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            <marc:subfield code="a">HOUSTON, Whitney: I Will Always</marc:subfield>
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            <marc:subfield code="a">This program consists of interviews and private moments with Whitney Houston.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/IC11.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=IC11</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/IC11</marc:subfield>
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            <marc:subfield code="a">BRAHMS, J.: Symphony No. 1 / MENDELSSOHN, Felix: A Midsummer Night's Dream: Overture (Solti) (1971) (NTSC)</marc:subfield>
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            <marc:subfield code="a">A Midsummer Night's Dream: Overture, Op. 21 (original 1825 version) (NTSC) ( 13 min., 17 sec. ) / Mendelssohn -- Symphony No. 1 in C Minor, Op. 68 (NTSC) ( 46 min., 36 sec. ) / Brahms</marc:subfield>
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            <marc:subfield code="a">Solti, Georg, Conductor -- Chicago Symphony Orchestra, Orchestra -- Mendelssohn, Felix, Composer -- Brahms, Johannes, Composer</marc:subfield>
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            <marc:subfield code="a">Recorded in 1971, this film shows the CSO in their first ever concert outside the United States. As Solti himself explains in the bonus feature included here, the CSO are masters in German repertoire, to which they bring the American virtuosity. Solti summons tremendous power, elegance and clarity from the orchestra, and their subsequent performances of Brahms's First Symphony have been praised for their "dignity, energy and splendour," which led critic William Mann to write: "I am tempted to describe it as the United States' most completely accomplished orchestra."</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/ICAD5089.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=ICAD5089</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/ICAD5089</marc:subfield>
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        <marc:controlfield tag="001">MVDV4577</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">MONROE, Bill: Father of Bluegrass Music</marc:subfield>
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            <marc:subfield code="a">Bill Monroe: Father of Bluegrass Music (NTSC) ( 01 hrs., 38 min., 28 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Monroe, Bill, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">No single figure in American music so dominated a genre as Bill Monroe did bluegrass. This film stands alone as the most intimate and detailed portrait of this unique musical innovator, creating an experience akin to having a one-on-one conversation with the bluegrass master.

A star of the Grand Ole Opry from 1939 until his death in 1996, he created bluegrass music out of his deep Kentucky roots, fusing the fiddle tunes and Scotch-Irish ballads learned from his mother Malissa and Uncle Pen Vandiver with the "old Southern blues" taught him by black blues guitarist Arnold Schultz. The result was brand new yet timeless, a distinctly personal sound that influenced generations of musicians, from his sidemen in the original bluegrass band - Lester Flatt, Earl Scruggs, Chubby Wise and Howard Watts - to Ricky Skaggs and Del McCoury (himself a former Blue Grass Boy) and modern superstars like Alison Krauss and Nickel Creek.

&lt;i&gt;Bill Monroe: Father of Bluegrass Music&lt;/i&gt; is a dynamic music documentary combining historic interviews with rare musical performances by Bill Monroe and the Blue Grass Boys, Lester Flatt, Emmylou Harris, Paul McCartney, the Osborne Brothers, Dolly Parton, Ricky Skaggs, Marty Stuart, John Hartford and a once-in-a-lifetime Blue Grass Boys reunion featuring Del McCoury, Chubby Wise and Bill Keith.

The film features archival footage and rare 1990s performances from Monroe's final years, including many of the greatest songs from his seven decades of recording, among them "Uncle Pen" and "Muleskinner Blues." In addition, it offers unparalleled access to Bill Monroe, following him from the backstage of the Grand Ole Opry to his farm outside Nashville and on the road in his legendary "Blue Grass Express" tour bus. Interview subjects range from the Grateful Dead's Jerry Garcia to country music pioneer Roy Acuff in one of his final film appearances.

&lt;i&gt;Bill Monroe: Father of Bluegrass Music&lt;/i&gt; presents the true life story of one of the original architects of American music, told in his own words and his own songs.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVDV4577.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVDV4577</marc:subfield>
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            <marc:subfield code="a">RADIOHEAD: Arms and Legs - The Story So Far (NTSC)</marc:subfield>
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            <marc:subfield code="a">Radiohead: OK Computer - A Classic Album Under Review (NTSC) ( 58 min., 48 sec. ) / Not Applicable -- Radiohead: Homework (NTSC) ( 48 min., 26 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Radiohead, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Never a band to do what's expected, Radiohead remain the most challenging chart act in the world today. And almost 20 years since their debut album, this astonishing group continue to make music that has almost nothing in common with anyone else around.

This documentary film set looks at the Radiohead story from different angles. The first film traces the development, recording, release and aftermath of their most influential and rewarding record to date, &lt;i&gt;OK Computer,&lt;/i&gt; and by placing this extraordinary work within the context of the group's entire career, as well as dissecting what has become their most iconic statement, uniquely tells the band's tale from the vantage point of this 1997 crescendo. The second film looks at Radiohead's rise to glory, from their very earliest days together to the point at which they became the global phenomenon they have on occasion stated they wished they hadn't.

In completion, this set borrows from Radiohead's own approach to the oh-too-often cynical, stagnant and un-nourishing side of the music industry by seizing the opportunity to produce a brace of films befitting Radiohead's truly unique agenda.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PG2DVD138.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PG2DVD138</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PG2DVD138</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PG2DVD139</marc:controlfield>
        <marc:controlfield tag="005">20230831061214.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">82356452592</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">82356452592</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BUSH, Kate: Life of Surprises (A) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Kate Bush: Under Review (NTSC) ( 01 hrs., 13 min., 19 sec. ) / Not Applicable -- Hands of Love - A Classic Album Under Review (NTSC) ( 01 hrs., 32 min., 39 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bush, Kate, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">A singer, songwriter, musician and performer of rare talent, Kate Bush is arguably England's finest-ever female artist. And despite, these days, fairly long gaps between new albums, she has yet to release any work which does not stand up against the music she made in her heyday.

This documentary set is a fitting tribute to Kate's extraordinary career as it tells the story of her life and work from her beginnings, through her glory years of the 1970s and 1980s, and on to her more recent albums and less visible lifestyle.

Featuring rare footage, archive interviews, contributions from those who have known her best and some of the finest music ever made, as well as a host of other features, this set will prove a delight for anyone with even a hint of intrest in this quite astonishing woman.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PG2DVD139.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PG2DVD139</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PG2DVD139</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD503</marc:controlfield>
        <marc:controlfield tag="005">20230831061204.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">887683000035</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">887683000035</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">YOUNG, Neil: Under Review, 1966-1975 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Neil Young: Under Review, 1966-1975 (NTSC) ( 01 hrs., 32 min., 18 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Young, Neil, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Neil Young: Under Review, 1966-1975&lt;/i&gt; is a documentary film reviewing the music and career of one of rock's true giants during his formative and most creative years.

This film features musical performances of Neil Young reviewed by a team of esteemed experts; obscure footage, rare interviews and rarely seen photographs of and with Neil; review, commentary, criticism and insight from John Einarson, author of the highly acclaimed biography &lt;i&gt;Neil Young: Don't Be Denied;&lt;/i&gt; respected American rock critic and senior editor at &lt;i&gt;Village Voice,&lt;/i&gt; Robert Christgau; British rock author and music journalist Barney Hoskyns; &lt;i&gt;Uncut&lt;/i&gt; magazine's contributing editor, Nigel Williamson; ex-editor of &lt;i&gt;BAM&lt;/i&gt; magazine and early champion of Neil Young, Dave Zinner; house engineer on "Mr. Soul," Bruce Tergesen; CNSY biographer Johnny Rogan and many others.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD503.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD503</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD503</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD526</marc:controlfield>
        <marc:controlfield tag="005">20230831061206.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">823564511092</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564511092</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">RICHARDS, Keith: Under Review</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Keith Richards: Under Review (NTSC) ( 01 hrs., 55 min., 58 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Richards, Keith, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">He's the baddest of them all, the man with at least nine lives and the most rock 'n roll performer since the dawn of time - and we love him for all of it. &lt;i&gt;Keith Richards: Under Review&lt;/i&gt; is a two-hour documentary film which details the life and career of the one man who made it all seem possible.

This film features rare and classic musical performances reassessed by a panel of esteemed experts; exclusive interviews, obscure footage and seldom-seen photographs; contributions from Richards biographers Kris Needs and Alan Clayson, Stones biographer Robert Greenfield, former Stones P.A. Keith Altham, Robert Christgau and Anthony DeCurtis from &lt;i&gt;Rolling Stone&lt;/i&gt; magazine, celebrity guitar coach Wolf Marshall, original Stones member Dick Taylor, ex-&lt;i&gt;Melody Maker&lt;/i&gt; journalist Chris Welch, musical collaborator Bernie Worrall and many others; and footage of and commentary on Keith's pivotal influences.

&lt;i&gt;Bonus:&lt;/i&gt;

- &lt;i&gt;When Kris met Keith&lt;/i&gt; - Kris Needs reminisces about his personal encounters with the human riff.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD526.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD526</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD526</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD530</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">823564511795</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564511795</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">WAITS, Tom: Under Review, 1983-2006 (NTSC</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Tom Waits: Under Review, 1983-2006 (NTSC) ( 01 hrs., 20 min., 50 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Waits, Tom, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Tom Waits: Under Review, 1983-2006&lt;/i&gt; is an 80-minute documentary film which looks at this extraordinary musician and performer's music during that period. After Waits' marriage to Katherine Brennan in 1980, his music became more experimental, challenging and left field, but without any compromise of his craft - the songs were better than ever. Through album after album during the 1980s, the 1990s and the 2000s, Waits stunned his audience time and again. This program looks again at these records and the man who made them, and in doing so provides the most enlightening, revealing and downright entertaining Tom Waits documentary yet to emerge.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD530.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD530</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD530</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD536</marc:controlfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564513096</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">WINEHOUSE, Amy: Girl Done Good (The)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
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        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Amy Winehouse: The Girl Done Good (NTSC) ( 01 hrs., 18 min., 59 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Winehouse, Amy, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">In an age when Z-list celebrities garner more media attention than the truly gifted, Amy Winehouse is an anomaly - a woman of such extraordinary flair it beggars belief and a dream for the tabloids, all rolled into one. So while many of her chart-topping contemporaries build here-today-gone-tomorrow "careers" of little substance, Amy's appeal is genuine, based on talent with a capital T.

&lt;i&gt;Amy Winehouse: The Girl Done Good&lt;/i&gt; is a review of her music and career to date. Drawing on rare and classic performances, exclusive interviews, lengthy contributions from friends, colleagues, journalists and experts, and a host of other features, this video is a unique insight into the music, career and life of a cultural icon.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD536.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD536</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD536</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD543</marc:controlfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">TOOL: Ultimate Review (The) (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Tool: The Ultimate Review (NTSC) ( 01 hrs., 14 min., 52 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Tool, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">They've been together almost 20 years and have survived more of American rock's sub-genres than any other band still relevant today - from thrash to grunge, nu-metal to AOR - and Tool have garnered a respect from fans and critics alike that other groups could only dream of, a respect built on raw talent, consistent innovation and sublime ability.

This film is a documentary review which traces the band and their music back to their inception in the late 1980s and follows their story and sound through to the present day.

It features rare and classic Tool performances, archive footage, exclusive interviews, contributions from their closest colleagues and friends, review and critique from the finest writers of the underground rock press, seldom-seen photography, location shoots and a host of other features.

&lt;i&gt;Bonus:&lt;/i&gt;
- &lt;i&gt;David Bottrill on The King Crimson Connection&lt;/i&gt;</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD543.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD543</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD543</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD544</marc:controlfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BON JOVI: Billion Dollar Quartet (The): Bon Jovi in the Third Millenium (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Billion Dollar Quartet: Bon Jovi in the Third Millenium (NTSC) ( 01 hrs., 02 min., 45 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bon Jovi, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">It's hard to believe, but Bon Jovi sprang into existence more than a quarter century ago, and over a quite extraordinary career they have maintained a sound and style that owes little to the music fads and fashions that have come and gone during the same timeframe. To say this unique band are their own men, unfazed by the "competition," is an understatement in the extreme.

This film concentrates on the band's startling rejuvenation during the past decade and their contribution to the music of the third millenium. It was during this time the band released records as powerful and diverse as &lt;i&gt;Crush, Bounce, Have A Nice Day,&lt;/i&gt; and &lt;i&gt;Lost Highway.&lt;/i&gt; There were also side projects (including further forays into the acting world by JBJ). All of the above and much more are covered in this programme, which in completion provides a fascinating document of their work across this incredible period.

&lt;i&gt;Bonus:&lt;/i&gt;
-&lt;i&gt;Extended interviews&lt;/i&gt;</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD544</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD544</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD565</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">YOUNG, Neil: Here We Are in the Years (NTSC)</marc:subfield>
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            <marc:subfield code="a">Neil Young: Here We Are in the Years (NTSC) ( 01 hrs., 57 min., 40 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Young, Neil, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Despite remaining a hugely original singer, songwriter, performer and, let's face it, human being across a career spanning almost fifty years, Neil Young has never been immune to the influence of others. This will be of no surprise to anyone with even a hint of interest in the man and his music, but only those who have studied their subject in depth will be aware of the enormous range of artists and genres Neil has both been affected by and drawn inspiration from, much of which, if one knows where to look, is apparent in Young's incredible catalogue.

As with so many of his contemporaries, Young&amp;#x2019;s first love was the classic rock and roll of the mid-1950s, but in the 60s, the twangy guitars of Duane Eddy, The Fireballs, and most notably Hank B. Marvin of British instrumentalists The Shadows captured his attention.  Indeed, his first band, The Squires, were dead ringers for The Shadows.

The folk revival of the late 1950s didn't pass Neil by, and from this genre he was deeply moved by fellow Canadians Ian &amp; Sylvia, whom Young would never forget, recording their "Four Strong Winds" in 1978 and still namedropping the husband and wife act to this day. Bob Dylan's effect on Neil is well known, but British folk-blues guitarist and composer Bert Jansch had equally hit a note with Young, and years later they would tread the boards together on many occasions.

But Young wasn't stuck in the decade in which he emerged as a musician. Throughout the late 1960s and the 1970s he kept an ear to the ground, and despite claiming in 1975 that he had given up listening to other people's records, he was clearly enthralled by both the impulse and the sounds of the punk revolution, giving the infamous Johnny Rotten equal credit to recently departed hero Elvis Presley on his 1979 opus &lt;i&gt;Hey Hey, My My.&lt;/i&gt; His work with new-wavers Devo compounded this ongoing delight in new sounds and the technology that accompanied them, and by 1982's &lt;i&gt;Trans&lt;/i&gt; it was no secret he'd had Kraftwerk on heavy rotation.

And while during the 1980s he often harked back to styles previously toyed with - country, rockabilly, folk, R&amp;B - his early 90s salutations from grunge's finest weren't shrugged off with the kind of disinterest that may have been forthcoming from others of his vintage. Neil both made records with and wrote songs about some of the best of these young upstarts, and the teacher became the pupil in a wholly bewildering chain of events.

This film traces the astonishing musical journey of Neil Young from the day he first heard Elvis to his most recent offerings via the above named and numerous others who assisted in his creation of arguably the finest body of work to emerge during the rock era.

&lt;i&gt;Bonus:
- A Brief History of The Squires&lt;/i&gt;</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD565.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD565</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD565</marc:subfield>
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            <marc:subfield code="a">BEATLES (THE): Strange Fruit: The Beatles' Apple Records</marc:subfield>
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            <marc:subfield code="a">Strange Fruit: The Beatles' Apple Records (NTSC) ( 02 hrs., 42 min., 42 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">In 1968, under a haze of publicity, The Beatles opened their collective door to all manner of musicians, writers, artists, filmmakers, inventors, designers, freaks and more than a fair share of opportunist sharks. But despite a hefty investment, little substance was forthcoming from these assorted misfits outside of the music that emerged from one division of the potential empire: Apple Records.

Even discounting those Apple platters that featured as artist the collective or individual names of the company's bosses, music that stands the test of time superbly was released under the stamp of this enterprise, music which remains available still and both popular and exciting more than 40 years after the majority of it was produced.

&lt;i&gt;Strange Fruit - The Beatles' Apple Records&lt;/i&gt; is the story of a record label which came to exist under extraordinary circumstances, produced extraordinary records and was operated under extraordinary guidelines.

This film features new interviews with former label M.D. Tony Bramwell, members of Badfinger, The Iveys and Elephant's Memory, Jackie Lomax, Brute Force and David Peel, plus musician and Beatles expert Chris Ingham, author and journalist Mark Paytress and Apple biographer Stefan Granados.

The film also includes archive footage of Apple artists and the organization for which they recorded as well as interviews from the vaults, location film, rare photographs and, of course, the music upon which the label made its name.</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD570.jpg</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">FRANKLIN, Kirk: Lord Is My Witness (The) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Kirk Franklin: The Lord Is My Witness (NTSC) ( 49 min., 56 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">GP are you with me? This is the infamous hook shouted by gospel recording artist Kirk Franklin, from his hit tune "Stomp." It's quite amazing how none of the most popular gospel artists could break into the mainstream, but somehow, someway Franklin managed to set the trend. After bringing out one gospel hit, then a Christmas album which did exceptionally well, his new fame allowed him to cross over, giving him recognition as the Garth Brooks of gospel.

He grew up in Texas under the roof of his religious aunt, who is credited with introducing him to the world of gospel music. Despite his church background, Franklin was not always a saint, and in fact he was criticized as being a backslider. He also ran in the streets, but when he saw his close friend lose his life to gunfire, it affected him dramatically and caused him to reevaluate his life. Kirk Franklin's story is a living testimony of how one can go from good to bad then back to being righteous.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=D2500</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/D2500</marc:subfield>
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            <marc:subfield code="a">U2: Let Them Be - The Second Chapter (NTSC)</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Rebirth of Cool: U2 in the Third Millennium (NTSC) ( 01 hrs., 08 min., 30 sec. ) / Not Applicable -- U2: Achtung Baby - A Classic Album Under Review (NTSC) ( 01 hrs., 08 min., 53 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">U2, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Still one of the biggest and most flamboyant bands in the world, U2 have been delighting music fans with their epic and unforgettable tunes for over 30 years. Having developed and grown in stature throughout the 1980s and released one of their very finest with 1991's &lt;i&gt;Achtung Baby,&lt;/i&gt; by the mid 1990s the band were in danger of slipping into irrelevance.

But instead of allowing themselves to fade away, as did so many of their 1980s contemporaries, the mighty U2 redoubled their efforts, reapplied for the job of "best band in the world," grabbed new fans while reigniting the old faithful and entered the third millennium with the explosive &lt;i&gt;All That You Can't Leave Behind,&lt;/i&gt; a record that put four aging white men in their forties on the cover of NME.

The "noughties" saw U2 make two further astonishing albums, perform the most ambitious and glorious concerts in the history of show business and end the decade with the very welcome news that Dublin's finest would headline the 40th Glastonbury Festival.

This set tells the complete story of this extraordinary rebirth and details the modern incarnation of U2 through interviews with the band, rare and unseen footage, contributions and analysis from those closest to the group over this period, plentiful archive film material and a host of other features which ultimately make for the finest U2 documentary yet to emerge.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DVDIS020.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DVDIS020</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DVDIS020</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DVDIS025</marc:controlfield>
        <marc:controlfield tag="005">20230831061217.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">823564523996</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564523996</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BON JOVI: Collector's Box (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Bon Jovi: The Inside Story (NTSC) ( 01 hrs., 02 min., 14 sec. ) / Not Applicable -- The Billion Dollar Quartet: Bon Jovi in the Third Millenium (NTSC) ( 01 hrs., 02 min., 45 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bon Jovi, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Despite never having been particularly fashionable or of great interest to the rock critics who worry about such things, Bon Jovi carry on year after year, releasing dynamic material and playing stunning live shows - and in the process remain amongst the most successful and best-selling rock bands of all time. These guys must be doing something right!

Indeed, what they have done right since their emergence in the early 1980s is keep their fans delighted yet challenged, entertained and excited, and feeling part of the great Bon Jovi family at all times. And it is for those very same fans that this set has been created. This set tells the complete story of Bon Jovi, from their beginnings working night after night in the nightclubs and bars of New Jersey, to their position today as prime movers in rock's elite class.

Featuring rare performance and interview footage of the group, contributions from those who have known them best - including friends, colleagues, fellow musicians and others with whom they have worked - location shoots, news reports, seldom-seen photographs (many of which come from private collections and remain previously unpublished) and of course some of the best music made during the past 30 years.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DVDIS025.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DVDIS025</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DVDIS025</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DVDIS031</marc:controlfield>
        <marc:controlfield tag="005">20230831061217.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">823564529394</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564529394</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">SMITHS (THE): Collector's Box (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Smiths: The Queen is Dead - A Classic Album Under Review (NTSC) ( 01 hrs., 54 min., 15 sec. ) / Not Applicable -- The Smiths: Under Review (NTSC) ( 01 hrs., 28 min., 14 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Smiths, The, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">A grey shadow was cast across the British landscape during the 1980s as the political elite sought to condemn a nation from within; the atmosphere blackened with a foreboding sense of hopeless desperation. There was, however, "a light that never went out" when, in 1982, salvation came from young Manchester band The Smiths and a songwriting partnership between Steven Patrick Morrissey and John Martin Maher that would go on to rival the finest in their field. With Morrissey's poetry and poise bringing colour once more to his desolate hometown, soundtracked  by the exquisite guitar playing of Johnny Marr, there was now a band to truly believe in. Their career was tragically short-lived, and just four albums later, in 1987, they acrimoniously split. Their legacy was already assured however, and to this day they remain one of the most iconic groups of all time.

At over three hours in length, &lt;i&gt;The Smiths: Collector's Box&lt;/i&gt; is the ultimate visual celebration of this most glorious of bands. It tells the full story of The Smiths, charting their rise from Mancunian wannabes to highly respected rock-gentry. Meanwhile, it also looks at the impact and story of their defining third album &lt;i&gt;The Queen is Dead,&lt;/i&gt; tracing every moment from its inception to its legacy. Featuring a wealth of rare band footage, as well as interviews with the members and those closest to them, plus commentary, criticism and review from an array of esteemed contributors, this set is the finest document on this group's career yet to emerge.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DVDIS031.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DVDIS031</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DVDIS031</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DVDIS032</marc:controlfield>
        <marc:controlfield tag="005">20230831061217.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">823564528694</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564528694</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">YOUNG, Neil: Collector's Box</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Neil Young: Under Review, 1966-1975 (NTSC) ( 01 hrs., 32 min., 18 sec. ) / Not Applicable -- Neil Young: Under Review, 1976-2006 (NTSC) ( 01 hrs., 19 min., 06 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Young, Neil, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">With the possible exception of Bob Dylan, Neil Young remains the most respected artist in the history of contemporary music. And fifty years into a career that has seen him experiment with just about every musical genre to emerge thus far, and invent a fair few of his own too, this troubadour of troubadours continues to create at a quite extraordinary rate with an energy and passion that the vast majority of his contemporaries lost years ago.

This set covers the entire career of Neil Young and with the help of rare archive, vintage and exclusive interviews, live and studio footage, performance film and contributions from those who have known him best along the way plus the finest writers on his life and work, makes for a truly enthralling three-hour journey into the heart of this extraordinary musical maverick.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DVDIS032</marc:subfield>
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            <marc:subfield code="a">The Black Church is the treasure-house of black culture, a port in stormy seas, an engine for change, its music a conduit for the release of sentiments of sheer joy, sheer pain and the redeeming poetry of sacrifice.

&lt;i&gt;Black Faith&lt;/i&gt; is in three parts:

&lt;i&gt;A Mighty Voice&lt;/i&gt; - on the early history of Caribbean Christianity and the effects of immigration on faith and style of worship.

&lt;i&gt;The Blood of Jesus&lt;/i&gt; - the Pentecostals form the largest group of black chuches and this episode explores their beliefs, forms of service and their place in society.

&lt;i&gt;Last Boat to Salvation&lt;/i&gt; - looks at the attraction of the West African churches in the UK, how they are redefining the notion of holiness. It also touches on the interface between religious and political goals and agendas.</marc:subfield>
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            <marc:subfield code="a">FIGARO! - Living in the Moment of a Character (NTSC)</marc:subfield>
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            <marc:subfield code="a">Fifteen singers, two countries and the music of Mozart. The stage was set for an incredible journey between two music schools - Louisville, Kentucky and Katowice, Poland - thousands of miles apart in both distance and language to put on a show! The show, &lt;i&gt;Marriage of Figaro,&lt;/i&gt; Wolfgang Amadeus Mozart's comic opera, would be the language that would unite both casts. Extensive filming throughout the production's three-month period not only provides insight into the rigorous schedule of its performers but also highlights behind-the-scenes footage of the talented team responsible for bringing the house to its feet!</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=IBZ-DV9482</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Smiths, The, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Without a doubt the most important band of the 1980s, The Smiths remain the ultimate icons of a genre that's come to be known as "indie."

&lt;i&gt;The Smiths: Under Review&lt;/i&gt; is a 90-minute documentary film covering the full story and music of The Smiths.

Featuring rare musical performances, videos, TV appearances, and interviews with the band - and commentary and review from an esteemed panel of experts - this film is the first of its kind in documenting the history and the music of this extraordinary group.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD504</marc:subfield>
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            <marc:subfield code="a">NIRVANA: In Utero - A Classic Album Under Review (NTSC)</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Nirvana, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">By 1993, Nirvana was in a state of disarray. Having kick-started the grunge phenomenon two years earlier, the band were now keen to return to their roots. The extraordinary music which resulted from this impulse was the most "punk-rock" they ever recorded.

&lt;i&gt;In Utero - A Classic Album Under Review&lt;/i&gt; is a documentary film which revisits and reassesses this startling record, and with the use of archive footage and contributions from those around at the time concludes that Nirvana's final studio work remains arguably their finest of all.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD513.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD513</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD513</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD516</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">823564509693</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564509693</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">OASIS: Morning Glory - A Classic Album Under Review (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Oasis: (What's the Story) Morning Glory? (NTSC) ( 01 hrs., 22 min., 35 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Oasis, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">It was October 1995, and Oasis were riding high on the back of what had already been dubbed the "greatest debut of all time" in certain quarters. Never known to hide their light under a bushel, the band unleashed their second set of killer tunes with &lt;i&gt;Morning Glory,&lt;/i&gt; which took the charts by storm and became the focal point in the phenomenon now known as Britpop. The album went on to rank as many fans' favourite, and it is home to some of the most memorable singles the group has ever released.

&lt;i&gt;Oasis: (What's the Story) Morning Glory? - A Classic Album Under Review&lt;/i&gt; is a documentary film which revisits and reassesses this powerhouse of a record. With the use of archive footage, long-forgotten videos and contributions from those around at the time, this program uncovers why the band's second album is arguably their most satisfying.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD516.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD516</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD516</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD520</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">823564510194</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564510194</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">QUEEN: Under Review, 1946-1991 - The Freddie Mercury Story (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Queen: Under Review, 1946-1991 - The Freddie Mercury Story (NTSC) ( 01 hrs., 05 min., 45 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Mercury, Freddie, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">He's been called the finest performer of the 20th century, the best showman of all time and Mr. Entertainment himself - but these descriptions only go part of the way in representing the talents of Freddie Mercury. How about unique songwriter? Gifted bandleader? Superb vocalist? Smart and canny businessman? Freddie was all these and more, and in this documentary film his genius is put under the spotlight.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD520.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD520</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD520</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD537</marc:controlfield>
        <marc:controlfield tag="005">20230831061225.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">8235645123294</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">8235645123294</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">IRON MAIDEN AND THE NEW WAVE OF BRITISH HEAVY METAL (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Iron Maiden and the New Wave of British Heavy Metal (NTSC) ( 02 hrs., 25 min., 54 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Iron Maiden, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Back in 1976, nobody really knew that there was an old wave of British heavy metal. But within two years of their formation, Iron Maiden had spearheaded what came to be abbreviated as the NWOBHM, and as with punk the year before, a new generation of performers, musicians, and show-offs in general brought in a new wave of the rock genre - and in the process made loud, raw, heavy music the global phenomenon it is today.

For the first time, this film investigates the new wave - the bands, the records, the media and the series of unconnected events that led to the unfolding of this astonishing, durable and still hugely relevant form, which is heard even today on so many new records. Focusing on Maiden and the other pivotal bands of the time, such as Saxon, Samson, Praying Mantis, Diamond Head, Tygers of Pan Tang, Girlschool and many others, this programme is the ultimate exposé of a style which may not get as much press as punk, but is equally as relevant to the music of the third millennium.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD537.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD537</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD537</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD552</marc:controlfield>
        <marc:controlfield tag="005">20230831061225.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">823564520094</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564520094</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">REVOLUTION IN THE HEAD - Rage Against the Machine and the Art of Protest (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Arguably the most provocative band of the last 20 years, Rage Against the Machine have, since their explosive debut, been the group most associated with the American protest movement. Picking up the flame from a linear musical tradition going back to the War of Independence, and with the best-known protagonists coming up during the civil rights movement of the 1950s and 60s via artists such as Pete Seeger and the young Bob Dylan, the anger remained as brutal as ever during the final decade of the 20th century in Rage and contemporaries like Public Enemy.

This film dissects the work and career of RATM and looks at their place in this always fascinating lineage of artists and performers who have spoken out on behalf of, and drawn attention to, the world's marginalised, downtrodden and oppressed.</marc:subfield>
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            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD552</marc:subfield>
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            <marc:subfield code="a">ENO, Brian: The Man Who Fell to Earth, 1971-1977 (NTSC)</marc:subfield>
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            <marc:subfield code="a">Brian Peter George St. John le Baptiste de la Salle Eno - Brian to his friends, Eno to the rest of us - defies categorisation. Musician, composer, record producer, music theorist, singer and visual artist covers some of what he does, but he's probably best known for his early work with Roxy Music, his production duties for U2 and Coldplay and as one of the principal innovators of ambient music. But however he's pigeon-holed, this remarkable, creative visionary remains amongst the most influential individuals to have ever worked within the music industry.

This documentary film - the first ever about Eno - explores his life, career and music between the years 1971 and 1977, the period that some view as his golden age, others as just one era in a long, extraordinary and very eclectic career.</marc:subfield>
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            <marc:subfield code="a">Years in Your Ears - A Story of Leftover Salmon (NTSC) ( 02 hrs., 11 min., 58 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">The floodgates have opened, and up swims this entertaining, honest film from inside and outside the LoS family. Witness one of America's most enduring live music acts of this and the last century - Leftover Salmon!

This video features interviews from the likes of Yonder Mountain String Band, String Cheese Incident, Sam Bush, Cracker, Hot Rize, Peter Rowan, Bela Fleck, Leftover Salmon and others. If you were there, you'll need help remembering. If you weren't ... sorry you missed it. Either way, this video is for you.</marc:subfield>
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            <marc:subfield code="a">A traditional filming reproduces the perspective of an audience in its seat armed with opera glasses. This film shows just the opposite ?EUR" the spectator is placed in the orchestra among the musicians and in front of the conductor. We thus have the perspective of the musicians and the emotions they live with Cristoph Eschenbach. The effect of being in the very midst of these always surprising scores is nothing short of spectacular. For &lt;i&gt;Harold in Italy&lt;/i&gt;, violist Tabea Zimmermann joins maestro Eschenbach and the Orchestre de Paris.</marc:subfield>
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            <marc:subfield code="a">Le nozze di Figaro (The Marriage of Figaro), K. 492 (Champs-Élysées, 2004) (NTSC) ( 03 hrs., 02 min., 25 sec. ) / Mozart -- Disc 2 ( 00 sec. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Recorded at the Théâtre des Champs-Elysées in June 2004, this &lt;i&gt;Marriage of Figaro&lt;/i&gt; was unanimously acclaimed by the public and critics alike as a Mozart opera landmark.

Director Jean-Louis Martinoty brings an elegantly intelligent narrative sense to an interpretation in which the protagonists, against a backdrop of magnificent canvases of 18th-century inspiration, are dressed by Sylvie de Segonzac in a palette in which every shade is perfect. Hans Schavernoch's set suggests an elitist society that is coming apart at the seams.

René Jacobs's conducting of Concerto Köln is meticulous and perfectly balanced, offering a ravishing use of tonal colour and orchestral dynamics.

A veteran Almaviva, the excellent Pietro Spagnoli plays opposite Annette Dasch's beauteous Countess. As Figaro and Susanna, Luca Pisaroni and Rosemary Joshua are a truly sparkling couple, while mezzo Angelika Kirchschlager embodies the most divinely troubling Cherubino.</marc:subfield>
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            <marc:subfield code="a">Nina Stemme marks her theatrical role debut as Aida with an astounding performance in a new staging by Nicolas Joel at the Zurich Opera - sharing the stage with a star-packed cast including Salvatore Licitra, Luiciana d'intino and Juan Pons.

&lt;i&gt;Bonus:&lt;/i&gt;
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            <marc:subfield code="a">L'amour des 3 Oranges (The Love for 3 Oranges), Op. 33 (Aix-en-Provence Festival, 2004) (NTSC) ( 01 hrs., 49 min., 09 sec. ) / Prokofiev</marc:subfield>
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            <marc:subfield code="a">Tsanga, Eduard, Artist -- Tanovitsky, Alexei, Artist -- Europa Chor Akademie, Ensemble -- Serdyuk, Nadezhda, Artist -- Sokhiev, Tugan, Conductor -- Sulimsky, Vladislav, Artist -- Vorobiev, Yuri, Artist -- Mahler Chamber Orchestra, Orchestra -- Noval, Juan, Artist -- Ilyushnikov, Andrei, Artist -- Duschechkin, Kirill, Artist -- Schmulevich, Pavel, Artist -- Shimanovich, Ekaterina, Artist -- Tellier, Sophie, Artist -- Yevstafieva, Natalia, Artist -- Smorodina, Julia, Artist -- Gerasimov, Alexander, Artist -- Tsenter, Ekaterina, Artist -- Ziarnik, Wojciech, Artist -- Fau, Michel, Artist -- Janacopoulos, Vera, Lyricist -- Prokofiev, Sergey, Composer</marc:subfield>
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            <marc:subfield code="a">2004 production of Prokofiev's &lt;i&gt;The Love for Three Oranges,&lt;/i&gt; performed in the theatre of Grand Saint-Jean. The cast list suggested Larissa Gergieva's Mariinsky Theatre young singers academy had set up their summer camp in Aix to give the audience a taste of Russia's youngest singing talents.

Philippe Calvario made his debut as a theatre director. His debut didn't reveal any inexperience. He knew how to make the best use of all the possibilities the theatre offered. With an admirable dash and panache, he placed the chorus groups around, very often to hilarious effect. The cheap stage constructions and the candy-coloured costumes fitted perfectly with his slapstick approach. The sometimes sharp, sometimes burlesque music of Prokofiev invites an over-the-top approach.

Conductor Tugan Sokhiev, only 26 years old, made a favourable impression. In his conducting of the Prokofiev score, it was easy to hear that he was a pupil of Valery Gergiev. Sokhiev has the same hard-edged drive as his master, pushing for large dynamic contrasts. With the young and enthusiastic cast, this works wonderfully well.</marc:subfield>
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            <marc:subfield code="a">Spence, Toby, Artist -- Ernman, Malena, Artist -- Bohlin, Ingela, Artist -- Christie, William, Conductor -- Arts Florissants, Les, Orchestra -- Shimell, William, Artist -- DiDonato, Joyce, Artist -- Arts Florissants Chorus, Les, Choir -- Kirkbride, Simon, Artist -- Handel, George Frideric, Composer -- Broughton, Thomas, Lyricist</marc:subfield>
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            <marc:subfield code="a">As the first collaboration ever between conductor William Christie and director Luc Bondy, this production of &lt;i&gt;Hercules&lt;/i&gt; was the major event of the 2004 opera season. Originally Created in Aix-en-Provence in July 2004, the show then moved on to the Palais Garnier in Paris where it was recorded in December of the same year.

The &lt;i&gt;Hercules&lt;/i&gt; received the student prize at the Golden Prague 2005.</marc:subfield>
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            <marc:subfield code="a">BACH, J.S.: Cello Suites - In den Winden im Nichts (Zurich Ballet, 2004) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Cello Suites - In den Winden im Nichts (Zurich Ballet, 2004) (NTSC) ( 01 hrs., 05 min., 05 sec. ) / Bach</marc:subfield>
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            <marc:subfield code="a">Herrmann, Claudius, Artist -- Zurich Opera House Ballet, Ensemble -- Bach, Johann Sebastian, Composer</marc:subfield>
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            <marc:subfield code="a">Following on the success of his adaptation of the &lt;i&gt;Goldberg Variations,&lt;/i&gt; Spoerli turned to that other Bach masterpiece, the Suites for Solo Cello, offering his abstract vision in three stunningly beautiful dance episodes.

The choreography mixes solos, pas de deux, trios and ensemble work. Beginning and ending with a near-identical solo, the cycle is dominated by circularity. The duets are virtuoso gems, athleticism made dance.

Its subtle play on balance and the relationship between bodies and light, the symmetry and asymmetry of the ensemble parts, its purity of movement and its sheer energy make this a ballet of remarkable density, depth and theatrical beauty.

The Bach Suites are played here by Claudius Herrmann, solo cellist with the Zurich Opera Orchestra, in a rendition that does full justice to their choreographic potential.</marc:subfield>
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            <marc:subfield code="a">SHOSTAKOVICH, D.: Bolt (The) (Bolshoi Ballet, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Bolt, Op. 27 (Bolshoi Ballet, 2006) (NTSC) ( 01 hrs., 27 min., 15 sec. ) / Shostakovich</marc:subfield>
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            <marc:subfield code="a">Bolshoi Ballet, Ensemble -- Bolshoi Theatre Orchestra, Orchestra -- Yatsenko, Anastasia, Artist -- Merkuriev, Andrei, Artist -- Savin, Denis, Artist -- Iwata, Morihiro, Artist -- Sorokin, Pavel, Conductor -- Shostakovich, Dmitry, Composer</marc:subfield>
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            <marc:subfield code="a">Composed in 1931 by Dmitry Shostakovich, &lt;i&gt;The Bolt&lt;/i&gt; to a book by Viktor Smirnov, is being revived for the first time in more than 70 years.

Shostakovich composed a caustically humourous ballet, blending popular tunes, serious music, circus music, waltzes, marches, tangos. He had imagined his ballet as a joyful lampoon of proletarian drama. His intention was to highlight the eventful and ambiguous relationship existing between proletarian experience and the representation given of it by the Soviet vanguard.

Alexei Ratmansky's choreography develops into a true marvel, opening with a ballet of giant robots and ending in a blood red delirious grand parade.</marc:subfield>
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            <marc:subfield code="a">In granting us the rare privilege of entry, the Beijing Opera School offers access to the age-old art from of traditional Chinese opera. Based on a typical day for students and their teachers, the film lets us follow them through dawn-to-dusk activities that include acrobatics, classes in singing, music and dance, makeup sessions, schoolwork, rehearsals and performances. This is a total immersion in an establishment where discipline is, in many respects, that of a military academy.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC038</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC038</marc:subfield>
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            <marc:subfield code="a">Ionization (NTSC) ( 00 sec. ) / Not Applicable -- Chaconne (NTSC) ( 00 sec. ) / Not Applicable -- Tea for Two (NTSC) ( 00 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">A major figure on the contemporary choreography scene, Bil T. Jones is also a remarkable dance and a performer with an electrifying stage presence. Here, alone in a studio and filmed from a totally cinematic point of view, he speaks to us of violence, gentleness and emotion in three short pieces: &lt;i&gt;Ionization,&lt;/i&gt; to music by Edgar Varese; &lt;i&gt;Chaconne,&lt;/i&gt; from Bach's Partita for Solo Violin in D minor; and &lt;i&gt;Tea for Two&lt;/i&gt;, the famous classic song.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC039</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC039</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">DONIZETTI, G.: Elisir d'amore (L') (Paris National Opera, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">L'elisir d'amore (The elixir of love) (Paris National Opera, 2006) (NTSC) ( 02 hrs., 12 min., 29 sec. ) / Donizetti</marc:subfield>
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            <marc:subfield code="a">Groves, Paul, Artist -- Naouri, Laurent, Artist -- Maestri, Ambrogio, Artist -- Murphy, Heidi Grant, Artist -- Paris National Opera Chorus, Choir -- Paris National Opera Orchestra, Orchestra -- Zamojska, Aleksandra, Artist -- Gardner, Edward, Conductor -- Romani, Felice, Lyricist -- Donizetti, Gaetano, Composer</marc:subfield>
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            <marc:subfield code="a">After an absence of almost twenty years &lt;i&gt;L'elisir d'amore&lt;/i&gt; is back at the Paris Opera in a crazy version by Laurent Pelly.

The plot is simple but effective: a shy, naive young peasant buys a love philtre from a quack - all he gets, in fact, is a flask of wine - in order to win the heart of the girl he is in love with; in the end, and with no help from the philtre, she will realise that she loves him too. Add to this a sparkling musical language and marvellously inspired melodies - including the legendary "Una Furtiva Lagrima" - and you have the authentic masterpiece Donizetti turned out in just two weeks.

Transposing the plot to the Italy of the 1950s, director Laurent Pelly offers us an absolute jewel, beautifully crafted and shot through with poetry.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC040</marc:subfield>
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            <marc:subfield code="a">Eugene Onegin, Op. 24 (Bolshoi Opera, 2008) (NTSC) ( 02 hrs., 29 min., 13 sec. ) / Tchaikovsky -- Disc 2 ( 28 min., 18 sec. ) / Tchaikovsky</marc:subfield>
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            <marc:subfield code="a">Mamsirova, Margarita, Artist -- Monogarova, Tatiana, Artist -- Kwiecien, Mariusz, Artist -- Gilmanov, Valery, Artist -- Bolshoi Theatre Chorus, Choir -- Vedernikov, Alexander Alexandrovich, Conductor -- Bolshoi Theatre Orchestra, Orchestra -- Kotscherga, Anatoli, Artist -- Dunaev, Andrey, Artist -- Sarkisyan, Emma, Artist -- Kasrashvili, Makvala, Artist -- Bolshoi Theatre, soloists, Ensemble -- Shilovsky, Konstantin, Lyricist -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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Three romantic heroes each with a solitary destiny: Tatiana, a Romanesque young woman seeking absolution; Onegin, a distant dandy hiding emptiness under affected haughtiness; and Lenski, abandoned by his literary idol. Between these three, barren affections presage the inexorable social ruin.

With a stage setting as sombre as it is effective ?EUR" a great dining table appears in the middle of a salon ?EUR" the director Dmitri Tcherniakov separates two different worlds and lends the drama a clarity rarely reached.</marc:subfield>
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            <marc:subfield code="a">OFFENBACH, J.: Contes d'Hoffmann (Les) (Geneva Grand Theater, 2008) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Les Contes d'Hoffmann (Geneva Grand Theater, 2008) (NTSC) ( 02 hrs., 51 min., 45 sec. ) / Offenbach -- Disc 2 ( 26 min., 44 sec. ) / Offenbach</marc:subfield>
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            <marc:subfield code="a">Harnisch, Rachel, Artist -- Deletre, Bernard, Artist -- Laho, Marc, Artist -- Doufexis, Stella, Artist -- Cachemaille, Gilles, Artist -- Denize, Nadine, Artist -- Wesseling, Maria Riccarda, Artist -- Petibon, Patricia, Artist -- Cavallier, Nicolas, Artist -- Schirrer, René, Artist -- Davin, Patrick, Conductor -- Swiss Romande Orchestra, Orchestra -- Vas, Francisco, Artist -- Huchet, Eric, Artist -- Geneva Grand Theater Chorus, Choir -- Braun, Romaric, Artist -- Terziyski, Bisser, Artist -- Beaulieu, Delphine, Artist -- Sofia Orpheus Choir, Choir -- Carré, Michel, Lyricist -- Barbier, Jules, Lyricist -- Offenbach, Jacques, Composer</marc:subfield>
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            <marc:subfield code="a">Offenbach?EUR(TM)s &lt;i&gt;Les Contes d'Hoffmann,&lt;/i&gt; staged by Olivier Py. High art at Geneva?EUR(TM)s Grand Théâtre!

Three fables. A man falls in love with a doll, a young woman sings herself to death and a courtesan steals her lovers' reflections. "Three women in the same woman," and the same number of stories told by Hoffmann. A picture of the cursed artist slipping through women's arms into those of his muse, under the treacherous eye of the evil one, the latter also appearing in three diabolical incarnations. Intertwining themes borrowed from the German poet, the libretto fed the composer's fantasies with material both fantastic and fanciful, sustaining his dreams that this work would one day be a triumph at the Opéra Comique. Alas, he was to die before he could see it performed.

Baroque and mystical, carnal yet metaphysical, Olivier Py's theatrical universe comes into its own when highlighting the oddities of this truly singular work.</marc:subfield>
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            <marc:subfield code="a">GLUCK, C.W.: Orphée et Euridice (Teatro Comunale di Bologna, 2008) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Alagna, Roberto, Artist -- Bologna Teatro Comunale Chorus, Choir -- Bologna Teatro Comunale Orchestra, Orchestra -- Barrard, Marc, Artist -- Gamberoni, Serena, Artist -- Bisanti, Giampaolo, Conductor -- Gluck, Christoph Willibald, Composer -- Moline, Pierre Louis, Lyricist</marc:subfield>
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            <marc:subfield code="a">Roberto Alagna as Orpheus in his brother David?EUR(TM)s new version of the Gluck masterpiece. A major event recorded in Bologna.

Opting for the French-language version of Gluck's &lt;i&gt;Orpheus&lt;/i&gt;, David Alagna was faced with the task of achieving an appropriately subtle adaptation. In a plot transposed to the present day, Eurydice dies in a car accident on the day of her wedding, and Orpheus's quest for his beloved is a dream beginning and ending at the cemetery. No happy ending in this interpretation, but a new approach to characterisation: Amore, sung by a baritone, becomes a funeral parlour employee and Orpheus's guide. And Orpheus, of course, loses his loved one forever by turning to look back.

The enormously talented Roberto Alagna throws himself body and soul into this production. His incredible vitality and flawless timbre and diction make him a great Orpheus. His partner, young Italian soprano Serena Gamberoni, is simply stunning as Euridice, while French baritone Marc Barrard is suitably terrifying as the guide to the Underworld. The orchestra of the Teatro Comunale di Bologna is conducted by Giampaolo Bisanti, who masterfully brings out all Gluck's poetry, romantic melancholy and depth.</marc:subfield>
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            <marc:subfield code="a">To reveal the talent of unknown young singers by sending them on a tour of the world's leading venues: this is the aim of "Le Jardin des Voix," the academy of Les Arts Florissants founded by William Christie. We share moments of grace, uncertainty and disappointment as the film follows the jury through the auditioning process. Then, a year later, we find the ten winners at the Theatre de Caen for three weeks of intensive rehearsal with some of the leading figures from today's Baroque music scene.</marc:subfield>
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            <marc:subfield code="a">Documentary</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC056.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC056</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC056</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Bel Air Classiques Naxos</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Bolshoi - A Renaissance (NTSC) ( 54 min., 53 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">In this remarkable film, Denis Sneguirev invites us to witness the rescue and revival of Moscow's legendary Bolshoi Theatre. In a mix of 3D images, animation, documentary footage and interviews, he recounts the history of the Bolshoi from its origins to the present day. Hitherto unknown archival material takes viewers back to a time when stars like Ulanova, Maximova, Plisetskaya, Vasiliev or Grigorovich graced the Bolshoi stage. Here we watch the teams of architechts engineers and construction workers labouring day and night to rebuild the theatre in the course of a colossal venture Russia's media dubbed the "construction project of the century."</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC075.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC075</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC075</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Romeo et Juliette (Arena di Verona, 2011) (NTSC) ( 02 hrs., 57 min., 05 sec. ) / Gounod -- Disc 2 ( 00 sec. ) / Gounod</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Secco, Stefano, Artist -- Giuseppini, Giorgio, Artist -- Arena of Verona Choir, Choir -- Mastrangelo, Fabio, Conductor -- Arena of Verona Ballet, Ensemble -- Kemoklidze, Ketevan, Artist -- Arena of Verona Orchestra, Orchestra -- Ruggeri, Gianpiero, Artist -- Vatchkov, Deyan, Artist -- Machaidze, Nino, Artist -- Borras, Jean-Francois, Artist -- Rucinski, Artur, Artist -- Melis, Cristina, Artist -- Antognetti, Paolo, Artist -- Ceriani, Nicolo, Artist -- Signorini, Manrico, Artist -- Carré, Michel, Lyricist -- Barbier, Jules, Lyricist -- Gounod, Charles-François, Composer</marc:subfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">Opera</marc:subfield>
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            <marc:subfield code="a">Carré, Michel</marc:subfield>
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            <marc:subfield code="a">Barbier, Jules</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/BAC081.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=BAC081</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC081</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/BAC204</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">VERDI, G.: Traviata (La) (Aix-en-Provence Festival, 2003) (NTSC)</marc:subfield>
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            <marc:subfield code="a">La traviata (Aix-en-Provence Festival, 2003) (NTSC) ( 02 hrs., 10 min., 06 sec. ) / Verdi</marc:subfield>
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            <marc:subfield code="a">Delunsch, Mireille, Artist -- Polenzani, Matthew, Artist -- Sundqvist, Janne, Artist -- Marabelli, Enrico Maria, Artist -- Dene, Jozsef, Artist -- Sado, Yutaka, Conductor -- Orchestre de Paris, Orchestra -- Lucic, Zeljko, Artist -- Europa Chor Akademie, Ensemble -- Pinto, Damiana, Artist -- Kaemmerlen, Genevieve, Artist -- Hernandez, Olivier, Artist -- Avenas, Jerome, Artist -- Piave, Francesco Maria, Lyricist -- Verdi, Giuseppe, Composer</marc:subfield>
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            <marc:subfield code="a">We all identify &lt;i&gt;Traviata&lt;/i&gt; with the corrupt, led-astray heroine of Verdi's opera; with those women whose fatal sensuality incriminated families, threatening the social order, and compromising a morality where desire, with its subversive powers, was to be eliminated.

However, every myth benefits from a fresh perspective. And from the bedside of a repentant Madeleine, the guilty conscience of the XIXth century's hypocritical honesty, Peter Mussbach sees this myth differently. He sees it from a closer perspective. Perhaps his very contemporary vision of this past era can shed some
light on our vision of the modern woman.

The only performance from the eventful 2003 Festival d'Aix, this &lt;i&gt;Traviata&lt;/i&gt; is carried all the way through by a radiant Mireille Delunsch, who, as always, pushes the limits of her art. Appearing in a wedding dress, evoking the sacrificed icon reminiscent of both Marylin and Lady Di, trapped by tragedy, Mireille Delunsch is Violetta.

Filmed by Don Kent, a master in the domain, Peter Mussbach's brilliant production is one long flashback, which leaves the spectator breathless. A truly remarkable director of actors, Mussbach focuses on the psychology of the opera's characters, and knows how to get the best out of his singers. For him, &lt;i&gt;La Traviata&lt;/i&gt; is "written like a film in which the final act is one long twenty five minute shot, where we act as witnesses to Violetta's agony."</marc:subfield>
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            <marc:subfield code="a">NEW YEAR'S EVE CONCERT 2003 - Ravel Meets Gershwin (Reeves, Rattle) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Strike Up the Band: Overture (NTSC) ( 08 min., 06 sec. ) / Gershwin -- Pavane, Op. 50 (NTSC) ( 07 min., 20 sec. ) / Fauré -- The Show is On: By Strauss (NTSC) ( 03 min., 55 sec. ) / Gershwin -- Rosalie: How Long Has This Been Going On? (NTSC) ( 06 min., 40 sec. ) / Gershwin -- A Damsel in Distress: Nice Work if You Can Get It (NTSC) ( 05 min., 09 sec. ) / Gershwin -- La valse (version for orchestra) (NTSC) ( 13 min., 10 sec. ) / Ravel -- Girl Crazy, Act I: Embraceable You (NTSC) ( 08 min., 20 sec. ) / Gershwin -- Funny Face: 'S Wonderful! (NTSC) ( 05 min., 18 sec. ) / Gershwin -- A Damsel in Distress: A Foggy Day (NTSC) ( 10 min., 51 sec. ) / Gershwin -- Daphnis et Chloe Suite No. 2 (NTSC) ( 18 min., 06 sec. ) / Ravel</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Rattle, Simon, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Rogers, Reuben, Artist -- Martin, Peter, Artist -- Hutchinson, Gregory, Artist -- Reeves, Dianne, Artist -- Ravel, Maurice, Composer -- Fauré, Gabriel, Composer -- Gershwin, George, Composer -- Gershwin, Ira, Lyricist</marc:subfield>
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            <marc:subfield code="a">The Berlin Philharmonic, under the baton of Sir Simon Rattle and with the Grammy Award-winning jazz vocalist Dianne Reeves, usher in the New Year in style. In this gala concert, they present a programme of music by three of the twentieth century's most famous composers: Maurice Ravel, Gabriel Fauré and George Gershwin.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts5364.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts5364</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts5364</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
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            <marc:subfield code="a">KNOWLEDGE IS THE BEGINNING (Documentary, 2005) / THE RAMALLAH CONCERT (2005) (Barenboim) (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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            <marc:subfield code="a">Knowledge is the Beginning (NTSC) ( 01 hrs., 54 min. ) / Not Applicable -- Sinfonia concertante in E-Flat Major, K. 297b (NTSC) ( 00 sec. ) / Mozart -- Symphony No. 5 in C Minor, Op. 67 (NTSC) ( 00 sec. ) / Beethoven -- Variations on an Original Theme, Op. 36, "Enigma": Variation 9: Nimrod (A. J. Jaeger) (NTSC) ( 00 sec. ) / Elgar</marc:subfield>
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            <marc:subfield code="a">Barenboim, Daniel, Conductor -- West-Eastern Divan Orchestra, Orchestra -- Azmeh, Kinan, Artist -- Saleh, Mohamed, Artist -- Biron, Moro, Artist -- Polyak, Sharon, Artist -- Beethoven, Ludwig van, Composer -- Elgar, Edward, Composer -- Mozart, Wolfgang Amadeus, Composer -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Daniel Barenboim established the West-Eastern Divan Orchestra with the late Palestinian writer Edward Said in order to bring together young musicians from across the political divide in the Middle East. Their hope was that music would heal and help to bring understanding and tolerance of different beliefs and cultures.The award-winning documentary was produced and directed by Paul Smaczny. The Ramallah Concert was a live recording at the Place of Culture in Ramallah, 21 August 2005.</marc:subfield>
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            <marc:subfield code="a">España (NTSC) ( 00 sec. ) / Chabrier -- Concierto de Aranjuez (NTSC) ( 00 sec. ) / Rodrigo -- Symphony No. 2 in E Minor, Op. 27 (NTSC) ( 00 sec. ) / Rachmaninov</marc:subfield>
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            <marc:subfield code="a">For twenty years the Berliner Philharmoniker has celebrated its 1882 founding with a concert at a major European venue, and the 2011 event takes place at the magnificent Teatro Real in Madrid. The renowned orchestra, under the baton of Sir Simon Rattle, performs Joaquín Rodrigo's beloved &lt;i&gt;Concierto de Aranjuez,&lt;/i&gt; Emmanuel Chabrier's exuberant &lt;i&gt;España,&lt;/i&gt; and Sergei Rachmaninov's dramatic Second Symphony. It is joined for the Concierto by the famous flamenco guitarist Cañizares, whose virtuosity and sensitivity are given full opportunity to shine in this multi-faceted and subtle work.</marc:subfield>
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            <marc:subfield code="a">Kerl, Torsten, Artist -- Tarasova, Marianna, Artist -- Netopil, Tomáš, Conductor -- Flanders Opera Symphony Orchestra, Orchestra -- Flanders Opera Chorus, Choir -- Faveyts, Tijl, Artist -- Mijailovic, Nikola, Artist -- Borovinov, Milcho, Artist -- Buttner, Thorsten, Artist -- Pels, Onno, Artist -- Linden, Gijs Van der, Artist -- Saint-Saëns, Camille, Composer -- Lemaire, Ferdinand, Lyricist</marc:subfield>
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            <marc:subfield code="a">In this live recording for 2009, Saint-Saëns' &lt;i&gt;Samson et Dalila&lt;/i&gt; - a story of doomed love set against the backdrop of cultural conflict between Hebrews and Philistines - is reinterpreted to relate with the conflicts in today's Middle East. "In our approach to this opera we tried to move away fromthe quasi-biblical interpretation, and to place the story in a contemporary context to explain its political meaning in today's world," say the two directors, Israeli Omri Nitzan and Palestinian Amir Nizar Zuabi. In this production by Vlaamse Opera, the dramatic story of Saint-Saëns' greatest opera is unfolded in all its tragic beauty.</marc:subfield>
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            <marc:subfield code="a">MONTEVERDI, C.: Incoronazione di Poppea (L') (Norwegian National Opera, 2010) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Bardon, Patricia, Artist -- Kruse, Tone, Artist -- Solberg, Marita, Artist -- Laszczkowski, Jacek, Artist -- De Marchi, Alessandro, Conductor -- Mead, Tim, Artist -- Parodi, Giovanni Battista, Artist -- Christensen, Birgitte, Artist -- Staveland, Magnus, Artist -- Norwegian National Opera Orchestra, Orchestra -- Gonzalez Toro, Emiliano, Artist -- Aldenheim, Amelie, Artist -- Kringlebotn, Ina, Artist -- Fielder, David, Artist -- Busenello, Giovanni Francesco, Lyricist -- Monteverdi, Claudio, Composer</marc:subfield>
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            <marc:subfield code="a">This stunning new production of Monteverdi's &lt;i&gt;The Coronoation of Poppea&lt;/i&gt; clothes the characters in modern dress and emphasizes the moral ambiguity of the original text. Challenging the usual operatic conventions, the controversial stage director Ole Anders Tandberg, a leading light of contemporary Scandinavian theatre, emphasises the immediacy of the lurid, dramatic plot. This radical approach, combined with the emotional impact of Monteverdi's music, enables this seventeenth century masterpiece to make a direct appeal to contemporary audiences.</marc:subfield>
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            <marc:subfield code="a">SCIARRINO, S.: Luci mie traditrici (Cantiere Internazionale d'Arte di Montepulciano, 2010) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Salvatore Sciarrino stands at the forefront of Italy's musical avant-garde. His chamber opera &lt;i&gt;Luci mie traditrici&lt;/i&gt; was inspired by the murders by the Renaissance nobleman and composer Carlo Gesualdo of his wife and her lover. This production of the opera was first performed at the Cantiere Internazionale d'Arte di Montepulciano in July 2010. It has been recognised as the finest production of this work presented to date. The composer himself has stated that it is the reference point for the opera's performance.</marc:subfield>
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            <marc:subfield code="a">Piano Sonata No. 1 in F Minor, Op. 2, No. 1 (NTSC) ( 00 sec. ) / Beethoven -- Piano Sonata No. 2 in A Major, Op. 2, No. 2 (NTSC) ( 00 sec. ) / Beethoven -- Piano Sonata No. 3 in C Major, Op. 2, No. 3 (NTSC) ( 00 sec. ) / Beethoven -- Piano Sonata No. 4 in E-Flat Major, Op. 7 (NTSC) ( 00 sec. ) / Beethoven -- Piano Sonata No. 5 in C Minor, Op. 10, No. 1 (NTSC) ( 00 sec. ) / Beethoven -- Piano Sonata No. 6 in F Major, Op. 10, No. 2 (NTSC) ( 00 sec. ) / Beethoven</marc:subfield>
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            <marc:subfield code="a">In this recording, seven-time GRAMMY Award-winning pianist and conductor Daniel Barenboim tackles the so-called "New Testament" of music, Ludwig van Beethoven?EUR(TM)s thirty-two piano sonatas. Composed over twenty-five years and embodying the shift of musical taste from the Classic to the Romantic, their performance requires a musician of extraordinary versatility. Barenboim is one such pianist ?EUR" his recordings run the gamut from Bach and Mozart to Bruckner and Bartok. In following in the footsteps of such masters as Artur Schnabel, Barenboim truly shows himself to be among the greatest living musicians.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts6642</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Bokondji, Jupiter, Artist -- Okwess International, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">The ghettos of Kinshasa - the devastated capital of a country politically and economically adrift - are filled with many gifted, yet impoverished musicians. Their outstanding talent, humour and vital energy are their on means of survival. Amongst them, Jupiter Bokondji, the charismatic leader of the band "Okwess International," acts as our narrator and guide. This local Don Quixote introduces us to the Kinshasa music scene - teenage rappers, handicapped bluesmen, street children, griots ans guitar craftsmen - and describe his 20-year struggle to bring his music out of the ghetto.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts7738</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">HENRY, P.: Art of the Sounds (The) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Pierre Henry - The Art of the Sounds (NTSC) ( 01 hrs., 22 min. ) / Henry</marc:subfield>
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            <marc:subfield code="a">In the fifties, Pierre Henry provoked a scandal by inventing &lt;i&gt;Musique concrete&lt;/i&gt; with Pierre Schaeffer. Music was no longer written with notes on a score for instrumentalists but was based on sounds and noises from our environment, collected, edited and transformed by machines. A radical innovator, he composed several "hits" that mark their time: &lt;i&gt;Symphonie pour un homme seul, Messe pour le temps present&lt;/i&gt; and &lt;i&gt;Dixieme Remix&lt;/i&gt; among others.

Today, young musicians from all over the world and, strangely enough, electronic buff DJs claim to be followers of his fabulous work in fashioning sound. In &lt;i&gt;Pierre Henry: The Art of Sounds,&lt;/i&gt; we follow him as he brandishes his boom on which two microphones are mounted in search of a sound in the Coulee Verte, in Paris. As the journey unfolds we are brought fourty years back to Bordeaux where people are leaving the "concert couche" ("lying down concert") with reactions from the audience.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">LUGANSKY, Nikolai: Live at the Verbier Festival (2008) (NTSC)</marc:subfield>
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            <marc:subfield code="a">1.X.1905 (Z ulice dne 1. rijna 1905) (From the Street, 1 October 1905), JW VIII/19, "Sonata" (NTSC) ( 11 min., 48 sec. ) / Janáček -- 10 Pieces from Romeo and Juliet, Op. 75 (excerpts) (NTSC) ( 18 min., 32 sec. ) / Prokofiev -- Annees de pelerinage, 2nd year, Italy, S161/R10b (excerpts) (NTSC) ( 13 min., 42 sec. ) / Liszt -- 12 Etudes d'execution transcendante, S139/R2b (excerpts) (NTSC) ( 20 min., 52 sec. ) / Liszt -- 13 Preludes, Op. 32: No. 5 in G Major: Moderato (NTSC) ( 02 min., 45 sec. ) / Rachmaninov -- Etude No. 8 in F Major, Op. 10, No. 8 (NTSC) ( 02 min., 02 sec. ) / Chopin -- 10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia (NTSC) ( 03 min., 37 sec. ) / Rachmaninov -- 13 Preludes, Op. 32: No. 12 in G-Sharp Minor: Allegro (NTSC) ( 02 min., 17 sec. ) / Rachmaninov</marc:subfield>
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            <marc:subfield code="a">Lugansky, Nikolai, Artist -- Chopin, Fryderyk, Composer -- Rachmaninov, Sergey, Composer -- Liszt, Franz, Composer -- Prokofiev, Sergey, Composer -- Janáček, Leoš, Composer</marc:subfield>
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            <marc:subfield code="a">Nikolai Lugansky, already a major artist, has been hailed by his former teacher Tatiana Nikolajeva as the "next" in a line of great Russian pianists. He has been described as "a pianistic phenomenon of exceptional class" by the Netherlands' &lt;i&gt;NRC Handelsblad&lt;/i&gt; and as "riveting" and making his playing"stand out" by London's &lt;i&gt;Daily Telegraph.&lt;/i&gt; 

The Verbier Festival, created by Martin T:son Engstroem in 1994, rapidly acquired a reputation for artistic excellence and is now considered to be among the major European music festivals. During a fortnight each July, the greatest stars of the classical music world come together against the magical backdrop of the Swiss Alps. The Verbier Festival gives musicians the opportunity to perform original programmes with fellow musicians they admire, but with whom they may never have performed before. These world premiere performances produce innovative and exciting results, as much for artists as for audiences.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Rachmaninov, Sergey</marc:subfield>
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            <marc:subfield code="a">Liszt, Franz</marc:subfield>
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            <marc:subfield code="a">Prokofiev, Sergey</marc:subfield>
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            <marc:subfield code="a">Janáček, Leoš</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EuroArts7865.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EuroArts7865</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EuroArts7865</marc:subfield>
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            <marc:subfield code="a">Bizet, Georges</marc:subfield>
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            <marc:subfield code="a">Franck, César</marc:subfield>
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            <marc:subfield code="a">Saint-Saëns, Camille</marc:subfield>
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            <marc:subfield code="a">Chabrier, Emmanuel</marc:subfield>
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            <marc:subfield code="a">Bachelet, Alfred</marc:subfield>
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            <marc:subfield code="a">Duparc, Henri</marc:subfield>
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            <marc:subfield code="a">Ravel, Maurice</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Caplet, André</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Roussel, Albert</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Debussy, Claude</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Fauré, Gabriel</marc:subfield>
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            <marc:subfield code="a">Honegger, Arthur</marc:subfield>
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            <marc:subfield code="a">Rosenthal, Manuel</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Poulenc, Francis</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Hahn, Reynaldo</marc:subfield>
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            <marc:subfield code="a">GRAHAM, Susan: Live at the Verbier Festival (2009) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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            <marc:subfield code="a">1 online resource</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">20 Melodies: No. 1. Chanson d'avril (NTSC) ( 02 min., 23 sec. ) / Bizet -- Nocturne, M. 85 (NTSC) ( 03 min., 59 sec. ) / Franck -- Danse macabre (NTSC) ( 02 min., 22 sec. ) / Saint-Saëns -- Les cigales (NTSC) ( 04 min., 03 sec. ) / Chabrier -- Chere nuit (NTSC) ( 05 min., 29 sec. ) / Bachelet -- Au pays ou se fait la guerre (NTSC) ( 05 min., 08 sec. ) / Duparc -- Histoires naturelles (Natural Histories): No. 1. La paon (NTSC) ( 04 min., 31 sec. ) / Ravel -- 3 Fables: No. 1. Le corbeau et le renard (NTSC) ( 03 min., 35 sec. ) / Caplet -- 2 Poemes chinois, Op. 35: No. 2. Reponse d'une epouse sage (NTSC) ( 03 min., 34 sec. ) / Roussel -- Fêtes galantes, Book 2: Colloque sentimental (NTSC) ( 03 min., 59 sec. ) / Debussy -- Vocalise-Etude (NTSC) ( 03 min., 31 sec. ) / Fauré -- 3 Chansons de la petite Sirene, H. 63 (NTSC) ( 02 min., 50 sec. ) / Honegger -- Chansons du monsieur Bleu: No. 9. La souris d'Angleterre (NTSC) ( 02 min., 58 sec. ) / Rosenthal -- La dame de Monte Carlo, FP 180 (NTSC) ( 06 min., 47 sec. ) / Poulenc -- A Chloris (NTSC) ( 03 min., 33 sec. ) / Hahn</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Martineau, Malcolm, Artist -- Graham, Susan, Artist -- Bizet, Georges, Composer -- Bouilhet, Louis-Hyacinthe, Lyricist -- Franck, César, Composer -- Fourcaud, Louis de, Lyricist -- Saint-Saëns, Camille, Composer -- Lahor, Jean, Lyricist -- Gérard, Rosemonde, Lyricist -- Chabrier, Emmanuel, Composer -- Adenis, Eugène, Lyricist -- Bachelet, Alfred, Composer -- Duparc, Henri, Composer -- Gautier, Théophile, Lyricist -- Ravel, Maurice, Composer -- Renard, Jules, Lyricist -- Caplet, André, Composer -- La Fontaine, Jean de, Lyricist -- Roussel, Albert, Composer -- Roche, Henri Pierre, Lyricist -- Verlaine, Paul-Marie, Lyricist -- Debussy, Claude, Composer -- Fauré, Gabriel, Composer -- Morax, Rene, Lyricist -- Honegger, Arthur, Composer -- Rosenthal, Manuel, Composer -- Nino, Lyricist -- Poulenc, Francis, Composer -- Cocteau, Jean, Lyricist -- Hahn, Reynaldo, Composer -- Viau, Théophile de, Lyricist</marc:subfield>
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            <marc:subfield code="a">Susan Graham is praised for her "radiant voice" and her ability to convey the subtle nuances of what seems like "her second native language." Her present programme offers a "tasting menu" of the French &lt;i&gt;melodie&lt;/i&gt; tradition - a varied selection of songs ranging from the youthful charm of Bizet's &lt;i&gt;Chanson d'avril&lt;/i&gt; to the high drama of Poulenc's &lt;i&gt;La dame de Monte Carlo,&lt;/i&gt; and the barbed irony of Ravel's &lt;i&gt;Le paon&lt;/i&gt; to the sensuous beauty of Faure's &lt;i&gt;Vocalise-Etude.&lt;/i&gt;</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Adenis, Eugène</marc:subfield>
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            <marc:subfield code="a">Gautier, Théophile</marc:subfield>
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            <marc:subfield code="a">Ravel, Maurice</marc:subfield>
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            <marc:subfield code="a">Renard, Jules</marc:subfield>
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            <marc:subfield code="a">Caplet, André</marc:subfield>
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            <marc:subfield code="a">Roche, Henri Pierre</marc:subfield>
            <marc:subfield code="e">Lyricist</marc:subfield>
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            <marc:subfield code="a">Verlaine, Paul-Marie</marc:subfield>
            <marc:subfield code="e">Lyricist</marc:subfield>
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            <marc:subfield code="a">Debussy, Claude</marc:subfield>
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            <marc:subfield code="a">Fauré, Gabriel</marc:subfield>
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            <marc:subfield code="a">Morax, Rene</marc:subfield>
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            <marc:subfield code="a">Nino</marc:subfield>
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            <marc:subfield code="a">Hahn, Reynaldo</marc:subfield>
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            <marc:subfield code="a">The Argentine pianist Martha Argerich has been dazzling audiences for decades with what the &lt;i&gt;New York Times&lt;/i&gt; has referred to as "prodigious technique with uncanny musicality." She is now a regular of the artistic family at the popular Verbier Festival in the Swiss Alps, engaging thousands of followers each summer. Argerich is accompanied in this live recording from the 2009 and 2010 festivals by he gifted Gabor Takacs-Nagy and the Verbier Festival Chamber Orchestra. Works by Beethoven, Scarlatti and Shostakovich take the audience on a whirlwind tour through a small selection of Argerich's extensive repertoire.</marc:subfield>
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            <marc:subfield code="a">The programme which Martin Helmchen devised for his recital at the 2011 Verbier Festival is like a statement of probity: a carefully constructed selection of works by three composers, Bach, Liszt and Beethoven. The chosen compositions place demands on the pianist in terms of keyboard control, whilst not actually being virtuoso showpieces &lt;i&gt;per se.&lt;/i&gt; The challenge they impose on the performer lies in the mastery of sound and form, whether in short pieces which offer "no place to hide" such as &lt;i&gt;Nuages gris&lt;/i&gt; and the rarely performed &lt;i&gt;Vexilla regis prodeunt,&lt;/i&gt; or in the daunting "Hammerklavier" Sonata, Beethoven's most revered piano sonata which is also his longest, culminating with a stupendously difficult fugue.</marc:subfield>
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            <marc:subfield code="a">Inheriting the Future of Music (NTSC) ( 58 min. ) / Not Applicable -- Jeux (NTSC) ( 16 min., 50 sec. ) / Debussy -- Notations (version for orchestra) (NTSC) ( 19 min., 47 sec. ) / Boulez -- Repons (NTSC) ( 32 min., 01 sec. ) / Boulez</marc:subfield>
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            <marc:subfield code="a">Pierre Boulez has already left an indelible imprint on the international music scene, not only as a composer and conductor but also as a music philosopher and teacher. This documentary, a homage on the occasion of his 85th birthday, shows his invaluable nurturing of young musicians as they come together during the summer for intensive rehearsal weeks. Adopting the perspective of both Pierre Boulez and of the students, the film conveys an infectious enthusiasm for contemporary music, a determination on the part of everybody to do it justice, and a wonderful insight into the legacy that Pierre Boulez passes on to the next generation.</marc:subfield>
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            <marc:subfield code="a">St. John's Night on Bald Mountain, "A Night on the Bare Mountain" (NTSC) ( 10 min., 33 sec. ) / Mussorgsky -- Rusalka, Op. 114, B. 203, Act I: Mesicku na nebi hlubokem (NTSC) ( 07 min., 43 sec. ) / Dvořák -- Spartacus: Spartacus and Phrygia (NTSC) ( 11 min., 40 sec. ) / Khachaturian -- Capriccio, Op. 85, TrV 279: Morgen mittag um elf! (NTSC) ( 19 min., 59 sec. ) / Strauss -- Rienzi: Overture (NTSC) ( 12 min., 55 sec. ) / Wagner -- Die Tote Stadt (The Dead City), Op. 12, Act I: Gluck, das mir verblieb (NTSC) ( 06 min., 29 sec. ) / Korngold -- 8 Gedichte aus Letzte Blatter, Op. 10, TrV 141: No. 1. Zueignung (NTSC) ( 02 min., 10 sec. ) / Strauss -- Salut d'amour (Liebesgrüss), Op. 12 (NTSC) ( 05 min., 30 sec. ) / Elgar -- La bohème, Act III: D'onde lieta usci (NTSC) ( 04 min. ) / Puccini -- La bohème (excerpts) (NTSC) ( 04 min., 54 sec. ) / Leoncavallo -- Turandot, Act III: Tu, che di gel sei cinta (NTSC) ( 04 min., 43 sec. ) / Puccini -- Romeo and Juliet Fantasy Overture (3rd version, 1880) (NTSC) ( 22 min., 09 sec. ) / Tchaikovsky -- Hora Staccato (NTSC) ( 03 min., 30 sec. ) / Dinicu -- Gianni Schicchi: O mio babbino caro (NTSC) ( 03 min., 38 sec. ) / Puccini -- Frau Luna: Berliner Luft (NTSC) ( 02 min., 59 sec. ) / Lincke</marc:subfield>
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Beethoven's Sonata, Op. 110 illustrates idealism in the first movement, hedonism in the second, and regret and pain in the last movement from which two fugues emerge triumphantly, as if saying, "Yes, life is worth living" - and this is what I feel. This is to be considered alongside Schubert's last sonata D. 960, which explores the emotions of a man who knows he has a limited time to live, and in which the slow movement resonates like a funeral march whilst also showing happiness and peace of mind.

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In this film we pay tribute to one of the most gripping rags to riches stories ever told. We talk to those who knew her as "Nippy," retrace her steps to stardom and revisit some of her most stunning performances. Whitney Houston was so much more than a performer. She was a blessing for all who were touched by her gentle soul and kind spirit. She was truly the Greatest Love of All.</marc:subfield>
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            <marc:subfield code="a">Piano Sonata No. 10 in C Major, K. 330 (NTSC) ( 21 min., 06 sec. ) / Mozart -- Piano Sonata No. 23 in F Minor, Op. 57, "Appassionata" (NTSC) ( 25 min., 07 sec. ) / Beethoven -- Iberia, Book 1 (NTSC) ( 19 min., 26 sec. ) / Albéniz -- Iberia, Book 2 (NSTC) ( 24 min., 39 sec. ) / Albéniz -- Keyboard Sonata in D Minor, K.434/L.343/P.498 (NTSC) ( 03 min., 14 sec. ) / Scarlatti -- 3 Danzas argentinas, Op. 2: No. 2. Danza de la moza donosa (NTSC) ( 05 min., 07 sec. ) / Ginastera -- Bailecito (NTSC) ( 03 min., 42 sec. ) / Resta -- Prole do bebe No. 1: O Polichinello (NTSC) ( 01 min., 55 sec. ) / Villa-Lobos -- 6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor: Allegro moderato (NTSC) ( 02 min., 53 sec. ) / Schubert -- Waltz No. 14 in E Minor, Op. posth. (NTSC) ( 03 min., 36 sec. ) / Chopin -- Papillons (NTSC) ( 03 min. ) / Rosenthal -- Nocturne No. 8 in D-Flat Major, Op. 27, No. 2 (NTSC) ( 06 min., 46 sec. ) / Chopin -- Waltz No. 6 in D-Flat Major, Op. 64, No. 1, "Minute" (NTSC) ( 02 min., 37 sec. ) / Chopin -- Fantasiestücke, Op. 12 (excerpts) (NTSC) ( 07 min., 22 sec. ) / Schumann -- Etude No. 14 in F Minor, Op. 25 No. 2 (NTSC) ( 02 min., 17 sec. ) / Chopin -- Piano Sonata No. 16 in C Major, K. 545, "Sonata facile": II. Andante (NTSC) ( 04 min., 07 sec. ) / Mozart</marc:subfield>
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