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            <marc:subfield code="a">Vienna State Opera Orchestra, Orchestra -- Vienna State Opera Ballet, Ensemble -- Shishov, Vladimir, Artist -- Zeisel, Prisca, Artist -- Peci, Eno, Artist -- Avraam, Ioanna, Artist -- Hashimoto, Kiyoka, Artist -- Kimoto, Masayu, Artist -- Esina, Olga, Artist -- Kronberger, Dagmar, Artist -- Firenze, Alice, Artist -- Matthews, Greig, Artist -- Jovanovic, Gala, Artist -- Kiyanenko, Oxana, Artist -- Nistor, Laura, Artist -- Alati, Maria, Artist -- Ledan, Eszter, Artist -- Tamai, Rui, Artist -- Ingram, Alexander, Conductor -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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            <marc:subfield code="a">It is the one ballet that everyone knows, has heard of or seen, and it is one of the loveliest and most frequently performed works in the ballet literature. No other ballet is capable of conjuring up such intensive images, dreams and yearnings as Tchaikovsky's &lt;i&gt;Swan Lake!&lt;/i&gt; Rudolf Nureyev created his now classic version 1964; to mark the 50th anniversary of this early masterpiece by a ballet genius, the Vienna State Opera has revived his production for 2014 with new sets and costumes.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=717608</marc:subfield>
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            <marc:subfield code="a">Connelly, Paul, Conductor -- Vienna State Opera Orchestra, Orchestra -- Vienna State Opera Ballet, Ensemble -- Konovalova, Liudmila, Artist -- Shishov, Vladimir, Artist -- Baranowicz, Emilia, Artist -- Dato, Davide, Artist -- Wallner-Hollinek, Franziska, Artist -- Oberegger, Gabor, Artist -- Polacek, Eva, Artist -- Wenzel, Christoph, Artist -- Bako, Attila, Artist -- Winter, Martin, Artist -- Hayden, Trevor, Artist -- Klochkova, Alena, Artist -- Zeisel, Prisca, Artist -- Papava, Ketevan, Artist -- Peci, Eno, Artist -- Dempc, Marcin, Artist -- Lukacs, Andras, Artist -- Szabo, Richard, Artist -- Avraam, Ioanna, Artist -- Hashimoto, Kiyoka, Artist -- Kimoto, Masayu, Artist -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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            <marc:subfield code="a">The &lt;i&gt;Wiener Staatsballet&lt;/i&gt; is one of the great companies in the world. Yet never before had Rudolf Nureyev's world-famous choreography of &lt;i&gt;The Nutcracker&lt;/i&gt; performed in Vienna. The present production remedies this omission by presenting Nureyev's final, 1985 Paris version with two magnificent young soloists and the splendid Vienna corps de ballet. Nureyev's version enjoys a particular standing in the history of this well-known ballet in that it was the first to incorporate the psychology of &lt;i&gt;E.T.A Hoffman's&lt;/i&gt; fairy tale on which Tchaikovsky's ballet is based. The critic Clive Barnes set the tone by remarking: "No version of the Nutcracker that we have ever seen has been more potently dramatic; few have displayed so sharp an imprint of personal style."</marc:subfield>
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            <marc:subfield code="a">Prestia, Giacomo, Artist -- Costea, Cellia, Artist -- Coro Lirico Amadeus Teatro Comunale di Modena, Choir -- Malagnini, Mario, Artist -- Buttol, Paolo, Artist -- Piazzola, Simone, Artist -- Orchestra Regionale dell'Emilia-Romagna, Orchestra -- Montanaro, Luciano, Artist -- Pozniak, Alla, Artist -- Candelier, Irene, Artist -- Pelligra, Giulio, Artist -- Gaspari, Marco, Artist -- Ventura, Fabrizio, Conductor -- Verdi, Giuseppe, Composer -- Du Locle, Camille, Lyricist -- Méry, François-Joseph, Lyricist</marc:subfield>
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            <marc:subfield code="a">Based on Schiller's play of the same name, &lt;i&gt;Don Carlos&lt;/i&gt; was written for the Paris Opera between 1865 and 1867 in the tradition of a French grand opera. Repeatedly revised and performed in Italian as Don Carlo, the opera is seen here in the version that Verdi prepared for Modena in 1886. In many respects, this is Verdi's most ambitious and most forward-looking work.</marc:subfield>
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            <marc:subfield code="a">Hailed as &lt;i&gt;the most inventive guitarist&lt;/i&gt; since Charlie Christian, &lt;i&gt;Larry Coryell&lt;/i&gt; is not only a hero, but a living legend of the guitar. This is a fully and utterly deserved epithet for this godfather of fusion, a creator of subtle soundscapes and of riffs delivered at the speed of light that qualify as jewels of musical distinction! As he demonstrates once again in the framework of &lt;i&gt;Three Guitars&lt;/i&gt; with Badi Assad and John Abercrombie, two of the sharpest guitarists on the circuit who joined him on the stage of the New Morning in 2004, Larry is one of the most engaging personalities of the jazz scene today - even if, like his late friend Frank Zappa, he is profoundly suspicious of compliments. His standard response to words of praise is: &lt;i&gt;Shut up and play&lt;/i&gt;.</marc:subfield>
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In &lt;i&gt;Gustav Mahler: Origins and Legacy&lt;/i&gt;, Michael Tilson Thomas returns to the provincial Austro-Hungarian city of Mahler's childhood, and bears witness to his grand achievements, great sorrow, and daring musical explorations into the dephths of the human sould. Join MTT and the San Francisco Symphony as they trace Mahler's rise as a young conductor, and show how his stormy inner life inspired new and ever-more heartbreaking heights of creativity.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">String Quartet No. 63 in B-Flat Major, Op. 76, No. 4, Hob.III:78, "Sunrise" (NTSC) ( 22 min. ) / Haydn</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Rubin Quartet, Ensemble -- Haydn, Franz Joseph, Composer</marc:subfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Concert</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Haydn, Franz Joseph</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/KuK731.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=KuK731</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/KuK731</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV151</marc:controlfield>
        <marc:controlfield tag="005">20230831062223.0</marc:controlfield>
        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
        <marc:controlfield tag="008">230831s||||||||cc stz|fsaefh       eng|d</marc:controlfield>
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            <marc:subfield code="a">5060115340144</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">5060115340144</marc:subfield>
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            <marc:subfield code="a">Seventh Art Productions</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">LOST TEMPLE OF JAVA (THE) (Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Lost Temple of Java (NTSC) ( 50 min. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Borobudur in Central Java&lt;/i&gt; is unique. In the shape of a pyramid, with four square terraces leading to three circular ones, this extraordinary building is covered with 3 miles of carvings. Situated on a lush palm-covered volcanic plain, this is a building that deserves the title of &lt;i&gt;eighth wonder of the world&lt;/i&gt;. Remarkably, this massive construction lay deserted and obscured by jungle for over 1000 years, only to be re-discovered by none other than famous Englishman &lt;i&gt;Sir Thomas Stamford Raffles&lt;/i&gt;.

Following the complete renovation of its 1.6 million blocks of volcanic stone, this programme answers the many questions surrounding these enigmatic ruins and reveals the untold tale of &lt;i&gt;The Lost Temple of Java&lt;/i&gt;.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Monuments / History / Geography</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV151.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV151</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV151</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV153</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">5060116572100</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">5060116572100</marc:subfield>
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        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Seventh Art Productions</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BRAZIL - An Inconvenient History (Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Brazil - An Inconvenient History (NTSC) ( 50 min. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">For many &lt;i&gt;Brazil&lt;/i&gt; possesses a truly energetic and alluring way of life, synonymous with heady carnivals, samba, football and a bewildering ethnic diversity.

But behind this glittering facade lies a much more disturbing story – the history of the biggest ever slave population. Whereas 4 percent of all African slaves were transported to North America, 40 percent were shipped to Brazil. This programme looks at those estimated 4 million people, on whose backs Brazil was built and without whom none of its present-day culture would be possible.

Using contemporary accounts, this film peers deep into the world as seen by those slaves. Living in squalid conditions on plantations or in cities teeming with disease, most Africans survived only seven years in this &lt;i&gt;New World&lt;/i&gt;. Some, however, found a way through the daily oppression by forging a new culture fusing African and European. This created a culture which permeates and explains modern Brazil. This prominent film, directed by award-winning director &lt;i&gt;Phil Grabsky&lt;/i&gt;, throws light into Brazil's distant shadows – into its &lt;i&gt;inconvenient history&lt;/i&gt;.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Monuments / History / Geography</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV153.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV153</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV153</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV169</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a">5060115340274</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">5060115340274</marc:subfield>
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        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Seventh Art Productions</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">NUDE IN ART (THE) (Art Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Nude in Art (Art Documentary) (NTSC) ( 23 min. ) / Not Applicable -- Disc 2 ( 23 min. ) / Not Applicable -- Disc 3 ( 23 min. ) / Not Applicable -- Disc 4 ( 23 min. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Art expert &lt;i&gt;Tim Marlow presents&lt;/i&gt; a four-part series exploring the nude in art. This comprehensive and illuminating series charts the portrayal of the naked body throughout history from Classical times through the Renaissance and the Enlightenment to the Modern Era.

&lt;i&gt;The Classical&lt;/i&gt;

Tim Marlow's main focus is the ancient classical world. He explores how and why the naked body was first depicted and goes on to show how the 'Venus de Milo' and the 'Venus of Willendorf' fit into the context of social and art history.

&lt;i&gt;The Renaissance&lt;/i&gt;

Marlow travels to England, France and Italy on a lively, visual journey illustrating how the Christian idea of nudity associated with sin was replaced with ideas of nudity being associated with beauty and sensuality. Included are Botticelli's 'Birth of Venus', Michelangelo's 'David' and Giotto's 'The Last Judgement'. 

&lt;i&gt;The Enlightenment&lt;/i&gt;

Tim Marlow looks at how the image of a naked body was used for a variety of purposes during this period – to shock, to coerce, to titillate, to impress and to instruct. Examples are Rembrandt's 'The Anatomy Lesson', Ingres' 'The Turkish Bath' and Rodin's 'The Age of Bronze'.

&lt;i&gt;The Modern&lt;/i&gt;

Marlow explores examples of the nude in the Modern period: Manet's 'Olympia', Picasso's 'Les Demoiselles D'Avignon' and Bacon's 'Triptych'. Marlow explains how the 20th century changed perspective on the nude in art as emotional truth overcame physical realism. With the advent of photography and film, nothing seemed beyond the artists' interest or capabilities.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Fine Arts</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV169.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV169</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV169</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV174</marc:controlfield>
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            <marc:subfield code="a">The Boy Mir - Ten Years in Afghanistan (NTSC) ( 01 hrs., 30 min. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Following the international hit &lt;i&gt;The Boy who Plays on the Buddhas of Bamiyan&lt;/i&gt;, &lt;i&gt;THE BOY MIR&lt;/i&gt; covers not just one year but ten. It tracks the irrepressible and lovable Mir from a naive 8-year-old to a fully grown adult.  Over the course of a decade, not only is this a journey into early adulthood in one of the toughest places on earth but also a film that is unmatched in mirroring and unveiling the vitally important story of modern Afghanistan.

&lt;i&gt;THE BOY MIR&lt;/i&gt; reveals this day-to-day life of Mir and his family from a very close-up perspective. The narrative is driven by Mir's journey into his early teens, when he will be expected to put his childish ways behind him and begin the difficult process of becoming a man. This is hard enough for any child, but Mir has to face this challenge in modern Afghanistan. In sum, this is a unique portrayal of life, full of humour, full of poignancy, in today's Afghanistan.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV174.jpg</marc:subfield>
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            <marc:subfield code="a">MAHLER, G.: Symphonies Nos. 7 and 8 (P. Järvi) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Järvi, Paavo, Conductor -- Frankfurt Radio Symphony Orchestra, Orchestra -- Czech Philharmonic Choir, Brno, Choir -- Limburg Cathedral Boys Choir, Choir -- Hellekant, Charlotte, Artist -- Tynan, Ailish, Artist -- Coote, Alice, Artist -- Schukoff, Nikolai, Artist -- Europa Chor Akademie, Ensemble -- Nagy, Michael, Artist -- Anger, Ain, Artist -- Richter, Anna Lucia, Artist -- Wall, Erin, Artist -- Mahler, Gustav, Composer -- Goethe, Johann Wolfgang von, Lyricist -- Anonymous, Lyricist</marc:subfield>
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            <marc:subfield code="a">In many ways &lt;i&gt;Gustav Mahler's&lt;/i&gt; &lt;i&gt;Seventh and Eighth&lt;/i&gt; Symphonies are the most unusual works that the late Romantic composer ever wrote. The Seventh was the last in a series of middle-period pieces that were purely instruments in character. Two movements headed &lt;i&gt;Nachtmusik&lt;/i&gt; and the remarkable writing for a guitar and mandolin help to create a sequence of darkly Romantic visions. And even within Mahler's markedly eclectic output, the Eighth Symphony enjoys the status of an exotic outsider thanks not only to its two-movement form combining an early medieval hymn and the final scene from Goethe's &lt;i&gt;Faust&lt;/i&gt; but also to the vast forces for which it is scored, earning it the title of &lt;i&gt;Symphony of a Thousand&lt;/i&gt;</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Gustav Mahler&lt;/i&gt; spent 1909 and 1910 working on his final two symphonies. The &lt;i&gt;Ninth&lt;/i&gt; has gone down in history as the culmination of his symphonic output and a prophetic anticipation of musical modernism. But owing to his declining health, he had to stop work on the &lt;i&gt;Tenth&lt;/i&gt; after a few months and was unable to resume it before his death. 

Only the first movement, included here, was orchestrated to a point where it can be performed without non-authorial additions. The Mahler cycle, performed by the Frankfurt Radio Symphony Orchestra under &lt;i&gt;Paavo Jarvi&lt;/i&gt; has already been internationally acclaimed as one of the most important Mahler projects of the new millennium.</marc:subfield>
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            <marc:subfield code="a">Al-Hassani, Diana, Artist -- Strauss, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Eric Schulz&lt;/i&gt; reveals in his latest music film a new perspective on the personality and oeuvre of &lt;i&gt;Richard Strauss&lt;/i&gt;, who saw himself as the last great composer at the end of an era, "at the end of the rainbow". This carefully researched production presents spectacular hitherto unreleased pictures of Richard Strauss. Among others: a live recording of the premiere of the &lt;i&gt;Olympic Anthem&lt;/i&gt; at the Berlin Olympic stadium in 1936. The very first performance of this piece ever to be heard, performed by the Berlin Philharmonic and a choir of 1000 singers conducted by Richard Strauss himself. These spectacular rare pictures are embedded in interviews with relatives, famous musicians and Strauss experts, such as Christian Strauss, Stefan Mickisch and Brigitte Fassbaender.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/729908.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=729908</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/729908</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">UNESCO CONCERT FOR PEACE (THE) - STRAUSS, R. / PANUFNIK, R. / MAHLER, G. (World Orchestra for Peace, Gergiev) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Symphonic Fantasy on Die Frau ohne Schatten, TrV 234a (NTSC) ( 00 sec. ) / Strauss -- Three Paths to Peace (NTSC) ( 00 sec. ) / Panufnik -- Symphony No. 6 in A Minor, "Tragic" (NTSC) ( 00 sec. ) / Mahler -- From War to Peace (NTSC) ( 37 min. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Gergiev, Valery, Conductor -- World Orchestra for Peace, Orchestra -- Mahler, Gustav, Composer -- Strauss, Richard, Composer -- Panufnik, Roxanna, Composer -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">In 2014 the World Orchestra for Peace returned with its conductor Valery Gergiev for their fourth appearance at the BBC Proms, to play a special concert marking the centennial of the outbreak of World War I. The concert also celebrated the 150th anniversary of &lt;i&gt;Richard Strauss's&lt;/i&gt; birth with the colourful, fairy-tale soundscapes of the Fantasia from his operatic masterpiece &lt;i&gt;Die Frau ohne Schatten, Roxanna Panufnik's Three Paths to Peace&lt;/i&gt;, commissioned by the orchestra and Mahler's &lt;i&gt;Sixth Symphony&lt;/i&gt;. The World Orchestra for Peace, founded in 1995 by &lt;i&gt;Sir Georg Solti&lt;/i&gt; to reaffirm, in his words, "the unique strength of music as an ambassador for peace" is a classical supergroup made up of leading players from the world's finest orchestras. The concert is introduced by an illuminating documentary with Solti and Gergiev, marking the orchestra's 20th anniversary.</marc:subfield>
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            <marc:subfield code="a">Strauss, Richard</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/730108</marc:subfield>
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            <marc:subfield code="a">JOHN WILLIAMS CELEBRATION (A) (Perlman, Los Angeles Philharmonic, Dudamel) (NTSC)</marc:subfield>
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            <marc:subfield code="a">For the 2014/15 Opening Night Concert and Gala, the Los Angeles Philharmonic paid loving tribute to composer &lt;i&gt;John Williams&lt;/i&gt;, long a champion and close friend of the LA Phil. Gustavo Dudamel, an awestruck fan of the musical icon, led the orchestra in a cross-section of Maestro Williams' matchless canon.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=730308</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/730308</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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Shot in ten countries, in over forty churches and galleries, &lt;i&gt;Tim Marlow&lt;/i&gt; looks in detail at these great artists, their work and the world in which they lived. With uncomplicated and accessible analysis of some of art history's most famous masterpieces, the series gets to the bottom of why these artists are considered amongst the greatest of all time.</marc:subfield>
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            <marc:subfield code="a">This twelve-part series explores the lives and works of some of art history's most influential great artists, from &lt;i&gt;Piero della Francesca&lt;/i&gt; and &lt;i&gt;Holbein&lt;/i&gt; to &lt;i&gt;Goya&lt;/i&gt; and &lt;i&gt;Constable&lt;/i&gt;.

Shot in ten countries, in over forty churches and galleries, &lt;i&gt;Tim Marlow&lt;/i&gt; looks in detail at these great artists, their work and the world in which they lived. With uncomplicated and accessible analysis of some of art history's most famous masterpieces, the series gets to the bottom of why these artists are considered amongst the greatest of all time.</marc:subfield>
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Shot in ten countries, in over forty churches and galleries, &lt;i&gt;Tim Marlow&lt;/i&gt; looks in detail at these great artists, their work and the world in which they lived. With uncomplicated and accessible analysis of some of art history's most famous masterpieces, the series gets to the bottom of why these artists are considered amongst the greatest of all time.</marc:subfield>
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            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The programe looks at the life and works of &lt;i&gt;Edouard Manet&lt;/i&gt;, the great painter often described as a forefather of the &lt;i&gt;Impressionists&lt;/i&gt;. Through some of his most famous paintings, &lt;i&gt;Tim Marlow&lt;/i&gt; explores Manet's role and influence in the Impressionist movement.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV137.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV137</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV137</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV138</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a">Seventh Art Productions</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">IMPRESSIONISTS (THE) - Claude Monet (Art Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Impressionists - Claude Monet (Art Documentary) (NTSC) ( 23 min., 52 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The programe explores the life and works of the great painter &lt;i&gt;Claude Monet&lt;/i&gt;, who is often described as the founding figure of the Impressionist movement.

By looking at Monet's life, &lt;i&gt;Tim Marlow&lt;/i&gt; discusses how the Impressionist movement was formed and how its members shocked the establishment by breaking away from the traditional old style of painting. Through some of his most famous paintings, Tim Marlow recounts Monet's early struggles and his eventual rise to a celebrated national figure.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Fine Arts</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV138.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV138</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV138</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV139</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Seventh Art Productions</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">IMPRESSIONISTS (THE) - Pierre-Auguste Renoir (Art Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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        </marc:datafield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Impressionists - Pierre-Auguste Renoir (Art Documentary) (NTSC) ( 23 min., 47 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The program explores the life of the great Impressionist painter &lt;i&gt;Renoir&lt;/i&gt; by looking at some of his most famous paintings and examining his role and influence in the Impressionist movement.

Renoir was a key member of the Impressionist group who loved to paint out of doors, famous in particular for his depiction of the joyful side of Parisian life. Later in his life however Renoir broke away from the Impressionist movement and adopted a more traditional, classical style.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Fine Arts</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV139.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV139</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV139</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV140</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Seventh Art Productions</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">IMPRESSIONISTS (THE) - Edgar Degas (Art Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Impressionists - Edgar Degas (Art Documentary) (NTSC) ( 23 min., 49 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The program explores the life and works of the painter &lt;i&gt;Edgar Degas&lt;/i&gt;, most famous for his modern and realistic depiction of the human form.

By looking at his artistic development &lt;i&gt;Tim Marlow&lt;/i&gt; shows that although Degas was a central figure amongst the Impressionists, he differed stylistically from the other members of the group, refusing for instance to paint outdoors. The program also explores Degas' life-long study of movement, through his paintings of horses and more famously ballet dancers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Fine Arts</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV140.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV140</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV140</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV141</marc:controlfield>
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        <marc:controlfield tag="006">m||||||||h||||||||</marc:controlfield>
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            <marc:subfield code="a"></marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a"></marc:subfield>
        </marc:datafield>
        <marc:datafield tag="037" ind1=" " ind2=" ">
            <marc:subfield code="a">Seventh Art Productions</marc:subfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">IMPRESSIONISTS (THE) - Henri de Toulouse-Lautrec (Art Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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            <marc:subfield code="a">The Impressionists - Henri de Toulouse-Lautrec (Art Documentary) (NTSC) ( 23 min., 38 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This programe explores the life and works of &lt;i&gt;Henri de Toulouse-Lautrec&lt;/i&gt;, who is most famous for his depiction of the darker side of Parisian life at the turn of the century from concert halls and cabarets to brothels.

As a result of his very popular and prolific graphic work, Toulouse-Lautrec is often described as the first great modern poster designer.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV141.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV141</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV141</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV142</marc:controlfield>
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            <marc:subfield code="a">Seventh Art Productions</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">IMPRESSIONISTS (THE) - Paul Cezanne (Art Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Impressionists - Paul Cezanne (Art Documentary) (NTSC) ( 23 min., 20 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The Impressionists and their circle have become the international superstars of Western painting. The works of Manet, Monet, Renoir, Degas, Toulouse-Lautrec, &lt;i&gt;Cezanne&lt;/i&gt;, Gauguin and Van Gogh appear everywhere and are well loved by the public and academics alike.

But whilst their popularity is greater than ever, it is easy to forget the revolutionary nature of the Impressionists’ art. They broke away from tradition not only in their technique – by using touches of colour to capture movement and light – but in their subject matter too, depicting ordinary people at work and leisure.

In this series, &lt;i&gt;Tim Marlow&lt;/i&gt; takes us on a journey through the great art movement of the late nineteenth-century and explores some of the most beautiful paintings ever created.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV142.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV142</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV142</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV143</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">IMPRESSIONISTS (THE) - Paul Gauguin (Art Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Impressionists - Paul Gauguin (Art Documentary) (NTSC) ( 23 min., 09 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Tim Marlow&lt;/i&gt; looks at the painter &lt;i&gt;Paul Gauguin&lt;/i&gt;, whose life was as colourful and varied as his painting.

Through some of his most famous paintings we explore Gauguin's extraordinary life as well as his attempt to escape civilization in an unspoilt Paradise on the other side of the world, where he felt he could create the unique 'primitive art' which he advocated.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Fine Arts</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV143.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV143</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV143</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV144</marc:controlfield>
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            <marc:subfield code="a">Naxos</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">IMPRESSIONISTS (THE) - Vincent van Gogh (Art Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Impressionists - Vincent van Gogh (Art Documentary) (NTSC) ( 23 min., 18 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">In many ways &lt;i&gt;Vincent van Gogh&lt;/i&gt; has become the most celebrated, and certainly most mythologised artist in history, as the misunderstood genius who died unknown and unloved and sold only one painting in his  lifetime.

&lt;i&gt;Tim Marlow&lt;/i&gt; explores Van Gogh's tragically short and disturbed life through some his most famous paintings.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV144.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV144</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV144</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV178</marc:controlfield>
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            <marc:subfield code="a">Seventh Art Productions</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">EXHIBITION ON SCREEN - MANET: Portraying Life (Art Documentary) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Manet - Portraying Life (Art Documentary) (NTSC) ( 01 hrs., 30 min. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">They call him the father of modern art. But just who is &lt;i&gt;Edouard Manet?&lt;/i&gt; In this acclaimed film, focused on the sell-out Manet exhibition at the Royal Academy of Arts, London, we explore his life and works.

Presented by art expert Tim Marlow, we have exclusive access to the show as well as a behind-the-scenes look at the show's preparation and a detailed biography of Manet and a rapidly changing 19th-century Paris.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV178.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV178</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV178</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV179</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">EXHIBITION ON SCREEN - MUNCH 150 (Art Documentary) (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Munch 150 (Art Documentary) (NTSC) ( 01 hrs., 30 min. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">This year, all of Norway celebrates the 150th anniversary of the birth of &lt;i&gt;Edvard Munch&lt;/i&gt; (1863 – 1944), one of the towering figures of modern art.

This is already being hailed a 'once-in-a-lifetime show'. Global interest is huge – not least as a result of one of his four The Scream paintings having recently set a public art auction record of 120 million dollars. Many know Munch as the man who painted The Scream, but his complete works are remarkable and secure his place as one of the greatest artists to have ever lived.

&lt;i&gt;Munch 150&lt;/i&gt; is co-hosted by the National Museum and the Munch Museum, both in Oslo. With 220 paintings on show, it brings together the greatest number of Munch's key works in one place.

The film will be going behind-the-scenes to show some of the process of putting the exhibition together - as well as providing an in-depth biography of a man who lived from the mid-19th century right through to the German occupation of Norway in the Second World War. Special guests will also offer their expert insight and knowledge to host &lt;i&gt;Tim Marlow&lt;/i&gt;. Munch 150: A superb art exhibition and a fantastic event film.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV179.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV179</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV179</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">EXHIBITION ON SCREEN - VERMEER AND MUSIC: The Art of Love and Leisure (Art Documentary) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Vermeer and Music - The Art of Love and Leisure (Art Documentary) (NTSC) ( 01 hrs., 26 min. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Johannes Vermeer&lt;/i&gt; is a fascinating painter whose life and works are explored here in amazing detail. Filmed in London's National Gallery, New York's Met and other galleries in the United States and Netherlands, this stunning film delves into a breath-taking collection of Vermeer's finest pieces and delivers a detailed biography of the artist, his life and times. An exposition of period musical pursuits is blended with the art of Vermeer and his contemporaries. Live music from the Academy of Ancient Music serves as a beautiful soundtrack to the wonderful sight of Vermeer's paintings.

&lt;i&gt;Tim Marlow&lt;/i&gt;, world-renowned art historian and broadcaster, guides us through the artwork and delivers a first-rate biography of Vermeer. He invites comments from leading fine art authorities and from Tracy Chevalier, whose best-selling novel, inspired by Vermeer, was made into the block buster movie, &lt;i&gt;Girl with a Pearl Earring&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV181.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV181</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV181</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">EXHIBITION ON SCREEN - MATISSE: From MoMA and Tate Modern (Art Documentary) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Matisse - From MoMA and Tate Modern (Art Documentary) (NTSC) ( 01 hrs., 37 min. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Young, Rupert, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;MoMA and Tate&lt;/i&gt; Modern's record-breaking show explores the final chapter of &lt;i&gt;Matisse's&lt;/i&gt; career when he began carving into colour, creating his signature cut-outs. Audiences are invited to enjoy an intimate, behind-the-scenes documentary about this blockbuster exhibition with contributions from curators, historians and those who knew Matisse personally.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV183</marc:subfield>
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            <marc:subfield code="a">A remarkable event occurred at London's National Gallery when the largest ever collection of Leonardo's surviving paintings was assembled for a unique exhibition &lt;i&gt;Leonardo da Vinci&lt;/i&gt;: Painter at the Court of Milan.

Given exclusive access to the opening night of the exhibition the film captures the excitement of the occasion and provides a fascinating exploration of Leonardo's great works.

Art historian and broadcaster &lt;i&gt;Tim Marlow&lt;/i&gt; offers his insight into the great masterpieces and invites the opinions of the curators, restorers and other specially invited guests. Interwoven are an insightful biography and fascinating behind-the-scenes footage. A unique film about a unique man.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Fierrabras&lt;/i&gt; of 1823 is the last of &lt;i&gt;Franz Schubert's&lt;/i&gt; stage works. Rarely performed to this day, this heroic-romantic opera has now been staged for the first time ever at the Salzburg Festival by famous director Peter Stein. The strong cast includes the marvellously expressive miracle Dorothea Roschmann (Die Zeit) and Michael Schade, who exudes his exceptional tenor in Fierrabras's heroic arias (Der neue Merker). Under the energetic baton of lngo Metzmacher, the Vienna Philharmonic unfold "the melos, the poetry, the sweetness and the dramatic force of Schubert's highly refined and atmospheric sound worlds" (Kleine Zeitung) in highly romantic fashion.</marc:subfield>
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Shot in ten countries, in over forty churches and galleries, Tim Marlow looks in detail at these great artists, their work and the world in which they lived.

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Shot in ten countries, in over forty churches and galleries, Tim Marlow looks in detail at these great artists, their work and the world in which they lived.

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Shot in ten countries, in over forty churches and galleries, Tim Marlow looks in detail at these great artists, their work and the world in which they lived.

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            <marc:subfield code="a">Any young artist who had risen to artistic maturity overshadowed by the towering reputations of Leonardo and Michelangelo could easily have been discouraged.  Not so &lt;i&gt;Raffaello Santi&lt;/i&gt;, of Urbino, the young pretender to the mantle of Renaissance greatness, whose moderate temper, hard work and unique talent earned him a level of admiration equal to that of his older contemporaries.  

Raphael is renowned for the beauty of his portraits and the perfectly balanced composition of his larger historical paintings.  His works are sensual and measured studies of the human form.  Known for his numerous paintings of the Madonna and Child, Raphael became a favourite of the papal court, undertaking commissions from popes Julius II and Leo X.  Unlike many of his contemporaries, Raphael did not simply copy from nature but formed a certain idealised concept of beauty.  In his short life Raphael achieved an unprecedented level of artistic maturity and such was the admiration for his idealised forms that they were adopted by artists and art academies as the model of beauty until the end of the 19th Century.</marc:subfield>
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            <marc:subfield code="a">GREAT ARTISTS, Vol. 1 - Titian (Art Documentary) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Titian&lt;/i&gt;: After the triumph of Renaissance art in Florence and Rome, the movement found a new centre, the city of Venice, and a new master, &lt;i&gt;Tiziano Vecellio&lt;/i&gt;, known to English speakers as Titian.  

Titian did more to establish the principles of modern painting than any of his Florentine contemporaries.  Unlike the Italian masters that had preceded him, Titian painted for the most part in oil, the medium came to dominate the production of art from then on.  His radical approach to light, color and composition set him apart from those around him and his free brush strokes are more expressive than anything that had come before.  His enormous talent was recognized across Europe, and he received commissions to paint portraits of some the most powerful people of the age, including Pope Paul III and the Holy Roman Emperor, the King of Spain, Charles V.  Titian’s fame spread far and wide, making him perhaps the first truly international artist.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV115.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV115</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV115</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV116</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GREAT ARTISTS, Vol. 1 - Bruegel (Art Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Great Artist, Vol. 1 - Bruegel (Art Documentary) (NTSC) ( 23 min., 20 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Very little is known of the life of &lt;i&gt;Pieter Bruegel&lt;/i&gt; the Elder whose enigmatic, humorous, sometimes grotesque paintings remain among the most distinctive examples of Netherlandish art.  Though he had traveled to Italy, Bruegel turned his back on the popular Italianate styles of the time and developed  traditional Netherlandish genres of painting. 

In Bruegel's fantastical landscapes it was the common peasant folk that took centre stage, often sidelining the saints and members of the holy family, who were the supposed 'subjects' of many of his artworks.  His paintings and etchings served as windows into other worlds, illustrating the mountains and rivers of far off lands, a geography that was exotic to the people of the flat Netherlands.  Bruegel lived through a period of immense social and religious upheaval, in which the Catholic Habsburgs were determined to crush the growing ranks of Protestant dissenters in the Netherlands. The growth in trade and commerce had a similarly monumental, if less bloody, impact on Bruegel as he was among the first artists to paint almost exclusively for the growing class of merchants and intellectuals.  

Bruegel's greatness lies in his ability to combine gritty humour with a unique style of political comment, which has since never been equaled.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV116.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV116</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV116</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV117</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GREAT ARTISTS, Vol. 1 - El Greco (Art Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Great Artist, Vol. 1 - El Greco (Art Documentary) (NTSC) ( 23 min., 23 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The paintings of the artist &lt;i&gt;El Greco&lt;/i&gt; are among the most distinctive works of the early modern period. His paintings marked a radical departure from the naturalism and careful modelling of the Renaissance, and as result were ignored for close to 300 years.  

&lt;i&gt;Domenikos Theotokopoulos&lt;/i&gt;, dubbed by the Spaniards 'El Greco', was born in the Greek Island of Crete and was trained to paint in the Byzantine style.  After spending some time in Venice and Rome, El Greco adopted the Spanish city of Toledo as his home. Throughout the course of his artistic career El Greco's style varied enormously. In Italy his paintings reflected the bright coloring and the loose brush strokes of the Venetian masters, such as Tintoretto, whilst in Spain the fervour of religious belief and lingering medieval sensibilities added an emotional intensity and deep sense of almost mystical spiritualism to his work. The result was a highly individualistic style of painting. Though criticized by many, El Greco's dramatic style paved the way for the Baroque and later, in the 20th century, contributed to the development of Expressionism.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV117.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV117</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV117</marc:subfield>
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        <marc:controlfield tag="001">SEV118</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GREAT ARTISTS, Vol. 1 - Rubens (Art Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Great Artist, Vol. 1 - Rubens (Art Documentary) (NTSC) ( 23 min., 15 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">The life of &lt;i&gt;Peter Paul Rubens&lt;/i&gt; was perhaps the most active and eventful of any artist in history. He is regarded as the chief exponent of the Baroque style, merging the grace of the Italian High Renaissance with the realism and landscapes genres of the northern tradition. His career mirrors rapidly developing politics of an emergent Europe, as not only did he paint for the Italian nobility, but for the Spanish, French and English courts.  

Born a Protestant and raised as a Catholic in Antwerp, Rubens found himself on the front line of the Counter Reformation, both as painter and a diplomat. A highly versatile artist, Rubens was equally at home painting altarpieces, history and mythological scenes, portraits and landscapes. He is perhaps best known for the voluptuous female nudes, which are often found in his large-scale mythological allegories. In Antwerp Rubens ran a highly successful studio, employing many apprentices including Anthony van Dyck, who went on to become court painter to Charles I of England and Scotland. Rubens was the most celebrated painter of the early 17th century, one of the most prolific in history and an artist who did much to develop different genres of painting.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV118</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV118</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GREAT ARTISTS, Vol. 1 - Velàzquez (Art Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">In a Spain dominated by a fervent religiosity, the painter &lt;i&gt;Diego de Silva y Velazquez&lt;/i&gt; emerged as a master practitioner of a secular form of art.  His masterpiece, &lt;i&gt;Las Meninas&lt;/i&gt;, is a painting full of mystery and intrigue, a work of startling intellectual and artistic complexity and the culmination of a unique relationship between Velazquez and his patron, King Philip IV of Spain.  

From 1623, Velazquez was employed to paint the family and court of Philip IV. His paintings remain as an enormously insightful record of the development of the royal family and, in many ways, the decline of the most powerful court in Europe. Under the watchful eye of Philip's first minister, Count-Duke Olivares, Velazquez single-handedly redefined the image of the Spanish monarchy, in manner akin to a modern-day public relations campaign. Whilst Velazquez's output was dominated by royal portraiture, he also produced psychologically insightful studies of people at the margins of society, such as the buffoons of the royal court or the poor of Seville. Velazquez's unique painting style, which combined at one time or another dramatic lighting, intense coloring and ever more loose brushstrokes, was dominated by a single preoccupation - to capture a degree of naturalism hitherto unachieved in the history of art.</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GREAT ARTISTS, Vol. 1 - Rembrandt (Art Documentary) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Great Artist, Vol. 1 - Rembrandt (Art Documentary) (NTSC) ( 23 min., 17 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Two eyes peer out of the gloom, they are the eyes of &lt;i&gt;Rembrandt van Rijn&lt;/i&gt;, a man whose name is synonymous with the Dutch Golden Age and the city of Amsterdam. Although he was not man of letters, Rembrandt left posterity a comprehensive autobiography; his self-portraits.  

Rembrandt drew, etched and painted his own likeness over a hundred times resulting in a unique record of not only his changing physical appearance, but the development of his artistic career. In his portraiture, Rembrandt was able to render a sense of the interior lives of his subjects, providing an insight into the self. Yet not only did he depict wealthy patrons but also the poor that he encountered throughout his life, painting them with immense empathy. 

Yet to limit Rembrandt's reputation to portraiture is to underestimate his achievements. He painted religious, historical and contemporary scenes, as well as landscapes and animals. Such scenes are full of dramatic intensity, without being over theatrical. Like the Venetian master, Titian, Rembrandt's brushstrokes became bolder as he grew older, his later paintings displaying rough and thickly applied paint. Rembrandt is the pre-eminent master of Dutch painting and for many, Holland's greatest artist.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV120.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV120</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV120</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GREAT ARTISTS, Vol. 1 - Vermeer (Art Documentary) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Great Artist, Vol. 1 - Vermeer (Art Documentary) (NTSC) ( 23 min., 23 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">In the three hundred years since his death, the name &lt;i&gt;Johannes Vermeer&lt;/i&gt; languished in the backwaters of art history. Yet in recent times his status as a great artist has been assured and his paintings are more popular today than ever before. Vermeer, the pre-eminent Dutch genre painter, lived and worked in the town of Delft. Little is known of his life other than he painted very few paintings and that he died penniless. 

A master of light and color, Vermeer excelled in creating the illusion of reality in his paintings, the result of a meticulous painting method often employing camera obscura. Most of Vermeer's work follows a similar theme, often featuring a single female figure standing or sitting in a domestic setting engaged in a simple everyday activity such as reading a letter or playing a musical instrument. There is no incident or drama here, yet Vermeer's genius is his ability to transform a placid everyday event into an episode littered with mystery and intrigue. This deliberate ambiguity leaves the mind racing to fill in the gaps of an otherwise unassuming scene. In their combination of exquisite brushwork and quietly enigmatic subjects Vermeer’s paintings are among the greatest masterpieces of Western art.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV121</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GREAT ARTISTS, Vol. 2 - Whistler (Art Documentary) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Great Artist, Vol. 2 - Whistler (Art Documentary) (NTSC) ( 23 min., 45 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Great Artists with Tim Marlow&lt;/i&gt;: The Collection, a twelve-part series, explores the lives and works of some of art history's most influential great artists, from Piero della Francesca and Holbein to Goya and Constable.

Shot in ten countries, in over forty churches and galleries, Tim Marlow looks in detail at these great artists, their work and the world in which they lived.

With uncomplicated and accessible analysis of some of art history's most famous masterpieces, Great Artists with Tim Marlow: The Collection gets to the bottom of why these artists are considered amongst the greatest of all time.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV132</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Making War Horse&lt;/i&gt; is the story of how Michael Morpurgo's children's novel became of the most popular and acclaimed productions in the National Theatre's history.

From its early development in the NT Studio, see how Handspring Puppet Company created the groundbreaking techniques that brought a lifelike horse to the stage. Behind the scenes and into the rehearsal room, featuring interviews with the cast and creative team, Making War Horse documents this unique theatrical collaboration and the creation of a stage classic.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/NTDVD001.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=NTDVD001</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/NTDVD001</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV122</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GREAT ARTISTS, Vol. 1 - Turner (Art Documentary) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Great Artist, Vol. 1 - Turner (Art Documentary) (NTSC) ( 23 min., 21 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">The most famous of all British painters, &lt;i&gt;J. M. W. Turner&lt;/i&gt; was a visionary and a maverick, whose landscape paintings both astounded and antagonised those that saw them.  From humble beginnings Turner rose to become the dominant force in British landscape painting and a towering figure of Romanticism.  A member of the Royal Academy in London, Turner was nevertheless fiercely attacked by critics for his radical approach to painting, one remarking that he painted with 'soaps suds and white wash'.  

Turner's paintings reflect his varying responses to the world around him, a world that was rapidly changing as the industrial revolution propelled society forward.  As well as depicting steamships and steam railways, Turner's paintings recall the ancient world, echoing neo-classical landscapes of the French painter Claude Lorrain.  But Turner's true muse was nature itself.  Nowhere is the power and majesty of nature so emphatically depicted as in the landscapes of Turner. Rain, snow and sea engulf great ships and conquering armies, as humanity is utterly dwarfed by the awesome forces of nature.  Turner painted nature as he understood it and not as saw it, and in this way he is often seen as anticipating Impressionism.  His handling of paint at times teetered on the brink of abstraction.  Turner was a radical force in his time and for that he is remembered as great artist.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV122</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV122</marc:subfield>
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            <marc:subfield code="a">GREAT ARTISTS, Vol. 1 - Van Gogh (Art Documentary) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Great Artist, Vol. 1 - Van Gogh (Art Documentary) (NTSC) ( 23 min., 25 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Marlow, Tim, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Vincent van Gogh&lt;/i&gt; was one of the true pioneers of modern painting. He is perhaps the most mythologised artist in the history of art and his tragic life is ingrained in the popular imagination. Active as an artist for only ten years he completed 1250 paintings, before succumbing to mental illness and taking his own life in July of 1890.  Son of a Dutch Protestant pastor, Van Gogh was a deeply spiritual man and began painting after witnessing the desperate poverty of the agricultural communities of Holland and Belgium.  Buoyed up by the unquestioning support and encouragement of his younger brother Theo, Van Gogh developed a highly individualistic visual style, typified by bold forms and short brushstrokes of pure colour.  

Influenced in part by the Impressionists, Van Gogh strived to develop an expressive language more direct than that of his artistic predecessors in an effort to communicate the almost religious fervour with which he perceived and interpreted the world.  Although he sold only one painting during his lifetime, his enormous rise to fame after his death means that today his are among the most cherished paintings of all the great artists.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV123</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">SEV187</marc:controlfield>
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            <marc:subfield code="a">EXHIBITION ON SCREEN - VINCENT VAN GOGH: A New Way of Seeing (Art Documentary) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Vincent van Gogh - A New Way of Seeing (Art Documentary) (NTSC) ( 01 hrs., 28 min., 51 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Enjoying complete and unprecedented access to the treasures of Amsterdam's Van Gogh Museum, this is a revealing new film about one of the world's favourite artists, marking both a major re-showing of the gallery's collection and a celebration of the 125th anniversary of Van Gogh's death.

Experience the wonder of seeing these masterpieces close-up while specially invited guests, including world-renowned curators and art historians, offer their interpretations and explanations of his work.

With exclusive new research revealing recent discoveries, the Van Gogh Museum has helped craft a visual experience like no other.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">EXHIBITION ON SCREEN - THE IMPRESSIONISTS: And the Man Who Made Them  (Art Documentary) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="337" ind1=" " ind2=" ">
            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Streaming video.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">The Impressionists - And the Man Who Made Them (Art Documentary) (NTSC) ( 01 hrs., 27 min., 09 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">They are the world's most popular artists. The works of Cezanne, Monet, Degas and their compatriots fetch tens of millions of dollars. But just who were they really? Why and how did they paint? What lies behind their enduring appeal?

The video features exhibition focusing on the 19th century Parisian art collector Paul Durand-Ruel, the outspoken champion of impressionism.

This eagerly anticipated exhibition was among the most comprehensive ever held about the Impressionists, Duran-Ruel's brave decision to exhibit the impressionists in New York in 1886 introduced enlightened, wealthy Americans to modern French painting. In doing so, he not only filled great American galleries with impressionist masterworks but also kept impressionism alive at a time when it faced complete failure. This energetic and revealing film tells his remarkable story along with that of the impressionists themselves.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Fine Arts</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="655" ind1=" " ind2=" ">
            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SEV188.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SEV188</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SEV188</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
        </marc:datafield>
    </marc:record>
</marc:collection>