peter Grimes&lt;/i&gt;, the most successful opera of post-war Britain. Based on &lt;i&gt;George Crabbe's&lt;/i&gt; 1810 poem &lt;i&gt;The Borough&lt;/i&gt;, Britten's powerful and masterful evocation of the North Sea in all its moods has become inextricably linked with the Aldeburgh that was home to Crabbe in the late eighteenth century and Britten in the twentieth, and where both poem and opera were written. 

Conceived and hosted by the Aldeburgh Festival, the performances of Peter Grimes were directed by Tim Albery who placed the audience on the beach watching the story of Peter Grimes unfold as dusk fades over the sea. The cast and chorus, with Alan Oke in the eponymous role of Peter Grimes, Giselle Allen as Ellen Orford, and David Kempster as Captain Balstrode, sing live with amplification, while the Britten-Pears Orchestra under the baton of Britten expert Steuart Bedford is pre-recorded.</marc:subfield>
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            <marc:subfield code="a">C minor: by far the most iconic &lt;i&gt;Beethoven&lt;/i&gt; key. It's the key of the &lt;i&gt;Fifth Symphony&lt;/i&gt;, the Third Piano Concerto, the Coriolan Overture, the Pathetique, etc., etc. - so much, in fact, that 'C minor mood' became a semi-official term in Beethoven literature. It's temptingly easy for us to connect the brooding scowl on Beethoven's portraits and busts to the dramatic, stormy, high-intensity music he wrote in this key: works full of deep pathos and possessed by a relentless, sometimes demonic drive.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Beethoven's sonatas Op. 2&lt;/i&gt; were his calling card in Vienna as a composer. At that point - 1795 - he was already famous as a keyboard virtuoso, but the transition to fame as a composer was not obvious, and he took great care with the first works he published, a set of three trios (Op. 1) and three sonatas (Op. 2).

The &lt;i&gt;F minor sonata&lt;/i&gt;, opening the opus, is laconic in its musical language and form, but highly expressive in its emotional content. The first movement sets the tone: very personal and sincere; but reserved, its emotional outbursts never overpowering. It is followed by a serene second movement showing Beethoven already on a quest for lyrical, poetic beauty. The third movement is a hybrid minuet and scherzo, starting off as a melancholy, somewhat stylized dance, which changes its character drastically towards the end. And it is the finale which is perhaps the most striking movement of the four. Beethoven takes the closing chords of the first movement and puts them above a stormy whirlwind of sound, at times furious, at times impassioned, at times haunted and driven. A beautiful middle section, repeated twice, serves as a point of calm, but can only delay the inevitable return of the storm and the final collapse.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">If the first &lt;i&gt;sonata of Op. 2&lt;/i&gt; showed us a laconic, tense and passionate Beethoven, here in the A major sonata he is charming, good natured, outgoing, eloquent. The form, too, is gradually becoming larger, the textures more generous, the writing more pianistic. The first movement, energetic and at places blazingly virtuosic, contains an unexpected and inspired second subject in the minor key, lending a personal, urgent note to the music. (It also contains a fiendishly difficult canon-like section in the development...) The second movement is a stately procedure, with a very slow, yet steady pulse. There's a feeling of great depth and awe there, but also of elegance and beauty. The third movement is a lovely minuet, gentle and, apart from the more animated trio, carefree. The rondo finale contrasts a wonderfully flowing refrain with more ebullient episodes as well as a highly dramatic middle section. The repeats of the refrain (five in number!) become increasingly varied and ornamented, showing Beethoven's easy ingenuity and delight in exploring the material in an improvisatory way.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of &lt;i&gt;Beethoven's&lt;/i&gt; 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">As with the 3 Trios Op. 1, also among the 3 Sonatas Op. 2, it was the final, third work which was to be the culmination of the opus. After the passion and darkness of the F minor sonata, and the easy, warm eloquence of the A major sonata, Beethoven turned to C major for a work of explosive brilliance. Virtuosity is the core trait of the music, whether serious or humorous, thundering or quick-fingered. One can imagine &lt;i&gt;Beethoven&lt;/i&gt; proclaiming with happy self-assuredness: "look what I can do at the piano, no holds barred!" And yet there's nothing empty or ostentatious here: the technical brilliance rests upon a glowing musical foundation, and there's so much atmosphere, colour and narrative throughout to complement the passagework. The slow movement, too, stands out in its emotional maturity and often exquisite beauty - its deep musicality wonderfully balancing the fireworks of the fast movements.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">In 1796, a year after the successful publication of the three sonatas Op. 2, &lt;i&gt;Beethoven&lt;/i&gt; composed the &lt;i&gt;Grande Sonata for Pianoforte, Op. 7&lt;/i&gt;. By the &lt;i&gt;Grande&lt;/i&gt; designation, Beethoven wanted to single it out as a special work, which didn't need other sonatas to be published as an opus. Later, he would give the same epithet to the &lt;i&gt;Pathetique&lt;/i&gt;, the &lt;i&gt;Waldstein&lt;/i&gt; and the &lt;i&gt;Hammerklavier&lt;/i&gt;.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">BEETHOVEN, L. van: Piano Sonata No. 6 (Behind the Notes - Boris Giltburg Introduces Sonata No. 6) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The &lt;i&gt;F major sonata, Op. 10 No. 2&lt;/i&gt;, is the short, bright, fun-infused interlude between the dark passion and enchanted lyricism of the &lt;i&gt;C minor sonata, Op. 10 No. 1&lt;/i&gt;, on one side and the mature masterpiece which is the &lt;i&gt;D major sonata, Op. 10 No. 3&lt;/i&gt;, on the other.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">One of the most extraordinary musical prodigies of our day, &lt;i&gt;Alma Deutscher&lt;/i&gt; presents a modern version of the beloved fairy tale blending humor, poetry, and the magic of theatre. Deutscher began composing her &lt;i&gt;Cinderella&lt;/i&gt; at age 8, but without directly taking up the original tale by the Brothers Grimm, preferring to give music the predominant place in her spectacle. The title character here is also a young composer, envied by her stepmother and stepsisters for her talent and forced to toil away as a mere copyist. But compelled by the same love for art, Prince Charming-a poet, in Deutscher's retelling-comes to Cinderella's aid...</marc:subfield>
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During the pandemic, the pianist Ragna Schirmer performed it for a small audience, mentally dedicating each variation to a different audience member. The result is a magnificent achievement that affords masterly proof of her passion for this work, a passion that has evolved over several decades.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Humperdinck&lt;/i&gt; is generally known for his fairytale opera &lt;i&gt;Hansel und Gretel&lt;/i&gt;, a Christmas favourite, first staged in Weimar in 1893. His career brought early contact with Wagner and subsequently with his family as music tutor to Siegfried Wagner, the composer's son. He held various teaching positions of some distinction and enjoyed a fruitful collaboration in the theatre with Max Reinhardt, providing incidental music for a number of Shakespearean productions in Berlin.

The charming melodies make it an opera that children enjoy. However, its wonderful music is for everyone. The Salzburg Marionette Theatre created a fascinating production with renowned singers and highly skilled puppeteers.</marc:subfield>
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            <marc:subfield code="a">DakApp is pleased to present this new masterclass on the fantastic &lt;i&gt;Concerto for Violin and Orchestra No.1&lt;/i&gt; by &lt;i&gt;Bela Bartok&lt;/i&gt;. This time, the marvelous Latvian soloist and chamber musician Eva Bindere dissects this beautiful piece alongside the talented young violinist Magdalena Geka.</marc:subfield>
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It is based on the Iranian folk melody &lt;i&gt;Dokhtare Boyer Ahmadi&lt;/i&gt;, meaning the girl from the town of Boyer Ahmadi. In the central section of the piece this melody comes to the surface and is clearly outlined by the cello, later joined by violin.

All other parts of the piece also derive from this melody but in a much more fractured way. As a result, Girl is an exploration of folk melodies as collective memorialisation, considering how memories are warped, altered, fragmented and ultimately re-imagined across time and space. - &lt;i&gt;https://www.soosanlolavar.com/girl/&lt;/i&gt;</marc:subfield>
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            <marc:subfield code="a">Prizewinner at the International Tchaikovsky competition in Moscow and the Internationaler Musikwettbewerb der ARD in Munich, internationally acclaimed soloist &lt;i&gt;Alexander Chaushian&lt;/i&gt;, is one of the foremost cellists of his generation, regularly performing at venues such as the Wigmore Hall, Wiener Konzerthaus, Suntory Hall and the Carnegie Hall.

A graduate from the The Yehudi Menuhin School, the Guildhall School of Music and Drama and the Hochschule fur Musik Hanns Eisler Berlin, Mr. Chaushian has appeared as a soloist with orchestras such the Royal Philharmonic Orchestra, Philharmonia Orchestra, the Academy of St Martin in the Fields and the OSR - Orchestre de la Suisse Romande. 

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Praised for his exhilarating and sensitive interpretations, Mr. Christ was chosen by Herbert von Karajan to become one of the youngest principals in the history of the Berliner Philharmoniker. A prize winner at the Internationaler Musikwettbewerb der ARD and recipient of the Grand Prix du Disque 1992 by the Deutsche Grammophon, Maestro Wolfram Christ is one of the first artists who unconditionally supported DakApp from its beginnings.</marc:subfield>
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In this master class, Garlitsky and Udovichenko explore together the impact of the Russian violin school on the only violin concerto Tchaikovsky ever wrote. The incredible masterwork, composed in 1878 and premiered by its dedicatee Adolf Brodsky, is one of the most technically-challenging of the violin concerto repertoire.</marc:subfield>
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The G Major Concerto was commissioned in 1777 by Ferdinand De Jean, an amateur German flutist and wealthy surgeon who worked for the VOC (Dutch East India Company) and who offered the generous sum of 200 florins in exchange for three flute concertos and four flute quartets.

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            <marc:subfield code="a">Winner of the Internationaler Musikwettbewerb der ARD 2015, the Carl Nielsen International Competition 2014 and the Kobe International Flute Competition 2013, Mr. Jacot is regularly invited to perform with the Mahler Chamber Orchestra, Orchestra Mozart and the Munchener Kammerorchester.

Born in Geneva, &lt;i&gt;Sebastian Jacot&lt;/i&gt; entered the Haute ecole de musique de Geneve at age fifteen, studying in the class of Professor Jacques Zoon and obtaining his Soloist Diploma with Distinction in 2010. Mr. Jacot is currently the 1st Principal Flute at the Gewandhausorchester in Leipzig and has previously held positions as Assistant Principal Flutist at the Hong Kong Philharmonic Orchestra, Principal Flutist at the Seiji Ozawa Matsumoto Festival-Saito Kinen in Japan and Solo Flutist of the Ensemble Contrechamps in Geneva, Switzerland.</marc:subfield>
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            <marc:subfield code="a">BEETHOVEN, L. van: Piano Sonata No. 8, "Pathétique" (Behind the Notes - Boris Giltburg Introduces Piano Sonata No. 8) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Piano Sonata No. 8 in C Minor, Op. 13, "Pathétique" (NTSC) ( 26 min., 52 sec. ) / Beethoven</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;The Pathetique!&lt;/i&gt; One of &lt;i&gt;Beethoven's&lt;/i&gt; most-loved and most popular works, it sent shockwaves throughout the music world of the late 18th century, and its gripping power hasn't diminished in the 220 years since. The immediacy and intensity of emotion is staggering, right from the opening C minor chord. And just in the first-page introduction we are confronted with pain and pathos, nobility and hope, despair and crushing of said hope - a cry straight out of Beethoven's heart and soul, hurled at us without any protective barriers. I can barely imagine the impact this music must have had on its first listeners.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">BEETHOVEN, L. van: Piano Sonata No. 11 (Behind the Notes - Boris Giltburg Introduces Piano Sonata No. 11) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Looking back at the sonatas Nos. 8-11, &lt;i&gt;the Sonata No. 11, Op. 22&lt;/i&gt; is the grandest of the four in its scope, probably the most challenging one technically, but curiously also the most conservative in its spirit and musical language. The elegant minuet and the easy-flowing, good-natured finale are even reminiscent of the sonatas Opp. 2 and 7, written 4-5 years earlier.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">BEETHOVEN, L. van: Piano Sonata No. 12, "Sonate mit dem Trauermarsch" (Behind the Notes - Boris Giltburg Introduces Piano Sonata No. 12) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Piano Sonata No. 12 in A-Flat Major, Op. 26, "Sonate mit dem Trauermarsch" (NTSC) ( 29 min., 08 sec. ) / Beethoven</marc:subfield>
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            <marc:subfield code="a">If &lt;i&gt;Sonata No. 11&lt;/i&gt; was a closing, summarising chapter of &lt;i&gt;Beethoven's&lt;/i&gt; early sonatas, then &lt;i&gt;Sonata No. 12&lt;/i&gt; is a door leading to exciting, hitherto unexplored musical worlds. The structural innovation is easy to point out: out of the Sonata?EUR(TM)s four movements, none are in actual sonata form. Instead, Beethoven brings together a moderately slow opening movement (a theme with variations), a blazing scherzo, a funeral march and a quicksilver finale to form a fascinating story arc.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">BEETHOVEN, L. van: Piano Sonata No. 13 (Behind the Notes - Boris Giltburg Introduces Piano Sonata No. 13) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Whatever depths of evocative storytelling we encountered in &lt;i&gt;Sonata No. 12&lt;/i&gt;, they come to a glorious culmination in the sister-sonatas &lt;i&gt;Op. 27, Nos. 1 and 2&lt;/i&gt;. They create two worlds, as opposing as they are complementary, similarly rich in atmosphere, and possessing a similar power to transport us elsewhere immediately upon hearing their opening bars.

&lt;i&gt;Beethoven's&lt;/i&gt; critics had previously reproached him for writing sonata forms too close to fantasies, too irregular, too free. With Op. 27, it is as if Beethoven decided to show what he could achieve when explicitly attempting to meld a sonata and a fantasy. Both works in that opus are subtitled &lt;i&gt;Sonata quasi una fantasia&lt;/i&gt; - sonata in the spirit (or manner) of a fantasy. A fantasy was a free-form musical composition, commonly consisting of several loosely linked sections with abrupt shifts of tempo, mood and key. Interestingly, it is the less famous, unnicknamed Sonata No. 13 which adheres more closely to this ideal. Its four movements, performed without a break, show the ease of transition we might expect from an improvisation, or free associative thinking - or a dream.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">Seen as part of Op. 27, the &lt;i&gt;Moonlight&lt;/i&gt; is like a dark shadow born in the afterglow of No. 13's light. To No. 13's myriad of moods it juxtaposes a single-minded unity of colour and expression, concentrated and powerful. It contrasts No. 13's loosely joined sections with a linear progression of defined, clearly structured movements. And to the wealth of positive, kind and benevolent emotions radiating from No. 13, it answers with a uniquely perceptive exploration of the darker corners of personal feeling.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">BEETHOVEN, L. van: Piano Sonata No. 9 (Behind the Notes - Boris Giltburg Introduces Piano Sonata No. 9) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Op. 14&lt;/i&gt; - the utterly lovely, fresh, charming couple of short sonatas, are not just an antithesis but an antidote to the &lt;i&gt;Pathetique&lt;/i&gt;, as if &lt;i&gt;Beethoven&lt;/i&gt; needed to cleanse his spirit with limpid tones after the extreme dark intensity of the preceding sonata. Both are chamber works in nature, content with a restrained emotional and aural palette, for once not straining against the boundaries of the instrument. Beethoven seems more relaxed here, softer, at times genuinely happy. 

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">BEETHOVEN, L. van: Piano Sonata No. 10 (Behind the Notes - Boris Giltburg Introduces Piano Sonata No. 10) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The other sonata of the pair, &lt;i&gt;No. 10 in G major&lt;/i&gt;, is a real hidden gem. The outpouring of loving emotion in the first movement - outwardly tender, yet full of inner ardour - presents a &lt;i&gt;Beethoven&lt;/i&gt; we haven't really encountered so far in the cycle. The personal nature of the music is reflected in the parlando ('speaking') effect - music which seems to imply spoken words - particularly in the second theme, with its many repeated, entreating notes. None of those were necessarily new or original, but the sincerity of emotion and the lack of theatricality make the music particularly endearing.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">A freshness emanates from the opening of the &lt;i&gt;Pastoral Sonata&lt;/i&gt;; its pulsing bass is akin to a beating heart, bearing the promise of a continuous, unstoppable flow.

Whether or not the nickname 'Pastoral' was approved by &lt;i&gt;Beethoven&lt;/i&gt; himself, it is wonderfully fitting - the music strongly evokes nature, especially in the first and last movements. There is an unhurried gentleness throughout, climaxes are broad and harmonious, and the many 'simple' chords (triads and their inversions) lend the music an aura of stability and calmness which we rarely associate with Beethoven.

But more than a simplistic depiction, to me the first movement is an exploration of the mystery of life, from its first beginnings, evoking a sense of wonder and requiring utmost love and care, to the rich abundance of life's full bloom, captured by Beethoven in multifaceted, sensitive, breathing strokes. And through it all, the pulsing bass weaves in and out, speaking of Life's never-ending continuity.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of &lt;i&gt;Beethoven's 32 piano sonatas&lt;/i&gt; is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.

These exceptional performances received widespread critical acclaim upon their original digital release, and this premiere 9-disc boxed set includes extended personal and informative booklet notes written by the pianist. From the vivid energy of the early sonatas, through the dark passions and enchanted lyricism of Beethoven's middle period, to the awe-inspiring transcendence of the final sonatas - this cycle runs the full gamut of human emotion.</marc:subfield>
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            <marc:subfield code="a">Eidinger, Lars, Artist -- Gottwald, Moritz, Artist -- König, Jenny, Artist -- Schwarz, Sebastian, Artist -- Beyer, Robert, Artist -- Bading, Thomas, Artist -- Gawenda, Christoph, Artist -- Witte, Thomas, Artist -- Meckbach, Eva, Artist -- Laufenberg, Laurenz, Artist -- Shakespeare, William, Author</marc:subfield>
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            <marc:subfield code="a">Richard is hideous, deformed and full of hatred for the world. He exploits the ambitions of others for his own ends. With unscrupulous determination he clears away every obstacle that lies in his path to becoming king. But even this triumph fails to heal the great insult that nature has bestowed upon him. Alone at the apex of the English kingdom, he now turns his rage on his true nemesis - himself. 

&lt;i&gt;Richard III&lt;/i&gt; is one of &lt;i&gt;Shakespeare's&lt;/i&gt; earliest works, first performed around 1593 - and the title character with his unbridled, single-minded amorality is still fascinating and compelling to this day. Staged by Thomas Ostermeier at the Schaubuhne Berlin this production is perfectly cast and features Lars Eidinger as Richard.</marc:subfield>
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            <marc:subfield code="a">A Somali pirate asks in front of the Hamburg district court for understanding his attack on the cargo ship MS Taipan and complains about the loss of his friend Tofdau. Sergeant Major Pellner and Private Dorsch drive into the rainforests of Afghanistan with a patrol boat. Your mission: liquidation of a crazy Lieutenant Colonel. The journey leads deeper and deeper into a jumbled world in which colonial history and neo-colonial realities are inextricably linked. Further and further away from so-called civilization, into the wilderness and darkness. When the drowned pirate Tofdau unexpectedly returns to history and begs for help in the darkness, he is shot dead by First Sergeant Pellner. Because in this story there is no room for a stranger.

Whimsical and filigree, ironic and at the same time infinitely sad, &lt;i&gt;Wolfram Lotz&lt;/i&gt; describes in his text our inability to really understand the stranger: the horror of a distant war, another culture, another human being, and finally even himself.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;John Gabriel Borkman&lt;/i&gt; has barricaded himself in the attic of his house. He needs to be clear about what he has left of his financial empire. Crashed after a legendary rise and punished for unscrupulous fraud with eight years imprisonment, the banker is ruined, his reputation is in ruins, his family is completely divided. Only his son could restore the father's reputation.

For &lt;i&gt;Henrik Ibsen&lt;/i&gt;, Henrik Ibsen's play is the most important work of modern classical music to be reinterpreted in the Europe of the financial crisis.</marc:subfield>
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            <marc:subfield code="a">The celebrated actor Elisabeth Vogler has fallen silent. She doesn't speak anymore. Together with her nurse Alma the two unequal women spend a carefree summer - until the situation between them shifts. Where is the line between one's own identity and assigned roles? How is it possible to slip into a different life? Director Anna Bergmann raises questions about power, trust and roles images and shows an excellent adaption of Ingmar Bergman's experimental film.</marc:subfield>
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            <marc:subfield code="a">Alceste is an idealist and a master of hurtful words, always eager to hold up a mirror to his fellow human beings. But he has finally found his match in the young widow Celimene: As rhetorically gifted as he is, she has no intention of giving in to his whimsies.

A delightful and humorous production within a contemporary reduced setting by famous stage director Anne Lenk at the Deutsches Theater Berlin.</marc:subfield>
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            <marc:subfield code="a">Mary, Queen of Scots, is taken prisoner and sentenced to death by her cousin, the Queen of England. But Mary remains a figure of light even inside her prison cell. She is able to count on her loyal followers. The result is an intrigue woven into the male-dominated fabric of politics and religion in which the protagonists are caught between love and the desire for power: a blame game couched in impressively clear language.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Anna Gmeyner&lt;/i&gt; was born in Vienna in 1902 and, like the female heroes in her plays, remained a self-determined outsider, a figure of transit. The technical advancements and the reactionary bourgeoisie of her time were the inspiration for her first play, &lt;i&gt;Automatenbufett&lt;/i&gt;, written in 1932. The play is set in a restaurant where food, beverages and even music can be ordered at the touch of a button. This restaurant attracts a horde of citizens from a small town. They are greedy and eccentric, selfish and depraved, and are dreaming of better economic times. Swiss director Barbara Frey brings Anna Gmeyner's almost - forgotten tragicomical folk back onto the stage.</marc:subfield>
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            <marc:subfield code="a">Stefan Bachmann stages &lt;i&gt;Max Frisch's&lt;/i&gt; drama as a highly musical horror trip with powerful imagery, giving full scope to the suggestive power of the theatre.

A bank clerk bludgeons a janitor to death: with no reason, no motive, just like that. This murderer and his "senseless" deed totally derail the general prosecutor whose job it is to bring the charge. In a mad rush, he leaves his well-ordered existence and becomes an axe-wielding murderer, initiating a bloody movement against the socio-political status quo. Stefan Bachmann takes the subtitle of this "street ballad" at face value. The multifaceted live music, a cast who are clearly going all out and Olaf Altmann's congenial spatial positing create a nightmarish maelstrom that sees the story of "Count Oederland with the axe in his hand" as timeless while at the same time evoking countless highly topical associations.</marc:subfield>
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            <marc:subfield code="a">Director Claudia Bauer and her enthusiastic cast translate &lt;i&gt;PeterLicht's&lt;/i&gt; radical rewriting of Moliere's &lt;i&gt;Tartuffe&lt;/i&gt; into fast-paced comedy. In its colourful pop outfit, betrayal shines all the brighter and our present times are firmly in their sights.

The seemingly pious and virtuous Tartuffe deeply impresses the wealthy Orgon and unsettles his entire family, until he is gradually caught in dishonest intentions. So far the story as told by Moliere. In his radical retelling, PeterLicht takes up central motifs of the work, taking aim at our present times in the process.

Director Claudia Bauer and her cast of enthusiastic actors translate PeterLicht's revealing criticism of language into lightning comedy with a colourful pop optics that makes the deceit shine all the brighter, until it finally explodes.</marc:subfield>
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            <marc:subfield code="a">Awarded as the Revelation Lyric Artist in 2004, Lyric Artist of the Years 2007 and 2010 and Album of the Year 2009 at the French Les Victoires de la Musique Classique, &lt;i&gt;Philippe Jaroussky's&lt;/i&gt; multiple German ECHO KLASSIK Awards in 2005, 2008, 2011, 2012 and 2015 makes him one of the most celebrated singers and musicians of our time. 

Maestro Philippe Jaroussky is the founder and artistic director of the Academie Musicale Philippe Jaroussky and the Ensemble Artaserse, the Baroque orchestra he founded in 2002 after Vinci's Opera of the same title.

Stay attentive to this fantastic new edition of extraordinary masterclasses and performances from La Seine Musicale, exclusively filmed by DakApp!</marc:subfield>
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It was March 1894 when Antonin Dvorak attended a concert in New York, in which his New World Symphony was programmed alongside the Cello Concerto by Victor Herbertt, an Irish colleague from the Conservatory who was also a very popular cello player in the USA. Impressed by his playing and inspired by the instrument's role in the music, Dvorak was then determined to create his own piece for Cello, a task he started once he was back from his summer retreat in Bohemia.

Although this was Antonin Dvorak's last composition written in the United States, the Concerto Op.104 is fully inspired by the composer's native slavic tradition, hence the emotional and nostalgic nationalistic character of the work. Completed on February 1895, the third movement contains a final coda, quoting the song &lt;i&gt;Leave Me Alone&lt;/i&gt; in the memory of his sister-in-law Josefina Kaunitzova, the composer's love from his young days.</marc:subfield>
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            <marc:subfield code="a">From two of &lt;i&gt;Beethoven's&lt;/i&gt; lesser sonatas (Nos. 19-20) to one of his greatest - &lt;i&gt;Sonata No. 21, Op. 53&lt;/i&gt;, known as &lt;i&gt;Waldstein&lt;/i&gt;, after its dedicatee, Count von Waldstein, a close friend and early patron of Beethoven. It is very tempting to talk of watershed moments - perhaps only visible to us in hindsight - but the Waldstein, its every note radiant with inspiration, is surely a landmark in Beethoven's development, as well as in the development of the sonata genre in Beethoven's hands.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of &lt;i&gt;Beethoven's&lt;/i&gt; 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Beethoven&lt;/i&gt;, in his core, is a composer of light, his music uplifting and life-affirming. But in a few works he addressed the darkness with a mastery just as absolute, giving us within the sonata cycle the &lt;i&gt;Pathetique, Moonlight&lt;/i&gt;, and perhaps most vivid of all, the &lt;i&gt;Appassionata&lt;/i&gt;. These three are without doubt among the most popular of his works, attesting to some irresistible attraction these dark soundscapes must exert on us. Perhaps it is also an attestation to Beethoven's mastery of dramaturgy and his profound, relatable humanity: he knows how to grip us in a dark narrative, but we constantly feel that he lived through the same experience as us, felt the same emotions, possibly more strongly than we do. Trusting him, we willingly lower our defenses and submit ourselves to this white-knuckle ride.

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            <marc:subfield code="a">The two previous trilogies in &lt;i&gt;Beethoven's&lt;/i&gt; sonata cycle - the three sonatas, Op. 2 and the three sonatas, Op. 10 - both had the third sonata in the group as their focal point and climax. Whether this is the case in our Op. 31 is less certain. On the one hand, &lt;i&gt;Sonata No. 18&lt;/i&gt; is the only one in the opus to be written in four movements, like most of Beethoven's &lt;i&gt;Grandes Sonates&lt;/i&gt; (Opp. 7, 22, 26 and 28). On the other, the Sonata is so easy-going, so light-spirited, so full of sunshine, that it feels much more like a release after Tempest's dark tension than a further intensification.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of &lt;i&gt;Beethoven's 32 piano sonatas&lt;/i&gt; is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">Nestled between two titans - the &lt;i&gt;Waldstein&lt;/i&gt; and the &lt;i&gt;Appassionata&lt;/i&gt; - is an unusual, enigmatic two-movement work. &lt;i&gt;Beethoven's&lt;/i&gt; contemporaries and later generations of critics didn't think much of it, and it remains seldom performed today. The &lt;i&gt;Sonata&lt;/i&gt; was Beethoven's first serious look at the possibilities of a two-movement form (if we disregard the two 'for the drawer' &lt;i&gt;Sonatas, Op. 49&lt;/i&gt;), which he went on to explore in the increasingly poetic Opp. 78, 90 and finally 111.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">The darkness which held us in its grip in the &lt;i&gt;Appassionata&lt;/i&gt; could not be counteracted more completely than it is by the sound of &lt;i&gt;Sonata No. 24's&lt;/i&gt; opening. Like a hymn rising above the deep octaves in the left hand, these four bars seem to come directly from the heart, devout and almost in awe of being in the presence of something exceedingly pure and beautiful. They lead into the loveliest of first movements, poetic, lyrical and simple in its emotional colour. The key of F sharp major, unique in &lt;i&gt;Beethoven's&lt;/i&gt; output, lends the music a special luminosity, a constant sense of striving upwards, which is reflected by the music's frequently residing in the upper part of the keyboard. This is not a detached, crystalline weightlessness, though, as the music is suffused with warmth throughout.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">The genesis of this sonata is closely tied with that of &lt;i&gt;Sonata No. 24&lt;/i&gt;, as both were commissioned by &lt;i&gt;Muzio Clementi&lt;/i&gt;, an Italian-born, London-based pianist, composer and publisher. The contract for those and other works was signed on 20 April 1807, with Beethoven agreeing to compose the two sonatas 'in an unspecified time and at his leisure'. This finally happened in the second half of 1809, and both sonatas were published by Clementi in mid-1810.

The &lt;i&gt;G major sonata, Op. 79&lt;/i&gt;, is a work light both in spirit and in technical difficulty, recognized as such by &lt;i&gt;Beethoven&lt;/i&gt;, who asked the German publisher to call it &lt;i&gt;Sonata facile&lt;/i&gt; ('Easy Sonata') or &lt;i&gt;Sonatine&lt;/i&gt;.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Sonata No. 26&lt;/i&gt; is the only programmatic one of the entire cycle. It was created during the War of the Fifth Coalition in 1809, in which the Austrian Empire and its allies (Britain, Portugal and Spain) fought the French Empire under Napoleon and its German allies, chiefly Bavaria. It depicts the departure, absence and return of Archduke Rudolph, &lt;i&gt;Beethoven's&lt;/i&gt; longtime patron and student, who together with much of the Viennese aristocracy fled Vienna at the approach of Napoleon in May 1809. Beethoven may have begun the sonata before that (it might even not have been planned with Rudolph in mind, but rather meant to depict a more universal emotion), but it was definitely completed during Rudolph's absence, and presented to him as a gift upon his return to Vienna in early 1810.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">When lockdown was imposed in 2020 many artists began streaming performances from their own homes. In response, pianist Francesco Piemontesi and director Jan Schmidt-Garre launched a concert series to showcase artists living in Berlin, given in the renowed Schinkel Pavillon with an expert technical team assembled at short notice. Fourteen concerts were held, without audiences, under the name Home Music Berlin featuring some of the world's leading instrumentalists and singers. This collection of performances is testament to the resilience and solidarity of these artists during the pandemic.

From the very beginning, Jan Schmidt-Garre and feature film cameraman Michael Kotschi also documented the genesis of the project. Rehearsals, private scenes backstage, the setup, all the crazy working under the conditions of the lockdown. Talks with the artists and atmospheric pictures behind the scenes were created. In the summer of  2021, the musicians reunited and enjoyed the opportunity to meet again in larger numbers, celebrate and make music at a summer party.</marc:subfield>
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The concerts reflect the wealth of the music city Berlin. Artists from Russia, Ukraine, the US, England, Israel, Switzerland, France, Denmark and Germany took part, including great musicians such as Alexander Melnikov, Christian Tetzlaff, Sharon Kam, Jacquelyn Wagner, Isabelle Faust, Iddo Bar-Shai and Tabea Zimmermann. It would never have been possible to gather all these artists in a row without the lockdown. Just like a hundred years ago, the city of Berlin showed its very own artistic profile. Anyone who wanted to hear Furtwangler, Nikisch, Wilhelm Kempff, Busoni or Horowitz back then, when musicians travelled much less than they do today, had to come to Berlin. In order to hear &lt;i&gt;Stravinsky, Cortot, Ravel&lt;/i&gt; and &lt;i&gt;Satie&lt;/i&gt;, people traveled to Paris.</marc:subfield>
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            <marc:subfield code="a">Together with the internationally acclaimed mezzo-soprano Anne Sofie von Otter, &lt;i&gt;Christof Loy&lt;/i&gt; creates an intimate evening of music theatre. Inspired by the songs of &lt;i&gt;Franz Schubert&lt;/i&gt;, which oscillate between the joy of life and the longing for death, the two tell of the extremes of human feelings. In addition to the &lt;i&gt;Winter Journey&lt;/i&gt; song cycle, other works of the composer will be performed. Anne Sofie von Otter, whose?career began in Basel, is one of the most celebrated singers in the world. She will be accompanied on the piano forte by the internationally acclaimed pianist Kristian Bezuidenhout.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Jacques Offenbach&lt;/i&gt; had already achieved fame as an operetta composer by 1866, but that year's premier of &lt;i&gt;La Vie parisienne&lt;/i&gt; was his first portrayal of contemporary Parisian life. With its tale of romantic intrigues, disguises and comic celebrations of the mad gaiety of life in the French capital, La Vie parisienne became popular in the nationa's theatres, but not after a hasty re-working of its final acts after protests from the original performers. With significant new musical discoveries and the final act restored, this opera-bouffe masterpiece now speaks for itself given the resources of a superb cast and Christian Lacroix's colourful and much acclaimed Bru Zane France production.</marc:subfield>
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            <marc:subfield code="a">Internationally recognized as one of the greatest violinists of her generation, &lt;i&gt;Maria-Elisabeth Lott&lt;/i&gt; made her EMI Warner Classics and Erato debut recording at the age of 11, playing &lt;i&gt;Mozart's&lt;/i&gt; own violin with the Mozarteum Orchester Salzburg as the winner of the Mozarteum Salzburg Competition 1998.

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            <marc:subfield code="a">Born in New York to Korean parents, solo cellist &lt;i&gt;Timothy Park&lt;/i&gt; studied at The Juilliard School with Jerome Carrington and Fred Sherry and at the Yale University with Aldo Parisot, later moving to Germany to obtain his Master Diploma and Konzertexam from the Musikhochschule Lubeck and the Hochschule fur Musik Hanns Eisler Berlin, where he was a pupil of David Geringas and also worked with Josef Feigelson, Boris Pergamenschikow and Daniel Barenboim.

As a soloist, Mr. Park has performed with ensembles such as the Chamber Orchestra of New York, Detroit Symphony Orchestra, Orquesta Sinfonica de Venezuela, Moscow Radio Symphony Orchestra, Berlin Symphony Orchestra, the Juilliard Orchestra and the Interlochen Center for the Arts Academy Orchestra. He is regularly invited to participate in the Lucerne Festival, Aspen Music Festival and School, Schleswig Holstein Musik Festival, NDR Mecklenburg-Vorpommern, Kronberg Academy, the Jerusalem Festival and the festival Pablo Casals in Prades.

An avid chamber musician, Timothy Park is the cellist of the Erlenbusch string quartet, keeping an artistic collaboration with the Staatskapelle Berlin and playing with musicians such as Elena Bashkirova, Levon Chilingirian, Alessio Bax, Vladimir Mendelssohn, Zakhar Bron, Frans Helmerson, Gary Hoffman, Tamaki Kawakubo, Nikolaj Znaider, Michael Barenboim, Emmanuel Pahud and Bruno Schneider.

Mr. Park also dedicates his time to various educational and charitable programs in Korea, Japan, Venezuela and the US. He plays a cello made by the Naples master Gennaro Gagliano in 1740.</marc:subfield>
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            <marc:subfield code="a">The beautiful opening phrase conceals an unexpected fact: &lt;i&gt;Beethoven&lt;/i&gt; starts the sonata off-key, on the dominant (E major). This start in medias res contributes to the openness and questioning character of many of the phrases, and later in the movement Beethoven develops this idea, systematically avoiding a resolution into the home key of A major. This turns out to be part of the sonata's design - Beethoven masterfully builds up a subconscious need for a resolution throughout the movements and manages to delay the appearance of a strong A major until much later in the sonata - the opening of the finale. This also fits with the development of the sonata form in Beethoven's late period, with the last movement increasingly becoming the main weight-bearer and focal aim of the entire work.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">If Op. 101 is a sonata that inspires love at first hearing, the next sonata in the cycle, &lt;i&gt;Op. 106 - the Hammerklavier&lt;/i&gt; - rather tends to inspire awe and admiration at first. It towers above the rest like a musical Mount Everest, alluring and dangerous, dwarfing all others through its complexity and colossal scope. In performing it, one experiences &lt;i&gt;Beethoven's&lt;/i&gt; titanic compositional struggle in every note, his vision in this particular work constantly driving him to test the extremes of size and intensity, to push the limits of piano technique beyond anything he attempted before. Later, as one comes to grips with the material, some of the admiration is replaced with love - but the awe always remains.

&lt;i&gt;Boris Giltburg&lt;/i&gt; is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.</marc:subfield>
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            <marc:subfield code="a">The last three sonatas were neither the last piano pieces &lt;i&gt;Beethoven&lt;/i&gt; would write - he followed them with the &lt;i&gt;Diabelli Variations, Op. 120&lt;/i&gt; and the &lt;i&gt;6 Bagatelles, Op. 126&lt;/i&gt; - nor were they his final works in the sonata form - those would be the late string quartets. But after Op. 111 Beethoven's path did not lead him back to the piano sonata genre. In strong contrast to the &lt;i&gt;Hammerklavier&lt;/i&gt;, where the bulging, straining creative muscles are evident in every note, the last three sound like an uninhibited stream of inspiration, captured mid-flow by Beethoven and shaped and moulded by him until they appear to us as near miraculous acts of effortless creation. Whereas the Hammerklavier feels probing, exploring, challenging, the last three are completely at ease with themselves, reflecting not the struggles of a creative genius trying to unfetter himself from all convention, but the poetic utterances of a composer who has gone so far ahead of us that one cannot but feel awe facing these inimitable musical worlds, and gratitude at having been granted access to them.

Much unites the three sonatas, besides the overall sense of transcendence suffusing the music. Structurally, they all lead towards their respective finales. All three incorporate large vocally-imagined movements or episodes - a 'song with the most heartfelt emotion' in Op. 109, a &lt;i&gt;lamenting arioso&lt;/i&gt; in Op. 110, and the simply named &lt;i&gt;Arietta&lt;/i&gt; as the magnificent theme of Op. 111's finale. All three are also obsessed with polyphonic writing - a growing interest of Beethoven in his late years. It's most overt in Op. 110, which contains two fully fledged fugues in its finale, but polyphonic sections abound in both Opp. 109 and 111 as well.</marc:subfield>
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            <marc:subfield code="a">Royal Ballet, Covent Garden, Ensemble -- Murphy, Paul, Conductor -- Royal Ballet Sinfonia, Orchestra -- Howells, Jonathan, Artist -- McRae, Steven, Artist -- Avis, Gary, Artist -- Pickering, David, Artist -- Loots, Iohna, Artist -- Cervera, Ricardo, Artist -- Hewitt, Victoria, Artist -- Sykes, Gemma, Artist -- Gartside, Bennet, Artist -- Morera, Laura, Artist -- Faruque, Zachary, Artist -- Ciriaci, Giacomo, Artist -- Tuifua, Joshua, Artist -- Lanchbery, John, Composer</marc:subfield>
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            <marc:subfield code="a">Created by Frederick Ashton for a film in 1971, and brought to the stage in a production by Anthony Dowell in 1992, &lt;i&gt;Tales of Beatrix Potter&lt;/i&gt; brings alive, with rich characterization and invention, the famous images and stories of Beatrix Potter.

&lt;i&gt;John Lanchbery's&lt;/i&gt; music (incorporating mostly forgotten Victorian melodies) is utterly captivating, inspiriting spirited playing from the Royal Ballet Sinfonia conducted by Paul Murphy. Christine Edzard's designs conjure up a lost England field mice and Berkshire black pigs, of foxgloves and shady groves. Swept up in the ballet's childlike exuberance, the entire cast delivers outstanding portrayals of such colourful figures as Jemima Puddle-Duck, Mr Jeremy Fisher, Mrs Tiggy-Winkle and the irrespressible Peter Rabbit. Frederick Ashton's warm and witty, yet demanding, choreography creates a piece of charm and grace for all ages.</marc:subfield>
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            <marc:subfield code="a">JANACEK, L.: Cunning Little Vixen (The) (Glyndebourne, 2012) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Thompson, Adrian, Artist -- Leiferkus, Sergey, Artist -- Rigby, Jean, Artist -- Glyndebourne Chorus, Choir -- Jurowski, Vladimir, Conductor -- London Philharmonic Orchestra, Orchestra -- Crowe, Lucy, Artist -- Spickova, Lucie, Artist -- Bell, Emma, Artist -- Schelomianski, Mischa, Artist -- Davies, Sebastian, Artist -- Watkins, Beatrice, Artist -- Woscholski, Orlando, Artist -- Moseley, Louise, Artist -- Janáček, Leoš, Composer</marc:subfield>
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            <marc:subfield code="a">The tale of a quick-witted fox and her escape from confinement for a life in the forest that is by turns joyful and violent, &lt;i&gt;The Cunning Little Vixen&lt;/i&gt; is an unsentimental parable of death and rebirth that lives through the instinctive and immediate world of nature, animal and human, which &lt;i&gt;Janacek&lt;/i&gt; loved so much. Melly Still's production for Glyndenbourne finds the 'delicate balance between whimsy and mysticism' (Daily Telegraph) at the heart of the opera, which Vladimir Jurowski conducts' with lustrous style: you can hear the birds in the score, feel the sunshine and thrill to the starlit night sky in the finale scene' (Opera Today).</marc:subfield>
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            <marc:subfield code="a">Slatkin, Leonard, Conductor -- Saint Louis Symphony Orchestra, Orchestra -- Ballets de Monte-Carlo, Les, Ensemble -- Coppieters, Bernice, Artist -- Behrend, Anja, Artist -- Ball, April, Artist -- Bourgond, Stephan, Artist -- Prieto, Alvaro, Artist -- Koike, Mimoza, Artist -- Verbruggen, Jeroen, Artist -- Uriagereka, Asier, Artist -- Edeso, Asier, Artist -- Webster, Simone, Artist -- Riou, Gaelle, Artist -- Ballesteros, Anjara, Artist -- Pantastico, Noelani, Artist -- Sabourin, Maude, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Jean-Christophe Maillot revisits &lt;i&gt;Swan Lake&lt;/i&gt; with writer Jean Rouaud (Winner of the 1990 Prix Goncourt)! Filmed in a studio at Monaco's Grimaldi Forum, this modern interpretation of the classic ballet sheds new light on the mythic tale of Siegfried and Odette. Conceived by the cutting edge visual artist Ernest Pignon-Ernest, &lt;i&gt;Le Lac&lt;/i&gt; features costumes by Philippe Guillotel and Bertrand Maillot's musical adaptation of &lt;i&gt;Tchaikovsky's&lt;/i&gt; original score performed by the Saint Louis Symphony Orchestra under Leonard Slatkin. An impressive production and winner of the 2013 Golden Prague prize for "Best Performing Arts Program"!
 
The young prince Siegfried is set to become king, and must choose his future wife at the celebration of his 21st birthday. Unhappy that he cannot marry for love, he visits the nearby forest, where he sees a group of swans pass by, and then he pauses at the sight of a woman dressed in white swan feathers. He learns that she is none other than the Princess Odette, who suffers under the curse of the sorcerer Rothbart: during the daytime, she is transformed into a white swan, and at night she returns to her natural form as a beautiful young woman. Unable to kill Rothbart and risk making the curse irreversible, the prince decides to marry Odette, with whom he has fallen madly in love, in order to break the spell. The next day at the birthday celebrations, after the prince has met the other princess candidates, Rothbart sends up his daughter Odile, magically transformed into Odette, but dressed in black. Tricked by the disguise, Siegfried declares his love to her. But at the moment the wedding is going to be celebrated, the real princess Odette appears; horrified, Siegfried runs toward the swan lake...

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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/OA1148D.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=OA1148D</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">BELARBI, K.: Bête et la Belle (La) [Ballet] (Theatre du Capitole, 2013) (NTSC)</marc:subfield>
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            <marc:subfield code="a">La bete el la belle (Theatre du Capitole, 2013) (NTSC) ( 01 hrs., 45 min. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Watanabe, Takafumi, Artist -- Loria, Julie, Artist -- Ballet du Capitole de Toulouse, Ensemble -- Akhmedyarov, Kazbek, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;La Bete et la Belle&lt;/i&gt; is renowned French choreographer Kader Belarbi's compelling reimagining of the classic fairy tale &lt;i&gt;Beauty and the Beast&lt;/i&gt; - a psychological drama that explores the rejection or acceptance of difference, centring around Beauty's discovery of the depth of true love. First performed by the Grands Ballets Canadiens de Montreal in 2005, Theatre du Capitole's reprise of Belarbi's acclaimed production has confirmed its status as among the best of modern ballets, combining stunning set and costume designs with striking choreography that reflects the unique soundscape of the Ligeti-dominant musical score. Takafumi Watanabe and Julie Loria assume the lead roles in a production that instantly transport us into the beautiful dream world of this timeless masterpiece reinterpreted.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=OA1157D</marc:subfield>
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            <marc:subfield code="a">YATES, M: Elizabeth (Royal Ballet, 2016) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Elizabeth (Royal Ballet, 2016) (NTSC) ( 01 hrs., 33 min. ) / Yates</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Wallfisch, Raphael, Artist -- Acosta, Carlos, Artist -- Yanowsky, Zenaida, Artist -- Kempster, David, Artist -- Caldow, Laura, Artist -- Cullingford, Sonya, Artist -- Righton, Julia, Artist -- Middleton, Alasdair, Lyricist -- Yates, Martin, Composer</marc:subfield>
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            <marc:subfield code="a">Opulent and intimate, this enchanting chamber piece combines dance, text and music in a fascinating exploration of the life and loves of &lt;i&gt;Queen Elizabeth I&lt;/i&gt;. Choreographer Will Tuckett and playwright and librettist Alasdair Middleton co-direct this special performance, which brings together Royal Ballet Principals Zenaida Yanowsky and Carlos Acosta with actors Laura Caldow, Sonya Cullingford and Julia Righton in an atmospheric and nuanced tribute to the remarkable nature of this extraordinary woman. &lt;i&gt;Martin Yates's&lt;/i&gt; original score recalls the structures and harmonies of Elizabethan music, in a modern reimagining of a typical Tudor-period ensemble, deftly  performed by world-renowned cellist Raphael Wallfisch and acclaimed baritien David Kempster.</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Entführung aus dem Serail (Die) (Glyndebourne, 2015) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Die Entführung aus dem Serail (Abduction from the Seraglio), K. 384 (Glyndebourne, 2015) (NTSC) ( 02 hrs., 48 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Matthews, Sally, Artist -- Glyndebourne Chorus, Choir -- Orchestra of the Age of Enlightenment, Orchestra -- Montvidas, Edgaras, Artist -- Gunnell, Brenden Patrick, Artist -- Ticciati, Robin, Conductor -- Eriksmoen, Mari, Artist -- Kehrer, Tobias, Artist -- Saurel, Franck, Artist -- Cradock, Jonas, Artist -- Mozart, Wolfgang Amadeus, Composer -- Bretzner, Christoph Friedrich, Lyricist</marc:subfield>
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            <marc:subfield code="a">Director David McVigar's original-period vision for this Mozartian gem allows its genius to speak for itself, offering a 'mesmerizing, sensitive... outstanding' portrayal of Enlightenment-era fascination with the East that is both 'exquisitely acted and sung', featuring a Konstanze and a Belmonte sung with 'finesse and bravura' and a 'sensationally voiced' Osmin (The Guardian).

Comic relief in Glyndebourne's 'brilliant production' is provided by 'beautifully sung live-wire performances' of Pedrillo and Blonde, and Robin Ticciati leads the Orchestra of the Age of Enlightenment through a restored, authentic rendition of the critical score with 'lovely fizz' and 'poignant gravitas' (The Independent).</marc:subfield>
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            <marc:subfield code="a">Bretzner, Christoph Friedrich</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Mozart's&lt;/i&gt; final opera returns to Glyndebourne after an absence of nearly 20 years in a stark, compelling and very well acted' production directed by Claus Guth. Richard Croft sings the title role 'with exemplary stylistic poise and tonal sweetness', and Anna Stephany is a Sesto 'touchingly full of angst and remorse... with terrific elan and immaculate technical control' in the arias (The Telegraph) - her "Parto, Parto" 'simply breathtaking' (The Guardian). Guth's vision sets the 1st-century Roman story in a two-storey office suite bureaucracy 'exquisitely lit by Olaf Winter', aptly framing the scheming of Vitellia, sung by Alice Coote 'in terrific form'. The OAE under Robin Ticciati 'brings out the sheer beauty' of Mozart's score (Express).</marc:subfield>
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            <marc:subfield code="a">BARANOWSKI, A.: 1984 [Ballet] (Northern Ballet, 2015) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Widely lauded by critics, choreographer &lt;i&gt;Jonathan Watkins' 1984&lt;/i&gt; is an awe-inspiring retelling of George Orwell's masterpiece.

Winston Smith lives in a world of absolute conformity, his every action scrutinized by Big Brother. However, when Winston meets Julia, he dares to rebel by falling in love.

Danced by Northern Ballet - the UK's foremost narrative ballet company - to a score by Tony-nominated composer &lt;i&gt;Alex Baranowski&lt;/i&gt;, this thoroughly modern take on &lt;i&gt;Nineteen Eighty-Four&lt;/i&gt; will change the way you think about ballet.</marc:subfield>
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            <marc:subfield code="a">Sutherland, Gavin, Conductor -- English National Ballet, Ensemble -- Rojo, Tamara, Artist -- English National Ballet Philharmonic, Orchestra -- Streeter, James, Artist -- Cirio, Jeffrey, Artist -- Quagebeur, Stina, Artist -- Cao, Begoña, Artist -- Reimair, Fabian, Artist -- Lamagna, Vincenzo, Composer</marc:subfield>
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            <marc:subfield code="a">Acclaimed dancer-choreographer &lt;i&gt;Akram Khan&lt;/i&gt; 'speaks tremendously of tremendous' (Financial Times) and this new &lt;i&gt;Giselle&lt;/i&gt;, commissioned by English National Ballet, re-imagines the classic narrative ballet for the 21st century. Giselle has become a former garment factory migrant worker, Albrecht, a member of the wealthy factory-owing class. An abandoned 'ghost factory' haunted by the memory of female migrant workers, many of them victims of industrial accidents, replaces the traditional glade of Act II. There, Giselle's desire to break the cycle of violence will lead to her reconciliation with Albrecht and his release from the retributive justice of the Wilis.</marc:subfield>
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            <marc:subfield code="a">Sarah Lamb and Vadim Muntagirov star as tragic lovers Manon and Des Grieux in this performance of &lt;i&gt;Kenneth MacMillan's Manon&lt;/i&gt;, a classic of the Royal Ballet repertory. Nicholas Georgiadi's period designs set the ballet in the contrasting worlds of Paris luxury and Louisiana swampland, while the intense emotion of MacMillan's choreography is complemented by a score drawn from Massenet's music. The impassioned pas de deux for Manon and Des Grieux drive this tragic story, and make Manon one of MacMillan's most powerful dramas.</marc:subfield>
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            <marc:subfield code="a">One of &lt;i&gt;Mozart's&lt;/i&gt; most enchanting works, &lt;i&gt;Die Zauberflote&lt;/i&gt; is a fairy tale that uses familiar archetypes to ask provocative and difficult questions about religion, the nature of power, the bonds of family, and of course love.

Premiered just months before Mozart's death, Die Zauberflote in many ways represents a new departure for the composer. Catching the spirit of revolution in the air, Mozart turned his attention for the first time from court opera to popular opera, writing this singspiel ('sung play') for a new and much broader audience.

Celebrated Canadian directing duo Barbe and Doucet make both their  British and Glyndebourne debuts here with their new Die Zauberflote, a veritable "theatrical feast of eccentricity." (The Guardian). Ryan Wigglesworth conducts an outstanding cast including Russian soprano Sofia Fomina as Pamina, David Portillo as her beloved Tamino, Brindley Sherratt as Sarastro, and the ebullient Bjorn Burger as Papageno.</marc:subfield>
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            <marc:subfield code="a">MINKUS, L.: Don Quixote [Ballet] (Studio Production, 1973) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Don Quixote (arr. J. Lanchbery) (Studio Production, 1973) (NTSC) ( 01 hrs., 42 min. ) / Minkus</marc:subfield>
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            <marc:subfield code="a">Lanchbery, John, Conductor -- Nureyev, Rudolf, Artist -- Orchestra Victoria, Orchestra -- Helpmann, Robert, Artist -- Powell, Ray, Artist -- Aldous, Lucette, Artist -- Peasley, Colin, Artist -- Coe, Kelvin, Artist -- Croese, Francis, Artist -- Australian Ballet, The, Ensemble -- Rowe, Marilyn, Artist -- Minkus, Ludwig, Composer</marc:subfield>
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            <marc:subfield code="a">This spectacular film of &lt;i&gt;Don Quixote&lt;/i&gt;, choreographed after Marius Petipa and directed for the screen by Russian ballet superstar Rudolf Nureyev, is recognised as one of the finest ballet performances ever caught on camera and cinematic triumph in its own right.

Filmed in Melbourne with The Australian Ballet in 1972, the cast includes Nureyev as Basilio, Sir Robert Helpmann as the deluded knight and Lucette Aldous as Kitri. This timeless story of love, gallantry and misadventure - all unfolding with Minku's exhilarating Spanish-flavoured music - has stood the test of time as one of the world's most popular ballets.</marc:subfield>
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            <marc:subfield code="a">Lanchbery, John</marc:subfield>
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            <marc:subfield code="a">KELLY, G.: Starstruck [Ballet] (Scottish Ballet, 2021) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Micchiardi, Bruno, Artist -- Leney, Roseanna, Artist -- Scottish Ballet, Ensemble -- Scottish Ballet Orchestra, Orchestra -- Picard, Jean-Claude, Conductor -- Martin, Sophie, Artist -- Harrison, Christopher, Artist -- Andreu, Javier, Artist -- Shoesmith, Nicholas, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Inspired by Gene Kelly's iconic work in Hollywood, &lt;i&gt;Starstruck&lt;/i&gt;, winner of the 2022 Best Dance Film Award at the National Dance Awards, brings an immersive, theatrical experience, in which audiences around the world can escape with us to the glamour and grace of Paris, 1960.

One of the first choreographers to bring the 'American style' to Europe, the legendary Gene Kelly was invited to create an original work for the Paris Opera Ballet in 1960. His jazzy, joyful &lt;i&gt;Pas de Dieux&lt;/i&gt; was highly acclaimed at the time as 'a breath of fresh air' but has been rarely performance since. It has now been given a new set of wings for its life on stage and screen.

In collaboration with Kelly's widow, Patricia Ward Kelly, Scottish Ballet's CEO/Artistic Director Christopher Hampson and designer Lez Brotherson &lt;i&gt;(The Snow Queen, The Secret Theatre)&lt;/i&gt; have lovingly revived the original ballet and added a delightful new twist. You'll be transported into the world where jazz meets ballet, and the stars align.

Combining live performance capture with cinematic filming techniques and additional elements not seen in the stage production, Starstruck is directed for screen by Oscar Sanson &lt;i&gt;(Dive)&lt;/i&gt;, and produced in partnership and beyond, and we honour his creative legacy with this playful new ballet.

Set to &lt;i&gt;Gershwin's&lt;/i&gt; effortlessly cool &lt;i&gt;Concerto in F&lt;/i&gt;, with extracts from &lt;i&gt;Chopin&lt;/i&gt;, Starstruck is exactly the evening of entertainment you've been longing for.</marc:subfield>
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            <marc:subfield code="a">HAMPSON, Christopher / DARRELL, Peter: Secret Theatre (The) [Ballet] (Scottish Ballet, 2020) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Secret Theatre (Scottish Ballet, 2020) (NTSC) ( 57 min. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Sutherland, Gavin, Conductor -- Devernay, Constance, Artist -- Tarantolo, Kayla-Maree, Artist -- Micchiardi, Bruno, Artist -- Horler, Grace, Artist -- Barnes, Jerome Anthony, Artist -- Kawalek, Alice, Artist -- Vigier, Constant, Artist -- Edwards, Thomas, Artist -- Paulley, Grace, Artist -- Scottish Ballet, Ensemble -- Scottish Ballet Orchestra, Orchestra -- Picard, Jean-Claude, Conductor -- Martin, Sophie, Artist -- Harrison, Christopher, Artist -- Andreu, Javier, Artist -- Shoesmith, Nicholas, Artist -- Letsosa, Samuel, Artist -- Tetteh, Leo, Artist -- Benjamin, Rishan, Artist -- Parsons, Melissa, Artist -- Patron, Rimbaud, Artist -- Laurence, Jamiel, Artist -- Reid, Jamie, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">In a deserted city, a young boy stumbles into a theatre. He wanders through the audition, where rows of velvet chairs, draping curtains and chandeliers seem to lie in lovely wait for audiences to return. The theatre may be empty, but the show will go on...

Starring characters from Scottish Ballet's most popular festive ballets, the worlds of the Snow Queen and the Sugar Plum Fairy collide when the theatre bursts into life. In this spectacular, hour-long film, you'll be treated to an extraordinary show filled with acrobats, snowflakes, clowns, princes and - of course - beautiful ballerinas.

&lt;i&gt;The Secret Theatre&lt;/i&gt; features the choreography of Scottish Ballet founder Peter Darelle and CEO/Artistic Director Christopher Hampson, co-directed for the screen by Jess and Morgs. With set and costumes designed by Lez Brotherston, music by &lt;i&gt;Rimsky-Korsakov&lt;/i&gt; and &lt;i&gt;Tchaikovsky&lt;/i&gt; recorded live by the Scottish Ballet Orchestra, new additional composition by &lt;i&gt;Frank Moon&lt;/i&gt;, and performances from the full Scottish Ballet Company, this Christmas special is an unforgettable adventure for the whole family</marc:subfield>
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            <marc:subfield code="a">DONIZETTI, G.: Lucia di Lammermoor [Opera] (Royal Opera House, 2016) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Youn, Kwangchul, Artist -- Damrau, Diana, Artist -- Tézier, Ludovic, Artist -- Castronovo, Charles, Artist -- Oren, Daniel, Conductor -- Royal Opera House Orchestra, Covent Garden, Orchestra -- Royal Opera Chorus, Choir -- Hoare, Peter, Artist -- Lloyd, Rachael, Artist -- Stayton, Taylor, Artist -- Cammarano, Salvadore, Lyricist -- Donizetti, Gaetano, Composer</marc:subfield>
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            <marc:subfield code="a">Diana Damrau sings the title role in Donizetti's tragic masterpiece &lt;i&gt;Lucia di Lammermoor&lt;/i&gt;. Director Katie Mitchell compellingly draws Lucia as a strong and independent woman who fiercely fights against her brother's machinations, and Vicki Mortimer's spectacular split-screen set metes out with devastating precision the events of Walter Scott's famous story. Daniel Oren conducts a thrilling cast, the Orchestra of the Royal Opera House and the Royal Opera Chorus is on the &lt;i&gt;Donizetti's&lt;/i&gt; most beautiful and dramatically potent operas.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Opera</marc:subfield>
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            <marc:subfield code="a">Cammarano, Salvadore</marc:subfield>
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            <marc:subfield code="a">Donizetti, Gaetano</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/OADV0114dv.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=OADV0114dv</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/OADV0114dv</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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