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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">BEREZOVSKY, Boris: Pianist and Virtuoso (NTSC)</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Boris Berezovsky: Pianist and Virtuoso (NTSC) ( 42 min., 02 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Berezovsky, Boris, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">The Russian pianist Boris Berezovsky is one of the most virtuous piano interpreters of our times. One can tell that for him the borders of keyboard possibilities have not yet been reached. Boris Berezovsky brought attention to himself with his daring dexterity at the 1990 International Tchaikovsky Competition in Moscow. He won the Gold Medal straight off. The film accompanies Boris Berezovsky on his musical journey. The artist Boris Berezovsky drives through the Yekaterinburg, as a passionate player he goes to the casino and improvises along with a little band in a Jazz Club.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CM8022.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM8022</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CM8022</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2u 4500</marc:leader>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BIENVENIDO GUSTAVO (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Bienvenido Gustavo (NTSC) ( 24 min., 54 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">http://univportal.naxosvideolibrary.com/title/CM9551</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2u 4500</marc:leader>
        <marc:controlfield tag="001">CM9557</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">C Major</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Mahler, Gustav</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Adams, John</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">ADAMS, J.: City Noir / MAHLER, G.: Symphony No. 1, "Titan" (The Inagural Concert) (Dudamel) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">City Noir (NTSC) ( 00 sec. ) / Adams -- Symphony No. 1 in D Major, "Titan" (NTSC) ( 00 sec. ) / Mahler</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Los Angeles Philharmonic Orchestra, Orchestra -- Dudamel, Gustavo, Conductor -- Mahler, Gustav, Composer -- Adams, John, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Gustavo Dudamel, designated music director of the Los Angeles Philharmonic Orchestra, is acknowledged to be one of the most important conductors of his generation. On October 2009 he conducted the Los Angeles Philharmonic Orchestra at the Disney Concert Hall. On the programme was Gustav Mahler's Symphony No. 1 in D major, "Titan" and the world premiere of &lt;i&gt;City Noir,&lt;/i&gt; the latest work by Pulitzer Prize for Music winner John Adams.

The Los Angeles Philharmonic is widely regarded as the most contemporary minded, forward thinking, talked about and innovative, venturesome and admired orchestra in America. Dudamel made his U.S. conducting debut with the Los Angeles Philharmonic at the Hollywood Bowl on September 13, 2005. In April 2007, during a guest conducting engagement with the Chicago Symphony Orchestra, Dudamel was named the LAP's next music director as of the 2009-2010 season, succeeding Esa-Pekka Salonen.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">DVD</marc:subfield>
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            <marc:subfield code="a">Classical Concert</marc:subfield>
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            <marc:subfield code="a">Mahler, Gustav</marc:subfield>
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            <marc:subfield code="a">Adams, John</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">http://univportal.naxosvideolibrary.com/title/CM9557</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2u 4500</marc:leader>
        <marc:controlfield tag="001">CM9701</marc:controlfield>
        <marc:controlfield tag="005">20201021233808.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GLORY OF RUSSIA (THE) (Fleming, Hvorostovsky, Orbelian) (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Il trovatore, Act IV: Ah! dove sei crudele? - Mira, di acerbe lagrime - Vivra! (NTSC) ( 00 sec. ) / Verdi -- Simon Boccanegra, Act I: Favella il Doge ad Amelia Grimaldi? (NTSC) ( 00 sec. ) / Verdi -- 6 Romances, Op. 38: No. 3. Sred shumnogo bala (Amid the din of the ball) (NTSC) ( 00 sec. ) / Tchaikovsky -- 6 Songs, Op. 4: No. 3. V molchan'i nochi taynoy (In the Silence of the Secret Night) (NTSC) ( 00 sec. ) / Rachmaninov -- Zimniy vecher (Winter Evening), Op. 13, No. 1 (NTSC) ( 00 sec. ) / Medtner -- 6 Songs, Op. 4: No. 4. Ne poy, krasavitsa, pri mne (Sing not to me, beautiful maiden) (NTSC) ( 00 sec. ) / Rachmaninov -- 12 Songs, Op. 14: No. 11. Vesenniye vodi (Spring Waters) (NTSC) ( 00 sec. ) / Rachmaninov -- 6 Romances, Op. 38: No. 1. Serenada Don Zhuana (Don Juan's Serenade) (NTSC) ( 00 sec. ) / Tchaikovsky -- Pique Dame (The Queen of Spades), Op. 68, Act II: Ya vas liubliu (NTSC) ( 00 sec. ) / Tchaikovsky -- Oprichnik (The Oprichnik): Pochudilis' mne budito golosa i shum shagov (NTSC) ( 00 sec. ) / Tchaikovsky -- Eugene Onegin, Op. 24, Act III: O! Kak mnye tyazhelo! … Onegin! Ya togda molozhe (NTSC) ( 00 sec. ) / Tchaikovsky -- Hamlet, Act II: O vin, dissipe la tristesse (NTSC) ( 00 sec. ) / Thomas -- Norma, Act I: Casta diva (NTSC) ( 00 sec. ) / Bellini -- Nero, Act I: Payu tibe, bokh Gimeneya!, "Epitalama" (Sung in Russian) (NTSC) ( 00 sec. ) / Rubinstein -- Pique Dame (The Queen of Spades), Op. 68, Act III: Akh, istomilas' ia gorem (NTSC) ( 00 sec. ) / Tchaikovsky</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Hvorostovsky, Dmitri, Artist -- Fleming, Renée, Artist -- Orbelian, Constantine, Conductor -- St. Petersburg Orchestra of the State Hermitage, Orchestra -- Ilja, Ivari, Artist -- Kern, Olga, Artist -- Shilovsky, Konstantin, Lyricist -- Tchaikovsky, Pyotr Il'yich, Composer -- Bardare, Leone Emanuele, Lyricist -- Verdi, Giuseppe, Composer -- Cammarano, Salvadore, Lyricist -- Thomas, Ambroise, Composer -- Carre, Michel, Lyricist -- Barbier, Jules, Lyricist -- Romani, Felice, Lyricist -- Bellini, Vincenzo, Composer -- Piave, Francesco Maria, Lyricist -- Boito, Arrigo, Lyricist -- Tchaikovsky, Modest, Lyricist -- Tolstoy, Alexei, Lyricist -- Rachmaninov, Sergey, Composer -- Fet, Afanasy, Lyricist -- Medtner, Nicolas, Composer -- Pushkin, Alexander, Lyricist -- Tyutchev, Fyodor Ivanovich, Lyricist -- Rubinstein, Anton, Composer</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Shilovsky, Konstantin</marc:subfield>
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            <marc:subfield code="a">Bardare, Leone Emanuele</marc:subfield>
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            <marc:subfield code="a">Verdi, Giuseppe</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Cammarano, Salvadore</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Thomas, Ambroise</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Carre, Michel</marc:subfield>
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            <marc:subfield code="a">Barbier, Jules</marc:subfield>
            <marc:subfield code="e">Lyricist</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Romani, Felice</marc:subfield>
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            <marc:subfield code="a">Bellini, Vincenzo</marc:subfield>
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            <marc:subfield code="a">Piave, Francesco Maria</marc:subfield>
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"For me, there are few halls around the globe that have the same
prestige as Carnegie Hall and the Musikverein. Of course there are
other great halls, but I always feel these two have a unique place in
people's hearts. So I felt that after Carnegie Hall, the Musikverein
would be the place where I should do another live recordings." (Lang
Lang)

The programme also includes special backstage features, interviews
and much more.

"To his millions of fans worldwide the 27-year-old Chinese musician is
a God-like star, whose skill and energetic performance style put him
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">DENNY, Sandy: Under Review (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Sandy Denny: Under Review (NTSC) ( 01 hrs., 53 min., 57 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Denny, Sandy, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Sandy Denny: Under Review&lt;/i&gt; is a documentary film reviewing the music and career of arguably Britain's finest ever female vocalist and songwriter. Although Sandy Denny is revered deeply amongst fans of folk music and the "singer-songwriter" genre, she has never received the universal acclaim so long overdue and so often heaped on those of a far lesser talent. This program attempts to redress this imbalance and reveal why she remains such an inspiration to so many.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD507.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD507</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD507</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD508</marc:controlfield>
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            <marc:subfield code="a">823564508597</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">AC/DC: Back in Black - A Classic Album Under Review (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">AC/DC: Back in Black - A Classic Album Under Review (NTSC) ( 01 hrs., 53 min., 29 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">AC/DC, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">In July 1980, five months after the untimely death of original frontman Bon Scott, AC/DC released &lt;i&gt;Back in Black,&lt;/i&gt; an album which has gone on to sell over 40 million copies worldwide, and one that many fans consider the greatest of the group's career. Chock-full of the heaviest riffs, the most bombastic production and the best double entendres rock music has ever encountered, the record catapulted AC/DC into the big league, big time.

&lt;i&gt;Back in Black: A Classic Album Under Review&lt;/i&gt; is a documentary film which revisits and reassesses this astonishing work. With the entire album dissected track by track, and with rare footage, band interviews and live performances all under the gaze of our panel of esteemed experts, this is the best film on this extraordinary band yet to emerge.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD508.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD508</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD508</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD514</marc:controlfield>
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            <marc:subfield code="a">GREEN DAY: Under Review, 1995-2000 - The Middle Years (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Green Day: Under Review, 1995-2000 -  The Middle Years (NTSC) ( 01 hrs., 08 min., 10 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Green Day, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Often overlooked when the band's best work is chronicled, the triumvirate of albums book-ended by the multi-platinum &lt;i&gt;Dookie&lt;/i&gt; and groundbreaking &lt;i&gt;American Idiot&lt;/i&gt; remain, for some, Green Day's finest. And while many artists "forgotten years" are best left that way, in the case of San Francisco's favorite sons, the process of recall is long overdue.

&lt;i&gt;Green Day Under Review 1995-2000: The Middle Years,&lt;/i&gt; offers an opportunity to do just that, and attempts to redress this criminal imbalance with new evaluations of the superb &lt;i&gt;Insomniac,&lt;/i&gt; the extraordinary &lt;i&gt;Nimrod&lt;/i&gt; and the often perplexing &lt;i&gt;Warning.&lt;/i&gt;</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD514.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD514</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD514</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD531</marc:controlfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">ROLLING STONES (THE): Under Review, 1967-1969 (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">The Rolling Stones: Under Review, 1967-1969 (NTSC) ( 01 hrs., 25 min., 59 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Rolling Stones, The, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;The Rolling Stones - Under Review 1967-1969&lt;/i&gt; is a 90-minute documentary film reviewing the music and career of the band during, arguably, their most creative period. In the second half of the 1960s the sound of the Stones changed dramatically, while concurrently Jagger and Richards' songwriting hit an all-time high. These advances didn't just affect The Rolling Stones forever, they changed Rock n' Roll forever too.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD531.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD531</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD531</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD542</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">U2: Rebirth of Cool (The): U2 in the Third Millennium (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">The Rebirth of Cool: U2 in the Third Millennium (NTSC) ( 01 hrs., 08 min., 30 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">U2, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">They formed more than 30 years ago, have been releasing records almost as long, and still today they appeal to just about everyone, from mums and dads to teenage NME readers - a journal whose cover they have uniquely graced in each of their four decades as a group.

It is no exaggeration to say that U2 are the first rock band ever to have remained both a commercial and critical success story across such an enormous timeframe, yet by the mid-1990s the game was almost up; the group were considering a split, having lost credibility, much of their fan base and most of their enthusiasm.

This film tells the story of the massive regeneration of U2 during the new millennium. Across two stunning and classic albums, a world tour to accompany each, numerous side projects and a fresh attitude that not only drew the old fans back in droves, but equally attracted huge swathes of new devotees, the "noughties" was just as much U2's decade as the eighties had been.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD542.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD542</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD542</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD548</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DEPECHE MODE: Dark Progression (The) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Depeche Mode: The Dark Progression (NTSC) ( 01 hrs., 37 min., 29 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Depeche Mode, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Thirty years into a quite extraordinary career, Depeche Mode remain the most successful electronic band ever, having to date sold over 100 million records worldwide. And as they continue to release new and challenging material on a regular basis and perform in front of crowds that can exceed 80,000 in a single night, the enormous popularity of these former Essex Boys illustrates how their resolute determination to stick with their original vision has repaid them handsomely in the long term.

This film traces the almost surreal development of Depeche Mode from their flirtations with New Romanticism at the dawn of their career, through the urban industrial landscapes envisaged on &lt;i&gt;Construction Time Again&lt;/i&gt; and &lt;i&gt;Some Great Reward&lt;/i&gt; into the dark hollow of albums such as &lt;i&gt;Black Celebration, Music for the Masses&lt;/i&gt; and &lt;i&gt;Violator&lt;/i&gt; to conclude with the departure of Alan Wilder in 1995 - a point in their career at which they had achieved enormous commercial success but were now facing huge personal challenges.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD548.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD548</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD548</marc:subfield>
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    <marc:record>
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        <marc:controlfield tag="001">SIDVD555</marc:controlfield>
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            <marc:subfield code="a">823564521091</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">ZAPPA, Frank: Freak-Out List (The) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Frank Zappa: The Freak-Out List (NTSC) ( 01 hrs., 27 min., 38 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">When an artist, regardless of his significance, lists his favourite musicians and performers it is usually met with little fanfare, as over time the names mentioned are almost certainly going to change. But when Frank Zappa did likewise, and actually published a record of his most important influences on the inside cover of his debut album, it became a road map to the music he was to make over the following forty years. Even in the early 1990s, when asked about his most-loved composers, musicians and artists, he would repeat names from this, by then legendary, list.

This film explores the musical roots of Frank Zappa by putting &lt;i&gt;The Freak Out List&lt;/i&gt; under the microscope and tracing the lineage from the most pivotal names thereon to the recordings and performances of the man himself.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD555.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD555</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD555</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD557</marc:controlfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">ROLLING STONES (THE): Under Review, 1969-1974 - The Mick Taylor Years (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Rolling Stones: Under Review, 1969-1974 - The Mick Taylor Years (NTSC) ( 01 hrs., 39 min., 12 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Rolling Stones, The, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Often regarded as the period in which The Rolling Stones recorded the finest music of their career, the years during which Mick Taylor was the fifth Stone remain the band's "Golden Age." Notably, on albums &lt;i&gt;Let It Bleed, Stickly Fingers&lt;/i&gt; and &lt;i&gt;Exile On Main Street&lt;/i&gt; the Stones' sound changed as they developed new ideas and were informed by a range of new influences. But crucially it was Taylor's sophisticated blues and jazz licks that gave The Rolling Stones an added dimension between 1969-1974 - one they lacked both before and afterwards.

This dynamic film tells the behind the scenes story of this hugely productive ear for the group. Featuring interviews with Taylor himself and further contributions from his old boss, John Mayall; author and group colleauge, Robert Greenfield; &lt;i&gt;Village Voice&lt;/i&gt; music editor, Robert Christgau; Stones session musicians, Al Perkins and Bill Plummer; highly regarded UK music critic, Barney Hoskyns and many others. The program also includes liberal performance film of the Stones, archive footage and interviews, numerous seldom seen photographs and a host of other features.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD557.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD557</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD557</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SIDVD560</marc:controlfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">SACRED TRIANGLE (THE): Bowie, Iggy and Lou, 1971-1973 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Sacred Triangle: Bowie, Iggy and Lou, 1971-1973 (NTSC) ( 01 hrs., 46 min., 23 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bowie, David, Artist -- Reed, Lou, Artist -- Pop, Iggy, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">By the second half of 1971 David Bowie was justifiably being branded a one-hit-wonder, Lou Reed was considered washed-up following a disastrous solo debut, and Iggy Pop was seen as merely a drug crazed ex-Stooge - the band having split the year before for reasons linked to his deepening habit.

But a meeting of minds at the New York venue "Max's Kansas City" in that year's closing months was the catalyst  for an extraodinary turnaround of fortunes for these three musical geniuses, resulting in the most dramatic shift in musical style since the dawn of the rock age, fifteen years before.

This fascinating film investigates the era in which these brilliant, creative personalities worked most closely together. With the story told by those who were there at the time and via rare and classic film footage, plus recently discovered archive, seldome seen photographs and a host of other features, this programme reveals a time of incredible creativity, astonishing energy and a sublime chain of events that changed music forever.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SIDVD560.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SIDVD560</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SIDVD560</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Beethoven, Ludwig van</marc:subfield>
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            <marc:subfield code="a">Ravel, Maurice</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Stravinsky, Igor</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Sheng, Bright</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Glass, Philip</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">ALL-STAR ORCHESTRA (THE): Program 1: Music for the Theater / Program 2: What Makes A Masterpiece? (G. Schwarz) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
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        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Firebird Suite (NTSC) ( 00 sec. ) / Stravinsky -- Daphnis et Chloe Suite No. 2 (NTSC) ( 00 sec. ) / Ravel -- Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2. Intermezzo in A Major) (NTSC) ( 00 sec. ) / Sheng -- Symphony No. 5 in C Minor, Op. 67 (NTSC) ( 00 sec. ) / Beethoven -- Harmonium Mountain (NTSC) ( 00 sec. ) / Glass</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Schwarz, Gerard, Conductor -- All-Star Orchestra, The, Orchestra -- Beethoven, Ludwig van, Composer -- Ravel, Maurice, Composer -- Stravinsky, Igor, Composer -- Sheng, Bright, Composer -- Glass, Philip, Composer</marc:subfield>
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            <marc:subfield code="a">The All-Star Orchestra gives you a front row seat to the world's greatest music, performed by top players chosen from over 30 great American orchestras, and conducted by Gerard Schwarz. The programs feature complete performances of popular masterpieces and world premieres of new works by leading American composers. Filmed in High-Definition with 19 cameras during a once-a-year 'summit' in New York's historic Grand Ballroom at Manhattan Center, the All-Star Orchestra celebrates the symphonic experience in the 21st century.

Program 1: Music for the Theatre

The legendary impresario Sergei Diaghilev of the Ballet Russes commissioned from Stravinsky and Ravel some of the greatest music for the ballet. His influence stretched from St. Petersburg to Paris to the New York City Ballet founded by Diaghilev's collaborator George Balanchine. Former NYCB Composer in Residence Bright Sheng captures the beauty of the dance in &lt;i&gt;Black Swan,&lt;/i&gt; inspired by a Brahms intermezzo.

Program 2: What Makes a Masterpiece?

This program is an exploration of the creative process, tracing the genesis of Beethoven's iconic symphony and the development of a new work by a modern master. Introductory features demonstrate how short rhythmic and melodic motives evolve into vast symphonic organisms. Interviews include leading Beethoven scholars and the All-Star musicians.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Concert</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Beethoven, Ludwig van</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Ravel, Maurice</marc:subfield>
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            <marc:subfield code="a">Stravinsky, Igor</marc:subfield>
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            <marc:subfield code="a">Sheng, Bright</marc:subfield>
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            <marc:subfield code="a">Glass, Philip</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/2.110348.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=2.110348</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/2.110348</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Naxos DVD</marc:subfield>
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            <marc:subfield code="a">Dvořák, Antonín</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Shostakovich, Dmitry</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Zwilich, Ellen Taaffe</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">ALL-STAR ORCHESTRA (THE): Program 3: The New World and Its Music / Program 4: Politics and Art (G. Schwarz) (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World" (NTSC) ( 00 sec. ) / Dvořák -- Avanti! (NTSC) ( 00 sec. ) / Zwilich -- Symphony No. 5 in D Minor, Op. 47 (NTSC) ( 00 sec. ) / Shostakovich</marc:subfield>
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            <marc:subfield code="a">Schwarz, Gerard, Conductor -- All-Star Orchestra, The, Orchestra -- Dvořák, Antonín, Composer -- Shostakovich, Dmitry, Composer -- Zwilich, Ellen Taaffe, Composer</marc:subfield>
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            <marc:subfield code="a">The All-Star Orchestra gives you a front row seat to the world's greatest music, performed by top players chosen from over 30 great American orchestras, and conducted by Gerard Schwarz. The programs feature complete performances of popular masterpieces and world premieres of new works by leading American composers. Filmed in High-Definition with 19 cameras during a once-a-year 'summit' in New York's historic Grand Ballroom at Manhattan Center, the All-Star Orchestra celebrates the symphonic experience in the 21st century.

Program 3: The New World and Its Music

Inspired by American dreams and legends, Dvorak created some of his greates works while living in the United States, above all the "New World" Symphony. This program illuminates the multiple stories and influences - Native American, African-American and Czech - that Dvorak transformed in his most beloved work. Ellen Taafe Zwilich's &lt;i&gt;Avanti!&lt;/i&gt; offers a contemporary interpretation of the American archetype of "moving on".

Program 4: Politics and Art

Music has sometime reflected, and at other times challenged repressive ideologies. Shostakovich abandoned he premiere of his challenging 4th symphony for fear of reprisals from the Stalinist government. His triumphant 5th Symphony was next, and the authorities were pleased. To this day, the 5th is Shostakovich's most popular symphony. What is its message? What does "political music" mean today?</marc:subfield>
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            <marc:subfield code="a">Zwilich, Ellen Taaffe</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/2.110349.jpg</marc:subfield>
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            <marc:subfield code="a">Brahms, Johannes</marc:subfield>
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            <marc:subfield code="a">ALL-STAR ORCHESTRA (THE): Program 5: Relationships in Music / Program 6: The Living Art Form (G. Schwarz) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Academic Festival Overture, Op. 80 (NTSC) ( 00 sec. ) / Brahms -- Symphony No. 3 in E-Flat Major, Op. 97, "Rhenish" (NTSC) ( 00 sec. ) / Schumann -- Piano Concerto No. 4, "A Hero's Journey" (NTSC) ( 00 sec. ) / Danielpour -- Cello Concerto (NTSC) ( 00 sec. ) / Jones -- The Poet's Hour (NTSC) ( 00 sec. ) / Schwantner</marc:subfield>
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            <marc:subfield code="a">Schwarz, Gerard, Conductor -- All-Star Orchestra, The, Orchestra -- Wang, Xiayin, Artist -- Schwarz, Julian, Artist -- Kutik, Yevgeny, Artist -- Schumann, Robert, Composer -- Brahms, Johannes, Composer -- Danielpour, Richard, Composer -- Jones, Samuel, Composer -- Schwantner, Joseph, Composer</marc:subfield>
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Program 5: Relationships in Music

Robert Schumann's wife Clara was herself a gifted pianist and composer. She became a lifelong friend and source of inspiration for Schumann's protege Johannes Brahms. This program will explore the turbulent musical and emotional relationships between these three, and the masterpieces that they produced.

Program 6: The Living Art Form

This program explored the creation of new concertos and the artistic process. Outstanding young soloists and leading American composers are featured in performance and in interviews.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/2.110350</marc:subfield>
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            <marc:subfield code="a">Thomas, Augusta Read</marc:subfield>
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            <marc:subfield code="a">ALL-STAR ORCHESTRA (THE): Program 7: Music's Emotional Impact / Program 8: Mahler: Love, Sorrow and Transcendence (G. Schwarz) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Symphony No. 4 in F Minor, Op. 36 (NTSC) ( 00 sec. ) / Tchaikovsky -- Blast! (NTSC) ( 00 sec. ) / Stock -- Ruckert-Lieder (excerpts) (NTSC) ( 00 sec. ) / Mahler -- Symphony No. 2 in C Minor, "Resurrection": I. Allegro maestoso (NTSC) ( 00 sec. ) / Mahler -- Of Paradise and Light (NTSC) ( 00 sec. ) / Thomas -- Adieu (NTSC) ( 00 sec. ) / Rands</marc:subfield>
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Program 7: Music's Emotional Impact

This program delves into Tchaikovsky's dramatic personal life, his brief marriage, and his intense correspondence with his patroness Nadezhda von Meck, whom he never met, and to whom he dedicated is 4th Symphony. The dramatic brass fanfares that for Tchaikovsky symbolized Fate find a modern echo in David Stock's &lt;i&gt;Blast!&lt;/i&gt;

Program 8: Mahler: Love, Sorrow and Transcendence

Mahler's turbulent passions are expressed through his music. His settings of poems by Friedrich Ruckert explore themes of love, nature, and otherworldliness. Mahler was haunted throughout his life by the premonition of his own death. The first movement of his 2nd Symphony, which Mahler called "Totenfeier" (Funerary Rites), draws stark contrasts between the composer's premonition of doom, and his vision of life. Modern reflections on these themes can be found in &lt;i&gt;Adieu&lt;/i&gt; by Bernard Rands and &lt;i&gt;Of Paradise and Light&lt;/i&gt; by Augusta Read Thomas.</marc:subfield>
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            <marc:subfield code="a">Giuseppe Verdi made his breakthrough as an opera composer with &lt;i&gt;Nabucco&lt;/i&gt; in 1842; eager to follow it up with another stroke of genius, he produced &lt;i&gt;I Lombardi alla prima Crociata&lt;/i&gt; the following year and again scored a notable success. But while the work's musical qualities were unanimously acclaimed, its libretto offended the clerical authorities. The opera relates the conflict between Christians and Muslims at the time of the Crusades, but treats both sides with a certain ambivalence and features a romance between the Christian Giselda and the Muslim Oronte. In spite of the work's powerful choruses interspersed with solo arias and ensembles, &lt;i&gt;I Lombardi&lt;/i&gt; has never achieved the prominence of Verdi's most popular operas. 

The production from the Teatro di San Carlo of Naples is dominated by the formidable voices of Ruggero Raimondi as Pagano, a Muslim who helps the Crusaders, and Dimitra Theodossiou as Giselda, the Christian maiden captured by the Sultan of Antioch, and who falls in love with his son Oronte. Raimondi, an internationally celebrated bass-baritone even before his immortal turn as Don Giovanni in Joseph Losey's 1979 film, imbues his voice with a rich melancholy that humanizes his ambiguous role. The young Greek-German soprano Theodossiou has been hailed as one of the most exciting new Verdi and bel canto voices ever since her success in Verdi's &lt;i&gt;Attila&lt;/i&gt; in Bologna and Parma in 1999. Completing the quartet of leading characters are Tito Beltran as Pagano's brother Arvino and Fabio Sartori as Oronte. 

With his credible direction of the soloists and his mastery of the choral masses, stage director Giancarlo Cobelli highlights the dramatic force of the opera, which ends without victors or vanquished – an irreconcilable confrontation of hearts and religions that is just as topical today as it was in the 11th century, the period in which &lt;i&gt;I Lombardi&lt;/i&gt; is set.</marc:subfield>
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            <marc:subfield code="a">Written in French in 1828 for the Paris Opera, &lt;i&gt;Le Comte Ory&lt;/i&gt; has maintained its success in France and in many other countries to this day. Re-using some of the music of his &lt;i&gt;Viaggio a Reims,&lt;/i&gt; Rossini turns the disguise-based libretto into a spirited play of erotic lightness. Lluis Pasqual's witty and clever production was recorded at the Rossini Opera Festival in Pesaro. The dynamic, international young cast is headed by tenor Yijie Shi in the title role, Laura Polverelli as his astute page and Maria Jose Moreno as Countess Adele. Paolo Carignani conducts with verve and brio.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Points on a Space Age&lt;/i&gt; explores the recent activity of the remaining members of the influential Sun Ra Arkestra since the passing of it's founder, Sun Ra.

The Arkestra is an experimental big band formed in the mid-1950s around the teachings of musician, philosopher and spiritualist Sun Ra. According to Sun Ra and his disciples, Sun Ra was sent to this planet to prepare human beings for a future centered around space travel, as well as the human capacity to evolve with the ever-changing demands of a highly technological world. Those in Sun Ra's band were not only band members, but also disciples, students and companions to their guru bandleader. All band members were required to learn the philosophy of Sun Ra, and many members lived with Sun Ra as well. It was common for the band to practice eight hours, only breaking for teachings, and then play gigs. The band continued in this manner for approximately thirty years, until Sun Ra "left the planet" in 1993.

After Sun Ra's passing, the direction of the band was left to his most faithful musician and companion, Marshall Allen, who has been a member of the band since the mid '50s. Under the direction of Allen, the Arkestra continues to maintain an active touring schedule and continues to recruit younger members into the Sun Ra lifestyle, a lifestyle committed to human development through the discipline of music and spirituality. &lt;i&gt;Points on a Space Age&lt;/i&gt; uses an approach as experimental as the band and functions to give those who have already seen the Arkestra an opportunity to experience them yet again. And for those who have not seen them, this video offers some insight into one of the most influential bands of the 20th century.</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Dylan, Bob, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Still receiving five star reviews in all the right places almost 50 years into the most extraordinary career of the rock age, Bob Dylan is an artist who never fails to stagger his audience. But even this most unorthodox of performers wrote the songs and released the music most consider to be his finest within five years of first signing a deal.

Venturing back into his childhood and formative years to discover the roots of the man who changed music forever, the film continues through his early Greenwich Village period, onto his worldwide recognition, and culminating with the 1966 world tour and his escape from the limelight. Featuring exclusive interviews with school friends and teachers, the guitarist in his first band, Village associates and musicians plus British folk icon Martin Carthy, Mickey Jones - drummer on the 1966 world tour - and biographers Clinton Heylin, C.P. Lee and &lt;i&gt;Isis&lt;/i&gt; editor Derek Barker. Also includes rare performance footage, archive interviews, location shoots, seldom seen photographs and a host of other features.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PGDVDCD133.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PGDVDCD133</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PGDVDCD133</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PP002</marc:controlfield>
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            <marc:subfield code="a">603777900292</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">603777900292</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">PINK FLOYD: Dark Side (The) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Pink Floyd: The Dark Side (NTSC) ( 42 min., 06 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Pink Floyd, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a"></marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PP002.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PP002</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PP002</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PP014</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">603777901497</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">603777901497</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BOWIE, David: Spiders from Mars (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">David Bowie: Spiders from Mars (NTSC) ( 01 hrs., 42 min., 03 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bowie, David, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">David Robert Jones was born in Brixton, London on 8 January 1947. He lived with his parents until he was 18. During a fight over a girl, Bowie's friend George Underwood punched him in the eye. Doctors could not fully repair the damage, leaving his pupil permanently dilated. The pair remained good friends and Underwood went on to do artwork for Bowie's early albums.

At the age of 17, David Jones was interviewed on BBC television's &lt;i&gt;Tonight&lt;/i&gt; programme as the founder of The Society for the Prevention of Cruelty to Long-haired Men. Bowie appears 29th in the 2002 list of 100 Great Britons (voted for by the public), alongside such greats as Winston Churchill, John Lennon and Freddie Mercury. This video reveals for the first time ever, astonishing very early footage including the infamous groundbreaking Ziggy period, showing Bowie's uniqueness as an evolving artist throughout his long career.

Every effort has been made to provide the highest possible picture and sound quality allowing for the availability of the original masters.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PP014.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PP014</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PP014</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PP016</marc:controlfield>
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            <marc:subfield code="a">603777901695</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">603777901695</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">ABBA: Dancing Queen (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">ABBA: Dancing Queen (NTSC) ( 54 min., 43 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">ABBA, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">ABBA is the most successful popular music group ever to come out of Scandinavia, and ranks amongst the top acts in the history of popular music. The quartet topped worldwide charts from the mid 1970s to the early 1980s.

This video reveals how ABBA's different personalities came together to become a pop phenomenon. Their songs have stood the test of time and are still highly appreciated, remaining a fixture of many radio playlists.

ABBA is formed from the first letters of each group member's name: Agnetha, Bjorn, Benny, and Anni-Frid (Frida). As of 2006, ABBA's 1976 hit single, "Fernando" still held the record for the most weeks spent at number one in Australia - 14 weeks, along with The Beatles' "Hey Jude."

Every effort has been made to provide the highest possible picture and sound quality allowing for the availability of the original masters.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PP016.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PP016</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PP016</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PP020</marc:controlfield>
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            <marc:subfield code="a">603777902692</marc:subfield>
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            <marc:subfield code="a">603777902692</marc:subfield>
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        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">NIRVANA: Teen Spirit (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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            <marc:subfield code="a">Nirvana were an American rock band that exploded into the mainstream with the single "Smells Like Teen Spirit" from their 1991 album &lt;i&gt;Nevermind,&lt;/i&gt; bringing along with it a subgenre of alternative rock, called grunge, along with other Seattle grunge bands such as Alice in Chains, Pearl Jam, and Soundgarden.

Nirvana's frontman, Kurt Cobain, found himself referred to in the media as the spokesman of a generation. Cobain was uncomfortable with this attention and placed his focus on the band's music. This unfortunately ended with the death of Cobain in April of 1994, but the band's popularity expanded in the years that followed and they have sold over fifty million albums worldwide.

&lt;i&gt;Teen Spirit&lt;/i&gt; reveals through many close interviews how this band connected with a generation.

Every effort has been made to provide the highest possible picture and sound quality allowing for the availability of the original masters.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PP020</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PP020</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">PP024</marc:controlfield>
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            <marc:subfield code="a">EAGLES: California Nights (NTSC)</marc:subfield>
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            <marc:subfield code="a">Eagles: California Nights (NTSC) ( 01 hrs., 51 min., 29 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Eagles, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Eagles are an American rock band that was formed in Los Angelse, California in the early 1970s, having five number-one and four number-one albums, the Eagles are among the most successful recording artists of the 1970s. Two of their albums, &lt;i&gt;Eagles: Their Greatest Hits, 1971-1975&lt;/i&gt; and &lt;i&gt;Hotel California,&lt;/i&gt; ranked among the ten best-selling albums.

They are also the best-selling American group ever, with &lt;i&gt;Eagles: Their Greatest Hits, 1971-1975&lt;/i&gt; being the best-selling album in the U.S. to date.

These in-depth interviews show the many aspects that have made Eagles one of America's most loved bands.

Every effort has been made to provide the highest possible picture and sound quality allowing for the availability of the original masters.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PP024.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PP024</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PP024</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">QLDVD6023</marc:controlfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
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        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">JOHN MAYALL AND THE BLUESBREAKERS: Live at Iowa State University (NTSC)</marc:subfield>
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            <marc:subfield code="a">John Mayall and the Bluesbreakers: Live at Iowa State University (NTSC) ( 49 min., 29 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">John Mayall and the Bluesbreakers, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">John Mayall is widely acknowledged as the father of British blues having baptised a whole generation of white, British musicians and an audience who might otherwise never have discovered the blues.

Apart from having discovered - in Eric Clapton, Peter Green, and Mick Taylor - three of the most acclaimed guitarists of the rock era, his "blues school" fostered the talents of a roster of artists who have since profoundly influenced the course of Rock 'n Roll.

Mayall's new incarnation of the Bluesbreakers, officially launched in 1984, included future stars in their own right, guitarists Coco Montoya and Walter Trout and quickly proved to be as innovative and technically gifted as their peers.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/QLDVD6023.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=QLDVD6023</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/QLDVD6023</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">QLDVD6024</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BALDRY, Long John: Live at Iowa State University (NTSC)</marc:subfield>
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            <marc:subfield code="a">Long John Baldry: Live at Iowa State University (NTSC) ( 49 min., 46 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
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            <marc:subfield code="a">In 1961 Alexis Korner and Cyril Davis formed Blues Incorporated and invited Long John Baldry to join them. Two other faces from that legendary line-up were Mick Jagger and Charlie Watts.

After four decades of living, breathing and above all, playing Blues, R&amp;B and Rock &amp; Rall, Long John Baldry is an undisputed living legend. He is a testament to, and a phenomenal musician of his genre. Immensely respected by all the great names in British R&amp;B and even the pop scene, he loves his music and loves performing.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=QLDVD6024</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/QLDVD6024</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">CHICK COREA ELEKTRIC BAND: Live at Iowa State University (NTSC)</marc:subfield>
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            <marc:subfield code="a">Keyboardist Chick Corea travels between the jazz and fusion worlds with great ease, since he became part of Miles Davis' renowned electric group from 1968-'70, and then formed Return to Forever, with Stan Getz which began as a Latin-flavored group, then shifted toward electric fusion and fame.

Since the late '70s, Corea has alternated in the electric and acoustic realms with his Elektric and Akoustic Bands, recording in contexts ranging from solo and duo projects and has won eight Grammys out of 25 nominations.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=QLDVD6025</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">TOWER OF POWER: Live at Iowa State University (NTSC)</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
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            <marc:subfield code="a">The renowned horn-driven funk outfit Tower of Power has been issuing albums and touring the world steadily since the early 70s when the album &lt;i&gt;Bump City&lt;/i&gt; lit the fuse to a string of classic hit releases, including "What is Hip," "Back to Oakland," "Urban Renewal," and "In the Slot," "A'int Nothin' Stoppin' Us Now," and "In Living Color" as well as backing up a host of superstars including Elton John, Santana, Bonnie Raitt, Huey Lews, Little Feat, David Sanborn, Michelle Shocked, Paula Abdul, Aaron Neville, Aerosmith, Michael Bolton, Billy Preston, PiL, Rod Stewart and Toto.

Nonetheless, Tower of Power's tighter than a clenched fist, horn driven, in-your-face sound is all their own and they have always been a must-see live act. As a reviewer from the &lt;i&gt;Fort Worth Star Telegram&lt;/i&gt; stated recently, "If you see someone sitting still at a Tower of Power concert, don't bother checking their pulse ... they're already dead!"</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">PLATTERS AND THE COASTERS (THE) (NTSC)</marc:subfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=QLDVD6546</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/QLDVD6547</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Wynette, Tammy, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The naive farm girl who, with one of the most recognizable voices in country music, sold more than 30 million records.

No other female country singer conveyed the emotion of heartbreak like Tammy Wynette. She endeared herself to millions by singing about topics of everyday life - divorce, loneliness, parenting, passion. Her tearful singing style was the voice of every heartbreak a woman has ever known.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
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        <marc:datafield tag="700" ind1="1" ind2=" ">
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/QLDVD6587.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=QLDVD6587</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/QLDVD6587</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">QLDVD6600</marc:controlfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">TILLOTSON, Johnny: Johnny Tillotson (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Johnny Tillotson (NTSC) ( 35 min., 25 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">In 1960, Johnny Tillotson recorded an up-tempo teen number called "Poetry in Motion," which caught on quickly and went to number two in the USA and number one in the UK. Tillotson's baby-face and slight frame made him an ideal teen-idol for the early 60s, but his musical preference was country music. The self-penned country ballad called "It Keeps Right On a-Hurtin'" went to number three in the USA in May, 1962 and was nominated for a Grammy Award. The song has since been recorded by over 100 performers, including Elvis Presley. "Heartache By the Number," gave Johnny is second Grammy nomination for Best Vocal Performance and in all, Tillotson chalked up 26 charted hits between 1958 and 1965.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/QLDVD6600.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=QLDVD6600</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/QLDVD6600</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">QLDVD6604</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">WELLS, Mary: Greatest Hits (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Mary Wells: Greatest Hits (NTSC) ( 28 min., 46 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Founder of the world famous "Motown Sound," Mary Wells is considered not only one of the best female singers in the music industry; but also a vital part of the success of the prestigious label. Her intimate and assertive voice, mixed with a soulful urgency, gave Wells a distinctive sound.

On 28 July 1992, the First Lady of Motown died. She was just 49. Gone was the soft, beautiful voice of Mary Wells ... but never forgotten.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
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            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/QLDVD6604.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=QLDVD6604</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/QLDVD6604</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">QLDVD6606</marc:controlfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">VEE, Bobby: Bobby Vee (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Bobby Vee (NTSC) ( 26 min., 08 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
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            <marc:subfield code="a">From the white socks and ducktail days "Devil or Angel" was the foundation for a string of hit records throughout the entire 60s era to the high-tech digital present, Bobby Vee has continued to grow as an artist and entertainer and to enjoy a loyal following of fans and friends alike regularly touring Japan, Australia and Europe as well as the UK, where he is still a yearly visitor. His thirty-plus year recording career has produced over twenty-five albums and &lt;i&gt;Billboard Magazine&lt;/i&gt; called him, "one of the top ten most consistent chart makers ever."</marc:subfield>
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Jones recorded one of the greatest country records of all time, "He Stopped Loving Her Today," which won him single and male vocalist of the year honors from the CMA in 1980 and 1981 and a Grammy.

Despite his identification with somber songs, Jones has also shown a fondness throughout his career for lighthearted and novelty tunes such as, "White Lightning" and continuing through such frothy fare as "The Race is On" and "The One I Loved Back Then (The Corvette Song)," and it is this versatility that makes a George Jones concert such a memorable event.</marc:subfield>
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            <marc:subfield code="a">One of the few bands to have success on both the rock and pop as well as the country charts, The Nitty Gritty Dirt Band has had hit records in five different decades and has lasted longer than virtually any other country-based rock group of their era.

Younger contemporaries of the Byrds, they played an almost equally important role in the transformation from folk-rock into country-rock, and were an influence on such bands as the Eagles and Alabama and released the seminal triple album, &lt;i&gt;Will the Circle Be Unbroken,&lt;/i&gt; in January of 1973 that became a million-seller.

The band have since performed and recorded with any number of country/bluegrass crossover artists whose career paths were made easier by that first record, including John Hiatt, Mary Chapin Carpenter, and Rosanne Cash.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=QLDVD6697</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/QLDVD6697</marc:subfield>
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            <marc:subfield code="a">DAVIES, Gail: Greatest Hits (NTSC)</marc:subfield>
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            <marc:subfield code="a">Country Music International recently referred to Gail Davies as "one of the most important and influential female singer/songwriters to have been involved in country music in the past 20 years." She was the first woman to produce her own records and is cited by current divas Kathy Mattea, Susy Boggus and Pam Tillis as their role model, the person who kicked open so many of the closed doors on Music Row.

Gail began producing her own albums from 1979 on, beginning with &lt;i&gt;The Game&lt;/i&gt; on Warner Brothers Records. She sang, wrote and produced a series of successful LPs and hit singles during the 80s, which included a successful attempt to revive bluegrass music on country radio with "Blue Heartache," one of her first Top 10 hits. She delivered as series of brilliantly produced remakes of classic, hillbilly, oldies like "Are You Teasing Me," "Poison Love" and "Singing the Blues" and scored two more Top 10 Billboard hits with "I'll Be There" and "It's a Lovely, Lovely World."

An inspiring performer, Gail Davies is one of the few artists to have ever received a standing ovation at the Grand Ole Opry and has toured with a who's who of artists including George Jones, Neil Young, Willie Nelson, Carl Perkins, George Strait, Waylon Jennings and Glen Campbell.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=QLDVD6698</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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            <marc:subfield code="a">Mattea, Kathy, Artist -- Morgan, Lorrie, Artist -- Loveless, Patty, Artist -- Hobbs, Becky, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Dottie West was one of the most successful, and controversial, performers to rise to popularity during the Nashville sound era; like her friend and mentor Patsy Cline, West's battles for identity and respect within the male-dominated country music hierarchy were instrumental in enabling other female artists to gain control over the directions of their careers.

Dottie West earned her first Top 40 hit in 1963 and was the first female country artist to win a Grammy Award for the chart-topper "Here Comes My Baby"; and was followed by a string of hits including a pair of number ones with "What Are We Doin' in Love" and "A Lesson in Leavin'".</marc:subfield>
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            <marc:subfield code="a">In 1982, Alan, Wayne, Merrill, and Jay Osmond decided to change their musical direction and sound when they started singing country music. Their transition from pop to country music proved to be very successful. Billboard Magazine honored them with the 1982 Breakthrough Award and also acknowledged them as the New Singles Group of the Year. The Country Music Association recognized them with a nomination for Best New Group of the Year as well.</marc:subfield>
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            <marc:subfield code="a">In 1957 Bulova Watch Company sponsored &lt;i&gt;The Frank Sinatra Show,&lt;/i&gt; a variety show airing on Friday nights starring Frank Sinatra and broadcast on The ABC Television Network.

This show was taped in November 1957. The special guests are Dagmar, comedians Tim Herbert and Don Saxon, Eileen Barton, pianist Joey Bushkin and June Hutton. This programme is remastered from the archive tape of the broadcast, and is the original broadcast including the sponsor's promotional segments. Whilst the quality of reproduction may not meet modern technological standards, it is a rare record of three of the most popular performers of the twentieth century performing together.</marc:subfield>
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            <marc:subfield code="a">Ørsted Pedersen, Niels-Henning, Artist -- Egilsson, Arni, Artist -- Darling, Wayne, Artist -- Not Applicable, na, Composer</marc:subfield>
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Folk singers may be of an ilk that rarely goes multi-platinum, but their work truly resonates with people of all walks of life, and their legacy is astounding.

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Rock-a-Billy, Country, and Bluegrass all came from the simple form of story telling by music and modern Country and Western music has its roots in the folk songs of the rural south and the cowboy music popularized by the singing cowboys of the 30s, 40s and 50s. Moving from the rural areas it found a home on the radio nationwide predominantly from Nashville on the Grand Ole Opry finding a broader audience as Country Music began to move from "hillbilly music" to the more sophisticated and polished form that exists today.

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Blues and ragtime, along with a rich local brass band tradition and many other influences, came together in early 1900s in New Orleans, Louisiana, to create a new type of music called Dixieland jazz, also known as traditional jazz or New Orleans jazz. As jazz gained in popularity, it spread north from New Orleans to Chicago, New York, Kansas City, and across the Midwest to California.

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From reggae to rumba, jazz to juju, Gospel is now expressed in as many ways as there are music genres. The only consistent thread is that it carries a Christian "good news" message and remains defined by the influence of Christian expression in black music.

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Director David Pountney delivers an uncommonly riveting production by staging the clash of virtue and immorality in a simple, archaic, yet wondrously luminous set reminiscent of an ancient Greek theater. The coproduction with the Gran Teatre del Liceu of Barcelona is given musical shape by the Wiener Symphoniker, who "rise above themselves" (Opernwelt) under Sir Mark Elder. Scott Hendricks gives a powerful rendition of the title hero. Will Hartmann and Olga Pasichnyk shine as the shepherd and the king's wife.</marc:subfield>
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            <marc:subfield code="a">Conductor Nikolaus Harnoncourt's special wish for the Haydn anniversary year and for his 80th birthday was a production of Joseph Haydn's &lt;i&gt;Il Mondo della Luna&lt;/i&gt; of 1777. With this exuberant staging by Tobias Moretti from Vienna's Theater an der Wien, Harnoncourt's wish was spectacularly fulfilled. Contributing to the success of the production are a fine cast of physically and vocally agile singers and the rousing orchestral accompaniment of Harnoncourt's own ensemble, the Concentus Musicus Wien.</marc:subfield>
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            <marc:subfield code="a">"The cast is a dream team", wrote the &lt;i&gt;Financial Times&lt;/i&gt; after the premiere of this production of Verdi's &lt;i&gt;La forza del destino&lt;/i&gt; at the Wiener Staatsoper. At the top of the list is soprano Nina Stemme, who gives a full-blooded portrayal of Leonora. Passionate, forceful readings are also provided by Salvatore Licitra as Alvaro, Leonora's lover, and by Carlos Alvarez as Don Carlo, Leonora's vengeful brother. Zubin Mehta leads the Staatsoper Orchestra with agility, subtleness and relaxed mastery. Director David Pountney establishes the randomness of fate at the outset in a video depicting a butterfly flapping its wings and setting fortune's wheel into motion.</marc:subfield>
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            <marc:subfield code="a">LANG LANG AT SCHONBRUNN, 2008 (NTSC)</marc:subfield>
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            <marc:subfield code="a">Oberon, J. 306: Overture (NTSC) ( 00 sec. ) / Weber -- Piano Concerto No. 2 in F Minor, Op. 21 (NTSC) ( 00 sec. ) / Chopin -- Symphony No. 5 in C Minor, Op. 67 (NTSC) ( 00 sec. ) / Beethoven -- Leichtfussig (NTSC) ( 00 sec. ) / Hellmesberger Jr. -- Ohne Bremse, Op. 238 (NTSC) ( 00 sec. ) / Strauss -- 19 Hungarian Rhapsodies, S244/R106: No. 2 in C-Sharp Minor (NTSC) ( 00 sec. ) / Liszt -- Polonaise No. 6 in A-Flat Major, Op. 53, "Heroic" (NTSC) ( 00 sec. ) / Chopin</marc:subfield>
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            <marc:subfield code="a">Mehta, Zubin, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Lang, Lang, Artist -- Chopin, Fryderyk, Composer -- Beethoven, Ludwig van, Composer -- Weber, Carl Maria von, Composer -- Liszt, Franz, Composer -- Hellmesberger Jr., Joseph, Composer -- Strauss, Eduard, Composer</marc:subfield>
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            <marc:subfield code="a">Lang Lang, Zubin Mehta, the Wiener Philharmoniker – the only thing that could make an outdoor orchestral concert more attractive would be a spectacular venue, such as a majestic Baroque palace. And here it is: Vienna's Schonbrunn Palace, with its brightly lit facade on a resplendent summer evening! Held the day before the final match of the Euro 2008 football championship, this concert rallied both football fans and music lovers to Vienna's most beautiful imperial palace. 

At 26, Lang Lang is already considered as one of the top pianists in the world. He made his international breakthrough at the age of 17, and has since been performing with all major orchestras and leading conductors. In this concert, the young Chinese artist – the "pop star" of the international piano elite – dazzled his way into the hearts of the audience with his rendition of Chopin's Piano Concerto No. 2. "His mighty, lightning-fast finger acrobatics were virtuoso and technically perfect – amazing to the eyes and ears." (Wiener Zeitung) 

Conductor Zubin Mehta, who had warmed up the Wiener Philharmoniker with Weber's &lt;i&gt;Oberon Overture&lt;/i&gt; before tackling the Chopin, led his musicians in a rousing performance of Beethoven's Fifth Symphony after the intermission. Now crisply outlined against the dark-blue sky, Schonbrunn Palace transformed itself into an expressive backdrop for Beethoven's dramatic symphonic masterpiece. The excitement was not over with the last chord, however, as Lang Lang returned to give several encores, including Chopin's &lt;i&gt;A-flat major Polonaise,&lt;/i&gt; which "roused the audience to rapturous standing ovations." (Wiener Zeitung)</marc:subfield>
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            <marc:subfield code="a">SPOERLI, Heinz: Dance and Quartet (Zurich Ballet / Salzburg Festival, 2012) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Lettres intimes (Zurich Ballet, 2012) (NTSC) ( 00 sec. ) / Not Applicable -- In Spillville (Zurich Ballet, 2012) (NTSC) ( 00 sec. ) / Not Applicable -- Der Tod und das Madchen (Zurich Ballet, 2012) (NTSC) ( 00 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Hagen Quartet, Ensemble -- Zurich Opera House Ballet, Ensemble -- Mehrabyan, Arsen, Artist -- Spoerli, Heinz, Artist -- Kim, Seh Yun, Artist -- Brodbeck, Sarah-Jane, Artist -- Mikayelyan, Tigran, Artist -- Han, Yen, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">A singular project is staged at the Salzburg Festival with the famous Felsenreitschule as a backdrop: for the first time the renowned Hagen Quartet appears at the festival accompanied by a dance company. The Swiss grand master of dance Heinz Spoerli presents three works he choreographed for his Zurich Ballet set to three of the great works of the quartet literature: Leos Janacek's string quartet "Intimate Letters", Antonin Dvorak's "American Quartet" and Franz Schubert's string quartet "The Death and the Maiden".</marc:subfield>
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            <marc:subfield code="a">Le nozze di Figaro (The Marriage of Figaro), K. 492 (Studio Production, 1976) (NTSC) ( 03 hrs., 03 min., 11 sec. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Freni, Mirella, Artist -- Te Kanawa, Kiri, Artist -- Prey, Hermann, Artist -- Begg, Heather, Artist -- Böhm, Karl, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Ewing, Maria, Artist -- Perry, Janet, Artist -- Kesteren, John van, Artist -- Montarsolo, Paolo, Artist -- Kraemmer, Hans, Artist -- Fischer-Dieskau, Dietrich, Artist -- Caron, Willy, Artist -- Mozart, Wolfgang Amadeus, Composer -- Da Ponte, Lorenzo, Lyricist</marc:subfield>
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            <marc:subfield code="a">Few conductors have mastered the fluidity of melodic control, the rhythmic drive and the dramatic characterization of Mozart's operas to the extent of Karl Bohm. This production, filmed in London in 1976, abounds in splendid singers, all of whom give performances of the highest vocal and dramatic distinction: Hermann Prey is the definitive Figaro, charming in his vigorous self-confidence; Mirella Freni's Susanna is a personification of innocence and beauty; Kiri Te Kanawa's Countess is a touching portrait of wronged womanhood; Dietrich Fischer-Dieskau's Count is a deceitfully flirtatious despot; and Maria Ewing's Cherubino is a passionate study of adolescent naivety. Bohm's wonderfully supple conducting reflects his lifelong devotion to Mozart. Jean-Pierre Ponnelle's direction perfectly translates the polished stylishness and the beauty and warmth of Bohm's musical direction into scenes and character portrayals of luminous naturalness.</marc:subfield>
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            <marc:subfield code="a">JOE LOVANO NONET: Live in Paris, 2001 (NTSC)</marc:subfield>
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            <marc:subfield code="a">Tenor saxophone great Joe Lovano plays "with a balance of imaginative abandon and technical control that has not been heard since John Coltrane," says &lt;i&gt;Downbeat&lt;/i&gt; magazine. Lovano's recordings are consistently at the top of critics' end-of-the-year "Best of" lists (including his Grammy-winning &lt;i&gt;52nd Street Themes).&lt;/i&gt; Touring with his nine-piece ensemble - the previous much celebrated nonet in jazz history was the one Miles Davis formed for his legendary &lt;i&gt;Birth of the Cool&lt;/i&gt; - Lovano has found the perfect vehicle in this "little-big band" format, striking a balance between the powerful sound of a large ensemble and the intimacy of the solo-oriented small combo. Each of his Nonet performances at the New Morning - such as this 2001 show featuring the late John Hicks - has been an unforgettable experience for his countless French fans.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/INAK6459.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
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            <marc:subfield code="a">Groove, according to legendary pianist Monty Alexander - a man who knows what it's all about - is "the irresistible inner movement of music" and, he insists, all beings "groove," even insects! Himself an engaging master of the the exuberant art of groove, Gil Scott-Heron developed an acute interest in African-American literature at the age of 13. Encouraged by writer Langston Hughes, one of the driving forces behind the Afro-centrism of the sixties, he put his first texts to music. He tried his hand at the keyboard in rock groups and published &lt;i&gt;The Nigger Factory.&lt;/i&gt; His music and lyrics, part poetic, part political, which denounces the repressive violence exerted on African-Americans by society in the U.S., soon made him the cult hero of the elite of rap and hip-hop musicians throughout the world. To the delight of the New Morning public in 2001, this rebellious storyteller overcame many twists of fate to become, over the years, one of the greatest voices in the soul tradition.</marc:subfield>
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            <marc:subfield code="a">AL FOSTER QUINTET: Live in Paris, 2007 (NTSC)</marc:subfield>
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            <marc:subfield code="a">People in the know say that Al Foster was the only true friend Miles Davis ever had. Here's what the Prince of Silence wrote about him: "For what I wanted in a drummer, Al had all of it. He knocked me out because he had such a groove. That was the kind of thing I was looking for. Al could set it up for everybody else to play off and just keep the groove going forever." As a member of Miles' band for thirteen years, Al also shared his instrumental mastery and rhythmic chops with pianist Bill Evans, Dexter Gordon, Chick Corea, George Benson, Wayne Shorter - just to mention only a handful of the jazz giants he performed with. In 2007, it was a great honor for the New Morning to welcome Al's stellar Quintet featuring pianists Aaron Goldberg and George Colligan, saxophonist Eli Degibri, bassist Doug Weiss and trumpeter Eddie Henderson. To his innumerable fans, there is no doubt that very few musicians are as totally synonymous with the highest standards in jazz and groove today as Al Foster.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6467</marc:subfield>
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            <marc:subfield code="a">MONTY ALEXANDER TRIO: Live in Paris, 2001 (NTSC)</marc:subfield>
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            <marc:subfield code="a">Monty Alexander Trio, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">This magical concert from the New Morning in 2001 finds the magnificent Monty Alexander accompanied by Bobby Thomas, Jr. and Hassan W. Shakour. The life and career of pianist Monty Alexander is a dream come true. Born in Kingston, Jamaica, on D-Day, this formidably gifted and happy child prodigy soon directed his feet to the sunny side of the street, like Louis "Satchmo" Armstrong, his first hero, sang. His lucky star showed up before he was twenty years old, when Frank Sinatra produced him in that temple of fifties and sixties pop music, Jilly's Bar in New York. After Ray Brown invited Monty to sit in, he was ready to go. He never looked back. Monty's swing and lyricism inspired such giants as Milt Jackson, Clark Terry, Dizzy Gillespie and a whole pantheon of stars, who he accompanied to the four corners of the Earth - in the course of an exemplary musical journey both as monster pianist and subtle composer. These days, younger at heart as ever, he revisits Randy Weston and Bob Marley for an irresistible return to his Jamaican roots.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6468DVD</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/INAK6468DVD</marc:subfield>
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            <marc:subfield code="a">AUTOUR DU BLUES, LARRY CARLTON AND ROBBEN FORD: Live in Paris, 2006 (NTSC)</marc:subfield>
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            <marc:subfield code="a">Ford, Robben, Artist -- Carlton, Larry, Artist -- Autour du Blues, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6469DVD</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/INAK6469DVD</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">MIKE STERN BAND: Live in Paris, 2008 (NTSC)</marc:subfield>
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            <marc:subfield code="a">Mike Stern Band: Live in Paris, 2008 (NTSC) ( 01 hrs., 57 min., 27 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Mike Stern Band, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Senior Jazz columnist Mike Zwerin who's been in and out of the Jazz Galaxy says it like this: "Mike Stern is one of the best electric guitarists of his generation." This has never been more obvious than in the extraordinary concert the four-time Grammy nominee gave in the spring of 2008 to a mesmerized New Morning audience. At the peak of his inspiration, improvising past all musical genres, Mike - superbly backed this time by brilliant drummer Dave Weckl, soulful tenor saxophonist Bob Franceschini and incredible bassist Tom Kennedy - takes his fans along into a journey of pure musical delight. Not a surprise that mike concluded the evening by confiding: "I don't want to stop! They'll probably have to wheel me off the stage."</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6471-1DVD</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/INAK6471-1DVD</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">INAK6474</marc:controlfield>
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            <marc:subfield code="a">LIVING COLOUR: Live in Paris, 2007 (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Living Colour: Live in Paris, 2007 (NTSC) ( 01 hrs., 47 min., 34 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Living Colour, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">For their millions of fans around the world, Living Colour needs no introduction: Vernon Reid, Will Calhoun, Doug Wimbish and Corey Glover are among the leading New York musicians who helped break down the doors leading to a renewed musical landscape in the 80s. They're one of the very few groups - if not the first and only one - that can be coined as authentic sons of Jimi Hendrix. This is obvious in the intense concert these masters of groove gave at the New Morning in 2007. A treat for all connoisseurs aware of the fact that Living Colour's groundbreaking music is most impressive when performed in the intimate heat of a club.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/INAK6474.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6474</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/INAK6474</marc:subfield>
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        <marc:controlfield tag="001">INAK6479-1DVD</marc:controlfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">OSCAR PETERSON TRIO: The Stuttgart Concert (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Oscar Peterson Trio: The Stuttgart Concert ( 01 hrs., 24 min., 15 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Oscar Peterson Trio, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">When Oscar Peterson was 14 years old, his piano teacher, Paul de Marky, left him with a statement which would govern his life: "Respect the instrument. Make it sound as if it loves you. Then it will love you." When Oscar Peterson caresses the keys, this love becomes tangible. He becomes one with the instrument, and his improvisations are characterised by vigour and elegance, his infinite fantasy and his overwhelming delight in sound and melodies. Playing is like speaking, Peterson once said: "You need a clear, distinct voice and a large vocabulary." Both this, as well as his virtuosity, made the Canadian one of the most significant, and popular, jazz musicians of all time. He was awarded seven Grammy Awards between 1975 and 1991; and of the other awards he received, the Glenn Gould Prize (1993) and the Praemium Imperiale from the Japan Art Association (1999) are the most eminent. The concert held at the ZDF JazzClub in Stuttgart was played by Oscar Peterson together with the drummer Kenny Drew and the double bass player Dave Young. Their collaboration had begun in 1974. For Drew, who was British, it lasted until 2004, while the Canadian Young was a regular member of Peterson's trio for 25 years. Jazz classics, including a medley with five compositions from Duke Ellington's repertoire, form the core of the concert. And among the four compositions by Peterson himself, there is one which is particularly enchanting, the wonderful "Love Ballade."</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/INAK6479-1DVD.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6479-1DVD</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/INAK6479-1DVD</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2u 4500</marc:leader>
        <marc:controlfield tag="001">INAK6501-1DVD</marc:controlfield>
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            <marc:subfield code="a">OHNE FILTER: Joe Cocker in Concert (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Ohne Filter: Joe Cocker in Concert (NTSC) ( 56 min., 37 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">DVD</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">OHNE FILTER: Marcus Miller in Concert (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Ohne Filter: Marcus Miller in Concert (NTSC) ( 56 min., 43 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Miller, Marcus, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">DVD</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">http://univportal.naxosvideolibrary.com/title/INAK6502-1DVD</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2u 4500</marc:leader>
        <marc:controlfield tag="001">INAK6503DVD</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">707787650373</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">OHNE FILTER: Walter Trout in Concert (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
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            <marc:subfield code="a">OHNE FILTER: Robben Ford and the Blue Line in Concert (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Marcia Ball, Angela Strehli and Sarah Brown are each natural musical talents in their own right, and together they are an unstoppable trio of Texas blues. In an exciting show, they whip up a storm of explosive blues-rock, steamy swamp soul and sparkling folk sound. It's the southern sound at its best.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/INAK6525DVD</marc:subfield>
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            <marc:subfield code="a">The man they call the Master of the Telecaster, or the Iceman, was already one of the biggest US blues stars in the sixties with his funky, jangly guitar sounds. Albert Collins was one of Jimi Hendrix's idols and has since been asked to collaborate in the studio with John Lee Hooker and Gary Moore. On stage, the Texan delighted his audiences with his famed guitar walks.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/INAK6526DVD.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6526DVD</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/INAK6526DVD</marc:subfield>
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            <marc:subfield code="a">The American label Go Jazz, which specializes in Jazz, Fusion, and Blues, takes its artists' ideas seriously. The company's founder Ben Sidran, himself a successful musician, regularly gathers the best of his team to form a touring band. The Go Jazz All-Stars - with the talented British show singer Georgie Fame - guarantee a clever mix of entertainment and virtuoso performance.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6528DVD</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/INAK6528DVD</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">OHNE FILTER: Terence Trent D'Arby in Concert (NTSC)</marc:subfield>
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            <marc:subfield code="a">In 1987, he brought out his debut album, &lt;i&gt;Introducing the Hardline&lt;/i&gt; and was celebrated as the new prince of pop, and since then Terence Trent D'Arby has known what he owes his fans. The charismatic singer, who changed his name to Sananda Maitreya in 2001, has an impressive stage presence with catchy rhythms, funky sounds and above all his brilliant, soulful voice - a unique mixture of rock, soul, funk and gospel.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6530DVD</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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            <marc:subfield code="a">The music of Roy Ayers combines hot R&amp;B, cool, smooth jazz and popular soul sounds. A master of the vibraphone, he is rightly known as the "godfather of groove," and proves it every time he goes on stage. He excites his audiences with the help of seasoned professionals, young and old, with incendiary rhythms, elegant melodies and sparkling improvisations.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/INAK6537.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6537</marc:subfield>
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            <marc:subfield code="a">His smooth, funky guitar sound means Phil Upchurch is an immensely popular session musician, with the stars of jazz, blues, soul and pop ballads beating a track to his door. And when the man from Chicago tours his own material on stages around the world, he is greeted with enthusiasm wherever he goes - and no wonder, because Phil Upchurch's playing is not just skillful and refined, but also always fresh, lively and dynamic, with an enticing melodic touch.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6538</marc:subfield>
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            <marc:subfield code="a">OHNE FILTER: Johnny "Guitar" Watson in Concert (NTSC)</marc:subfield>
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            <marc:subfield code="a">He was a passionate, grass-roots blues man, a glamorous funkateer, an innovative studio artist and a gifted entertainer. Johnny "Guitar" Watson, who died far too young during a comeback tour of Japan in 1996, electrified audiences all over the globe with his musical diversity, funky and imaginative guitar work and his cool, seductive voice. This "unfiltered" live recording documents one of the super-talented Texan's greatest concerts.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6539DVD</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/INAK6539DVD</marc:subfield>
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            <marc:subfield code="a">OHNE FILTER: Albert Collins and the Icebreakers (NTSC)</marc:subfield>
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            <marc:subfield code="a">Albert Collins, the man they call the Master of the Telecaster, or the Iceman, was already one of the biggest U.S. Blues stars of the sixties. On stage, the Texan delighted his audiences with his famed guitar walks and his funky, jangly guitar sounds. In this 1985 concert, the master welcomes a very special guest, Southside Johnny. This is a truly legendary Blues meeting.</marc:subfield>
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            <marc:subfield code="a">The Yellowjackets are unique. Fusion music has preserved their vitality and charm. To their credit, this band from California, who captured the music scene at the beginning of the eighties, has produced one hit after another ever since. When keyboard maestro Russell Ferrante, ace bass player Jimmy Haslip, saxophonist star Bob Mintzer and drum dervish Will Kennedy get together live, then pop fans are as impressed as jazz lovers. The passion that exudes from these four virtuosos and flows through the amazing solos is inspiring and brings subtle studio music to life on stage.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6542DVD</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/INAK6542DVD</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">SOLOS: The Jazz Sessions: Gonzalo Rubalcaba (NTSC)</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD4964D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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        <marc:datafield tag="856" ind1="4" ind2="1">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD4965D</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Jamdown (NTSC) ( 01 hrs., 09 min., 36 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Jamdown&lt;/i&gt; takes you on a journey back to 1980, straight into the heart of the Jamaican reggae scene, following the legendary reggae artists Toots Hibbert and The Congos. The film, shot in 1980, had a limited release in France and therefore remained undiscovered by the rest of the world. Since its initial release, &lt;i&gt;Jamdown&lt;/i&gt; has become what reggae footage collectors often refer to as "the holy grail of reggae films" due to its rarity and the difficulty in finding an original copy of the film.

This video contains some of the only known early footage of The Congos, performing tracks from the &lt;i&gt;Images of Africa&lt;/i&gt; album and the legendary &lt;i&gt;Heart of the Congos&lt;/i&gt; LP, which was produced by Lee Perry at the Black Ark studios at the height of their career.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD4992D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD4992D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD4992D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD4998D</marc:controlfield>
        <marc:controlfield tag="005">20230831061911.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc jzz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">760137499893</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137499893</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">ALL THAT JAZZ: From New Orleans to New York (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">All That Jazz: From New Orleans to New York (NTSC) ( 01 hrs., 49 min., 13 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">It came out of the dark heart of America, the aura, the smoke-filled essence of jazz, the music of joy, abandon, yearning. New cadences, accents, pulsations. Nights of improvisation and hot rapturous jazz found its was to New York's 52nd Street, Swing Street, the mecca, featuring the soul of this jazz, its voices, its prophets, its players.

The &lt;i&gt;All That Jazz&lt;/i&gt; series, compiled from historical archival footage, animated photography and original music, chronicles the evolution of jazz from its roots in the 19th century to the new millennium, exploring the creation, development and fusion of the music styles and all the artists who created the unique sound that is jazz.

&lt;i&gt;All That Jazz, From New Orleans to New York,&lt;/i&gt; is an anthology of jazz music which prior to the popular swing era of the 1930s and 40s is often referred to as "early jazz." Through its origins before the turn of the 20th century, jazz had evolved from a regional music, central to New Orleans and its surrounding, to a musical style at the forefront of national and international popular music by the 1930s and 1940s.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Jazz</marc:subfield>
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        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD4998D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD4998D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD4998D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5010D</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc jzz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">760137501091</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137501091</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">SOLOS: The Jazz Sessions: John Abercrombie (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Solos: The Jazz Sessions: John Abercrombie (NTSC) ( 48 min., 01 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Abercrombie, John, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;SOLOS: The Jazz Sessions&lt;/i&gt; spotlights unaccompanied performances by some of the legends and bright young stars of the jazz world. Designed and recorded specifically for television, &lt;i&gt;SOLOS&lt;/i&gt; offers viewers front row seats for an intimate and unique jazz experience. Each program features complete musical pieces, insightful interviews, and behind-the-scenes footage.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Jazz</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5010D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5010D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5010D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5011D</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">760137501199</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137501199</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">SOLOS: The Jazz Sessions: Greg Osby (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Solos: The Jazz Sessions: Greg Osby (NTSC) ( 52 min., 30 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Osby, Greg, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;SOLOS: The Jazz Sessions&lt;/i&gt; spotlights unaccompanied performances by some of the legends and bright young stars of the jazz world. Designed and recorded specifically for television, &lt;i&gt;SOLOS&lt;/i&gt; offers viewers front row seats for an intimate and unique jazz experience. Each program features complete musical pieces, insightful interviews, and behind-the-scenes footage.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Jazz</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5011D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5011D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5011D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5012D</marc:controlfield>
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            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5012D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5012D</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5012D</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5032D</marc:controlfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137503293</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">SPECIALS (THE): 30th Anniversary Tour (NTSC)</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
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        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
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            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5032D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5032D</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5032D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137504092</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">SOLOS: The Jazz Sessions: Steven Bernstein (NTSC)</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bernstein, Steven, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Jazz</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5040D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5040D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5040D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5041D</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">760137504191</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">SOLOS: The Jazz Sessions: Bill Frisell (NTSC)</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Frisell, Bill, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5041D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5041D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5041D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5047D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5047D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5071D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5071D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5075D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5075D</marc:subfield>
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            <marc:subfield code="a">SOLOS: The Jazz Sessions: Erik Friedlander (NTSC)</marc:subfield>
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        </marc:datafield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5077D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5077D</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Living Legend&lt;/i&gt; presents the story of Eli Canfield (Earl Owensby), a country-rock legend who has fallen victim to the pitfalls of superstardom - a failed marriage, addiction, living up to an image, and an unclear vision as to who his true friends are. When Eli's new love interest (Ginger Alden) meets with the disapproval of his unscrupulous and manipulative manager (William T. Hicks), tragedy results, and Eli realizes what he must do to not only save his new relationship but also his life; and he does so in a dramatic way.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;SOLOS: The Jazz Sessions&lt;/i&gt; spotlights unaccompanied performances by some of the legends and bright young stars of the jazz world. Designed and recorded specifically for television, &lt;i&gt;SOLOS&lt;/i&gt; offers viewers front row seats for an intimate and unique jazz experience. Each program features complete musical pieces, insightful interviews, and behind-the-scenes footage.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5116D.jpg</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5116D</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5116D</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5126D</marc:controlfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GREAT WHITE: Live and Raw (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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        </marc:datafield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Great White: Live in Modesto, California (NTSC) ( 01 hrs., 18 min. ) / Not Applicable -- Great White: Live in Irvine, California (NTSC) ( 01 hrs., 49 min., 52 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Great White, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This southern California blues-rock band first took a bit out of the rock scene in 1984 and has never let go. Great White has achieved worldwide success, encompassing sales of over six million records. They received a Grammy Award nomination for Best Hard Rock Performance of the song "Once Bitten, Twice Shy" and earned double-platinum certification for the album &lt;i&gt;... Twice Shy.&lt;/i&gt; The two California appearances from the band's '90s era U.S. tours presented here were hand-selected by the band for this release. As evidenced by their razor-sharp performances, the constant touring that typified these musical icons had prepared the band to flex their muscles at any given moment in any given city!</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock</marc:subfield>
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        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5126D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5126D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5126D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5165D</marc:controlfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137516590</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GILLESPIE, Dizzy: Dream Band: Jazz America (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Dizzy Gillespie Dream Band: Jazz America (NTSC) ( 01 hrs., 29 min., 24 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Gillespie, Dizzy, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">In 1982, the master showman Dizzy Gillespie performed at Lincoln Center with his celebrated Dream Band, which brought together master musicians who had played with Dizzy or been influenced by him. The concert itself is filmed beautifully with many close-ups of the players and their instruments, as well as catching the love and humor of Dizzy.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Jazz</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5165D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5165D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5165D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5166D</marc:controlfield>
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            <marc:subfield code="a">760137516699</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GILLESPIE, Dizzy: In Redondo (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Dizzy Gillespie: In Redondo (NTSC) ( 59 min., 38 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Gillespie, Dizzy, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Jazz</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5166D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5166D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5166D</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5167D</marc:controlfield>
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            <marc:subfield code="a">760137516798</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">MULLIGAN, Gerry: Jazz America (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Gerry Mulligan: Jazz America (NTSC) ( 59 min., 13 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5167D</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5168D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5168D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5168D</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">CUBA: Island of Music (NTSC)</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5170D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5170D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5170D</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">ALL STAR JAZZ SHOW (NTSC)</marc:subfield>
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            <marc:subfield code="a">Originally broadcast as "The Original Rompin' Stompin' Hot and Heavy, Cool and Groove All Star Jazz Show" on CBS television in 1977, this video from filmmaker Gary Keys contains performances from Lionel Hampton, Count Basie, Dizzy Gillespie, Herbie Hancock, Max Roach, Stan Getz, Gerry Mulligan, Joe Williams, and more. The Witty and informative program traces the birth of jazz from spirituals all the way to the wild sounds of the '70s via live performance, dance and narration.</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5178D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5178D</marc:subfield>
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            <marc:subfield code="a">STYLISTICS (THE): Live in Norfolk, 2005 (NTSC)</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
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            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5206D.jpg</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5206D</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5206D</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5209D</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">SIMS, Zoot: In a Sentimental Mood (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Herewith yet another treasure from the Sonet archive - a concert by a highly accomplished and superbly compatible Zoot Sims Trio, recorded in the library of the Sonet headquarters building in Lidingo, Sweden, on 21 November 1984 - just four months before Zoot died, at the age of 60.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Jazz</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5209D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5209D</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5209D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BLUES AND THE ALLIGATOR (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">When Bruce Iglauer dropped out of college and moved from Cincinnati to Chicago back in 1971, he just wanted to be near his favorite Blues artists. He never dreamed he'd wind up starting what was to become the biggest Blues recording company in the world.

Like many of his peers of the 1960s, Bruce was deep into folk music. But when he heard Blues Music for the first time at a folk festival, the directness of the music, the intensity of emotion, reached out and grabbed him.

For a folkie turned Blues freak, Chicago was definitely the place to go. Chicago was - and still is - the Blues capital of the world. The US city with the largest black population in America, people who left the cotton fields of Mississippi Delta to find work up north, bringing their music with them. Bruce's company - Alligator Records - may be small by recording industry standards, but it's a giant when it comes to Blues.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5210D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5210D</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5210D</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">BAKER, Chet: Candy (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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        </marc:datafield>
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            <marc:subfield code="a">video</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Chet Baker: Candy (NTSC) ( 54 min., 56 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
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            <marc:subfield code="a">This is a long-unavailable video of Chet Baker playing a relaxed session in the Sonet Record library in Lidingo, Sweden, with the highly compatible support of French pianist Michel Graillier and Belgian bassist Jean-Louis Rassinfosse.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5211D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5211D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5212D</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">RENDEZ-VOUS IN RIO (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
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        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Rendez-vous in Rio (NTSC) ( 42 min., 16 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Thielemans, Toots, Artist -- Sivuca, Artist -- Vrethammar, Sylvia, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This video features two phenomenal instrumental virtuosi - Belgian harmonica wizard Toots Thielemans and Brazil's brilliant accordionist, Sivuca - plus Sweden's internationally acclaimed singer, Sylvia Vrethammar, in an exuberant session.

Inspired by the uniquely festive Rio atmosphere and stimulated by the support of some of Brazil's finest musicians, these three outstanding artists deliver a programme of great variety and vitality with immense verve and commitment.

Although the three principal artists come from very disparate musical backgrounds, they perform with great compatibility and with very evident enthusiasm.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Jazz</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5212D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5212D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5212D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5213D</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">760137521396</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137521396</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">PARIS REUNION BAND: For Klook (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Paris Reunion Band: For Klook (NTSC) ( 39 min., 40 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Paris Reunion Band, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The Paris Reunion Band, which came into being in 1984, was a celebration of the Paris jazz scene of the 1960s and was also a respectful salute to Klook, who was originally to have been featured with the band. His death in January 1985 represented an immense loss to jazz and was a severe blow to the other PRB musicians. BUt with the total agreement of Kenny's widow, Daisy, it was decided that the project would continue with Billy Brooks - a drummer of whom Klook very much approved - handling all percussion duties.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Jazz</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5213D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5213D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5213D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5214D</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">760137521495</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137521495</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">CARTER, Benny: All-Stars (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Benny Carter All-Stars (NTSC) ( 34 min., 24 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Carter, Benny, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This is a veritable treasure from the Sonet archives - the legendary Benny Carter playing an informal, hugely swinging session with an all-star group. It presents The King at his superlative best.

Backed by Nat Adderley on trumpet, Red Norvo on vibraphone, Horace Parlan on piano, Red Mitchell on bass and Ronnie Gardiner on drums, Benny Carter leads this lively sextet through a memorable programme of standards from the Great American Songbook plus the jazz classics "Work Song" and "Lover Man." The musicians on the session are clearly inspired by Benny's leadership and brilliant musicianship.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Jazz</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5214D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5214D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5214D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5219D</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">760137521990</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137521990</marc:subfield>
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        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">EMERSON, LAKE AND PALMER: 40th Anniversary Reunion Concert (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Emerson, Lake and Palmer: 40th Anniversary Reunion Concert (NTSC) ( 02 hrs., 07 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Emerson, Lake and Palmer, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a"></marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5219D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5219D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5219D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5231D</marc:controlfield>
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            <marc:subfield code="a">760137523192</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137523192</marc:subfield>
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        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">EUROPE: Live at Shepherd's Bush, London, 2011 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5231D</marc:subfield>
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            <marc:subfield code="a">Through an online contest, six fans were selected to film Dinosaur Jr. performing &lt;i&gt;Bug&lt;/i&gt; in its entirety at the 9:30 Club in Washington DC, June 2011. Experience the fans' joy as they witness a classic performance and meet their heroes face to face in an exclusive interview with the band. Under the awesome direction of Dave Markey, &lt;i&gt;In the Hands the Fans&lt;/i&gt; brings the fans closer to the band and the music closer to you.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5260D.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5260D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5260D</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;SOLOS: The Jazz Sessions&lt;/i&gt; spotlights unaccompanied performances by some of the legends and bright young stars of the jazz world. Designed and recorded specifically for television, &lt;i&gt;SOLOS&lt;/i&gt; offers viewers front row seats for an intimate and unique jazz experience. Each program features complete musical pieces, insightful interviews, and behind-the-scenes footage.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5269D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5269D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5269D</marc:subfield>
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            <marc:subfield code="a">SWING ERA (THE) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Jazz began to "swing" as musicians began to adopt swing eighths, the string bass, high hat cymbals, and a looser, more rhythmic feeling. This change occurred gradually starting in the 1920s notably with Louis Armstrong, and continued on into the 1940s. A lot of the music that came out of this period was played by bands of ten musicians or more. Because of this, the swing era is alos often known as the big band era.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5286D</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">HOOKER, John Lee: Cook with the Hook: Live in 1974 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Cook With the Hook: Live in 1974 (NTSC) ( 44 min., 49 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Hooker, John Lee, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">On 6 July 1974, Mississippi-Delta bluesman John Lee Hooker was one of the star attractions at an all-day festival attended by 600 people. The Gardner, Massachusetts event was called &lt;i&gt;Down in the Dumps,&lt;/i&gt; perhaps the first in what was proposed as a series of musical events to be held in the city landfill area. Luckily, very luckily, Hooker's performance was captures on a three-camera shoot and locally broadcast.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5302D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5302D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5302D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5311D</marc:controlfield>
        <marc:controlfield tag="005">20230831061819.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">760137531197</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137531197</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BLUEGRASS SKYLINE (35th Anniversary Edition) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Bluegrass Skyline (35th Anniversary Edition) (NTSC) ( 29 min., 29 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">As always, there were a few freaks around who refused to latch onto the latest trends that passed them by. &lt;i&gt;Bluegrass Skyline&lt;/i&gt; is about some of those New Yorkers and others who got together down at the lower end of Manhattan at the South Street Seaport - long before it was gentrified and commercialized. These musicians and their friends gathered at the Seaport in the summer of 1975 for a Bluegrass and Old Time Country Music Festival.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5311D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5311D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5311D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5318D</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">760137531890</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137531890</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BLUEGRASS ROOTS (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Bluegrass Roots (NTSC) ( 59 min., 38 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This film was made in 1964 for National Public Television. It's considered the very first film to look at bluegrass music and the people who made it famous. The film has been purchased by the Library of Congress and is considered an American classic. Many songs and dances are presented in addition to Appalachian Mountain storytelling and more. Wonderfully entertaining and great history.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5318D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5318D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5318D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5319D</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">760137531999</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137531999</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">ROOTS OF BLUEGRASS (THE): The Complete Bascom Lamar Lunsford Story (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
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        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Complete Bascom Lamar Lunsford Story (NTSC) ( 52 min., 39 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Lunsford, Bascom Lamar, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Bascom Lamar Lunsford started it all. This film tells his story and includes music, clog and square dancing, never before seen footage from Southern musicians, as well as Bluegrass and Mountain music legends.

Lunsford spent his life hunting down the songs, dances and unknown performers of the Appalachian region. He fought to bring dignity to "hillbilly music" and this made him a folk hero. He recorded thousands of songs for the Smithsonian. In the summer of 1928, he created Bluegrass Festivals by founding his first Asheville Mountain Dance and Folk Festival.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5319D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5319D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5319D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVD5397D</marc:controlfield>
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        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
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            <marc:subfield code="a">760137539797</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">760137539797</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BEATLES (THE): Their Golden Age (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">The Beatles: Their Golden Age (NTSC) ( 01 hrs. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Beatles, The, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Over half a century ago, John Lennon, Paul McCartney, and George Harrison named themselves The Beatles and soon after recruited their drummer, Ringo Starr. This superb documentary, &lt;i&gt;The Beatles: Their Golden Age,&lt;/i&gt; is a nostalgic look back at all the excitement of the era. It truly captures the magic as well as the pandemonium of "Beatlemania," from their delirious fans and madcap movies to interviews with each of the Fab Four.

Your trip begins from the inception of the group in 1960 though Sgt. Pepper psychedelia and moves to the dissolution of The Beatles, the most popular entertainment act in history. It is loaded with rare footage. You'll follow the lads on their whirlwind tours across Europe and America, as well as around the world. You'll hear the shrieks of adoring fans - and those appalled by John's "Bigger than Jesus" comment. You'll laugh at the wit of Paul and Ringo, share a moment with newly-weds George and Pattie and making of their movies. It includes news footage, movie scenes, interviews and public appearances.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5397D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5397D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5397D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVDV4662</marc:controlfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">022891466291</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">THROUGH THE YEARS OF HIP-HOP, Vol. 1: Graffiti (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Through the Years of Hip-Hop, Vol. 1: Graffiti (NTSC) ( 01 hrs., 06 min., 41 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This 90-minute feature tells the tale of hip-hop through a four-part documentary series entitled &lt;i&gt;The Architects.&lt;/i&gt; the story is told chronologically and right from the mouths of the greats. Learn how these young, gifted pioneers constructed an industry that so many people enjoy now. Each volume will feature some of the greatest hip-hop videos from the past to the present in an inspiring journey of musical genre creation.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVDV4662.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVDV4662</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVDV4662</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVDV4676</marc:controlfield>
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            <marc:subfield code="a">022891467694</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">022891467694</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">SMITHS (THE): Inside The Smiths (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Inside the Smiths (NTSC) ( 01 hrs., 42 min., 23 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Rourke, Andy, Artist -- Joyce, Mike, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Andy Rourke and Mike Joyce were the legendary rhythm section behind The Smiths. For the first time on film they tell the story of what it was like being in one of the world's most celebrated and ground-breaking bands. What is was like working with Morrissey and Johnny Marr. Their unique song-writing process and the relationships they formed in the five years they were together.

Andy Rourke talks openly and honestly about his perilous drug addiction which threatened not only his position in the band but also his life.

Filmed over three years in the UK, Europe and the USA. This film looks inside The Smiths from the perspective of two people who were there!</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVDV4676.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVDV4676</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVDV4676</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">MVDV4883</marc:controlfield>
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            <marc:subfield code="a">760137488392</marc:subfield>
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            <marc:subfield code="a">760137488392</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">PUNK IN ENGLAND (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Punk in England (NTSC) ( 55 min., 58 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Following on from the award-winning &lt;i&gt;Punk in London&lt;/i&gt; comes the post-punk apocalypse that is &lt;i&gt;Punk in England.&lt;/i&gt; The second part of Wolfgang Buld's trilogy records the punk phenomena moving from London to the suburbs as the creative energy of punk inspired kids to experiment with new-wave, ska, mode and rude boy music.

This incredible documentary captures the punk and post-punk phenomena in all its raw power and creativity. Featuring live performances from The Clash, Madness, The Jam, Ian Dury, The Specials, Secret Affair, The Pretenders and many others, this documentary was filmed in the late 1970s and is nothing short of an octane-fueled ride of punk's adrenaline rush into the 1980s.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVDV4884.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVDV4884</marc:subfield>
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            <marc:subfield code="a">This brand new documentary, in association with ITN Archive, charts the fall and rise of Sid Vicious from punk's hero to society's cultural icon of the twentieth century. Featuring previously unseen archive footage, this video provides the most definitive and intimate life story of the punk hero who truly lived his live with chaos and anarchy. Fueled with a soundtrack of Sid's own music, this is the faithful telling of Sid's live story by those who really knew him.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVDV4916</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVDV4916</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVDV4927</marc:subfield>
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But the period in which the Stones' star shone brightest was undoubtedly during the 1960s, when barely a month would go by without a classic new single, a majestic new album or a news story telling of yet more bad behaviour from the boys.

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            <marc:subfield code="a">Nirvana: In Utero - A Classic Album Under Review (NTSC ( 01 hrs., 03 min., 13 sec. ) / Not Applicable -- Nirvana: The Untold Stories (NTSC) ( 01 hrs., 10 min., 17 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Nirvana, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">For those who witnessed events unfolding in the late 1980s and early 1990s, it's a shock to realise that a full two decades have passed since the finest record from the genre which came to be known as grunge was released. But it was on 24 September 1991 that the image of a naked baby chasing a dollar bill underwater first entered the consciousness of the music loving community, as it graced the cover of Nirvana's sophomore album &lt;i&gt;Nevermind.&lt;/i&gt;

The rest of course if history and this documentary traces the rise of Nirvana to the point at which they were the world's favourite band, and reveals the legacy of this now legendary record and tell the tale of what Nirvana did next - taking the story up to the point of leader Kurt Cobain's tragic suicide in 1994.

The most conclusive, enlightening and entertaining documentary about this extraordinary band and the music they created yet to emerge, this is a fitting tribute to the incredible legacy of Nirvana, a group who attract just as many new fans and admirers today as they did during the height of their success.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/PG2DVD143.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PG2DVD143</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PG2DVD143</marc:subfield>
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        <marc:controlfield tag="001">PG2DVD150</marc:controlfield>
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            <marc:subfield code="a">PINK FLOYD: Then and Now (NTSC)</marc:subfield>
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            <marc:subfield code="a">Pink Floyd: Meddle - A Classic Album Under Review (NTSC) ( 01 hrs., 02 min., 13 sec. ) / Not Applicable -- Whatever Happened to Pink Floyd?: The Strange Case of Waters and Gilmour (NTSC) ( 01 hrs., 22 min., 29 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Pink Floyd, Ensemble -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Probably possessors of the strangest tale of any group from the rock age, Pink Floyd somehow manage to remain amongst the most popular music acts of all time. And despite being on indefinite hiatus for almost 20 years - longer if the classic line-up is considered - the very mention of their name is still enough to garner an emotional response in even the hardiest of fans.

But surely such responses are justified when speaking of a group of musicians who have not just proven themselves the most experimental and cutting edge of any chart regulars over the period that such things have been considered important, but who have also inspired and informed a host of subsequent musicians and composers, many of which are the most interesting and important of the current age.

This documentary gets behind the mystery that is Pink Floyd as it unravels the story of the band, covering the post-Syd Barrett classic era of &lt;i&gt;Meddle&lt;/i&gt; and &lt;i&gt;Dark Side,&lt;/i&gt; through the late 1970s and brings the saga completely up to date with the group's first attempt at a reunion of sorts at Live 8, and the more recent collaborations between Gilmour and Waters which, for those still holding it in, offer some hope for a full scale Floyd rebirth.</marc:subfield>
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            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PG2DVD150</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Jimi Hendrix: The Complete Story (NTSC) ( 59 min., 40 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Hendrix, Jimi, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">The finest guitarist and most explosive performer of the Rock era, Jimi Hendrix not only defies categorisation, he blurs the parameters of the genre from which he emerged, like no other musician in memory.

In this extraordinary film, for the first time, Jimi's brother Leon takes us through the story of his life, his career and his music. And with contributions from close friends, this programme offers a unique glimpse of the inner world of Jimi Hendrix and comes a little closer to understanding what made this legendary and timeless artist achieve so much.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=PGDVD104</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/PGDVD104</marc:subfield>
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    <marc:record>
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            <marc:subfield code="a">VERDI, G.: Due Foscari (I) (Teatro Regio di Parma, 2009) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Nucci, Leo, Artist -- Renzetti, Donato, Conductor -- Parma Teatro Regio Chorus, Choir -- Parma Teatro Regio Orchestra, Orchestra -- Bonfatti, Gregory, Artist -- Buffoli, Mauro, Artist -- Biasio, Roberto de, Artist -- Polidori, Marcella, Artist -- Tagliavini, Roberto, Artist -- Serjan, Tatiana, Artist -- Bianchini, Alessandro, Artist -- Piave, Francesco Maria, Lyricist -- Verdi, Giuseppe, Composer</marc:subfield>
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            <marc:subfield code="a">Ariadne auf Naxos, Op. 60, TrV 228a (NTSC) ( 02 hrs., 07 min., 55 sec. ) / Strauss</marc:subfield>
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            <marc:subfield code="a">Kunz, Erich, Artist -- Gruberová, Edita, Artist -- Equiluz, Kurt, Artist -- Berry, Walter, Artist -- Schmidt, Trudeliese, Artist -- McDaniel, Barry, Artist -- Böhm, Karl, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Kollo, René, Artist -- Zednik, Heinz, Artist -- Gall, Axelle, Artist -- Jungwirth, Manfred, Artist -- Janowitz, Gundula, Artist -- Miljakovic, Olivera, Artist -- Groote, Hilde de, Artist -- Hofmannsthal, Hugo von, Lyricist -- Strauss, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Ariadne auf Naxos&lt;/i&gt; was conceived as a one-act opera to be performed as an  interlude in an abridged version of Moliere's play &lt;i&gt;Le bourgeois gentilhomme&lt;/i&gt;. But due to the hybrid nature of the project, Strauss and his librettist eventually decided to write a musical prologue to replace the play. To fit in with its 18th-century conception and inspiration, Strauss scored the work for a far smaller orchestra than his previous operas. The charm of a mock old-fashioned harlequinade is set beside a virtuoso handling of three types of soprano: coloratura (Zerbinetta), lyric (Composer) and dramatic (Ariadne). 

This Vienna State Opera production, featuring Gundula Janowitz, Rene Kollo, Trudeliese Schmidt and Walter Berry with the Vienna Philharmonic conducted by Karl Bohm, drew rave reviews. In particular, the young Edita Gruberova as Zerbinetta was heralded as the "event of the evening," whose exquisite phrasing, sublime timbre and brilliant coloratura fireworks served up with witty and charming nonchalance brought her endless and justified ovations. This was clearly her final leap to the top of the world's best vocalists (Vienna's popular daily "Kurier," 22.11.76)</marc:subfield>
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            <marc:subfield code="a">STRAUSS, R.: Rheingold (Das) (1978) (NTSC)</marc:subfield>
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            <marc:subfield code="a">World of the gods – world of the earthly elements: Herbert von Karajan has succeeded in forcefully underscoring the contrast between the world of the gods and the earthly realm. The &lt;i&gt;Rhinegold&lt;/i&gt; already bears within it a foreboding of the &lt;i&gt;Gotterdammerung&lt;/i&gt;. In the Prelude, man – the hero – does not yet appear; what checks the power of the gods are the earthly elements: fire, water and earth. Wotan only appears to be victorious when he enters Valhalla with his fellow gods. The actual victor is Loge. 

Based on a production from the Salzburg Easter Festival, Georges Wakhevitch has produced stage settings and transformations that support Karajan's concept with every possible means. The depths of the Rhine are dynamic and full of natural motion, but the inside of the earth – Nibelheim – with its corridors and vaults which lead to Alberich's realm, also has something organically proliferating about it. With his singers – foremost among them Peter Schreier – Karajan has an ensemble that fully conforms to his intentions. Thomas Stewart is a nobly singing Wotan. Next to him is the grandiose Brigitte Fassbaender as Fricka, a profoundly embittered figure.</marc:subfield>
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            <marc:subfield code="a">WAGNER, R.: Lohengrin (Bayreuth Festival, 1982) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Lohengrin (NTSC) ( 03 hrs., 18 min., 40 sec. ) / Wagner</marc:subfield>
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            <marc:subfield code="a">Roar, Leif, Artist -- Weikl, Bernd, Artist -- Vogel, Siegfried, Artist -- Hofmann, Peter, Artist -- Armstrong, Karan, Artist -- Connell, Elizabeth, Artist -- Bayreuth Festival Chorus, Choir -- Nelsson, Woldemar, Conductor -- Bayreuth Festival Orchestra, Orchestra -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">As Lohengrin, Peter Hofmann gives a performance that is dazzling in every gesture and every tone. Karan Armstrong replies with a very lyrical timbre and applies expressionistic means to convey sorrow, wonder and the bitterness of leave-taking. This production by Gotz Friedrich was recorded at the Bayreuth Festspielhaus in 1982.</marc:subfield>
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            <marc:subfield code="a">In 1988, conductor Daniel Barenboim, stage director Harry Kupfer, set 
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            <marc:subfield code="a">The premiere of &lt;i&gt;Tristan und Isolde&lt;/i&gt; production at the 1993 Bayreuth Festival was greeted with that "mixture of enthusiastic approbation and predictable condemnation" quoted by Wolfgang Wagner, which is the usual indicator of success in Bayreuth. Conducted by Daniel Barenboim with fire and sensitivity, the production was staged by the late German dramatist Heiner Muller. The sets were designed by Muller's longtime associate Erich Wonder, and the costumes by Japanese couturier Yohji Yamamoto. Siegfried Jerusalem as Tristan and Waltraud Meier as Isolde have consistently drawn enthusiastic acclaim for their performances, not only in the year of the premiere, but in subsequent years as well. Muller and Wonder have compressed the monumental story into a clear and fascinating geometry of love. Wonder created highly evocative spaces through projections of colors and forms which shift according to the mood. One widely noted example of Muller's elegant, restrained interpretation, in which small gestures replace sweeping displays of passion, is the famous love duet, in which Tristan and Isolde, instead of embracing rapturously, stand back to back and side by side and touch, ever so lightly, only the tips of their fingers.</marc:subfield>
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            <marc:subfield code="a">Mattila, Karita, Artist -- Kaufmann, Jonas, Artist -- Bavarian State Opera Chorus, Choir -- Luisi, Fabio, Conductor -- Fissore, Enrico, Artist -- Uusitalo, Juha, Artist -- Bavarian State Orchestra, Orchestra -- Rieger, Christian, Artist -- Trebes, Rudiger, Artist -- Bavarian State Opera Children's Choir, Choir -- Horn, Christian van, Artist -- Conners, Kevin, Artist -- Giacosa, Giuseppe, Lyricist -- Puccini, Giacomo, Composer -- Illica, Luigi, Lyricist</marc:subfield>
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            <marc:subfield code="a">Love, jealousy, torture, murder, suicide – all packed into a tautly woven drama of passionate musical outbursts and flowing lyricism. Puccini's verismo masterpiece is a classic love triangle for a trio of stellar voices! 

And what a cast the Bavarian State Opera brings together for the opening of the Munich Opera Festival! The great Finnish soprano Karita Mattila depicts the prima donna Floria Tosca with controlled intensity and simmering passion. Jonas Kaufmann, portraying her lover the artist Mario Cavaradossi, once again confirms his status as one of the most exciting tenors of our time on the international opera stage. With its many expressive refinements, his “E lucevan le stelle” is practically a miniature opera in itself. Complementing his partners as the power- and sex-obsessed Roman police chief Scarpia is Juha Uusitalo, whose velvety voice brims with dark menace. 

Conductor Fabio Luisi leads his ensemble with a brio and sensitivity that never let the attention flag. Stage director Luc Bondy, has the action unfold in monumental sets and clearly centers his production on his "dream team" trio of protagonists. Underscoring the characters of the protagonists are the costumes by Academy Award winning costume designer Milena Canonero.</marc:subfield>
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            <marc:subfield code="a">Vargas, Ramón, Artist -- Miles, Alastair, Artist -- Michael, Nadja, Artist -- Bavarian State Opera Chorus, Choir -- Bolton, Ivor, Conductor -- Roberson, Kenneth, Artist -- Bavarian State Orchestra, Orchestra -- Tsallagova, Elena, Artist -- Smith, Joy, Artist -- Shrader, Alek, Artist -- Petrozzi, Francesco, Artist -- Nicorescu, Laura, Artist -- Dausacker, Julia, Artist -- Exner, Oliver, Artist -- Mogylyov, Denys, Artist -- Romani, Felice, Lyricist -- Mayr, Johann Simon, Composer</marc:subfield>
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            <marc:subfield code="a">Giovanni Simone Mayr's &lt;i&gt;Medea in Corinto&lt;/i&gt; is "the most absolutely amazing opera discovery in decades" (Frankfurter Allgemeine Zeitung). Mayr, born in Germany in 1763, became one of the most important composers of Italian opera between Mozart and Rossini. He also taught many reputable composers, such as Donizetti. Written at the dawn of romanticism and the bel canto era, his main works unite stylistic characteristics of Viennese classicism with Italian melodic exuberance. &lt;i&gt;Medea in Corinto&lt;/i&gt; was premiered in Naples in 1813.

At the Bavarian State Opera, director Hans Neuenfels stages this tragedy of betrayed love, lust for power and murderous hatred as a fascinating political thriller. Providing a vigorous orchestral support for soprano Nadja Michael as Medea and Ramon Vargas as her ex-husband Giasone, conductor Ivor Bolton plumbs the depths of Mayr's rich score.</marc:subfield>
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            <marc:subfield code="a">STRAUSS, R.: Liebe der Danae (Die) (Deutsche Oper Berlin, 2011) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Die Liebe der Danae, Op. 83, TrV 278 (NTSC) ( 02 hrs., 35 min., 15 sec. ) / Strauss</marc:subfield>
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            <marc:subfield code="a">Klink, Matthias, Artist -- Delavan, Mark, Artist -- Litton, Andrew, Conductor -- Berlin Deutsche Opera Orchestra, Orchestra -- Ulrich, Burkhard, Artist -- Berlin Deutsche Opera Chorus, Choir -- Uhl, Manuela, Artist -- Blondelle, Thomas, Artist -- Sabirova, Hulkar, Artist -- Strauss, Richard, Composer -- Gregor, Joseph, Lyricist</marc:subfield>
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            <marc:subfield code="a">The rarely performed opera &lt;i&gt;Die Liebe der Danae&lt;/i&gt; is a feast for Strauss lovers, with arias, ensembles and orchestral interludes blazing with sumptuous colors and rich textures. Written under war clouds and completed in 1940, it is the swan song of an aged composer who is taking leave from the world on the eve of the catastrophe that will engulf it. This timeless production from the Deutsche Oper Berlin can be seen as the mirror of a changing world order, with a wonderfully suggestive symbol dominating the stage during all three acts: a grand piano suspended upside-down from the rafters.</marc:subfield>
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            <marc:subfield code="a">DEBUSSY, C.: Pelleas et Melisande (Aalto-Musiktheater Essen, 2012) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Pelleas et Melisande (NTSC) ( 02 hrs., 30 min., 24 sec. ) / Debussy</marc:subfield>
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            <marc:subfield code="a">Le Texier, Vincent, Artist -- Soffel, Doris, Artist -- Schöne, Wolfgang, Artist -- Soltész, Stefan, Conductor -- Eberle, Dominik, Artist -- Essen Philharmonic Orchestra, Orchestra -- Selinger, Michaela, Artist -- Imbrailo, Jacques, Artist -- Aalto Theatre Opera Chorus, Choir -- Kabala, Mateusz, Artist -- Maeterlinck, Maurice, Lyricist -- Debussy, Claude, Composer</marc:subfield>
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            <marc:subfield code="a">Music of introverted tenderness and a libretto that hints at much and offers few answers - such is &lt;i&gt;Pelleas et Melisande&lt;/i&gt;, Claude Debussy's only completed opera. Dubbed "Drama lyrique" by the composer himself, and written in 1902 at a time when the subconscious, the psyche, dreams and urges commanded the attention of science and art, this music searches the souls of its characters with its subtle nuances. Pelleas and Golaud are half-brothers, each loving the girl-from-nowhere Melisande. The elder, dominant Golaud makes her his wife; the younger Pelleas is the soul-mate of the taciturn, strangely vulnerable Melisande and an equally mysterious bond of concealed love is formed between them. The consummately precise staging by Nikolaus Lehnhoff has a cast to match these wondrous sounds. This exceptional production "achieves what actually can only be understood as magic." (Die Welt)</marc:subfield>
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            <marc:subfield code="a">Exactly 101 years after the world premiere of Puccini's &lt;i&gt;La fanciulla del West&lt;/i&gt; at New York's Metropolitan Opera, Stockholm's Royal Opera House now presents a brilliant, modern-day interpretation of this rarely played opera. While the lead role is sung by Nina Stemme, one of today's best youthful-dramatic sopranos, the two male protagonists, John Lundgren and Aleksandrs Antonenko, can hardly be surpassed in vocal artistry and stage presence. Director Christof Loy stages the opera as an early Hollywood Western relating the impossible love of a young woman and the most wanted criminal in the West.</marc:subfield>
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            <marc:subfield code="a">Syd Barrett: Under Review features rare live and studio performances from his hugely influential and legendary musician, insterspersed with the independent review and criticism from a panel of esteemed experts. Including Melody Maker contributor during the 1960's and early champion of Syd Barrett, Chris Welch; Barrett biographer and all around expert, David Parker; Uncut Magazine's features editor, Nigel Williamson; former Soft Machine bassist who backed Syd on Madcap Laughs, Hugh Hopper; Total Rock DJ and journalist, Malcolm Dome and many more.</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CVIS398.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CVIS398</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CVIS398</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CVIS399</marc:controlfield>
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            <marc:subfield code="a">QUEEN: Under Review (1980-1991) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Queen: Under Review 1980-1991&lt;/i&gt; features live and studio performances by the group, rare interviews and a host of other features all interspersed with the independent review and criticism from a panel of esteemed experts. These include; broadcaster, journalist and long term friend of Freddie Mercury, Paul Gambaccini; music author and Classic Rock magazine journalist, Malcolm Dome; Journalist and author Daryl Easlea; former Melody Maker editor Chris Welch; Virgin Radio DJ, Ben Jones and many others.

Bonus features:
Extended Interviews, Special features: The Queen Collector, Interactive Digital Queen Quiz and Beyond DVD section and more</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CVIS399.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CVIS399</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CVIS399</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CVIS610</marc:controlfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">823564524795</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DYLAN, Bob: Never Ending Narrative (The), 1990-2006 (NTSC)</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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        <marc:datafield tag="490" ind1="1" ind2=" ">
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Bob Dylan: The Never Ending Narrative (1990-2006) (NTSC) ( 01 hrs., 44 min., 54 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Arnold, Thomas, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Bob Dylan: The Never Ending Narrative (1990-2006)&lt;/i&gt; is documentary that follows the career and music of Bob Dylan from the aftermath of his stunning 1989 comeback album &lt;i&gt;Oh Mercy&lt;/i&gt; and follows his story up to 2006's masterpiece, &lt;i&gt;Modern Times&lt;/i&gt;.

Featuring a wealth of archive material, performance footage exclusive and classic interviews, contributions from many close confidantes plus writers and Dylan experts Johnny Rogan, Derek Barker, Clinton Heylin and Nigel Williamson, along with location film, news reports and some of the finest music recorded during the last 20 years.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CVIS610.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CVIS610</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CVIS610</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">D3019</marc:controlfield>
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        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">WINEHOUSE, Amy: Running @ 450 RPM's and Justified (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Amy Winehouse: Reviving @ 4500 RPM's and Justified (NTSC) ( 01 hrs., 06 min., 56 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
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            <marc:subfield code="a">&lt;i&gt;Amy Winehouse: Reviving @ 4500 RPM's and Justified&lt;/i&gt; is a documentary showing who Amy Winehouse truly is and was, and why she is still searching for herself. Debuted in 2003 with her first album &lt;i&gt;Frank&lt;/i&gt;, she was considered to be as soulful as the sultry sisters of yesteryear, such as Ella Fitzgerald, Billie Holiday, Sarah Vaughn and Dina Washington.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=D3019</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">McLAUGHLIN, John / LUCIA, Paco de / CORYELL, Larry: Meeting of the Spirits (NTSC)</marc:subfield>
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            <marc:subfield code="a">In 1979, three world renowned guitarists, recognized as the finest exponents of their individual styles, John McLaughlin, Larry Coryell and Paco de Lucia formed a guitar super-trio and toured Europe. The spell-binding quality of the music that the collaboration created as an ensemble and the dazzling audience reaction to the performances has never been surpassed and has rightfully passed into Jazz folklore. At long last an original, authenticated master of the concert is available for a worldwide audience to experience how the legend that was a &lt;i&gt;Meeting of the Spirits&lt;/i&gt; was made.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DJ-859</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DJ-859</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DJ-869</marc:controlfield>
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            <marc:subfield code="a">Weill, Kurt</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BLAKEY, Art / GRIFFIN, Johnny: Jazz Legends Live at the Village Vanguard (NTSC)</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Art Blakey and the Jazz Messengers, Ensemble -- Drummond, Ray, Artist -- Griffin, Johnny, Artist -- Mathews, Ronnie, Artist -- Washington, Kenny, Artist -- Watson, Pamela, Composer -- Watson, Bobby, Composer -- Weill, Kurt, Composer</marc:subfield>
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            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DJ-869</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DJ-869</marc:subfield>
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    <marc:record>
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            <marc:subfield code="a"></marc:subfield>
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Bonus features:
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            <marc:subfield code="a">Noble, Ray</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DJ-907.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DJ-907</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DJ-907</marc:subfield>
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    <marc:record>
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            <marc:subfield code="a">KORN: Collector's Box (NTSC)</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Part 1: Kornology ( 01 hrs., 10 min., 03 sec. ) / Not Applicable -- Part 2: The Nightmare Begins ( 48 min., 16 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Pancho, , Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;The Korn Collector's Box&lt;/i&gt; is a 2 set collection which celebrates well over 15 years of huge commercial and critical success for the group. Featuring 2 separate, full length documentary films on Korn. The first tells their story chronologically with the aid of rare footage, exclusive interviews and contributions from their closes confidants, while the second film concentrates on the fans, Korn's place in the Nu-Metal scene, the story of how that scene unfolded and the band's music and performances throughout their working life.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DVDIS017.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DVDIS017</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DVDIS017</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Leinsdorf, Erich, Conductor -- Boston Symphony Orchestra, Orchestra -- Beethoven, Ludwig van, Composer -- Tchaikovsky, Pyotr Il'yich, Composer -- Mozart, Wolfgang Amadeus, Composer</marc:subfield>
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            <marc:subfield code="a">This 1969 performance of Tchaikovsky's Fifth Symphony has been the object of some attention from internet bloggers, with one site
featuring an almost complete audio recording of the performance. Readers were astonished at the intensity and drive behind Erich Leinsdorf's interpretation.

&lt;i&gt;Bonus features:&lt;/i&gt;

A live performance at Sanders Theatre, Harvard in 1963, Leinsdorf and the BSO performed the second movement of Mozart's &lt;i&gt;Serenade No. 9 in D Major, K. 320&lt;/i&gt;.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/ICAD5059</marc:subfield>
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    <marc:record>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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Bonus features:

The video also contains the rehearsal of the &lt;i&gt;Enigma Variations&lt;/i&gt; at the BBC Studios, and an interview with Leonard Bernstein by Barry Norman about the themes relating to the variations.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/ICAD5111.jpg</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=ICAD5111</marc:subfield>
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            <marc:subfield code="a">Verdi, Giuseppe</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GOBBI, Tito: 100th Anniversary Edition (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Rigoletto (excerpts) (NTSC) ( 00 sec. ) / Verdi -- Gianni Schicchi (excerpts) (NTSC) ( 00 sec. ) / Puccini -- Tosca (excerpts) (NTSC) ( 00 sec. ) / Puccini</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Gobbi, Tito, Artist -- Wicks, Dennis, Artist -- Scotto, Renata, Artist -- Downes, Edward, Conductor -- Howlett, Neil, Artist -- New Philharmonia Orchestra, Orchestra -- Read, David, Artist -- New Symphony Orchestra, Orchestra -- Bainbridge, Elizabeth, Artist -- Bowman, Robert, Artist -- Robson, Elizabeth, Artist -- Serge, John, Artist -- Royal Philharmonic Orchestra, Orchestra -- Garrett, Eric, Artist -- Collier, Marie, Artist -- Bowles Bevan Singers, Choir -- Puccini, Giacomo, Composer -- Forzano, Giovacchino, Lyricist -- Piave, Francesco Maria, Lyricist -- Verdi, Giuseppe, Composer -- Giacosa, Giuseppe, Lyricist -- Illica, Luigi, Lyricist</marc:subfield>
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            <marc:subfield code="a">Many viewers will be familiar with the program as they were originally broadcast in 1966 as part of the Great Characters in Opera TV series produced for the BBC, comprising of 7 hour-long program. Gobbi's portrayal of the three roles featured leaves the viewer in no doubt as to why he was so popular on screen (he had appeared in approximately 25 films by the time of his death in 1984).

This series provides an exceptional account of a remarkable singer and actor's portrayal of three major operatic roles that featured highly throughout Tito Gobbi's distinguished career.</marc:subfield>
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            <marc:subfield code="a">Giacosa, Giuseppe</marc:subfield>
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            <marc:subfield code="a">Illica, Luigi</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/ICAD5118.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=ICAD5118</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/ICAD5118</marc:subfield>
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            <marc:subfield code="a">Wagner, Richard</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BRAHMS, J.: Symphony No. 2 (Bamberg Symphony, Kempe) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Symphony No. 2 in D Major, Op. 73 (NTSC) ( 00 sec. ) / Brahms -- Tannhauser: Overture (NTSC) ( 00 sec. ) / Wagner</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Kempe, Rudolf, Conductor -- Bamberg Symphony Orchestra, Orchestra -- Royal Philharmonic Orchestra, Orchestra -- Brahms, Johannes, Composer -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on video for the first time, incorporating rare archive footage that has been expertly and lovingly restored. 

The second of only two published DVDs featuring Rudolf Kempe, this is an important document of this great conductor's performances filmed at the height of his career. A subtle, sensitive Brahms Second Symphony ?EUR" a work that became a film favourite with Kempe and the orchestras he led ?EUR" is coupled with a majestic Tannhauser Overture from the Royal Festival Hall.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Concert</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/ICAD5119.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=ICAD5119</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/ICAD5119</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Stravinsky, Igor</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">STRAVINSKY, I.: Rite of Spring (The) / Capriccio / Symphony of Psalms (Bernstein) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Le sacre du printemps (The Rite of Spring) (NTSC) ( 00 sec. ) / Stravinsky -- Capriccio (NTSC) ( 00 sec. ) / Stravinsky -- Symphony of Psalms (NTSC) ( 00 sec. ) / Stravinsky</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bernstein, Leonard, Conductor -- London Symphony Orchestra, Orchestra -- Béroff, Michel, Artist -- English Bach Festival Chorus, Choir -- Stravinsky, Igor, Composer -- Bible - Old Testament, Lyricist</marc:subfield>
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            <marc:subfield code="a">The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on video for the first time, incorporating rare archive footage that has been expertly and lovingly restored. 

This memorial concert took place at the Royal Albert Hall in April 1972 on the first anniversary of the death of Igor Stravinsky, 'that last great father-figure of Western music' (Leonard Bernstein). Bernstein called it an homage to Stravinsky's universality and chose the three featured masterpieces for their suggestion of 'the extraordinary range of his art'. Conducted by Bernstein, this electrifying, unique event is now being re-introduced to the public in DVD form.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Bible - Old Testament</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=ICAD5124</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/ICAD5124</marc:subfield>
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            <marc:subfield code="a">STERN, Mike: Live in Paris, 2004 (NTSC)</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">"Put your heart and soul into your music and maybe you'll catch one person out front," Miles Davis remarked to guitarist Mike Stern in the early eighties, during their collaboration. "Catching one person will always be enough for me," Mike replied - even if it's now by the thousands, night after night, that he mesmerizes his audiences worldwide. What a revelation, after his brilliant romps with Bob Berg, the Brecker Brother, Jaco Pastorius, Joe Henderson and so many others, to find three-time Grammy nominee Stern side by side with super bassist-singer Richard Bona at the New Morning in 2004. It was written in the stars that Mike's fiery guitar and Richard's singing bass should meet. Supported rhythmically and melodically by legendary drummer Dennis Chamber and brilliant tenor saxophonist Bob Franceschini, the Mike Stern Band brings forth stirring lyricism that will sound irresistible to music lovers everywhere.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6456</marc:subfield>
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            <marc:subfield code="a">John Hammond: Live in Paris, 2004 (NTSC) ( 02 hrs., 06 min., 09 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Hammond, John P., Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Singer and guitar virtuoso John Hammond is one of the most distinguished ambassadors of the Blues: the foundation of rock, folk and pop music. For John Jr., it all started at the age of seven during a concert by Big Bill Broonzy, which he attended with his father. In the meanwhile, John has developed into a living anthology dedicated to the art and memory of Skip James, Howlin' Wolf and other musical giants. When he was twenty years old, John flourished in the Village with Richie Havens and John Sebastian. A year later, he introduced Dylan to his future backing musicians, soon to be known as &lt;i&gt;The Band.&lt;/i&gt; His many fans never miss an opportunity to experience John's grand epic repertoire. This hot night in 2004 at the New Morning was just such an occasion.</marc:subfield>
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            <marc:subfield code="a">On Green Dolphin Street (NTSC) ( 00 sec. ) / Kaper -- I Dood It: Star Eyes (NTSC) ( 00 sec. ) / Raye -- There's A Mingus A Monk Us (NTSC) ( 00 sec. ) / Brecker -- The Target (NTSC) ( 00 sec. ) / Brecker -- Softly As in a Morning Sunrise (NTSC) ( 00 sec. ) / Romberg -- That's It (NTSC) ( 00 sec. ) / Brecker -- Blue Moon (NTSC) ( 00 sec. ) / Rodgers</marc:subfield>
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            <marc:subfield code="a">August 1994: Randy Brecker and his sidekicks Niels Lan Doky, Alvin Queen and Pierre Boussaguet gave a memorable concert at the New Morning Jazz Festival in Geneva</marc:subfield>
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            <marc:subfield code="a">Though rarely performed today, the dramma per musica &lt;i&gt;Zelmira&lt;/i&gt; is regarded as one of Rossini's most important and musically complex works. Roberto Abbado conducts a cast of noted soloists, including Kate Aldrich, acclaimed as "the discovery of the year" (L'Unita), in the title role of a princess unjustly accused of having killed her father, sung by Alex Esposito. While Gregory Kunde and Marianna Pizzolano stand out for their vocal artistry, the palm goes to star tenor Juan Diego Florez, whose opening aria, with its five high D's and long-held high C, was hailed by &lt;i&gt;Opernwelt&lt;/i&gt; as "phenomenal."</marc:subfield>
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            <marc:subfield code="a">La scala di seta (The Silken Ladder) (Rossini Opera Festival, 2009) (NTSC) ( 01 hrs., 44 min., 20 sec. ) / Rossini</marc:subfield>
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            <marc:subfield code="a">Lepore, Carlo, Artist -- Zapata, Jose Manuel, Artist -- Bordogna, Paolo, Artist -- Zanfardino, Daniele, Artist -- Peretyatko, Olga, Artist -- Scimone, Claudio, Conductor -- Haydn Orchestra, Bolzano and Trento, Orchestra -- Malavasi, Anna, Artist -- Foppa, Giuseppe Maria, Lyricist -- Rossini, Gioachino, Composer</marc:subfield>
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            <marc:subfield code="a">Rossini's sparkling &lt;i&gt;La Scala di Seta&lt;/i&gt; of 1812 weaves a burlesque tale of gentlemen climbing in and out of a lady's bedchamber on a silken ladder. Damiano Michieletto's modern-day production from the Rossini Festival in Pesaro sets the action in the two-room apartment of the heroine Giulia, sung with "wonderful suppleness" (Opernwelt) by Olga Peretyatko. The production also features a spectacular grand aria for Blansac (Carlo Lepore) extraneous to the work. Leading a young and spirited cast of Rossini specialists is maestro Claudio Scimone, a key figure in the international Rossini Renaissance.</marc:subfield>
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            <marc:subfield code="a">BERG, A.: Lulu (Staatsoper Festtage Festival, 2012) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Lulu (Staatsoper Festtage Festival, 2012) (NTSC) ( 02 hrs., 28 min., 53 sec. ) / Berg</marc:subfield>
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            <marc:subfield code="a">Volle, Michael, Artist -- Barenboim, Daniel, Conductor -- Erdmann, Mojca, Artist -- Polaski, Deborah, Artist -- Berlin Staatskapelle, Orchestra -- Linn, Jürgen, Artist -- Rügamer, Stephan, Artist -- Prein, Johannes Werner, Artist -- Ablinger-Sperrhacke, Wolfgang, Artist -- Mayer, Thomas Johannes, Artist -- Piffka, Thomas, Artist -- Lapkovskaja, Anna, Artist -- Hubsch, Wolfgang, Artist -- Modra, Blanka, Artist -- Osswald, Liane, Artist -- Berg, Alban, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Lulu&lt;/i&gt; – the "archetypal woman, created to wreak havoc, to lure, to seduce, to poison and to murder without anyone realizing" – represents the object and the projection of men's desires and dreams. By destroying her lovers, Lulu is driven from cold-hearted love to cold-blooded murder and ultimately to her own destruction. For this Berlin Version Alban Berg's fragment has been completed by David Robert Coleman. Mojca Erdmann as Lulu proves ideally suited, mastering the insane leaps and coloraturas of the role with incredible ease. She is supported by Deborah Polaski as Countess Geschwitz, the "internally smouldering" Michael Volle as Dr. Schon and Georg Nigl as the "meticulously articulating athlete". (Der Tagesspiegel)</marc:subfield>
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            <marc:subfield code="a">BERLIOZ, H.: Troyens (Les) (Palau de les Arts "Reina Sofia", 2009) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Les Troyens (Palau de les Arts "Reina Sofia", 2009) (NTSC) ( 04 hrs., 10 min. ) / Berlioz</marc:subfield>
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            <marc:subfield code="a">Milling, Stephen, Artist -- Matos, Elisabete, Artist -- Giuseppini, Giorgio, Artist -- Barcellona, Daniela, Artist -- Gergiev, Valery, Conductor -- Voropaev, Dmitry, Artist -- Valencia Regional Government Choir, Choir -- Valencian Community Orchestra, Orchestra -- Ryan, Lance, Artist -- Viviani, Gabriele, Artist -- Bulycheva, Zlata, Artist -- Cutler, Eric, Artist -- Shilova, Oksana, Artist -- Abdrazakov, Askar, Artist -- Berlioz, Hector, Composer</marc:subfield>
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            <marc:subfield code="a">Hector Berlioz' grand opera &lt;i&gt;Les Troyens&lt;/i&gt; is given an appropriately grand treatment in this production by the renowned Catalan theater group "La Fura dels Baus" under Carlus Padrissa recorded at Valencia's Palau de les Arts. In the first part, Padrissa plays with the present-day meaning of Trojans as computer viruses; in the second, he takes us to a future civilization headed towards self-destruction. The production is a triumph for Valery Gergiev, who conducts "with impressive energy" (FAZ), and for the grandiose, world-famous lead singers Daniela Barcellona, Elisabete Matos and Stephen Gould.</marc:subfield>
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            <marc:subfield code="a">Bou, Felipe, Artist -- Gallardo-Domas, Cristina, Artist -- Maazel, Lorin, Conductor -- Valencia Regional Government Choir, Choir -- Valencian Community Orchestra, Orchestra -- Lozano, Antonio, Artist -- Ferrandez, Sandra, Artist -- de Leon, Jorge, Artist -- Corbacho, Maria Luisa, Artist -- Lunar, Natalia, Artist -- Galan, Isaac, Artist -- Fernández Shaw, Carlos, Lyricist -- Falla, Manuel de, Composer</marc:subfield>
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            <marc:subfield code="a">Manuel de Falla's short opera &lt;i&gt;La vida breve&lt;/i&gt; is perhaps the greatest opera in the entire Spanish repertoire. Premiered in 1913, it is the tragic story of the poor gypsy Salud, whose lover Paco betrays her and plans to wed a wealthy young woman. Though a national monument in Spain, &lt;i&gt;La vida breve&lt;/i&gt; is performed less frequently in non-Hispanic nations; to many music lovers, this recording may be the first encounter with a stage production of the work, and Giancarlo del Monaco – known for his splendid productions at the Met – makes it a memorable event. While not rejecting the folklore aspects of the original libretto, del Monaco creates a kind of psychological chamber drama in which the heroine Salud is on stage at all times, as if witnessing her own living nightmare of blood and shame.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/A93001779.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=A93001779</marc:subfield>
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            <marc:subfield code="a">GLUCK, C.W.: Orfeo ed Euridice (Castell de Peralada Festival, 2011) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Orfeo ed Euridice (Castell de Peralada Festival, 2011) (NTSC) ( 01 hrs., 49 min., 50 sec. ) / Gluck</marc:subfield>
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            <marc:subfield code="a">Palau de la Musica Catalana Chamber Choir, Choir -- Nikolić, Gordan, Conductor -- Rachvelishvili, Anita, Artist -- Alberola, Maite, Artist -- Toledano, Auxiliadora, Artist -- Orquesta bandArt, Orchestra -- Calzabigi, Ranieri, Lyricist -- Gluck, Christoph Willibald, Composer</marc:subfield>
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            <marc:subfield code="a">To celebrate the 25th anniversary of the ambitious "Festival Internacional de Musica Castell de Peralada", the Catalan theater collective La Fura dels Baus and its director Carlus Padrissa have staged Gluck's &lt;i&gt;Orfeo ed Euridice&lt;/i&gt; with three splendid soloists in a production that confirms the Fura's creativity. The most striking aspect of the production is the participation of the orchestral ensemble in the action. Padrissa also makes abundant stage use of the chorus, who depict souls or demons. With its stunning effects, expert lighting and video projections, the production grabs the viewer from the very start.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/A93001795.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=A93001795</marc:subfield>
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            <marc:subfield code="a">JESSYE NORMAN SINGS CARMEN (Paris, 1988) (NTSC)</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Jessye Norman Sings Carmen (Paris, 1988) (NTSC) ( 57 min., 04 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Norman, Jessye, Artist -- Shicoff, Neil, Artist -- Ozawa, Seiji, Conductor -- French National Orchestra, Orchestra -- French Radio and Television Chorus, Choir -- Estes, Simon, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Featuring Jessye Norman in an exclusive rehearsal of Bizet's &lt;i&gt;Carmen&lt;/i&gt; at Radio France Studio with Seiji Ozawa leading the French National Orchestra.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CM9310.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CM9310</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DR-4415.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DR-4415</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DR-4415</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DR-4442</marc:controlfield>
        <marc:controlfield tag="005">20230831062035.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">022891444299</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">022891444299</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DEVO: Live, 1980 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Devo: Live, 1980 (NTSC) ( 00 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Devo, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Even if you missed catching Devo live and 'in the flesh', you had a decent chance to sample 'em on the tube, as they were one of the few acts to appear on all of the aforementioned programs. Only problem was that bands were only given a handful of songs to perform on these shows. But with these rare footage, the &lt;i&gt;Live 1980&lt;/i&gt; comes in handy featuring a full-length show that have survived from this era. Featuring a full-length live set, rare footage of live performance of &lt;i&gt;Praying Hands and Shrivel Up&lt;/i&gt;, plus the group hit single &lt;i&gt;Whip It&lt;/i&gt;.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DR-4442.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DR-4442</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DR-4442</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DR-4497</marc:controlfield>
        <marc:controlfield tag="005">20230831062039.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">022891449799</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">022891449799</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BAD BRAINS: Live at CBGB New York, 1982 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Bad Brains: Live at CBGB New York, 1982 (NTSC) ( 00 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Bad Brains, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">On Christmas Eve 1982, Bad Brains began their three-day stint at a Hardcore Festival hosted by legendary CBGB. This video represents the very best of these shows, culled from over 4 hours of footage. Their live performances were legendary, their visual recordings were impossible to find. Now, for the first time, that powerful performance is revisited in extraordinary fashion.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DR-4497.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DR-4497</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DR-4497</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DR-4559</marc:controlfield>
        <marc:controlfield tag="005">20230831062040.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">022891455998</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">022891455998</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">MOOGFEST 2006: Live (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Moogfest 2006: Live (NTSC) ( 02 hrs., 21 min., 14 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">DJ Logic, , Artist -- Hammer, Jan, Artist -- Worrell, Bernie, Artist -- Emerson, Keith, Artist -- O'Donnell, Roger, Artist -- Rudess, Jordan, Artist -- Mahavishnu Project, The, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Featuring an incredible array of the world's leading keyboardists, &lt;i&gt;Moogfest&lt;/i&gt;, the annual festival celebrating the groundbreaking achievements of maverick inventor Robert Moog and his namesake synthesizer captures the spirit of the instruments that altered the course of our musical culture. Filmed live at New York's famed B.B. King Blues Club in Times Square. this film features performances from some of its greatest practitioners, including Keith Emerson, Jan Hammer, Bernie Worrell, Roger O'Donnell, The Mahavishnu Project and DJ Logic.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DR-4559.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DR-4559</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DR-4559</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DR-4567</marc:controlfield>
        <marc:controlfield tag="005">20230831062041.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">022891456797</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">022891456797</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">JESUS LIZARD (THE): Live in Boston, 1994 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Jesus Lizard: Live in Boston, 1994 (NTSC) ( 01 hrs., 21 min., 05 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
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        <marc:datafield tag="856" ind1="4" ind2="1">
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DRG-225.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DRG-225</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DRG-232</marc:controlfield>
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            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Musical Youth, Ensemble -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">This fantastic three camera shoot was filmed and recorded in front of over 4,000 crazy reggae fans on a summer night in June 2006 at Centre Stage in Minehead, Somerset (UK). It had been a long time since &lt;i&gt;Pass the Dutchie&lt;/i&gt;, but the crowds and fans demanded that Musical Youth comeback. In the middle of 2005, original members Dennis Seaton and Michael Grant got together with the Reggae Revolution (which included Steve Morrison and James Renford) and put together an awesome live show with all the hits and some newly recorded tracks.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DRG-232.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DRG-232</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DRG-232</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">PRESLEY, Elvis: All Hail the King (A 75 Year Tribute to Elvis Presley) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">The film features two parts which look at, document and detail each end of Elvis's career. &lt;i&gt;The Memphis Flash&lt;/i&gt; is a study of his early career in the 1950s and tells the story of how Elvis came to be the performer and artist he was. &lt;i&gt;The Last Stop Hotel&lt;/i&gt; looks at his final years and most notably his last few weeks. Both films feature exclusive interviews with Elvis' closes colleagues and industry insiders, rare footage, seldom seen photos, location shoots, news reports and numerous other features.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DVDIS021.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DVDIS021</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DVDIS021</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">JACKSON, Michael: Collector's Box (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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But after a period of grief and reflection, the time is now right to celebrate again the enormous contribution Michael offered to the world and the joy he brought it through some of the most magical records ever made. This set both traces the entire Michael Jackson story and reminds us what it was that so enamoured the world to this extraordinary human being.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;The Awards Collection&lt;/i&gt; is packed with many of the global awards that Michael achieved in his amazing successful career, they are far too numerous to list here, except to say he broke many of the previous records held and continues to do so.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=INAK6451DVD</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/INAK6451DVD</marc:subfield>
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            <marc:subfield code="a">After the premiere of the film &lt;i&gt;Yesspeak&lt;/i&gt;, Los Angeles fans were treated to an exclusive, one time only, live performance from Yes. For the first time, the Yes classic line up of Jon Anderson, Steve Howe, Chris Squire, Alan White and Rich Wakeman performed live and unplugged.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/MVD5055D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=MVD5055D</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/MVD5055D</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">98.046</marc:controlfield>
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            <marc:subfield code="a">SHINING NIGHT - A Portrait of Composer Morten Lauridsen (NTSC)</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Shining Night: A Portrait of Composer Morten Lauridsen (NTSC) ( 01 hrs., 13 min., 36 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Lauridsen, Morten, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">This film celebrates the life and music of the artist whom musicologist Nick Strimple describes as 'the only American composer in history who can be called a mystic'. Exploring the relationship of art, nature and spirituality, &lt;i&gt;Shining Night&lt;/i&gt; reveals Morten Lauridsen as a composer through the lens of his love for silence and solitude together with his passion for music and literature, with commentaries from other composers, conductors, singers and friends.

Deemed 'a heartening rarity' by the Wall Street Journal, &lt;i&gt;Shining Night&lt;/i&gt; directed by Michael Stillwater is the premiere episode in the Song Without Borders documentary series, In Search of The Great Song. Winner of three Best Documentary awards, an Official Selection of 17 Film Festivals, &lt;i&gt;Shining Night&lt;/i&gt; is hosted by choirs worldwide with screening events often including performances of Lauridsen's music.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/98.046.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=98.046</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/98.046</marc:subfield>
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    <marc:record>
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            <marc:subfield code="a">&lt;i&gt;Art Tatum: The Art of Jazz Piano&lt;/i&gt; is still the only documentary portrait of the greatest jazz pianist ever. Using photographs and some rare foot-ago of Tatum and his contemporaries, the film reconstructs his genius.

&lt;i&gt;Bonus:&lt;/i&gt;
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EDGE53D</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Sebastian, John</marc:subfield>
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            <marc:subfield code="a">CLASSIC RHYTHM AND BLUES, Vol. 2 (NTSC)</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Crawford, James</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Thomas, Jeff</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Williams, Lenny</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Watson, Johnny</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DRB-1378.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DRB-1378</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DRB-1378</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">DVD2869055</marc:controlfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">8436028690558</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Montgomery, Wes</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Strayhorn, Billy</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Pepper, Art</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Rainger, Ralph</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Grofé, Ferde</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Newborn Jr., Phineas</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Rollins, Sonny</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Akiyoshi, Toshiko</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Williams, John</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Freeman, Russ</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">JAZZ SHOTS FROM THE WEST COAST, Vol. 1 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">D Section (NTSC) ( 12 min., 38 sec. ) / Pepper -- Rose of the Rancho: If I Should Lose You (NTSC) ( 05 min., 46 sec. ) / Rainger -- Grand Canyon Suite: III. On the Trail (NTSC) ( 08 min., 31 sec. ) / Grofé -- Lush Life (NTSC) ( 04 min., 30 sec. ) / Strayhorn -- Theme for Basie (NTSC) ( 04 min., 30 sec. ) / Newborn Jr. -- Oleo (NTSC) ( 02 min., 13 sec. ) / Rollins -- Henpecked Old Man (NTSC) ( 05 min., 52 sec. ) / Akiyoshi -- The Isolated Pawn (NTSC) ( 05 min., 09 sec. ) / Williams -- Fantan (NTSC) ( 04 min., 58 sec. ) / Freeman -- Jingles (NTSC) ( 05 min., 12 sec. ) / Montgomery</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Art Pepper Quartet, Ensemble -- Chet Baker Quartet, Ensemble -- Zoot Sims Quartet, Ensemble -- Phineas Newborn Jr. Trio, Ensemble -- Akiyoshi, Toshiko, Conductor -- Lew Tabackin Big Band, Ensemble -- Shelly Manne Men, Ensemble -- Candoli, Conte, Artist -- Montgomery, Wes, Artist -- Mabern, Harold, Artist -- Harper, Arthur, Artist -- Lovelace, Jimmy, Artist -- Strayhorn, Billy, Composer -- Pepper, Art, Composer -- Rainger, Ralph, Composer -- Grofé, Ferde, Composer -- Newborn Jr., Phineas, Composer -- Rollins, Sonny, Composer -- Williams, John, Composer -- Freeman, Russ, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Jazz Shots from the West Coast, Vol. 1&lt;/i&gt; pays homage to the two coasts - namely the cities of New York and Los Angeles, and to some of the most important musicians who have spent a major part of their career there. Some of these musicians were born in the Midwest, or the South, and later moved to one of the two coasts. What is taken into account when placing the musician in the East or West Coast categories, is where they recorded their most influential works.

This collection focuses exclusively on live performances ranging from clubs to festivals to TV studio engagements without any speakers or introducers. Nothing but music!</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Jazz</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Montgomery, Wes</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Strayhorn, Billy</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Pepper, Art</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Rainger, Ralph</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Grofé, Ferde</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Newborn Jr., Phineas</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Rollins, Sonny</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Akiyoshi, Toshiko</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Williams, John</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Freeman, Russ</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/DVD2869055.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=DVD2869055</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/DVD2869055</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EDGE49D</marc:controlfield>
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            <marc:subfield code="a">820680104993</marc:subfield>
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            <marc:subfield code="a">Music Video Distributors</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DEEP ROOTS MUSIC, Vol. 1: Revival/Ranking Sounds (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Revival ( 50 min., 19 sec. ) / Not Applicable -- Ranking Sounds ( 51 min., 39 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The ultimate word on the history of reggae, this six part series, shot on film by an Oscar nominated cameraman, was produced in the early 1980's, just after the premature death of Bob Marley. It was a time to look back and to look forward. The film feature some amazing archive, much of it never seen before, of how Jamaican music developed before it became famous world-wide. Film-maker Howard Johnson interviewed the important figures who had influenced the course of the music. Along with musical performance there are interviews with cultural historians, folklorists and musicologists, along with those who created the music and those involved in the early days of Mento, Ska, Rock Steady and the sound systems. Also toasters, record producers and many great Reggae artists of the day.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Pop and Rock Documentary</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/EDGE49D.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EDGE49D</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EDGE49D</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">EDGE51D</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc ppz|fsaefh       eng|d</marc:controlfield>
        <marc:datafield tag="020" ind1=" " ind2=" ">
            <marc:subfield code="a">820680105198</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">820680105198</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Music Video Distributors</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="040" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">DEEP ROOTS MUSIC, Vol. 3: Money In My Pocket / Ghetto Riddins (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Money In My Pocket ( 52 min. ) / Not Applicable -- Ghetto Riddims ( 51 min., 31 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">The ultimate word on the history of reggae, this six part series, shot on film by an Oscar nominated cameraman, was produced in the early 1980's, just after the premature death of Bob Marley. It was a time to look back and to look forward. The film feature some amazing archive, much of it never seen before, of how Jamaican music developed before it became famous world-wide. Film-maker Howard Johnson interviewed the important figures who had influenced the course of the music. Along with musical performance there are interviews with cultural historians, folklorists and musicologists, along with those who created the music and those involved in the early days of Mento, Ska, Rock Steady and the sound systems. Also toasters, record producers and many great Reggae artists of the day.</marc:subfield>
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            <marc:subfield code="a">JACKSON, Michael: Fan's Collection (A) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Interview Collection ( 00 sec. ) / Not Applicable -- The Awards Collection ( 00 sec. ) / Not Applicable -- The Archive and Documentary Collection ( 00 sec. ) / Not Applicable -- The Image Collection ( 00 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Michael Jackson: A Fan's Collection&lt;/i&gt; is a rare collection of the King of Pop throughout his singing career until his tragic death in 2009. Containing 3 videos of his rare interviews, numerous awards, extensive footage revealing his journey in becoming an icon, this collection will surely surprised everyone, even fan's alike at how Michael Jackson changed the music industry of today. This collection has it all.</marc:subfield>
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    <marc:record>
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            <marc:subfield code="a">Sherman, Robert B.</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">(Get Your Kicks On) Route 66 (NTSC) ( 00 sec. ) / Troup -- Sweet Lorraine (NTSC) ( 00 sec. ) / Burwell -- Little Girl (NTSC) ( 00 sec. ) / Henry -- Home (When Shadows Fall) (NTSC) ( 00 sec. ) / Clarkson -- The Trouble With Me Is You (NTSC) ( 00 sec. ) / Fisher -- Calypso Blues (NTSC) ( 00 sec. ) / Cole -- (I Love You) For Sentimental Reasons (NTSC) ( 00 sec. ) / Best -- That's My Girl (NTSC) ( 00 sec. ) / Ellington -- Captain Carey, U.S.A.: Mona Lisa (NTSC) ( 00 sec. ) / Livingston -- Because of Rain (NTSC) ( 00 sec. ) / Harrington -- Too Young (NTSC) ( 00 sec. ) / Lippman -- This Is My Night to Dream (NTSC) ( 00 sec. ) / Monaco -- Nature Boy (NTSC) ( 00 sec. ) / Ahbez -- You Call It Madness (But I Call It Love) (NTSC) ( 00 sec. ) / DuBois -- Got a Penny, Benny (NTSC) ( 00 sec. ) / Sherman -- Come to Baby, Do (NTSC) ( 00 sec. ) / James -- I'm an Errand Boy for Rhythm (NTSC) ( 00 sec. ) / Cole -- Is You Is or Is You Ain't My Baby (NTSC) ( 00 sec. ) / Jordan -- I'm a Shy Guy (NTSC) ( 00 sec. ) / Cole -- Who's Been Eating My Porridge (NTSC) ( 00 sec. ) / Cole -- The Frim-Fram Sauce (NTSC) ( 00 sec. ) / Ricardel -- Oh, Kickeroony (NTSC) ( 00 sec. ) / Cole -- Now He Tells Me (NTSC) ( 00 sec. ) / Brandt -- Breezy and the Bass (NTSC) ( 00 sec. ) / Miller -- Solid Potato Salad (NTSC) ( 00 sec. ) / De Paul -- It Is Better to Be by Yourself (NTSC) ( 00 sec. ) / Cole -- Always You (NTSC) ( 00 sec. ) / Jason</marc:subfield>
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            <marc:subfield code="a">Cole, Nat King, Artist -- Nat King Cole Trio, Ensemble -- Costanzo, Jack, Artist -- Miller, Johnny, Artist -- Moore, Oscar, Artist -- James, Ida, Artist -- Troup, Bobby, Composer -- Burwell, Cliff, Composer -- Parish, Mitchell, Lyricist -- Hyde, Matt, Lyricist -- Henry, Francis, Composer -- Clarkson, Harry, Composer -- Clarkson, Jeff, Composer -- Van Steeden, Peter, Composer -- Alfred, Roy, Lyricist -- Fisher, Marvin, Composer -- George, Don, Lyricist -- Best, William, Composer -- Watson, Deek, Lyricist -- Ellington, Ray, Composer -- Tobias, Barbara, Lyricist -- Livingston, Jay, Composer -- Evans, Ray, Lyricist -- Harrington, Bill, Composer -- Poll, Ruth, Composer -- Anderson, Ian, Lyricist -- Lippman, Sidney, Composer -- Burke, Johnny, Lyricist -- Monaco, James V., Composer -- Ahbez, Eden, Composer -- DuBois, Gladys, Composer -- Gregory, Paul, Composer -- Columbo, Russ, Composer -- Conrad, Con, Composer -- Sherman, Robert B., Composer -- May, Henry, Composer -- James, Inez, Composer -- Miller, Sidney, Composer -- Jordan, Louis, Composer -- Austin, Billy, Lyricist -- Ricardel, Joe, Composer -- Evans, Redd, Lyricist -- Brandt, Alan, Composer -- Wolf, Don, Composer -- De Paul, Gene, Composer -- Prince, Hughie, Composer -- Raye, Don, Composer -- Robin, Sid, Lyricist -- Jason, Will, Composer</marc:subfield>
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            <marc:subfield code="a">Before achieving international pop stardom with his vocal recordings for the Capitol label during the early 50's, the great &lt;i&gt;Nat "King" Cole&lt;/i&gt; (1917-1965) enjoyed considerable success fronting his own trio in Hollywood and resorting to a repertoire of jazzy/jivey/novelty numbers that made for irresistible listening. Initially backed by guitarist Oscar Moore and bassist Wesley Prince, singer-pianist Cole set for a smooth, crisp, appealing sound that gained him early popularity. Best exemplified in hit tunes such as &lt;i&gt;Rout 66, Scotchin' With the Sode, Sweet Lorraine or Hit That Hive Jack&lt;/i&gt;, the peculiar Nat Cole style somewhat came to define the spirit of the war years. 

A first-class singer and a very talented pianist, Nat Cole did frequent soundies during this initial period of his career, and this recording is a fascinating collection of those early film shorts produced for theaters and television. Backed by sideman guitarists Oscar Moore, bassists Irving Ashby, Johnny Miller and Joe Comfort and Latin percussionists Jack Costanzo, Cole was in peak artistic form in these true musical gems from his early West Coast period. Recommended to old-time fans and jazz enthusiasts alike, the music in this anthology sounds as enjoyable as ever.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Nabucco&lt;/i&gt; was Verdi's third work for the stage and proved his first great success when performed in 1842. It deals with the Hebrews' attempts to break free from the yoke of their Babylonian oppressors and is nowadays numbered among Verdi's most popular works, not least on account of its famous Chorus of Hebrew Slaves, which has one of the best-loved melodies in the whole history of opera.</marc:subfield>
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            <marc:subfield code="a">Guelfi, Carlo, Artist -- Berti, Marco, Artist -- Svab, Alessandro, Artist -- Prestia, Giacomo, Artist -- Parma Teatro Regio Chorus, Choir -- Parma Teatro Regio Orchestra, Orchestra -- Allemandi, Antonello, Conductor -- Neves, Susan, Artist -- Zanini, Nicolletta, Artist -- Simoncini, Samuele, Artist -- Piave, Francesco Maria, Lyricist -- Verdi, Giuseppe, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Ernani&lt;/i&gt; is Verdi's fifth work for the stage and is based on Victor Hugo's &lt;i&gt;Hernani&lt;/i&gt;. It takes as its starting point the theme of vengeance in all its manifold aspects and received its first performance at the Teatro La Fenice in Venice in March 1844, its success proving Verdi's definitive breakthrough as a composer. The fact that the work has been staged with increasing frequency in major opera houses in recent years is due to the renaissance of bel canto singing.</marc:subfield>
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            <marc:subfield code="a">Nucci, Leo, Artist -- Renzetti, Donato, Conductor -- Parma Teatro Regio Chorus, Choir -- Parma Teatro Regio Orchestra, Orchestra -- Bonfatti, Gregory, Artist -- Buffoli, Mauro, Artist -- Biasio, Roberto de, Artist -- Polidori, Marcella, Artist -- Tagliavini, Roberto, Artist -- Serjan, Tatiana, Artist -- Bianchini, Alessandro, Artist -- Piave, Francesco Maria, Lyricist -- Verdi, Giuseppe, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;I due Foscari&lt;/i&gt; was Verdi's sixth opera and is based on Lord Byron's play &lt;i&gt;The Tow Foscari&lt;/i&gt;. Rich in intrigue, the plot tells of the final days of the famous Venetian doge, Francesco Foscari, and his illegal overthrow in 1457. The opera was first performed at the Teatro Argentina in Rome in November 1844.</marc:subfield>
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            <marc:subfield code="a">Parodi, Giovanni Battista, Artist -- Parma Teatro Regio Chorus, Choir -- Parma Teatro Regio Orchestra, Orchestra -- Biasio, Roberto de, Artist -- Branchini, Susanna, Artist -- Catana, Sebastian, Artist -- Cremonini, Cristiano, Artist -- Battistoni, Andrea, Conductor -- Atfeh, Zyian, Artist -- Verdi, Giuseppe, Composer -- Solera, Temistocle, Lyricist</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=721608</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;La battaglia di Legnano&lt;/i&gt; is the only opera by Verdi to have any direct bearing on the &lt;i&gt;Risorgimento&lt;/i&gt; - the Italian liberation movement. Only superficially is the action concerned with the conflict between the Lombard League and Frederick Barbarossa, the Hohenstaufen emperor. Among the opera's highlights are its patriotic choruses, with which Verdi stirred up opinion in favour of a united Italy.</marc:subfield>
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            <marc:subfield code="a">For Verdi, Victor Hugo's play &lt;i&gt;Le roi s'amuse&lt;/i&gt; was arguably the greatest drame of the present day. But many of his contemporaries were scandalized by this tale of corpses, jesters, cripples and a king addicted to venal love. And yet this no doubt helps to explain why &lt;i&gt;Rigoletto&lt;/i&gt; turned out to be Verdi's second great success and laid the foundations for his emergence as Italy's leading opera composer.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;La traviata&lt;/i&gt; is Verdi's most popular opera and one of the best loved of all stage works. Romance, tragedy and unforgettable tunes - this opera has it all. But modern audiences have largely lost sight of the fact that its plot was altogether unprecedented at the time of the work's composition: with the tale of high-class prostitute dying of consumption, Verdi raised his fondness for daring subjects to a whole new level.</marc:subfield>
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            <marc:subfield code="a">In 1792 King Gustavus III of Sweden was shot at a masked ball, and this was the starting point of Verdi's &lt;i&gt;Un ballo in maschera&lt;/i&gt;. But Before the opera could be performed in Rome in 1859, the composer had to deal with a whole series of problems with the censor. It was only when the action was moved to Boston and all reference to real-life figures removed that work could be launched on its triumphant career.</marc:subfield>
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            <marc:subfield code="a">Pentcheva, Mariana, Artist -- Fogliani, Antonino, Conductor -- Parma Teatro Regio Chorus, Choir -- Parma Teatro Regio Orchestra, Orchestra -- Gazale, Alberto, Artist -- Branchini, Susanna, Artist -- Fraccaro, Walter, Artist -- Yu, Guanqun, Artist -- Andguladze, George, Artist -- Vassallo, Cosimo, Artist -- Malinverno, Carlo, Artist -- Ghislanzoni, Antonio, Lyricist -- Verdi, Giuseppe, Composer</marc:subfield>
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            <marc:subfield code="a">Commissioned by the Viceroy of Egypt, &lt;i&gt;Aida&lt;/i&gt; is Verdi's only opera to be written for a non-European house. Although set in Egypt in the 19th century BC, it borrows only superficially from the current fashion for exotic subjects but on closer examination emerges as an implacable indictment of nationalism and imperialism.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=724808</marc:subfield>
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            <marc:subfield code="a">Maestri, Ambrogio, Artist -- Salsi, Luca, Artist -- Denti, Mattia, Artist -- Parma Teatro Regio Chorus, Choir -- Parma Teatro Regio Orchestra, Orchestra -- Gandia, Antonio, Artist -- Bargnesi, Barbara, Artist -- Vassileva, Svetla, Artist -- Casalin, Luca, Artist -- Tomasoni, Romina, Artist -- Battistoni, Andrea, Conductor -- Saudelli, Patrizio, Artist -- Pini, Daniela, Artist -- Verdi, Giuseppe, Composer -- Boito, Arrigo, Lyricist</marc:subfield>
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            <marc:subfield code="a">VERDI, G.: Messa da Requiem (Temirkanov) (NTSC)</marc:subfield>
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            <marc:subfield code="a">When the revered writer &lt;i&gt;Alessandro Manzoni&lt;/i&gt; died in 1873, Verdi was unable to bring himself to attend the funeral. Instead he composed his monumental &lt;i&gt;Messa de Requiem&lt;/i&gt; in Manzoni's memory and conducted its first performance on the first anniversary of the writer's death. In addition to its profound spirituality, the work also brings together all the finest qualities from Verdi's operas, qualities that include endless melodic lines and powerful musico-dramatic effects.

The present performance was recorded in Los Angeles' legendary Hollywood Bowl in August 2013 and brought together Ildebrando D'Arcangele, all of them at the top of their form.</marc:subfield>
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            <marc:subfield code="a">Ulivieri, Nicola, Artist -- Barcellona, Daniela, Artist -- Fischer, Jeannette, Artist -- Bologna Teatro Comunale Chorus, Choir -- Bologna Teatro Comunale Orchestra, Orchestra -- Jurowski, Dimitri, Conductor -- Pratt, Jessica, Artist -- Mihai, Bogdan, Artist -- Pierpaoli, Francesca, Artist -- Daliotti, Clemente Antonio, Artist -- Rossini, Gioachino, Composer -- Schmidt, Giovanni Federico, Lyricist</marc:subfield>
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            <marc:subfield code="a">From the Rossini Festival in Pesaro comes the first staged performance since 1825 of &lt;i&gt;Adelaide di Borgogna&lt;/i&gt;. Set in medieval times, the libretto relates the tale of a king's widow who is used as a pawn in diplomatic and amorous intrigues. &lt;i&gt;Adelaide&lt;/i&gt; stars sought-after mezzo Daniela Barcellona as Ottone, and, in the role of Adelaide, young Australian soprano Jessica Pratt, who possesses a natural-born bel-canto voice. Director Pier' Alli has devised a modern, stylish look for his production, which interweaves medieval aspects with ironically used elements from the time of the opera's genesis.</marc:subfield>
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            <marc:subfield code="a">Schmidt, Giovanni Federico</marc:subfield>
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            <marc:subfield code="a">DEBUSSY, C.: Pelléas et Mélisande (Opéra Bastille Paris, 2012) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Pelleas et Melisande (Opera Bastille Paris, 2012) (NTSC) ( 02 hrs., 48 min., 09 sec. ) / Debussy</marc:subfield>
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            <marc:subfield code="a">Le Texier, Vincent, Artist -- Otter, Anne Sofie von, Artist -- Selig, Franz-Josef, Artist -- Degout, Stéphane, Artist -- Varnier, Jerome, Artist -- Paris National Opera Chorus, Choir -- Jordan, Philippe, Conductor -- Paris National Opera Orchestra, Orchestra -- Tsallagova, Elena, Artist -- Mathevet, Julie, Artist -- Maeterlinck, Maurice, Lyricist -- Debussy, Claude, Composer</marc:subfield>
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            <marc:subfield code="a">Paris' Opera de la Bastille celebrated the 150th birthday of &lt;i&gt;Claude Debussy&lt;/i&gt; with avant-garde director Robert Wilson's "wondrous" (Le Figaro) production of &lt;i&gt;Pelleas et Melisande&lt;/i&gt; featuring a stellar cast headed by Stephane Degout, Elena Tsallagova and Vincent Le Texier in the lead roles, and supported by high-caliber performers such as Anne-Sofie von Otter and Franz Joseph Selig in smaller roles. "The singers have integrated Wilson's language of gestures and lighting to a degree never attained by previous casts" (Le Figaro). Philippe Jordan gives a transparent reading of Debussy' haunting score.</marc:subfield>
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            <marc:subfield code="a">BERG, A.: Lulu (Salzburg Festival, 2010) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Lulu (Salzburg Festival, 2010) (NTSC) ( 03 hrs., 01 min., 29 sec. ) / Berg</marc:subfield>
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            <marc:subfield code="a">Volle, Michael, Artist -- Grundheber, Franz, Artist -- Petibon, Patricia, Artist -- Vienna Philharmonic Orchestra, Orchestra -- Wulkopf, Cornelia, Artist -- Zednik, Heinz, Artist -- Breslik, Pavol, Artist -- Burggraaf, Cora, Artist -- Albrecht, Marc, Conductor -- Conrad, Andreas, Artist -- Baumgartner, Tanja Ariane, Artist -- Mayer, Thomas Johannes, Artist -- Piffka, Thomas, Artist -- Tzonev, Martin, Artist -- Pictet, Emilie, Artist -- Berg, Alban, Composer</marc:subfield>
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            <marc:subfield code="a">Alban Berg's &lt;i&gt;Lulu&lt;/i&gt; is a rarely performed work that calls for a very large orchestra as well as a large cast of vocal soloists. Written in the 1930s, &lt;i&gt;Lulu&lt;/i&gt; is the story of a lower-class girl who uses men as stepping-stones on her path to fame and fortune and who ultimately meets her own fate at the hands of Jack the Ripper. Lulu, a tragic creature and femme fatale - nobody could allegorize such a role better then Patricia Petibon. As a sensual, ethereally beautiful Lulu, she commands the public's attention in every scene. 

Leading the Wiener Philharmoniker, conductor Marc Albrecht treats the rich sonorities of Berg's music as a natural extension of Wagner, Brahms and Strauss. He thus provides an ideal support for the two main protagonists of the work, which is next to Patricia Petibon's Lulu Michael Volle's Dr. Schon. She is complemented by Volle's powerful baritone as well as tenor Pavol Breslik, bass-baritone Franz Grundheber and Tanja Ariane Baumgartner as a heartrending Countess Geschwitz. 

A particularly stunning feature of this production are the painted backdrops by Daniel Richter, one of the most internationally prized German painters of today. Whether depicting Lulu herself, a horde of menacing, grimacing faces or an eerie, stylized winter landscape, the gigantic backdrops dominate the stage and set the tone for the story. 

Since the work was left incomplete at Berg's death, the missing third act was completed on the basis of Berg's sketches by Austrian composer Friedrich Cerha, who was awarded the renowned "Salzburg Music Award" in 2010.</marc:subfield>
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            <marc:subfield code="a">STRAUSS, R.: Frau ohne Schatten (Die) (Salzburg Festival, 2011) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Die Frau ohne Schatten, Op. 65, TrV 234 (Salzburg Festival, 2011) (NTSC) ( 03 hrs., 38 min., 04 sec. ) / Strauss</marc:subfield>
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            <marc:subfield code="a">Schuster, Michaela, Artist -- Schwanewilms, Anne, Artist -- Thielemann, Christian, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Herlitzius, Evelyn, Artist -- Humes, Steven, Artist -- Koch, Wolfgang, Artist -- Conrad, Andreas, Artist -- Gould, Stephen, Artist -- Salzburg Festival Children's Chorus, Choir -- Concert Association of the Vienna State Opera Chorus, Choir -- Hofmannsthal, Hugo von, Lyricist -- Strauss, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">A shining hour, a moment of glory, trumpeted Vienna's Kurier after the double premiere of &lt;i&gt;Richard Strauss' Die Frau ohne Schatten&lt;/i&gt; at the Salzburg Festival in July 2011. The premiere of a stunning production, and that of &lt;i&gt;Christian Thielemann&lt;/i&gt; as opera conductor at the Salzburg Festival. "A triumph for Thielemann", hailed the Frankfurter Allgemeine Zeitung. Christian Thielemann and the Wiener Philharmoniker were frenetically cheered, heartily applauded, "and rightly so (Suddeutsche Zeitung).

True to the &lt;i&gt;Salzburg Festival's&lt;/i&gt; tradition, this production features a line-up of great Strauss singers, a "high-caliber vocal cast that provides the greatest Strauss bliss" (Frankfurter Allgemeine Zeitung). The entire cast was exuberantly accompanied by the Wiener Philharmoniker, which "responded with playing of exceptional refinement, precision and warmth" (Financial Times).

Completed in 1917, the massively scored work - one of the most difficult to interpret, both musically and dramatically - wasn't a success from the beginning. It was only years later that the opera was rediscovered: thanks to &lt;i&gt;Karl Bohm's&lt;/i&gt; acclaimed complete Grammophon recording, which took place in Vienna in 1955, the work became better known and is now even regarded as "the richest and most colorful score that Strauss ever wrote" (Die Presse). It is this recording that inspired director &lt;i&gt;Christof Loy's&lt;/i&gt; production, which is set in the mid 1950s in the Sofiensale, a celebrated Viennese recording studio at the time. The singers portray singers from the Wiener Staatsoper at the recording, who - during the course of the performance - gradually meld with their roles.</marc:subfield>
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            <marc:subfield code="a">Muff, Alfred, Artist -- Klink, Matthias, Artist -- Daniel, Boaz, Artist -- Kallisch, Cornelia, Artist -- Aikin, Laura, Artist -- Metzmacher, Ingo, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Morloc, Renée, Artist -- Ablinger-Sperrhacke, Wolfgang, Artist -- Baumgartner, Tanja Ariane, Artist -- Konieczny, Tomasz, Artist -- Brenna, Daniel, Artist -- Beňačková, Gabriela, Artist -- Zimmermann, Bernd Alois, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Bernd Alois Zimmermann's&lt;/i&gt; opera &lt;i&gt;Die Soldaten (The Soldiers)&lt;/i&gt;, the "highlight of the festival season" (Suddeutsche Zeitung), breaks all records! The style and structure of an opera, acknowledged as one of the 20th century's key works, its musical and dramatic collage technique take it to the limits of what is playable. Now, in Salzburg's Felsenreitschule, the opera has found the ideal performance venue and, with the Vienna Philharmonic under Ingo Metzmacher together with a top-flight cast of singers, its ideal performers too.

Everything in this production is on a massive scale: 170 musicians (around 50 of them in the side galleries) and 50 or so soloists on stage contribute to make this highly complex composition a direct and physically palpable experience for the audience. The sheer force of the music and its performance are reflected in the Latvian-born director Alvis Hermanis's staging: setting the scene on a 40-metre wide stage in the riding school and taking advantage of the room's full height, he portrays the individual episodes and stages of the plot in the simultaneity required by Zimmermann and condenses it into an exciting drama. Based on the play written by &lt;i&gt;Reinhold Jakob Michael Lenz&lt;/i&gt; in 1776, and first performed in 1965, the work is moved to the period of the First World War: the innocent young Marie is engaged to be married to the cloth dealer Stolzius, but is seduced by an officer, Desportes, who then abandons her to a cruel fate as a social outcast. Zimmermann reveals characters to us "just as we can meet them any time and anywhere, people who through no fault of their own can be destroyed."</marc:subfield>
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            <marc:subfield code="a">Mozart, Wolfgang Amadeus</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Clemenza di Tito (La) (Studio Production, 1980) (NTSC)</marc:subfield>
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            <marc:subfield code="a">La Clemenza di Tito, K. 621 (Studio Production, 1980) (NTSC) ( 02 hrs., 18 min., 39 sec. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Rydl, Kurt, Artist -- Howells, Anne, Artist -- Levine, James, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Troyanos, Tatiana, Artist -- Malfitano, Catherine, Artist -- Neblett, Carol, Artist -- Tappy, Eric, Artist -- Concert Association of the Vienna State Opera Chorus, Choir -- Eisenberg, Philip, Artist -- Mozart, Wolfgang Amadeus, Composer -- Metastasio, Pietro, Lyricist</marc:subfield>
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            <marc:subfield code="a">Mozart's last opera in a production filmed in historical Roman settings by one of the century's great Mozart directors, Jean-Pierre Ponnelle.

"The visually flamboyant Mr. Ponnelle has attempted a fusion of the   stylistic and, with the help of the camera closeup, the more natural and intimate. using locations in and around Rome, including Hadrian's Villa, he has placed his singers in spectacular settings of historical ruins,supplemented judiciously with additions and props. The music is magnificent, frequently sublime. And the cast is splendid…" (The New York Times, 19.10.81)

Jean-Pierre Ponnelle was in great part responsible for making the musical world aware of the true importance of Mozart's last opera &lt;i&gt;La Clemenza di Tito&lt;/i&gt; and for the fact that the opera is now regularly performed all over the world. He created a television version of his Salzburg Festival production of this work, an "opera seria" which Mozart composed in 1791 for the coronation of Emperor Leopold II in Prague. Ponnelle makes use of the wonderful gardens and ruins of Hadrian's Villa, the Thermae of Caracalla and Rome's Forum Romanum not because of their authenticity, but because of their unique atmospheric quality. The humanity of Mozart's characters is fully expressed thanks to the conductor James Levine and the outstanding cast of singer-actors led by the grandiose Tatiana Troyanos as Sextus and Eric Tappy as a commanding Tito.</marc:subfield>
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            <marc:subfield code="a">STRAUSS, R.: Elektra (Studio Production, 1982) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Elektra, Op. 58, TrV 223 (Studio Production, 1982) (NTSC) ( 01 hrs., 58 min., 48 sec. ) / Strauss</marc:subfield>
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            <marc:subfield code="a">Yachmi, Rohangiz, Artist -- Varnay, Astrid, Artist -- Doig, Christopher, Artist -- Greindl, Josef, Artist -- Rysanek, Leonie, Artist -- Böhm, Karl, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Gall, Axelle, Artist -- Böhme, Kurt, Artist -- Borris, Kaja, Artist -- Beirer, Hans, Artist -- Lorand, Colette, Artist -- Fischer-Dieskau, Dietrich, Artist -- Ligendza, Catarina, Artist -- Concert Association of the Vienna State Opera Chorus, Choir -- Vance, Marjorie, Artist -- Reppel, Carmen, Artist -- Warla, Olga, Artist -- Nikolova, Milkana, Artist -- Hofmannsthal, Hugo von, Lyricist -- Strauss, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">Ever since his filming of &lt;i&gt;Salome&lt;/i&gt; with stage director Gotz Friedrich in 1974, it had been one of Karl Bohm's greatest wishes to realize an &lt;i&gt;Elektra&lt;/i&gt; film with the same director. The production was completed in 1981. That spring, Bohm conducted the soundtrack for the film in Vienna with the Vienna Philharmonic - it was the great musician's last recording. His death on 14 August 1981 in Salzburg, while work was still in progress on this film, makes &lt;i&gt;Elektra&lt;/i&gt; his artistic legacy. No other opera by Richard Strauss calls for such gigantic vocal and instrumental forces as Elektra. The work surges with savage polyphonic sonorities typical of expressionism. &lt;i&gt;Elektra&lt;/i&gt; was the first work written in collaboration with the poet Hugo von Hofmannsthal and was premiered in the Semper Opera in Dresden on 25 January 1909. In this production, history, psychoanalysis and modern-day apocalyptic visions are presented with compelling urgency through Friedrich's staging and Bohm's artistic mastery. Elektra becomes a contemporary myth of desperate, unrelenting humanity. "Seldom before, surely, have the often erotic ideas of Hofmannsthal's libretto been so explicitly delineated or its tragic grandeur so movingly realised. Leonie Rysanek, in her first and possibly only Elektra, surmounted the score's superhuman demands with an interpretive achievement that crowns her career of more than 30 years. As a whole, the film showed that opera on television can be a great experience." (Daily Telegraph, 4 May 1985)

"Besides being an important historical document of some great opera 
talents, Gotz Friedrich's film adaptation of Richard Strauss' Elektra is unusually good television. This Freudian interpretation of the ancient Greek saga is steeped in guilt, murder, incest and revenge?EUR?" (USA Today, 4 November 1986)

"This is a powerfully moving Elektra, many of its distinctive images as memorably vivid as they are harsh. The performances, on the recording and on the set, are really quite extraordinary. Miss Rysanek, in particular, is impressive in what must have been trying circumstances." (The New York Times, 11 April 1986)</marc:subfield>
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            <marc:subfield code="a">Composed to a libretto by Harry Graf Kessler and Hugo von Hofmannsthal and premiered by Sergei Diaghilev's Ballet Russes in the summer of 1914, &lt;i&gt;Richard Strauss' Josephs Legende&lt;/i&gt; was one of the earliest cultural casualties of the First World War. The leads in John Neumeier's production from 1977 are terrific, especially the sensational Judith Jamison as Potiphar's Wife. The Wiener Philharmoniker sounds sumptuous and conductor Heinrich Hollreiser keeps the drama from dragging without getting in the way of the dancers." (James Leonard, ALLMUSIC.com)</marc:subfield>
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            <marc:subfield code="a">Ghiaurov, Nicolai, Artist -- Pavarotti, Luciano, Artist -- Cossotto, Fiorenza, Artist -- Milan La Scala Chorus, Choir -- Karajan, Herbert von, Conductor -- Milan La Scala Orchestra, Orchestra -- Price, Leontyne, Artist -- Verdi, Giuseppe, Composer -- Mass Text, Lyricist</marc:subfield>
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            <marc:subfield code="a">Together with Beethoven's &lt;i&gt;Missa Solemnis&lt;/i&gt;, Verdi's &lt;i&gt;Requiem&lt;/i&gt; ranks as one of the two supreme achievements in 19th-century liturgical music. Verdi reverred the great Italian author Alessandro Manzoni. When Manzoni died on 22 May 1873, Verdi wrote to his publisher expressing his desire to compose a &lt;i&gt;Requiem Mass&lt;/i&gt;. It was premiered on the first anniversay of Manzoni's death. From the hushed reverence of the "Requiem aeternam" to the raging fury of the "Dies irae", and from the overwhelming power of the "Tuba mirum" to the sobbing grief of the "Lacrimosa", the &lt;i&gt;Requiem&lt;/i&gt; is a highly dramatic and emotional - though not theatrical - work. Verdi specified that it "must not be sung the way an opera is sung". A work of awesome grandeur, it projects a compelling sincerity and honesty, even though Verdi was a non-observant Catholic.

Originally performed at La Scala in 1967 to celebrate the tenth anniversary of Toscanini's death, this production with the orchestra and chorus of the Teatro alla Scala was presented in Moscow, Montreal and New York, in addition to Milan. It was recorded on film in 1967, now with the young Luciano Pavarotti replacing Carlo Bergonzi. One of Karajan's earliest film productions (and his first color film), it reflects his innovativeness especially through his choice of Henri-Georges Clouzot as director. Clouzot was the creator of classic "films noirs" such as &lt;i&gt;Quai des Orfèvres&lt;/i&gt; and &lt;i&gt;Wages of Fear&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">Full of fizz and subtle humor, &lt;i&gt;Die Fledermaus (The Bat)&lt;/i&gt; has become a staple of New Year's Eve programming in many opera houses around the world. In this sparkling production, director Otto Schenk has freed it from the conventional bonds of the theater, broken it up into fully telegenic, whirling visual sequences, and heightened it with the tumultuous gaiety prescribed by Strauss. Act II, often a stiffly staged ball, has at last become one great hurly-burly, a huge festival, an orgy of swaying figures – drunken or otherwise intoxicated. Foremost among them are the frenzied Eberhard Wachter as Eisenstein, the delicious Renate Holm as Adele and the noble Gundula Janowitz as the long-suffering Rosalinde, who does a magnificent gypsy dance. Competing for the title of show-stealer are fabled Bayreuth tenor Wolfgang Windgassen as Prince Orlofsky and actor-director Otto Schenk himself as Frosch. Karl Bohm leads the Vienna Philharmonic and the Chorus of the Vienna State Opera in this spirited recording.</marc:subfield>
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            <marc:subfield code="a">In a rare display of unanimous praise, international music critics rated this cycle one of the greatest operatic events of its time. Although Monteverdi played a truly important role in the development of opera, only few major opera houses have ventured to present these three Baroque masterpieces. Years of intensive study by conductor Nikolaus Harnoncourt, not only of the transmitted scores but also of the instruments used in Monteverdi's time, were necessary to provide a basis for the exceptionally high standard of the Zurich productions. Just how meticulously Harnoncourt and the celebrated stage director Jean-Pierre Ponnelle prepared themselves is made partly clear by the fact that the orchestra exclusively played original 17th-century instruments and specially-made copies for these productions. This in turn meant that each of the 39 members of the -awaited expansion of the standard opera repertoire had successfully been realized. What makes the Monteverdi cycle a unique project is the certainty that it can never again be repeated with quite the same quality and feeling.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Parsifal&lt;/i&gt; is Wagner's last opera. He named it "Consecration Play for the Stage," and in so doing, tried to give the proper framework to what is in almost all aspects a sacred Christian play with music. Wagner also included mythology, mysticism and ancient Indian ideas in this work, whose origins he drew from &lt;i&gt;Wolfram von Eschenbach's&lt;/i&gt; famous courtly epic &lt;i&gt;Parsival&lt;/i&gt;. But even earlier sources related to the legend of the Holy Grail were used by Wagner as a source for his poetic work. For 30 years no theater other than Bayreuth was allowed to perform Parsifal by order of Wagner. Only in 1914 did the work spread across the globe. 

Wagner achieved the essentially sacred atmosphere of the music through an instrumentation that evokes organ registration and often uses the instruments in groups (woodwinds, brass, strings). The leitmotivic work is less dense in Parsifal than in the Ring of the Nibelung. The brilliant songfulness of the world of the Grail is set against chromatic harmonies which, e.g. in the prelude to the third act, anticipate the twelve-tone music of the New Vienna School. The musical direction of this performance from the Bayreuth Festival is in the hands of Horst Stein; the stage director is Wolfgang Wagner, who also designed the sets. In the lead roles are renowned Wagner singers Siegfried Jerusalem, Hans Sotin, Bernd Weikl and Eva Randova.</marc:subfield>
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            <marc:subfield code="a">MASCAGNI, P.: Cavalleria Rusticana (Studio Production, 1981) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Barbieri, Fedora, Artist -- Domingo, Plácido, Artist -- Bruson, Renato, Artist -- Milan La Scala Chorus, Choir -- Prêtre, Georges, Conductor -- Obraztsova, Elena, Artist -- Milan La Scala Orchestra, Orchestra -- Gall, Axelle, Artist -- Targioni-Tozzetti, Giovanni, Lyricist -- Menasci, Guido, Lyricist -- Mascagni, Pietro, Composer</marc:subfield>
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            <marc:subfield code="a">The Great Italian stage and screen director Franco Zeffirelli made these widely acclaimed film, starring Placido Domingo, with Georges Pretre conducting the Orchestra and Chorus of La Scala. &lt;i&gt;Cavalleria Rusticana&lt;/i&gt; was filmed on location in Sicily, which adds immeasurably to the power and atmosphere of this timeless story of love, honour, justice, and violence.</marc:subfield>
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            <marc:subfield code="a">The first performance of this work in 1813 was a spectacular event. The long awaited Seventh was completed in May 1812 when the Austrian capital was recovering from the French occupation. The defeat of Napoleon's armies made the concert an occasion for celebration, and this historical event helped ensure the work's enormous popularity and the composer's lasting fame. The &lt;i&gt;Seventh Symphony&lt;/i&gt; is one of the best examples of how Beethoven used simple harmonies and filled them with energetic, repetitive rhythms, which never become monotonous because of the fresh harmonic progressions that accompany them.

This recording is part of Bernstein's complete cycle of Beethoven symphonies recorded with the Vienna Philharmonic Orchestra live in Vienna. The series won the Ace Award, the U.S. Cable TV Association's top award for outstanding quality and entertainment value. Bernstein&amp;#x2019;s impassioned renderings of Beethoven move audiences in a unique way. "Beethoven has always meant universality to me, ever since my early adolescence, when I first heard that unforgettable cry of 'Brüder!'. From that moment on, every symphony came to mean heart-to-heart communication, travelling satellite-fashion via the cosmos itself. I offer [this cycle] to all music-loving ears as a testament of faith and of my most profound reactions to this greatest of all composers." (Leonard Bernstein, 1980)</marc:subfield>
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            <marc:subfield code="a">BRAHMS, J.: Symphony No. 2 in D Major, Op. 73 (C. Kleiber) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Brahms's sunny &lt;i&gt;Second Symphony&lt;/i&gt; is as warm and lyrical as his First had been stormy and dramatic. It quite possibly reflects the idyllic nature around Lake Wörth in Austria, where Brahms composed it in the summer of 1877. Brahms himself, however, called attention to the melancholy current that undermines the pastoral serenity ("You&amp;#x2019;ve never heard anything as world-weary as this", he wrote to his friend Schubring). Despite the apparent simplicity of the symphonic writing, the work is strengthened and enriched by many thematic threads that run from one movement to another. It has been a special favorite among music lovers since its premiere in Vienna on 30 December 1877. The celebrated 19th-century music critic Eduard Hanslick wrote that it was for &amp;#x201C;all who long for good music, whether they understand its complexity or not&amp;#x201D;. Carlos Kleiber was born in Berlin on 3 July 1930, the son of the celebrated conductor Erich Kleiber. He was raised in Argentina after his family fled Nazi Germany. After the war, Kleiber went to Switzerland to study chemistry. His musical talent carried the day, however, and he made his conducting debut in Potsdam in 1954. He worked his way through the ranks of provincial opera houses, making longer stops in Düsseldorf, Zurich, Stuttgart. He freelanced for many years, conducting infrequently but at the world's leading venues: the Vienna State Opera, the Metropolitan Opera, the Bavarian State Opera, La Scala, Bayreuth, Covent Garden... Thanks to Kleiber's legendary reluctance to produce recordings, each recording is an event, a classic. He could allow himself the luxury of choosing his own repertoire and performers, and of working at a pace that ensured peerless music-making. The results can perhaps be best illustrated with the image of "an expert art restorer who clears away centuries of grime to reveal a painting in its pristine glory. Kleiber&amp;#x2026; strips away the varnish from some of music's most tradition-encrusted masterworks to expose the vital creation lurking beneath."</marc:subfield>
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            <marc:subfield code="a">Anne-Sophie Mutter chose to begin her homage to Mozart's 250th birthday with the violin concertos. The choice is certainly fitting, as the concertos have been a major pillar of her repertoire ever since her earliest days: she played the &lt;i&gt;Second Concerto&lt;/i&gt; at her public debut when she was nine, and performed the &lt;i&gt;G major Concerto K. 216&lt;/i&gt; at her spectacular Salzburg debut under Herbert von Karajan when she was 13. She vigorously affirms that Mozart has since been present in her life on a daily basis.

Although she has already recorded Mozart's violin concertos in the past, Ms. Mutter is aware that her more recent interpretations bring a different perspective and greater maturity to her view of Mozart &amp;#x2013; while not diminishing the value of her earlier recordings. For this recording, which was filmed in Salzburg in December 2005, Ms. Mutter decided to conduct the ensemble herself. And with the Camerata Salzburg, she had at her disposal a supple and sensitive partner.

Mozart was not only a gifted pianist but also an accomplished string player, who enjoyed playing both the violin and the viola. His first violin concerto, &lt;i&gt;K. 207 in B flat major&lt;/i&gt;, was written in 1773 and is possibly Mozart's very first concerto for solo instrument and orchestra. The other four works &amp;#x2013; K. 211, 216, 218 and 219 &amp;#x2013; were all composed within a few months from June to December 1775, while Mozart was in the employ of the Archbishop of Salzburg.

The concertos underscore Mozart's genius in character portrayal while reconciling virtuosity with the needs of dramatic expression. They unfold prodigious melodic invention, fluid rhythms and a voluptuous orchestral fabric. Among Ms. Mutter's favorite moments in these concertos are the Adagio of K. 216, with its muted strings that give it a magical atmosphere; the concerto K. 218, which reminds her of a symphonic drama; and K. 219, which she calls the "crowning achievement" and is generally considered as the ripest of the five in emotional content and the most fascinating in form.</marc:subfield>
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            <marc:subfield code="a">Van Mechelen, Werner, Artist -- Hannigan, Barbara, Artist -- Merritt, Chris, Artist -- Liang, Ning, Artist -- Asawa, Brian, Artist -- Liceu Grand Theatre Chorus, Choir -- Vas, Francisco, Artist -- Liceu Grand Theatre Orchestra, Orchestra -- Boder, Michael, Conductor -- Olsen, Frode, Artist -- Butteriss, Simon, Artist -- Moraleda, Ines, Artist -- Puche, Ana, Artist -- Diap, Gabriel, Artist -- Rosales, Miguel, Artist -- Grau, Ramon, Artist -- Ligeti, György, Composer -- Meschke, Michael, Lyricist</marc:subfield>
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            <marc:subfield code="a">Barcelona's Grand Teatre del Liceu presents Gyorgy Ligeti's sole opera &lt;i&gt;Le grand macabre&lt;/i&gt; in a stunningly imaginative and highly theatrical production by La Fura dels Baus, a production that already scored an enormous success in Brussels, London and Rome and - as Britain's The Independent proclaimed - "only comes along once a decade".

Ligeti's absurd-tragicomical masterpiece of the highest order blends popular theater, comics, pop art, cabaret, caricature and the Apocalypse with fascinating imaginativeness. The orchestra, for example, is enhanced with “instruments” such as car horns and doorbells. Ligeti himself – one of the great composers of the later 20th century – called his work an "anti-anti-opera." Premiered in Stockholm in 1978, the work is based on a play by Michel de Ghelderode (1898-1962) and unfolds in an imaginary land inspired by the famous Dutch painter Pieter Breughel the Elder: Nekrotzar, the Grand Macabre, announces the end of the world; but in a land ruled by eros, alcohol and corruption, his plan to unleash the Apocalypse bursts like a soap bubble. The people continue to lead their lives as before and refuse to be frightened by thoughts of death and a dark future…</marc:subfield>
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            <marc:subfield code="a">CLYNE, A.: Violin (The) (Kauffman, Duffallo) (NTSC)</marc:subfield>
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            <marc:subfield code="a">No. 4. Ship of Stars ( 06 min., 10 sec. ) / Clyne -- No. 5. Tea Leaves ( 06 min., 26 sec. ) / Clyne -- No. 6. Resting in the Green ( 05 min., 41 sec. ) / Clyne -- No. 7. Lavender Rain ( 04 min., 29 sec. ) / Clyne -- No. 3. October Rose ( 03 min., 44 sec. ) / Clyne -- No. 2. Rest These Hands ( 09 min., 10 sec. ) / Clyne -- No. 1. Blue Hour ( 08 min., 04 sec. ) / Clyne</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;The Violin&lt;/i&gt; is a collaboration between composer &lt;i&gt;Anna Clyne&lt;/i&gt; and visual artist &lt;i&gt;Josh Dorman&lt;/i&gt;. Amy Kauffman and Cornelius Dufallo perform Clyne's seven compositions on violin with layers of sound and fragments of spoken poetry, performed by Clyne herself. Dorman's stop-motion animations vary from abstract to narrative, and incorporate materials such as graphite, tealeaves, paint, and collaged paper.</marc:subfield>
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