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        <marc:controlfield tag="001">CDG-DVD-107</marc:controlfield>
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            <marc:subfield code="a">COSMOS GLOBAL: Indonesia (Sunda) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Cosmos Global: Sunda (NTSC) ( 49 min., 50 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">With active volcanoes and creatures reminiscent of the dinosaurs, the tiny Sunda Islands are like something from a bygone age. Indeed, this group of islands located east of the Indonesian island of Java remained undiscovered for a surprising number of years. 

The village of Lamalera is situated in the south of the island, an area that has little fertile land that is suitable for agriculture.  The people depend entirely on fishing, and they are renowned for the fact that they are the last whale hunters of the subtropics that continue to hunt with harpoons. The first records of the region's stout-hearted whale hunters date back to the 17th century.

Due to the development of more accurate and lethal weapons, plus well organized ships, some species of whale are now almost extinct. But on the island of Lembata, the people do not hunt the whale for commercial reasons but because it is the basis of their survival, as the lava stone on the island makes agriculture almost impossible.

The oil that was produced by the whale fat was once an important fuel and was used to illuminate entire cities! The gut of a sperm whale contains a valuable substance, ambergris. Up to 400 kilograms of this have been found in a single sperm whale, and it was once used for the production of perfume, although fresh ambergris has an unpleasant smell.

The constant battle with the sharks and sperm whales off the coast of Lembata is not without risk, but the men have no choice, for there is no other way of hunting in this region. They continue the heritage of their legendary ancestors, and age old traditions are still held in high esteem in this extraordinary village.

The active volcanoes and famous lizards of Komodo, as well as the existence of the courageous whale hunters of the Sunda, are truly evocative of a colorful and dramatic bygone age.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-107.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-107</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-107</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-114</marc:controlfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: Egypt (In the Land of the Pharaohs) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Cosmos Global: In the Land of the Pharaohs (NTSC) ( 52 min., 01 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The Pyramids of Giza are undoubtedly one of the most impressive and famous historic sites of ancient Egypt, the land of the Pharaohs, a land whose treasures are still, more than 4,000 years after their construction, remarkable. A total of 2.3 million stone blocks form the largest pyramid, the Cheops, which was built around 2560 BC on an elevated plateau on the edge of the western desert.

The huge contours of the Pyramids of Giza still dominate Cairo's surrounding landscape. Their dimensions symbolize timeless power, and in red shining colors the sky announces the fall of dusk and highlights the dramatic, magical beauty of these monuments. 

The Step Pyramid of King Djoser rises up almost 70 meters above the ground, and it was the world's first monumental stone building. Thus the Step Pyramid is often referred to as the "mother of all pyramids." A narrow maze-like corridor leads from the outside world into the dark depths of the pyramid and the Pharaoh's tomb.

The flowering period of Thebes began in the Middle Empire when it became the new capital and lasted up until around the 14th century BC, when Memphis regained its importance and influence. Today, Thebes is closely connected with this town of death along the western shore of the Nile and the legendary Valley of the Kings.

In 1922, the discovery of the royal tomb of Tutankhamen by British archaeologist Howard Carter was particularly important. After five years of excavation, the scientists were successful, and the spectacular treasures surpassed their highest expectations.

Tutankhamen died at the tender age of 19, his rule thus having little historical significance, but the treasures in his tomb made him one of the most famous kings of Ancient Egypt. Today, his legendary sarcophagus, made entirely of gold, is exhibited in the Egyptian Museum in Cairo.

Up until now, more than 70 tombs have been found in the neighboring Valley of the Queens. Princes who died at an early age were also buried there. The grave of Nefertari, the wife of Ramses II, is considered to be one of the most beautiful in the valley.

&lt;i&gt;The Land of the Pharaohs&lt;/i&gt; is a fantastic and colorful journey into the intriguing depths of ancient history.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-114.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-114</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-114</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-133</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: Peru (Monumental Treasures of the World, Episode 1) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Cosmos Global: Monumental Treasures of the World, Episode 1 (NTSC) ( 51 min., 31 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">High in the Peruvian Andes there is a place of sun worship and mysterious ritual, Machu Picchu. Even today, the Lost City of the Incas is like an amazing castle with steep ravines on three sides and on the fourth, a protective mountain range. The warm light of the first rays of sunshine penetrates through the evening mist, and, as with each morning, the mysterious, weather-beaten ruined city rises once again.

Through entrances of sculptured stone blocks, guardhouses appear.  Walls and embankments seem to defend the inner ruins, with its temples and places of cultural interest, from unwelcome guests. From seamless stone blocks, it seems that even today, 500 years after being built, its flourishing life of yesteryear wants to reveal itself yet again.

The Torre De Belem is one of the main landmarks of the Portuguese metropolis of Lisbon. Equally, it is a reminder of the importance of Portugal as a military and naval power in past centuries. Hundreds of sea voyages to India and Africa embarked from the mouth of the river Tejo, spreading word of Portugal's new-found glory around the world.  The influences of many countries are to be found in the construction of this fortification. Byzantine, Venetian, Arabian, even Indian building elements combine in the Torre de Belem in monumental Manuelism style.

The famous discoverer Marco Polo called the Chinese city of Suzhou "The Venice of the East." But unlike in Italy, countless bicycles are part of daily life in this modern city. However, Suzhou is more well known for its gardens. Beautiful bridges span across its canals while rundown houses indicate the meager financial resources of their inhabitants. The city's more impressive and elegant buildings date back to Suzhou's long and glorious past, among them the town gate and wall of Pan Men.

In southern Spain, majestically, yet mysteriously, the legendary Alhambra proudly rises above Granada's atmospheric old town. Curiously, the history of the Alhambra began with the gradual decline of the Islamic empire of the Moorish, Al-Andalus. After Córdoba, the former centre of power of the Caliphs, fell into the hands of the Christians in 1238, Granada became the country's new capital city.</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-133.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-133</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-133</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">COSMOS GLOBAL: Monumental Treasures of the World, Episode 2 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Pisa is a Renaissance city at the mouth of the River Arno in western Tuscany, where historic monuments acknowledge the glory of this former maritime power. Besides its remarkable monuments, Pisa contains both spiritual and worldly artistic treasures of various Italian cities in total harmony. The Piazza dei Miracoli &amp;#x2013; The Square of Miracles &amp;#x2013; encircles the majestic Leaning Tower.

Several historic places of interest and ancient buildings such as the impressive Tour Hassan are to be found in Rabat, the capital of Morocco. The entrance gates to this area are protected by proud Horse Guards in traditional uniform. Their sharp-pointed lances symbolize the historic military power of the former leaders of the Almohad Dynasty. Today, the vast marble floor and the bases of several pillars indicate the huge dimensions of the unfinished mosque.

In the East Asian landscape of Myanmar, formerly Burma, is a proud and historic landmark. After a fascinating hour-long boat trip on the country's largest river, the Ayeyarwady, we arrive at Mingun. This friendly and hospitable village is well-known by both foreign and native visitors. Typical bullock carts are perfect for a journey into this region's past.

La Mezquita Cathedral is one of the most important historical monuments in Cordoba, a beautiful city in southern Spain and former residence of the Moorish Caliphs. This was once their centre of power, and in 756 AD Abderramán the First founded the Omaijad Empire of Al Andalus.

Lying to the south of the Caribbean island of Cuba, Trinidad was founded by the Spaniard Velazquez as a third settlement. In the 18th century, it was an intermediate stop prior to the conquest of Mexico, and the city experienced wealth and recognition through the cultivation of sugar cane.

The Venice of the Far East: this is the affectionate description given to the historic old Chinese town of Lijiang in the northwest province of Yunnan. Dayan, Lijiang's old town, contains an intriguing variety of canals and waterways.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        </marc:datafield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-134.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-134</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-134</marc:subfield>
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        <marc:controlfield tag="001">CDG-DVD-135</marc:controlfield>
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            <marc:subfield code="a">COSMOS GLOBAL: Monumental Treasures of the World, Episode 3 (NTSC)</marc:subfield>
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            <marc:subfield code="a">Various Locations In Italy, China, Thailand, France, India and Nepal 

The Colosseum of Rome is the most monumental and impressive amphitheatre in the world. It is thought that its construction began in 72 AD by command of Emperor Vespasianus. Here, the Romans' desire for outrageous performance and violent entertainment was fully satisfied. In turn, the Emperor's popularity grew with these public exhibitions. Sadly, after the fall of the Roman Empire this gigantic complex fell into disrepair.

Close to Badaling, the Great Wall Of China extends majestically across misty mountains. It is the largest man-made structure in the world. It is believed that the original sections of the Great Wall were built in 888 BC. At that time, the wall consisted of compressed clay and various palisades. The wall was erected in order to protect the country from invasion from the North. The Great Wall of China is a wonder of the world within the "Middle Empire" that continues to fascinate all those who see it.

Most sightseers travel by boat to see the fascinating Wat Arun Temple that is located close to the shore of the Chao Phraya, in the historic heart of Bangkok. The 74-metre-high prang is the main and most visible element of the temple complex and is one of Bangkok's major landmarks. In the 19th century, King Rama II was responsible for the extension of the originally much smaller and more modest temple tower.

With its historic buildings, the 80-metre-high granite mound of Mont-Saint-Michel in France's Brittany is like something from a fairy tale. This spectacular building unites sea, earth and sky, and powerful fortifications surround the small town and the abbey at the top of the rock, remnants of Mont-Saint-Michel's dramatic past.

Kathmandu is a metropolis in the heart of the kingdom of Nepal. A land of snow-white mountains and home of the gods, it is a melting pot of races and religions that is located between China and India. A magical, mystical, Shangri-La, it was only a few decades ago that ancient Nepal opened up its borders. Until then, due to the command of the ruling Gurkha Dynasty, the "Home of the Divine" was totally cut off from the outside world.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-135.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-135</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-135</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-136</marc:controlfield>
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        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: Paradise on Earth, Episode 1 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
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            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The vast untouched grassy plains of the unique Massai Mara extend far beyond the horizon and seem to go on forever in what is the most important nature reserve in Kenya.

An estimated 1.4 million wildebeest inhabit the picturesque mosaic of small hills and forests that line the riverbanks and huge grass-covered plains of the Massai Mara, which is one of the most animal-rich regions in the world. More than half a million gazelle roam the magnificent plains of the savannah, and herds of zebra are also to be found in great numbers.

For many years, Monument Valley and its distinctive mesas in the northern region of Arizona have become one of the most famous natural landmarks in the USA. This glowing landscape owed its initial fame to the American film industry, as numerous classic westerns have been filmed amid its striking scenery. The stunning beauty of the area's spectacular rock needles and towers is a truly remarkable sight.

Even though the province of Yunnan, in the southwest of China, is one of the country's poorest regions, the Stone Forest of Shilin is one of the country's most beautiful natural treasures. The bizarre rock formations rise up 30 meters into the sky and create numerous fascinating images. The Chinese created some extremely descriptive names for the various rocky areas of Yunnan Shilin, "The Cluster of Pinnacles That Supports the Sky" being one of many colorful names given to the pinnacles.

Along the geothermal zone of the Hvítá River, around 80 kilometres from Iceland's capital of Reykjavik, the great Strokkur Geyser attracts much interest. With its sparse and unique landscape, Iceland has managed to retain its fascinating natural splendor right up to the present day. And its remarkable geysers are one of the world's most spectacular natural phenomena.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-136.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-136</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-136</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-137</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: Paradise on Earth, Episode 2 (NTSC)</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
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            <marc:subfield code="a">Unlike the hustle and bustle of the nearby city of Guilin in the Guangxi region, in the heart of China, the landscape that follows the Lijiang River has a rural and idyllic atmosphere. Rural life here is blessed with beautiful scenery, and the landscape around Guilin is synonymous with the magnificence of the legendary Middle Empire. A boat trip along the Lijiang River is an ideal way to travel and to experience this impressive and famous area with its unique and bizarrely-shaped peaks. Its geological formations date back more than 300 million years, when the Guilin region was entirely covered by ocean.

Blyde River Canyon is 26 kilometres long and over 800 meters deep and is one of the most beautiful regions of the Transvaal's Drakensberg Mountains in South Africa. One glimpse of the circular rock formations and it is evident why Blyde River Canyon is considered to be one of the greatest natural wonders in South Africa. The red sandstone cliffs are almost vertical and in some sections measure several hundred meters down to the canyon and river below.

Just outside the town of Page in the state of Arizona, a narrow and unimpressive entrance leads into the mysterious world of Antelope Canyon. The small Antelope Creek River, which is infrequently fed by additional water, has over the course of thousands of years cut a fascinating canyon into the red sandstone and created a natural work of art. A true celebration of form and color, it is unearthly, mysterious and of amazing beauty.

The Etosha National Park in Namibia is one of the largest wildlife reserves in the world. No other park in Africa contains as many animals. One hundred and ten different species of mammals have been recorded in this national park, a truly remarkable variety that is also reflected in the vegetation of the region. More than 340 species of bird populate this unique habitat. The vastness of this magnificent landscape is overwhelming as Etosha covers an area of almost 22,000 square kilometres!</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-137.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-137</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-137</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-138</marc:controlfield>
        <marc:controlfield tag="005">20230831060137.0</marc:controlfield>
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            <marc:subfield code="a">883629300917</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">883629300917</marc:subfield>
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            <marc:subfield code="a">Global Television</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: Paradise on Earth, Episode 3 (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="b">cr</marc:subfield>
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Cosmos Global: Paradise on Earth, Episode 3 (NTSC) ( 51 min., 31 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">It is particularly during the hot summer months that Death Valley does full justice to its name. On some days, the temperatures here can reach up to 45º C (113º F) in the shade, a rare commodity in this scant, treeless landscape. The bizarre landscape of the mysterious Devil's Cornfield really does seem to have been scorched by the heat of another planet, but it is actually the relatively high salt content of the terrain that is responsible for its strange and desolate landscape.

Located in the south of the African continent and on the Zambia/Zimbabwe border, Victoria Falls is one of the world's most amazing and impressive wonders of nature. Just as amazing as the waterfalls is the metamorphosis of the Zambesi River that transforms itself from a wide and lethargic river to one that is narrow and powerful. Between February and March, when the Zambesi is at its most powerful, an average of more than 500 million liters of water shoot over the edge of the waterfall each minute.

In northern Taiwan, close to the country's second-largest harbor in Keelung, is one of the world's greatest natural wonders. Due to its bizarre rock formations, Yehliu Park provides visitors with scenery that could be from a distant planet. However, the polymorphic shapes of the rock are not extraterrestrial but the result of an ancient process that dates back several million years.

The arid landscape of the mighty Namib Naukluft Park, in the heart of Namibia, seems to be endless, and it is the fourth-largest nature reserve in the world. Further into the Namib Desert, the colors of the surrounding landscape grow more intense. It is as though both earth and sky are competing against each other to see which shines brightest.

Hutiao is the sonorous Chinese name of the Leaping Tiger Gorge that is located around 100 kilometres from the town of Zhongdian, the gateway to Tibet. The Leaping Tiger Gorge owes its name to the fact that it is at one point only 30 meters wide. In both a metaphoric and symbolic sense, a tiger could jump across the golden Jinsha River with a single leap!</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-138.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-138</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-138</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-139</marc:controlfield>
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            <marc:subfield code="a">883629300740</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">883629300740</marc:subfield>
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            <marc:subfield code="a">Global Television</marc:subfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: Nepal (The Three Royal Cities of Nepal) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">video</marc:subfield>
            <marc:subfield code="b">v</marc:subfield>
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        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
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        <marc:datafield tag="500" ind1=" " ind2=" ">
            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Cosmos Global: The Three Royal Cities of Nepal (NTSC) ( 51 min., 32 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">With its three ancient Nepalese royal cities, Kathmandu Valley, at the foot of the mighty Himalayas, contains some of the most precious treasures in Asia along with a truly unique and medieval atmosphere.  However, the beauty of this country and its historic buildings have for many years been out of the reach of most foreigners. And even today, Nepal is full of mystique.

Kathmandu became increasingly important during the reign of the Malla sovereigns who created one of the city's main landmarks, Durbar Square. The Taleju Temple is located in the heart of the Durbar district. It is believed that in the 10th century, King Gunakamadeva II founded the town. He moved his residence from Patan to today's Kathmandu. However, little of the architecture of that time has survived to the present day. The heart of Durbar Square, the richly decorated and spacious Hanuman Dhoka Palace, dates back much earlier.

Not only because of its famous carved peacock windows but also due to its museum, Bhaktapur is the centre of traditional Nepalese wood carving. Compared to the other royal cities of Patan and Kathmandu, Bhaktapur is the most original and is without a doubt the most historically authentic.

The city owes its remarkable buildings and renovations to comprehensive donations from several countries. Only essential work and modernization were undertaken, and they eventually contributed to an improvement in the daily life of the local population.

According to legend, the founding of Patan, with a population of over 150,000 the second-largest royal city in Nepal, dates back to pre-Christian times. As opposed to the Malla cities of Khatmandu and Bhaktapur, which were mainly influenced by the Hindu religion, Patan was for many years a major Buddhist city. It is believed that it was founded in the 3rd century BC by the famous Buddhist emperor Ashoka, who visited the town while on a pilgrimage from Northern India.

Kathmandu, Bhaktapur and Patan are the three legendary royal cities of Nepal that still possess a mysterious and ancient power and continue to be the sacred sanctuary of Himalayan art.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:datafield tag="830" ind1=" " ind2="0">
            <marc:subfield code="a">Naxos Video Library</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-139.jpg</marc:subfield>
            <marc:subfield code="z">Cover image</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-139</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-139</marc:subfield>
            <marc:subfield code="z">Digital File Links</marc:subfield>
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    </marc:record>
    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-140</marc:controlfield>
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            <marc:subfield code="a">883629300474</marc:subfield>
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        <marc:datafield tag="024" ind1="1" ind2="1">
            <marc:subfield code="a">883629300474</marc:subfield>
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            <marc:subfield code="a">Global Television</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="100" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: Iceland (Fire and Ice) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
            <marc:subfield code="b">Naxos Digital Services US Inc.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="300" ind1=" " ind2=" ">
            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="336" ind1=" " ind2=" ">
            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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        <marc:datafield tag="338" ind1=" " ind2=" ">
            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="490" ind1="1" ind2=" ">
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        <marc:datafield tag="505" ind1="0" ind2=" ">
            <marc:subfield code="a">Cosmos Global: Fire and Ice (NTSC) ( 51 min., 32 sec. ) / Not Applicable</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Iceland, an island of fire and ice, a land of geysers, volcanoes and lava deserts, is remote and desolate, yet full of breathtaking natural beauty.

The spectacle of numerous solfatara formations ranges from fascinating bubbling mud holes to dramatic crevices that spew out hot steam. The sulphur-laden mud pools can reach a temperature of up to 100 degrees Celsius. The surrounding terrain can suddenly give way, therefore the area can be extremely dangerous and should be approached with great caution.

Although a tourist destination, Námaskard is far from overcrowded. This is most likely due to the ever present and highly obtrusive odor of sulphur expelled by its mud holes. The Námaskard region is not only one of the hottest areas of the island, it also forms the geological border between Europe and North America known as the Mid-Atlantic Ridge.

The scenery is indeed captivating and surreal, and it is hardly surprising that countless myths and legends have been created on the island. Rising from the depths of the earth, the foul-smelling vapors of the solfatara fields and the volcanic surroundings of Námaskard probably once stimulated the imagination of the Vikings, Iceland&amp;#x2019;s original inhabitants.

Just outside the small town of Grindavik, near the capital of Reykjavik, a more down-to-earth though sensual ritual takes place.  The Blue Lagoon is one of the most popular bathing areas on the island. Surrounded by lava, the water of this picturesque lake is a constant 38 degrees Celsius. The sonorous name of the Blue Lagoon is not derived from a natural phenomenon but from the waters of a nearby geothermal power plant!

As one of the greatest natural paradises in Europe, Iceland is totally unique. This island in the North Atlantic unites in a most magical way the two great forces of nature: scorching fire and eternal ice!</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Monuments / History / Geography</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-142</marc:controlfield>
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            <marc:subfield code="a">COSMOS GLOBAL: Finland (Suomi, Land of a Thousand Lakes) (NTSC)</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">No other European country is as influenced by the interplay of both water and land as Finland. The impressive beauty of its unspoiled scenery is plain to see, and yet most of Finland, despite each wonderful aspect of its natural landscape, is still sparsely populated. Its endless forests truly make Finland one of Europe's last great wildernesses.

Only in Finland's modern capital of Helsinki does the population exceed more than 100 inhabitants per square kilometre. The city's cathedral has become one of the most famous landmarks in Helsinki that, along with the general ground plan of the entire city, can be traced back to a Prussian. Carl Ludwig Engel was the man responsible for the building and design of the Old Town, and Classical Helsinki was born.

Due to their strategic location, the islands of Suomenlinna, just outside Helsinki, played a central role in the country's defenses and were transformed into a huge fortress.

Finland particularly lives up to its reputation as "The Land of a Thousand Lakes." In Karelia, huge forests have created a prosperous paper-making industry. Saimaa Lake is the fourth largest lake in Europe and covers an area of 4,300 square kilometres, and together with several adjoining lakes it is the largest body of lakeland in Europe.

In the 1920s, the local media spread the word that Santa Claus did not live at the North Pole but in the extreme north of Finland.  Since then, the Santa Claus Village has become a huge commercial success. The Santa Claus Post Office is open throughout the entire year to both young and old alike, and several shops offer a large range of souvenirs.

With around 120,000 inhabitants, Oulu is the sixth largest city in Finland. Unlike the solitude of Lapland, the popular shopping centre of Rotuaari has all the atmosphere of a major city.

The extreme north of Europe is one of the last great natural habitats of this otherwise densely-populated continent. Thus, the magnificent splendor of Suomi lives on right up until the present day.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-142</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-142</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-143</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
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            <marc:subfield code="a">Cosmos Global: In the Land of the Rising Dragons (NTSC) ( 51 min., 32 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Vietnam is one of the most fascinating countries in South East Asia.  It contains a large number of cultural treasures as well as much remarkable scenery. Due to its exceptional buildings of both past and present, as well as its magnificent natural scenery, Vietnam surprises everyone who travels to this region of Asia.

Vietnam's former capital of Thang Long, that means "Rising Dragon," is now known as Hanoi. Like all cities in South East Asia, Hanoi has an increasing traffic problem, but to compensate for this, it also contains several parks. Early in the morning, a number of Tai Chi enthusiasts are to be found within a park that surrounds the Hoan Kiem Lake in the centre of the city. The picturesque lake and park are the green lungs of Hanoi and are a relaxing contrast to the lively atmosphere of the city and its 3 million inhabitants.

According to ancient records, the imperial area of Hué once consisted of 136 buildings. The rapid rise of what had once been a rather unimportant town to a new and magnificent imperial city has always been indelibly associated with Vietnam's Nguyen royal family, who were to influence the country for several centuries.

Both architecturally and culturally Hoi An has been influenced by two countries, China and Japan. The influence of the Chinese is clearly visible even today, and they bequeathed a large number of magnificent buildings, such as temples and meeting halls.

On the western shores of the Saigon River is Ho Chi Minh City, the former capital of Saigon. This, the largest and most populated city in Vietnam, has around 6 million inhabitants, a fact well substantiated by the exceptionally busy streets of this southern metropolis.

Vietnam's people are both amicable and extremely hospitable, and now it is surely time that they deserve to see their "Land of the Rising Dragon" enjoy a further epoch of peace and prosperity.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-143</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-144</marc:controlfield>
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            <marc:subfield code="a">COSMOS GLOBAL: Thailand (Siam, A Glorious Kingdom of the Past) (NTSC)</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The magnificent history of Siam began in 1253, when several small kingdoms in the north of the country united and thus laid the foundation for the first true kingdom of the Thai people. Bangkok, the present metropolis and capital of Thailand, first attained importance at the end of the 18th century under the newly developed Chakri Dynasty, when it became their seat of government. The epoch of the Chakri kings still exists today, and although the great palace district no longer serves as the king's residence, it is still one of the most popular tourist attractions in Bangkok.

Wat Suthat is located in the eastern district of old Bangkok and is one of the city's oldest temples. Construction of the temple began shortly after the coronation of the first Chakri monarch, King Rama the First. Prior to its completion during the reign of King Rama the Third, three other kings were responsible for the creation of the Buddhist sanctuary that covers an area of more than 40,000 square metres.

For more than four centuries, Ayutthaya was one of the most prosperous royal cities in Indochina before the internal power struggles of various rival members of the country's royal family led to the city's decline. Wat Mahathat, one of the oldest sanctuaries of the ancient capital, has one of the tallest and most impressive towers in Ayutthaya. King Boromaracha the Second had the temple built in honor of his two brothers, who had killed each other in a bitter and bloody struggle for the royal throne.

Buddhism has always played a vital role in Thailand's history. It continues to be highly influential to the present day. The remains of the "Temple of the Seven Rows of Chedis," the Wat Chedi Jet Thaew, is the greatest Buddhist monastery in Si Satchanalai. Within its 32 stupas are the cremated remains of various members of the kings who ruled over the northern region of Siam.

Even now, the legendary kingdom of Siam, along with its fascinating cultural heritage, age-old traditions and outstanding historic monuments, has a substantial influence in the modern Thailand of today.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: Taiwan (Taiwan - Gods, Spirits and Pagodas) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Taiwan is an island of gods, ghosts and pagodas with an abundance of legendary treasures and a cultural inheritance that can still be seen in all its age-old splendor. Numerous sanctuaries reflect the traditional culture of China, and in contrast to the People's Republic, here Chinese culture has been extremely well-preserved.

With around 2.5 million inhabitants, Taipei is the island's largest city and also the capital of Taiwan, a metropolis that reflects both old and new. Taipei's Bao'en Temple was dedicated to the deity of medicine, Baosheng Dadi, a god that was once mainly worshipped in the Chinese province of Fujian.

In contrast to the island's many other sanctuaries, the Chih Nan temple complex is inhabited by around 50 monks. The monastic community underlines the extraordinary importance of this sanctuary for both Taiwanese Taoism and Buddhism. Dedicated to Taoism, the temple complex of Chih Nan is one of the most important seats of religious education in Taiwan.

Due to its 200 or more large temple complexes and numerous small shrines, Tainan is also known as The City of Temples. The Tien Gon Temple is one of the city's most recently-built sanctuaries and is very popular with the local population.

On the western coast of Taiwan is the small harbor town of Luang. This was the first landing place for many of the immigrants who arrived from the Chinese region of Fujian. Lungshan's "Dragon Temple" dates back to the Qing Dynasty and was built to commemorate the Goddess of Charity, Kuan-Yin, who had once transported immigrants safely to the island and was worshipped as the Patron Saint of Seafarers.

An almost totally lost part of historic China lives on in Taiwan, a legendary island of gods, spirits and pagodas, because this island at the end of the rainbow has somehow managed to retain its thousands of years of traditions and beliefs.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-145.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-145</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-145</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-146</marc:controlfield>
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            <marc:subfield code="a">COSMOS GLOBAL: Jordan (In the Land of the Nabateans) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Cosmos Global: In the Land of the Nabateans (NTSC) ( 51 min., 32 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The Jordan Desert is a beautiful, natural landscape and was once home to a legendary and mysterious people that fell into oblivion some centuries ago, the Nabateans, whose realm was at its zenith some 2,000 years ago and resulted in some of the most fascinating ruins of antiquity.

Due to their remote and obscure location, the remains of Petra, a legendary Nabatean city of rock, were for many years merely regarded as a myth, and only a few local Bedouin tribes knew of the existence of certain ancient buildings in the south of what is now Jordan.

Both El-Barid and Petra were located in a very favorable position at the junction of several ancient trading routes that led from the Arabian Peninsula to as far as Anatolia and into today's Syria and Egypt. Caravan trains brought great wealth to the Nabatean realm.

The technical knowledge and achievements of this ancient desert tribe were quite remarkable. Drains that were several kilometres long supplied the local population with fresh water, an essential commodity in the desert.

One of the region's most famous natural landmarks is situated in the northern part of the Wadi Rum, The Seven Pillars of Wisdom, a striking rock that was named after a novel by Lawrence of Arabia. Inspired by the enthusiastic writings of the legendary secret agent, film director David Lean decided to shoot the film at the original locations mentioned by Lawrence. The shining color of the rocks and the fascinating desert landscape of the Wadi Rum have been made famous by the historic film.

The conquest of this region by the Arabs in the middle of the 7th century marked the decline of the legendary rock city of Petra. For more than 1,000 years, the ruins of this ancient civilization lay hidden beneath the desert sands of Jordan before they once again revealed some of their secrets to a new and fascinated world.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-146.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-146</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-146</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-147</marc:controlfield>
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            <marc:subfield code="a">COSMOS GLOBAL: Syria (Palmyra, City of a Thousand Pillars) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">Cosmos Global: Palmyra, City of a Thousand Pillars (NTSC) ( 51 min., 32 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Set amid the desert savannah of Syria are the proud remains of the unique and mysterious metropolis of Palmyra. The legendary ancient city was built in this vicinity due to the existence of an oasis, Tadmur, and today around 30,000 people live in the surrounding area.

The shortest and fastest route from the Mediterranean to Mesopotamia and Persia travels directly past the Tadmur Oasis, thus it was only a question of time until an important trading post was founded there, and later a flourishing cultural and economic centre developed.

Close to the former Agora, the central square in which the city's inhabitants held their weekly market since the 1st century AD, is one of Palmyra's architectural landmarks, the Tetrapylon. This structure consists of four square pedestals and was rebuilt in 1963. Only one of the 16 columns is original, and they once held numerous statues.

In 106 AD, under Emperor Trajan, Palmyra became a province of Rome. The city was obliged to provide military aid, which was something that was to have far-reaching consequences. Due to its military responsibilities, the city lost its political neutrality, but the Romans honored the city's loyalty with many fine buildings and various improvements to the centre of the city.

One of the most beautiful and most visited tomb towers in The Valley of Graves is the four-story-high Tower of Elhabel that dates back to 103 AD. It is a combination of a tomb tower and Hypoaeum. It is one of the few well-preserved monuments in the West Necropolis.

Since its discovery in the 17th century, the historic monuments of Palmyra shine out in renewed glory as an ancient reminder of a fascinating and mysterious epoch of desert history.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-147.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-147</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-147</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-148</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: Austria (Cultural Treasures - Austria) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
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            <marc:subfield code="a">Vienna was once Austria's seat of empire, located in what is the very heart of Europe. The monumental Stephansdom is Vienna's most prominent landmark. The cathedral's three-sectioned hall, with its late Romanesque western side, was built at the beginning of the 14th century, and its façade was only widened later when its steep roof was also rebuilt.

The Wiener Hofburg is a large complex of buildings that contain various architectural styles dating from between the 13th and 19th centuries. It was the Viennese residence and legislative centre of the Habsburg Dynasty, the emperors of the "Holy Roman Empire" of the German nation.

Amid the vast terraces of the Wachau vineyards is the village of Weissenkirchen, in which several inns provide their customers with an ideal opportunity to sample the wines of this region. Grape growing has a long tradition in this section of the Danube; indeed, the area between Krems and Melk is one of the oldest cultivated landscapes in Austria.

The Semmering Railway is a remarkable alpine railroad that has been operating for 150 years. The starting point of a fascinating journey is the town of Gloggnitz, which has around 7,000 inhabitants. The railway line to the Semmering Pass contains 16 viaducts, more than 100 bridges and 15 tunnels!

Salzburg is rightfully proud of its most famous citizen, Wolfgang Amadeus Mozart, as both his birthplace and residence are situated in the middle of the old town. Medieval Salzburg became the "German Rome," an Early Baroque city whose architecture was influenced by Italian design, a city of art, faith and flamboyant culture.

Due to the exquisite taste of the royal archbishops of that glorious time, today Salzburg is one of the most beautiful Baroque cities in what is one of the finest countries in Europe.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-148</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">East Africa is one of the most beautiful and diverse landscapes in the world, and its magnificent wilderness full of fascinating wildlife is one of the few remaining unspoiled regions on earth.

Lake Naivasha is the ideal habitat for both the rare fish eagle and African eagle, thus it is a perfect location from which to observe these fascinating birds. Due to its rich variety of wildlife and the spectacular beauty of its landscape, Kenya is one of Africa's most popular safari destinations.

The Massai Mara National Park is located around six hours from Nairobi and is one of the country's most extraordinary game reserves. Its name indicates the presence of one of Africa's most colorful tribes, the Massai.

The Amboseli National Park also contains many of East Africa's most important landscapes and represents the magnificence of the African flora and fauna that grows in this relatively small, protected area.

The local wildlife stays at a safe distance from the geysers of Lake Bogoria, as the steaming hot springs can prove fatal for the flamingos and other water birds that live there. Nevertheless, quite often, the bones of dead animals can be seen close to the geysers as some venture too close and are killed by the hot steam.

At an altitude of nearly 6,000 metres, Mount Kilimanjaro is the highest mountain on the African continent. For most of the time, its summit is covered by a dense ring of cloud that gives the mountain an air of mystique.

There are few other places on earth that offer the huge variety of nature as does the legendary east of the African continent, a magical destination and a wild natural paradise that is second to none!</marc:subfield>
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        </marc:datafield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: Southeast Asia (Indochina) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Laos, Vietnam and Cambodia form the geographical and cultural region of Indochina, a word created at the beginning of the 19th century to highlight the influence of China and India on this part of South East Asia.

Due to its magnificent natural landscapes and variety of historic sanctuaries, Vietnam is one of the most interesting countries in Asia, and despite its 3 million inhabitants, the capital city of Hanoi has a relatively calm, old-fashioned and provincial atmosphere.

South of Hanoi, in the Gulf of Tonkin, the delta region of the Song Hong extends into one of the most beautiful natural miracles in the world, Ha Long Bay, in which both small traditional fishing boats and pleasure boats move between its 1,600 islands.

Economically, Cambodia is a third-world country, but its many cultural treasures indicate its rich history. The country's most famous sanctuary is Angkor Wat, which measures 1,200 metres long and 800 metres wide and is the largest sacred building in the world.

In Laos, which unlike Cambodia has no access to the sea, time seems to have stood still. With picturesque karst-covered mountains as a backdrop, the small town of Vang Vieng enjoys a beautiful location and has developed into a popular tourist destination, especially with backpackers from all over the world who are in search of adventure.

The Khmu tribe is one of Laos' primeval peoples. The largest subgroup of the Lao Theung tribes, they earn their living mainly from the planting of rice and coffee, as well as through animal breeding and hunting.

Laos, Vietnam and Cambodia: three neighboring countries that form one of the most fascinating cultural areas in the world. They are exotic gems with a dramatic history!</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-150</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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        <marc:controlfield tag="001">CDG-DVD-151</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: Southeast Asia (South East Asia) (NTSC)</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">South East Asia is a fascinating, atmospheric and exotic world full of unspoiled nature and cultural treasures, a region in which both past and present live side by side and unite in a wonderful way.

Myanmar, The Land of Golden Pagodas: For decades the rulers of what was once known as Burma closed the country's doors to the outside world; many of its fine religious sanctuaries were badly neglected, but they have now gradually been given the respect that they deserve.

Inlay Lake is home to the Inthas, one of the many tribes that came to Myanmar from various of South East Asia's neighboring countries. Throughout the area are the floating plantations of the Inthas on which tomatoes, cucumbers and beans are cultivated.

A journey on the Shan State Express provides passengers with a fascinating insight into the life of the Shan people, whose lives are dominated by agriculture.

The northwest of Myanmar is known for its many splendid sacred buildings such as Mingun's Hsinbyume Pagoda, which was built at the beginning of the nineteenth century. It was constructed according to the architectural rules of Hindu Buddhist cosmology and symbolizes the World Mountain of Meru.

One of Taiwan's most important centers of arts and crafts is located in the west of the island in Lukang, an ancient and idyllic town full of age-old traditions whose large number of beautiful temples is most impressive.

In Cambodia, around 40 kilometres north of Phnom Penh, is the former capital city of Udong. Today, only the remains of the city's once-splendid buildings indicate that it was the last centre of Angkor's power. The ruins of Ayutthaya indicate the impressive dimensions of the former capital of ancient Thailand and one of the mightiest royal cities in South East Asia.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-151</marc:subfield>
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        <marc:controlfield tag="001">CDG-DVD-152</marc:controlfield>
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        </marc:datafield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">The Tyrol is made up of untouched landscapes, idyllic mountain villages and a magnificent mountain world that makes this region that covers the west and southwest of Austria and northern Italy a nature lover's paradise.

The Tyrol also contains Hohe Tauern National Park, which extends for more than 1,800 square kilometers, covers large sections of the Eastern Alps, and features a marvelous variety of natural scenery. One of the most popular regions in the park is the Defreggental, with its pretty health resort of Sankt Veit.

Southern Tyrol, at the edge of the Central Alps in Italy and south of Brenner Pass, is one of the most important traffic routes in Europe. With much less traffic than the Brenner &amp;#x2013; and far greater scenery &amp;#x2013; is the Grande Strada Delle Dolomiti, a hundred-kilometre-long alpine road that travels from Bozen to Cortina d'Ampezzo.

In the Ebbs Stud, at the foot of the Kaisergebirge in the Austrian Tyrol, is a fine example of Tyrolean culture. The Haflinger breed of horse is friendly, strong and reliable, and it is a cross between a Tyrolean pony and an Arab stallion.

Auffach is the starting point of one of the most spectacular journeys into the mountain world of the Kitzbuhler Alps. From the comfortable panoramic cabins of the Schatzbergbahn there is a wonderful view across the high Wildschonau Valley and surrounding mountains.

In contrast to other cities of the Tyrol, Innsbruck has the atmosphere of a large city, but it is also known for its historic charm. The city's unique landmark is an architectural masterpiece of Late Gothic design that is called the Goldenes Dachl due to the three thousand gilded copper tiles that cover the roof of its two-storey oriel.

The Tyrol is a land of mountains, a sparkling gem in the very heart of Europe and a region full of tradition and history. A veritable love affair with nature!</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
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        </marc:datafield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-152.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-152</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-152</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-153</marc:controlfield>
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            <marc:subfield code="a">Cosmos Global: Tripolitania (NTSC) ( 51 min., 30 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">At first sight, there are few traces of ancient Tripolitania, located in what is now northwest Libya, but it once had the three great cities of Sabratha, Leptis Magna, and Oea. Oea was built on the site that is now modern Tripoli and dates back to the 7th century BC, when Tripolitania was an important trading center for the Carthaginians.

As much as anything else, it is the local plants, majestic palm trees and impressive cacti that give Tripoli its Mediterranean atmosphere. Clearly, the influence of the sea is only present close to the coast, as a few kilometres inland is endless desert.

An eye-catching landmark that dates back to the time of the corsairs is the Citadel in Tripoli's harbor. The Arabs enlarged the original Byzantine complex to a fortress, and for a short spell the city fell into the hands of the Spanish.

Sabratha is the youngest of the three great cities of Tripolitania. Thanks to much restoration work, the Theatre is one of the most impressive architectural monuments of this once legendary trading city. The restored façade of the Roman stage building is one of the most beautiful to be seen anywhere. Columns of green-white Cipollino marble with artistic capitols underline the extraordinary architectural charm of Sabratha's ancient theatre.

Around 120 kilometres east of Tripoli is Tripolitania's third ancient metropolis of Leptis Magna, a unique excavation site. The oldest finds in Leptis Magna were made in a Punic cemetery that had been built on by the Romans. Under the rule of Carthage, Leptis Magna became an important trading metropolis until it fell into the hands of the Numidians.

The remains of the legendary Tripolitania of antiquity continue to inspire even today and are proof of a great and golden epoch.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-153</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-154</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: China (In the Land of the Holy Monks) (NTSC)</marc:subfield>
            <marc:subfield code="h">[electronic resource]</marc:subfield>
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            <marc:subfield code="a">Cosmos Global: In the Land of the Holy Monks (NTSC) ( 51 min., 32 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Surrounded by the Himalayas, the highest mountains in the world, lies a hidden treasure - the highlands of Tibet, one of the most fascinating regions on Earth.

In Lhasa, the capital of Tibet that known also as "city of the gods," religion plays a special role in the lives of its population, and hordes of pilgrims pack themselves into the sacred route that leads around the Jokhang Temple, Lhasa's most important sacred building.

The most famous building in Lhasa is the Potala Palace, which dates back to the time of Songtsen Gampo in 637 AD. It became known worldwide mainly as having been the former seat of government of Tibet and as the official residence of the Dalai Lama.

Drepung Monastery was once the richest monastery in Tibet, as can be seen by the abundant furnishings that remain despite the dramatic events of the more recent past. In contrast with many other Tibetan monasteries, this holy district suffered little destruction, and the Cultural Revolution that was forced upon Tibet by China only brought about a temporary lull in the life of the monastery.

One of the biggest and most important monuments of Tibet's sacred architecture is the amazing Kumbum Chorten, a three-dimensional mandala that can be entered. After the ritual journey through Kumbum Chorten, the route symbolically follows the entire Buddhist path of deliverance to Nirvana.

Tibet, the "land of holy monks" on the roof of the world, has a truly unique atmosphere and is most certainly a land that breathes original beauty and remarkable monastery culture.</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/CDG-DVD-154.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-154</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-154</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">CDG-DVD-155</marc:controlfield>
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        <marc:datafield tag="100" ind1="1" ind2=" ">
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            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: South Korea (In the Land of the Silent Dawn) (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">South Korea is a land caught between ancient tradition and modern times. No other region in the Far East contains such a large variety of fascinating impressions within such a small area.

Since the Cold War and the Korean War, the Korean Peninsula has been divided into two countries, and the hostile relationship that exists between socialist North Korea and the democratic republic in the south casts its shadow on South Korea's metropolis of Seoul.

Changdeokgung, "Palace of Prospering Virtue," was built at the beginning of the 15th century and together with the Gyeongbokgung, that is located nearby, was the centre of power of the Joseon Dynasty. It is divided into two sections, with the administrative and residential buildings situated at the front of the complex.

The historic old town of Suwon is dominated by the mighty fortress complex of Hwaseong, which was built at the end of the 18th century during the Joseon epoch. A two-hour walk along Hwaseong's many gates, walls and watchtowers highlights its monumental dimensions.

Most of Korea's historic sites are located in the south with the Andong region being particularly popular. The Buseoksa Temple, the Temple of Levitating Stone, is one of the oldest sanctuaries in the region.

The Haeinsa Temple is the main attraction in the Taegu region and is the most important temple in South Korea. It is situated on a mountain range in the Gayasan National Park and contains ninety buildings that are adorned with various magnificent sacred works of art.

South Korea impresses not only with its many historic and cultural treasures, but also with its varied landscape. Be in no doubt, the Land of the Silent Dawn has lost nothing of its unique and exotic charm!</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-155</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/CDG-DVD-155</marc:subfield>
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        <marc:controlfield tag="001">CDG-DVD-156</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">COSMOS GLOBAL: Mongolia (In the Land of the Nomads) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Cosmos Global: In the Land of the Nomads (NTSC) ( 51 min., 30 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Protected by endless deserts and untouched landscapes, an exotic and fascinating civilisation has managed to survive right up to the present day. In Central Asia is the land of the nomads, Mongolia, once a legendary and feared realm yet one that is full of natural beauty. 

Today's capital of Ulaanbaatar, or Red Corner, was some centuries ago nothing more than a small nomad settlement, but now around a million people live there, one third of the country's population.

The name Genghis Khan is synonymous with Mongolia. Under the leadership of this legendary monarch, the Mongols established the largest empire in history, a realm that extended across large areas of Asia, possessed more than a hundred million subjects and created a new high season of culture.

About an hour from Ulaanbaatar in Tov Province is the calm and tranquil Manzushir, a charming area that is totally different from the densely populated metropolis. In addition to several tent-like huts, or gers, it is mainly the centuries-old scattered remains from the high season of Buddhism that capture the attention.

The landscape enchants with its exotic splendour. Since 1997 the Khogno Khan Nature Reserve has been protected. It is part of the province of Bulgan, one of twenty-one provinces known as aimags. The beautiful landscape remains virtually untouched, which is hardly surprising as Mongolia is the most sparsely-settled country in the world.

Hunting with eagles is both common and traditional. Each October before the hunting season begins a popular eagle hunting festival takes place in Bayan Oglii. The birds with which the Kazakhs hunt are golden eagles that have a wing span of more than two metres.

Mongolia is truly a land of nomads, wonderful wilderness, unspoiled landscapes, centuries-old traditions as well as fascinating cultural treasures and sanctuaries.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=CDG-DVD-156</marc:subfield>
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        <marc:controlfield tag="001">EUDVD0011</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">VISUAL MELODIES: Egyptian Bellydance featuring Serena Ramzy (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Visual Melodies: Egyptian Bellydance featuring Serena Ramzy (NTSC) ( 01 hrs., 32 min. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Ramzy, Serena, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Visual Melodies&lt;/i&gt; begins a new era in Egyptian dance entertainment and educational videos. As the world's leading name in Egyptian dance, Hossam, together with Serena, help teach you the authentic moves that comprise the wonderful art of Egyptian bellydance.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=EUDVD0011</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/EUDVD0011</marc:subfield>
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        <marc:controlfield tag="001">EUDVD0012</marc:controlfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">BEDOUIN TRIBAL DANCE: Featuring Gypsies of the Nile (NTSC)</marc:subfield>
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            <marc:subfield code="a">Bedouin Tribal Dance: Featuring Gypsies of the Nile (NTSC) ( 01 hrs., 10 min. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Ramzy, Hossam, Artist -- Abdalla, Shebl, Artist -- Sobhy, Reda, Artist -- Abdalla, Mostafa, Artist -- Kabaraty, Ahmed, Artist -- Ramadan, Sayed, Artist -- El Haddad, Ragab, Artist -- Khairy, Omar, Artist -- Saied, Yasmin, Artist -- Mesaaed, Sabri, Artist -- Shebl, Mohammed, Artist -- Ramzy, Serena, Artist -- El Latif, Angie Abd, Artist -- Khalil, Mayada, Artist -- El Saied, Dina, Artist -- Hessein, Rasha, Artist -- El Sewesy, Ibrahim, Artist -- El Faramawy, Mohammed, Artist -- Farouq, Mohammed, Artist -- Farouq, Hassan, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">This video depicts one facet of the life of modern Egyptian tribal Bedouins by presenting the music and dance of their wedding celebrations. The energetic dance music is driven by the joy of living with nature, arranged with the dancers in mind, and played on traditional instruments.</marc:subfield>
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            <marc:subfield code="a">The mighty thunder of giant Japanese drums makes for an exhilarating, high-energy live show of powerful and driving music that is fascinating and intricate, multi-layered and kaleidoscopic.

&lt;i&gt;Bonus feature:&lt;/i&gt;
-Behind the Scenes</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Islamic architecture's most beautiful building, the Taj Mahal, is located on the southern shore of the Jumna Rive close to Agra in northern India. This mighty mausoleum was built on the orders of the Mogul king Shah Jahan for his favorite wife.

Surrounding an inner core of stone, the Taj Mahal is mainly of brick construction encased in marble. The marble was transported from quarries about 300 km from Agra, and in addition to its richly decorated precious white marble, red sandstone was also used for its massive main gateway. Floral reliefs, tendrils and other carefully created stone works adorn the building's magnificent exterior.

On its walls there are artistic images taken from the Koran, and there are also non-Islamic decorations that were designed by 17th-century architects. The stunning Persian motifs of blossoms and plants consist partly of precious stones such as diamonds, garnet, sapphires and onyx.

In 1629, the wife of the Indian Mogul, Shah Jehan, died at the birth of her 14th child. In her memory, her husband promised to build a mighty monument, and the result was the Taj Mahal. It was built between 1630 and 1653, and its Persian character is due to its first architect, Isa Afandi, who originated from Iran. Its onion-like cupolas were a real architectural achievement of their day, and the symmetry of the building is truly remarkable.

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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The centre of the Serenissima, as the inhabitants of Venice lovingly call their city, is the Piazza San Marco, a square that Napoleon referred to as "The Drawing Room of Europe." It is the city's most visited square and is surrounded by numerous buildings and arcades.

The Bridge of Sighs connects the Doge's Palace with the city's former prison, the legendary lead chambers in which Casanova was imprisoned and from where he made his spectacular escape.

The magnificent Palazzo Ducale was the residence of the doge. In 1341, the Palace of Palaces was completed, the military symbol of Venetian power. Built as a palace chapel for Venice's doge, the city's largest and most famous church, the Basilica Di San Marco, is also known as the "Golden Basilica" due to its outstanding opulence. Almost 2500 granite and marble columns support the walls of this Byzantine-style building that contains five domes and halls. The main and side facades are decorated with sculptures that illustrate various tales of the city.

Over 4,000 square meters of golden mosaics form, after Sicily's Monreale Cathedral, the second-largest mosaic surface in the world.  Gothic marble statues and mosaics in Byzantine style decorate the façades, and in between are wonderful Moorish elements that indicate the Venetians' attraction to foreign influences. This harmonic connection of styles created a building that is unique in occidental architecture.

The Carnevale Di Venezia has a long tradition, and the amazing masked spectacle that takes place around the Piazza San Marco attracts countless tourists from around the world. It is the perfect setting for the perfect carnival!</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Nizwa, the religious centre of the Omans, has a moving past. Until the 12th century, it was the capital of the desert state of Oman.

It contains a massive and captivating fortress, an impressive castle-like structure built by order of Imam Sultan Bin Saif Al Ya&amp;#x2019;rubi in 1660.

Nizwa's picturesque markets offer a large variety of goods, and the city is the centre of the country's silver trade. In addition to shops that sell traditional crafts and general goods, many fruit and vegetable traders offer their products for sale in the restored souk. The majority of the goods come from the surrounding oasis plantations. Close to the restored quarter, the old town has managed to retain its charm, and it's here that time seems to stand still as the hustle and bustle of the marketplace is reminiscent of a bygone time.

From the battlements of the fortress there's a marvelous view across the magnificent mountain terrain of Oman's interior and the city's minaret. In the Sufala district, close to the monumental castle, is the Sultan Qaboos Mosque. As it towers into the sky, the shining tip of the Friday's Mosque is a reminder of the city's former prosperity.

The religious, economic and cultural centre of Oman, Nizwa provides a fascinating and exotic impression of the past.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1023</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1023</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">GTR-DVD-1024</marc:controlfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Thebes is the legendary necropolis on the river Nile's eastern shore. Two impressive 18-metre-high Colossi of Memnon watch over the entrance. On the opposite side of the river Nile is where the Valley of the Kings is located. Apart from the Pyramids of Gizeh, this is the most famous location in Egypt.

More than 60 graves have been discovered in the necropolis, including that of the great king Ramses I. The first Egyptian ruler, Thutmosis I, was buried in the Valley of the Kings. Prior to this, Amenophis I had prepared a secret grave in nearby rocks. In addition to the royal burial places, more then 500 private graves of priests, aristocrats and civil servants that date back from between the 11th and 26th dynasties have also been discovered here.

In contrast to the royal graves, the portrayals and hieroglyphics that are contained in the burial places of the middle classes contain worldly objects. The everyday life of ancient Egypt is illustrated in exquisite detail. In ancient times, it was believed that the addition of hieroglyphics on tomb walls and artistically-designed reliefs comforted the dead on their journey through the underworld.

Close by is the Valley of the Queens, where more than 70 tombs have been discovered. Apart from queens, numerous dead princes were also buried in this part of the necropolis, such as the son of Ramses III.

The work of the archaeologists has not yet been completed on this site, so it is quite likely that this sacred place will one day reveal more of its splendid and mysterious treasures.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/GTR-DVD-1024.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1024</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1024</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
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        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Global Treasures: Carthage (NTSC) ( 09 min., 31 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and whatwe pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Today, Carthage is still the centre of Tunisian political power, and the past has made its own remarkable and indelible impression. According to legend, the city of Karth Hadasht was founded by Phoenician settlers in the year 814 BC. The Romans named it Carthage.

The city soon began to control the Numidic hinterland and established colonies in the entire western area of the Mediterranean.

Relatively little remains of the original Phoenician and Punic buildings. So far, archaeologists have only managed to recover Roman treasures. A former monastery, Carthage Museum was built on historic land that also contains numerous fascinating relics from both the Punic and Roman epochs.

Close to the museum there is an array of water cisterns, an impressive example of Roman engineering. In earlier times, the water cisterns were mainly supplied by the Zaghouan's Aquaduct that was built by the Romans at the beginning of the second century AD.

The impressive Carthage Amphitheatre dates back to the time of Emperor Augustinus. It was a popular setting for cruel and bloody entertainment. Following Roman tradition, the amphitheatre's arena was the most important place for public entertainment. Even today, one can sense what it must have been like for the gladiators as they ran into the arena to battle for their life.

Built between 138 and 161 AD, Carthage's impressive therms are some of the most beautiful and splendid bathing spas of the entire Roman empire. The spa area originally extended 300 metres along the coast and was over 100 metres wide. A well-planned underground canal system was fed by a network of cisterns that supplied water from the nearby hills down to the baths.

In spite of past wars and destruction by the Romans, Carthage has retained its unique and majestic beauty to the present day.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/GTR-DVD-1025.jpg</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1025</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">Global Treasures: Kathmandu Village (NTSC) ( 09 min., 32 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Rising to a height of 1300 metres, Kathmandu Valley lies at the foot of the Himalayas in the centre of the kingdom of Nepal. Kathmandu is a city of temples and gods that was founded in the 10th century by King Gunakamadeva.

For those of the Hindu faith, the temple area of Pashupatinath is the most holy place in Nepal and is an ancient place of worship for the god Shiva.

Established in the 12th century, Bhaktapur, the "The Town of Devotees," was until the end of the 15th century the capital of Kathmandu Valley.

Located on a hill three kilometres to the west of Kathmandu is the valley's main landmark, the Holy Stupa of Swayambhunath. This large temple complex, with its famous eyes, serves as a reminder that Buddha was born in this country 2500 years ago, making Nepal the true centre of Buddhism.

Changu Narayan is the oldest sanctuary in Kathmandu Valley and is dedicated to the god Vishnu. It has been designated by UNESCO as a World Heritage Site. The location of this holy sanctuary is ideal, as its temple area is situated on the summit of a mountain ridge that provides an excellent view of the entire valley.

Kathmandu Valley is Nepal's treasure house, along with all of its wonderful medieval Himalayan art and culture.</marc:subfield>
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        <marc:controlfield tag="001">GTR-DVD-1027</marc:controlfield>
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            <marc:subfield code="a">GLOBAL TREASURES: Mexico (Teotihuacan) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The ruins of the ancient Mexican capital, Teotihuacan, remain a mystery to scientists to the present day. Little is known about the former historic rise and fall of this first major city on the American continent. During its heyday, Teotihuacan extended over an area of more than 20 square kilometres and ruled over a city-state that was larger than that of Ancient Rome.

It is believed that the origins of this impressive city date back as far as the 2nd century B.C.

Four large platforms surround the Citadel, the administrative centre of the city. On the opposite side is the magnificent and impressive Quetzalcoatl Temple, which is adorned with several reliefs.

The huge towering Pyramid of the Sun is one of the main landmarks. Overawed by the magnificent structure, the Aztecs described it as "The place where one becomes god" &amp;#x2013; and it is indeed a magnificent and fascinating sight to behold.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The monumental construction of the Stefansdom, with its magnificent German Gothic tower, is the symbol of Vienna. Located in the heart of Europe, this glorious, once-imperial city is today a fascinating melting pot of both old and new.

The Hofburg is a large complex of multifarious buildings of various architectural styles that date from between the 13th and 19th centuries. This was the Viennese residence and legislative centre of the Habsburg Dynasty, the emperors of the "Holy Roman Empire" of the German nation. The Silver Chamber contains a remarkable variety of opulent exhibits that depict the magnificent regal life of the past.

A mighty cupola extends to a height of 30 metres over what was once the Imperial Court and is today surely the most opulent library in the world, Austria's National Library.

In 1569, Emperor Franz Joseph was born in the magnificent royal residence, the Schonbrunn Palace. More than 1700 beautifully-maintained rooms afforded the large imperial family much freedom of movement, and its magnificent interior decor is one of the most lavish of its time. The Palace Grounds contain the outstanding Neptune Fountain and also the charming Schonbrunn Zoo, the oldest animal enclosure in the world.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In England, close to the village of Avebury in the county of Wiltshire, a 5,000 year old monument rises from the ground. It is a hill that is almost 40 metres high and is Europe's largest artificial prehistoric earthwork, built around 2800 BC.

The grass-covered limestone hill was created for ritual ceremonies, and its rocks originated from a huge stone circle that dates back to a megalithic culture that encompassed the village of Avebury, in which ancient rituals were performed right up to the time of Christianity.

The White Horses Of Wiltshire are located on several sites in the English county. They are large, white contours of horses that can be seen from far away in the undulating countryside. The 100-metre-long horses consist of limestone, and their origins date back to the 11th century, or perhaps even earlier, as they are very similar to images found in Stone Age drawings.

Scientists believe that the builders of Stonehenge, which is only some 25 kilometres distant, were the same builders that also constructed Avebury, the so-called "Beaker People."</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Almost every city possesses a special street, but for Venice it's the Grand Canal, one of the most beautiful "streets" in the world. It's a thoroughfare of water that contains opulent palaces and religious buildings such as Santa Maria della Salute, of which the foundation is built on more than a million wooden supports. The Grand Canal is the lagoon city's main street and winds its way over almost four kilometres.

It is its bridges that give Venice its distinctive character. Built on 12,000 posts, the Rialto Bridge has always been the city's centre of commerce.

In the 5th century, the Huns invaded and destroyed the fishing villages along the Adriatic coast, their inhabitants seeking refuge on the islands of the lagoon. Built on 118 islands, the "City on the Sea" gradually began to develop. Trade flourished and Venice eventually became the Mediterranean's leading sea power. Its merchants became incredibly rich and well knew how to display their wealth. A sea republic developed, and the Piazza San Marco became the centre of the lagoon city. The first doge was elected, and today his palace is evidence of the power and magnificence of this bygone era.

Nearly 2,500 pillars of granite and marble support the walls of the city's largest and most famous cathedral, the Basilica Di San Marco, and the many palaces that are located on the banks of the Grand Canal are further examples of Venetian power and influence.

Venice is a city made of stone and water, a powerful, old and proud city that has withstood the test of time.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The charming older part of Madrid is dominated by numerous monumental and magnificent buildings including, most notably, the wonderful Palacio Real or "Royal Palace of Madrid." A harmonious and elegantly designed facade opens onto the Plaza De Oriente. This was formerly the location of numerous buildings; originally, the Moors built an alcazar here, and in the course of time it was transformed into the main palace of the Hapsburg royal family that once reigned over the country.

The magnificent halls of the palace are breathtaking. The hall in the Comedor De Gala, contains the most beautiful, grandiose chandeliers and a ceiling fresco painted by Anton Raphael Mengs. The throne room ceiling fresco is by Gianbattista Tiepolo.

Even though the royal family no longer resides in the palace, it is still a much-prized historic jewel in the Spanish crown.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Mighty walls protect the interior of the beautiful Edfu Temple in the legendary land of the Pharaohs, a holy place that was constructed according to ancient Egyptian tradition and built by the Ptolemaics between 237 and 57 BC.

Although the Edfu Temple is among one of Egypt's earlier temples, its architecture, with an inner courtyard and magnificent columns, reflects the design of far older temples. The interior of the temple contains a huge array of hieroglyphics that describe religious legends, while others tell of ancient mythological tales that involve war and battle.

In the temple's holiest place is the altar that held the Sun Barque and also a solid granite shrine which dates back to the 30th dynasty.</marc:subfield>
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            <marc:subfield code="a">Global Treasures: The Ming Necropolis (NTSC) ( 09 min., 31 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

A dignified pavilion rises behind the main entrance of the magnificent Ming Necropolis, which is located 50 kilometres northwest of Beijing. Seven kilometres long, the holy avenue, "Spirit Way," of the Ming Necropolis is lined with numerous beautiful stone figures.

Dingling, the mausoleum of the 13th Ming Emperor, Wanli, is one of three restored grave sites where elegant stairs, decorated with beautiful stone masonry, lead up to the terrestrial section of the mausoleum. According to ancient Chinese tradition, an earthly section had to be built for the soul of the dead, in which the soul would be comforted. For this reason, the magnificent buildings and great halls were designed in the style of the emperor's palace.

The expenditure for the royal funerals was without limit and it took almost six years and around 30,000 workers to build the grave complex for Emperor Wanli.

Changling is the largest mausoleum of the Necropolis and was built for Emperor Yongle, who reigned during the beginning of the 15th century. But this extremely well-restored grave site has a darker side to it. Together with the Emperor, it is believed that 30 living concubines were buried in this grave.</marc:subfield>
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        <marc:controlfield tag="001">GTR-DVD-1034</marc:controlfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Archaeologists attach great importance to the ancient ruined city of Kerkouane. It is the only Punic city that has retained its original form and has not been altered or rebuilt by subsequent cultures. To the present, archaeologists have uncovered a long, horseshoe-shaped area of approximately 500 metres revealing an outline of alleys and streets.

Unlike Roman design, each house had its own private sanitation system, which was connected to an extensive canalization network. The majority of the floors were decorated with mosaics, and most of the dwellings also had their own small well. The buildings were constructed in various ways using many different techniques, and baked bricks and clay were among the main building materials.

Some of the ruins contain floor mosaics that are still in very good condition, and the tiny marble stones of the mosaics were sometimes used in special designs such as the so-called "Tanit" symbol, a recurrent motif in the entrances to the dwellings and gravesites outside the town.</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Bali - island of the gods and gateway to Paradise &amp;#x2013; is a relatively small island east of Java across the Bali Strait. In recent years, luxurious hotel complexes have appeared, tastefully recreating the island's ethnic traditions.

Colorful dance and drama play an important part in the lives of the Bali people, and almost every village has its own dance group, the favorite dance being the Barong.

In the north of the island, the 1,800-metre-high Mount Batur volcano is still active, its slopes covered in lava fields that extend deep into its crater.

Hindu temples abound, the Pura Kehen being one of the most beautiful terraced temples in Bali and the Pura Besakih, "The Mother Temple of Besakih," the most revered.

As in ancient times, rice is still cultivated in the traditional way, and ox and plough traverse the fields. Sun-drenched beaches, cloud-kissed volcanoes, exquisite ethnic architecture and dreamy temples - it's no wonder that Bali is one of the most attractive tourist destinations in East Asia.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Drottningholm Castle is located on Lake Mälar, 12 kilometres from Stockholm. Of Franco-Dutch design, construction of this regal residence began in 1662, and the castle is now the residence of the Swedish royal family.

Lively influences that date back to the Baroque and Rococo periods are part of the characteristic features of the spacious park that surrounds the castle. A number of the sculptures and works of art that are featured in the garden were captured in various military campaigns. The cultural elements of various epochs are also reflected in the general layout of the park that is often referred to as the Swedish Versailles.

Drottingholm Castle has managed to retain the regal atmosphere of the Swedish royal families just as it was during the 18th century.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Rabat was once the centre of power of the Almohades. Today it is the capital of Morocco and the government headquarters of King Mohammed VI. The majority of its buildings are linked to the country's historic past and its former sovereigns, including the mausoleum of Mohammed V. Opposite the Mausoleum is one of the city's best-known landmarks, the Hassan Tower, that rises 44 metres into the sky. In the picturesque quarter of the Kasbah Des Ordains, with its whitewashed houses and sky-blue doors and window frames, is the city's oldest mosque.

When Marrakech became the country's capital city, Rabat gradually fell into decline until 1609, when Andalusian Muslims and Jews settled here. An increasing number of people inhabited the Kasbah.

The administrative area and parade ground of Méchouar in the southwest of the town is part of the Cité Royale, a town within a town.

Beyond the city's defensive walls, the ancient ruins of Chellah are a reminder of both pre-Christian and pre-Islamic times. During the 3rd century BC, the Carthaginians built their first trading establishment here, which was later extended and became the famous Roman harbor of Sala.

Due to its rich history, architecture and unique ambience, each year this royal city at the mouth of the Bou Regreg River enchants thousands of visitors from all over the world.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The area of land in which Rome's famous Forum Romanum is located was once an overgrown swampland. Many ancient relics are scattered around what was once the heart of the mighty Roman Empire that for so long dominated Europe.

Since the beginning of the 3rd century, the majestic and impressive Arch of Septimius Severus has maintained its function as an architectural expression of triumph.

Within the interior of the Kurie, with its two side pedestals, was the seat of the Roman senate in which there was room for 300 senators who had been democratically elected by the people. Huge buildings such as the Maxentius Basilica, named after the emperor Constantine, are still recognizable today.

It was only at the beginning of the 19th century that interest in ancient Rome returned with well-organized archaeological excavations. From 1898, archaeologists worked their way through to the oldest and deepest foundations, and with these new discoveries, the ancient character of the Forum Romanum as the centre of the Roman Empire was returned to the glorious light of day.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The impressive Mesa Verde National Park in the USA contains numerous centuries-old Indian rock settlements, including the remarkable Balcony House.

The climb to Balcony House has always been an arduous task, and within the entire area of the Mesa Verde no other Indian pueblo settlement is as well preserved. The unique quality of its brickwork indicates the past presence of a highly-developed community that probably lived here until the end of the 13th century.

For several centuries, the 45 rooms of Balcony House remained unoccupied, and the families who had formerly inhabited them, the Anasazi Indians, left without a trace. The buildings have managed to survive due to the dry climate, the inaccessibility of their location and the nature of the materials used in their construction.

In contrast to the earlier culture of the basket weavers, discoveries from the Late Pueblo epoch indicate that the Anasazi had a strong sense of community and were not afraid to make contact with neighboring tribes. The effect of these cultural exchanges is evident on the various images and patterns of their pottery.

Protected by mighty rock walls in the midst of magnificent and untouched canyons, the remains of this fascinating Pueblo culture have managed to survive the passage of time.</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Around 3,500 kilometres west of the mainland of Chile is the Pacific island of Rapa Nui, otherwise known as Easter Island. Three million years ago, volcanic activity created this small island of lava that covers an area of 160 square kilometres. Rapa Nui is one of the most remote places on Earth, and its closest neighbor is Pitcairn Island more than 2,000 kilometres west.

Since its discovery by Dutch sailor Jakob Roggeveen on Easter Sunday 1722, there has been a great deal of interest in the island. In spite of its growing tourist trade, the island has retained an air of tranquility and is ideal for nature lovers and those interested in its history. Theories abound as to who were the first settlers to arrive on this tiny island, but scientists believe that its first inhabitants originated from Eastern Polynesia.

But the island's main focal points are its gigantic and mysterious stone monuments that date back to late prehistoric times. These mighty statues have always stimulated a certain amount of fantasy, as the island was thought to be part of a lost continent.

Nearly all the figures, known as Moai, originated from the slopes of the Rano Raraku volcano. Its tuff stone was an ideal sculpting material, and its soft texture made it possible for the islanders to create tall, massive statues out of the rock within only a few weeks. There are still almost 400 individually-crafted Moai figures on the island.

During the 19th century, slave traders arrived and took with them thousands of the island's inhabitants. Those that were left of the island's religious leaders took their knowledge of the island and its culture to their graves. Thus the exact meaning of the intriguing, megalithic sculptures will remain an unsolved mystery for the rest of time.</marc:subfield>
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        <marc:controlfield tag="001">GTR-DVD-1041</marc:controlfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Amidst the marvelous coastal landscape of the French Cote D'Azur lies the picturesque medieval village of Eze.

The main part of the village that can still be seen today was created in the 10th century, during the Middle Ages. Tranquility seems to almost overflow from quaint windows onto the streets of this charming village, in which its narrow alleyways and stone buildings mix with the lush green of the trees.

Eze radiates summer freshness, and in a magical kind of way, light and shadow unite to form a magnificent picture of pure beauty.

Breathtaking, panoramic views down to the Mediterranean are an additional treat, and located around the village's castle, the Cactus Garden is yet another attraction.

For real old-world charm, this is the place to be!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

A mighty wall surrounds the medina, the old part of the Tunisian city of Sousse, whose fortifications date back to the 9th century. They were built by the Aghlabid Dynasty, who were strongly influenced by Islam.

There is a remarkable gate at the northern edge of the medina. It is the entrance to the ribat, an impressive fortress that was built by the Aghlabids in the 10th century. This military building was very similar to a monastery in which Islamic interests dominated the actions of the ribat's "warrior monks."

The history of Sousse has been influenced by many different countries and cultures. Carthaginian, Roman and even Byzantine influences can be found in the city. Its convenient location, coastline and fertile countryside created a prosperous trading and commercial centre, making Sousse the main metropolis of the Sahel.

Stretching out onto the highest point of the medina is the impressive fortress, the kasbah, that was built on the foundations of a Byzantine castle and today contains an important museum.

Thanks to its special location, Sousse has always fascinated visitors with its rich variety of atmospheric, historical impressions.  Thankfully, and despite its warlike past, the medina of Sousse has been able to preserve most of its original character.</marc:subfield>
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            <marc:subfield code="a">Global Treasures: Dolmabahce Palace (NTSC) ( 09 min., 31 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Built in the middle of the 19th century and set on the beautiful shores of the Bosporus, the Dolmabahce Palace shines out in its old splendor. The third sultan's palace of Istanbul, its royal buildings are considered to be the most beautiful examples of Osmanic architecture.

The Turkish architect Garabet Amira Balyan and his son Nigo&amp;#x011F;ayos were encouraged to indulge themselves both financially and creatively in the design of this impressive and opulent palace. As with its exterior, the beauty and splendor of the internal rooms is simply overwhelming, and its magnificent sunlit stairways were influenced by the design of the Paris Opera House.

The entire palace is like a magnificent museum. Works of art, paintings and other valuable gifts from various diplomats and visiting royal families are on display throughout.

Whenever a gentle breeze travels across the Bosporus and makes the flowers and blossoms move like dancers, it is easy to understand why the last great sultans chose this place as their home.</marc:subfield>
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        <marc:controlfield tag="001">GTR-DVD-1044</marc:controlfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The 4000-year-old ruins of the Minoan Palace of Phaistos are scattered over a wide area of a picturesque hillside on the island of Crete.

The first archaeological excavations took place between 1900 and 1909, and it soon became evident that these ruins, as well as further discoveries of the Minoan Epoch that date from around 1900 BC, were the remains of the first highly developed culture of Europe.

The multi-layered ruins and walls of the palace as they appear today are similar to the numerous cultural influences of ancient Crete. Libyan Megalith constructions with large limestone blocks combine with the wood, quarry stone and clay plaster of the semi-timbered buildings.

Unlike classic Greek architecture, the Minoan constructions are not dominated or influenced by strict symmetrical lines. The facades of the buildings were given little importance by the people of Crete, who instead focused on comfort and luxury from within, a fact demonstrated by the discovery of baths and a highly developed drainage system.

No one could have foreseen that the once prosperous Minoan culture that left its traces in Phaistos would later be considered by historians to be the beginning of Europe's cultural development.</marc:subfield>
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            <marc:subfield code="a">GLOBAL TREASURES: China (Tian Tian, Temple of Heaven) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Global Treasures: Tian Tian, Temple of Heaven (NTSC) ( 09 min., 32 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Magnificent roofs and archways decorate the impressive entrance of the Temple of Tian Tian, now known as "The Temple of Heaven," in China's capital Beijing.

The parkland covers an area of around 270 hectares and is one of the largest temple grounds in China. The temple was built toward the beginning of the 15th century by the Ming Emperor Yongle, and was originally used for the worship of heaven and earth. The splendid architecture and design of the buildings demonstrate the former social importance of the temple during the time of both the Qing and Ming Dynasties.

The striking roofs of the Hall of Prayer for Good Harvests are covered with almost 50,000 shining blue-glazed tiles that symbolize both sky and heaven, and its interior extends to a height of 38 meters with four majestic columns supporting the uppermost roof, each one representing the four seasons.

During the magical moments of twilight, the ancient Chinese belief that the holy temple of Tian Tian is the one place nearest to heaven certainly begins to make sense. As the sun touches the towers, roofs and animal imagery of the temple, it creates a magnificent portrait plus an array of beautiful architectural silhouettes.

Right up to this day, the temple of Tian Tian is a magnificent symbol of unity between heaven and earth.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Surrounded by a double wall that dates back to medieval times and amid the gentle, undulating hills of Tuscany is the town of San Gimignano, with its striking 15 towers that were built by competing aristocratic families. The towers were considered to be of great prestige and also provided a means of defense.

Competition to construct the tallest tower became increasingly fierce until a special decree curtailed the mindless indulgence of the local aristocracy. The town's prosperity came to a sudden end in 1348, when the plague killed thousands of its inhabitants.

Located next to the cathedral, the Palazzo Comunale contains numerous works of art. Since it was built at the end of the 13th century, it has been extended many times. Frescos adorned with several of the town's historic symbols decorate the walls of a tranquil inner courtyard. At a height of 54 metres, even today the Communal Palace's Torre Grossa rises above each one of the town's further towers.

For several centuries, San Gimignano's towers have been a prominent part of the town's noble silhouette amid the captivating landscape of Tuscany.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In the midst of the wooded hills of Oltenia's Carpathian countryside is the Horezu Monastery, which was donated by Prince Constantin Brâncoveanu. The building was constructed in 1690 to defend the western region of the country, and the settlement comprises five churches, a sanctuary for the infirm and various monks' cells.

Sculptures of stone and floral motifs decorate the external walls of the monastery's main church. Its wall paintings were created by 12 artists under the direction of Masters Constantinos and loaned between 1692 and 1702. They represent the beginning of the Brâncoveanu style.

The library, the Princes' House that today contains the monastery's art collection, the Refectorium with its old paintings, and finally the Treasury that contains icons and precious silver objects that date back to the Brâncoveanu period are each extremely valuable.

The Brâncoveanu style first gained recognition as early as the 18th century. It soon spread throughout Wallachia and Transylvania. Thanks to the refined art of this time, the Horezu Monastery has been designated as a World Heritage Site by UNESCO.</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Stephansdom in Vienna is one of the most beautiful Gothic cathedrals in the world. The oldest sections of its façade, the Heidenturme and Riesentor, are of Romanic origin. They date back to 1260 AD, during the reign of King Ottokar the Second of Bohemia. But it was left to a member of the Habsburg royal family to complete the construction of the cathedral.

The dark and mysterious catacombs located beneath the cathedral contain the remains of many former Habsburg sovereigns, and up until 1783, the underground passages were also used for the burial of Viennese commoners.

The significance of the building was not just due to its magnificent works of art; from 1469 it played an increasingly important role as a bishop and cathedral church. By creating its outstanding stone pulpit, cathedral master builder Anton Pilgram made himself immortal as a "Fenstergucker."

During the Baroque period, the building was severely neglected. However, the beginning of the 19th century saw the renewal and strengthening of the cathedral. Having survived all the tumult of past centuries, this unique building, with its proud, tall towers that rise above Vienna, has truly withstood the test of time.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Between the Greek mainland and Peloponnesus peninsula are the extensive ruins of ancient Corinth. Of the city's former magnificence, only a few Doric columns of the 6th-century Temple of Apollo have survived. Due to its favorable location and fertile soil, three thousand years ago during the Neolithic period the first settlements were established in this region.

The end of Classical Corinth is marked in 146 BC, when the Romans devastated and plundered the ancient metropolis and enslaved its people. For almost a hundred years, the ruins were uninhabited, but due to Caesar, new life returned to the city.

Surrounded by the pure, wild beauty of nature, the ruins blend harmoniously into the magnificence of the surrounding landscape. In the distance there are the remains of an ancient Corinthian port, and even today shipping plays an important role in the everyday life of this ancient city.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In the Lisbon quarter of Belem, the vast Hieronymite Monastery, the Mosteiro Dos Jeronimos, covers an area of 300 metres. At one time, its beautiful facade was situated close to the banks of the Tejo, and it is no accident that the monastery was built in this location. King Manuel the First wanted the monastery to highlight the importance of religion for the seafaring nation of Portugal at the beginning of the 16th century.

Henry the Navigator donated the tiny Maria Chapel that was the first structure within the actual monastery area. Together with his father, King Joao the First, he led a fleet of 200 ships to victory against the North African harbor town of Cueta. Portugal was a mighty sea power, and courageous voyages of discovery led to the development of trade on newly discovered continents. Along with his loyal sailors, the world famous discoverer Vasco Da Gama prayed in the Maria Chapel of Henry the Navigator prior to his ocean-going adventures.

Ribbed Gothic vaults support the ceiling of the church, which dates back to the 16th century. Colored glass windows create a breathtaking spectacle of light. In addition to various important members of the Portuguese royal family and numerous religious leaders, it is also the final resting place of Vasco Da Gama.

The monastery's richly decorated facade still shines out with all the glorious luster of Portugal's courageous seamen and their remarkable voyages of discovery.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Russian flag still waves proudly above the roof of the Hermitage in St. Petersburg, the former Winter Palace of the tsars. However, despite the meaning of its French name, it is no longer a place of seclusion. Designed by Rastrelli and built between 1754 and 1762, today the Hermitage is the centre of an art museum that consists of several buildings.

The impressive Peter Hall is dedicated to the legendary founder of the Russian Empire, Peter the Great. Indeed, it is a remarkable work of art in its own right, and both the Parade Stairs and Jordan Stairs are fine examples of the Winter Palace's dramatic architecture.

The purchase of more than 200 paintings from Berlin formed the basis of the Russian aristocracy's passion for art and served as the catalyst for the subsequent museum. Works by the most famous Italian artists, including Leonardo Da Vinci, Michelangelo and Raphael, have their own splendid exhibition rooms within the Hermitage. In addition to its remarkable works of art, the museum also contains a large number of archaeological discoveries and artistic treasures from entire cultural epochs.

The Hermitage is an art museum of the superlative. It contains a total of 2.7 million exhibits, many of which are the finest examples of their kind.

The Hermitage, the former Winter Palace of the Russian tsars and today the greatest museum in Russia, is a veritable palace of outstanding art and history.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Glurns Glorenza is a small town in southern Tyrol. A written account of the town was first made in the 12th century, but it only received its status as a Meinhardinic town in 1294. Today, the picturesque town has seven hundred inhabitants and even now enjoys certain privileges once granted to it by a royal prince. Shortly after the founding of the town around the end of the 13th century, it began the flowering period of the Tyrolean trading routes and commercial centers of the Middle Ages.

In 1499, the outbreak of the Engadiner War shook Glurns. During the Battle of Calven on May 22nd, events took a turn for the worse. Constant hostilities between the Hapsburg and Swiss Confederation finally led to a great battle and the defeat of the royal troupes. The hostile farmers' army took the Hapsburg army by surprise, and a massacre took place within the defenseless town. Approximately 6,000 people were killed, and a week later King Maximillian saw for himself the full extent of the catastrophic massacre.

Throughout the centuries, an impressive part of the Tyrol's moving history has been well preserved beyond the unique walls, towers and gates of Glurns Glorenza.</marc:subfield>
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For more than 2500 years, a landmark and symbol of one of the most influential European cultures, the Acropolis, has towered above the rooftops of Athens.

It took nine years to build the great temple of the goddess Athena, known as the Parthenon, which was completed in 438 BC. Unique among all other Greek temples, with its imposing appearance and artistic decoration, the Parthenon signified the great influence and power of ancient Athens.

Just a few metres from the Athens Temple, the Acropolis Museum contains numerous outstanding archaeological treasures that have been discovered in this vicinity. The majority of the exhibits date back to the 5th and 6th centuries, a richly golden time in the culture of ancient Greece. Since 1878, the museum has exhibited several ancient sculptures of the Acropolis in addition to various well-preserved sections of the Parthenon's magnificent frieze.

Throughout the centuries, the temples and buildings that are situated on Acropolis Rock have had an amazing influence on both artists and architects alike. The unique cultural value of these imposing ruins has once again become of vital significance in the hometown of the Olympic Games. Thus, the ancient Acropolis will continue to be the "Cradle of Occidental Culture" and will illuminate the night sky of Athens forever.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Medieval walls surround Siena, the most beautiful city in Tuscany. It is also proudly referred to as the "Italian metropolis of the Gothic period." Throughout the centuries, historic squares, palaces and churches have created Siena's unique character.

Traditional buildings that date back to the Middle Ages and numerous romantic, picturesque features have turned the Piazza Il Campo into one of Italy&amp;#x2019;s most beautiful squares.

As in Rome, the she-wolf is Siena's landmark, and there are many historical connections between the two cities. It is likely that during Etruscan and Roman times, a town or colony had already been established in Siena.

Under the so-called "Council of Nine," a town government that consisted of nine wealthy merchants, Siena experienced much prosperity at the beginning of the 14th century, and plans were drawn up to complete the construction of the cathedral.

Siena is a city of art that overflows with history, charm and a lively medieval atmosphere where Italian Gothic style is very much alive!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The famous Roman emperor Hadrian gave his name to what would become an even more famous wall, a powerful fortification in the north of England that served as protection against the "Barbarians" and extended right up to the Scottish border.

Construction of the wall in the 2nd century AD signified hope for a lasting and secure defense against the invading Celts. Hadrian's enormous line of defense covered an area between the North Sea coast and the Irish Sea, and part of it stretched across Cumbria and Northumberland. The wall was meant to reestablish Roman power, and 10,000 soldiers were commanded to protect it.

Originally, the wall was four and a half metres high and approximately three metres wide, and its length of around 120 kilometres was a remarkable accomplishment. Even by Roman standards, the establishment of the wall along the empire's northeastern border was an ambitious plan. Improvements and changes were constantly made during construction work on the seemingly endless fortification. The western section of the mighty wall was originally built with peat that was later replaced by stone.

In spite of intensive military efforts by the Romans, northern tribes such as the Picts managed to break through the defensive line. To ensure comprehensive defence of the wall, the Roman commanders ordered that a small road be built along it to aid the quick dispersal of their soldiers.

Although various sections of the wall have been excavated, today it passes across the natural landscape of the English countryside almost as it did during the time of Hadrian.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Temple of Philae lies on a small island on the river Nile, just a few kilometres away from the Egyptian city of Aswan. The construction of the Aswan Dam meant that the holy island of Philae was under threat from the waters of the Nile. However, due to a major international rescue operation, its temples and numerous buildings were relocated to the island of Agilkia.

The great Temple of Isis on Philae is acknowledged as one of the most well-preserved Egyptian holy places dating from Ptolemaic times, and some of its foundations are believed to derive from far older religious buildings. Next to the smaller Hathor Temple, 14 magnificent columns and capitals rise majestically into the sky.

The "Nilometer" was reassembled on Agilkia. This device was the official measurement system for Egyptian taxes. Thus, the level of taxes was closely associated with the water level of the Nile.

Egyptian life was dominated by the Nile, and thus the foundation of the development of ancient Egyptian culture was due to its life-giving presence.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Versailles was the former palace and dream castle of the French "Sun King," Louis XIV. The history of Versailles covers the rise and fall of the Bourbons, whose reign covered the most remarkable period of French history. Here, the French king lavishly entertained the decadent nobility, oblivious to the unrest caused by their false pride, supreme arrogance and almost total disregard for the poverty of the French people that would eventually lead to revolution.

Magnificent fountains decorate the palace's huge park that was created by 35,000 workers, a hundred hectares of ingenious garden design with a strict symmetry of wide star-shaped garden paths that seem to be without end. Drawn by four horses, the god Apollo emerges from the waters of a fountain. This and further fountains and ponds were designed by Tuby and Lenotre and are masterpieces of both garden design and the sculptor's art. Playful figures and statues adorn the park's many paths and even today emanate the joy and merriment of past days.

Construction of the royal palace was completed some time after that of the gardens. The palace was to be the epitome of majestic splendor and was designed to accommodate the entire French court: 20,000 people!

Containing more than 700 lavish rooms, the palace is a unique architectural masterpiece. In the opulence of the private rooms there are grand four-poster beds and splendid canopies. Ceiling paintings, gold and marble intarsia, carvings, goblins and superb crystal chandeliers are an indication of some of the king's creative ideas that Lebrun realized in exemplary style.

Versailles served as the model for several European palaces such as those in Potsdam, Vienna and St. Petersburg. However, it continues to be a unique monument of unashamed splendour and supreme opulence.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Florence is today's capital of Tuscany, a city of art and &lt;i&gt;joie de vivre.&lt;/i&gt;

In the heart of the city is the Piazza San Giovanni with its Duomo, Campanile and Battistero. After the cathedrals of Rome, Milan and London, that of Santa Maria Del Fiore is the fourth largest in the Christian world.

Over the northern gate is a relief that is a masterpiece of Early Renaissance relief work. The three-sided cathedral was designed to symbolize a Latin crucifix. The main body of the cathedral is 153 metres long and 23 metres tall, but in comparison with its huge dimensions, its interior is somewhat bare. In the adjoining Cathedral Museum, there is a fascinating collection of pulpits that were designed for special occasions by the most prominent artists of the day.

The Firenze Academy has altered the face of European culture, and at the beginning of the 15th century, the young Cosimo De Medici became a follower of Plato's doctrine and philosophy. Four hundred and sixty-three steps within the Academy's two-tiered dome lead to a superb view that extends over the length and breadth of the old city.

With its impressive 107-metre-high dome, the Battistero is a stunning building, and its Laterna, completed in 1572, is a masterpiece created by Brunellechi.

The Piazza San Giovanni exudes a powerful ambience, and even today it is still possible to feel the remarkable artistry of its historic past.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

A boat leaves the South African city of Cape Town and heads for Robben Island, which lies just 11 kilometers off the coast. In the 16th century, the Dutch used the island as a prison, but only the remains of later buildings survived.

During apartheid, political prisoners were incarcerated there, the prison's most famous inmate having been Nelson Mandela, who spent 18 years of his 28-year sentence on the island. He secretly wrote the first part of his memoirs there as well as numerous love letters to his former wife.

The island's museum is full of fascinating information about the prison, its former conditions and the everyday life of its inmates.  Up until the 1970's the prison didn't possess a dining hall or any modern sanitation. In the course of time, conditions slowly improved, even though contact with the outside world was prohibited. Visitors and even radio news broadcasts were prohibited.

After the closure of the prison in 1997, the South African government opened both the island and its former prison to the public. Thus, the face of Robben Island changed from being a place of terror and suppression to one of pilgrimage, a symbol of resistance and also a major tourist attraction!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The magnificent temple of Putuo Zongsheng Miao lies in front of the beautiful mountains and hills that surround Chengde, a town located about 250 km northeast of Beijing. The temple belongs to the so-called "Eight Outer Temples" of China's former Summer Palace.

The so-called Red Terrace is the main building of the Putuo Temple.  It is an impressive and majestic building that is located on top of a 17-meter-high terrace.

Putuo Zongsheng Miao consists of around forty halls and buildings, many of which served as the setting for great ceremonies and official functions. Only on rare occasions were foreign guests, such as the English Legation in the year 1793, allowed to visit the Summer Palace and its Eight Outer Temples.

Of course, today foreign visitors are very welcome and Chengde is one of China's most popular tourist attractions.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Even from a distance, a monumental amphitheatre dominates the Tunisian city of El Djem, the ancient Punic settlement of Thysdrus in the heart of the later Byzantine Empire.

Apart from those in Rome and Verona, this huge stone amphitheatre is the largest of its kind and a masterpiece of ancient building technique. Due to the region's climate, the impressive construction has retained its original color, and the gigantic oval structure could accommodate 35,000 spectators.

Thysdrus was one of the largest cities in ancient Africa, and during the 2nd and 3rd centuries BC it was also one of the most prosperous in the Roman Empire. The cultivation of olives and the production of olive oil for Rome were the reasons for the city's prosperity that continued to flourish for many centuries.

Although the amphitheatre has been used extensively as a stone quarry, it is better preserved than the Coliseum of Rome and in near-perfect condition.

The wealth of the city has long since gone, but its colossal heritage has been preserved forever - the fascinating amphitheatre of El Djem!</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

During the Middle Ages, Venice was the most powerful trading metropolis in the Adriatic and eastern Mediterranean and also a mystical place with a fascinating charisma.

Several times a year, the sea penetrates the city and overflows onto the Piazza San Marco in which the Basilica, with its Oriental and Byzantine influences, is an impressive sight.

Famous personalities such as Casanova and Cagliostro lived in Venice, and their decadent lives made a unique contribution to the city's historic reputation.

Standing proudly above the Grand Canal is the world-famous Rialto Bridge, which is supported by 12,000 pillars and measures 48 metres long and 22 metres wide.

The most prosperous of the city's families erected their palaces on the city's canal banks, and the foundations of these buildings are supported by thousands of pillars. They also donated lavishly furnished churches and promoted the arts, and thus artists such as Giorgione and Tizian became world famous.

In earlier times, gravediggers traveled on black-veiled gondolas to the small island of San Michele. Flickering lights on wooden poles still illuminate the way to the island cemetery. The humidity of the soil forced the Venetians to bury their dead in the honeycombed alcoves of cemetery walls.

During carnival time, the city takes on a special charm when, for ten days prior to Lent, enchanting, colorful costumes and masks dominate the lagoon city. During carnival, the melancholic splendor of past centuries awakes, and each year the extravagant spectacle attracts large numbers of tourists from all over the world.

For mystical delight with a good serving of history, Venice is without equal!</marc:subfield>
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On the Greek island of Crete, 23 kilometres southeast of Rethymnon, on a small plateau at the foot of the Psiloritis Mountains, is the Arkádi Monastery, a building that contains a moving history of the island's struggle for liberty against the Turks.

The remote monastery was built in 1587 at the time of the Cretan Renaissance, and in 1866, 963 Cretans secured themselves within its walls in protest against the continued Turkish occupation of the island.

Fifteen thousand Turkish solders assailed the monastery, and an unequal fight began. One of the monastery's brave defenders set a fuse to the monastery's ammunition store, which resulted in a massive explosion killing both attackers and defenders alike.

Although the Arkádi Monastery doesn't contain any spectacular works of art, it possesses its own unique atmosphere, one that recalls a courageous struggle for the liberty of Crete.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Havana, capital of Cuba, the Caribbean metropolis that for many decades has been so little loved and so badly neglected, with breathtakingly-restored beauty alongside unbelievable ruins - the queen of the Antilles in a country that lies between sun and socialism, between rumba and revolution!

As early as 1553, the Spanish Conquistadors chose Havana's harbor as a rendezvous for ships that traded gold and silver in its colonies, and to protect this "Gateway to the New World" from attack by looters, several forts were built, the oldest of which was the Morro Castle, or Castillo de los Tres Reyes Magos del Morro, whose construction took more than two decades.

As standards of living progressed, pirates and buccaneers came here and repeatedly destroyed parts of the growing town, but each time they did so, it was rebuilt and improved. Everything in this fascinating country seems to have been restored or transformed, such as the Palacio de los Condes de Santovenia, which is now the luxurious Santa Isabel Hotel.

A city whose riches once seemed boundless, Havana now rests in sleepy magic waiting to be discovered once again.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Cheops Pyramid has existed for 4,500 years and is the largest of three pyramids close to Cairo, beyond the suburbs of Giza.

Completed around 2560 BC, it took over 20 years to construct this huge monument on the edge of the desert.

Although lacking the technology of today, amazingly, the pyramids were constructed with great architectural and astronomical precision. At a height of 128 metres, the Cheops Pyramid consists of more than 2.3 million limestone blocks, each one of which weighs an average two and a half tons.

As though standing guard, the Sphinx &amp;#x2013; a prone lion with a human head - has always been a symbol of mystique. It was carved from a single rock and measures 21 metres high and 74 metres long. The Cheops Pyramid is the most extraordinary tomb of all time, the tomb of a living god and the most wonderful of the world's seven wonders of antiquity!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In 1062 AD, the Almovarides Dynasty founded the city of Marrakesh, known as "The Red City." The colorful spice market is only one of several markets, otherwise known as &lt;i&gt;souks,&lt;/i&gt; where baskets brim over with ginger, saffron, caraway and coriander. The souks are divided into different areas and specialties, including various craft workshops in which coppersmiths and potters offer their goods for sale. Even today, the bazaars still display the age-old splendor of this important trading city and caravan destination.

Snake charmers still captivate curious onlookers, and the Djemaa-El-Fna Square with its tricksters, minstrels and other entertainers is one of the oldest open-air variety shows in Africa.

Each magnificent sunset shows why Marrakesh was given its nickname of "The Red City," and this city is indeed a fascinating living gem of a time gone by.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

St. Stephen's Basilica stands tall and majestic, extending high over the rooftops of Budapest, capital of Hungary. The towers of this magnificent church, which dates back to the 19th century, are 96 metres high, and several tons of granite support the weight of its magnificent shining dome.

Ornate paintings cover the ceilings and decorate the spacious interior, along with the designs and creative ideas of the famous Hungarian architect Miklós Ybl, which dominate the ambience of the country's second-largest church.

Hundreds of steps lead high up into the bell towers of this magnificent church, one of many sightseeing attractions in this picturesque city on the river Danube.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Hofburg is a large complex of multifarious buildings of various architectural styles that date from between the 13th and 19th centuries. It was the Viennese residence and legislative centre of the Habsburg Dynasty, the emperors of the "Holy Roman Empire" of the German nation.

The Hofburg extends to the eastern side of the Ringstrasse, a magnificent boulevard that encircles the oldest part of Vienna.

The Habsburg residence possesses many beautiful architectural elements and precious works of art. In various parts of today's Hofburg, there are government buildings, museums and official meeting rooms. In the Silver Chamber there is a remarkable variety of exhibits that depict the magnificent regal life of past centuries.

At a height of 30 metres, a huge dome covers what is surely the most beautiful library in the world &amp;#x2013; Austria's National Library - decorated with the frescos of Daniel Gran.

From this momentous time in history, the Hofburg and its treasures are glorious mementoes of an Imperial royal capital city enthroned in the heart of Europe.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Little is known of the exact history of the ancient ruins of Sbeitla, and few documents exist of the seminal years of this old Roman city. However, some of the buildings and ruins are exceptionally well preserved, such as the Antonius Pius Arch, a main entrance gate to a large forum.

The temples are a curiosity and run contrary to the normal architectural style of Roman temples, which customarily unite the gods Jupiter, Juno and Minerva, by having these temples located in three separate buildings.

Sbeitla can be thought of as a classic example of efficient Roman construction and street planning that made little reference to the conventional design characteristics of the period. Excavations that were undertaken between 1907 and 1922 uncovered an area of ruins of approximately 600,000 square metres.

At least seven religious sites date back to the Christian period of the 5th and 6th centuries. It is thought that the three basilicas that lie beyond the temples were built on the foundations of former Roman temples. Even today, the excavation of this extensive area has not been completed, and it is believed that two-thirds of this ancient city has still to be discovered.</marc:subfield>
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On August 24th in 79 AD, a massive volcanic eruption destroyed the Roman city of Pompeii, and millions of tons of lava instantly petrified the bodies of 2,000 of its inhabitants.

Pompeii is the incarnation of a civilization that was destroyed by this natural disaster. Some of its underground corridors were accidentally discovered in 1594, but serious scientific excavation did not begin until the 18th century. Even today, more than one third of the city remains concealed beneath volcanic rock.

Because of the airtight conditions beneath the lava, Pompeii is the most well-preserved ancient city in the world, with perfectly preserved streets and buildings that provide detailed information of the former living conditions, trade, commerce and art of Roman times.

The lively city attempted to compete with Rome and offered its visitors and guests abundant luxury and diverse entertainments. The interiors of the buildings, with their magnificent reliefs, indicate the wealth and high living standards of Pompeii's elite.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In 1782, Catherine the Great had the magnificent Pavlovsk Palace built for her son. It is difficult to believe that it was almost completely destroyed during the Second World War, after which it was fully restored. The palace's furniture and art were spared from enemy bombardment, thus preserving their full splendor to the present day.

The interior architecture of the building was formed by two main influences, the military preferences of Tsar Paul I and the opposing taste of his wife, Maria. During the lifetime of the tsars, the palace became more than merely a functional building as it combines richly designed architecture with an amazing array of art from the 18th and 19th centuries, making it a combination of both palace and art museum.

Many European flowers and trees have found a new home in the marvelous setting of the 600-hectare Pavlovsk Park, a scene of harmony and romantic tranquility which contains various small temples, pavilions and monuments, including 200 sculptures.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The temple monastery of Xumi-Fusho-Miao is one of the most impressive buildings in Chengde, a UNESCO World Heritage Site. Overall, there are eight outer temple monasteries, each of them with its own architectural style.

The temple was built in 1780 to mark the visit to China of a senior Tibetan religious dignitary, the sixth Panchen Lama, the first in history to visit China. It is a replica of what was his own monastery in Tibet.

The construction of this monastery played an important role in the diplomatic relationship between the Chinese Emperor Quing Long and Tibet.

The multi-level roofs of Xumi-Fusho-Miao are of the highest aesthetic and artistic finesse. Numerous enchanting ornaments adorn the splendid roofs of these captivating temples. A total of eight gold-plated dragons grace the ridges, and roofs are decorated with traditional Tibetan portrayals of animals such as elephants and a variety of mythical beasts.

Xumi-Fusho-Miao monastery is an impressive example of late 18th-century Chinese architecture.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

From Pena Ventos Hill the view across the traditional and picturesque old town of Porto, on the Rio Douro, could not be more beautiful. The houses are set close to each other along the steep slopes of the old Portuguese harbor town. The historic origins of Se Catedral date back to the 12th century when the original church was established on a raised area of granite rock.

The decision to construct the building at this location was probably more for strategic rather than aesthetic reasons. In spite of numerous reconstructions, the church has never been able to lose its fortress-like appearance. Throughout the centuries and according to the architecture of each epoch, the external Romanesque appearance of the cathedral has been the subject of constant transformation.

King Joao I and his wife, Philippa, had eight children, among whom was their famous son and discoverer, Henry the Navigator, who was born in Porto. In addition to numerous successful expeditions, Henry's self-taught contribution to shipbuilding and nautical science earned him a glorious place in the pages of history. Due to his achievements, he laid the foundation for Portugal's subsequent emergence as a colonial power.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The ancient Minoan site of Agia Triada, on the Greek island of Crete, owes its name to a nearby church that dates back to the 14th century. In many ways, the settlement is quite unique, as its architecture does not conform to traditional Minoan design.

In contrast to the much larger structure of the Phaistos Palace, which is situated only a few kilometres away, the site has revealed an abundance of fascinating treasures.

Agia Triada's famous objects and works of art are contained in the Egypt Museum in Cairo. Around 1400 BC, the Minoan culture came to an end, and the exact reason for the decline of this advanced civilization will probably never be known.

The Minoan culture reached its peak between 1700 and 1350 BC, when palaces, country houses and settlements were established throughout the length and breadth of the island. Due to the completion of a well-thought-out road system and the further development of existing harbors, the foundation of an extremely successful trading system was created.

For thousands of years, the Minoan ruins lay covered by the sands of time, and it was only as a result of excavations around the neighboring Phaistos Palace that their discovery was brought about.

The Mycenaean civilization replaced that of the Minoans, and they subsequently constructed their own buildings above the walls of the once splendid and flourishing settlement of Agia Triada.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Architecture and nature unite in perfect harmony in Skogskyrkogarden, "The Woodland Cemetery," in the south of Stockholm. Its unique design is based on a combination of fascinating elements. In 1993, this picturesque forest cemetery was designated by UNESCO as a World Heritage Site.

Wild animals, such as deer, can be seen close to the gravestones, thus highlighting the natural and idyllic atmosphere of this unique place. The tranquil forest, that now extends over an old quarry, remained mostly untouched during the construction of the cemetery in the first half of the 20th century.

The cemetery is also the final resting place of a number of famous people, such as legendary Hollywood actress Greta Garbo, who was buried here in 1999. Arranged in sections, most of the graves are located in a tranquil pine forest. Thus, the gravestones are as one with nature, a concept substantially influenced by the architecture of Gunnar Asplund and Sigurd Lewerentz.

The modern, classical and natural elements of Skogskyrkogarden have created a truly impressive and glorious monument.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

A beautiful fountain with an Egyptian obelisk graces the Place De La République in the heart of Arles, a historic and charming small town in the south of France.

Next to the city hall is the Romanic Saint Trophime Cathedral with its splendid church porch that dates back to the 12th century.

The town's amphitheatre is the region's greatest building that has survived from the time of the Roman Empire, and it is also the most important arena in the former Gallic colony. Three watchtowers that date back to the Middle Ages were left intact by archaeologists as a reminder of the fortifications of the beautiful amphitheatre.

Arles and its magnificent cathedral soon became one of the Romans' most favored towns and was referred to as "Little Rome in Gaul" when more than 20,000 spectators witnessed savage gladiatorial battle in its amphitheatre.

Today, Arles is closely associated with the name of world famous Dutch painter Vincent Van Gogh. He completed around four hundred paintings in the town.

A visit to Arles is like traveling back in time but with all the unique atmosphere of the present.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

According to legend, the Colossus of Rhodes once towered above the picturesque harbor of Rhodes, a Greek island located off the southwest coast of Turkey. The huge statue was one of the Seven Wonders of the World.

Under the rule of the Knights of the Order of St. John, the Palace of the Grand Masters, which is located next to the Knight's Hospital, was the most important building on the island for more than 200 years.

The Palace of the Grand Masters was not only the administrative centre of the Order of St. John, it was also of great social importance. Many years previously, the Knights' Road was the most important street in the medieval city, and it was there that most of the Knights and Orders resided. Marble reliefs depicting the knights' coats of arms adorn the impressive and proud facades of the buildings.

Ever since the Knights of the Order of St. John took over, the city Rhodes has been dominated by various towers. Most of them were used for defensive purposes, while others are the remains of Turkish occupation.

When the sun sets above the Aegean Sea, Rhodes is revealed in all of its magical and historic glory.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The streets of Deopatan, east of the Nepalese capital of Kathmandu, are usually crowded with pilgrims who are traveling to the most important Hindu sanctuary in the country. The old temple district of Pashupatinath, dedicated to the Hindu god Shiva, even attracts pilgrims from India.

Shivaratri, one special night in the year that is dedicated to Shiva, is the most important celebration within the temple district. In springtime, thousands of Hindu pilgrims travel to Nepal.

The Bagmati River and this entire area, along with its sacred buildings, are still one of the most important Shiva sanctuaries on the Indian subcontinent.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Proudly, powerfully and surrounded by fortified walls, the Convento De Cristo Monastery is situated above the town of Tomar, north of Lisbon. Beyond the near impenetrable fortification was the Portuguese branch of the Order of the Knights Templar.

The layout and decoration of the Convento De Cristo and its church contain the numerous architectural styles and works of art of various periods. The Knights of the Order of Christ contributed to the final expulsion of the Moors, the liberation of the country and the creation of the Portuguese monarchy. The stabilization of power soon led to the rise of Portugal as an influential nation of seafarers and explorers. In the 15th century, the Knights of the Order of Christ played a significant role in the country's development.

The convent's circular building, the charola, was decorated with the jeweler of the 16th century. It was originally inspired by Romanic-Byzantine style that dates back to the days of the Knights Templar.

The Convento De Cristo, even to the present day, is full of both historical and religious appeal.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In southern Spain, majestically, yet mysteriously, the legendary Alhambra proudly rises above Granada's atmospheric old town.

After Córdoba, former centre of power of the caliphs, had fallen into the hands of the Christians in 1238, Granada became the country's new capital city. Mohammed I ordered the construction of the Alhambra's massive walls and 24 watch towers above the remains of a comparatively modest fortress.

King Charles V deliberately built his palace at this location, as it had once been the last bastion of Muslim power in Spain. It thus symbolized the triumph of the Christian world.

In addition to the external splendor of the Christian palace, the full beauty of its Moorish architecture is only fully revealed by exploring its glorious interior.

Thus the despair of the last Nasrides ruler strikes a poignant chord today; according to legend, when he was forced to abandon his palace to the Christian armies without a fight, his eyes filled with tears as he glanced back at his beloved Alhambra.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Graz is located in the centre of Styria, a federal state of Austria, and is the second-largest city in Austria. It is a town that fascinates with its southern flair, magnificent historical buildings and beautiful panoramic views.

The city's main landmark is its 28-metre-high clock tower that was built in 1561 and is one of the few remains of an old fortress. In order to facilitate a clearer view of the time from the historic part of the town below, the minute hand of the clock was exchanged with that of the hour hand.

The first recorded history of Graz dates back to 1128, but earlier archaeological records indicate that it was originally a settlement in 2000 BC.

The main architectural focal point in Graz is the Landhaus. Domenico Ell'allio transformed the old meeting hall of Styria's country estates into a typical Renaissance building.

Many cultural and historic works of art combine in perfect harmony and thus make Graz a particularly unique and attractive town.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

For many centuries, a cultural and historic treasure lay hidden amid the dense jungles of Cambodia, Angkor Wat. This huge temple site was once completely surrounded by water-filled ditches that protected the sanctuary from the noise of the once-busy city of Angkor.

To date, 1,700 artistic reliefs have been counted in Angkor Wat. Most of them contain religious illustrations derived from Indian mythology. Interestingly, the historic figure of the god-like king Suryavarman II appears to combine with the Hindu god Vishnu.

Khmer culture was strongly influenced by numerous Indian tribes and peoples who had immigrated to Cambodia in the first millennium. Liberation from the long domination of the Chinese-influenced Funan Empire made the Khmer stronger and created their first period of prosperity.

The remarkable monuments of Angkor Wat, along with the amazing cultural heritage of Cambodia, were discovered in 1850 by a Frenchman, Bouillevaux. Based on his sensational discovery, archaeologists have been able to shed further light on this remarkable location. This has led to even greater knowledge of both the legendary mythological images and inhabitants of the Khmer epoch.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

One of the most well-preserved medieval fortifications in Europe surrounds the small town of Aigues-Mortes, along the western periphery of the Camargue in the south of France. In the 13th century, King Louis IX was in search of a suitable location for a harbor on the Mediterranean that would serve both trade and military purposes. The Aigues-Mortes region was far from ideal, as it was a swampland on which it was almost impossible to build, but the orders of the King had to obeyed! 

The 1700-metre-long town wall consists of ten gates and five defensive towers, a true masterpiece of mediaeval architecture.

King Louis IX and his army embarked from Aigues-Mortes to conquer the Holy Land for Christianity, and in 1246, two years before the king's crusade to Egypt, the town's inhabitants began to prepare the machinery of war for this great adventure. However, the crusade was unsuccessful, the king having been taken prisoner. Even so, this was not to be his final military expedition, and following his liberation and return to France, he was encouraged to mount a new crusade in 1270, one which he did not survive. The harbor also suffered a terrible fate: it silted up! Thus the town's inhabitants experienced a difficult period in their history.

But thanks to its splendid town wall, Aigues-Mortes still manages to capture the atmosphere of the Middle Ages.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Today, it is difficult to believe that 300 years ago, the tiny dreamy harbor of Hoi An was one of the most important seaports in Vietnam. Now, only small fishing boats lie at anchor in the harbor, yet in former times Hoi An experienced a flourishing trade with Europe.

Whether on the riverbanks of the Thu Bon River, in the narrow streets or in the fascinating shops, Hoi An has retained the colorful atmosphere of bygone times. Life continued here as normal until in the early 1990's, when the tourist industry began to develop in Vietnam. The city's newfound prosperity has not yet reached the entire city, but it is reflected in some of its buildings.

Many of the city's meeting halls, temples and homes are of typical Chinese design. Both the Quan Am Temple and the Quan-Cong Temple date back to the 17th century.

Toward the end of the 17th century, an increasing number of Chinese merchants settled in the city, and this gave rise to the construction of several splendid meeting halls. In these traditional communal buildings, business relationships were cultivated, new friendships were made, information was exchanged, and ancestors and gods were worshipped.

Once again, the town is beginning to prosper, and the historic ambience of this intriguing city may well mark a new beginning to the inhabitants of Hoi An.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Amid the enchanting wine region of Transylvania is the small village of Biertán, formerly known as Birthälm, one of the region's oldest settlements. An impressive fortified church rises majestically above the dreamy village, a reminder that Biertán was once of great religious and political importance. The village is still influenced by its old-world charm, and its fortified church is an atmospheric gem of a bygone age.

The militaristic design of the church was a necessary precaution, as in former times the region was far from peaceful and idyllic. Both the Tartars and Turks repeatedly invaded Transylvania and thus made it necessary for the village to have a fortified church that could fend off would-be attackers.

Biertán's church organ is still regarded as a masterpiece, and the sound of its 1290 pipes is a truly unforgettable and breathtaking experience.

As with the larger part of its historical and cultural treasures, the fascinating rural character of this intriguing village has been preserved right up to the present day.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Mosteiro De Alcobaca is a massive, medieval monastery in Alcobaca and one of the most important historical monuments in Portugal. The creative influence of the monastery's fraternity is still evident and its interior is one of the most beautiful examples of Gothic Cistercian design.

King Afonso Henriques promised the construction of the Cistercian monastery in 1147, following a decisive victory over the Moors. He kept his word and six years after his military triumph, the first construction work on the monastery began. The majority of the buildings were completed in 1222 although, the monastery's kitchen and its impressive chimney were added in the 18th century.

The Cloister of Silence was built in the 15th century at the time of King Dinis I. Due to the vow of silence, this building was known as the silent cloister.

When the religious fraternities were disbanded in 1834, the Mosteiro De Alcobaca was abandoned by its monks but its treasures and much of its age old splendor have been preserved to the present day.</marc:subfield>
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In the mountain area close to Palermo is the picturesque town of Monreale, a townscape that for more than 800 years has been dominated by a single building. Monreale Cathedral was built due to a struggle for power between the Bishop of Palermo and the Norman king William II.

Architecturally, the cathedral possesses a wonderful harmony of styles, including Norman, Romanic and Arabian. With the building of the cathedral and the elevation of the city to an archiepiscopal, William II had created a worthy competitor to Palermo Cathedral.

The Norman cathedral and its adjacent cloister are two historical jewels that give a special significance to the small town of Monreale, and the buildings proudly overlook their former rivals in the Sicilian metropolis of Palermo.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The massive tower of Saint Ronan Church rises above the village of Locronan and its 800 inhabitants in the French region of Brittany. In the 15th century, the sleepy village developed into a prosperous sail-making centre until the arrival of successful competition and lower prices.

The village owes its popularity to the old architecture and dark grey granite buildings that lie at the historic heart of Locronan. The sudden loss of prosperity meant that there was insufficient money either to maintain the buildings or to construct new ones. Thus a walk through the picturesque village is like a fascinating journey back to the time of the French Renaissance.

Famous film directors, such as Roman Polanski, have used the village's unique scenery as a backdrop to their movies. With all the evocative ambience of this wonderful place far away from the noise of motor vehicles, it's like being in another world.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

On top of a hill, west of the town of Kathmandu, is one of the most important and fascinating Buddhist settlements in Nepal, Swayambhunath, or "Monkey Temple." Numerous legends exist with regards to the construction of this sanctuary. The oldest written record of it discovered so far dates back to the 5th century.

Today, it is accepted that most of the present construction of Swayambhunath was ordered by a king in the 17th century. In the course of time, the monument was rebuilt several times, as the upper part of the stupa was frequently damaged by storm and earthquake. Today, galleries of prayer wheels surround the sanctuary, and while the faithful walk around the stupa they move the prayer mills in order to augment their prayers.

Under the rule of Pratap Malla, it was not only numerous impressive buildings and religious works of art that were created. History records that the king was an instigator of many strange traditions and cults. In addition to the shrines that are dedicated to the four points of the compass, Pratap Malla also ordered the construction of a subterranean building, "The Hidden City."

The impressive stupa of Swayambhunath sits high above the throngs with timeless, peaceful and powerful grace, like the eyes of a Buddha who sees all!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

For thousands of years, the mighty tower-flanked Istanbul Land Wall was vital for both the defence and further development of the city. The Byzantine emperor Theodosius II ordered the construction of a new and mighty fortification in 408 AD.

The fortress was built during the reign of Sultan Mehmet Fatih II. It was an architectural symbol of the defeat of Constantinople when, following more than 1,000 years of resistance, the inhabitants of the city were forced to surrender to the Osmanic conquerors.

The city's most influential dignitaries were imprisoned in the fortress and many perished within its walls. Even the region's sultans were executed there.

The fall of the Byzantine Empire created a new flowering period in the city, and today Istanbul's famous wall reaches from the Marmara Sea to the Golden Horn, the very long and narrow tributary of the Bosporus.</marc:subfield>
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From a distance, Aswan appears to be a small, rather idyllic and sleepy city, but around 258,000 people live in this town near Egypt&amp;#x2019;s southern border.

It is impossible not to be captivated by the pulsating life of the mysterious and strange streets of Aswan. Even today, the colorful displays of goods in the souks are dominated by the historical South African caravan trade. The city is well known for its traditional bazaars. Depending on the time of day, everyday life is relatively calm and interrupted only by the hectic hustle and bustle of the traders.

Aswan is synonymous with immense dams. In 1902, the first dam on the Nile was completed by the British. The Soviet Union sponsored the construction of an even larger dam. In 1971, the Sadd El-Ali Dam transformed the appearance of the Nile forever.</marc:subfield>
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South of the centre of Crete are the remains of a ruined basilica, the Christian remains of Gortyn's former glory.

For the construction of the basilica in the 6th and the 7th centuries, many of the architectural elements of the surrounding ancient ruins were also used. During construction, there was no lack of decorative old capitals, as Gortyn was once one of the most important cities in Crete.

Gortyn became famous among archaeologists due to a sensational discovery within the walls of a nearby Roman Odeon. Twelve stone blocks that bore inscriptions from the Classical period of around 500 years BC were built into the wall of a small amphitheatre by its Roman creators. The stones contained sections of the great legal code of Gortyn. In using this material, the Romans managed to preserve one of the best-kept legal texts of ancient Greece.

Although nature has buried many of its treasures, even today a few magnificent statues still manage to reflect the former size and wealth of the city of Gortyn.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Dinan is a small, enchanting French town on the banks of the river Rance and is one of the most beautiful and well-preserved medieval towns in Brittany.

Today, cobbled lanes and several half-timbered buildings highlight the town's colorful history. In 1066, many of Dinan's inhabitants took part in the Norman Conquest, and the Hundred Years' War also left its traces here. However, despite its battles and sieges the picturesque old town has survived to the present day and has become one of the most popular tourist destinations in Brittany.

The town's defenses were constructed in the 14th century. A circular wall, two and a half kilometres long, protected the inhabitants of Dinan from hostile attack.

Due to its well-planned defenses, the town remained untouched, and even today it's like stepping back into the Middle Ages.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Tall, proud and powerful, Fort Mehrangarh is located on a hill 120 metres above the Indian town of Jodhpur. The fort dates back to 1458, when Rao Jodha, the leader of the Rathore, moved his capital from Mandore.

The rooms, halls and courtyards of the palace still exude the legendary atmosphere and magical power of the former maharajas. However, gruesome events once took place in this location. The handprints of a former ruler's wives serve as a reminder of a cruel Hindu tradition. The burning to death of widows on their dead husband's funeral pyre was practiced right up until the middle of the 20th century, even though the then British colonial leaders of that time prohibited it.

Within sight of the fort, there is another intriguing landmark of Jodhpur, the Jaswant Thada, magnificent burial place of the Rathor Dynasty. The garden was once used for cremation ceremonies. Its most striking memorial was built in honor of Maharaja Jaswant Singh II.

It is not surprising that Fort Mehrangarh and the funeral monuments of Jaswant Thada are considered to be among the most important sites in Jodhpur, former capital of the Marwar princes.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

A few kilometres outside of the city of Cordoba in southern Spain lie the remains of a once legendary Moorish palace district, the Madinah Al-Zahra.

It is believed that in around 936 AD, the Moorish monarch Abd Ar-Rahman III ordered the construction of the huge residence. Work on the palace, the administrative sections and the gardens took more than 40 years to complete.

Over 10,000 workmen were involved in its construction, but today little of the former splendor of this "Andalusian Versailles" is apparent as only the mighty ruins of the former terraced palace have survived to the present day.

Thanks to the intensive restoration and reconstruction work of recent years, the buildings of the former Reception Hall provide a fascinating insight into the royal court of the Moors. The Salon of Abd Ar-Rahman III shines out once again in all of its ancient and glorious splendour.

Soon after its completion, the Madinah Al-Zahra was described as a "wonder of the western hemisphere," a fairytale synthesis of the arts located upon the picturesque southern slopes of the Sierra Morena.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In the history of Nepal, the small Newari town of Kirtipur is unique. Even though the founding of the town dates back to the 12th century and the time of King Shivadev, its true origin is probably far older, as discoveries that date back to the pre-Lichchavi epoch indicate that it could be one of the oldest settlements in the entire Kathmandu Valley.

In the course of time, and particularly under the reign of the Malla Kings, Kirtipur developed into a small independent town with several beautiful temples and sanctuaries.

The design of today's Buddhist Chilandeo Stupa dates back to the 16th century, but the original building is attributed to the Indian king Ashoka. Under the reign of this legendary leader in the 3rd century AD, Buddhism began to spread across the length and breadth of the Indian subcontinent. The many years of Kirtipur's independence came to an end in 1482, when the town's inhabitants reluctantly came under the rule of the nearby city of Patan.

Today, the town of almost 15,000 inhabitants is divided into two areas. The eastern section is predominantly inhabited by Buddhists, while the upper part of the town consists mainly of Hindus. However, both areas of the town are united by an idyllic rural atmosphere.

Due to the declining economic situation in Kirtipur, the town's cultural monuments appear to represent the last ray of hope for its inhabitants and a much-needed possible source of future income.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The sea has always been of great importance to the city of Syracuse. Greek colonialists first arrived here by boat and settled in Sicily and thus laid the foundations of the region's future prosperity. The attractive historic centre of the old town is located on the island of Ortygia, whose buildings contain almost 2,700 years of history.

When under the dictatorship of the tyrant Dionysius I, the town had a population of half a million that even surpassed that of Athens. Following a two-year siege in 212 BC, the Romans succeeded in conquering the metropolis.

The Teatro Greco is one of the most beautiful amphitheatres of Ancient Greece, and at the beginning of the fifth century, dramas and comedies were frequently performed there. It once accommodated up to 50,000 spectators.

Numerous colorful legends abound of the nearby Ear of Dionysius. The grotto is a wonder of acoustics in which even the most gentle whisper can be heard. Legend has it that the tyrant Dionysius used the phenomenon to eavesdrop on his prisoners.

Syracuse is a fascinating and atmospheric place steeped in history, myth and legend.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

A few kilometres from the modern, pulsating and gigantic metropolis of Shanghai there is an idyllic mediaeval village, Zhou Zhuang, that is believed to have been the first "water village" in China. However, it was not until the middle of the 1980's that the picturesque village was added to the tourist map, and since then its splendid old buildings and canals have been recognized as a truly magnificent treasure.

The origin and founding of Zhou Zhuang dates back around 900 years. Due to its unique location, the town had escaped war and plunder as only the local inhabitants knew their way around the labyrinthine canals that once led into the small town. Free from battle and invasion, it has managed to retain its age-old Chinese charm right up until the present day.

One of the most elegant monuments in Zhou Zhuang is located in the southern area of the town, the beautifully-decorated and lovingly-restored Quanfu Temple. It is a haven of peace and tranquility that encapsulates the serene way of life of this captivating place.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The beautiful main facade of the Cathedral Santiago De Compostela rises proudly into the sky, the final destination of a legendary medieval pilgrimage route. For more than 1200 years, the marvelous buildings of the old town, as well as the striking cathedral, have attracted visitors from all over the world. During the Middle Ages, the town enjoyed great prominence. In addition to Jerusalem and Rome, Santiago De Compostela was the third most important Christian pilgrimage destination.

Its beautiful main facade combines various decorative and architectural elements that are to be found along the pilgrims' way, the Camino de Santiago. In addition to the imposing cathedral, there are further treasures hidden within the historical centre of the town, such as the 16th-century Colegio Mayor de Santiago.

Under the rule of Bishop Diego Gelmírez, both the town and its Catholic church enjoyed much prosperity, and the diocese became an archbishopric. Unlike the architectural transformation of its external façade, most of the cathedral's interior has retained its original form. The church's main nave and altar, with its precious and exquisite decoration, are a remarkable religious work of art.

Santiago De Compostela - even today the town has retained all of its magic, its cultural appeal and deep religious significance.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Tower of London is the home of the Crown Jewels and one of the many historical sights of the United Kingdom's capital city. Just as with the British Empire, the Tower has a colorful and dramatic past, and it was originally designed as a fortress by William the Conqueror.

Not far from the Tower's original main entrance, prisoners were taken through Traitors' Gate into the notorious dungeons. In 1843, the moat dried up, but the old fortress and its towers have survived to the present day. It must have been a terrifying experience to be imprisoned there, and few prisoners lived to tell the tale of the rigors of the Tower.

Many members of the English royal family were executed in the Tower, but there were times when official execution was replaced by cold-blooded murder. Anne Boleyn, the second wife of King Henry VIII, was the most famous of those who fell victim to the Tower.

Tower Bridge is a masterpiece of Victorian technology and construction. Its drawbridge once allowed large sailing ships to travel to the centre of the city. Today, however, the majority of large ships dock downstream, and now the famous old bridge is raised around 900 times each year to facilitate the passage of numerous vessels that travel along the Thames.

Even today, the River Thames is ruled by this majestic bridge, and the spectacular view from the Bridge's 50-metre-high walkway is truly breathtaking.

Tower Bridge and the Tower of London are without any doubt two of London's most striking and fascinating landmarks.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

On the opposite shore of the Ayeyarwady River in the centre of Burma are the Sagaing Hills. The history of Sagaing dates back to the beginning of the 14th century, when the royal city of Bagan fell and the city became the new capital of Burma. However, its importance as a centre of power was short-lived, because around 50 years later the newly-founded Inwa became the capital of the Burmese Empire.

More than 700 hilltop and valley monasteries have made Sagaing one of the world's most important centers of Buddhism.

The Pa Ba Kyaung Monastery is situated on Sagaing's western hills and is surrounded by two elevations, a place of tranquility and meditation. Peaceful and serene, the statues and Buddha images appear to stare into the very soul of all those who come here.

It is not surprising that for nearly 800 years, the region's pagodas have attracted the faithful as well as tourists from around the world.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The megaliths of Carnac, in Brittany, are stone relics that are thousands of years old and date back to the middle of the Neolithic period. Four long avenues of mighty stone known as "alignments" extend across eight kilometres of scenic terrain.

The Kerzerho Stones are one of the most splendid alignments in Carnac. They consist of more than 1100 stones and cover an area of almost two kilometres. But what significance did this formation have with its Neolithic creators and how were they able to transport these massive stones? The stones will probably never reveal their secrets, but many historians and archaeologists believe that they were connected with some kind of religious belief.

The area around Carnac also contains numerous intriguing Dolmen, a series of vertical stones that support a large slab, a kind of stone table. Along the northern border of Plouharnel Village, there is a fine example of this unique construction that dates back to the Stone Age, the Dolmen of Rondonssec.

The large number of Dolmen indicates that the region was once not only of great astronomical importance but was also used as a burial site. It is not known who was buried here, but they may have been tribal and religious leaders as well as those who had made an important contribution to the well-being of the tribe.

For several centuries, the tranquil and mysterious atmosphere of this place has fascinated all those who have experienced it. The megaliths of Carnac are masterpieces of prehistoric architecture and grand monuments that have survived time itself.</marc:subfield>
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            <marc:subfield code="a">WAGNER, R.: Meistersinger von Nürnberg (Die) (Bayreuth Festival, 2008) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Volle, Michael, Artist -- Macco, Andreas, Artist -- Eiche, Markus, Artist -- Hawlata, Franz, Artist -- Kaune, Michaela, Artist -- Snell, Martin, Artist -- Röhlig, Friedemann, Artist -- Bayreuth Festival Chorus, Choir -- Weigle, Sebastian, Conductor -- Bayreuth Festival Orchestra, Orchestra -- Vogt, Klaus Florian, Artist -- Korn, Artur, Artist -- Randall, Edward, Artist -- Lazar, Hans-Jürgen, Artist -- Guber, Carola, Artist -- Reid, Charles, Artist -- Randes, Diogenes, Artist -- Ernst, Norbert, Artist -- Zaun, Rainer, Artist -- Heibach, Stefan, Artist -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">Ostensibly Richard Wagner's opera &lt;i&gt;Die Meistersinger von Nurnberg&lt;/i&gt; tells a humorous tale about artistically inclined craftsmen. Goldsmith Veit Pogner promises his daughter Eva's hand in marriage to the winner of a song contest, to which three men are potentially eligible. But upon closer inspection, what is at first glance a harmless farce in a middle-class setting emerges as a profound social analysis. Wagner uses his protagonists to show how a community deals with tradition and those who break with it and just how much innovation and deviation from the norm it can tolerate ?EUR" as well as to examine what value society places, and should place, on art.

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            <marc:subfield code="a">&lt;i&gt;Keeping Score: MTT on Music&lt;/i&gt; is a major initiative of the San Francisco Symphony aimed at offering audiences of today a connection to classical music and the powerful emotions it conveys.

Experience Tchaikovsky's Symphony No. 4 in F minor, Op. 36 in his own words. Learn about the events and influences that defined his character, his career, and his genius. See and hear the instruments of the orchestra that Tchaikovsky used in his music.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SFS0005</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Keeping Score: MTT on Music&lt;/i&gt; is a major initiative of the San Francisco Symphony aimed at offering audiences of today a connection to classical music and the powerful emotions it conveys.

Beethoven's Third Symphony "Eroica," or the "Heroic," literally turned classical music on its head. Composing the first-ever symphonic autobiography, Beethoven laid bare his dreams, his fears, and, at its climax, his rediscovered heroism. From his early musical rivalries in Vienna to the terrifying realization of his increasing deafness, Beethoven reveals the roots of his genius in this episode of &lt;i&gt;Keeping Score.&lt;/i&gt; Never before had music dared to paint so personal a portrait. Follow Michael Tilson Thomas and the San Francisco Symphony as they delve deep into the psyche of one of western civilization's greatest artists, reading between the notes of his favorite work.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/SFS0013.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SFS0013</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Keeping Score - Le sacre du printemps (The Rite of Spring) (NTSC) ( 00 sec. ) / Stravinsky -- L'oiseau de feu (The Firebird) (excerpts) (NTSC) ( 00 sec. ) / Stravinsky -- Le sacre du printemps (The Rite of Spring) (NTSC) ( 00 sec. ) / Stravinsky</marc:subfield>
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            <marc:subfield code="a">San Francisco Symphony Orchestra, Orchestra -- Tilson Thomas, Michael, Artist -- Stravinsky, Igor, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Keeping Score: MTT on Music&lt;/i&gt; is a major initiative of the San Francisco Symphony aimed at offering audiences of today a connection to classical music and the powerful emotions it conveys.

Savage, hypnotic, and hell-bent, Igor Stravinsky's ballet &lt;i&gt;The Rite of Spring&lt;/i&gt; set off a shock wave that turned Paris's Theatre des Champs-Elysees into the scene of one of the most astounding opening nights in history. The raucous rebellion Stravinsky's score started burst first onto the stage. As the dancers and the music pushed past civilized limits, the audience, astounded, pushed back. "Keep going no matter what!" the conductor was told, but they didn&amp;#x2019;t expect a riot! In this episode of &lt;i&gt;Keeping Score,&lt;/i&gt; the tendrils of Stravinsky's music pull us back through France and Russia to pagan times. Join Michael Tilson Thomas and the San Francisco Symphony as they celebrate the wild abandon unleashed by &lt;i&gt;The Rite of Spring.&lt;/i&gt;</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SFS0014</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/SFS0014</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Keeping Score: MTT on Music&lt;/i&gt; is a major initiative of the San Francisco Symphony aimed at offering audiences of today a connection to classical music and the powerful emotions it conveys.

Explore the sights, sounds and influences that brought Copland to write music that gave Americans a sense of their own identity and created a truly American sound. With excerpts from the original 13-instrument version of &lt;i&gt;Appalachian Spring&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=SFS0015</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Keeping Score: MTT on Music&lt;/i&gt; is a major initiative of the San Francisco Symphony aimed at offering audiences of today a connection to classical music and the powerful emotions it conveys.

In 1827, Berlioz saw Harriet Smithson for the first time, playing Ophelia in a production of &lt;i&gt;Hamlet&lt;/i&gt;. Hopelessly smitten, he turned his entire life upside down to meet her. Frantic months turned into years when he suddenly heard rumors about Harriet and another man. Believing himself cured, he wrote a "fantastic" symphony complete with a special theme, the &lt;i&gt;idee fixe&lt;/i&gt;, to represent his former obsession.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Keeping Score: MTT on Music&lt;/i&gt; is a major initiative of the San Francisco Symphony aimed at offering audiences of today a connection to classical music and the powerful emotions it conveys.

Coming of age at the dawn of the twentieth century, Charles Ives saw the halcyon days of his youth fading fast. Not willing to let them go, he invented a striking new musical language to enshrine the feelings and ideals of a simpler time. But many, shocked by passages like the "fireworks" in &lt;i&gt;Fourth of July&lt;/i&gt;, found his new-fangled methods at odds with the memories he was trying to preserve. Did Ives go too far? Or did he succeed in turning his memories into music?</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Situated on the shores of the Bosporus, Istanbul is the only city in the world that is located on two continents, Europe and Asia. Within it, a historic and religious symbol rises up into the sky, the Hagia Sophia. For nearly 1,000 years, Hagia Sophia was the main church of former Constantinople.

Legend has it that Constantine, founder of the New Rome, had previously built a church of "Holy Wisdom" here in 4th century AD. Thus the name of this church derives from the Greek.

Although the first church, as well as a later building, were destroyed by fire, the Emperor Justinian erected a larger church in the year 532 AD, the church known today as Hagia Sophia.

Throughout the centuries, Hagia Sophia served both as a church and a mosque, but due to the Turkish leader Atatürk, it was transformed into a museum in 1935.

As a result of Turkish influence and its function as a mosque, four minarets were constructed, adding yet another architectural feature in addition to its magnificent dome.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

From almost any direction, the town of Lucca, in Italy's Tuscany, satisfies the eye with a variety of picturesque motifs and striking impressions, such as its wonderful works of art and splendid architecture, including its famous and imposing city wall.

During the Middle Ages, this atmospheric town owed both its prosperity and fame to the manufacture of silk and a variety of other sought-after clothing materials. Full of character and charm, the diverse architecture and artistic decoration of many of its houses are reminders of a wealthy and glorious past.

For several centuries, the beautiful Piazza dell'Anfiteatro has been the town's market place. Originally a Roman amphitheatre, during the Middle Ages its foundation walls formed part of the dwellings of the bourgeoisie.

Lucca's city wall is 12 metres high and the most famous in Tuscany.  For its four-kilometre length, approximately 6 million bricks were used.

Lucca is a fascinating treasure trove of the life and culture of Tuscany.</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Around 2900 BC, when Upper and Lower Egypt became one Great Empire, the Pharaohs declared Memphis, which lies in the southern Nile Delta, as their capital city.

During its golden years, in the second millennium BC, Memphis extended 15 kilometers from Gizeh to Sakkara. Up until the time of the Roman Empire, this ancient city's buildings had been constructed from air-dried bricks and therefore, sadly did not survive the years. Granite and limestone were used solely for its temples, palaces and statues. The frightening and dismissive gesture of the Sphinx was meant to frighten away grave robbers and guard the Necropolis, the place of the dead. Its lion's body and human head symbolize courage and mental prowess.

Apart from Gizeh, Sakkara, in Lower Egypt, was an important city dedicated to the dead. The mother of all pyramids lies here, Pharaoh Djoser's Step Pyramid, which dates back to the year 2600 BC.

For almost 5000 years, these stones have survived the forces of nature, and who knows what future excavations may reveal from the sands of the Egyptian desert, sands that are not only of time but which held the hopes of the pharaohs and created among the richest treasures known to mankind.</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Indonesia's largest Hindu holy place is Prambanan, in central Java, a religious treasure that dates back to the 9th century and originally included 237 temples. An earthquake struck, and for many centuries the buildings lay buried beneath the ground until 1918, when archaeologists began to reconstruct the main temples.

The individual sections of the Candi Lara Jonggrang were rebuilt like pieces of a jigsaw puzzle, which made the reconstruction process particularly laborious, but in 1953 the rebuilding of the central temples was completed.

The Candi Siva rises 47 metres into the sky and is the tallest in Prambanan, and it contains four inner chambers that face the four points of the compass. The main Hindu god, Shiva, is depicted in the southern chamber, whilst the sculpture of his reborn wife, Durga, is located within the temple's northern chamber.

Thankfully, due to the hard work and determination of many archaeologists, the symbolic meaning of the old Hindu god Shiva, God of Destruction and Renewal, is well on its way to being fully realized.</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The 44-metre-high Hassan Tower is situated in Rabat, capital of Morocco. The building of the Hassan Tower and the Grand Mosque &amp;#x2013; which was planned to be North Africa's largest - were commissioned at the end of the 12th century by the King of the Almohades, Yacoub al-Mansour. However, building of the mosque was never completed, and it gradually fell into decay.

Nearby, the magnificent mausoleum of King Mohammed V and his son King Hassan II sits. A successful synthesis of traditional artistic craftsmanship and modern architecture, the magnificent mausoleum was designed by a Vietnamese architect.

A masculine symbol of Rabat, the Hassan Tower stands proud above the ruins of the unfinished mosque. Together with the Royal Mausoleum, the area around the minaret unites both past and present.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In Italy's Tuscany, Florence is a city of art, culture, churches, grand squares and palaces.

At the end of the 14th century, an elite handful of families ruled the city, most notably the Medici, whose highly ostentatious mausoleum was built in the Capelle Medicee.

Pope Eugene the Fourth bequeathed the Dominican orders the ruined Monastery of San Marco, and Cosimo De Medici financed the renovation of the site. The main part of the monastery is still inhabited by monks, who pay due deference to its many valuable paintings and works of art.

With pride, and perhaps delusions of grandeur, the people of Florence demonstrated their supremacy over all the other towns of the region, and the city has thus succeeded in being a combination of beauty, fortitude and religious belief in which art and culture are today united in magnificent finality.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In 1703, Tsar Peter the Great founded St. Petersburg in the swampy delta mouth of the river Neva, and today it is a living monument to the lives and times of Russia's imperial tsars.

The Winter Palace contains Russia's largest museum, the Hermitage, which houses more than two and a half million exhibits. Since Peter the Great, Russian rulers purchased many major works of art, but it was Catherine the Great who acquired complete collections from the auction houses of Europe.

In Admiralty, one of five boroughs, with its needle-shaped, gold-plated tower, is one of the city's most famous landmarks. The marvelous Saint Isaac's Cathedral has the third-largest dome in the world, and its grand architecture depicts the emergence of Russia as a naval power. Twenty-four thousand tree stumps were used for its foundations, and it can accommodate a congregation of 14,000.

At the widest part of the Neva River is the regal and dominant Peter and Paul Fortress that Peter the First had built to protect his capital city from Sweden and to guard Russia's passage to the East Sea. The focal point of the fortress is the Peter and Paul Cathedral, which served as the burial place of the tsars and contains the marble coffin of Peter the Great.

Russian Baroque and Russian Classicism were established in St. Petersburg, a city of monumental events and outstanding architecture and an imperial metropolis on the grand scale.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Due to its remote location close to today's Sudanese border in southern Egypt, Abu Simbel was unknown until 1813, when only the heads of the temple's colossal statues were visible above the sand. The breathtaking impression of its exterior also extends within, where a magnificent hall with two rows of column-like statues leads into the depths of the temple. Abu Simbel is famous for its precise orientation toward the sun. Twice a year, the first rays of the morning sun shine down the entire length of the temple chamber and illuminate the rear wall of its innermost shrine. Various portrayals and descriptions of Egyptian gods can be found throughout, many of them portrayed with animal heads, such as hawks.

Due to the construction of the Aswan High Dam, Abu Simbel has been relocated from its original position on the banks of the Nile. Thanks to an international effort by UNESCO, and at a cost of 42 million dollars, the surface of the hill and the inner chambers were sectioned and reconstructed 64 meters higher up the valley, inside a concrete dome. The smaller Hathor Temple, dedicated to the wife of Ramses II, Princess Nefertari, was also saved in this way.

Today, the great temples of Abu Simbel rise once again in all their former glory.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Kairouan is the only great Tunisian city whose history is more recent than antiquity. In 671 AD, a camp known as a "kairouan" settled on what is the city's urban area of today, and despite the heat and scarcity of water this location had great strategic value.

The massive minaret of the Great Mosque of Sidi-Uqba is 35 metres high and is the most important Islamic building in Tunis. For many years, it has been the structural model for subsequent generations of Maurice architects. The ancient columns and elegant decoration of the mosque's interior highlight its importance in the Islamic world.

Two further buildings that are important to Islam are situated on the northwestern outskirts of Kairouan, the Mosque of the Barber and the Mausoleum of Sidi-Sahab, which date back to the 17th century. They are located above the grave of a companion of the Prophet Mohammed.

In addition to Mecca, Medina and Jerusalem, Kairouan is one of the four most important cities in Islam, and since it was first established during the 7th century, the city's life has been continuously determined by religious faith.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Puning Si is one of eight splendid monasteries and temples that are located northeast of the emperor's summer residence of Chengde, in the Chinese province of Hebei. During the 18th century, Manshu Emperor Kangxi ordered the construction of the Great Palace and its surrounding Eight Outer Temples.

Puning Si, the "Temple of Universal Peace," was built between 1755 and 1758. The area was divided into two architecturally-different sections, and because the temple was constructed during the time of an important military event, its façade conformed to traditional Chinese Han design. Its architecture was meant to symbolise China's power over the feared Mongolian Dshungars.

The Mahayana Pavilion represents the centre of Buddhist religious belief, namely Sumeru Mountain. Thus, the five-story building is located in the middle of an architectural mandala. Several small halls and terraces surround the impressive pavilion that is one of the greatest examples of its kind. Each one of the architectural elements that are located close to the Pavilion adhere to the disciplined structure of the Buddhist universe.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Louvre in Paris is literally a palace of art. For more than two centuries, this former castle of the kings of France has contained one of the greatest and most famous art museums in the world.

The origins of the Louvre date back to the 13th century. Originally, the building resembled a simple fortress until King Carl V made the building his personal residence. In 1546 the French architect Pierre Lescot received an order from King Franz I to build a brand new Renaissance palace.

King Franz I was also responsible for the fact that a certain Andrea Del Sarto purchased the first art collection for the monarch while visiting Italy. Thus, masterpieces such as Leonardo Da Vinci's world-famous painting, the &lt;i&gt;Mona Lisa,&lt;/i&gt; became the property of the French king.

One of the most famous and treasured paintings in the Louvre is the perfectly-formed statue of Aphrodite, better known as the &lt;i&gt;Venus De Milo.&lt;/i&gt; In addition to various collections from the Oriental, Greek, Roman and Etruscan periods, the Egyptian section is particularly impressive.

Each year, 6 million visitors pour into the former royal residence of the Louvre, majestic home to much of the world's most treasured works of art.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

On the desert border between Luxor and Abydos is the impressive Hathor Temple of Dendera, one of ancient Egypt's most important cities. The existence of the sanctuary for the goddess of love, music, dance and joy dates back to the Early Ancient Empire of 2000 BC.

Facts relating to the later extension of the temple area ordered by the kings of the 12th dynasty have also been preserved. Over the years, the deciphering of numerous hieroglyphs has revealed many ancient fertility rites and also a comprehensive impression of Dendera.

The design of the Hathor Temple originates from Late Ptolomaic times. Construction of the temple began in 30 BC, when the country was under Roman rule. The emperors Augustus and Tiberius finally completed the temple in 14 AD.

Architecturally, the monumental sanctuary of Dendera very much resembles other Egyptian temples in Esna, Edfu and Kom Ombo. Being the last sovereign of the Ptolomaians, legendary Egyptian queen Cleopatra has been immortalized on the southern outer wall of the temple.

The remarkable history of Dendera as an important place of worship can be traced back to a period that extends from antiquity to the golden years of the Roman Empire and to the roots of Christianity.</marc:subfield>
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            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:controlfield tag="001">GTR-DVD-1085</marc:controlfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Kungliga Slottet is a majestic, royal castle that is located on the highest point of the island of Stadsholmen and in the middle of the attractive historical old town of Stockholm, known as Gamla Stan. The castle became an official royal residence when Swedish monarch King Adolf Fredrik resided there.

With its 608 rooms, the castle is considered to be one of the greatest royal residences in the world, and it is home to the Swedish crown jewels.

The design of the royal castle and its splendid facade was created by the architect Nicodemus Tessin the Younger. His father, Nicodemus the Elder, built the Tre Kronor Castle at the end of the 17th century; it was named after the three crowns that are depicted in the Swedish coat of arms. In 1697, a devastating fire swept through Stockholm and also the Tre Kronor Castle. Shortly after the fire, the castle of Kungliga Slottet, designed in Italian Baroque style, rose up from the ruins of Tre Kronor Castle.

For more than 250 years, the cityscape of Sweden's capital of Stockholm would not have been complete without the splendor of Kungliga Slottet.</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Surrounded by the magnificent and captivating hills of Tuscan Crete are the rooftops and towers of Pienza, a small town with 2,500 inhabitants. The town's history is indelibly associated with Pope Pius II, who had a unique and resounding influence on what was also his birthplace. The head of the Roman Catholic Church decided to transform his home village into a perfect town of the Renaissance.

The cathedral's interior walls are covered with several beautiful paintings created by numerous master artists of Siena, one of whom was Lorenzo di Pietro, who is also known as "Il Vecchietta." In order to intensify the light within the cathedral and following the wishes of the pope, the walls were originally bereft of paintings.

Despite numerous renovations instigated by Pius II, the character of the majority of the town's houses, streets and old alleyways has been retained to the present day.

The "Street of Love," Via Dell Amore or "The Road of Kisses," contains more than a little romance. Unfortunately, little remains of the old castle of Corsignano that, prior to the pope's construction program, was once located in the centre of the town. The death of Pius II in August 1464 brought with it the sudden end of Pienza's golden years.

Although the pope's architectural ideals for the town were never fully realized, he successfully transformed his home town forever.</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The magnificent buildings within Mozart's famous city of Salzburg are not the only reason why it is one of the most popular tourist destinations in Austria. The Prince Archbishop, Wolf Dietrich, ordered that Salzburg Cathedral be built according to Italian Early Baroque design. It was constructed between 1614 and 1628 on the site of a previous Romanic building.

At one time, the Getreidegasse served as the main road of the old city, and on 27 January 1756, Wolfgang Amadeus Mozart was born in house number seven. One hundred nineteen metres above the town is one of Middle Europe's most well-preserved castles, Hohensalzburg, which covers an area of around 30,000 square metres.

The centre of Kapitel Square is dominated by a Schwemme, a fountain that dates back to the 18th century, where the city's horses were washed down. There are numerous impressive sacred buildings in the city, such as the Baroque Kollegien Church designed by Johann Bernhard Fischer Von Erlach.

A fascinating and remarkably attractive park surrounds the Hellbrunn, which dates back to both the Manieristic and Early Baroque period. The interior of the palace is as beautiful as its external appearance. Illusionist architectural paintings were a popular device designed to alienate reality.

Due to the exquisite taste of the royal archbishops of a glorious age, today Salzburg is one of the most beautiful Baroque cities in Europe.</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The tall minarets of the Sultan Ahmed Mosque, the "Blue Mosque," tower proudly into the heavens and dominate the skyline of Istanbul, the Turkish capital on the Bosporus.

At the beginning of the 17th century, the young and ambitious sultan Ahmed I decided that an additional building should replace the Hagia Sophia as the city's main mosque.

With its graduated cupolas, the building was designed to be as impressive as possible, thus a spacious courtyard was also included. Elegant columned halls surround a square, at the centre of which there is an hexagonal fountain where the faithful once cleansed themselves prior to prayer. Today, the faithful wash themselves along the external side walls of the courtyard. In the eastern section is the Mederse, the mosque's School of the Koran.

Four five-metre-thick pillars known as "elephants' feet" support the incredible weight of the Blue Mosque's massive central cupola. It derived its popular alias of the Blue Mosque due to its internal décor, which consists of 21,000 precious blue-colored Fayence wall tiles from Iznik.

The Topkapi Palace, which over the years was greatly extended by various sultans, is also located in the historic centre of Istanbul, and until 1853 it was the royal residence of the Osmanic royal family.

Along the picturesque shoreline of the Bosporus are numerous ancient mosques, palaces and villas. One of the longest and most impressive suspension bridges in the world connects this fascinating European city and its twelve million inhabitants to Asia.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Cairo is a cultural melting pot, and with a population of 16 million, it is the largest metropolis on the African continent. The Egyptian people refer to their capital city as Um Al Dunya, "Mother of the World."

The history of the Sankt Sergius Church dates back to Abu Serga in the 5th century AD. Legend has it that it was built on the site where the Holy Family once sought refuge. Thus, the richly-decorated church is a popular Christian place of pilgrimage and is situated in Fustat, in the middle of Coptic, the oldest district in Cairo.

The spacious Mamelucks Necropolis is unique within the Islamic world. Here, instead of conventional graves, entire houses were built for the dead. Within the necropolis, the mosques and mausoleums of the Mameluck sovereigns are particularly interesting.

Built in 1900, each day the Egypt Museum attracts thousands of visitors who come to experience for themselves the legendary treasures of ancient history that comprise more than 120,000 different objects from 4,500 years of Egyptian history, including the unique Tut-Ench-Amun exhibition.

Cairo really does strive to do justice to its name, Mother of the World. After all, it was this city that united the glory of the Pharaohs with the early Christian and Islamic worlds.</marc:subfield>
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The Peter and Paul Fortress is the historic centre of the tsar's city of St. Petersburg and is located on Hare Island, within the mouth of the Neva River. Its slender, gilded bell tower is 122 meters high and is one of the city's most dominant landmarks.

The cathedral was built between 1712 and 1733 and contains both Dutch and Early Baroque building styles. Since Peter the Great, the building was used mainly as a place of burial for the tsars, and the Tsarina Catharine the Great lies within a sarcophagus of white Carrara marble.

Numerous wall paintings and captured flags from the wars against the Swedes and the Osmanic Empire still decorate the splendid interior of the cathedral. In front of the main guard house there is a controversial bronze sculpture by the Russian Mikhail Shemyakin that depicts Peter the Great with a strikingly small head. 

The Peter and Paul Fortress never saw battle and was later converted into a state prison. The participants of the December Revolt in 1825 were also imprisoned within its walls, and until the October Revolution in 1917, the fortress also served as a notorious prison for the enemies and critics of the tsars.

During the Revolution, the cannons of the fortress fired 40 shots at the Winter Palace, which is located on the opposite bank of the Neva. Today, the thunder of cannon is a daily event; punctually at noon, a shot is fired from the Naryshkin Bastion. With this simple ceremony, homage is paid to an age-old tradition of Peter the Great, as it was in this way that he announced lunchtime for all the inhabitants of the city!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The mighty 17th-century Jabrin Fort is one of the most beautiful castles of its kind in the Sultanate of Oman. The owner of this splendid building, which is more like a palace than a fort, was noble scholar Imam Bil'arub, who in 1670 moved his government headquarters to Jabrin.

The interior of the castle with its furnishings and everyday objects gives a strong impression of the way of life of its former occupants during this historic epoch.

Most of the wooden ceilings, numerous vaults and arches are adorned with artistic calligraphy, verses from the Koran and floral motifs. In addition to the splendid furnishings of its interior, the castle contains hidden corridors and secret rooms in which it was possible to eavesdrop on private conversations, precautionary measures that were taken due to increasing tension between Bil'arub and his brother, Saif bin Sultan.

With Jabrin's two diagonal towers, Bil'arub had created a monument which, for many years to come, would be a unique example of Osmanic fortress architecture and one that served as a model for many more of the country's fortifications.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In the heart of the modern metropolis of Cairo is one of the greatest historical treasures in the world, the Egyptian Museum. The Museum of Egyptian Antiquities was founded in 1835 by Mohammed Ali and was created to prevent the further plundering and destruction of Egypt's ancient treasures.

The museum was built in 1900 by the French architect Marcel Dourgnon. Its Neo-Classical design still guards the priceless heritage of ancient Egypt, and today more than 155,000 impressive archaeological discoveries that cover 4,500 years of Egyptian history are on display.

The museum's unique collection of jewelery contains rings once worn by high priests and also amulets that belonged to Ramses the Second.

The fantastic grave offerings of Tutankhamen, who died at the age of 19, cover almost half a floor of the museum, and its importance is due to precious objects such as the Gold Mask of the young pharaoh that have assured its place among the world's greatest museums.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Surrounded by the attractive provincial mountain landscape of the Alpilles, there is a romantic medieval town high on a rock, Les-Baux-de-Provence, located 400 metres above the Crau Valley. The historic origins of the village date back to the first millennium AD.

Located in the lower, busier part of the town, the Saint Vincent Church dates back to the 12th century, and it is an atmospheric setting for famous Christmas performances such as the Shepherds' Midnight Mass.

Archaeological discoveries and precious works of art are to be found in the Musée D´Histoire De Baux, which also serves as the entrance to the upper part of the town.

In times of freedom, the country's finest troubadours gathered in the town's now ruined castle. Immortalized by a monument, the farmer poet Charles Rieu is considered to have been a fine exponent of this age-old tradition. However, in 1483 the art of the troubadour grew silent and was replaced by the sound of battle when the powerful catapults of Ludwig XI destroyed large sections of the castle.

Like no other village in the Alpilles, Les-Baux-de-Provence has long been the centre of this region's glorious history.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Most of the buildings in Thailand's historic village of Mingun date back to the ambitious plans of King Bodawpaya, who was convinced that he was an exemplary Hindu-Buddhist sovereign and thus did not permit any criticism of his architectural ideas. An example of his great love of architecture is the elegant white statue of the Settawya Pagoda that was built in 1811.

Shining bright white and magnificent, the Hsinbyume or Myatheindan Pagoda is located in the northern part of Mingun. The temple was built by a grandchild of Bodawpaya, Bagyidaw, in 1816. Three years prior to his reign, the king dedicated the sacred building to his deceased, favorite and highly religious wife, Hsinbyume. The outstanding architecture of the pagoda is closely associated with Hindu-Buddhist cosmology and therefore, with Mount Meru, the "Centre of the World."

Seven wave-shaped terraces symbolize the mountains that surround Mount Meru and the Sulamani Temple that is located on its summit.

However, Mingun is not only known for its impressive architecture.  It is home to the world's heaviest bell, which is six metres high and weighs more than ninety tons!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Four hundred kilometres southwest of the Tunisian capital of Tunis and close to the Algerian border in Bled El Jerid is the delightful oasis town of Nefta.

Beyond its bright cupolas and angled roofs is the breathtaking expanse of the enormous Schott Dscherid Salt Plain.

What formerly served as the rear guard of the Roman Empire, and was subsequently used as a bishop's residence, developed into the most important religious centre of an ancient Muslim sect known as the Sufis.

In addition to Nefta's 24 mosques, there are also more than 100 sacred burial places known as "marabouts."

The life-giving reason that led to the origin of Nefta in the midst of this barren, desert-like landscape can be found close to the historic centre of the town. Precious water bubbles out of a total of 152 artesian wells that have brought new life to more than 950 hectares of lifeless desert.

The desert wind, the Sirocco, is a reminder of the harshness of the surrounding landscape. Even with the protection of the oasis, on some days the wind manages to blow its way through the town. But as the sun gradually sets below the horizon, Nefta is like a scene from &lt;i&gt;One Thousand and One Nights.&lt;/i&gt;</marc:subfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Hallstatt is located on the shores of the sleepy Austrian lake Hallstatter See, surrounded by high hills and the Dachstein Mountain Range. Similar to a fjord, Hallstatt Lake extends in front of the picturesque village that was one of the earliest and most unique settlements in this region.

Due to the early discovery of large salt deposits in the surrounding mountains, the village has a proud history that dates back a thousand years, and archaeology has revealed that this area was inhabited from around 5000 BC. Long before Christianity came to Salzkammergut and prior to any churches being built, an independent prehistoric culture evolved.

The village contains a rich variety of historic buildings, and its churches contain precious works of art such as a Late Gothic altar created by Leonhard Astl. The old marketplace and fountain is crowned by a trinity column that dates back to 1744. The welcoming facades of the dwellings have graced this atmospheric village since the 16th century, and the market probably dates back to the 14th century.

In 1891, Lake Street played a vital role for the village's busy commercial traffic, and the impressive Countryside and Pre-History Museum displays the history of salt mining in the area and its importance to the village.

In 1846, the Salinen civil servant Johann Georg Ramsauer made a sensational discovery when he found a prehistoric burial ground in the village. During 17 years of excavation, a total of 20,000 objects were discovered in 980 graves. These discoveries subsequently led to the establishment of Hallstatt's intriguing and fascinating culture.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1096</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">GLOBAL TREASURES: China (Pule Si) (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Once the summer residence of the Chinese Qing Emperor, Chengde is full of historical significance. Construction of the spacious and exquisite palace lasted almost throughout the 18th century. In 1792, this architectural masterpiece was finally completed, and in addition to this spacious building, several monasteries and temples were also built, the "Eight Outer Temples."

Pule Si, "The Temple of Universal Joy," is situated in the middle of the sanctuaries' eastern section. The Eight Outer Temples symbolize various Chinese ethnic groups. Those who were loyal to the emperor were duly honored within this temple area. Thus, numerous characteristics of both cultural and traditional elements of the country's regions were incorporated into art and architecture. Pule Si and the relatively remote sanctuary of Shuxiang Si respectively represent the North and South of the Chinese Empire. The main administrative building within the Pule Si Temple is the circular Pavilion of the Dawn, Xuguang Ge, which is a replica of the Heaven Temple in Beijing.

Washing Bat Hill, to which there is a chair lift, is close to the settlement. The architecture of the Heaven Altar in Beijing was studied extensively several years before construction of the Pule Si Temple. In 1749, Emperor Qianlong ordered that the temple be extended. In Chengde, profound symbolism was also important. The location, extension and decoration of the buildings were designed to create a perfect harmony.

In the 18th century, China had become the greatest and most prosperous empire in the world. The magnificent summer residence of the Qing Emperor and surrounding buildings, such as the Pule Si Temple, illustrate a glorious and remarkable demonstration of ultimate power.</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

A fertile plain beneath the mountains of Djebel Zerhoun surrounds Volubilis, the most important ancient Roman excavation site in Morocco. The former administration seat of the Roman African province of Mauretania Tingitana contained all the necessary attributes of a highly developed city.

The ruins date back to the 1st and 3rd centuries A.D., a golden time in this region. The production of oil and grain made the city prosper, and during its golden years, the city covered an area of around 40 hectares. The Roman settlement remained free from invasion for many years and was therefore able to develop without interruption from hostile forces.

As Volubilis became the most important Roman trading centre and governmental seat in Morocco, an area devoted entirely to villas was developed to the northeast of the Decumanus Maximus Road. The high standard of living enjoyed in those times is demonstrated by the richly detailed architecture of this area.

An allegorical picture of the four seasons is a frequently recurring motif in the floor mosaics of the splendid villas that are located along the Decumanus Maximus Road. Another fine residence, the House of Hercules, depicts the legendary deeds of this hero of antiquity. Even today, almost 1,700 years after the first impressive mosaics were laid within the villas, their colors are amazingly fresh and vibrant.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Cairo's Alabaster Mosque dominates the skyline of the largest city in Africa. The imposing building is situated in the middle of the Citadel, a prominent fortress that was built in the 19th century.

In 1830, Egyptian King Mohammad Ali Pasha ordered the construction of a mosque to strict Ottoman design. It is no accident that the external appearance of the Mosque is similar to that of the Hagia Sophia in Istanbul. The minarets of the Alabaster Mosque rise 84 metres into the sky and have become an integral part of Cairo's silhouette.

The impressive interior of the building is illuminated by an enormous chandelier, a gift from the French King Louis Philippe V. Today, the light of the original 365 oil lamps is powered by electricity, yet the great building still possesses a sublime atmosphere. The brilliance of the light augments the dimensions of the mosque to a breathtaking degree, and the ceiling of the great prayer hall is over fifty metres high.

Beneath the central cupola is the dignified tomb of King Mohammed Ali. The royal casket is made of the finest Italian marble and is decorated with Turkish motifs.

Today, the Alabaster Mosque is considered to be one of the most beautiful examples of Egyptian Islamic-Ottoman architecture of the 19th century. It has lost none of its shining magnificence.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Around 30 kilometres from Lisbon is the small historic Portuguese town of Sintra, where once the rise and fall of an entire kingdom took place.

King John I ordered construction of the Palácio Nacional De Sintra on the foundations of a Moorish construction that dated back to the 10th century. From the palace there's a beautiful view across the Vila Velha, Sintra's old town. The Palácio Nacional De Sintra consists of a variety of architectural styles that include Moorish, Gothic and Manueline design.

Five hundred thirty metres above sea level, on the summit of the Sintra Mountains, the spectacular Palácio Nacional De Pena overlooks the town. At first sight, its towers resemble minarets, a symbol of a courageous and successful combination of numerous architectural traditions.

Three kilometres from the castle is the oldest building in Sintra, the towers and walls of a Moorish castle, the Castelo Dos Mouros. The thousand-year-old ruins are famous for their breathtaking views that extend for several kilometres across the landscape and even as far as the Atlantic Ocean. In 1147, King Afonso I and his army conquered the old fortress.

Sintra's gardens are the most beautiful in Europe, and due to the region's unique climate, subtropical plants flourish in the fertile volcanic earth close to the Atlantic Ocean. Beneath the southern sun, Sintra's historic architecture continues to blend harmoniously with the glorious splendor of nature.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Approximately 450 kilometers south of Peru's capital of Lima, a desolate road leads into the vast terrain of the scant, desert-like highlands. In the midst of this almost lifeless world and surrounded by sandy mountains is the small airport of Nazca. Indeed, a single aircraft once made this region famous. One day while flying here in 1939, American Paul Kosok made an amazing discovery, long drawn-out lines extending across the ground that are the traces of a mysterious pre-Columbian culture.

These strange hundred-metre lines were created by the Nazca culture and according to archaeological research, date back to the 6th or 7th century BC. Since their discovery, they have created much controversy with regard to their origin, function and significance.

There are more than a hundred lines and figures within the surrounding plains and mountains. Most of the markings were revealed by the removal of the top layer of dark stones from the ground.

In recent years, one of the images known as the Astronaut has captured the imagination more than any other.

The proportions and geometric precision of the different images raise numerous questions. How could the Nazca people have created these gigantic designs? Recently, a further image of perfect proportions and measuring a hundred metres was also discovered.

But how were those who created these enormous images able to gain a true perspective of their work? Is it possible that a precursor of the hot air balloon existed in those bygone times?</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Chorherrenstift Neustift in southern Tyrol has a long and proud history. Its origins date back to the 12th century. The ancient domicile of the Royal Court of Neustift and a former hospice known as Engelsburg are located close to this monastic settlement.

In 1189, Propst Konrad II of Rodank ordered the construction of a sanctuary for pilgrims, the sick and the poor.

The Collegiate's library has a remarkable collection of books, and its captivating internal décor indicates the prosperity of a bygone time. Provost Leopold I of Zanna ordered the costly construction of the splendid library hall, designed by architect Giuseppe Sartori of Trentino.

The interior of the impressive Collegiate Church dates back to the 18th century. The building's décor is typical Late Baroque and its transition to southern Germany's Rococo period. In addition to the elaborate creations of the Wessobrunner artists, the ceiling frescos of the Augsburg artist Matthäus Günther are particularly noteworthy.

Beyond the Collegiate there are marvelous fruit plantations and vineyards, and the Turkish Tower is a reminder of the region's historic past.

As with the entire area of the monastery, the unique treasures of the Chorherrenstift Neustift have been preserved for posterity.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Toledo is one of the oldest and proudest cities in Spain, and during Roman times a large settlement was established there. Later, the Visigoths recognized the strategic value of this city on the Tagos River, and it became the capital of their empire.

Elevated on a mighty rock foundation, Toledo's unique location served a useful purpose for its eventual defense, as the city was the scene of many a bloody battle.

In 712 AD, the capital of the Visigoths was violently integrated with the Muslim Empire of Al-Andalus. Throughout the centuries, Toledo has been regarded as a cultural centre of medieval Spain and was known as a "City of Three Cultures," as it was here that Arabs, Jews and Christians lived together in peace until the time when the Catholic Church grew intolerant of other religions.

In 1226, construction work on the monumental Cathedral of Toledo began, and in 1493 the Gothic masterpiece was completed. The proportions of this enormous cathedral make it one of the most spectacular in Spain.

The mighty fortress of Alcázar is a world apart from the cathedral and served as the model for the later building of El Escorial. Since its construction in the 16th century, the city's landmark was rebuilt and restored following numerous wars and hostilities.

The massive Bisagra Gate embodies yet another symbol of the fusion between Arabic Moorish and Spanish Castilian architecture.

Swathed in colorful and dramatic history, Toledo enjoys a unique place among all of Spain's old and fascinating cities.</marc:subfield>
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The Santa Barbara Mission is located on a hill above the centre of a famous coastal resort on California's legendary west coast. In 1820, the sacred building's architect wanted to base his design on the architectural and artistic styles of Roman temple construction. While in Spain, a Franciscan friar acquired a book that contained details of pre-Christian buildings designed by the Roman architect Vitruvius Pollio.

Long before the Spanish invasion and the arrival of missionaries, this region was inhabited by a tribe of Native American Indians, the Chumash. The early religious community that settled here educated the Indians in Christianity, and a number of the important leaders of the Chumash were converted to Christianity.

Compared to other Spanish missions in North America, the splendid design of Santa Barbara's interior and the church's precious works of art are unique.

Right up to the present day, an important part of the historic and cultural heritage of California has been lovingly maintained within this veritable Queen of Missions.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

For almost 2,000 years an imposing Roman amphitheatre has dominated the French city of Nimes.

Prior to the Romans, the Celts established a settlement in Nimes. During the rule of Julius Caesar and Emperor Augustus, the city grew in importance. The arena was once the setting for gladiatorial battles, but today it is matadors who fascinate their audiences during the Whitsuntide Féria.

The amphitheatre was built around 70 AD.  Nîmes, or "Nemausus" as the Romans named their colony, developed into an important centre. In the 2nd century AD, emperors Hadrian and Antonius Pius ordered the construction of two further splendid buildings. Thus the town was enriched by fine architecture.

In contrast to the famous Roman arena at Arles, the Nimes replica of the Colosseum still contains some well-preserved sections of the highest floor, the Attika.

Today, the beautiful view from the most highly-elevated seats of the amphitheatre extends across the rooftops of the picturesque old town of Nîmes and its 2,000 years of glorious history.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Batalha Monastery is one of Portugal's masterpieces of Late Gothic architecture and also one of its most important monuments. The monastery was built in thanksgiving to the Virgin Mary who answered the people's prayers during the decisive battle of Aljubarrota and in keeping with the political and historical significance of this victory, the architecture of the monastery is quite magnificent and full of artistic flair. Its construction took 150 years.

Its architecture was designed to be magnificently regal and majestic and it contains several royal tombs. Motifs of royal battle dress partly decorate the interior of the church, a reminder of its former builder and patron, King Dom Joao I, and through beautiful multi-colored glass windows, rays of light illuminate a multitude of rich treasures.

Today, the numerous Gothic ornaments and beautiful glass windows of more recent times provide the monastery with a dignified show of colors. However, little remains of the Holy Dominican Order that worshipped within its walls for more than four centuries.

This exquisite monastery is quite rightly considered to be one of the most influential in the development of Portuguese architecture.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one ofthese protected monuments.

Located between China and India, Kathmandu is a metropolis in the heart of the kingdom of Nepal, a land of snow-white mountains and home of the gods.

It was only a few decades ago that ancient Nepal opened its borders. Until then, due to the command of the ruling Gurkha Dynasty, the "Home of the Divine" was totally isolated.

In the heart of the city is Durbar Square, in which the country's royalty resided until 1908 and also where the region's most important festivals take place.

The Shiva-Parvati Temple dates back to the early years of the Shah Dynasty, and its five-sectioned, portal-like frame contains inscriptions that are thought to be the oldest in the Nepalese language.

The large Jagannath Temple is dedicated to the god Krishna, and to fend off the prudish Goddess of Lightning, sexual images adorn the edge of the roof. 

Built above an impressive array of steps, the mighty Taleju Temple overshadows each of the other temples. The architecture of this "mountain temple" emphasises the unique importance of the goddess Shiva.

Kumari Ghar is the residence of the living goddess Kumari. For this role, a young girl is duly selected and is disallowed from leaving the palace until puberty, her task being to affirm the king his power.

The customs of the people in this "Kingdom on the Roof of the World" may seem strange to those from beyond its borders, but this land of both jungle and everlasting snow has developed according to its own rich traditions and beliefs.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Tunis is the capital of Tunisia and the political, commercial and cultural centre of the country, the "Paris of North Africa" and a metropolis with a long history.

The centre of the city is the medina, the Arabic old town. Surrounded by the market streets of the souks towers the large mosque of El-Zitouna, "Mosque of Olive." Apart from the Mosque of Sidi Oqba in Kairouan, this noble building is the most important religious sanctuary in Tunisia.

The central market quarter dates back to the Hafsid Dynasty and Early Christian period, and the leisurely ambience of the Moorish coffee houses still exists today.

The tall, octagonal minaret of the Sidi Youssef Ben Ali Mosque is the earliest Syric building style in Tunisia. Next to the mosque are the securely guarded government buildings that incorporate the architectural styles of the old town.

In the labyrinth of souks, there is a tiny square with red-green pillars, the former slave market in which human captives were sold for profit.

The 18th-century mausoleum of Tourbet El Bey contains the tombs of the Husseinites Dynasty. Its stucco walls and marble pillars highlight the influence of Italian Renaissance.

Even today, the medina of Tunis enchants all those who experience it, and it is one of the oldest and most constantly populated areas of the Mediterranean. It is as evocative as an oriental fairytale.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The famous discoverer Marco Polo called the Chinese city of Suzhou "The Venice of the East," but Suzhou is more famous for its gardens, pagodas and beautiful stone bridges. The city's more impressive and elegant buildings date back to its long and glorious past, such as the town gate and Pan Men Wall.

Politics for the Simple Man Garden is one of the four most popular gardens in China and was designed according to the wishes of an important Mandarin between the years 1522 and 1566. The Master of the Nets Garden is somewhat smaller; nevertheless it is considered to be a gem of Chinese garden design that dates back to the 12th century.

Founded by Abbot Xu Taishi in the 16th century, The Garden of Rest is also one of the country's most beautiful gardens.

The Chinese garden is full of complex history and art that manifests itself as a sanctuary of simple harmony and peace, and nowhere is this more true than in the gardens of Suzhou.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

On the journey to Chavín de Huantar, one of the oldest cult locations in Peru, there's the fascinating world of the Andes that seems to touch the clouds. Radiant colors and pure nature are constant companions on the 109-kilometre route from Huaraz to these ancient ruins.

The settlement of Chavín de Huantar has a history that dates back 3,000 years. Even today, little is known of the exact way of life of the Chavín culture, as no written history of it has been discovered. Thus, research is restricted to the archaeology that has been uncovered, which also includes various stone images.

Snakes, animals, and birds engraved in stone have been among the most commonly found images of this mysterious culture. Assisted by beautiful flat reliefs, even today numerous temples and fortresses show the artistic talents of Chavín culture. During the first millennium AD, this seven-hectare area was the most important place of pilgrimage in Peru.

In the oldest section, there are entrances to a subterranean world where an assortment of labyrinth-like passages and rooms extend down almost seven floors. The scant light that manages to find its way into the narrow passageways adds to the mysterious atmosphere of this ancient architectural masterpiece.

For the inhabitants of Peru's mountains in the first millennium BC, Chavín de Huantar symbolized the beginning of a colorful new age, and today it is an atmospheric example of a mysterious and fascinating past.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Istanbul is a grand Turkish metropolis that extends across two continents and is influenced by various cultural and historic epochs.

In the bright and ornate interior of the Hagia Sophia, the splendid yet contrasting influence of both Christian Byzantine and Ottoman architecture has been preserved to the present day. Beneath the second-largest cupola in the world, each of these cultures and religions unite in perfect harmony.

Not far from the Hagia Sophia is the Yerebatan Saray, "Basilica Cistern," that provides a fascinating insight into Constantinople's former water supply. The vaulted ceiling of the cistern is supported by 336 columns, and it was built around 532 AD.

The Topkapi Palace was built by Sultan Mehmed II. It is one of the city's main tourist attractions, and its exquisite interior indicates the lifestyle of the city's former Ottoman rulers.

As the capital of three former world empires, Istanbul truly enjoys a unique position among the great cities of both Europe and Asia.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Kathmandu Valley is rich in both cultural and historic monuments. In the north of Pashupati, a huge stupa rises up from the city of Bodnath that is also referred to as Little Tibet, an important centre of Buddhism.

Forty metres high, the proud and unique Stupa of Bodnath rises up into the sky and thus represents the largest single religious building in Kathmandu Valley.

The prayer mills at the base of the stupa turn almost incessantly. Even now, the city is home to one of the most important religious representatives of Buddhism. After the Dalai Lama and the Panchen Lama, the Chini Lama of Bodnath is one of the most influential religious leaders in Tibet.

On each of the four sides of the tower, the eyes of the omnipotent, all-seeing Buddha gaze down onto the believers below. His eyes are a peculiarity of Nepal. As a symbol of fire, the tower is in stark contrast to the hemisphere below that symbolizes the element of water.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Iglesia De San Francisco and its adjacent monastery is one of the most important historic monuments in Lima, the capital of Peru. Soon after Francisco Pizarro founded Lima in 1535, Franciscan friars began to build the monastery.

The Iglesia De San Francisco, the Holy Francis of Assisi Church and the neighboring monastery, form the country's largest religious complex and date back to the colonial period.

The Iglesia De San Francisco's outstandingly beautiful façade and, most notably, its wonderful porch are unique in the whole of Peru. The decorative sculptures are reminiscent of Baroque design and are highly detailed and extremely precious.

The Franciscan monastery is surrounded by two impressive sacred buildings, the Mary's Solitude and the Church of Our Dear Lady of Miracles.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The wonderful temple roofs in the centre of the Nepalese town of Patan dominate the surroundings, and it is believed that Patan is one of the oldest settlements in Kathmandu Valley. More than 150 former monasteries highlight the mainly Buddhist character of this intriguing and fascinating town.

There are more than 50 great pagoda temples to be found in the three-square-kilometre area of the old town, and the Kumbeswarar Temple is the most important Shiva sanctuary in Patan.

Many of the sacred monuments in Durbar Square were the result of extensive building during the powerful religious dynasty of the Malla sovereigns.

The vast concentration of numerous monuments, temples and images that are full of religious symbolism add up to being an overwhelming experience for all who visit here for the first time.</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Prague, world-famous city on the Moldau, captivates with its remarkable monuments and one-of-a-kind ambiance. There is hardly another Middle European metropolis that possesses so many wonderful architectural and historic treasures, and Prague's combination of Gothic and Baroque buildings have created a unique harmony that is truly magnificent.

The Charles Bridge is, without a doubt, one of the most famous sights in Prague. It was Emperor Charles IV who ordered the construction of this marvelous Gothic stone bridge on the river Vlatava.

The Old Town Square, with its lavish and elegant houses, has often been the setting for numerous colorful events including coronations, knights' tournaments, political and religious meetings, and even executions and massacres.

The proud Tyn Church, "Church of Our Lady Before Tyn," was donated by tradesmen in 1365. The south tower was completed at the beginning of the 16th century, and the wonderful design of the sacred Gothic building also applies to its interior.

Charles Alley is one of the most beautiful old town lanes in the world, largely due to its lovely Renaissance houses with their slight hint of Baroque. A mighty, high cupola towers above Kreuzherren Square, and the legendary church is an ideal vantage point for many glorious views across the old town.

Prague is a city of history with an amazing abundance of old-world charm.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Since the early foundation of Porto in Roman times, the Douro River has been an important lifeline for the second-largest city in Portugal. Its outstanding landmark, the Igreja De Sao Francisco, rises up above the steep riverbank and over a nostalgic tramline.

During the economic and cultural flowering period of the city, the plain Igreja De Sao Francisco of those days was transformed into a splendid building. In the 17th and 18th centuries, a vast amount of money was donated to the church, and this assisted in creating the historic masterpiece of today.

No expense was spared by the local citizens. It is thought that more than 200 kilograms of gold leaf was used to adorn the church. Even today, the highly detailed quality of the woodcarvings highlights the magnificent craftsmanship of bygone times. Whether the pulpit or the many paintings, the abundance of exquisite workmanship is simply astonishing and unique in the whole of Porto, an impressive fantasy of marble and gold.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The stone-built church of the Mission San Carlos Borromeo De Carmelo, "Carmel Mission," rises above the southern district of the picturesque and romantic coastal town of Carmel, California, in the United States.

The Carmel Mission was founded in 1771, when Father Juniperro Serra, from Majorca in Spain, was responsible for the building of the first missionary stations in the United States. The Mission possesses one of the most important and beautiful collections of religious works of art in California.

Today, only a few of the former 21 missions are in good condition. They were all once located alongside California's 600-kilometre King's Road. Over the years, Carmel's unique climate has transformed the Mission's gardens into an exotic paradise that contributes to the idyllic character of this religious complex.

Right up to the present day, the Carmel Mission has managed to retain several pages of American history that would otherwise have been lost forever.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Albaicín is one of the most picturesque areas in Granada and is famous for both its history and its numerous beautifully decorated buildings. In the 7th century BC, first the Iberians and then the Romans and Visigoths settled here in the spacious hill area above the river Darro. However, it was only under the rule of the Moors, when Granada became an independent Islamic kingdom, that the region began to flourish.

Even today, the splendor of the former Islamic monarchy is highlighted by the world-famous and legendary Alhambra Palace. Due to a peace treaty with the Christians' military leaders, Mohammed I had the impressive castle built. Over the years, the Alhambra was extended and its architecture was embellished by its royal inhabitants until the town finally fell to the Catholic kings.

In Albaicín, the glorious atmosphere of old Granada can still be felt amid its buildings, its lanes and even in the air. The architectural legacy of the Moors continues to enchant all those who experience it, right up to the present day.</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Wat Pho, or The Temple of the Reclining Buddha, is a famous religious landmark in the largest and oldest monastery complex in Bangkok.

Almost 200 years before Bangkok became the country's official capital city under the rule of King Rama I, a smaller temple complex already existed. The stylishly decorated buildings of Wat Pho were developed in the 18th and 19th centuries. Today, some of the buildings have a religious function, whereas others form sections of an impressive museum.

More than 1000 Buddha statues, some of them having originated from the early capital cities of Ayutthaya and Sukhothai, highlight the religious significance of Wat Pho. Thus, those who come here are not only keen to inspect its treasures, but they are also fascinated by the millenia-old religious faith of the temple's former inhabitants.

Covering almost eight hectares, the temples of Wat Pho provide a remarkable variety of interest and several opportunities for meditation and relaxation.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1177</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GLOBAL TREASURES: Austria (Wachau) (NTSC)</marc:subfield>
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        <marc:datafield tag="260" ind1=" " ind2=" ">
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

As with almost anywhere within the Wachau Valley, the clocks of the dreamy town of Stein seem to run a little slower than in other parts of Austria. Its well-preserved ensemble of old houses is not uncommon, and the Wachau region enjoys a good reputation for its fine historic treasures and elegant buildings.

Krems is like a fairytale town. The wrought-iron signs on its buildings and its wonderful historic atmosphere are truly captivating. The former stronghold and subsequent rival of Vienna contains several beautiful lanes and imposing buildings that reflect the wealth of its former citizens.

Amid the vast terraces of the Wachau vineyards is the village of Weissenkirchen, in which several hospitable inns provide their customers with an ideal opportunity to sample the wines of this region. Winegrowing has a long tradition in this section of the Danube, and the area between Krems and Melk is one of the oldest cultivated landscapes in Austria.

The Wachau is a landscape full of warmth, and it is steeped in history and age-old traditions.</marc:subfield>
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Around 15 kilometers east of Kathmandu is Bhaktapur, the smallest yet most beautiful of the three Newar cities.

The famous and historic palace district features several artistically-decorated shrines and temples and each day, Durbar Square is full of local people as well as visitors from all over the world.

It is believed that the religious heart of the Durbar area was founded in the 15th century. Entry to the sacred temple is restricted to those of the Hindu faith. Over the centuries, further buildings were added around the legendary main temple of the royal palace that surrounds Durbar Square. With the construction of the first citadel, in 1453, King Yaksha Malla laid the foundations of a new and important dynasty in Nepal.

But the magic of Bhaktapur does not only lie within its architecture but also, in its unique mediaeval atmosphere, an atmosphere frozen by time itself.</marc:subfield>
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Valle Dei Templi, or The Valley of Temples, contains the sacred sites and ruins of the ancient city of Akragas, today's Agrigento. Due to the transformation of a number of its temples into Christian churches, the greater part of Sicily's ancient sanctuaries have managed to survive to the present day.

The ruins of The Temple of Zeus are in stark contrast to the modern high rise settlements of Agrigento that are situated on the opposite side of the valley. The sanctuary is without a doubt one of the largest temples of its kind and was built by Theron in the 5th century.

The majestic Temple of Concordia dates back to the 5th century and is one of the most well-preserved sanctuaries of Ancient Greece.

The return to the aesthetic and textual ideals of Classic times could not have found a worthier or more splendid setting than the beautiful Valle Dei Templi.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Hotel Des Invalides was built by King Louis XIV as a home for soldiers who had been wounded in action.

Following completion of the first building, construction began on the equally impressive Dome Des Invalides. Since then, the Hotel Des Invalides has replaced its injured soldiers with a military exhibition. Today part of the Hotel contains one of the most important museums of military history in the world.

Napoleon would most likely have approved the Musee De Larmee, today's Army Museum. It contains around 40,000 exhibits, including a large number of valuable weapons and armor. The collection also comprises numerous objects that date from ancient times to the present day.

The crypt of the Dome Des Invalides was specially redesigned and embellished by the famous architect Visconti in order that it would be suitable to house the final remains of the once all-powerful Napoleon Bonaparte. Twelve great goddesses of victory, who symbolized the French people, surround his sarcophagus of Finnish porphyr that lies within the crypt.</marc:subfield>
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Along historic walls, numerous beautiful gates lead into the centre of Jaipur. The city's well-preserved old town, built on the orders of Maharaja Sawai Jai Singh II, gives the impression that it is almost exactly as it was at the time of its creation in 1727.

In the 18th century, it was believed that both the city and palace were unlikely to encounter hostile attack, but subsequent events proved this not to be so. Although a number of military defenses existed in 1748, the city was attacked by the Marathas.

The exquisite residence of the Maharajas, the Hawa Mahal, otherwise known as the Palace of the Wind, is now regarded as the finest architectural landmark in Jaipur. However, hiding beyond its magnificent honeycomb-like facade there is a simple staircase, for the building was the domain of the royal harem!

Outside the city, close to the route that led to the former capital of Amber, a fairytale-like castle rises up from a small artificial lake. The Jal Mahal was built in the 18th century by Madho Singh II for the royal hunt.

Due to its many fascinating architectural and cultural treasures, Jaipur is deservedly one of the most popular travel destinations in India.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Around 30 kilometers east of Rome, on a low plateau beneath the Tiburtine Mountains, lie the ruins of Villa Adriana, once the residence of Roman emperor Hadrian, who had the stately residence built in the 2nd century AD as a fine and luxurious country estate. Indeed, it is believed that the emperor himself participated in the planning of its construction and in each detailed aspect of the villa's design.

The Canopus is one of the most impressive areas of the Villa. The lengthy canal was developed between 125 and 133 AD. Six Caryatids adorn the western side of the elegant row of columns that surround the Canopus water basin, creating a wonderfully picturesque setting.

The thermal springs were built during the first construction stage of the Villa Adriana and are the oldest within the complex. Public baths were extremely important in the daily life of the Romans, thus it is not surprising that the villa possessed three thermal springs.

In the 16th century, archaeologists began to search for the emperor's lost residence, but following its discovery, many came only to plunder its treasures. In spite of this, the unique splendor of the Roman Villa Adriana has thankfully been well preserved right up to the present day.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Vannes is the capital of the Departement Morbihan on the French Atlantic coast, and within its mighty walls hides a historical architectural treasure.

Half-timbered houses that date back to the 15th and 17th centuries form the medieval centre of Vannes. Several charming facades lie closely packed together and create a fascinating historic setting. The fine old buildings are an important part of the town's economy and in recent years have attracted hordes of tourists from around the world.

Vannes Cathedral, or St. Peter's Cathedral, towers above the historic rooftops of the fine old town. The architecture of the church dates back to the 13th century, but its facade was restored much later in Neo-Gothic design. The entrance to the northern nave leads into the church's generously-decorated interior, most of which was built in the 15th century. The construction of the cathedral took almost 600 years and thus contains the architecture of several historic epochs.

Vannes is full of history and picturesque sights, and it is well worth a visit!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

For centuries, the city of Prague on the River Vltava has possessed a special kind of magic. The impressive quantity of historic buildings has made the city one of the most popular destinations in Europe for tourists from all over the world.

Dating from the time of Charles IV, the Charles Bridge is one of the city's most famous landmarks and was created by one of Prague's most celebrated architects, Peter Parler.

The ascent of the legendary Castle Hill, with its world-famous Hradschin district, also features several beautifully-decorated historic buildings. The 1,000-year history of Prague's Castle Hill began in 925 AD, when the region was ruled by Wenzel, who built a modest-looking rotunda for Saint Vitus.

For pilgrims, both the Hradcany and most notably the Loreta Sanctuary are among the most popular religious destinations in the Czech Republic. In addition to the impressive facade created by Christoph Dientzenhofer and Kilian Ignaz Dientzenhofer, the richly-sculptured decorations reflect the architectural styles of the 17th and 18th centuries.

Saint Vitus Cathedral is a masterpiece of Gothic architecture and the largest in the Czech Republic. With the official ordination of the cathedral on September 28, 1929, its six-century period of construction finally reached its glorious conclusion. Despite its mixture of various historical epochs and their various styles, the overall effect of the building can be described as nothing less than magnificent.

A special tourist attraction is a tiny yet historic gem, Golden Lane, once renowned for its infamous alchemists. However, despite its rather disastrous history of alchemy and due also to the existence of the Hradcany, Prague is quite rightly still known as "The Golden City."</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Seville Cathedral, also known as the Catedral De Santa Mariá De La Sede, is the most important church in the Andalusian metropolis. It is the largest Gothic cathedral and also the third-largest Christian church in the world. It replaced the former Islamic Seville Mosque that was built by the Almohades in 1198.

The cathedral's various chapels not only have great aesthetic appeal but are also of historical artistic value, as they contain a number of sacred works of art that are truly remarkable. The construction of the cathedral was designed to create an unmistakable symbol of Christian glory and power, a building with much political significance.

The cathedral also possesses a famous tomb, that of the legendary discoverer of America, Christopher Columbus.

From the bell gallery that is around 70 metres high, visitors can enjoy a splendid view of the cathedral below, as well as the unique courtyard and the endless ocean of rooftops in the old part of Seville.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Twenty kilometers east of the large Dutch port of Rotterdam is an exceptional and captivating landscape of windmills in the village of Kinderdijk. For many centuries, the windmills played an important role in the drainage and subsequent reclamation of land in the Netherlands.

Up until the 19th century, there were more than 10,000 windmills in Holland, and even though only a fraction of them still exist, they are still an important resource.

The 19 windmills in the Kinderdijk area were built in the 18th century along the waterways of Lek and Noord. In the past, the sails of the redundant windmills were used as a means of communication: the position of the sails indicated if there was reason to celebrate or to grieve or if the operators of the mill had taken a short break.

The traditions of the Dutch windmill are still kept very much alive by several millers keen to continue the rich heritage created by previous generations.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Noto is a charming town with around 20,000 inhabitants and is one of the most beautiful enclosed Baroque towns in Sicily. However, many of Noto's historic buildings were neglected for many years and are thus in somewhat less than perfect condition.

The Cathedral of San Nicolò di Mira also fell into disrepair as a result of continued neglect, and this caused both the dome and part of the roof to collapse in 1996. Since then, much has been done to repair the church.

An indication of the wealth of Noto's former upper classes still exists today, as the Villadorata palace on Via Nicolaci is one of the town's most prominent buildings.

In spite of its wonderful architecture, today Noto leaves a rather sleepy and almost unreal impression on its visitors. Yet perhaps it is the romantic atmosphere caused by its slow decay that makes this Baroque Sicilian jewel so intriguing.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

A massive red sandstone wall surrounds the Red Fort of Agra, a great and historic city 200 kilometres southeast of Delhi. Almost 2.5 kilometres long and at an average height of 20 metres, the wall contains several well-fortified bastions that have been used by the Indian army right up to the present day.

The east side of the Diwan-I-Am is connected to the Macchi Bhawan, a beautiful courtyard that is surrounded on three sides by a two-story building complex. It is believed that the legendary golden throne of the great moguls was kept in the southern wing.

In addition to the private audience hall of the moguls, the Diwan-I-Khas, the private chambers of Shah Jahan, are one of the fort's most fascinating sights.

But 1658 proved to be a tragic year for Shah Jahan, as his son Aurangzeb arrested him and removed him from power. From his prison cell, he was able to see one of the most famous symbols of his former regime, his favorite wife's fantastic mausoleum, the Taj Mahal.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

For several centuries, one of the world's greatest and most splendid sights has towered above the streets of Yangon. A total of four stairways that point toward the four cardinal points lead into Burma's national sanctuary, the legendary Shwedagon Pagoda.

From the top of the hill, there's a 60,000-square-metre-high terrace with an amazing number of smaller stupas that surround the tallest central stupa. As with the three other stairways, the southern entrance area of the Shwedagon Pagoda has its own temple that is dedicated to the Buddha, Konagamana.

According to tradition, the Mon queen Shinsawbu was the first leader to have her body weight represented by gold which was duly donated to the improvement of the pagoda. Even though the sanctuary received only around 45 kilograms of gold, it was enough to decorate the entire pagoda.

The main golden stupa rises 98 metres into the sky, its spire crowned by a golden ball that is decorated with over 4000 diamonds.

Due to extensive renovation at the end of the 20th century, this fascinating temple shines out once again in all of its ancient splendor.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The dreamy Nepalese town of Panauti is located around 30 kilometres southeast of Kathmandu, and unlike other nearby villages and towns, its original atmosphere has managed to survive the rigors of time.

This traditional Newar settlement has a particularly rural character, and a variety of farm products are offered for sale throughout the town.

Panauti boasts a large number of fascinating temples, and in the centre of its temple complex is the 15th-century Indreshvara Temple.

Panauti's deep religious significance is closely associated with its unique geographical location and two rivers. According to traditional Nepalese Hindu belief, the confluence of the two rivers has always been considered to be a sacred place.

Panauti's sanctuaries and temples have had a remarkable influence on this fascinating Nepalese town, and for several centuries they have enriched this otherwise modest and humble Newar settlement.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The shining white Basilica of Sacre-Coeur towers above Montmartre and across the famous Parisienne art district of the same name. It is located on a hill that is thirty metres high and provides a good view of both Paris and the river Seine.

The magnificent Basilica on top of Montmartre Hill can be seen for miles and is synonymous with Paris. Beneath Sacre Coeur is the former winegrowers' village of Montmartre, which at the end of the 19th century attracted several important artists. Montmartre's exotic nightlife also gave it a special appeal, and venues such as the Moulin Rouge have become world famous.

Despite the district's commercial aspects, even today Montmartre possesses its own unique charm and a good measure of the atmosphere of bygone times.

Even at night Sacre Coeur dominates the skyline above Paris' vast ocean of colourful lights and thus confirms it to be one of the most striking and best-known landmarks in Europe.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The fine buildings of the Benedictine monastery of Melk Abbey majestically rise up from a plateau above the fascinating town on the River Danube. The elegant, yellow buildings of the monastery have become well-known far beyond Austria.

The monastery's 1800 manuscripts are extremely valuable, and although many treasures were destroyed by a devastating fire, the oldest texts date back to the early 9th century.

The 18th century marked the beginning of extensive construction work in the monastery that subsequently transformed the church into an enchanting example of Baroque design.

The exquisite design of the church's splendid interior was mostly the work of Italian architect Antonio Beduzzi, but it is the remarkable architecture of the central Baroque buildings that have given Melk Abbey its reputation as being an icon of occidental monastery culture.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

For thousands of years, the ruins of the magnificent temples in the Valle Dei Templi have risen up from the ancient city of Akragas, and today Agrigento is now one of the most well-known and most visited places in Sicily. In addition to the temple districts, in recent years the medieval centre of Agrigento, with its narrow and romantic lanes, has attracted an increasing number of visitors.

In the 3rd century BC, Akragas was conquered by the Carthaginians and later by the Romans, Byzantines and Arabs, and over the years the size of the legendary ancient polis was gradually reduced to that of a village. But Agrigento enjoyed a further period of prosperity under the Norman king Roger II, who declared it a diocesan town.

The classical splendor of the ancient temples of Agrigento leave an indelible impression in the memories of all those who experience them.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

West of the city of Agra in India and surrounded by a 10-kilometre-long wall is the fascinating ghost town of Fatehpur Sikri. It is believed that the founding of the town was closely associated with a prophecy made by a teacher of the religious Chishti Order who once lived there.

The design of part of the Friday Mosque, once the largest sacred building in India, was based upon the Bibi Khanam Mosque in Samarkand. An inscription refers to the building as having been completed in 1572, thus making it one of the oldest buildings in Fatehpur Sikri.

In 1569, the prophecy of the legendary mystic came true when the wife of Akhbar the Great gave birth to a long-awaited male heir. Delighted at the result of the prophecy, the powerful Mughal commanded that his residence be moved from Agra to Sikri, the home of his chief counselor.

Due to a more reliable water supply than that in Fatehpur Sikri, the Mughal ruler also chose Lahore, situated in today's Pakistan, for its strategic advantages, but only a few months after his death, large sections of the palace buildings began to decay.

In a way, it is fortuitous that this former royal residence became neglected and abandoned, because free from struggle and strife, this remnant of Mughal history has managed to survive to the present day.</marc:subfield>
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It is believed that the origin of the richly decorated Episcopal cathedral of Notre Dame dates back to the time of Bishop Maurice De Sully in 1163. But the majority of the cathedral's present-day architecture with its strange and fantastic creatures of ancient mythology, such as the chimeras, was designed in the 19th century.

The church owes much of its fame to the famous French author Victor Hugo and his book &lt;i&gt;The Hunchback of Notre Dame,&lt;/i&gt; a great classic of French literature. The stone chimeras are reminiscent of the book's main character, Quasimodo.

The remarkable and beautifully-designed rose windows in the transept are particularly noteworthy, as each is original and dates back to 1270 AD.

In 1804 Napoléon Bonaparte was crowned emperor by Pope Pius VII in Notre Dame, which was built on a famous island on the river Seine, the Ile De La Cité.

For the French nation, the historic importance of this impressive monument is inestimable.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

On the southeastern periphery of today's metropolis of New Delhi is the large and magnificent tomb of the famous Indian emperor Humayun. The mausoleum is regarded among art historians as being one of the finest examples of Indian architecture that dates back to the early moghuls of the 16th century. The centre of the tomb complex is surrounded by a tranquil park that is in stark contrast to the normal hustle and bustle of New Delhi.

The final resting place of Emperor Humayun is regarded as the model for the Taj Mahal in Agra, which was built by Shah Jahan almost a hundred years later. The acclaimed mausoleum was not the creation of the emperor but of his wife, Haji Begum, who had made construction of the monument possible.

The gardens around the tomb have managed to retain their age-old elegance and splendor.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Changu Narayan Temple is located around five kilometres north of Bhaktapur in Nepal. The sanctuary is situated on a 1,450-metre-high mountain and is one of seven cultural heritage sites in Kathmandu Valley. The journey to the Hindu temple complex travels up several steps and through the small picturesque Nepalese village of Narayan.

The origins of this Hindu temple date back to the 4th century AD, and a stone inscription on a garuda column indicates the remarkable age of this cult site.

The sanctuary and main temple are dedicated to the Hindu god Vishnu, who appears as Narayana, the Creator of a New Age.

In recent years, the temple has become increasingly tranquil as the number of pilgrims is declining, though they are gradually being replaced by tourists.

Today, Changu Narayan is a kind of sleeping beauty that awaits the moment when both the temple and village will awake once more.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

It is believed that the proud and majestic E Temple was originally built in honor of the Greek goddess Hera. It still rises up from the meadows of Selinunte. Although rebuilt in recent times, its columns are evocative of Sicily's colorful history.

For many centuries, little was visible of the once important city of Selinus that is situated on the border of the former Greek Empire. Tall sand dunes once covered the impressive architectural heritage of this coastal city, including the buildings of the eastern temple district. The ancient city was discovered in the 16th century by a Sicilian historian, but it was not until the 1950's that the Hera Temple was restored.

In 409 BC, the Carthaginians attacked the formerly friendly city of Selinus, although the reason for this remains a mystery. The people of Selinus were unable to defend themselves against the military might of Hannibal Mago, thus large areas of the city were completely destroyed.

Measuring around 284 hectares, Selinunte is the largest archaeological excavation site in Europe, and who knows how many more treasures may one day be discovered?</marc:subfield>
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Most sightseers travel by boat to see the fascinating Wat Arun Temple that is located close to the shore of the Chao Phraya River in the historic heart of Bangkok.

According to legend, Wat Arun, "The Temple of the Dawn," existed long before the founding of Bangkok. King Taksin, who reigned in the 17th century AD, chose this sanctuary as his royal temple and also gave it its present name.

The journey up to the higher sections of the sanctuary travels past several splendid images, including various mythological and religious figures such as the moon god, Soma. Over the years, the temple was further extended and decorated, and the central "prang" of the building complex grew taller and taller. It symbolizes Mount Meru, the Holy Mountain, upon which the earth rests.

The Hindu god Indra, that rides on the three-headed elephant, Erawan, was also included in the impressive temple complex of Wat Arun. The main tower and magnificent décor of the buildings are one of the most famous sights in Thonburi, the historical area of Bangkok.</marc:subfield>
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Fifteen kilometres south of Delhi is one of the most important Islamic monuments in India, the Qutb Minar complex. A mosque is all that remains of the legendary city of Lal Kot, a city from where Islamic rule spread throughout northern India. The city dates back to 1193 AD, the year when Muslim invaders first settled on the Indian subcontinent.

The development of Lal Kot and the construction of Qutb Minar toward the end of the 12th century accelerated the spread of Islam. The founder of Delhi's first city was Qutb-Ud-Din Aibak, who was made governor of the city by the Afghan conqueror, Mohammed of Ghor.

Above the ruins of the Hindu temples, which had been incorporated into the architecture, Quwwat-Ul-Islam evolved, a mosque known as "The Might of Islam." The remnants of no less than 27 destroyed Hindu and Jain sacred buildings were used in the construction of the first mosque on Indian soil.

Until quite recently, the tall victory tower, which was probably inspired by a similar structure in Afghanistan, was open to the public. However, due to a tragic accident within the tower, the authorities have since closed it to the public. Nevertheless, Qutb Minar provides a fascinating and atmospheric insight into the early years of Muslim sovereignty in India.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Semmering Railroad is a remarkable Alpine railway line that has been operating in Austria for 150 years.

Construction of a railroad across mountain terrain posed a major problem, but the Semmering Railway that embarked from Payerbach overcame all obstacles.

One of the most impressive architectural achievements of the railroad is the 227-metre-long and 24-metre-high Schwarza Viaduct.

The railway line to the Semmering Pass contains 16 viaducts, more than 100 bridges and 15 tunnels. A huge quantity of manpower was used to create it, with 20,000 workers engaged to complete the daunting task. However, the line was inaugurated after only six years of construction.

Steam trains were eventually replaced by electric trains, but the railway itself has hardly changed at all and continues to form part of a fascinating and irresistible combination of both technology and nature.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Bagan, located on the banks of the Ayeyarwady River in today's Myanmar, is a beautiful temple area, although little remains of its early history.

Close to Bagan's city walls is the majestic Ananda Temple, which is dedicated to four Buddhas and was built at the end of the 11th century during the reign of King Kyanzittha.

Situated on the river bank is what is believed to be Bagan's oldest pagoda, Bupaya. Its architecture indicates that it dates back to the time of the Pyusawdi. According to legend, both the construction of the unusual Manuha Temple and its name date back to a captured Mon King who, it is believed, gifted the building to the city.

The Shwegugyi Temple, the "Great Golden Cave," indicates the transition of the once prolific Mon style to the Burmese architecture that followed.

In recent times, these temples have attracted an increasing number of worshippers, and there is no doubt that today they are among the world's most prized cultural treasures.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/GTR-DVD-1203.jpg</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1203</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1203</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">GTR-DVD-1204</marc:controlfield>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GLOBAL TREASURES: Italy (Erice) (NTSC)</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Global Treasures: Erice (NTSC) ( 09 min., 32 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

On a mountain summit 750 metres above the Mediterranean is Erice, the ancient town of Eryx. The well-fortified walls of its fortress once protected one of the oldest cities in Sicily. According to legend the Trojan Aeneas, son of Aphrodite, established a town here after fleeing from the Greeks.

First, the goddess of love Astarte was worshiped here, followed by the Greek goddess Aphrodite and the Roman goddess Venus. Because of this, the area became a kind of "love mountain," a destination popular with male pilgrims especially, as it no doubt appealed to their more romantic nature.

The medieval city centre of Monte San Guiliano, as today's Erice was named by the Normans, has for many centuries remained almost unchanged.

From the fortress, the Castello, there are clear views of the Sicilian coastline, Trapani Harbor, and far out across the Mediterranean.

In the 20th century Erice also became known as a research centre for both meteorology and oceanography.

Erice is far more than just an historically rich settlement situated on a mountaintop. In the romantic ruins of the fortress above the former acropolis, the atmosphere of ancient times still lives on.</marc:subfield>
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        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
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        </marc:datafield>
        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/GTR-DVD-1204.jpg</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1204</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1204</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GLOBAL TREASURES: Thailand (Ayutthaya) (NTSC)</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Streaming video.</marc:subfield>
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            <marc:subfield code="a">Global Treasures: Ayutthaya (NTSC) ( 09 min., 31 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Eighty kilometres north of Bangkok is Thailand's former capital city of Ayutthaya, a famous historical site that is both exotic and atmospheric.

For more than 400 years, Ayutthaya, Siam's glorious former capital city, was the residence of no less than 33 kings and five dynasties.

The royal temple of Wat Phra Sri Sanphet, which is dominated by three chedis, is one of the most famous ruins in Ayutthaya. Within the chedis, which are of typical Ceylonese bell-shaped design, are the ashes of three prominent Thai kings.

The ruins of Ayutthaya still provide an insight into its original size and ancient splendor. Indeed, it is a historic metropolis whose dimensions once even surpassed today's modern cities of both Paris and London.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="e">Composer</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="0">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/GTR-DVD-1205.jpg</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1205</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1205</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">GTR-DVD-1206</marc:controlfield>
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            <marc:subfield code="e">Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="245" ind1="0" ind2="0">
            <marc:subfield code="a">GLOBAL TREASURES: Italy (St. Peter's Basilica) (NTSC)</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="260" ind1=" " ind2=" ">
            <marc:subfield code="a">Hong Kong :</marc:subfield>
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            <marc:subfield code="a">1 online resource</marc:subfield>
        </marc:datafield>
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            <marc:subfield code="a">two-dimensional moving image</marc:subfield>
            <marc:subfield code="b">tdi</marc:subfield>
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            <marc:subfield code="a">video</marc:subfield>
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            <marc:subfield code="a">Online resource</marc:subfield>
            <marc:subfield code="b">cr</marc:subfield>
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            <marc:subfield code="a">Naxos Video Library</marc:subfield>
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            <marc:subfield code="a">Global Treasures: St. Peter's Basilica (NTSC) ( 09 min., 32 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Beautiful, majestic and awe-inspiring, Saint Peter's Basilica towers above the impressive Saint Peter's Square in Rome. The second-largest church in Christianity is situated in the Vatican, the smallest country in the world, which for centuries has been the home and official residence of the Papacy.

The Vatican is not only the centre of the Catholic church; it also accommodates more than half a million priceless books and manuscripts and contains the largest art collection in the world.

The legendary &lt;i&gt;Pietà&lt;/i&gt; by Michelangelo, made of the most precious Carrara marble, is undoubtedly the most famous work of art in Saint Peter's Basilica. In addition to numerous valuable works of art, the basilica also boasts many impressive and fascinating monuments that date back to the 18th and 19th centuries.

Since 1506, when Pope Julius II ordered a band of mercenaries from Switzerland to protect him, the Swiss Guard has continued to perform its historic role in the Vatican.</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="538" ind1=" " ind2=" ">
            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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        <marc:datafield tag="650" ind1=" " ind2="4">
            <marc:subfield code="a">Monuments / History / Geography</marc:subfield>
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            <marc:subfield code="a">World</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Since 1981, the Baroque castle of Drottningholm, situated 12 kilometres from Stockholm, has been the official residence of the Swedish royal family. Within the beautiful Drottningholm Park is an exceptional architectural jewel, Kina Slott, a picturesque Chinese pleasure palace that is one of the most captivating examples of the exotic world of the Far East as visualised by Sweden's former aristocracy.

After the Swedish East India Company first arrived in China in 1733, everything Chinese was highly fashionable. In each corner of Europe, numerous buildings were suddenly inspired by Chinese art and architecture, thus many tea houses, pavilions and tiny pleasure palaces became in vogue.

The pavilion still contains several valuable silk wallpapers, lacquered umbrellas and other exotic examples. An exquisite collection of Chinese porcelain is one of the most celebrated exhibits, as porcelain played a vital role in the dining hall where food arrived in quite spectacular manner - the table rose up directly from the kitchen!

Considering such ingenuity, it is understandable that Kina Slott continues to enjoy much popularity right up to the present day.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Set along an artificial lake and surrounded by picturesque mountains, Udaipur, "City of Lakes," is one of the most beautiful cities in the Indian province of Rajasthan.

Part of the City Palace of Udaipur is still inhabited by the present head of the Mewar, and other areas within it have been transformed into a luxurious hotel. In recent years, innumerable gazebos, balconies and decorations have made the elegant, almost playful eastern side of the palace into a popular backdrop for numerous films.

Located beneath the grand palace and surrounded by thick walls there is a further popular tourist attraction in Udaipur, the Jagdish Temple. At first sight, this Vishnu sanctuary appears to be a fortress, a fact that has undoubtedly contributed to its survival. As one of the city's few Hindu temples, the Jagdish Temple survived the troops of Muslim aggressor Mughal Emperor Aurangzeb, as he most likely did not recognize it as a temple.

But history and drama aside, as the sun sets beneath the gentle hills of the Avalli Mountains it is easy to become hypnotized by the amazing beauty of Udaipur.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Copenhagen, the capital of Denmark, is rich in tradition and a cultural metropolis open to the world and thus justifiably one of the most popular travel destinations in Northern Europe.

Many of the city's royal residences, such as Christiansborg Palace on Slotsholmen Island, attract huge numbers of visitors. A castle was built there in the 12th century by the founder of the city, Bishop Absalon. However, over the course of time the castle began to decay, and it was finally pulled down in 1369 in order to make room for a new castle.

Royal guards highlight the significance of Amalienborg, which is situated in the heart of Frederiksstaden, the winter residence of the Danish royal family. Each day at noon, an impressive spectacle takes place in front of the palace, when the royal guards march into the square and undertake the official changing of the guard.

The wonderfully-designed royal garden of Rosenberg Castle, Kongens Have, is one of the most beautiful parks in Denmark. Built on red bricks and covered with a façade of sandstone, the castle is an architectural masterpiece of Dutch Renaissance.

The city's castles not only reflect the history of the Danish royal family but also trace the colorful development of the fascinating city of Copenhagen.</marc:subfield>
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            <marc:subfield code="a">GLOBAL TREASURES: Cambodia (Angkor Thom) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Angkor Thom and the ruins of the last great capital of the Khmer empire are entered by way of an impressive causeway that contains an array of gigantic statues. This "giants' causeway" consists of 108 mythical beings and divine spirits which, according to leading archaeologists, were created toward the end of the 12th century.

The main features of the royal palace were built around 150 years prior to the remaining construction of Angkor Thom by Suryavarman II. In subsequent years, the centre of the palace complex was the Phimeanakas, the "celestial temple," that was mostly used for important royal occasions. The royal palace is surrounded by several terraces such as the Elephant Terrace, famous for its exquisite decoration.

The magnificent stonemasonry is just one of the reasons that Angkor Thom is one of the greatest cultural heritage sights in Cambodia. Most sections of its northern wall are adorned with highly-detailed portrayals of ceremonial elephants.

In recent decades, the unique cultural and historical importance of Cambodia's Angkor Thom has attracted much interest from around the world.</marc:subfield>
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In 1937 Russia, at the height of Stalin's purges, the Communist Party strongly denounced Dmitri Shostakovich's most recent works. Fearing for his life, the young composer wrote a symphony ending with a rousing march. But to many, the triumph rang hollow. Even today, people wonder just what Shostakovich was trying to say. Was the symphony meant to celebrate Stalin's regime? Or did it contain hidden messages protesting the very system it seemed to support?</marc:subfield>
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            <marc:subfield code="a">Thomas, Jess, Artist -- Berry, Walter, Artist -- Karajan, Herbert von, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Ludwig, Christa, Artist -- Janowitz, Gundula, Artist -- Berlin Deutsche Opera Chorus, Choir -- Schiller, Friedrich von, Lyricist -- Beethoven, Ludwig van, Composer</marc:subfield>
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            <marc:subfield code="a">When, in the mid 1960s, Herbert von Karajan decided to record on film all nine Beethoven symphonies with the Berlin Philharmonic, he began with the &lt;i&gt;Fifth&lt;/i&gt; and asked the famous French movie director Henri-Georges Clouzot (Quai des Orfèvres) to direct. Recognizing in the music-loving director a kindred soul and master of the symbolic image, Karajan found an inspired partner. In another of Karajan's first efforts, he asked six directors to "stage" one movement each of a Beethoven symphony. For a full week, the directors had the Berlin Philharmonic and Herbert von Karajan &amp;#x2013; all in full dress &amp;#x2013; at their disposal, with all the 35mm film, cameras, lighting and technical assistance they needed. Karajan's most controversial production was Hugo Niebeling's highly personal interpretation of the &lt;i&gt;Pastorale&lt;/i&gt;, with its abstract shots of instruments, rapid rhythms, fade-ins and symbolically arranged colors. Some critics raved: "This music film could have been made by Antonioni, Fellini or Godard." Karajan pursued his plan with tenacity, and the result is a milestone in the history of music on film: all nine Beethoven symphonies recorded at the peak of Karajan's powers, unified by the performers but varied through the artistic vision of different directors.</marc:subfield>
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            <marc:subfield code="a">PUCCINI, G.: Bohème (La) (La Scala, 1965) (NTSC)</marc:subfield>
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            <marc:subfield code="a">La bohème (La Scala, 1965) (NTSC) ( 01 hrs., 43 min. ) / Puccini</marc:subfield>
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            <marc:subfield code="a">Freni, Mirella, Artist -- Panerai, Rolando, Artist -- Vinco, Ivo, Artist -- Milan La Scala Chorus, Choir -- Karajan, Herbert von, Conductor -- Milan Teatro alla Scala Orchestra, Orchestra -- Raimondi, Gianni, Artist -- Martino, Adriana, Artist -- Maffeo, Gianni, Artist -- Giacosa, Giuseppe, Lyricist -- Puccini, Giacomo, Composer -- Illica, Luigi, Lyricist</marc:subfield>
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            <marc:subfield code="a">One of the world's most beloved operas, &lt;i&gt;La Boheme&lt;/i&gt; is, along with Puccini's &lt;i&gt;Tosca&lt;/i&gt; and &lt;i&gt;Madama Butterfly&lt;/i&gt;, one of the pillars of the Italian repertory. When it premiered in Turin on 1 February 1896, it was dismissed as "a momentary error". It wasn't until its first performance in Palermo that year that the opera scored a definitive success. This production of &lt;i&gt;La Boheme&lt;/i&gt; scored a trio of "firsts": it was the first opera film to be produced by Unitel, the first music film conducted by Herbert von Karajan, and the first major film production by Franco Zeffirelli.

Produced in 1965, it was based on Zeffirelli's acclaimed 1963 La Scala production and features Mirella Freni and Gianni Raimondi as the star-crossed lovers. Karajan conducts the chorus and orchestra of Milan's La Scala. The production is still considered today one of the finest treatments of opera on film and a classic of opera performance in the 20th century.</marc:subfield>
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            <marc:subfield code="a">Bach, Johann Sebastian</marc:subfield>
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            <marc:subfield code="a">BACH, J.S.: St. John Passion, BWV 245 (Richter) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Schreier, Peter, Artist -- Donath, Helen, Artist -- Hamari, Júlia, Artist -- Nimsgern, Siegmund, Artist -- Schramm, Ernst-Gerold, Artist -- Laubenthal, Horst Rüdiger, Artist -- Engen, Kieth, Artist -- Munich Bach Choir, Choir -- Munich Bach Orchestra, Orchestra -- Richter, Karl, Conductor -- Anonymous, Lyricist -- Bach, Johann Sebastian, Composer -- Bible - New Testament, Lyricist</marc:subfield>
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            <marc:subfield code="a">Over the course of his long career as conductor, organist and harpsichordist, Karl Richter (1926-1981) became synonymous with Bach. He founded the Munich Bach Choir and the Munich Bach Orchestra, and helped trigger the Bach revival in the 1950s. He recorded all the major choral and orchestral works of Bach, including more than 100 cantatas. Although Richter saw several dramatic shifts in Baroque performance practice during his lifetime, he remained true to his own style, which was considered revolutionary in the 1950s and 60s. This was a "de-romanticized" Bach which featured a reduced body of performers more in keeping with the composer's original forces. Richter's style also accented a cool, brisk, almost abstract attitude toward the music. Our recording with the Munich Bach Choir and Orchestra features such world-renowned soloists as Helen Donath, Julia Hamari, Peter Schreier and Horst Laubenthal.</marc:subfield>
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            <marc:subfield code="a">BACH, J.S.: St Matthew Passion, BWV 244 (Richter) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Schreier, Peter, Artist -- Donath, Helen, Artist -- Hamari, Júlia, Artist -- Nimsgern, Siegmund, Artist -- Berry, Walter, Artist -- Schramm, Ernst-Gerold, Artist -- Munich Boys Choir, Choir -- Laubenthal, Horst Rüdiger, Artist -- Munich Bach Choir, Choir -- Munich Bach Orchestra, Orchestra -- Richter, Karl, Conductor -- Bach, Johann Sebastian, Composer -- Henrici, Christian Friedrich, Lyricist</marc:subfield>
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            <marc:subfield code="a">Karl Richter, the world-renowned Bach specialist who died in 1981, recorded the &lt;i&gt;St. Matthew Passion&lt;/i&gt; at the splendid Benedictine abbey of Ottobeuren with two choruses, his Munich Bach Orchestra and the outstanding soloists Peter Schreier (Evangelist), Ernst Gerold Schramm (Jesus), Siegmund Nismgern (Judas) as well as Helen Donath, Julia Hamari, Walter Berry and Horst Laubenthal. Director Hugo Käch took the cross as his main motif for his stage setting by using a gigantic cross above the performers to suggest menace and oppression as well as protection. Richter's style blends the solid craftsmanship of a Leipzig "cantor" and a profound need for the freedom of improvisation. "I cannot gauge the tempo from the metronome; I have to take to it from my pulse, since the pulse is linked to the center of man, the heart." (Karl Richter)</marc:subfield>
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            <marc:subfield code="a">When, in the mid 1960s, Herbert von Karajan decided to record on film all nine Beethoven symphonies with the Berlin Philharmonic, he began with the &lt;i&gt;Fifth&lt;/i&gt; and asked the famous French movie director Henri-Georges Clouzot (Quai des Orfevres) to direct. Recognizing in the music-loving director a kindred soul and master of the symbolic image, Karajan found an inspired partner. In another of Karajan's first efforts, he asked six directors to "stage" one movement each of a Beethoven symphony. For a full week, the directors had the Berlin Philharmonic and Herbert von Karajan &amp;#x2013; all in full dress &amp;#x2013; at their disposal, with all the 35mm film, cameras, lighting and technical assistance they needed. Karajan's most controversial production was Hugo Niebeling's highly personal interpretation of the &lt;i&gt;Pastorale&lt;/i&gt;, with its abstract shots of instruments, rapid rhythms, fade-ins and symbolically arranged colors. Some critics raved: "This music film could have been made by Antonioni, Fellini or Godard." Karajan pursued his plan with tenacity, and the result is a milestone in the history of music on film: all nine Beethoven symphonies recorded at the peak of Karajan's powers, unified by the performers but varied through the artistic vision of different directors.</marc:subfield>
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            <marc:subfield code="a">Missa Solemnis in D Major, Op. 123 (NTSC) ( 01 hrs., 25 min., 16 sec. ) / Beethoven</marc:subfield>
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            <marc:subfield code="a">Moll, Kurt, Artist -- Schwarz, Hanna, Artist -- Netherlands Radio Choir, Choir -- Bernstein, Leonard, Conductor -- Concertgebouw Orchestra, Orchestra -- Moser, Edda, Artist -- Kollo, René, Artist -- Beethoven, Ludwig van, Composer -- Mass Text, Lyricist</marc:subfield>
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            <marc:subfield code="a">The &lt;i&gt;Missa solemnis&lt;/i&gt;, scored for four solo voices, chorus, orchestra and organ, is one of the world's greatest choral works. It blends an age-old religious service with a musical outpouring of human emotions in an intensely personal manner. As with other musical forms, Beethoven altered, expanded and shaped the mass until it corresponded to his creative needs. Beethoven conceived the mass for a religious occasion, the installation of Archduke Rudolf as Archbishop of Olmütz in 1820. However, he did not complete it in time and the work was given its premiere in St. Petersburg on 7 April 1824. In his score, Beethoven wrote the words "From the heart... may it find its way to the heart" (vom Herzen - möge es wieder zu Herzen gehen!). Indeed, the work's dramatic, almost volcanic fervor never fails to go to the heart of all listeners. 

This work is part of the complete cycle of Beethoven symphonic and choral works featuring the Vienna Philharmonic Orchestra and the Concertgebouw Orchestra of Amsterdam conducted by Leonard Bernstein. In this recording with the Dutch orchestra, Bernstein also conducts the soloists Edda Moser, Hanna Schwarz, René Kollo and Kurt Moll, along with the Chorus of Radio Hilversum.</marc:subfield>
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            <marc:subfield code="a">Bach's &lt;i&gt;Christmas Oratorio&lt;/i&gt; was first heard in its entirety at Leipzig's St. Thomas church at Christmastime 1734. Some Leipzig church-goers may have recognized some of the melodies, since Bach used material from earlier works, sometimes reworking the music to fit new texts. This practice, called the "parody technique", was frequent in Bach's time. The six separate, large-scale but related parts of the Oratorio tell the Nativity story through texts of the apostles St. Matthew and St. Luke, and through traditional or newly written material. Bach is credited with shaping the text and selecting the Biblical passages in such a way that the work follows a logical sequence. This contribution gives the piece a musically dramatic and compelling textual unity.

Considered one of the world's leading specialists of Baroque music, Nikolaus Harnoncourt founded the Concentus Musicus Wien in 1953. It has since become one of the world's most respected ensembles specializing in the performance of early music on original instruments or faithful reproductions. With its opulent decor and gilt ornamentation, the Austrian Baroque church of Waldhausen provides a setting evocative of Bach's times. An added highlight of the program is the retelling of the Nativity story with the magnificent carved figures of two master wood-carvers of the Baroque period from Upper Austria. Also heard on the recording are the distinguished tenor Peter Schreier, bass Robert Holl and the Tölzer Boys' Choir.</marc:subfield>
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            <marc:subfield code="a">Alice in Wonderland (Bavarian State Opera, 2007) (NTSC) ( 02 hrs., 03 min. ) / Chin</marc:subfield>
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            <marc:subfield code="a">Henschel, Dietrich, Artist -- Matthews, Sally, Artist -- De Mey, Guy, Artist -- Bavarian State Opera Chorus, Choir -- Nagano, Kent, Conductor -- Jones, Gwyneth, Artist -- Bavarian State Orchestra, Orchestra -- Humes, Steven, Artist -- Rieger, Christian, Artist -- Komsi, Piia, Artist -- Rempe, Julia, Artist -- Watts, Andrew, Artist -- Jansen, Cynthia, Artist -- Trebes, Rudiger, Artist -- Schneider, Stefan, Artist -- Bavarian State Opera Children's Choir, Choir -- Chin, Unsuk, Composer -- Hwang, David Henry, Lyricist</marc:subfield>
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            <marc:subfield code="a">Ravel, Handel, Elgar, Stravinsky, a snippet of Puccini's &lt;i&gt;Turandot,&lt;/i&gt; a bass-clarinet homage to George Gershwin, glissandi, hints of musicals, film music and Gilbert &amp; Sullivan - Unsuk Chin is a master of stylistic parody, but also much more than that: she is clearly at home on every highway and byway of music history. Yet the musical house she constructs with the building blocks of the past and the present is definitely her own house, which she has designed and which self-assuredly proclaims her unmistakable individuality and style. It is a thoroughly modern house that welcomes everyone who loves music. "I did not want to write music that needs several pages of explanations to be understood," she says about her first opera, &lt;i&gt;Alice in Wonderland.&lt;/i&gt;

Unsuk Chin, born in Seoul, Korea, in 1961, had always been fascinated by Lewis Carroll's fairy tale for children and adults. Director Achim Freyer, whose productions have been setting standards for decades, sees Chin's opera as a collection of "dream sequences," for which he has created imaginary spaces: with the help of pulleys, acrobats depict the magical characters of Alice's world and suggest the action through pantomime, and with the help of colorful masks and props. "Nightmare visions of the girl. Dream, reality, hyperreality fuse together, everything is theater, transformation," says Freyer. The characters themselves are sung by vocalists (outstanding: Andrew Watts as White Rabbit) sitting in a row at the front of the stage wearing Lewis Carroll masks.

At the center is Alice, portrayed by the impressive Sally Matthews. "She must do everything with her flexible, beguiling and characteristic soprano voice. She shifts with virtuoso ease from rebelliousness to fear, flirtatiousness, anxiety, irony, tragedy and seductiveness" (Reinhard J. Brembeck, Süddeutsche Zeitung). Matthews is supported by the dynamically- and transparently-playing orchestra of the Bavarian State Opera under Kent Nagano, who conducted the world premieres of several works by Chin and originally planned to produce &lt;i&gt;Alice in Wonderland&lt;/i&gt; in Los Angeles.

One of the great moments of the work is the appearance of Dame Gwyneth Jones as the Queen of Hearts, "dazzling like a diamond, overwhelming like a natural phenomenon ... undisputedly the climax of this opening production ... which abounds in phenomenal singers and phenomenal visuals" (Eleonore Büning, F.A.Z.). One of the highlights of the 2007 Munich Opera Festival, Unsuk Chin's &lt;i&gt;Alice in Wonderland&lt;/i&gt; is contemporary music at its most accessible and crowd-pleasing.</marc:subfield>
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            <marc:subfield code="a">Genz, Christoph, Artist -- Hofstetter, Michael, Conductor -- Concerto Köln, Orchestra -- Michaelstein Chamber Choir, Choir -- Sieden, Cyndia, Artist -- Schneider, Simone, Artist -- Wagner, Josef, Artist -- Schweitzer, Anton, Composer -- Wieland, Christoph Martin, Lyricist</marc:subfield>
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            <marc:subfield code="a">Anton Schweitzer's &lt;i&gt;Alceste&lt;/i&gt; (1773) has gone down in music history as the first German-language opera. Though it is practically unknown today, it offers music lovers a wealth of passionate arias and ariosos, lyrical scenes and jaunty ensembles, all in a pre-classical style that occasionally foreshadows Mozart. Written by Anton Schweitzer (1735-1787), one of the leading composers of his time, the work boasts impressive credentials: its libretto was written by C. M. Wieland, one of the great authors of the German Enlightenment, and it was premiered at Weimar's Ducal Residence, one of the most important artistic and cultural centers of the late 18th century, where this recording was also made. 

Performed on the occasion of the official reopening of the Anna Amalia Library in Weimar in 2007, the sparing production by Hendrik Müller concentrates on the chamber-like interplay of the four lead roles. &lt;i&gt;Alceste's&lt;/i&gt; demanding, coloratura-filled parts are mastered with grace and seemingly effortless ease by all singers. In the lead role as the wife who sacrifices herself to save her beloved husband, Simone Schneider combines delicacy with dazzling technique, and harmonizes superbly with internationally acclaimed Cyndia Sieden as Parthenia. Tenor Christoph Genz offers a moving account of Admet, Alceste's husband. And young bass Josef Wagner enlivens his role as Hercules with humor and a striking stage presence.

Under the direction of early-music specialist Michael Hofstetter, the Concerto Köln provides a spirited reading of the work. "This charming fireworks was in the best of hands," wrote the Süddeutsche Zeitung.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">GLOBAL TREASURES: Iceland (Glaumbaer) (NTSC)</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Lush greenery surrounds the historic buildings of the remote farm settlement of Glaumbaer, deep in the north of Iceland.

Glaumbaer's turf houses were built in the late 19th century, but the origin of the farm dates back far longer. Many of its stone structures were built by the Vikings who lived in the region during the 11th century.

As was common in most of Iceland's former farming communities, Glaumbaer contained several buildings that were located around a central building. The &lt;i&gt;badstofa&lt;/i&gt; served as a working, living and sleeping space and was also the location of the communal kitchen, one of the most popular places to be in the harsh cold of winter.

In addition to the important archaeological finds that have recently been made, the former ancient community of farmers and Vikings that once lived here no doubt still contains many a secret yet to be discovered.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In the middle of the 18th century, King Frederik ordered the construction of the Frederiks Kirke, "Frederick's Church," in the heart of Copenhagen.

Around the dome's massive external balustrade, there are various statues dedicated to a number of important church leaders, including Moses and Martin Luther.

With a diameter of more than 31 metres, the Baroque dome of the Frederick's Church is the third largest of its kind in the world and was originally modelled on London's Saint Paul's Cathedral and also Saint Peter's in Rome.

But in spite of its beautiful Neo-Classical appearance and numerous splendid sculptures, the final result turned out to be far smaller than originally hoped for by King Frederik V.

However, as the church and its prominent dome blends so harmoniously with the historical townscape of Copenhagen, its present day dimensions have proven to be ideal for its surroundings.

The majestic dome of the Frederiks Kirke highlights the architectural importance of this fascinating building as being the largest church of its kind in Scandinavia.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

On the shores of the Song Huong, "Perfume River," in the heart of Vietnam, is the former royal city and today's provincial capital of Hue.

Nine mighty cannons are the symbolic guards of the historic citadel, and beyond its defensive walls are five hundred hectares that contain the Imperial City and also the Forbidden Purple City, a veritable city within a city.

The rise of Hue into a magnificent residence is closely associated with the Nguyen Dynasty, who influenced the city for many centuries. 

A short boat trip on the Perfume River leads to another of the city's attractions. Located on a hill, legend has it that the Thien Mu Pagoda owes its existence to the appearance of a god disguised as an old woman. The story goes that the woman made a prophecy that a lord would come to the hill and erect a pagoda to pray for the country's prosperity. King Nguyen Hoang interpreted this prophecy as a religious symbol and thus had a pagoda built in honor of the divine old woman.

Despite all the destruction of the Vietnam War, the resplendent old capital city on Perfume River is still a remarkable place to be.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Hot springs once inspired the Romans to settle in a valley below the Celtic Oppidum that they had just destroyed. However, today's Aix-En-Provence and its numerous lanes offer far more than simply water.

Aix is one of the most beautiful cities in France, and its numerous fountains and majestic squares highlight the city's unique ambience and romantic character. Indeed, more than 40 spectacular fountains cool down this ancient town in the hot months of summer when both foreign and French tourists visit the city.

Nearly all of its splendid buildings and wonderful avenues date back to the 17th and 18th centuries, the Golden Age of Aix-En-Provence.

As a centre of education and fine art this elegant city continues to be a rich source of creative inspiration.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The stately Amber Fort is a truly impressive sight and one of the most beautiful of its kind in India. The mighty fort rises up like a staircase upon a mountainside that is located between two ranges of the Aravalli Mountains.

Typical of most palaces in Rajasthan, the fort's high and sturdy walls that are interspersed with bastions and balconies give the impression of a castle. The Amber Palace was constructed in several stages between 1600 and 1727. After passing through a small gate, there is the impressive main gate of Surajpol, which is the entrance to a lower courtyard, Jaleb Chowk.

The Jass Mandir Pavilion, with its artistically designed lattice window, is located on the terrace-like roof of a private audience hall. The windows provide a welcome cool breeze during hot weather as well as a marvelous view of the surrounding scenery.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/GTR-DVD-1215.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1215</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1215</marc:subfield>
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        <marc:controlfield tag="001">GTR-DVD-1216</marc:controlfield>
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            <marc:subfield code="a">Hong Kong :</marc:subfield>
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        <marc:datafield tag="300" ind1=" " ind2=" ">
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            <marc:subfield code="a">Global Treasures: Sukhothai (NTSC) ( 09 min., 32 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Sukhothai, "Dawn Of Happiness," is the name of the first capital of Thailand, and it once marked the beginning of a new epoch. During the course of its 120-year flowering period, several of the city's impressive buildings were created, such as the magnificent Wat Mahathat Temple.

Beyond the old city walls is the fascinating Wat Si Chum Temple, which owes its national fame to the huge seated Buddha sculpture of Phra Atchana. It is more than 11 metres high and is one of the largest and most imposing Buddha statues in Thailand.

Picturesque, yet almost sad, the century-old ruins seem to be reflected within the water of the nearby moats, canals and ponds, yearning for a bygone time when the area was full of buildings that in turn were full of life. But despite its continuing decay, Sukhothai is still a truly magical experience.</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
            <marc:subfield code="a">Not Applicable, na</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/GTR-DVD-1216.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1216</marc:subfield>
            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1216</marc:subfield>
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            <marc:subfield code="a">GLOBAL TREASURES: Cambodia (Banteay Srei) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Naxos Digital Services electronic collection.</marc:subfield>
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            <marc:subfield code="a">Global Treasures: Banteay Srei (NTSC) ( 09 min., 33 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Tweny kilometres northeast of Angkor are the remains of the ancient sanctuary of Banteay Srei, also known as "The Women's Citadel." To many visitors to Cambodia, this unique and atmospheric temple site is the most impressive of all the country's historic monuments. It captivates not so much by its size, which compared to many other of Cambodia's religious sites is rather small, but by its exceptional charm.

The most sacred area of the temple is surrounded by what are referred to as "libraries," long buildings of which the significance is unknown. However, it is clear that these mysterious buildings once served an important function, as they are to be found within each of Cambodia's Khmer temples.

More than 1000 years after its creation, the Banteay Srei Temple still contains the rich cultural inheritance of the Khmer people.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1217</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1217</marc:subfield>
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            <marc:subfield code="a">GLOBAL TREASURES: Denmark (Rosenborg Castle) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Global Treasures: Rosenborg Castle (NTSC) ( 09 min., 32 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Due to its magnificent architecture and wonderful park, Copenhagen's Rosenborg Castle is a fairytale-like castle. It has also enjoyed a long tradition as a museum, and since 1838, various collections belonging to the Danish royal family have been exhibited within its walls.

For more than 150 years, the rooms and halls of the castle, including the study of King Christian IV, have been open to the public.

Today, a walk through the rooms of Rosenborg Castle is tantamount to stepping in the footsteps of the Danish royal family. The transformation of the castle into a museum took place in the 19th century.

The idyllic royal gardens of Kongens Have, "The King's Garden," are in pleasant contrast to the dominant and historical splendor of the castle.

Along with its park, Rosenborg Castle is undoubtedly one of the most beautiful places in Copenhagen.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na</marc:subfield>
            <marc:subfield code="e">Composer</marc:subfield>
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        <marc:datafield tag="710" ind1="2" ind2=" ">
            <marc:subfield code="a">Naxos Digital Services US</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/GTR-DVD-1218.jpg</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="1">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1218</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1218</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Malta's temples are older than the Egyptian pyramids. Indeed, the tiny Mediterranean island is a veritable archaeological treasure trove, and its largest prehistoric temple site is situated in Tarxien.

The remains of the religious sanctuary were discovered in 1914 when local farmers stumbled across some huge blocks of stone while plowing their fields. Subsequent excavation of the site revealed several remarkable prehistoric finds such as fragments of pottery, stone images and a large number of urns. Carbon dating has established that the Tarxien temples date back to between 3300 to 2400 BC.

The temple area, and those of its rocks that have been partially decorated with geometrical forms, extend across an area of several hundred metres. The massive rocks raise the question of how those who brought them to this location were able to transport such heavy material here 4,500 years ago.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Prague, the Golden City, does full justice to its name. The beauty of this history-rich metropolis on the banks of the Vlatava River has been well known for several centuries.

One of the city's many architectural focal points is the Charles Bridge, which since the 14th century has connected the old town district with part of the Hrad&amp;#x010D;any "Prague" Castle.

Prague's Astronomical Clock is world famous, and not only does it display the time, it also shows the date and the corresponding sign of the zodiac.

South of the famous Hrad&amp;#x010D;any Castle is the most ostentatious residence in the city, the Wallenstein Palace, which is of Late Italian Renaissance design. Beautiful and spacious gardens round off the elegant appearance of the palace that was built between 1624 and 1630.

Pet&amp;#x0159;ín Hill and its 60-metre-tall iron tower that dates back to 1891 is yet another attraction offered by the capital of the Czech Republic. A number of the buildings in the historic Jewish district of Josefov, such as the Old-New Synagogue, have been well preserved and the historic, romantic and enchanting atmosphere of Prague's Jewish Cemetery has been the subject of several novels.

Considering the abundance of its historic monuments, it is not surprising that Prague continues to shine out in all the splendor of its glorious and colorful past.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Ranakpur, set close to the impressive backdrop of the Aravalli Mountains, contains one of the most beautiful religious buildings in northern India. In the 15th century, around a hundred kilometres north of the ancient royal city of Udaipur, the followers of the Jain religion built an architectural gem, the most important sanctuary in Ranakpur, the 4,000-square-metre Chaumukh Temple.

The beautiful domed ceiling that depicts the sixteen goddesses of wisdom, the Vidjadevi, forms the centre of the temple's main hall.

The lively portrayal of both the dancing figures and general ornamentation of the marble columns is in stark contrast to the enraptured Jain sculptures. The crouching figures within the niches stare out with ghostly eyes and thus create a mysterious atmosphere inside the temple.

Even today, the temple site of Ranakpur contains some of the most important examples of Jain architecture, and it has lost nothing of its original splendor.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

A mighty wall and a wide moat still surround large areas of the old town of Chiang Mai. Today, the moat that was once used to defend the city adds to the wonderful atmosphere of this historic town, and it is believed that around 90,000 men worked on the city's massive wall at the end of the 13th century.

The beauty of Chiang Mai can be seen in numerous temple sites, such as the Wat Doi Suthep Temple, the most important sanctuary in northern Thailand.

Just a few steps from the famous tourist shopping mile of San Khampaeng Road is one of the most beautiful temples in Chiang Mai. The true gem of the Wat Buakkhrok Luang is the magnificently furnished Viharn, the temple's assembly room that is constructed of teak.

The city's centuries-old sanctuaries testify to the impressive cultural wealth of Chiang Mai and highlight the unique artistic value of this beautiful and charming city that is quite rightly also known as "The Pearl of the North."</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Kilkenny is one of the most beautiful towns in the Republic of Ireland, and numerous historic buildings highlight the city's colorful past. Since the end of the 12th century, Kilkenny Castle, located close to the river Nore, has been the town's most prominent landmark.

In 1391, the castle was acquired by James Butler, 3rd Earl of Ormonde, head of the aristocratic family that influenced Kilkenny right up until the 20th century.

The city was founded by Saint Canice who, in the 6th century, had a monastery built close to the river Nore. By the time of the Anglo-Norman invasion of Ireland in 1169, four church communities existed here.

Located on Parliament Street, Rothe House dates back to 1594 and is another of the city's popular historic sights. Renovated in 1966, the building complex contains three houses that are grouped around three tranquil inner courtyards.

Kilkenny has retained its unique historic atmosphere right up to the present day and can thus justifiably be referred to as "The Jewel of the Irish Middle Ages."</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Located close to the coast, the former Taiwanese capital of Tainan is both historically and culturally one of the country's most fascinating cities.

Fort Provintia dates back to the time when the Dutch ruled the city.  In the 17th century, the fort was located on the waterfront, and in those days passing ships were strictly observed.

The Kuang Kung Temple is the tallest "war-god-temple" in Taiwan. The present buildings were built at the beginning of the 18th century, although the foundations were built much earlier.

Tainan also contains the oldest Confucian temple on the island. The sanctuary and its adjoining school were founded in 1665 and were gradually extended. The majority of the buildings date back to 1715 when the temple site, built according to unique Ming design, was further developed.

The fascinating cultural heritage of the historic city of Tainan is still very much alive today in its numerous temples, ancient monuments and magnificent works of art.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The mighty Olavinlinna Castle rises majestically above the picturesque lakeland scenery of Savonlinna in southern Finland, a former border region that was once the scene of many a bloody battle. The location of the fortress was well chosen, as for many centuries, the strategically-placed castle on the small granite island had to withstand attack from the Russian army.

Large sections of the castle have been extensively restored and transformed into two museums. The Castle Museum contains various finds that relate to the history of Olavinlinna. Unfortunately, none of the castle's original wooden furniture and fittings have survived, and several devastating fires destroyed much of the castle's internal décor in the 19th century. The Orthodox Museum contains a large number of icons and cult objects of the Russian Orthodox Church and highlights the cultural influence that the Russians had on the castle.

Each June, the Olavinlinna Courtyard is transformed into the main venue of the renowned Savonlinna Opera Festival. The festival is also famous beyond Finland and is one of the crowning highlights of Europe's summer festivals.

Thanks to its annual cultural events, Olavinlinna Castle is now a tranquil and historic setting for one and all.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures - History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The elegant tower of Storkyrkan Cathedral rises majestically above Gamla Stan, the old and historic district of Sweden's capital city of Stockholm. Storkyrkan, which means "The Great Church," is the oldest church in the Swedish metropolis.

The history of Stockholm's cathedral, which combines both Gothic and Baroque design, is closely associated with the Swedish royal family. With the exception of King Gustav V, each of Sweden's kings has been crowned here due to the ideal setting offered by this glorious building.

Storkyrkan was not only important to Sweden for its historic architecture and remarkable works of art, but it was also of much religious significance. It was from here that Swedish reformer Olaus Petri began to spread the Lutheran message across Sweden during the first half of the 16th century.

The cathedral also contains the oldest remaining historical portrayal of Stockholm. A strange phenomenon of light that once occurred in this city was also the subject of this painting, which dates back to 1535.

Storkyrkan is a religious building of much importance with regard to the development of the clerical world as well as to the history of Sweden.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Malta's past is reminiscent of the stormy sea waves that sometimes appear around the rock-covered coast of this small yet remarkable island located in the southern Mediterranean.

The Lower Barracca Gardens date back to British colonial times. In 1814, Malta became an official Colony of the British Crown just a few years after Napoleon's army had occupied the island. Following various wars, cruel sieges and brutal invasions the inhabitants of Malta decided to secure peace and order by becoming part of the British Empire.

The glamour of the Teatro Manoel is only exceeded by the former Grand Master's Palace that is now the official seat of the President and also home of the Parliament of the Maltese Republic.

Saint John's Co-Cathedral is one of the island's most prized cultural treasures. The magnificently equipped church that was built between 1573 and 1577 is regarded as being one of the most beautiful architectural creations of Gerolamo Cassar.

Although the Maltese knights of Valletta have now been assigned to the history books, their cultural heritage is still very much alive on this small yet fascinating Mediterranean island.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Situated in the small Finnish town of Kerimaki is the Kerimaen Kirkko. Close to the fascinating lake district of the Savonlinna region, the inhabitants of Kerimaki wanted to have a church that was a little different. At 45 metres long and 42 metres wide, Kerimaki Church is the largest timber-built Christian church in the world.

The building of the wooden church was the achievement of the entire church community, as each member of the local neighborhood took part in its construction.

The wooden pews can seat a congregation of more than 3,000. In fact it has been known to accommodate up to 5,000!

Along with the bell tower, the Kerimaen Kirkko creates a harmonious unity in a wonderful setting of trees and is justifiably Kerimaki's most spoken-about and fascinating landmark.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Around 420 kilometres from the Thai metropolis of Bangkok, in the far north of the central plains, is the legendary city of Si Satchanalai. Today, only sad ruins testify to the splendor of the former twin city and ancient capital of Sukhothai.

However, after Si Satchanalai had lain in ruins for many centuries, some areas of the city were restored by teams of dedicated archaeologists.

The city dates back to the 13th century, and at that time, Si Satchanalai was the official residence of the viceroy of Thailand's first important kingdom during the Sukhothai Period.

The Wat Chang Lom Temple is one of the most remarkable sanctuaries in the heart of the old city. The builder of this temple site was one of the most famous rulers of Sukhothai, King Ramkhamhaeng.

Close to the river banks of the Menam Yom is the great Laterite Prang that was originally built in early Khmer design and was later embellished with stucco work. This cult building is the most important attraction of the Wat Chao Chan.

Later, Si Satchanalai lost its political influence. Shortly after this, the people began to vacate their city, leaving not only their fine statues but also the place that they loved.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The massive Chittaurgarh Fortress, in the south of the Indian province of Rajasthan, has for many centuries been the epitome of legendary Rajput heroism. However, the Chittaurgarh Fortress did not enter the history books because of its glorious victories but due to its catastrophic military defeats.

It is believed that Ala-ud-din Khalji, the Sultan of Delhi, along with his mighty army, was the first to lay siege to the Chittaurgarh Fortress. Rather than face defeat in 1303, the men of the fortress, including their families, decided to commit suicide. Thus, the legend of the heroic and superhuman courage of the Rajputs was born. While the men attacked the enemy for the last time, the women chose to kill both themselves and their children by throwing themselves onto the Jauhar, a huge fire.

The many beautiful religious buildings of Chittaurgarh, such as the sensually decorated Meera Temple, are in stark contrast to the brutal history of the fortress.

Despite many battles, some sections of the Kalika Mata Temple have survived to the present day. The sanctuary dates back to the 7th century and is one of the fortress' oldest buildings.

The legend of the Rajputs, who retained their courage and pride even to the death, lives on.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Approximately 30 kilometres southeast of the Finnish city of Oulu is an architectural gem, the Muhoksen Kirkko, the oldest timber-built church in Finland. It dates back to 1634.

The canopy above the pulpit is decorated with a number of exceptional wooden sculptures. It is believed that these figures were manufactured in Germany and brought to the church during the Thirty Years' War. The pulpit was the work of Mikael Sigfridsson Balt, a gifted Finnish carpenter and sculptor of the late 17th century.

The pews of the rectangular church can accommodate a congregation of five hundred. The interior is dominated by a magnificent altarpiece created by Emanuel Granberg that dates back to 1778 and portrays a scene from the Old Testament of Moses and the brass serpent.

Due to a great deal of loving care, the Muhoksen Kirkko, in the parish of Muhos, is now a well-preserved jewel of historic Finnish architecture.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Although the exterior of the Longshan Temple may appear to be somewhat modest, the sanctuary is one of the most well-known architectural landmarks of the Taiwanese town of Lukang. Built in the 18th century, this Buddhist sanctuary on the San Min Road is not only the oldest temple in Lukang but also the oldest in the whole of Taiwan. Chinese settlers originally built it for their important goddess, Guan Yin, who led her followers to the island of Taiwan.

The strong September winds and the security of the local people in the old part of town gave rise to the unusual, winding layout of Chinseng Lane. Its many curves were designed to make it difficult for thieves to gain entrance to this part of town and also to reduce the severity of the treacherous winds.

In the heart of Lukang, the China of old still continues to thrive, and even today the former merchants' houses are a captivating sight. The highly developed skills of the former Chinese craftsmen are evident in many buildings of the old town, such as Gin Mern Hall.

Due to its wealth of historic buildings and also to its many flourishing arts and crafts, today Lukang is one of the most fascinating towns in Taiwan.</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The inhabitants of the Lofots situated in the high north of Europe have made their mark on these islands right up to the present day and have established various wonderful communities such as the picturesque village of Nusfjord, a fishing village that has retained all of its original charm. The village is equivalent to an open-air museum and has become one of the most famous tourist attractions of the Lofot Islands.

For more than a thousand years, cod has been the most important commodity for this northern archipelago, and even the legendary Vikings appreciated the once fish-filled waters of the Lofots. Many villages still display long rows of fish that are hung out to dry in the salty sea air and are a tasty specialty of this region.

Today, there are a total of around two thousand fishermen on the Lofot Islands, men who continue to work in the thousand-year-old cod fishing industry of this remote region.

Here, nature dominates all, and it is well worthwhile to follow the history of these island settlements and to explore picturesque fishing villages such as that of Nusfjord.</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Between the Gulf of Aqaba and the Dead Sea, close to Wadi Musa, the "Valley of Moses" in the heart of Jordan and hidden beyond near-impenetrable mountains, is the fascinating and mysterious ancient city of Petra. Its strategic location at the junction of six important caravan routes, including the famous Incense Road, brought much prosperity to the city.

The almost two-kilometre-long Siq follows the dried-out riverbed of the Musa, whose course was redirected by the Nabataeans in order to protect their capital from dangerous flood waters. A canal that follows the Siq, around two metres above ground, is a fine technical masterpiece that was also created by the Nabataeans. There are only two routes that lead to the rocky city of Petra, a narrow mountain pass in the northwest, and the sometimes 200-metre-deep Siq Gorge to the east.

It is believed that the Treasury, carved out of solid rock walls, was built in the first century BC. It is the main landmark of the ancient Nabataean metropolis. Six splendid columns form the lower part of the atrium that, in common with most of the architecture here, has been exceptionally well preserved.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The founding and name of the city of Vaasa date back to the Swedish King Charles IX, even though today the city is part of Finland.

The city has always been an important centre of education. Indeed, Vaasa was the first city in Finland to possess a library.

The main goal of the Bragegarden, an open-air museum, was to create and preserve a typical East Bothnian farming community. It contains a total of twenty-three buildings, some of which are not associated with agriculture, as fishing also played an important role in the lives of the coastal population of this region.

Fortunately, due to the museum, Vaasa has been able to preserve much of the Finnish-Swedish farm culture of past centuries.</marc:subfield>
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The history of the ancient and charming harbor town of Bergen, Norway's "secret" capital city, began in the 11th century, during the rule of King Olav Kyrre.

One of the city's most important 20th century buildings is the train station that was inaugurated in 1907. The Stasjon is a captivating reminder of times gone by, and its trains travel along one of the most picturesque railway routes in Europe.

Bergen's main tourist attraction is the Bryggen district that originated in the middle of the 14th century when it was heavily influenced by the North German Hanseatic Office. German traders were attracted by the prosperous city and so had a permanent administrative headquarters built.

The city not only boasts a fascinating history but also a number of music festivals. World famous composer Edvard Hagerup Grieg was born in Bergen in 1843. Indeed, each year the city holds a music festival in his honor with various concerts, ballets and theatrical performances.

The inhabitants of Norway's "secret" capital city continue to care for and respect their historic cultural inheritance right up to the present day.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Around 150 kilometres south of the Syrian capital of Damascus, and located amid the fertile Nuqra Plains, lie the ruins of Bosra. The rural atmosphere of the surrounding landscape can also be felt within the ancient city, as sheep and goats graze between the ruins that hark back to various epochs.

The Bahira Basilica is a legendary place. According to legend, it was here that the monk Sergius introduced the prophet Mohammed to Christianity and described to him his divine mission.

Both architectural and historical examples of the Roman Empire, such as the Southern Thermes, still cover large areas of the ancient city. The well-preserved remains of Bosra's 2nd-century Well House, the Nymphäum, still provide a good insight into the fine setting given to it by the Romans.

A 900-metre-long street was once the main axis of the city that, at its zenith, had around 80,000 inhabitants. Today, the ancient metropolis has a population of around 1000, and they earn their living from tourism, agriculture and livestock.

Its unique combination of numerous historic and cultural epochs continues to make this Syrian city a most worthwhile and fascinating destination.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Turku is the birthplace of Finnish culture. Its success story began in 1229 when it became a bishop's seat, and the Swedish king had a fortress built to protect the city and also to control the power of the Church.

Finland was a Swedish province until 1809. Due to its strategic location, the city of Turku played an important role. A total of 13 Swedish kings resided in the city at various times during their visits to the south of Finland, and they were well protected by the high towers and mighty walls of its fortress.

In 1809, the Danes attacked and plundered various regions of Turku and laid siege to its cathedral for five days, and in the 18th century the army of the Russian tsar also ravaged the city.

Turku is often referred to as the birthplace of Finnish culture, and its historic buildings most certainly provide a fascinating insight into its colorful past.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Umm Ar-Rasas, the Kastron Mefa'a of antiquity, is one of the most mysterious archaeological sites in Jordan. Today this ancient settlement is tantamount to a field of ruins.

Kastron Mefa'a is divided into three sections. In the northern area is one of the few buildings that has managed to survive in reasonable condition, and even now it is unknown how many treasures still lie undiscovered.

With the decline of the Roman Empire, this military outpost on the edge of the desert was abandoned. Between the 4th and 6th centuries AD, there were many eremites, men who lived an ascetic life, in this region. They were honored as mediators between heaven and earth.

Over the years the buildings here served many purposes, and several Bedouin families lived in the ancient ruins right up to the beginning of the twentieth century.

The ruins of Umm Ar-Rasas, formerly Kastron Mefa'a, provide a fascinating insight into a once forgotten part of Jordan's history that lay hidden beneath the desert sand.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The magical and fairytale city of Jaisalmer, in the North Indian province of Rajasthan, is like something from the One Thousand and One Nights. The construction of the mighty fortress and subsequent creation of the city under Rajputen monarch Jaisal took place in 1155.

Today, the strongly fortified Jaisalmer Fort is entered by a total of three mighty gates that date back to the 16th century. The impressive Jain sanctuaries within the palace were partly built in the 15th century before the golden age of the Jaisalmers. Four Jain sanctuaries lead almost directly into each other, so at first sight they look like a single large temple complex.

Beyond the city walls are many interesting sights. On one side is the splendid Thar Desert, and on the other are the traces of the region's former monarchy. Tombs and many magnificent cenotaphs that are decorated mainly with heroic motifs adorn the barren landscape.

Festively adorned camels are a reminder of the colorful era of the caravan trains that once traversed the Thar Desert and helped to create the city's wealth.

Today, Jaisalmer continues to be a magical and mystical city, and in the centre of the Thar Desert the glittering dream of the One Thousand and One Nights is still very much alive!</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Stone Town is one of the oldest districts in the city of Zanzibar, East Africa's oldest town that is still inhabited today.

In addition to beautiful windows, it is the city's richly decorated doors that have become a unique feature of Zanzibar's architecture. The colorful spirit of the city can be experienced in the many labyrinthine markets that bring Stone Town to life. The chaos, excitement and hectic pace of the fruit and vegetable markets is a real feast for the senses.

Up until the end of the 19th century, Zanzibar's central slave market was held on the site of today's Anglican Church. A fascinating group of sculptures recalls this dark and cruel chapter of the island's history, a highly profitable business that was controlled by the Arabian upper classes.

Following the revolution of 1964, the Sultan's Palace was also transformed, and today it is the People's Palace and is open to the public. It contains a museum that provides a fascinating insight into the opulent lifestyle of the sultan's court.

Stone Town's days usually come to their most beautiful climax when the fishing boats return to the harbor and the setting sun fills the sky with a kaleidoscopic array of magnificent colors.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Just 14 kilometres from Turku is the small, picturesque city of Naantali, which is often referred to as Finland's "Summer City." Its origins, as well as the name Naantali, are closely connected with a Birgitten monastery that was founded in 1443. Shortly after the creation of the monastery community of monks and nuns, a settlement originated close by.

For some years, the inhabitants of this small city led a relatively frugal life, as when the monastery ended, so did the income that was derived from it. Naantali's second financial high season came in the 18th century when a professor discovered the healing power of the local spring water. The water of the Viluluoto Spring was thought to have miraculous powers, and soon Naantali grew into a famous health resort.

The picturesque buildings in the city's historic centre have been lovingly restored. Most of them date back to the 18th and 19th centuries. In those days, many of the buildings were farm houses, as their owners earned their living from the land.

There is a fascinating abundance of arts and crafts on sale in the many shops that are to be found in the atmospheric lanes of the old town.

It is understandable why Naantali is known as Finland's "Summer City" and as a treasure trove of medieval history.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Damascus is one of the most fascinating cities in the Orient, and its colorful history is still very much apparent in its magnificent palaces.

Today, an impressive statue serves as a reminder of the city's famous monarch, Saladin. In the 12th century he did much to improve the city.

A walk through the historic centre of Damascus is like a journey through more than 2,000 years of oriental history. In contrast to many other cities in the Near and Middle East, most of the original buildings within the old town have survived the test of time.

The city's strategic location at the junction of several important caravan routes gave rise to a large number of fortified inns or "caravansaries" such as the Khan As'ad Pasha Al Azem.

The Omayyad Mosque was for many years the largest and most revered in the Islamic world, and the splendid furnishings of its interior make this building a veritable treasure trove.

The historic splendor of Syria's remarkable capital city really is like a paradise on earth.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The ruins of the Crusader castles of Jordan serve as a reminder of the bloody battles that once took place between the Christians and Muslims and that shook the Near East at a time in history known as The Crusades.

Around four kilometres from the small town of Ajlun is Jordan's sole surviving castle, Qalaat Ar-Rabad. It was designed to protect the pilgrims who were on their way to Mecca but was also a symbol of military power aimed well and truly at the Crusaders.

The year 1115 marked not only the victory of the Crusaders at the Battle of Tell Danit but also the beginning of Shoubak's construction. After a siege that lasted eighteen months, Shoubak fell in 1189 to Ayyubid. Shortly afterwards, it was enlarged by the Mamluks, and in the 19th century the Ottomans moved into the fortress.

The most famous of the Crusader castles is situated in the city of Kerak, around 20 kilometres southeast of the southernmost extremity of the Dead Sea. The fortress had great strategic importance, as those who controlled Al Kerak also controlled large areas of Palestine and an area that extended to the southern section of the Dead Sea.

Almost 100 years after the conquest of the fortress, the last French outposts in the Near East were also abandoned, and today it is only the mighty and impressive ruins of the Crusaders that have survived, an atmospheric reminder of a glorious and colorful past.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

North of Laos' capital of Vientiane and on the banks of the legendary Mekong River is one of the country's most impressive historic cities, Luang Prabang.

In contrast to many other metropolises in South East Asia, the former king's residence of Luang Prabang has retained its pre-colonial appearance. A seemingly endless number of temples and monastery complexes that are of great historical significance attract hordes of visitors each day.

Thirty-five monasteries accommodate around seven hundred monks and a thousand novices; they and the city's many splendid temples highlight the deep religious faith that determines the everyday life of Luang Prabang.

The inhabitants of Laos are made up of a combination of several mountain tribes, yet despite their differences they live together in harmony and perform their centuries-old dances to the sound of traditional music, their performances filling the city streets with life.

Luang Prabang, the unique former king's residence on the banks of the legendary Mekong River, has most assuredly managed to retain its remarkable architectural, artistic and religious splendor right up to the present day.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Located in Finland, Rauma's most striking feature is its well-preserved and picturesque old town that features a total of no less than 600 historic buildings.

Some of the wooden buildings are still inhabited, while others have been fully restored and have been transformed into various retail shops. Covering an area of 30 hectares, Rauma's remarkable old buildings invoke the captivating atmosphere of a lost age. The city's ambience is augmented by its many other facets. Cafés, art galleries and boutiques fill the streets with life! No other city in Scandinavia contains an old town that compares with the historic and romantic splendor of Rauma.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Set within the Black Hills in the state of South Dakota is one of the most famous landmarks in the USA, the Mount Rushmore National Memorial. Four monumental portraits of the most famous American presidents have been carved into the granite and symbolize a kind of spectacular tribute to democracy.

Since their unveiling in 1941, the huge faces of George Washington, Thomas Jefferson, Theodore Roosevelt and Abraham Lincoln have created a good deal of interest. The area around Mount Rushmore is also most striking, as the Black Hills mountain range is a masterpiece of nature.

Twenty-five kilometers southwest of Mount Rushmore is another stone image that towers up from the landscape, the Crazy Horse Memorial. Created in 1947, it commemorates the famous chief of the Oglala Lakota, a Native American tribe. Its dimensions are even larger than those of Mount Rushmore, and when completed it will be 195 metres long and 172 metres high!

But the Mount Rushmore area is far more than just a symbol of American history. It is also steeped in the rich culture and traditions of North America's native Indians.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Located in the northeast of Laos, Phonsavan is the starting point of a journey to one of the country's most mysterious archaeological discoveries.

On our journey to the archaeological excavation site, which is situated eight kilometres southwest of Phonsavan, a simple monastery is a reminder of the poverty that is rife in the region.

At first, it looks as though several rocks are towering up into the sky, but they are actually the legendary "Jars," hundreds of huge stone jars that cover an area of 25 hectares.

A short journey separates the first archaeological site of the Plain of Jars from the second that is close to Ban Lat Sen.

Most of the present knowledge of the Jars was due to the work of French archaeologist Madeleine Colani, who came here in the 1930's. She believed that the mysterious jars were created by an unknown civilization that lived in the region during the first century BC.

The Plain of Jars has managed to keep its secrets right up until the present day and remains one of the most mysterious historic discoveries in Laos.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Sturdy walls and gates protect the ancient historic city of Aleppo in Syria. The narrow lanes and many historic buildings in the old town have retained all the character and charm of a medieval metropolis. The city has a flourishing economy, which is mainly due to its favorable location at the junction of several important trading routes.

In 1169, the Umayyade Mosque was rebuilt at the command of the Zengid monarch Nureddin, but only its impressive 45-metre-high minaret has survived to the present day.

The Baits are true architectural gems of the 17th and 18th centuries, noble and often palatial-looking buildings that once belonged to the city's elite classes.

Today, Aleppo shines out once again in the glory of its 6000 years of history and continues to highlight its unique significance as one of the most important cities in the Orient.</marc:subfield>
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            <marc:subfield code="z">Excerpt Links</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
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        <marc:controlfield tag="001">GTR-DVD-1250</marc:controlfield>
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            <marc:subfield code="a">Global Treasures: Uspenski Cathedral (NTSC) ( 09 min., 31 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In the heart of Finland's capital city of Helsinki is the proud and majestic Uspenski Cathedral, the largest Orthodox church in western Europe. The red brick building is an impressive architectural symbol of the relationship that once existed between Finland and the Russian Empire.

With its total of 13 golden cupolas that signify dramatic flames, Uspenski Cathedral is highly reminiscent of traditional Russian church design.

Many thousands of the bricks used for the construction of Uspenski were salvaged from another building. The dismantling of the Bomarsund Fortress provided the church with economical building material.

Uspenski Cathedral is one of the most important buildings in Helsinki and is also a magnificent symbol of Finland's dramatic religious history.</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1250</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Around 70 kilometres west of the Libyan capital of Tripoli are the remnants of a city that has been in ruins since ancient times. As with Oea and Leptis Magna, Sabratha was one of the last large trading cities of the former Tripolitania.

A reconstructed theatre that could accommodate an audience of 5000 is the ancient city's most impressive building and dates back to the 2nd century BC. It was built by the Romans, whose cultural influence on Sabratha lasted for several centuries.

Several baths, among them the thermal salt water baths on the coast, give an insight into the high living standards of the city's former inhabitants. Trade with the farmers of the surrounding region helped to make life in the town extremely pleasant.

In the 7th century AD, the city was conquered by the Arabs. However, they selected another Tripolitanian metropolis as their capital city. Thus, the once-glorious Sabratha fell into decay and lay forgotten for several centuries.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1251</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

On the banks of the Porvoonjoki River around 50 kilometres east of the Finnish metropolis of Helsinki is the picturesque town of Porvoo. The origin of today's bishop's town dates back to 1346, and after Turku it is the second oldest town in Finland.

Porvoo was located on one of Scandinavia's most important trading routes, the historic King's Road, which became a pawn in the hands of the great powers.

In 1760, a devastating fire reduced the town to ashes. Unfortunately, only a few buildings survived the catastrophe. However, the historic centre of Porvoo, with its charming old buildings, has managed to maintain much of its original atmosphere.

Porvoo's oldest building dates back to the 16th century, yet the town's other buildings more than compensate for their lack of age by way of their pretty floral decorations.

The idyllic, narrow lanes and shopping streets as well as the colorful buildings form a unique ensemble that is truly unforgettable. Porvoo is rightfully described as a Finnish treasure trove of mediaeval architecture!</marc:subfield>
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        <marc:datafield tag="700" ind1="1" ind2=" ">
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/GTR-DVD-1252.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1252</marc:subfield>
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        <marc:datafield tag="856" ind1="4" ind2="2">
            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1252</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The north of Syria is well-known for its remarkable archaeology. In the 2nd and 3rd centuries BC, the Near East was ruled by the Seleucid Empire. The origin of the ancient city of Apameia dates back to the time of the founder of this empire, Seleucus I, a general who served under Alexander the Great.

Although the surrounding fields are now covered with huge boulders, this was once the location of the largest city in the Orient, yet almost nothing remains of the former city of Apameia.

The former wealth and power of Apameia is reflected by its impressive 1.8-kilometre-long colonnade. The street points precisely in a north-south direction and measures 37.5 metres wide. It was, and still is, the backbone of this ancient city, and around 400 columns have been rebuilt. According to various inscriptions, the colonnade originated at the beginning of the first century AD.

Following a catastrophic earthquake in the 12th century and various battles for power, the city was finally abandoned. Only the impressive colonnade now demonstrates the former influence and greatness of this legendary ancient city. Thus, some of the glory of Apameia lives on!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Around 120 kilometres east of Libya's capital city of Tripoli is one of the most fascinating ruins of antiquity, the legendary city of Leptis Magna. This extraordinary metropolis was the first of three Phoenician cities that were founded in what later became known as Tripolitania.

In addition to its trade in olive oil and various other agricultural products, the city owed much of its wealth to a uniquely exotic export. In those days, wild animals, such as the lion and elephant, were shipped to Leptis Magna from Africa and distributed to various Roman cities. These creatures formed the main attraction for the Roman's bloody entertainments and thus were highly prized, and so the city's wealth went from strength to strength.

Alas, only the many impressive remains of its once glorious buildings, such as a magnificent theatre, indicate the former greatness and power of the ancient city.

Leptis Magna is one of the most important and striking archaeological sites of antiquity, a place full of history and mystique and surrounded by scenic splendor.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Northern Jordan contains many magnificent historic locations including that of Gerasa, today's Jerash, which is one of the most well-preserved metropolises of ancient Rome.

Jerash had its economic and cultural high season in the 1st century AD while under Roman rule. Situated on a small hill, the Temple Of Zeus was built in the years 162 and 163 AD.

The town developed quickly within the union of the Greek Decapolis, a federation of 10 important ancient cities in the Near East, and profited from the agriculture of the surrounding area and from ore mining in the nearby Aljun Mountains. This financial success gave rise to the city's large building projects, particularly in the second century AD.

A further remarkable feature of the architecture in Jerash is the wide and 800-metre-long cardo maximus, once the city's main street. It was originally flanked by columns, 500 of which have survived.

Directly south of the Temple of Artemis are the remains of the Sankt Theodor Church, which has the three-aisled ground plan of a basilica and dates back to the 5th century.

At the beginning of the 19th century, Jerash was rediscovered by archaeologists. The 20th century brought with it new excavations that have since returned this amazing ancient city into the full light of day.</marc:subfield>
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            <marc:subfield code="a">Global Treasures: Cesky Krumlov (NTSC) ( 09 min., 31 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Today, Cesky Krumlov is a lively town and one of the most beautiful in the Czech Republic. Although the history of the settlement in this area dates back to the Bronze Age, the high season of Bohemian Krummau can be traced back to the Middle Ages. At that time, the Germans, as well as the Czechs, influenced the cultural and social life of the charming old town.

The magnificence of the local architecture is all around and brings to life the glorious ambience of bygone times. The mighty cylindrical tower of &amp;#x010C;eský Krumlov Castle has surveyed the town since the end of the 16th century and is typical of Bohemian Krummau architecture.

In those days, the lords of the castle kept bears within the castle's large moat, and even now they continue to be a special and somewhat unusual attraction.

The interior of the town's Renaissance castle highlights the wealth of its former noble inhabitants and contains the famous Golden Eggenberg Carriage.

Each evening, the town's centuries-old buildings gleam romantically in the evening light while large quantities of world-famous Bohemian beer are enjoyed in the local hostelries.

Cesky Krumlov, a historic and living work of art!</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1256</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

North of Vienna is a place where the sky meets with the earth. For almost 900 years, the Stift Klosterneuburg Monastery has had a special relationship in the spiritual, sacred and cultural life of Austria. Its architecture dates back to the Baroque era and the rule of Emperor Charles VI.

In the 12th century, church architecture was based upon Italian design. At that time, a castle was also built at this location for the sponsor of the monastery, Leopold III. In addition to its fine sacred architecture, the Stift Klosterneuburg enchants due to its worldly side that can be seen in the emperor's private rooms, which demonstrate the luxurious lifestyle of the Habsburgs, whose influence was at its zenith during the reign of Charles VI.

The monastery's most valuable possession and also one of the most impressive works of art of the Middle Ages is the Verduner Altar, which was named after the artist, Nicholas of Verdun, and was completed in 1181.

The large quantity of precious works of religious art and fascinating historic objects that date from the Habsburg Dynasty underline the feeling that the Stift Klosterneuburg is indeed a place where the sky meets with the earth!</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1257</marc:subfield>
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            <marc:subfield code="a">Global Treasures: Suomenlinna (NTSC) ( 09 min., 31 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Scattered across a number of islands just beyond the capital city of Helsinki is one of the most famous and important architectural monuments in Finland, Suomenlinna, a mighty fortress that was built by the Swedes. Up until the beginning of the 19th century, Finland was part of Sweden.

The Crimean War saw the first modern static warfare in history. In 1855, the war extended to the northeast of Europe, and a number of British-French ships fired on the fortress for three days. More than 20,000 shots were fired from 1,000 allied ordinances. The Suomenlinna Islands suffered terribly, and more than half its buildings and military complexes were destroyed.

During the subsequent Finnish War of Independence, a prison was built on one of the islands. After centuries of foreign rule and political turmoil within its neighboring country, Finland earned its much-longed-for independence. A tomb in the inner courtyard of the main complex is a reminder of the architect who created the remarkable fortress, August Ehrensvärd.

The Suomenlinna fortress buildings are now one of the most visited historical monuments in the Helsinki region.</marc:subfield>
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        </marc:datafield>
        <marc:datafield tag="856" ind1="4" ind2="2">
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Jordan Desert contains several mysterious ruins, including the legendary remains of the ancient castles of the Umayyad Monarchy.

Qasr Al Mushatta is the largest of the Umayyad castles, although it gradually fell into ruins and much of it was used elsewhere as building material. No other desert castle was built with such megalomania, and it was designed as the winter palace of Caliph Walid II.

Paved roads have now replaced the former caravan routes. Close to the southern Azraq Amman Road is the quadrate castle of Qasr El Kharaneh. This fortress-like building is one of the most well-preserved desert castles of the Umayyad, and its massive external walls and corner towers give it an awesome appearance.

The small bathing castle of Qusair Amra is one of the most beautiful castles in Jordan.

Its bathing house uniquely highlights the abundant luxury enjoyed by the former monarchs of the desert. The castle features a number of magnificent and well-known wall paintings that depict various bathing and hunting scenes. Today the happy-go-lucky nature of the Umayyad monarchy seems to be far removed from Islam. Indeed, some of the scenes are of a sensual nature.

The castles of the Umayyad desert: history, atmosphere and romance!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The ruins of the ancient city of Palmyra rise up into the desert sky of Syria. The Hadrian Gate was built in the 2nd century AD and highlights the glorious past of this once important trading metropolis in the Near East.

Flanked by columns, a majestic 1200-metre-long avenue was once Palmyra's main street. Along with many of the city's other buildings, it also has an impressive theatre that dates back to the 2nd century AD and was discovered in the 1950's. For some years it has once again served as a place of entertainment, as each spring it features a festival.

Close to the Agora, once a farmer's market, is Palmyra's striking main landmark, the Tetrapylon. It forms the junction between the main avenue and a side road that leads to the city's necropolis.

The subterranean Hypogeum of the Three Brothers contains almost 400 burial corridors and numerous artistic sculptures and frescos.

From the 7th century AD, the magnificent trading metropolis gradually fell into decline and was almost completely wiped from the map. Thankfully however, today the atmospheric ruins serve as a reminder of Palmyra's glorious past.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=GTR-DVD-1260</marc:subfield>
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            <marc:subfield code="a">Seoul, the capital of South Korea, boasts one of the country's most important and splendid historic landmarks, the majestic Changdeokgung Palace that was once the private domain of the Korean royal family which, along with the older Gyeongbokgung Palace, was the centre of power of the legendary Joseon Dynasty.

The palace area consists of three sections, administrative, residential and parkland, and although most of what can be seen today is not the original, the character of the palace has been faithfully restored.

Beyond the entrance to Huwon, the "Secret Garden," is an enchanting, idyllic world that contains several small pagodas and pavilions. Indeed, the peaceful remoteness of the Huwon makes it easy to forget that it is situated within the huge and bustling metropolis of Seoul.

The strong sense of tradition of the South Korean people and their rich, historic legacy are most certainly reflected by the magnificent buildings of the Changdeokgung.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Smoke from numerous sacrificial stoves fill the streets and squares of the Tibetan capital of Lhasa in the Trans-Himalayan Mountains. This "City of the Gods" well deserves its lofty reputation. Its not only the political, cultural and economic centre of Tibet, but also its religious heart.

Barkhor Road is 800 metres long and encircles the Jokhang Temple, as well as nearby Tsuklakhang Square. The aroma of juniper rises from the sacrificial stoves placed along the sacred road. Traditional prayer flags billow in the breeze.

Jokhang Temple has a mystic atmosphere and contains many images of daily religious life in Lhasa. It was built as a shrine for a unique Buddha statue.

The temple is still, more than 1300 years after its foundation, a much-worshipped national sanctuary, as well as a vibrant centre of Buddhism in Tibet and the revered home of the Dalai Lama.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/GTR-DVD-1262</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Hwaseong Fortress is the most famous historic site in South Korea, and the centre of Suwon, a city with a population of around a million, is dominated by the impressive-looking fortress. The 22nd monarch of the Joseon Dynasty, King Jeongjo, ordered the construction of the complex in 1794.

It is like a large open air museum and measures 130 hectares, its walls extending for five kilometres. Indeed, the unique value of the fortress has been recognized by UNESCO, who have designated it as a World Heritage Site.

A walk through the fortress could take several hours, but it is well worth making the time to enjoy the splendor of the buildings.

The majestic towers of Hwaseong Fortress continue to rise proudly into the sky above Suwon as a noble landmark of the city and also the Joseon Dynasty.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

At first sight, the area around the Victoria Terminus is like one of London's typical historic squares, due to the many double-decker buses that can be seen. However, the chaotic hustle and bustle of the streets does not seem to be quite right. That is because this railway station is not in fact located in England, but in India!

The monumental building is one of the most impressive examples of Victorian Gothic architecture on the Indian subcontinent, and from the initial planning stage it took ten years to build the station that is today called Chhatrapati Shivaji.

The station's design gained much inspiration from London's St. Pancras Railway Station, which had been completed in 1868.

While for most passengers tremendous hustle and bustle tends to get in the way of any architectural appreciation of the Victoria Terminus, it is certain that for many years to come it will remain one of India's most important and fascinating railway stations.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Proud and mighty, Dzong, the fortress of the former monarch of the region, rises above Gyangtse, the third-largest city in Tibet. The fortress once accommodated the governor of the district and was the region's administrative centre. Despite certain obligations, the Dzong monarch was relatively independent and was permitted to rule this region and its inhabitants.

Of Tibet's original 16 monasteries, only two survived China's Cultural Revolution, and particularly well-known is the Sakyapa Academy Monastery.

One of the biggest monuments in Tibetan architecture is the unique Kumbum Chörten, a three-dimensional mandala that can be entered. Eyes decorate the upper part of the stupa. When following the traditional ritual walk through the Kumbum Chörten, one passes symbolically through the entire Buddhist journey of salvation and into Nirvana. The journey begins on the lowest level with simple deities and then follows the entire Pantheon of Tibet, immortalized by both sculptures and wall paintings.

Today in the old Tibetan trading town of Gyangtse, "all-seeing eyes of Buddha" continue to watch over the Kumbum, as well as the welfare of the faithful.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

No other building demonstrates the power of the great Joseon Dynasty more impressively than does the Gyeongbokgung Palace in Seoul. The palace is a place of calm amid the hustle and bustle of South Korea's capital city. Yet the history of the Gyeongbokgung, meaning Palace of Happiness, was quite often far from being a place of peace and contentment, as it suffered many devastating fires caused by the Japanese. Fortunately, most of the palace buildings have now been completely rebuilt.

A total of 330 buildings were reconstructed within the 40-hectare area of the palace grounds, and the palace architects managed to unite Chinese influence with traditional Joseon architecture in a most harmonious way.

The Gyeongbokgung continues to attract sightseers, as it is without a doubt a fine example of the architecture of the Joseon Dynasty.</marc:subfield>
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            <marc:subfield code="a">Situated in India's federal state of Uttar Pradesh and with a population of several million, the former Banaras is the most important of the seven holy cities of the Hindu faith.

Ten kilometres northeast is the village of Sarnath, which for Buddhists is as important as Banaras is for the Hindus and is often referred to as the birthplace of Buddhism. It is believed that Buddha delivered his first sermon there following his enlightenment.

In Banaras, the fascinating hustle and bustle on the Ganga, which is what the Indian people call the river Ganges, begins at dawn. Masses of pilgrims from all over India travel to the ghats, the holy bathing places of the Hindus, where they wash their sins away with the waters of the Ganges. Over a space of six kilometers, the river is flanked by more than ninety ghats, temples and various other religious buildings.

Banaras, India's holy city, is today not only a symbol of religious faith but also the home of many colorful and atmospheric Hindu rituals.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Ten kilometers west of Lhasa is one of the most important monasteries in Tibet. A pilgrimage trail leads up to Drepung, which was built in 1416 by a follower of Tsongkhapa, founder of the Gelug Order, which is the earliest of the four main doctrines of Tibetan Buddhism.

The route to the monastery is quite arduous, as at an altitude of 5,600 metres the air is very thin. Along the way there are various colorful rock illustrations that give a foretaste of the Drepung Monastery.

Drepung was once the richest monastery in the whole of Tibet, and even with the country's troubled history, the monastery buildings are still very impressive. Fortunately, the complex was only slightly damaged during the Cultural Revolution, thus the throne of the Dalai Lama has remained intact.

The Cultural Revolution brought about much social change, and most of the monks escaped and sought exile abroad.

Thankfully, despite the political situation in Tibet, the monastery complex of Drepung still shines out in all of its glory.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

This idyllic sanctuary of Chongmyo (or Jongmyo) in the heart of the South Korean capital of Seoul, is a place of peaceful meditation, and for almost the entire year the ancient shrine is deserted, its buildings and courtyards silent, little indicating the unique importance of this sacred building.

Jongmyo was built in 1395 as an ancestral shrine in order to commemorate the spirits of the deceased kings and queens of the Joseon Dynasty.

Great festivities once took place in Jongmyo, and today the sanctuary often fills with life. Each first Sunday in May is set aside for a regal ceremony of ancestral worship. It is then that the shrines and their ancestral plates become the centre of dignified festivities.

As in days of old, in the Hall of Eternal Peace the deceased Korean monarchs of the Joseon Dynasty are entertained with music and sacrifices.

Although the Joseon Dynasty hasn't ruled here for more than a century, the traditions and rituals of Jongmyo continue to play an important role in the cultural life of the Korean people.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Bhubaneswar boasts many magnificent buildings. The capital of the Indian province of Odisha is well known for its fine Hindu temples and for several years has been a popular destination for both tourists and pilgrims.

At one time, the ancient Bhubaneswar featured 7000 sanctuaries and was known as the Temple City of India. Five hundred temples have survived.

The highlight of the year is a special celebration when a precious illustration of Shiva is brought from the nearby Lingaraj Temple to a water pool. The ritual bathing of the main Shiva deity is accompanied by many pilgrims.

The main deity of the Vaital-Deul Temple is a frightening, eight-armed Chamunda. Historians and archaeologists believe from the images within the sanctuary that Tantra rituals and even human sacrifice once took place.

The classical temple dance of Odisha and Bhubaneswar is the Odissi. There's no doubt about it, Bhubaneswar is the perfect setting for a Hindu temple dance!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The mighty Potala is one of the most amazing palaces in Asia and is located high above the Tibetan capital of Lhasa. It is the former winter residence of the Dalai Lama and is situated on Mount Marpo Ri, "Red Mountain."

Since the exile of the fourteenth Dalai Lama in 1959, the palace has not been lived in and today is more like a museum. The 13 floors of the palace complex measure 350 metres long and 117 metres high. It consists of two sections, the White Palace and the Red Palace, whose central area was mainly used for religious ceremonies.

The Dalai Lama's winter residence is situated higher than any other palace in the world, and for those who have walked the arduous ascent to the top, a fascinating insight into the past life of this revered religious leader awaits.

Fortunately, Potala is one of the few cultural monuments in Tibet that has survived China's Cultural Revolution unscathed. Yet despite the politics that engulf it, the magnificent Potala Palace is still a remarkable symbol of religious authority.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Surrounded by the wonderful wilderness of Gaya Mountain is one of the most beautiful temple complexes in South Korea, the Haeinsa Temple. Indeed, the unique value of the Haeinsa Temple and its many treasures has now been recognized by UNESCO, who have designated it as a World Heritage Site.

The most precious treasure of the sanctuary is located in a special section of the complex. The Tripitaka Koreana is the largest, oldest and most well-preserved collection of Buddhist text in the whole of East Asia, and for several centuries its 80,000 wooden printing plates have been stored in the temple complex.

Traditional drum ceremonies play an important part in the daily life of Haeinsa's religious community, and it is more than likely that the resonance of the drums will always fill the most famous Buddhist sanctuary in South Korea with their historic sounds.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

With its population of 45,000, the city of Shigatse is not only Tibet's second-largest city and administrative centre for the south of the country, it also boasts one of the most beautiful monastery districts in the Himalayas.

The Tashilhunpo Monastery, the "Mountain of Blessing," is situated at the western end of the city, which lies at an altitude of 3900 metres above sea level and is closely associated with the second most important spiritual heads of Tibet, the Panchen Lamas.

The sight of the faithful who walk with their prayer mills around the monastery complex is quite an experience for most Westerners who come here, and despite the severe political climate of the recent past, the significance of Tashilhunpo for the Tibetan people remains just as strong today as it has always been.

Shigatse and the historic Tashilunpo Monastery will no doubt attract great hordes of pilgrims for many years to come.</marc:subfield>
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        <marc:controlfield tag="001">GTR-DVD-1274</marc:controlfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

From the Gateway of India, the main landmark of India's metropolis of Mumbai, formerly Bombay, numerous ferry boats embark to Elephanta Island.

The peaceful, mostly wooded island measures around five square kilometres and is a UNESCO World Heritage Site. The exact origin of the cave temples of Elephanta Island is unknown, but it is believed that the main cave dates back to the 8th century. The first thing that catches the eye are several mighty columns that stand outside the temple's forty-metre-long hall.

The magnificent sculptures and artistic stonemasonry of the rock temples are among the highlights of early Hindu art, and it is the fascinating interplay of natural beauty and mysterious ruins that creates the unique charm of these unusual religious sanctuaries.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Centuries-old statues lead the way to a charming and historic region close to the former Korean capital of Gyeongju, where the mysterious hill tombs of Gwaelung are located.

Tumuli Park is one of the most mysterious places in the Gyeongju region, and the grass-covered hills that rise from the landscape are the royal tombs of the Silla epoch. Containing several buildings, the National Museum in Gyeongju boasts one of the finest collections of Korean works of art.

Most of the archaeological finds were made in various royal tombs, and due to the large number of exhibits, the museum has had to be enlarged. A little off the main tourist route is the sanctuary of Baeri Samjon-Seokbul that dates back to the high season of the Silla epoch.

Many ancient legends tell of the origin of the impressive tomb area of Oreung, in the south of Gyeongju, where the modest tomb hills give the park a dignified atmosphere. Today, Gyeongju protects many of South Korea's cultural treasures for future generations.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Around seven kilometres west of Lhasa's city centre and set within a huge park is the former summer residence of the Dalai Lama.

The Norbulingka, or Jeweled Park, was abandoned in 1959 when the last Dalai Lama made his escape to exile. The occupation and annexation of Tibet by China forced its spiritual and political leader to leave his homeland in the Himalayas.

Adding to the splendid buildings and gardens of his predecessor, the eighth Dalai Lama further enhanced the grounds with beautiful pavilions and glorious scenic splendor. The most outstanding building that dates back to that time is the Tuzin Palace.

On the western edge of Norbulingka Park is a building that dates back to the 20th century, the palace of the thirteenth Dalai Lama where the Jiansel Potrang once contained a precious collection of ancient thankas, the colorful banners of Tantric Buddhism.

The Jeweled Park of Norbulingka well deserves its name, and the summer residence of the Dalai Lama and its spacious parks are historic and much-loved treasures of a bygone time.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The Sun Temple, also known as the Black Pagoda, lies at the heart of a fascinating temple complex that, more than 750 years after it was built, remains a splendid sight.

The temple has always had a special symbolic and religious significance and was designed as a gigantic wagon for the sun god Surya. The twelve wheels on each side of Konark's large assembly hall, the Jagamohan, symbolize each month of the year. In addition to the filigree wheels, the many erotic figures at the base of the sun temple attract much attention and demonstrate an abundance of &lt;i&gt;joie de vivre.&lt;/i&gt;

Once a year, the temple serves as a venue for a popular dance and music festival. It is then that the splendid culture of Orissa celebrates its rebirth, and the sun temple once again becomes an impressive focal point in historic Konark.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Samye Gompa, "Samye Monastery," is the oldest monastery in Tibet and one of the most important historic landmarks in Yarlung's Valley of Kings.

A circular wall that contains 108 chortens surrounds the large monastery complex. The Samye Monastery was designed strictly according to the Buddhist principles of the universe, and India's Temple of Odantapuri served as its model. The main temple in the centre of the monastery symbolizes the mystical Mount Meru and is surrounded by four temples, each located in one of the four directions of the compass.

The introduction of Buddhist monastery culture and the decline in the Bon system of faith with its demonic beliefs gave Tibetan society a new structure.

Despite its great age and dramatic history, Samye Monastery is still one of the most beautiful and unique religious sanctuaries in Tibet.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

At the foot of Mount Tohamsan in the region of Gyeongju is South Korea's impressive Bulguksa "Pulguk-Sa" Temple. In the middle of the 8th century, while under the rule of Silla monarch King Gyeongdeok, the sanctuary was enlarged with various fine buildings.

In 774 AD, the beautifully decorated temple was given its name of Bulguksa, "the Temple Of Buddha Land." During the 500 years of the Goryeo Dynasty, several kings influenced the buildings of the Bulguksa Temple, thus its architecture is something of a mixture. In the first courtyard of the temple complex there are some fine stone pagodas, particularly the three-story-high Dabotap Pagoda.

The original beauty of the buildings has withstood the often violent history of South Korea, and Bulguksa Temple is still regarded both as a masterpiece of Buddhist art and the home of many of Korea's national treasures.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Around 60 kilometres east of the city of Lhasa, the capital of Tibet, and set amid the untouched mountain world of the Kyi-Chu Valley, is the village of Dagzê. It was once a prosperous town, as it contains one of the country&amp;#x2019;s most famous monasteries, Ganden Gonba, or Ganden Monastery.

For many centuries, it was the religious centre of the Yellow Hats Academy, but the annexation of Tibet by China changed everything. The remote location of Ganden Monastery, within an isolated valley 4,000 metres above sea level, was unable to protect the sanctuary from invasion. Up until 1959, around 3,000 monks inhabited Ganden's monastery complex.

In addition to numerous sacred treasures, the Lhakhang also houses a chapel of the protective deities that, among others, is also dedicated to Vaishravana, the deity of wealth.

Surrounded by the unspoiled wilderness of Tibet's high mountain scenery, the monastery district of Ganden Monastery is most certainly well worth a visit!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In Kharkhorin, former residence of those who once ruled Mongolia, today there is little left to see. However, a few mysterious sites remain which, along with the Erdene Zuu Monastery, are highly evocative of this ancient city in Central Mongolia.

For thirty-two years Kharkhorin was the centre of one of the most powerful empires in the world. After the break-up of the Soviet Union, the Erdene Zuu Monastery became active once again.

Up until 1938, over sixty individual buildings that housed fifteen hundred devout lamas stood on the monastery grounds, and it is believed that as many as ten thousand lamas once lived there.

Kharkhorin can be traced back to 1222, which was when Ghengis Khan expanded the former main base of the Kereit Clan into a supply base for his army. Its strategic location was excellent, set on the banks of the Orchon River within a wide and fertile valley, and it was perfectly suited for huge hordes of men and their horses.

A gentle breath of mystique and melancholy blows over the surviving ruins of this former cosmopolitan city in which, as decreed by law, multicultural tolerance predominated.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

A giant wooden horse guards the entrance to archaeological excavations in Troy. No ancient place in Turkey is as well known, and if only it had survived in good-enough condition we would be able to marvel at its former size and glory. What occurred here more than three thousand years ago was described by Homer in &lt;i&gt;The Iliad.&lt;/i&gt;

The site was first discovered in the nineteenth century. In 1822, historian Charles McLaren identified Hisarlik Hill in the northwest region of Anatolia as the former city of Troy. Eventually, German businessman and amateur archaeologist Heinrich Schliemann confirmed his findings and later discovered the magnificent buried city of Troy along with the legendary golden treasure of Priamos, the last Trojan king.

The famous wooden horse, whose clone can be mounted, could also be a symbol of Poseidon, god of both horse and earthquake. Indeed it is possible to climb up into its interior and let the imagination go wild.

With its four-thousand-year history, Troy is one of the most famous archaeological finds on earth and truly a "cultural heritage of the world."</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Around five hundred kilometres north of Rio De Janeiro, deep within the Brazilian state of Minas Gerais, is a most remarkable place. Ouro Preto was discovered at the end of the seventeenth century by Portuguese gold prospectors. They found black gold, which changed colour due to its iron content. Thus a prosperous gold town was born with fascinating Baroque and Rococo architecture that has survived right up to the present day.

The region's substantial mineral resources helped to create numerous magnificent buildings such as the Igreja De São Francisco De Assis, which was completed by the Franciscan Order in 1820. It is one of the most impressive Baroque churches in Latin America.

Rather than pay excessive taxes to the Portuguese crown, the town's colonials cleverly and successfully hid much of their gold in the artwork of Ouro Preto's sacred buildings. Thus the treasures created by human hand live on and are now the fabulous legacy of a truly golden past!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Ephesos is Turkey's most scenic historic excavation site and one of the most well preserved of all the cities of antiquity, a place of the superlative whose structures continue to impress right up to the present day.

Due to Greek influence the name of the venerated goddess of fertility was changed to Artemis, and her temple became one of the greatest pilgrimage destinations within the seven wonders of the ancient world.

Temples and hillside buildings lined Kureten Street, one of the city's main streets, each villa highlighting the wealth of its occupants. The buildings were embellished with valuable mosaics, wall paintings and many works of art.

Although Ephesos eventually fell into decay, unlike other cities of antiquity it has not been lost forever and has managed to survive a thousand years of slumber.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Mongolia is one of the last unspoiled regions on Earth with endless pastureland, where wild horsemen share a fascinating landscape with huge herds of cattle and horses. In the north of Orkhon Valley is the Khangain Nuruu National Park, a romantic mountain landscape. Set on a remote mountain summit is the old and well-known monastery of Tuvkhunii Hyid.

In 1653 the remarkable religious and political dignitary Undur Gegeen Zanabazar came to the monastery. He was a direct descendant of both Genghis Khan and Mongolia's first religious leader, Bogd Javzundamba. The monastery that was built here has always been a place of tranquillity and prayer, a place in which wisdom comes from meditation.

As in all Buddhist monasteries, daybreak is greeted ceremoniously, and young monks blow into shells and turn towards all four points of the compass.

In 2004, UNESCO designated this Mongolian sanctuary as a World Heritage Site, as part of the Orkhon Valley area of culture.

In the remoteness of Mongolia's splendid mountain world, all who come here are reminded of the sacred inner values of life.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Well sheltered, the culturally most interesting historic city in Brazil nestles in a calm bay alongside the Atlantic Ocean, Salvador Da Bahia, former capital of the Portuguese colonies.

In 1549 more than a thousand Europeans, among them Captain Tomé De Souza, founded a town and colony, and up until 1763, Salvador Da Bahia was the capital of Brazil, its wealth having been derived from tobacco, sugarcane and cacao.

The Franciscan Order commenced with the religious education of the Tupinamba Indians, and in addition to the feudal civic houses, a beautiful monastery and church were built. Ordem Primeira De Saó Francisco is one of the most splendid Baroque complexes in Brazil. Its arcades are particularly impressive as they possess a contemplative atmosphere with walls covered with azulejos.

In the old town there is nothing to indicate the slave markets of old and the degrading treatment suffered by both captive Africans and local Indians. In the eighteenth century the plantation owners flaunted their wealth and decorated female slaves with precious jewelry.

Salvador Da Bahia is a melting pot of various cultures, a fine town of the former white colonial masters and a living space for African gods!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Around a hundred and fifty kilometres east of the Turkish capital of Ankara in the highlands of Anatolia was the heart of the once powerful Hittite Empire.

In the Upper City, two viaducts crossed a man-made gorge in order to connect it with the Sari Kale and Yenice Kale castles.

A wall close to seven kilometres long enclosed the whole city. It was built mainly of solid stone blocks and, in the upper sections, mud tiles.

The Lower City was dominated by great temples. In addition to the holy district it also embraced the magazine, a large storehouse on each side of which was a wide street. Its rooms were up to three stories high and built of wood and clay with plastered, painted walls.

With a little imagination it is possible to become better acquainted with the ruins of this ancient Hattasus metropolis whose power and influence reigned supreme over the great Hittite Empire.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

On the Costa Verde between Rio De Janeiro and Sao Paolo is a gem of Brazil's past colonial times, Paraty. It continues to be protected by the rusty old cannons and dense walls of the Forte Defensor Perpetuo that is situated just outside the town. The Guaiana Indios once lived in this region and offered timber and spices to the first European seafarers that came to the region.

In the nineteenth century, coffee and sugarcane were successfully grown in the region around Paraty. This brought a period of prosperity, and in 1863 there were about a hundred and fifty distilleries.

Colourful times introduced much flamboyant architecture, and Paraty became the colonial treasure that it is today.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Near the Turkish west coast between Troy and Ephesos, and set in all its glory, is one of the most famous and well-preserved ancient cities of this region, Pergamon.

Above the fertile plains and city of Bergama, cliffs towering up to more than three hundred metres were inhabited by the Aeolean Greeks eight centuries before Christ. In the Hellenic era it was a cosmopolitan city, the traces of which are still discernable today.

When Athens lost its political supremacy in the second century BC, Pergamon and Alexandria became the new rival powers of the ancient world. Their rulers also began to compete in both art and science, a fact that led to much progress.

In 41 BC, a large collection of 200,000 parchments was relocated to the Library of Alexandria as a wedding present from Marc Antony to Cleopatra, where it was later destroyed by fire.

Pergamon is indeed a wonder of an age of wonder!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Petropolis was an ancient city of empire. It is situated around sixty kilometres north of Rio De Janeiro amid the mountains of the Serra Petropolis. A number of fine buildings and a lovely setting are a reminder of the noble past of this summer residence of the Emperor of Brasilia.

The Catedral De Sao Pedro De Alcantara was designed according to French Gothic architecture and highlights the significance of the city. It took fifty-five years to construct the imposing cathedral that was completed in 1884 during the reign of Emperor Dom Pedro II.

From the outset the town enjoyed a European atmosphere, as among the royal entourage were Italians, French, English and Swiss. The marvelous views and fine floral scenery must have enchanted the emperor and his European companions. Petropolis and its surroundings were for them paradise on earth.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

In the highlands of western Turkey is the ancient city of Hierapolis above the famous terraces of Pamukkale, a unique wonder of nature that was well appreciated by those who lived there in ancient times.

In summer the water glimmers turquoise, and in winter clouds of steam rise from the pools to produce the effect of a frozen waterfall. The origin of this bizarre landscape is the steaming hot water, rich in calcium, that flows from the higher-lying geothermal mountain springs.

Visitors walk barefoot in order to protect the deposits of calcium carbonate in the water. Today it is permitted to bathe in the famous spring of the ancients, so one can now enjoy the "holy water" that extends between the toppled columns of a bygone age.

The ancient fossilised waterfalls and terraced pools have transformed Pamukkale into a fantastic scene. Together with the ruined monuments of both Hellenic and Roman times, Hierapolis can be regarded as the health resort of the ancients, notwithstanding those who came there during the past three thousand years.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

Olinda is one of the most well-preserved colonial towns in Brazil. It was once the capital of the federal state of Pernambuco on the Atlantic coast and in 1982 was designated by UNESCO as a World Heritage Site.

The first Portuguese immigrants were excited about its wonderful location when they landed here in 1535. They were followed by priests and monks who built churches and monasteries within the palm groves on the hills.

Most of the town's important buildings date back to that time when the town prospered due to the cultivation of sugarcane. Religion in the town began to blossom, a fact indicated by the remarkable Benedictine monastery, the Mosteiro De Sao Bento.

Olinda is a fine example of colonial splendour and sacred art, a unique masterpiece of Brazilian Late Baroque!</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Global Treasures&lt;/i&gt; - &lt;i&gt;History's Most Protected Monuments&lt;/i&gt; - Heritage is our legacy from the past, what we live today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Places as unique and diverse as the wilds of East Africa's Serengeti, the Pyramids of Egypt, the Great Barrier Reef in Australia and the Baroque cathedrals of Latin America make up our world's heritage. Join us as we explore one of these protected monuments.

The ancient city of Xanthos lies on the southern Aegean coast that is today known as western Turkey. The ruins are the result of a transient history with evidence to suggest Lycian, Hellenic, Roman and Byzantine origin.

Xanthos was once the most powerful city in the centre of Lycia and is situated on the southern tip of the Xanthos Delta on a hill of important strategic value.

The Lion Grave, the Harpyien Monument and the Nereiden Monument are among the city's finest archaeological treasures, as well as an acropolis and a theatre.

The impressive graveyard complex conceals numerous inscriptions that threaten punishment and curses in order to deter grave robbers.

It is difficult to believe that the city's brave inhabitants had to endure their city being destroyed twice while resisting their enemies. But the myth of Xanthos lives on!</marc:subfield>
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Cappadocia is one of the most fascinating landscapes in Turkey. It is the location of the Zelve Valley, which has been transformed into an open air museum. It is a strange world of volcanic tuff that was once the habitat of early Christian monks and their followers. The soft tuff facilitated the digging of hundreds of caves in which their creators lived and worked, and as the centuries ticked by even churches were carved into the rock.

A confusion of paths lead through the valley to the dwelling caves, steps, churches and dovecotes in which birds built their nests. It is a surreal rock landscape which at first sight appears to be somewhat hostile.

Zelve is known as Valley of the Monks, yet in this early Christian settlement monks lived alongside farmers and eventually Muslims in harmony.</marc:subfield>
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In the heart of Turkey, in Cappadocia, is the Göreme Valley, a miracle of nature. The main village nestles amid a strange landscape whose many striking stone cones are called fairy chimneys, and volcanic tuff is the raw material from which the unique landscape is formed.

For hundreds of years the people of the region have either dug their dwelling caves into the soft tuff or built their houses from it. Open churches whose walls have partially collapsed alternate with terrace-like living rooms and, recently, cave hotels. The exotic atmosphere of the centuries-old scenery is truly breathtaking.

The El Nazar Church was carved into freestanding tuff cone, yet despite several years of erosion it looks quite stable and features discernible frescos.

Long after the Turkish conquest of Anatolia the ascetic dream of the Cappadocian monks has indeed survived.</marc:subfield>
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            <marc:subfield code="a">Well-used technical exercises enable cellists to master great cello works. Yet many pieces still contain their own peculiar stumbling blocks, and there are many obstacles that can only be overcome with a certain expertise.

In her book and video project &lt;i&gt;Using Technique and Imagination to achieve Artistic Expression,&lt;/i&gt; "Quintessence" in three parts, the famous cellist Maria Kliegel opens up a new avenue that is intended to help advanced cellists over these obstacles. Through her experience as a concert performer, recording artist, and teacher, she has gathered considerable knowledge about specific aspects and pitfalls of cello technique. Using numerous examples from the cello repertoire, the book is a distillation of her experience, while the videos provide a demonstration of the cello techniques described in the book. She also plays and analyses the "infamous" passages from the Cello Concertos by Haydn (D) and Schumann and from Tchaikovsky's &lt;i&gt;Rococo Variations.&lt;/i&gt; Frequent sources of errors are exposed, tricks are shown, and various tips on how to get more out of practising are given along with helpful interpretative suggestions.</marc:subfield>
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            <marc:subfield code="a">PIZZETTI, I.: Assassinio nella cattedrale (Teatro Petruzzelli di Bari, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Raimondi, Ruggero, Artist -- Marrocu, Paoletta, Artist -- Morandi, Pier Giorgio, Conductor -- Bari Symphony Orchestra, Orchestra -- Zaramella, Sonia, Artist -- Casalin, Luca, Artist -- Conservatorio Piccinni di Bari Children's Chorus, Choir -- Coro A.T.E.R., Choir -- Pizzetti, Ildebrando, Composer -- Eliot, Thomas Stearns, Lyricist</marc:subfield>
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            <marc:subfield code="a">What more appropriate venue for Ildebrando Pizzetti's operatic masterwork of 1958 &lt;i&gt;Assassinio nella Cattedrale&lt;/i&gt; than the austere, Romanic Basilica di San Nicola in the southern Italian port city of Bari.  A striking coincidence: the action of T. S. Eliot's stage play "Murder in the Cathedral", on which the opera is based, takes place in December 1170; the Basilica di San Nicola also dates from the 12th century and was consecrated in 1197...

Pizzetti's religiosity also manifests itself in his choice of T.S. Eliot's modern-day miracle play about St. Thomas Becket, the Archbishop of Canterbury, who returns from a seven-year-exile only to be confronted by various torments, including Four Temptations; he succumbs to the fourth, the temptation of martyrdom...

Internationally acclaimed bass-baritone Ruggero Raimondi, at home on all of the world's major stages and unforgotten as &lt;i&gt;Don Giovanni&lt;/i&gt; in Joseph Losey's celebrated 1979 film, brings the firmness and authority of his vocal artistry to this role, elevating it to one of the most passionate and intriguing portrayals of a 20th-century operatic hero.</marc:subfield>
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            <marc:subfield code="a">Hailed as his first mature masterpiece, Verdi's 1849 opera &lt;i&gt;Luisa Miller&lt;/i&gt; leaves the world of Bellini and Donizetti behind and opens the door to the realism of the three following operas, &lt;i&gt;Rigoletto&lt;/i&gt;, &lt;i&gt;La Traviata&lt;/i&gt; and &lt;i&gt;Il Trovatore.&lt;/i&gt; Even though it has not become a repertoire work like its successors, the work's ensemble scenes and fluid dramaturgy have an electrifying impact on all Verdi lovers. This drama, based on Schiller's &lt;i&gt;Kabale und Liebe,&lt;/i&gt; treats the conflicts between the two fathers and their children and between two very different social classes with a forward-looking psychological refinement. "It is a melodrama hovering between two worlds and depicts a society in transition from one to the other," says director Denis Krief. The story of the star-crossed lovers Luisa and Rodolfo fully occupies center stage in this production from the 2007 Festival Verdi in Parma, with a minimalist decor highlighted by a simple wooden table for the heroine's home and an elegant sofa for the home of the noble Walter family. As in his 2007 &lt;i&gt;Nabucco&lt;/i&gt; from the Arena di Verona, Franco-Italian director Denis Krief pares down the production to focus on the music and, above all, the outstanding singers.

Fiorenza Cedolins heads the roster of great Verdi artists in this production. The famed soprano, who sang her first &lt;i&gt;Luisa Miller&lt;/i&gt; at Madrid's Teatro Real in 2005, brings lightness to her coloraturas and drama to her long cantabile lines. Alvarez amazes with his effortless high notes, which are given a dignified showcase in the most celebrated romance of the work &lt;i&gt;Quando le sere al placido.&lt;/i&gt; The great Leo Nucci "again offers a lesson in singing Verdi" (L'opera) and continues to provide his solid, mellow baritone support. Bass Giorgio Surian convincingly depicts the fury and violence of Rodolfo's father. In the pit, Maestro Donato Renzetti leads the Orchestra of the Teatro Regio di Parma with a sensitive and experienced hand.</marc:subfield>
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            <marc:subfield code="a">Act I: Ariette: Ah! Je veux vivre dans le reve … ( 00 sec. ) / Gounod -- Ouverture ( 00 sec. ) / Gounod -- Act IV: Source delicieuse en miseres feconde ( 00 sec. ) / Gounod -- Act III: Toi!… vous!… ( 00 sec. ) / Massenet -- Act III: Polonaise ( 00 sec. ) / Tchaikovsky -- Act II: Kuda, kuda, kuda vi udalilis ( 00 sec. ) / Tchaikovsky -- Tvajo malchan n'je nepan atna ( 00 sec. ) / Tchaikovsky -- Act IV: Prelude, "Aragonaise" ( 00 sec. ) / Bizet -- Act I: E' strano! E' strano! ( 00 sec. ) / Verdi -- Act I: Ah, fors' e lui ( 00 sec. ) / Verdi -- Act I: Sempre libera ( 00 sec. ) / Verdi -- Act I: Ya mis horas felices ( 00 sec. ) / Soutullo -- Callate, corazon! ( 00 sec. ) / Moreno Torroba -- Intermezzo ( 00 sec. ) / Mascagni -- Il pader! - Tenda natal ( 00 sec. ) / Ponchielli -- Act I: Ebben?… Ne andro lontana ( 00 sec. ) / Catalani -- Act I: O soave fanciulla ( 00 sec. ) / Puccini -- Si torero quiero si... ( 00 sec. ) / Penella</marc:subfield>
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            <marc:subfield code="a">Netrebko, Anna, Artist -- Villaume, Emmanuel, Conductor -- Belgium National Orchestra, Orchestra -- Villazón, Rolando, Artist -- Shilovsky, Konstantin, Lyricist -- Tchaikovsky, Pyotr Il'yich, Composer -- Meilhac, Henri, Lyricist -- Massenet, Jules, Composer -- Gille, Philippe, Lyricist -- Carré, Michel, Lyricist -- Barbier, Jules, Lyricist -- Gounod, Charles-François, Composer -- Halévy, Ludovic, Lyricist -- Bizet, Georges, Composer -- Piave, Francesco Maria, Lyricist -- Verdi, Giuseppe, Composer -- Giacosa, Giuseppe, Lyricist -- Puccini, Giacomo, Composer -- Illica, Luigi, Lyricist -- Romero, Federico, Lyricist -- Fernandez-Shaw, Guillermo, Lyricist -- Moreno Torroba, Federico, Composer -- Targioni-Tozzetti, Giovanni, Lyricist -- Menasci, Guido, Lyricist -- Mascagni, Pietro, Composer -- Catalani, Alfredo, Composer -- Tchaikovsky, Modest, Lyricist -- Soutullo, Reveriano, Composer -- Vert, Juan, Composer -- Ponchielli, Amilcare, Composer -- Penella, Manuel, Composer</marc:subfield>
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            <marc:subfield code="a">The excitement is palpable at Paris' Théâtre des Champs-Elysées this 28 March 2007. Anna Netrebko is not only making her debut in France, but she is making it with Rolando Villazon. The "dream couple" of the opera world is about to bring its incomparable charm and magnetism to France's "melomanes," and the result is nothing less than phenomenal: "An unforgettable evening, rich in emotions, which many spectators will look back on with nostalgia one day and say: 'I was there!'" No matter where they appear, Netrebko and Villazon inevitably work their magic on the audience, whether it consists of hundreds or, when broadcast on TV, of millions. 

For their Paris concert, the duo chose a broad selection of chiefly late Romantic works &amp;#x2013; the style for which their voices seem to be tailor-made. A tribute to France is offered with excerpts from Gounod's &lt;i&gt;Romeo et Juliette&lt;/i&gt; and the little-known &lt;i&gt;Polyeucte,&lt;/i&gt; along with the famous "duo de Saint-Sulpice" from Massenet's &lt;i&gt;Manon.&lt;/i&gt; Not surprisingly, a Russian composer also graces the program; Tchaikovsky's &lt;i&gt;Eugene Onegin&lt;/i&gt; and &lt;i&gt;Iolantha&lt;/i&gt; are sung superbly by Netrebko. Villazon's Latin blood heats up Spanish songs by Sotullo-Otero, Vert, Moreno-Torroba and Penella. But it's in the Italian repertoire that the couple reaches heights of artistry, lyricism and passion. They perform duets from &lt;i&gt;La Traviata,&lt;/i&gt; the couple's breakout vehicle of 2005, as well as pieces by Ponchielli, Catalani and Puccini, including the ever-popular "O soave fanciulla" from &lt;i&gt;La Boheme.&lt;/i&gt; Villazon triumphs here as a warm and compelling Rodolphe. The singers, accompanied by the Orchestre National de Belgique under Emmanuel Villaume, conclude their program with three rousing encores, Penella's &lt;i&gt;El Gato Montes,&lt;/i&gt; "Tonight" from Bernstein's &lt;i&gt;West Side Story&lt;/i&gt; and the Violetta/Alfredo duet "Libiamo" from &lt;i&gt;La Traviata.&lt;/i&gt; Despite its thorough planning and perfect coordination, the Paris Concert is like a get-together of two friends, whose naturalness and sincerity are light years away from the posing and attitudes of many of today's divas!</marc:subfield>
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            <marc:subfield code="a">Filmed at the 1954 Salzburg Festival, this restored and technically enhanced recording of &lt;i&gt;Don Giovanni&lt;/i&gt; is more than simply a superb performance of one of the world's most lastingly popular operas with an exquisite cast led by Cesare Siepi, Elisabeth Grummer and Lisa della Casa. It is the last visual document of Wilhelm Furtwangler's art, the legacy of a great conductor. A giant among 20th-century conductors, Wilhelm Furtwangler was associated for many years with the Berlin Philharmonic Orchestra. After the war, he discovered a new, exceptionally rewarding venue for his artistry at the Salzburg Festival. Beginning with &lt;i&gt;Fidelio&lt;/i&gt; in 1948, Furtwangler ushered in a golden age of memorable performances in Salzburg.</marc:subfield>
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            <marc:subfield code="a">BEETHOVEN, L. van: Piano Concerto No. 3 in C Minor, Op. 37 (Pollini, Bohm) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Piano Concerto No. 3 in C Minor, Op. 37 (NTSC) ( 00 sec. ) / Beethoven</marc:subfield>
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            <marc:subfield code="a">Pollini, Maurizio, Artist -- Böhm, Karl, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Beethoven, Ludwig van, Composer</marc:subfield>
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            <marc:subfield code="a">The key of C minor was Beethoven's "Storm and Stress" key, that of some of his most dramatic and heroic works, such as the &lt;i&gt;Fifth Symphony&lt;/i&gt; and the &lt;i&gt;Pathetique Sonata&lt;/i&gt;. Composed around 1800, the &lt;i&gt;Piano Concerto No. 3 in C minor, Op. 37&lt;/i&gt; displays an emotional intensity that marks it as one of the first of Beethoven's mature and individual major works. As if to show that the keyboard was too narrow for his ideas, Beethoven rewrote some of the piano part in 1804 to incorporate the extra notes that had been added to the keyboard in the first years of the century. The simple but assertive opening theme of the first movement is treated with bold imaginativeness. The &lt;i&gt;Largo&lt;/i&gt; sets the stage for a true dialogue between the piano and the orchestra, which culminates in the almost aggressive earnestness of the &lt;i&gt;Rondo&lt;/i&gt;. 

Maurizio Pollini is one of the most distinguished pianists of our time, who has performed with the world's leading orchestras. A committed advocate of contemporary music, Pollini frequently performs works by Schoenberg, Berg, Webern, Nono, Boulez and Stockhausen. However, he has also given complete cycles of the Beethoven sonatas in Berlin, Milan, New York, Munich and other cities. On the occasion of a performance of the Beethoven concertos at New York's Carnegie Hall, the Vienna Philharmonic Orchestra presented him with its "golden ring", a rare distinction awarded to only few musicians.</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Finta Giardiniera (La) (Salzburg Festival, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">La finta giardiniera, K. 196 (Salzburg Festival, 2006) (NTSC) ( 02 hrs., 23 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Donose, Ruxandra, Artist -- Gens, Véronique, Artist -- Ainsley, John Mark, Artist -- Bolton, Ivor, Conductor -- Salzburg Mozarteum Orchestra, Orchestra -- Graham-Hall, John, Artist -- Reinprecht, Alexandra, Artist -- Werba, Markus, Artist -- Kucerova, Adriana, Artist -- Mozart, Wolfgang Amadeus, Composer -- Petrosellini, Giuseppe, Lyricist</marc:subfield>
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            <marc:subfield code="a">Belfiore believes he has killed his betrothed, Violante, in a fit of
jealousy. He flees in panic - which does not prevent him from falling for Arminda, who then spurns her admirer Ramiro in favor of Belfiore. Violante, meanwhile, searches for her lover with her servant Roberto. Under a false name, she takes a post as gardener on the estate of Don Anchise; her servant passes himself off as her cousin. While Anchise pursues Violante, Roberto romances the maid. The labyrinth of pursuit and deception becomes completely entangled when Belfiore, his new conquest Arminda and her persistent admirer Ramiro turn up on the estate...

The Mozart 22 production of &lt;i&gt;La finta giardiniera&lt;/i&gt; was placed in the hands of Doris Dorrie, a noted filmmaker and, more recently, director of controversial opera productions. Asked why she set the work in a garden center, Dorrie replied: "It's a market of emotions! The plants represent feelings, the garden is our little paradise. We all have the same dream, which is why we buy so much equipment, chemicals, even weapons to keep our garden under control. It must be kept in its boundaries, for just as an uncontrolled garden can mutate into a wild jungle, so can uncontrolled emotions, proliferating like wild plants, become dangerous to us."

The rousing musical underpinnings of this irreverent production are
provided by the Mozarteum Orchestra under its principal conductor Ivor
Bolton, who has made a name for himself as champion of authentic and
spirited interpretations of Handel, Monteverdi, Gluck and, of course,
Mozart. In this performance of &lt;i&gt;La finta giardiniera&lt;/i&gt;, Bolton makes it clear that the real dramatic development in this early work is to be found in Mozart's music.</marc:subfield>
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            <marc:subfield code="a">Apollo et Hyacinthus, K. 38 (Salzburg Festival, 2006) (NTSC) ( 01 hrs., 14 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Karg, Christiane, Artist -- Kiener, Maximilian, Artist -- Tretjakova, Jekaterina, Artist -- Schlosser, Anja, Artist -- Hofer, Astrid Monika, Artist -- Steidl, Norbert, Artist -- Salzburg Mozarteum University Symphony Orchestra, Orchestra -- Wallnig, Josef, Conductor -- Mozart, Wolfgang Amadeus, Composer -- Widl, Rufinus, Lyricist</marc:subfield>
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            <marc:subfield code="a">Mozart was eleven years old when he wrote &lt;i&gt;Apollo et Hyacinthus, K. 38&lt;/i&gt; and &lt;i&gt;Die Schuldigkeit desersten Gebots (The Obligation to Observe the First Commandment), K. 35 &lt;/i&gt; in 1767. Their brevity and contemporaneity made it seem fitting to entrust them to one director for their stage interpretations within the Mozart 22 project. John Dew, known and admired for his rediscoveries of long-neglected works and his highly imaginative productions, has created a semi-ironic framework that ideally suits the two little pieces. They are given a graceful musical accompaniment by the Symphony Orchestra of the Mozarteum University.

&lt;i&gt;Apollo et Hyacinthus&lt;/i&gt; is Mozart's very first operatic venture and was commissioned soon after the successful performance of &lt;i&gt;Schuldigkeit&lt;/i&gt;. "Apollo" is a Latin intermezzo that was intended as an insert between the prologue and the five-act school drama "Clementia Croesi." Curiously, it already contains many of the themes that would recur in Mozart's later operas: disguise, intrigue, transformation, self-discovery. The plot concerns Zephyrus' love for Melia, who is about to marry Apollo. In his jealousy, Zephyrus gravely wounds Hyacinthus with a discus and, to have Apollo banished, accuses Apollo of murder. Apollo, who saw Zephyrus throw the discus, turns the true culprit into a wind. The dying Hyacinthus reveals the truth and Apollo consoles the mourning family by changing their son into a flower.</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Ascanio in Alba, K. 111&lt;/i&gt; came about through the good offices of Count Firmian, who had shared the Milan audience's enthusiasm for Mitridate and exerted his influence on the Empress in Vienna. He suggested entrusting the young Mozart with the composition of a festa teatrale for the wedding of the Empress's son, Archduke Ferdinand, and Maria Beatrice d'Este of Modena. Mozart began working on the score in late August 1771. Tailor-made for the royal wedding, the work's main function was to portray the members of the Habsburg wedding party as generous, kindly rulers and virtuous heroes. For the creative team of the production shown at the Salzburg Festival but originating at the Nationaltheater Mannheim, this specificity proved to be a rewarding challenge. Since the audience had no pre-formulated expectations with &lt;i&gt;Ascanio in Alba, K. 111&lt;/i&gt;, director David Hermann and his stage and costume designer Christof Hetzer sought to draw out of this unknown opera the elements that are of particular interest to us today.</marc:subfield>
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            <marc:subfield code="a">La Betulia liberata, K. 118 (Salzburg Festival, 2006) (NTSC) ( 02 hrs., 11 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Selig, Franz-Josef, Artist -- Poppen, Christoph, Conductor -- Bespalovaite, Irena, Artist -- Vienna State Opera Chorus, Choir -- Kleiter, Julia, Artist -- Munich Chamber Orchestra, Orchestra -- Mijanovic, Marijana, Artist -- Ovenden, Jeremy, Artist -- Johnston, Jennifer, Artist -- Mozart, Wolfgang Amadeus, Composer -- Metastasio, Pietro, Lyricist</marc:subfield>
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            <marc:subfield code="a">Written in spring 1771, &lt;i&gt;Betulia Liberata&lt;/i&gt;  is an azione sacra, a sacred play in the style of the Italian oratorio. The libretto takes up the well-known biblical story of Judith and Holofernes.  The Assyrian general and dictator is laying siege to the Jewish town of Betulia. He has the town surrounded and its water supplies cut off. While the Prince of Betulia, Ozias, and religious leaders discuss what to do, the widow Judith decides to act: she boldly strides into the enemy camp, where she wins Holofernes' trust, arouses his senses and cuts off his head.

As befits an oratorio, the Salzburg production of &lt;i&gt;Betulia Liberata&lt;/i&gt; is a semi-staged concert performance. The incisive playing of the Munich Chamber Orchestra under its early-music-inspired conductor Christoph Poppen provides the dynamic basis for the homogeneous cast headed by Jeremy Ovenden as Ozias, a demanding tenor part sung with nimble bravura, Marjana Mijanovic as a darkly hued and sensual Judith, Franz-Josef Selig as a profound Alchior and Julia Kleiter as a luminous Amital. Noteworthy is the rousing vitality of the Chorus of the Vienna State Opera.</marc:subfield>
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            <marc:subfield code="a">Allen, Thomas, Artist -- Martínez, Ana María, Artist -- Koch, Sophie, Artist -- Donath, Helen, Artist -- Degout, Stéphane, Artist -- Vienna State Opera Chorus, Choir -- Honeck, Manfred, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Mathey, Shawn, Artist -- Mozart, Wolfgang Amadeus, Composer -- Da Ponte, Lorenzo, Lyricist</marc:subfield>
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            <marc:subfield code="a">Don Alfonso is convinced that the sweethearts of the two soldiers Ferrando and Guglielmo, Dorabella and Fiordiligi, would be unfaithful to them, given the opportunity. The two soldiers are convinced otherwise and bet with him. With the help of the young ladies' maid Despina, Alfonso devises an elaborate scheme to make the two young women believe their lovers have gone off to the army. Then he brings back the two young men, now disguised as "Albanians." Dorabella and Fiordiligi are smitten, and soon fall in love with the handsome strangers, but not with the "right" ones.

In their light-footed, witty and poetic staging, the Herrmanns took advantage of the wide stage of the Grosses Festspielhaus to create a luminous and elegantly minimalist landscape dotted with a few sparing but stylish props. The lovers are portrayed with verve and compelling emotional confusion by Ana María Martinez (Fiordiligi) and Sophie Koch (Dorabella) as the two sisters, and Stéphane Degout (Guglielmo) and Shawn Mathey (Ferrando) as the cocky soldiers who learn that lying isn't the best way to find out the truth. Thomas Allen (Don Alfonso) and the great Helen Donath (Despina) add their incomparable stage presence to the action. Conductor Manfred Honeck entices a wondrous delicacy and tenderness from the Vienna Philharmonic.</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Don Giovanni (Salzburg Festival, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Don Giovanni, K. 527 (Salzburg Festival, 2006) (NTSC) ( 03 hrs., 03 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Lloyd, Robert, Artist -- Schäfer, Christine, Artist -- Hampson, Thomas, Artist -- Diener, Melanie, Artist -- Bayrakdarian, Isabel, Artist -- Beczała, Piotr, Artist -- Pisaroni, Luca, Artist -- Vienna State Opera Chorus, Choir -- Harding, Daniel, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- D'Arcangelo, Ildebrando, Artist -- Mozart, Wolfgang Amadeus, Composer -- Da Ponte, Lorenzo, Lyricist</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Il dissoluto punito, ossia Il Don Giovanni&lt;/i&gt; is the full title of the opera that is widely held to be the most perfect work of its genre. Luckily, it is known today merely as &lt;i&gt;Don Giovanni&lt;/i&gt;,  a title that far better evokes the hero in all of his seductive power, his disregard for the social order, his merry wantonness. It is this hero who fascinated Mozart, not the "dissolute punito" - the "rake punished" - who harks back to the morals and conventions of the late 18th century.

As sung by baritone Thomas Hampson, who made his international breakthrough as Don Giovanni under Harnoncourt in 1987, the title hero superbly incarnates the aging rake and emotional anarchist who's seen and done everything. Ildebrando D'Arcangelo plays his servant without exaggeration, as an astute observer. While Melanie Diener dazzles as Donna Elvira, it is Christine Schafer and Piotr Beczala who, with their powerful stage presence, give exceptionally unforgettable performances as Donna Anna and Don Ottavio.

Director Martin Kusej interprets &lt;i&gt;Don Giovanni&lt;/i&gt; with compelling images that cast the rake as a child of today's consumer society, a man who acquires women, uses them and disposes of them after consumption. Happiness can be bought - but the specter of retribution is never far away, as in the evocative "tableau vivant" of spent and broken high-society hedonists. Under the baton of young conductor Daniel Harding, the Vienna Philharmonic weave a fresh, transparent and jaunty musical fabric that underscores every nuance of passion and despair, as well as every shading of wit and humanity that make &lt;i&gt;Don Giovanni&lt;/i&gt; a work of unequalled artistry.</marc:subfield>
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            <marc:subfield code="a">Die Entführung aus dem Serail, K. 384 (Salzburg Festival, 2006) (NTSC) ( 02 hrs., 37 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Aikin, Laura, Artist -- Hawlata, Franz, Artist -- Castronovo, Charles, Artist -- Kerschbaum, Dietmar, Artist -- Vienna State Opera Chorus, Choir -- Bolton, Ivor, Conductor -- Salzburg Mozarteum Orchestra, Orchestra -- Farcas, Valentina, Artist -- Mozart, Wolfgang Amadeus, Composer -- Bretzner, Christoph Friedrich, Lyricist</marc:subfield>
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            <marc:subfield code="a">The plot couldn't be simpler: the Spanish nobleman Belmonte must free his fiancee Konstanze, her English maid Blonde and Belmonte's servant Pedrillo from the clutches of the Turkish Bassa, or Pasha, Selim. Belmonte must sneak into the pasha's seraglio and sneak back out again, all the while eluding and outsmarting Osmin, the overseer of the harem. With his Salzburg production of 2003, young Norwegian director Stefan Herheim raised a storm of controversy that continued to crackle in 2006, when the production was revised for the Mozart 22 cycle.

Giving powerful accounts of their difficult roles is a top-notch cast dominated by Laura Aikin as Konstanze and Charles Castronovo as Belmonte. With her elegiac Andante arias, Aikin is an oasis of calm and nobility. Castronovo suggests his own vulnerability with his wonderfully lyrical timbre. At the head of the Mozarteum Orchestra, Ivor Bolton once again confirms his reputation as a dynamic and sensitive interpreter of Baroque and Classical operas. The clarity and wisdom of his music-making provide an astute contrast to the turbulent activity on stage. Indeed, the marriage of orchestra and voices evokes the image of the stage of life: on the surface, everything is in motion; below, order rules - but it is an order that is often lost in everyday life.</marc:subfield>
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            <marc:subfield code="a">BERLIOZ, H.: Benvenuto Cellini (Salzburg Festival, 2007) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Naouri, Laurent, Artist -- Aldrich, Kate, Artist -- Vienna State Opera Chorus, Choir -- Gergiev, Valery, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Sherratt, Brindley, Artist -- Fritz, Burkhard, Artist -- Kovalevska, Maija, Artist -- Petrenko, Mikhail, Artist -- Mas, Xavier, Artist -- Tagliavini, Roberto, Artist -- Plachetka, Adam, Artist -- Park, Sung-Keun, Artist -- Schuller, Andreas, Chorus Master -- Berlioz, Hector, Composer -- Wailly, Léon de, Lyricist -- Barbier, Auguste, Lyricist -- Vigny, Alfred de, Lyricist</marc:subfield>
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            <marc:subfield code="a">"A mix of futurism a la Metropolis, fantasy a la Batman and quotes from Piranesi's Carceri, juxtaposed in the form of photo montages, enhanced with... robots, a helicopter, a shark and the winged vehicle of a pop star Pope," effuses critic Marianne Zelger-Vogt (Neue Zurcher Zeitung). The object of her rapture is not a Broadway musical but a French opera written in the 1830s, Hector Berlioz's &lt;i&gt;Benvenuto Cellini&lt;/i&gt;. The absence of the work in the operatic repertoire is certainly due in part to its musical excesses: the work is so complex, richly detailed and prolifically imaginative that Berlioz's contemporaries considered it unplayable and unsingable.

This is resoundingly proven false in the 2007 Salzburg Festival production of director Philipp Stolzl, conductor Valery Gergiev (The wild man of music) and a high-caliber cast accompanied by the Vienna Philharmonic and its chorus. Stolzl, above all, has poured his experience as director of music videos, commercials and films into this project, termed "science fiction for Grand Opera" (Suddeutsche Zeitung), "breathtaking" (Der Standard), and "spectacularly successful" (F.A.Z.)

Berlioz hips the action forward by disguising his hero, the celebrated goldsmith and sculptor Benvenuto Cellini (1500-1571), as a monk and having him attempt to elope with Teresa, the daughter of the papal treasurer, during the night of the carnival. In the turmoil, a man is killed. Cellini is accused of murder and can only be saved if he finishes a statue for the Pope within a few hours. In a prodigious effort, he melts all his other works to have enough metal and completes the statue &amp;#x2013; saving his life and winning the hand of Teresa.</marc:subfield>
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            <marc:subfield code="a">Così fan tutte, K. 588 (Salzburg Festival, 2009) (NTSC) ( 03 hrs., 11 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Skovhus, Bo, Artist -- Persson, Miah, Artist -- Lehtipuu, Topi, Artist -- Petibon, Patricia, Artist -- Vienna State Opera Chorus, Choir -- Fischer, Adam, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Boesch, Florian, Artist -- Leonard, Isabel, Artist -- Mozart, Wolfgang Amadeus, Composer -- Da Ponte, Lorenzo, Lyricist</marc:subfield>
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            <marc:subfield code="a">Director Claus Guth's production of Mozart's da Ponte trilogy for the
Salzburg Festival reaches its sensational conclusion with his elegant,
stylish production from the "Haus für Mozart". Guth bolsters the unity of the cycle by making ingenious reference to his stagings of the first two works, &lt;i&gt;Le nozze di Figaro&lt;/i&gt; and &lt;i&gt;Don Giovanni&lt;/i&gt;. His widely acclaimed production of the trilogy, which began in the Mozart Year 2006, consolidates Guth's international reputation as one of the most sought-after stage directors of our time. Among his other major successes are &lt;i&gt;Der fliegende Hollander&lt;/i&gt; in Bayreuth and &lt;i&gt;Luisa Miller&lt;/i&gt; at the Bavarian State Opera.

Guth assembles a superb ensemble of young singers who toy with love and trust under the cynical gaze of "ringmaster" Bo Skovhus' Don Alfonso and his foxy, temperamental sidekick Despina, played by fiery young soprano Patricia Petitbon. Baritone Florian Boesch and tenor Topi Lehtipuu ideally complement their frisky partners Miah Persson and Isabel Leonard. Conductor Adam Fischer keeps the tempi brisk and the Wiener Philharmoniker on their toes in his layered reading of the score. "Uno spettacolo superbo", wrote the Corriere della Sera.</marc:subfield>
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            <marc:subfield code="a">Aida (Bregenz Festival, 2009) (Blu-ray, HD) ( 02 hrs., 15 min. ) / Verdi</marc:subfield>
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            <marc:subfield code="a">Martorana, Elisabetta, Artist -- Polish Radio Choir, Choir -- Camerata Silesia, Choir -- Rizzi, Carlo, Conductor -- Vienna Symphony Orchestra, Orchestra -- Paterson, Iain, Artist -- Tamar, Iano, Artist -- Bregenz Festival Chorus, Choir -- Pelizzari, Rubens, Artist -- Short, Kevin, Artist -- Martirossian, Tigran, Artist -- Serjan, Tatiana, Artist -- Samm, Ronald, Artist -- Ghislanzoni, Antonio, Lyricist -- Verdi, Giuseppe, Composer</marc:subfield>
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            <marc:subfield code="a">Set against the magnificent backdrop of Lake Constance, every production at the Bregenz Festival faces strong natural competitors. But with this first-ever production of Verdi's &lt;i&gt;Aida&lt;/i&gt; (in an abridged version) on the lakeside stage, it is easy to overlook the beauty of the surrounding nature. Stage director Graham Vick and set designer Paul Brown conjure up an "open-air spectacle of superlatives" (Die Zeit) that throws a bridge between ancient Egypt and today's U.S.

The stage effects are stunning: ruins of the Statue of Liberty pieced
together with the help of giant cranes, boats carrying priestesses and
prisoners – parts of the opera even take place in the lake itself! And in the Grand March – one of the most famous marches in opera – a golden elephant comes sailing into view on a barge.

Under Carlo Rizzi, the Wiener Symphoniker brilliantly support the chorus and soloists, among whom Iano Tamar (Amneris) and Tatiana Serjan (Aida) stand out. Drawing capacity crowds of over 200,000 spectators in just one season, &lt;i&gt;Aida&lt;/i&gt; is the festival's most successful opera to date, even more successful than the &lt;i&gt;Tosca&lt;/i&gt; production, which has been immortalized in the James Bond film "Quantum of Solace".</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Bastien und Bastienne / Der Schauspieldirektor (Salzburg Festival, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Bastien und Bastienne, K. 50 (Salzburg Festival, 2006) (NTSC) ( 00 sec. ) / Mozart -- Der Schauspieldirektor (The Impresario), K. 486 (NTSC) ( 00 sec. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Berchtold, Bernhard, Artist -- Zamojska, Aleksandra, Artist -- Metaxaki, Evmorfia, Artist -- Cojocariu, Radu, Artist -- Junge Philharmonie Salzburg, Orchestra -- Fuchs, Elisabeth, Conductor -- Kleinheinz, Alfred, Artist -- Mozart, Wolfgang Amadeus, Composer -- Schachtner, Johann Andreas, Lyricist -- Weiskern, Friedrich Wilhelm, Lyricist -- Müller, Johann, Lyricist -- Stephanie, Johann Gottlieb, Lyricist</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Bastien und Bastienne&lt;/i&gt; takes up the plot of the little French opera &lt;i&gt;Le  devin du village (The Village Soothsayer)&lt;/i&gt; by the philosopher Jean-Jacques Rousseau. The "soothsayer" Colas, a wise old shepherd, advises the unhappy shepherdess Bastienne to secure the love of the fickle Bastien by arousing his jealousy. The despairing Bastien then also seeks advice from Colas, who pretends to use magic to bring the two lovers together again. &lt;i&gt;Der Schauspieldirektor&lt;/i&gt; revolves around an impresario's problems in assembling a group of singers for a performance.

With &lt;i&gt;Die Entführung aus dem Serail&lt;/i&gt; and &lt;i&gt;Die Zauberflöte,&lt;/i&gt; Mozart made immortal contributions to the genre of the German Singspiel - German-language opera with spoken dialogues. But in the course of his career, Mozart also wrote two short German-language works that are different in musical craftsmanship, but both utterly delightful: &lt;i&gt;Bastien und Bastienne, K. 50&lt;/i&gt;, one of Mozart's earliest dramatic works, and &lt;i&gt;Der Schauspieldirektor (The Impresario), K. 486&lt;/i&gt;, a mature work written at the same time as &lt;i&gt;Le nozze di Figaro.&lt;/i&gt;

Entrusting the two operas to the world-famous Salzburg Marionette Theater for the Mozart 22 cycle was perfectly natural, especially since &lt;i&gt;Bastien und Bastienne&lt;/i&gt; was the very first work staged by this theater at its inaugural performance in 1913. Nevertheless, Thomas Reichert, responsible for the stage direction, sets and costumes, hit upon a truly brilliant idea: instead of performing one piece after the other, he combined &lt;i&gt;Bastien und Bastienne&lt;/i&gt; and &lt;i&gt;Der Schauspieldirektor&lt;/i&gt; in a way that captures the world of the Singspiel in Mozart's day. Here the impresario is still holding auditions, but now he's casting the Singspiel &lt;i&gt;Bastien und Bastienne.&lt;/i&gt; Finding a Bastien is easy, but two potential Bastiennes sing their arias so well that the impresario can't decide. He makes a run-through of &lt;i&gt;Bastien und Bastienne,&lt;/i&gt; after which the women continue to argue about who should get the role. The clever impresario hopes to squirm his way out by hiring both, one as the A-cast and one as the B-cast. But this only provokes a new quarrel about who will sing at the premiere...

Led by its founder Elisabeth Fuchs, the Junge Philharmonie Salzburg and a cast of fresh young singers provide the spirited, light-hearted music to this charming double fill.</marc:subfield>
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            <marc:subfield code="a">Violin Concerto in D Major, Op. 61 (NTSC) ( 00 sec. ) / Beethoven -- Violin Partita No. 2 in D Minor, BWV 1004: Sarabande (NTSC) ( 00 sec. ) / Bach -- Symphony No. 6 in B Minor, Op. 74, "Pathétique" (NTSC) ( 00 sec. ) / Tchaikovsky</marc:subfield>
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            <marc:subfield code="a">Mutter, Anne-Sophie, Artist -- Ozawa, Seiji, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Tchaikovsky, Pyotr Il'yich, Composer -- Beethoven, Ludwig van, Composer -- Bach, Johann Sebastian, Composer</marc:subfield>
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            <marc:subfield code="a">A "triumph of remembrance," wrote the daily &lt;i&gt;Die Welt&lt;/i&gt; in its online service following a stirring concert that left its audience hovering between hushed reverence and deafening exultation. The Golden Hall of Vienna's Musikverein was the dazzling venue for the live recording of one of four concerts given by the Berlin Philharmonic Orchestra under Seiji Ozawa and with Anne-Sophie Mutter. The series began in Berlin's Philharmonie before going on to Paris, Lucerne and Vienna, where it culminated on 28 January. And there, in Vienna, Karajan's "Berliner" never sounded better, evoking "a time which self-confidently sought the private and subjective in music, and believed it could find them in the mirror of the works" (Frankfurter Allgemeine Zeitung).

The program begins with Beethoven's Violin Concerto, Op. 61 performed by Anne-Sophie Mutter, who was discovered by Karajan and first played with the Berlin Philharmonic under his direction at the Salzburg Easter Festival in 1977. Her performance glows with a sensuality and ethereal beauty that turn her interpretation into a memorial for two men whom she grew up with, Beethoven and Karajan. As an encore, Mutter plays Bach's Sarabande in D minor "in memoriam Herbert von Karajan," as she announces. Tchaikovsky's "Pathétique" is given a powerful, full-bodied account under Seiji Ozawa, who studied under Karajan and was warmly encouraged and supported by the maestro. Here Ozawa lets the Berlin Philharmonic - the orchestra that Karajan headed for over 30 years - revel in the rich, creamy orchestral sound that the maestro cultivated, lush with the savors of all the timbres and colors of this top-class ensemble. It is a concert that commemorates Herbert von Karajan for the ages in a supremely moving manner.</marc:subfield>
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            <marc:subfield code="a">Freni, Mirella, Artist -- Bumbry, Grace, Artist -- Vickers, Jon, Artist -- Díaz, Justino, Artist -- Vienna State Opera Chorus, Choir -- Karajan, Herbert von, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Halévy, Ludovic, Lyricist -- Meilhac, Henri, Lyricist -- Bizet, Georges, Composer</marc:subfield>
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            <marc:subfield code="a">If Herbert von Karajan continues to be a looming presence in today's classical music world, then it is not only because of his more than 800 records and CDs, but also because of the many hours of video recordings which he produced over the course of many years. He began preserving his performances on film back in 1965 with &lt;i&gt;La Boheme&lt;/i&gt;. His &lt;i&gt;Carmen&lt;/i&gt; is based on his 1966 production for the Salzburg Festival with Grace Bumbry &amp;#x2013; one of the greatest interpreters of the title role in our time -, Jon Vickers, Mirella Freni and Justino Diaz in the lead roles. Perhaps the most popular opera in the world today, &lt;i&gt;Carmen&lt;/i&gt; began its life as a failure when it was premiered in Paris in 1875. Tchaikovsky, however, who was in Paris at the time, prophesied that the opera would be a global success in only ten years. It took a little longer, but his prophecy did come true... and with works such as the &lt;i&gt;Habanera&lt;/i&gt;, the &lt;i&gt;Toreador Song&lt;/i&gt;, the &lt;i&gt;Seguidilla&lt;/i&gt; and the &lt;i&gt;Flower Song&lt;/i&gt;, how could the prophecy not come true?</marc:subfield>
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            <marc:subfield code="a">Rafael Kubelik was a full-blooded musician. Every performance of his radiated a feeling of spontaneity, impulsiveness and joy. Kubelik died in Lucerne in August 1996 at the age of 82 after a long illness. Bruckner&amp;#x2019;s Fourth had a tortuous history, beginning with a first version in 1874 and leading to a number of revisions, both major and minor, culminating in a heavily cut first publication of the score in 1889. This first edition, however, violated Bruckner&amp;#x2019;s express wishes that the score be printed in its entirety. After World War II, a new scholarly edition was published and is generally used for performances to this day. Rafael Kubelik leads the Vienna Philharmonic Orchestra in this recording.</marc:subfield>
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            <marc:subfield code="a">Der fliegende Holländer (The Flying Dutchman) (Bayreuth Festival, 1985) (NTSC) ( 02 hrs., 17 min. ) / Wagner</marc:subfield>
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            <marc:subfield code="a">Salminen, Matti, Artist -- Clark, Graham, Artist -- Bayreuth Festival Chorus, Choir -- Nelsson, Woldemar, Conductor -- Bayreuth Festival Orchestra, Orchestra -- Schlemm, Anny, Artist -- Balatsch, Norbert, Conductor -- Estes, Simon, Artist -- Schunk, Robert, Artist -- Balslev, Lisbeth, Artist -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">For his production of &lt;i&gt;The Flying Dutchman&lt;/i&gt;, premiered in 1978, Harry Kupfer chose the original Dresden version of 1843, which has a rougher, more muscular texture than the subsequent editions. When &lt;i&gt;The Flying Dutchman&lt;/i&gt; was performed in Zurich and Munich, Wagner himself revised the work, softening the instrumentation and appending the "redemption" conclusions to the overture and the third act. What was the reason for the heated disputes which took place between the conservative Bayreuth Wagnerians and the more progressive lovers of the composer's music? Harry Kupfer's production presents the entire story of the Flying Dutchman as a hallucination, a figment of Senta's disturbed imagination. She is seen by the director as a highly neurotic, even schizophrenic young girl, whose yearning for the eternally wandering Dutchman puts her into a trance-like state, in which her own internal drama is acted out in the form of a vision. By having the character leap through the window to her death at the end of the opera, Harry Kupfer has placed a highly personal interpretation on Wagner's notion of "redemption".</marc:subfield>
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            <marc:subfield code="a">BRAHMS, J.: Deutsches Requiem (Ein) (Thielemann) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Ein Deutsches Requiem (NTSC) ( 00 sec. ) / Brahms</marc:subfield>
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            <marc:subfield code="a">Schäfer, Christine, Artist -- Gerhaher, Christian, Artist -- Thielemann, Christian, Conductor -- Munich Philharmonic Orchestra, Orchestra -- Bavarian Radio Chorus, Choir -- Brahms, Johannes, Composer</marc:subfield>
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            <marc:subfield code="a">Johannes Brahms composed his Requiem in 1865/66, shortly after the death of his mother. A profoundly moving work for soprano and baritone solo, chorus and orchestra, it is the composer's largest single composition. No work did more to win Brahms international recognition and, after the first complete performance of the Requiem in Leipzig in 1869, he was regarded as one of the leading composers of his time. It was not the first requiem in German, but the first in which a composer pieced together his text from Bible passages in Martin Luther's German translation. It is an intensely personal selection which speaks to the living and seeks to offer hope and comfort. Through his subtle, almost surreal, affinity to Brahms's unorthodox, elusive worldview, conductor Christian Thielemann has crafted a performance that places him among the best interpreters of this work, such as Maazel, Furtwängler, Karajan, Klemperer... An acknowledged specialist of Romantic music, Thielemann "put forth a dignified account that offers considerable material for reflection. At the end, one understood all too well why the audience was requested to refrain from applauding at the end. For the seventh and last section is the solemn, meditative chorus "Selig sind die Toten" ... In Thielemann's hands, this ending became the work's delicate, expressive climax" (Joachim Kaiser, Suddeutsche Zeitung). The soloists in this production, which was recorded at Munich's Philharmonie in April 2007 with the Munich Philharmonic, also rank among the best in their voice ranges. Christian Gerhaher has become particularly noted as a Lied singer and won the prestigious Echo Klassik award in 2002 for his recording of Schubert's &lt;i&gt;Winterreise.&lt;/i&gt; He has since established himself as a sought-after baritone in many opera roles. Soprano Christine Schäfer has won rave reviews above all for her impassioned interpretations of Mozart roles such as Cherubino and Donna Anna. In the Brahms Requiem, "she transforms the "Ihr habt nun Traurigkeit" into an angelic hymn, clear and wondrously beautiful, removed from all pain and suffering. Flawless" (Joachim Kaiser, Süddeutsche Zeitung).</marc:subfield>
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            <marc:subfield code="a">HANDEL, G.F.: Admeto (Gottingen Handel Festival, 2009) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Admeto, re di Tessaglia, HWV 22 (Gottingen Handel Festival, 2009) (NTSC) ( 03 hrs., 01 min. ) / Handel</marc:subfield>
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            <marc:subfield code="a">Bates, David, Artist -- Friedrich, Wolf Matthias, Artist -- Blaise, Kirsten, Artist -- Arnet, Marie, Artist -- McGegan, Nicholas, Conductor -- Mead, Tim, Artist -- Berger, William, Artist -- Göttingen Festival Orchestra, Orchestra -- Radley, Andrew, Artist -- Mamu Dance Theatre, Ensemble -- Endo, Tadashi, Artist -- Aureli, Aurelio, Lyricist -- Handel, George Frideric, Composer</marc:subfield>
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            <marc:subfield code="a">When one of Germany's most famous filmmakers and stimulating operatic directors focuses her creativity on a rarely performed Handel opera, the result is a "mixture of dancers and singers, comedy and pathos" (The Times). &lt;i&gt;Admeto&lt;/i&gt;, one of Handel's most popular operas in his lifetime, was premiered in London in January 1727. Doris Dörrie, whose Japan-inspired feature film "Cherry Blossoms - Hanami" was a major German box-office hit and won several international awards, returns to her beloved Japan in this production. Flowing robes, translucent panels and the participation of Japan's Mamu Dance Theater and its choreographer/dancer Tadashi Endo add an evocative dimension to the work whose lead roles were written for a popular castrato and two rivaling primadonnas. Sensitively directed for video by Agnes Méth, who worked with Dörrie on Mozart's &lt;i&gt;La finta giardiniera&lt;/i&gt; at the Salzburg Festival, the opera is played by Nicholas McGegan's FestspielOrchester Göttingen on period instruments. For this production, a coproduction of the Internationale Händel-Festspiele in Göttingen and the Edinburgh International Festival on the occasion of the 250th anniversary of Handel's death, Doris Dörrie was awarded the Edinburgh Festival's prestigious Herald Angel Award.</marc:subfield>
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            <marc:subfield code="a">WAGNER, R.: Lohengrin (Bavarian State Opera, 2009) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Lohengrin (Bavarian State Opera, 2009) (NTSC) ( 03 hrs., 20 min. ) / Wagner</marc:subfield>
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            <marc:subfield code="a">Kaufmann, Jonas, Artist -- Schuster, Michaela, Artist -- Bavarian State Opera Chorus, Choir -- Nagano, Kent, Conductor -- Bavarian State Orchestra, Orchestra -- Koch, Wolfgang, Artist -- Harteros, Anja, Artist -- Fischesser, Christof, Artist -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">"[Munich's] National Theater was filled with pure, exquisite Wagnerian vocal bliss; the Bavarian State Opera was a Valhalla on earth" (Die Welt). With Jonas Kaufmann's long-awaited role debut as Lohengrin and Anja Harteros as Elsa, Wagner's epic of love and loss was not only the opening premiere of the Munich Opera Festival, but its uncontested highlight as well. Which is why the performance was followed not only by a long-sold-out house, but also by tens of thousands of spectators at a live public viewing event in Munich and Vienna.

Under General Music Director Kent Nagano, the ensemble of the Munich Opera triumphantly confirmed that, with this production at the latest, it belongs in the pantheon of the great Wagner houses of our time. Commanding the public's attention with every note, especially in the incredible pianissimi of the Grail Narrative, tenor Jonas Kaufmann gave eloquent proof of his reputation as "one of the most important, and versatile, singers of our age" (The Times). Fully matching Kaufmann's consummate artistry is Anja Harteros, an imposing, charismatic beauty who has been at home on the world's largest stages since her spectacular Met debut. Renowned director Richard Jones "gives each character the required psychological depth" (La Libre Belgique).</marc:subfield>
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            <marc:subfield code="a">The phenomenal Edita Gruberova, the world's undisputed Queen of bel canto, proves once again why she deserves this title: following her tumultuously applauded concert debut as Lucrezia Borgia in Barcelona, her mesmerizing role debut in a staged version of this work took place at the Bavarian State Opera and was acclaimed just as enthusiastically, and rightly so. Her performance, noted &lt;i&gt;Opera Magazine,&lt;/i&gt; "vindicated the Munich audience's near-idolization of her".

With &lt;i&gt;Lucrezia Borgia,&lt;/i&gt; Gruberova follows up her recent triumphs in &lt;i&gt;Roberto Devereux&lt;/i&gt; and &lt;i&gt;Norma&lt;/i&gt; with another bel canto masterwork. Singing with "exquisite purity" (Opera Magazine), the soprano also beguiles with her physical presence. Stage director Christof Loy and two-time Emmy Award-winning video director Brian Large both focus on the plot's dramatic potential and Gruberova's talent for expressing it with every tone and gesture. The singer is excellently paired with young tenor Pavol Breslik as her son Gennaro. Breslik, a native of Slovakia like Gruberova, gives such a radiant interpretation of the tormented youth that he is now being hailed as "the most promising new voice among lyrical tenors" (Neue Zürcher Zeitung).</marc:subfield>
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            <marc:subfield code="a">For Johann Sebastian Bach, February 15, 1981 was no doubt one of the darkest days of his afterlife: on this day he lost one of his greatest champions in the 20th century, Karl Richter. Over the course of his long career as conductor, organist and harpsichordist, Richter had become synonymous with Bach. He founded the Munich Bach Choir and the Munich Bach Orchestra. He helped trigger the Bach revival in the 1950s. He was the spirit behind the Ansbach Bach Festival. He turned his adopted city of Munich into a Bach center. And he recorded all the major choral and orchestral works of Bach, including more than 100 cantatas.

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            <marc:subfield code="a">Artur Rubinstein was one of the greatest pianists of the 20th century. Born in Lodz in 1887, he took piano lessons in his native city and at the Warsaw Conservatory. In Berlin he continued his training and debuted there in 1900 under the musical direction of Joseph Joachim. This was followed by appearances in America and many European countries. At the beginning of the First World War, he vowed never to play again in Germany. As a Pole and Jew, he renewed this vow and maintained it till the end of his life. After three decades of active concert activity, the bon-vivant Rubinstein took an artistic pause in 1932 and returned to public performance in 1937, at the age of 50. Rubinstein, the "blessed virtuoso" as Thomas Mann once called him, worked with the most famous musicians of his time, made recordings and was celebrated all over the world as the "pianist of the century."

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            <marc:subfield code="a">For a stage production of Goethe's &lt;i&gt;Egmont&lt;/i&gt; planned for spring 1810, the Vienna Burgtheater commissioned Beethoven to compose incidental music to Goethe's tragedy. Although Beethoven was a great admirer of Goethe and was profoundly flattered by this commission, he did not complete the music by the time the play was given its premiere on 24 May 1810. Only at the third performance of the play on 15 June was Beethoven's music heard for the first time. Like the &lt;i&gt;Leonore&lt;/i&gt; overtures, the &lt;i&gt;Egmont&lt;/i&gt; also foreshadows the events to come. In &lt;i&gt;Egmont&lt;/i&gt;, they are encapsulated in the main theme of defiance of tyranny, which gives the music its explosive power. 

Music for the masses! This could have been the war cry of both Beethoven and Karajan. For this they had in common: the wish to reach out to millions and ensure the survival of their art. Beethoven, at the dawn of the romantic era, no longer wrote exclusively for titled patrons, but for the middle classes. To reach them, he needed new means of popularizing and distributing his works, such as concerts for paying audiences and the publication of arrangements for everything from piano to brass band. In the mid 20th century, Herbert von Karajan also saw a new way of reaching out to greater numbers of people through the combination of picture and sound - the video recording. This recording of the &lt;i&gt;Egmont Overture&lt;/i&gt; dates from 1975 and is part of a special "overture" special produced with the Berlin Philharmonic.</marc:subfield>
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            <marc:subfield code="a">The &lt;i&gt;Fourth Symphony&lt;/i&gt; was first performed in Vienna in 1807 at the home of one of Beethoven's patrons, Prince Franz Joseph Lobkowitz. Compared with the &lt;i&gt;Third Symphony&lt;/i&gt;, the &lt;i&gt;Fourth&lt;/i&gt; is more modest and traditional; its style and structure are closer to the &lt;i&gt;Second&lt;/i&gt;. The &lt;i&gt;Fourth Symphony&lt;/i&gt; is not a monumental work; on the contrary, the orchestra is the smallest for any Beethoven symphony. The gentle harmony and placidity of this symphony prompted the French composer Hector Berlioz to comment about the second movement: "...the being who wrote such a marvel of inspiration... was not human." 

This recording is part of Bernstein's complete cycle of Beethoven symphonies recorded with the Vienna Philharmonic Orchestra live in Vienna. The series won the Ace Award, the U.S. Cable TV Association's top award for outstanding quality and entertainment value. Bernstein's impassioned renderings of Beethoven move audiences in a unique way. "Beethoven has always meant universality to me, ever since my early adolescence, when I first heard that unforgettable cry of 'Brüder!'. From that moment on, every... symphony came to mean heart-to-heart communication, travelling satellite-fashion via the cosmos itself. I offer [this cycle] to all music-loving ears as a testament of faith and of my most profound reactions to this greatest of all composers." (Leonard Bernstein, 1980)</marc:subfield>
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            <marc:subfield code="a">Nature was often Beethoven's companion during his long solitary walks in the countryside near Vienna. His communion with nature brought forth the &lt;i&gt;Pastoral Symphony&lt;/i&gt;, composed between in 1807/1808. Its first performance took place in Vienna on 22 December 1808. Each of the &lt;i&gt;Pastoral&lt;/i&gt;'s five movements (it is Beethoven's only five-movement symphony) bears a descriptive title, suggesting a scene from country life. In the second movement, woodwinds imitate bird calls: flute (nightingale), oboe (quail)and clarinet (cuckoo). Beethoven's joy is expressed throughout the work: "How glad I am to be able to roam in woods and thickets, among the trees,flowers and rocks", he said. "No one can love the country as I do... my bad hearing does not trouble me here."

This recording is part of Bernstein's complete cycle of Beethoven symphonies recorded with the Vienna Philharmonic Orchestra live in Vienna. The series won the Ace Award, the U.S. Cable TV Association's top award for outstanding quality and entertainment value. Bernstein's impassioned renderings of Beethoven move audiences in a unique way. "Beethoven has always meant universality to me, ever since my early adolescence, when I first heard that unforgettable cry of 'Brüder!'. From that moment on, every... symphony came to mean heart-to-heart communication, travelling satellite-fashion via the cosmos itself. I offer [this cycle] to all music-loving ears as a testament of faith and of my most profound reactions to this greatest of all composers." (Leonard Bernstein, 1980)</marc:subfield>
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            <marc:subfield code="a">"Catch Joyce DiDonato and Juan Diego Flórez in what may just be definitive performances in Rossini's enchanting rags-to-riches rendition," entreated James Sohre in his review of Rossini's beloved drama giocoso &lt;i&gt;La Cenerentola&lt;/i&gt; in Opera Today. This recording from Barcelona's Gran Teatre del Liceu captures all the vocal sparks and dazzle generated by these two phenomenal singers.

With his airy, effortless high notes and perfect command of rapid-fire Rossinian parlando, the charismatic Flórez once again proves that he was born to sing Rossini. American mezzo Joyce DiDonato is not only a beautiful Angelina and a stunning presence, but also a prodigiously gifted artist who moves with ease and grace from the most delicate pianissimi to the most heartrending outbursts of passion. A noted bel canto singer, Ms. DiDonato won the Metropolitan Opera's Beverly Sills Award in 2007.

Coproduced by the Houston Grand Opera, the Welsh National Opera Cardiff and Geneva's Grand Théâtre in addition to the Liceu, this international undertaking boasts a truly cosmopolitan flair. Conducting the Orchestra of the Gran Teatre del Liceu, Patrick Summers leads "an effervescent reading" (Opera Today) that is fully supported by the rest of the top-notch cast. Director Joan Font and his set and costume designer Joan Guillén keep the audience busy with many lovingly crafted details, including dancers costumed as rats, cheerily colorful costumes and imaginative lighting effects, courtesy of Albert Faura. Light and bubbly, this is Rossini at his finest!</marc:subfield>
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            <marc:subfield code="a">"This production quite possibly shows us the path that musical theater will be taking in the future" (Die Zeit). Indeed, the Catalan city of Valencia is setting new accents in 21st-century opera not only with its spectacular, futuristic opera house, the Palau de les Arts "Reina Sofía" designed by Santiago Calatrava, but also with the visually transfixing production of Wagner's &lt;i&gt;Ring&lt;/i&gt; staged there by Carlus Padrissa and his theater group La Fura dels Baus. The Barcelona-based Fura became known internationally when it designed and carried out the opening ceremonies of the 1992 Barcelona Olympics, and made its breakthrough in the classical world with its production of Berlioz's &lt;i&gt;La damnation de Faust&lt;/i&gt; at the 1999 Salzburg Festival.

The Fura's trademark is its spellbinding fusion of movement, sound, music, dance, acrobatics and technology into unforgettable stage events of sometimes raw but always captivating power. In the world of opera, the ensemble has defined its personal style through its exploitation of large-screen projections, the extraordinary mobility of the performers, and the magical use of human beings to create organic structures that evoke objects such as Valhalla (in this &lt;i&gt;Ring&lt;/i&gt; production). Indeed, La Fura was predestined for Wagner's visionary world: his dream of a &lt;i&gt;Gesamtkunstwerk&lt;/i&gt; becomes reality as a shape-shifting sequence of tableaux unfolds before our eyes with all the elements that constitute the "lenguaje furero" or "Fura idiom".

Eminent conductor Zubin Mehta leads world-class Wagner singers such as Matti Salminen, Peter Seiffert, Juha Uusitalo, Jennifer Wilson and Lance Ryan. Most prominent among the younger cast members are Jennifer Wilson, a "singer we'll be hearing more of" (Frankfurter Allgemeine Zeitung) and Juha Uusitalo, whom the F.A.Z. hailed as a new "Number One among the opera gods". Equally outstanding is the Orquestra de la Comunitat Valenciana, one of the "youngest and best opera orchestras in Europe" (Opernglas), playing "with rapturous beauty under Zubin Mehta. [...] The suppleness, rhythmic presence and singer-friendly dynamic that Mehta achieves with this orchestra are nothing less than miraculous" (F.A.Z.).</marc:subfield>
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This performance of Elgar's "Enigma" Variations forms an historic account of the first concert Sir Georg Solti conducted as chief conductor of the LPO in 1979. It is also the first video release with Solti performing Elgar's Symphony No. 2. Solti, who prepared new works by listening to Elgar's own recordings, identified closely with his music. The virtuoso playing of the orchestra combined with his fresh, energetic approach make for an exciting, uplifting experience.</marc:subfield>
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The first two performances on this video feature David Oistrakh in one of his favourite performing partnerships, with his son, violinist Igor Oistrakh. Bach's Concerto for Two Violins in D minor, BWV 1043 formed the duo's first foreign engagement whilst Mozart's Sinfonia Concertante was performed two years later in a sell-out performance at the Royal Albert Hall. Kirill Kondrashin, one of Oistrakh's preferred conductors, directs Brahms' Violin Concerto in D major, which has all the warmth and confidence one would expect from a classic Oistrakh recording.</marc:subfield>
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The winner of the 1970 Chopin Piano Competition and one of the leading exponents of Chopin's works, Ohlsson displays brilliance and depth of feeling in this recital performance, filmed only four years after he won first prize. He demonstrates both subtlety and warmth of sound in his performance of Brahms's Piano Concerto No. 2 in B flat major, where his technical mastery is also evident. This video features exhilarating and spontaneous interpretations from a true master of the piano.</marc:subfield>
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This performance of extracts from &lt;i&gt;The Creatures of Prometheus&lt;/i&gt; is a rare one, Munch having only conducted the ballet at the BSO in one season. He breathes life into his performances of Symphonies Nos. 4 and 5, which are executed with excitement, exuberance and panache.</marc:subfield>
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Antoni Wit's performances of Szymanowski's Third and Fourth Symphonies embody the distinguished and idiomatic conducting style for which he is widely recognised. An outstanding communicator, Wit exhibits exceptional attention to detail in his rendition of these two great works with his own orchestra and choir.</marc:subfield>
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            <marc:subfield code="a">The &lt;i&gt;ICA Classics Live&lt;/i&gt; series features performances from ICA's own artists recorded in prestigious venues around the world. The majority of the recordings are enjoying their first commercial release.

This outstanding performance of Mahler's &lt;i&gt;Sixth Symphony&lt;/i&gt; formed part of Hartmut Haenchen's &lt;i&gt;Mahler Cycle&lt;/i&gt; with the La Monnaie Symphony Orchestra. Haenchen is renowned and respected for his interpretations of Mahler and Wagner and has had a significant presence in many of the world's leading opera houses. An expressive and dramatic rendition of the &lt;i&gt;Tragische&lt;/i&gt;, Haenchen's high intellect and musical integrity are apparent.</marc:subfield>
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            <marc:subfield code="a">PUCCINI, G.: Tosca (Arena di Verona, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Raimondi, Ruggero, Artist -- Previati, Fabio, Artist -- Facini, Enrico, Artist -- Alvarez, Marcelo, Artist -- Cedolins, Fiorenza, Artist -- Arena of Verona Choir, Choir -- Oren, Daniel, Conductor -- Spotti, Marco, Artist -- Arena of Verona Orchestra, Orchestra -- Pelizon, Giuliano, Artist -- Nardinocchi, Angelo, Artist -- Voci Bianche Chorus, Choir -- Dorrucci, Ottavia, Artist -- Giacosa, Giuseppe, Lyricist -- Puccini, Giacomo, Composer -- Illica, Luigi, Lyricist</marc:subfield>
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            <marc:subfield code="a">It is an event that draws many thousands of music lovers to Verona every summer: the opera season at the ancient Roman Arena. One of the highlights of the 2006 season was the riveting production of Puccini's &lt;i&gt;Tosca&lt;/i&gt; by Argentine director Hugo de Ana. Nearly 15,000 spectators regularly filled the amphitheater for the performances of the Puccini favorite with a stellar cast - Fiorenza Cedolins, Marcelo Alvarez and Ruggero Raimondi - under the baton of Daniel Oren.

This recording captures the magical atmosphere of Verona's Arena: the balmy night air, the starry sky, the grandiose pageant of sumptuous sets and costumes, the awe-inspiring effects of light and sound - including guns and cannons in this production marked by a stylized realism. At the center of De Ana's stage concept is a giant replica of the head of the "Angelo di Castello", an 18th-century bronze statue of the archangel Michael holding a sword. After being restored, it was recently returned to its place atop the Castel Sant'Angelo in Rome, where the third act of the opera takes place. "An altogether perfect staging, with the director exploiting to the fullest the vast space of the amphitheater and designing grandiose scenes and magnificent costumes," wrote Italian daily Corriere della Sera.

Amidst the surreal procession of bishops, the great wave of soldiers marching across the stage, and the cannons booming in the background, which symbolize the ever-present horror of the war, Fiorenza Cedolins holds her own as a powerful yet supremely feminine Tosca. Argentine tenor Marcelo Álvarez, one of the top tenors of his generation, interprets Tosca's lover, the artist Cavaradossi, with melting lyricism and fierce passion. And as the villainous police chief Scarpia, the great Ruggero Raimondi brings a diabolical intensity to the mellow inflections of his baritone voice. Daniel Oren leads the orchestra and chorus of the Arena di Verona with verve and a powerful presence.</marc:subfield>
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            <marc:subfield code="a">VERDI, G.: Nabucco (Arena di Verona, 2007) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Colombara, Carlo, Artist -- Nucci, Leo, Artist -- Cigna, Patrizia, Artist -- Guleghina, Maria, Artist -- Surguladze, Nino, Artist -- Bosi, Carlo, Artist -- Striuli, Carlo, Artist -- Arena of Verona Choir, Choir -- Oren, Daniel, Conductor -- Arena of Verona Orchestra, Orchestra -- Sartori, Fabio, Artist -- Faelli, Marco, Chorus Master -- Verdi, Giuseppe, Composer -- Solera, Temistocle, Lyricist</marc:subfield>
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            <marc:subfield code="a">After his first two operas &lt;i&gt;Oberto&lt;/i&gt; and &lt;i&gt;Un giorno di regno&lt;/i&gt;, Verdi fell into a depression that dissipated only when he was shown the libretto to &lt;i&gt;Nabucco&lt;/i&gt; and discovered the chorus &lt;i&gt;Va, pensiero&lt;/i&gt;.  The words sung by the Hebrew exiles made an indelible impression on the composer, who also saw the political potential within them: an echo of the Italians' longing for freedom and a unified nation. 

This video production vividly captures this unique experience and provides the viewer with fascinating details that escape many of the Arena's spectators. Stage director Denis Krief casts the work in a sparse modern setting, providing a highly effective showcase for the true heroes of the evening, the singers under conductor Daniel Oren. The chorus of the Hebrew captives is so perfect that it is probably impossible to find it sung anywhere else more beautifully than in Verona. 

As so often in the Arena, the chorus presents itself as protagonist and perfectly homogeneous ensemble in this acoustically delicate theater. But with Leo Nucci as an aging Nabucco reminiscent of Lear, Fabio Sartori as his antagonist Ismaele and Maria Guleghina as a power-hungry Abigaille, the stage was dominated by three brilliantly disposed soloists who rousingly did justice to the drama of their characters, who are struggling for power and love.</marc:subfield>
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            <marc:subfield code="a">VERDI, G.: Messa da Requiem (Maazel) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Messa da Requiem (NTSC) ( 01 hrs., 36 min., 08 sec. ) / Verdi</marc:subfield>
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            <marc:subfield code="a">Fantini, Norma, Artist -- Fiorentino Maggio Musicale Chorus, Choir -- Maazel, Lorin, Conductor -- Siwek, Rafal, Artist -- Meli, Francesco, Artist -- Symphonica Toscanini, Orchestra -- Smirnova, Anna, Artist -- Verdi, Giuseppe, Composer -- Mass Text, Lyricist</marc:subfield>
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            <marc:subfield code="a">Celebrated conductor Lorin Maazel, a young orchestra of outstanding musicians, four high-caliber soloists and one of the great choral works of musical literature &amp;#x2013; this alone would make this live recording of Verdi's Requiem a stand-out document of filmed music. But there is more: the venue of this grandiose performance is the Basilica of San Marco in Venice, with its shimmering golden Byzantine mosaics framed by mighty pillars and arches. Modeled on Constantine the Great's Church of the Holy Apostles in Constantinople, the 11th-century basilica has been the workplace of many a great musician in the past, such as Claudio Monteverdi, Adrian Willaert and Giovanni Gabrieli.

Lorin Maazel, Music Director of the New York Philharmonic Orchestra, is also the Music Director of the Symphonica Toscanini, a young orchestra founded in May 2006 that has performed under Zubin Mehta, Georges Prêtre and Kurt Masur. "In recent tours of Europe and the U.S., the musicians expressed their unique musical potential by playing so harmoniously and compellingly as a group that they conquered every audience," said Maazel. The recording also features distinguished soloists Norma Fantini, soprano; the young Anna Smirnova, mezzo-soprano; Francesco Meli, tenor; and Rafal Siwek, bass. The Chorus of the Maggio Musicale Fiorentino supplies a masterfully nuanced vocal support.

When the great Italian author Alessandro Manzoni died in 1873, Giuseppe Verdi expressed the wish to write a Requiem mass in his honor. The work was premiered in Milan in May 1874, on the first anniversary of Manzoni's death. The Requiem is emotionally intense, highly dramatic, often lyrical, sometimes blatantly operatic, and always melodiously captivating &amp;#x2013; qualities that are heightened here by the grandeur of the Basilica of San Marco.</marc:subfield>
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            <marc:subfield code="a">Lucio Silla, K. 135 (Salzburg Festival, 2006) (NTSC) ( 02 hrs., 29 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Saccà, Roberto, Artist -- Bacelli, Monica, Artist -- Kleiter, Julia, Artist -- Cangemi, Verónica, Artist -- Massis, Annick, Artist -- Teatro la Fenice Orchestra, Orchestra -- Ferrari, Stefano, Artist -- Teatro la Fenice Chorus, Choir -- Netopil, Tomáš, Conductor -- Mozart, Wolfgang Amadeus, Composer -- De Gamerra, Giovanni, Lyricist</marc:subfield>
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            <marc:subfield code="a">Following the success of his &lt;i&gt;Mitridate,&lt;/i&gt; Mozart received another commission to write an opera for Milan, a dramma per musica in three acts. He began working on &lt;i&gt;Lucio Silla&lt;/i&gt; in late 1772, while on his third trip to Italy. Although the rehearsals were fraught with problems caused by recalcitrant singers, the work was nevertheless given 26 performances to full houses. Yet despite this success, &lt;i&gt;Lucio Silla&lt;/i&gt; was the last opera Mozart wrote for Italy.

"I see it as a kind of political thriller, the story of a plot against an inhuman regime. [...] &lt;i&gt;Lucio Silla&lt;/i&gt; is, in my opinion, one of the few truly political pieces by Mozart." Director Jürgen Flimm conceived his production accordingly, delivering a taut and often breathtakingly raw interpretation of the story of the dictator Lucio Silla. Although the action unfolds in ancient Rome, Flimm has transposed it to Mozart's day, when absolutistic monarchs still held sway over Europe.

Coveting the betrothed of the senator Cecilio, the dictator Silla exiles the senator and declares him dead. Giunia, however, wards off Silla's advances and is happily reunited with Cecilio when he secretly returns. But Silla refuses to yield and tries to force Giunia to give herself to him. She refuses once, she refuses twice... Then Silla publicly announces their wedding. To prevent the wedding and end Silla's tyranny, Cecilio reappears in public and tries to assassinate Silla. The plot fails but - as one would expect in an opera seria - the dictator has a sudden change of mind and brings the story to a happy end.

Jürgen Flimm's staging is a coproduction with Venice's Teatro La Fenice, which also contributed its chorus and orchestra to the Salzburg adaptation. The stellar cast is dominated by Roberto Saccà as Silla, Annick Massis as Giunia and Monica Bacelli as Cecilio - all three at home on the world's greatest stages such as the Vienna State Opera, Barcelona's Liceu, London's Covent Garden Opera, La Scala, Palais Garnier...</marc:subfield>
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            <marc:subfield code="a">DONIZETTI, G.:  Fille du regiment (La) (Vienna State Opera, 2007) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Flórez, Juan Diego, Artist -- Caballé, Montserrat, Artist -- Alvarez, Carlos, Artist -- Vienna State Opera Orchestra, Orchestra -- Dessay, Natalie, Artist -- Abel, Yves, Conductor -- Bayard, Jean-François-Alfred, Lyricist -- Donizetti, Gaetano, Composer -- Saint-Georges, Jules-Henri Vernoy de, Lyricist</marc:subfield>
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            <marc:subfield code="a">Gaetano Donizetti may have achieved immortality with his comic operas &lt;i&gt;Don Pasquale&lt;/i&gt; and &lt;i&gt;L'Elisir d'amore,&lt;/i&gt; and won a lasting place in the hearts of coloratura sopranos everywhere with &lt;i&gt;Maria Stuarda&lt;/i&gt; and &lt;i&gt;Lucia di Lammermoor,&lt;/i&gt; but for sheer entertainment, his &lt;i&gt;La Fille du Régiment&lt;/i&gt; can't be beat. Especially when it's served in such a saucy, light-footed way by director Laurent Pelly in this coproduction of the Vienna State Opera, London's Covent Garden and New York's Metropolitan Opera. The plot revolves around Marie, the "daughter of the regiment", who was found on the battlefield as a baby and raised by the soldiers as their daughter. She falls in love with the young Tyrolean Tonio, who joins the regiment in order to be near her. When the Marquise de Birkenfeld hears about Marie, she claims that she is her long-lost niece, whom she will turn into a lady... Her plans backfire, of course, as Marie will never abandon her Tonio and most certainly never become a lady! French soprano Natalie Dessay, not only a dazzling singer but also a gifted actress, effortlessly sweeps her castmates along in this turbulent buffo delight of an opera.

Her partner is Juan Diego Florez, one of the leading young tenors of our time. Clad in lederhosen, he cheerfully seduces Marie &amp;#x2013; and the audience &amp;#x2013; with his voice and his looks. And he effectively brings down the house with his jauntily tossed-off aria &lt;i&gt;Pour mon ame&lt;/i&gt; and its nine high Cs. Baritone Carlos Alvarez gives an unforgettably comical account of Sergeant Sulpice, who watches over Marie and would much rather have her marry a Duke than a Tyrolean peasant. But perhaps the most uproarious moment in the performance is the scene-stealing appearance of the grandiose Montserrat Caballe as the Duchess of Krakenthorp, a non-singing cameo role that she speaks multilingually, partly improvised, and with irresistible charm. And, to the delight of all, she sings the Swiss yodeling song &lt;i&gt;S'Schatzeli,&lt;/i&gt; one of her favorite recital encores. Yves Abel leads the Vienna State Opera Orchestra in this rousing interpretation of a work that holds its own with Donizetti's beloved warhorses!</marc:subfield>
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            <marc:subfield code="a">TCHAIKOVSKY, P.I.: Eugene Onegin (Salzburg Festival, 2007) (Blu-ray, HD)</marc:subfield>
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            <marc:subfield code="a">Eugene Onegin, Op. 24 (Salzburg Festival, 2007) (Blu-ray, HD) ( 02 hrs., 10 min. ) / Tchaikovsky</marc:subfield>
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            <marc:subfield code="a">Furlanetto, Ferruccio, Artist -- Barenboim, Daniel, Conductor -- Mattei, Peter, Artist -- Gubanova, Ekaterina, Artist -- Vienna State Opera Chorus, Choir -- Vienna Philharmonic Orchestra, Orchestra -- Kaiser, Joseph, Artist -- Samuil, Anna, Artist -- Shilovsky, Konstantin, Lyricist -- Tchaikovsky, Pyotr Il'yich, Composer</marc:subfield>
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            <marc:subfield code="a">Tchaikovsky is best known for his symphonic scores and ballets such as the &lt;i&gt;Nutcracker&lt;/i&gt;, &lt;i&gt;Swan Lake&lt;/i&gt; and &lt;i&gt;Sleeping Beauty&lt;/i&gt;. Yet his operas also occupy a place of honor in his oeuvre, and two of them, &lt;i&gt;Eugene Onegin&lt;/i&gt; and &lt;i&gt;The Queen of Spades&lt;/i&gt;, both based on novels by Pushkin, are among his very finest works.

The plot of &lt;i&gt;Onegin&lt;/i&gt; is quickly told: on a Russian country estate, awkward, inexperienced young Tatyana is seized by a sudden passion for the handsome, blase new neighbor Eugene Onegin. She writes him a love letter, but he makes it clear to her that he is not interested. Later, when Tatyana's sister flirts with Onegin, her fiancé challenges him to a duel and is killed. Years later, Onegin returns, finds that Tatyana has married an aged prince, and tries to win her back but fails. Tchaikovsky called his opera a sequence of "lyric scenes." Its structure prefigures narrative techniques that later came into use in cinema, such as abrupt cuts and chronological leaps, intimate close-ups, and atmospheric interjections. Bearing this practically cinematic structure in mind, director Andrea Breth has produced an intimate chamber play that mines the depths of veracity, precision and charisma of her singer-actors. The stage suggests both the concrete location of the action as well as the psychological condition of those driving the action forward.

The title role is a tour de force for any baritone, who must walk a tightrope between cynical, insufferable snob and sympathetic, broken-hearted lover. This is carried off superbly by Peter Mattei, who "has acquired a fabulous vocal profile and is a gifted actor blessed with debonair self-confidence" (Peter Hagmann, Neue Zurcher Zeitung). But the true hero of the opera is Tatyana, a multi-layered, conflicted, driven, doubt-ridden heroine. As portrayed by the dazzling Russian soprano Anna Samuil, this Tatyana "is ready to start a revolution" (Julia Spinola, F.A.Z.). Since her 2003 debut in the West and her appearance as Musetta (&lt;i&gt;La Boheme&lt;/i&gt;) at the Met alongside Anna Netrebko, Anna Samuil &amp;#x2013; a protegee of Daniel Barenboim &amp;#x2013; has been acclaimed as a vibrant new voice on the operatic stage. Daniel Barenboim and the Vienna Philharmonic accompany these "scenes of a marriage that could have been" with beguilingly dark sonorities that allow for brilliant flashes of light from the winds and waves of passionate lyricism in the third act.</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Don Giovanni (Salzburg Festival, 2008) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Don Giovanni, K. 527 (Salzburg Festival, 2008) (NTSC) ( 02 hrs., 57 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Röschmann, Dorothea, Artist -- Schrott, Erwin, Artist -- Polenzani, Matthew, Artist -- Siurina, Ekaterina, Artist -- Vienna State Opera Chorus, Choir -- Billy, Bertrand de, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Esposito, Alex, Artist -- Dasch, Annette, Artist -- Maltman, Christopher, Artist -- Kotscherga, Anatoli, Artist -- Mozart, Wolfgang Amadeus, Composer -- Da Ponte, Lorenzo, Lyricist</marc:subfield>
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            <marc:subfield code="a">Wild animals live in the woods. Robbers hide there. Mystery is at home there. And, when the woods are on the stage of Salzburg's Haus fur Mozart, a notorious ladies' man and his unsavory accomplice can also find shelter there. For here, in the dense forest planted by director Claus Guth, is the home of the rugged macho Don Giovanni, who, assisted by Leporello, lures the ladies with the heady scent of danger. In Guth's almost cinematic Salzburg Festival production, every character in Mozart's most realistic opera seems to carry a back-story of thwarted love and frustration. Everyone appears to be seeking either salvation or damnation in the woods &amp;#x2013; a compelling concept that removes the opera from its traditional pseudo-Seville squares and palaces.

Don Giovanni is played by Christopher Maltman. Donna Anna, played by Annette Dasch, Donna Elvira by Dorothea Roschmann and Zerlina by Ekaterina Siurina. With a physique as striking as his full-bodied baritone voice, Maltman embodies Don Giovanni as an almost reluctant seducer, a man fated to bring misery to women and, ultimately, to himself. Next to Maltman, it is Uruguayan bass-baritone Erwin Schrott who rivets the audience in this production: "Schrott's Leporello is an event in his own right, the event of the Salzburg &lt;i&gt;Don Giovanni&lt;/i&gt;" (Die Welt). This Leporello is no bumbling sidekick or nobleman's scapegoat, but his master's worthy companion on the road to perdition. Among the women, Roschmann gives a heart-stopping account of rage, passion and love in her arias. And Don Ottavio, played by Matthew Polenzani has nothing in common with the traditionally sweet but boring characterization of the eternal fiance. 

Under Bertrand de Billy, the Wiener Philharmoniker play with refreshing verve and spirit.</marc:subfield>
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            <marc:subfield code="a">HANDEL, G.F.: Messiah (Staged Version) (Theater an der Wien, 2009) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Croft, Richard, Artist -- Gritton, Susan, Artist -- Arnold Schoenberg Choir, Choir -- Boesch, Florian, Artist -- Horak, Cornelia, Artist -- Mehta, Bejun, Artist -- Ensemble Matheus, Ensemble -- Spinosi, Jean-Christophe, Conductor -- Pollmann, Martin, Artist -- Handel, George Frideric, Composer -- Bible - Old Testament, Lyricist</marc:subfield>
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            <marc:subfield code="a">On the occasion of the 250th anniversary of Handel's death, Vienna's Theater an der Wien, famous for innovative and unconventional opera productions, realized a unique and truly extraordinary project: the staging of one of Handel's most popular oratorios. For this production, the theater signed up one of the most renowned stage directors of our time, Claus Guth. The result: "An emotionally and psychologically changed sequences of images", as the Suddeutsche Zeitung wrote about Gith's portrayal of a family dynasty, complete with guilt, betrayal, suicide and reconciliation.

Conductor Jean-Christophe Spinosi triumphs "with his phenomenal orchestra (Ensemble Matheus) and the subtle Arnold Schoenberg Choir" (Suddeutsche Zeitung). Winner of the Diapason d'Ore and the BBC Music Magazine Award, the ensemble is internationally acclaimed for its interpretation of early music on authentic period instruments. Offering "the best of Handel vocal artistry" (Frankfurter Rundschau) are Cornelia Horak, Susan Gritton, Richard Croft and the sublime altus Bejun Mehta. Video director Hannes Rossacher, internationally known as one of the leading video directors for rock and pop events (Rolling Stones), has captured this unique performance of the oratorio on film.</marc:subfield>
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            <marc:subfield code="a">Filmed mainly in Vienna's splendid Musikvereinssaal, the Mozart symphonies conducted by Karl Bohm are all interpreted by one of the world's foremost orchestras, the Vienna Philharmonic Orchestra, whose principal conductors have included Wilhelm Furtwangler, Bruno Walter, Herbert von Karajan, Claudio Abbado and, of course, Karl Bohm. "Thanks to Bruno Walter's exemplary performances, particularly of Mozart's works, I grabbed on to Mozart and fell in love with him so much that I had only one wish: to conduct Mozart, Mozart, Mozart" (Karl Bohm).

The G minor Symphony is undoubtedly Mozart's most popular work in this genre. What makes it so exciting to us &amp;#x2013; and what endeared this work to 19th-century audiences &amp;#x2013; are its relentless passion and romantic tension. The very first bars set the scene: above a nervous, pulsating viola accompaniment enters an equally agitated principal theme. There is nothing spectacular here, and yet the &lt;i&gt;piano&lt;/i&gt; beginning &amp;#x2013; unusual for an 18th-century symphony &amp;#x2013; and the insistent rhythm are nothing less than gripping. The mastery with which Mozart then contrapuntally exploits the opening theme is simply breathtaking &amp;#x2013; particularly in the development section, which darts out into the most distant keys. After the profoundly touching Andante and uncompromising Minuet, the fiery Allegro assai, with its extravagant modulations in the development section, provides a worthy counterpart to the first movement.

Karl Bohm was universally acclaimed for his Mozart interpretations. Though Wagner was one of Bohm's first loves, his friendship with Richard Strauss led to a deep knowledge and appreciation of Mozart. In his autobiography, Bohm wrote that "Richard Strauss revealed to me the ultimate secrets of this, in my opinion, greatest of all musical geniuses, Mozart." Bohm's discovery of these secrets transformed his Mozart interpretations into unforgettable events.</marc:subfield>
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            <marc:subfield code="a">Valse nobles et sentimentales (version for orchestra) (NTSC) ( 00 sec. ) / Ravel -- Piano Concerto No. 1, BB 91 (NTSC) ( 00 sec. ) / Bartók -- L'oiseau de feu (The Firebird) (NTSC) ( 00 sec. ) / Stravinsky</marc:subfield>
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            <marc:subfield code="a">Put one of the world's greatest orchestras in the hands of one of the foremost specialists of 20th-century music, add a soloist who is one of today's leading pianists and conductors, and you are assured of a concert of superlatives that pays glowing tribute to three major works of the past century. The official Salzburg Festival opening concert of the Wiener Philharmoniker is conducted by Pierre Boulez, once the "enfant terrible" of the musical world, now a sensitive, analytical conductor of works from the 19th and 20th centuries.

Combining Béla Bartók's Piano Concerto No. 1 - Daniel Barenboim is the soloist - with Maurice Ravel's &lt;i&gt;Valses nobles et sentimentales&lt;/i&gt; and Igor Stravinsky's &lt;i&gt;Firebird&lt;/i&gt; ballet in its full-length version of 1910, Boulez weaves a compelling musical texture that uncovers the links among the three works and the three composers. The concert begins with a shimmering rendition of the &lt;i&gt;Valses nobles et sentimentales&lt;/i&gt;, an homage to Schubert and a farewell to the waltz itself. This work of bold dissonances, abrasive harmonies and colorful chromaticism is followed by Bartók's concerto of 1926, which seems to animate Ravel's tonal language with a percussive fury. The nearly 50-minute-long &lt;i&gt;Firebird&lt;/i&gt;, which a virtually unknown 28-year-old Stravinsky wrote for the Ballets Russes in 1910, also seems to have been inspired by Ravel's harmonic language while anticipating Bartók's wild accents and syncopations. "Boulez at his most responsive and insightful in all three works. And a grandiose orchestra - the Wiener Philharmoniker in top form" (Kurier).</marc:subfield>
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            <marc:subfield code="a">Overture ( 00 sec. ) / Verdi -- Act III: O souverain, o juge, o pere ( 00 sec. ) / Massenet -- Il padre! - Tenda natal ( 00 sec. ) / Ponchielli -- Act I: Lied: Heia, heia, in den Bergen ist mein Heimatland ( 00 sec. ) / Kálmán -- Act III: Dance of the Hours ( 00 sec. ) / Ponchielli -- Ideale (version for voice and orchestra) (NTSC) ( 00 sec. ) / Tosti -- Act I Scene 3: Wintersturme wichen dem Wonnemond ( 00 sec. ) / Wagner -- Il bacio (arr. for soprano and orchestra) (NTSC) ( 00 sec. ) / Arditi -- Overture ( 00 sec. ) / Suppé -- Act II: Gern hab' ich die Frau'n gekusst ( 00 sec. ) / Lehár -- Act II: Dein ist mein ganzes Herz! ( 00 sec. ) / Lehár -- No. 2 Eastern Song: Enslaved by the rose, the nightingale ( 00 sec. ) / Rimsky-Korsakov -- Act III: Duet: Lippen schweigen ( 00 sec. ) / Lehár -- Unter Donner und Blitz (Thunder and Lightning), Op. 324 (NTSC) ( 00 sec. ) / Strauss II -- Perhaps Love (NTSC) ( 00 sec. ) / Denver -- Les filles de Cadix (The Maids of Cadiz) (NTSC) ( 00 sec. ) / Delibes -- Si torero quiero si... ( 00 sec. ) / Penella -- Wien, Wien nur du allein  (Vienna, Vienna Just for You) (NTSC) ( 00 sec. ) / Sieczynski -- Amor, vida de mi vida ( 00 sec. ) / Moreno Torroba -- Act I: Ya mis horas felices ( 00 sec. ) / Soutullo -- Cacilie ( 00 sec. ) / Strauss -- La traviata, Act I: Libiamo, ne' lieti calci, "Brindisi" (Drinking Song) (NTSC) ( 00 sec. ) / Verdi</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Billy, Bertrand de, Conductor -- ORF Vienna Radio Symphony Orchestra, Orchestra -- Domingo, Plácido, Artist -- Villazón, Rolando, Artist -- Netrebko, Anna, Artist -- Vienna Chamber Choir, Choir -- Suppé, Franz von, Composer -- Stein, Leo, Lyricist -- Leon, Victor, Lyricist -- Lehár, Franz, Composer -- Piave, Francesco Maria, Lyricist -- Verdi, Giuseppe, Composer -- Kálmán, Emmerich, Composer -- Jenbach, Bela, Lyricist -- Ponchielli, Amilcare, Composer -- Gorrio, Tobia, Lyricist -- Wagner, Richard, Composer -- Cammarano, Salvadore, Lyricist -- Strauss II, Johann, Composer -- Moreno Torroba, Federico, Composer -- Ardavin, Luis Fernandez, Lyricist -- Blau, Edouard, Lyricist -- Gallet, Louis, Lyricist -- d'Ennery, Adolphe, Lyricist -- Massenet, Jules, Composer -- Herzer, Ludwig, Lyricist -- Soutullo, Reveriano, Composer -- Vert, Juan, Composer -- Penella, Manuel, Composer -- Anonymous, Arranger -- Errico, Carmelo, Lyricist -- Tosti, Paolo, Composer -- Arditi, Luigi, Composer -- Aldighieri, Gottardo, Lyricist -- Knepler, Paul, Lyricist -- Rimsky-Korsakov, Nikolay Andreyevich, Composer -- Koltsov, Aleksey Vasil'yevich, Lyricist -- Denver, John, Composer -- Musset, Alfred de, Lyricist -- Delibes, Léo, Composer -- Sieczynski, Rudolf, Composer -- Strauss, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">Bathed in the warm light of the setting sun, Vienna's imperial Schonbrunn Palace provides a romantic setting for this open-air concert held shortly before the final match of the Euro 2008 football championship. And shining even more brightly than the palace are the stars of the evening, Anna Netrebko, Rolando Villazon and Placido Domingo.

The trio's first joint concert, given at Berlin's Waldbuhne for the 2006 football World Cup, was awarded platinum status for sales of over 50,000 DVDs in Germany and over 100,000 worldwide. The Schonbrunn concert also broke records with 3.3 million viewers watching the concert live or deferred in Germany and Austria.

Netrebko "beguiles the audience" (Neue Kronen-Zeitung) with a heady rendition of a number from the operetta &lt;i&gt;Csardasfurstin&lt;/i&gt; and lets herself be swept off her feet in a waltz with her duet partner Placido Domingo. The great tenor himself regales the audience with his "golden tones" (Die Presse) and "vocal youthfulness" (Suddeutsche Zeitung) in excerpts from Massenet and Wagner. Villazon "dazzles with bravura arias" (Wiener Zeitung), duets and a fiery zarzuela encore. In an emotional homage to Vienna, the trio performs the immortal "Wien, Wien nur du allein." Other gems include Rimsky-Korsakov's "The Rose and the Nightingale," Lehar's "Meine Lippen sie kussen so heiss" and "Dein ist mein ganzes Herz," Ponchielli's "Dance of the Hours" and John Denver's "Perhaps Love." The singers are accompanied by the "fabulous Radio-Symphonieorchester Wien with its excellent conductor Bertrand de Billy" (Kurier).</marc:subfield>
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            <marc:subfield code="a">Suppé, Franz von</marc:subfield>
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            <marc:subfield code="a">Verdi, Giuseppe</marc:subfield>
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            <marc:subfield code="a">Kálmán, Emmerich</marc:subfield>
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            <marc:subfield code="a">Jenbach, Bela</marc:subfield>
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            <marc:subfield code="a">Rimsky-Korsakov, Nikolay Andreyevich</marc:subfield>
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            <marc:subfield code="a">Koltsov, Aleksey Vasil'yevich</marc:subfield>
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            <marc:subfield code="a">6 Deutsche Tänze (German Dances), D. 820 (arr. A. Webern for orchestra) (NTSC) ( 00 sec. ) / Schubert -- Frauenherz, Op. 166 (NTSC) ( 00 sec. ) / Strauss -- Delirien, Op. 212 (NTSC) ( 00 sec. ) / Strauss -- Pele-mele, Op. 161 (NTSC) ( 00 sec. ) / Strauss -- Symphony No. 9 in C Major, D. 944, "Great" (NTSC) ( 00 sec. ) / Schubert</marc:subfield>
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            <marc:subfield code="a">Harnoncourt, Nikolaus, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Schubert, Franz, Composer -- Strauss, Josef, Composer -- Webern, Anton, Arranger</marc:subfield>
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            <marc:subfield code="a">The opening of the Salzburg Festival, for many regarded as the world's most renowned music festival, is by tradition a high-profile event. In 2009, this first concert given by the Wiener Philharmoniker was conducted by Nikolaus Harnoncourt. The program is, in honor of the 80th birthday of the great Austrian conductor (6 Dec. 2009), purely Austrian.

Though it may seem unusual at first glance, under Harnoncourt's direction the disparate works fuse into a moving, slightly melancholy portrait of the Viennese dance in the early 19th century. The concert opens with Anton Webern's delicate orchestration of Schubert's &lt;i&gt;Six German Dances,&lt;/i&gt; which segues into two polkas and a waltz by Josef Strauss, the younger &amp;#x2013; and bolder &amp;#x2013; composer brother of "Walzerkönig" Johann Strauss, Jr. With this alternation of bittersweet and brassy dances, the stage is set for Harnoncourt's staggering reading of Schubert's "Great" C major Symphony, in which the dance of death &amp;#x2013; so Viennese yet so universal &amp;#x2013; seems to have served as the composer's model.</marc:subfield>
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            <marc:subfield code="a">Perhaps the most popular ballet in the world, Tchaikovsky’s &lt;i&gt;Swan Lake&lt;/i&gt; has been given a compelling new interpretation by Rudolf Nureyev. The Russian dancer, a towering figure in 20th-century ballet, placed greater emphasis on the character of Prince Siegfried. First produced in Vienna in 1964, Nureyev's choreography has been hailed as one of the most fascinating ever. Nureyev and his partner Dame Margot Fonteyn perfectly embodied the noble and more volatile style of classical ballet performance featured here.</marc:subfield>
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            <marc:subfield code="a">ROSSINI, G.: Barbiere di Siviglia (Il) (Studio Production, 1974) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Il barbiere di Siviglia (The Barber of Seville) (Studio Production, 1974) (NTSC) ( 02 hrs., 21 min. ) / Rossini</marc:subfield>
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            <marc:subfield code="a">Prey, Hermann, Artist -- Dara, Enzo, Artist -- Milan La Scala Chorus, Choir -- Abbado, Claudio, Conductor -- Milan La Scala Orchestra, Orchestra -- Alva, Luigi, Artist -- Berganza, Teresa, Artist -- Montarsolo, Paolo, Artist -- Malagu, Stefania, Artist -- Sterbini, Cesare, Lyricist -- Rossini, Gioachino, Composer</marc:subfield>
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            <marc:subfield code="a">Based on Jean-Pierre Ponnelle's highly acclaimed Salzburg production, &lt;i&gt;Il Barbiere di Siviglia&lt;/i&gt; was filmed in a Munich studio, while the voices and music were taped in Milan, using the Scala orchestra and chorus. The brilliant cast includes Teresa Berganza, Hermann Prey, Luigi Alva and Enzo Dara, all great names in the international operatic world.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=A05001931</marc:subfield>
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            <marc:subfield code="a">MAHLER, G.: Symphony No. 3 in D Minor (Bernstein) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Vienna State Opera Chorus, Choir -- Vienna Boys Choir, Choir -- Bernstein, Leonard, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Ludwig, Christa, Artist -- Mahler, Gustav, Composer -- Traditional, Lyricist -- Nietzsche, Friedrich, Lyricist</marc:subfield>
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            <marc:subfield code="a">This production with Christa Ludwig, alto, the Konzertvereinigung Wiener Staatsopernchor, the Vienna Boys' Choir and the Vienna Philharmonic was recorded at Vienna's Musikvereinssaal in 1972. Leonard Bernstein was the first conductor ever to record all of Mahler's symphonies not only on disk, but also on video.

The Mahler cycle was the first project in the more than 20-year-long association between Leonard Bernstein and Unitel. The leading Mahler interpreter of our time, Bernstein recorded all of Mahler's symphonies between 1971 and 1985, chiefly with the Vienna Philharmonic, producing a unique musical document and triggering a major reappreciation of Mahler's works. "All Mahler symphonies, all Mahler works for that matter, deal in extremes, extremes of dynamic, of tempo, of emotional meaning. When it is bare, it's extremely bare, when it is thick and rich, it's thicker and richer than anything in &lt;i&gt;Gotterdammerung,&lt;/i&gt; and when it is suffering it suffers to a point that no music has ever suffered before" (Leonard Bernstein).</marc:subfield>
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            <marc:subfield code="a">VERDI, G.: Otello (Salzburg Festival, 1973) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Herbert von Karajan, a master painter of aural and visual panoramas, has created a medley of Mediterranean moods, extending from the violent storm of the Overture to the golden hues of the palace scenes. Jon Vickers, in one of his greatest roles as the brooding Moor Otello, displays the full brilliancy of his legendary voice; Mirella Freni, as Otello's tormented wife Desdemona, secures our compassion with singing of serene vocal beauty; Peter Glossop is as evil an Iago as one can imagine. Three definitive portrayals of some of Verdi's most powerful characters. With the Berlin Philharmonic Orchestra and the Chorus of the Deutsche Oper Berlin, Herbert von Karajan's Salzburg Festival production is assured of an electrifying impact.</marc:subfield>
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Leonard Bernstein was the first conductor ever to record all of Mahler's symphonies not only on disk, but also on video. The Mahler cycle was the first project in the more than 20-year-long association between Leonard Bernstein and Unitel. The leading Mahler interpreter of our time, Bernstein recorded all of Mahler's symphonies between 1971 and 1985, chiefly with the Vienna Philharmonic, producing a unique musical document and triggering a major re-appreciation of Mahler's works.</marc:subfield>
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            <marc:subfield code="a">Renaissance Italy has never been portrayed more opulently and more realistically than in Jean-Pierre Ponnelle's film of Verdi's &lt;i&gt;Rigoletto&lt;/i&gt;, the composer's first true masterwork for the stage. Towering over the production is Luciano Pavarotti as the cynical, dissolute Duke of Mantua, one of the famed tenor's greatest vocal and dramatic roles. Rigoletto is magnificently portrayed by the Swedish baritone Ingvar Wixell. His beautiful daughter Gilda is interpreted by Edita Gruberova, one of the leading coloratura sopranos of our time. Director Jean-Pierre Ponnelle, "whose stage and television work has brought a new and grandly colorful vitality to opera interpretation" (The New York Times), acclaimed Italian cameraman Pasqualino de Santis (Death in Venice) and architect Gianni Quaranta have created a spellbindingly unique atmosphere. 

The drama unfolds with a powerful authenticity highlighted by the historic locations in which it was filmed: Parma's Teatro Farnese of 1628, Mantua's Palazzo Te, famed for its frescoes by Giulio Romano, and the Palladian-style Teatro Olimpico in Sabbioneta. Riccardo Chailly's vibrant interpretation of Verdi's score, with the Vienna Philharmonic Orchestra responding magnificently to his conducting, is a perfect complement to Jean-Pierre Ponnelle's high-intensity retelling of the drama.</marc:subfield>
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Bernstein was the first conductor ever to record all of Mahler's symphonies not only on disk, but also on video. The Mahler cycle was the first project in the more than 20-year-long association between Leonard Bernstein and Unitel. The leading Mahler interpreter of our time, Bernstein recorded all of Mahler's symphonies between 1971 and 1985, chiefly with the Vienna Philharmonic, producing a unique musical document and triggering a major reappreciation of Mahler's works. "All Mahler symphonies, all Mahler works for that matter, deal in extremes, extremes of dynamic, of tempo, of emotional meaning. When it is bare, it's extremely bare, when it is thick and rich, it's thicker and richer than anything in &lt;i&gt;Götterdämmerung,&lt;/i&gt; and when it is suffering it suffers to a point that no music has ever suffered before" (Leonard Bernstein).</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Pagliacci&lt;/i&gt; is often celebrated as one of the finest examples of verismo, or realist opera. It is even based on a true story: Leoncavallo's father, a judge, once presided over the trial of an actor who, in a fit of jealousy, murdered his wife immediately following a performance. &lt;i&gt;Pagliacci&lt;/i&gt; is frequently performed along with Mascagni's one-acter &lt;i&gt;Cavalleria Rusticana&lt;/i&gt;. Both works are strongly linked with the name of Franco Zeffirelli, the great stage and film director who has been infusing the operatic repertoire with grace, elegance and poignancy. Both his Emmy Award-winning production of &lt;i&gt;Pagliacci&lt;/i&gt; and his &lt;i&gt;Cavalleria&lt;/i&gt; feature international star tenor Placido Domingo.</marc:subfield>
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            <marc:subfield code="a">Gruberová, Edita, Artist -- Schagidullin, Albert, Artist -- Aronica, Roberto, Artist -- Bavarian State Opera Chorus, Choir -- Haider, Friedrich, Conductor -- Borchev, Nikolay, Artist -- Bavarian State Orchestra, Orchestra -- Humes, Steven, Artist -- Maspero, Andres, Chorus Master -- Piland, Jeanne, Artist -- Franz, Manolito Mario, Artist -- Klama, Johannes, Artist -- Cammarano, Salvadore, Lyricist -- Donizetti, Gaetano, Composer</marc:subfield>
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            <marc:subfield code="a">London, 1601: love, desire and a death sentence at the English royal court &amp;#x2013; an ideal combination for an Italian grand opera, and Gaetano Donizetti's &lt;i&gt;Roberto Devereux&lt;/i&gt; could hardly be grander or more fit for a queen, making it the ideal showcase for Edita Gruberova, and the prima donna assoluta of bel canto triumphs in this rarely performed work. In Christof Loy's production at Munich's National Theater, Gruberova sings the role of Queen Elizabeth I. Friedrich Haider conducts the chorus and orchestra of the Bavarian State Opera, and the recording is directed by Emmy award winner Brian Large. "Wavering between wounded pride, desperate love, moments of mildness and blind revenge she fashions a mad scene that takes the viewers' breath away. The furious coloraturas, the swelling tones, the outbursts, the nearly inaudible groans &amp;#x2013; everything fuses into an image of psychological desolation."</marc:subfield>
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            <marc:subfield code="a">The reigning queen of bel canto, Edita Gruberova has laid the cornerstone for a new &lt;i&gt;Norma&lt;/i&gt; legend in her first stage performance of this virtuoso role. The premiere of Vincenzo Bellini's opera at the Bavarian State Opera in Munich marked a resounding new triumph in the singer's career. Sharing the stage with Gruberova were Zoran Todorovich, Roberto Scandiuzzi, Sonia Ganassi and other renowned soloists, along with the chorus of the Bavarian State Opera. Friedrich Haider conducted the production directed by Jurgen Rose. Emmy Award winner Brian Large directed the HDTV recording made in late January and early February 2006.

Edita Gruberova fulfilled all expectations, and in view of her great predecessors Callas, Caballe and Sutherland, these expectations were clearly very high. The expressive intensity of the one, the velvet timbre of the second, the brilliance of the third &amp;#x2013; Gruberova united all the strengths of the prima donnas of the past in her interpretation of a &lt;i&gt;Norma&lt;/i&gt; that has already become a new high point in the history of this role. Gruberova captures her audiences not only through her stupendous technique, but also through her command of an incredibly large palette of subtle nuances. With her voice alone, she infuses her role with a rich spectrum of feelings and emotions. She makes the crushing tragedy of &lt;i&gt;Norma&lt;/i&gt; palpably credible.</marc:subfield>
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            <marc:subfield code="a">MASSENET, J.: Manon (Staatsoper unter den Linden, 2008) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Barenboim, Daniel, Conductor -- Netrebko, Anna, Artist -- Kataja, Arttu, Artist -- Villazón, Rolando, Artist -- Corazza, Remi, Artist -- Vieweg, Matthias, Artist -- Berlin State Opera Chorus, Choir -- Berlin Staatskapelle, Orchestra -- De La Muela, Silvia, Artist -- Daza, Alfredo, Artist -- Fischesser, Christof, Artist -- Alattar, Hanan, Artist -- James, Gal, Artist -- Meilhac, Henri, Lyricist -- Massenet, Jules, Composer -- Gille, Philippe, Lyricist</marc:subfield>
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            <marc:subfield code="a">From "dream team" of the opera stage to "dream team" of classic and pop - Anna Netrebko and Rolando Villazón have long since conquered the entire world of music. Yet while their CD &lt;i&gt;Duets&lt;/i&gt; ranked third on the pop charts, the opera stage remains their preferred venue. And in Jules Massenet's &lt;i&gt;Manon,&lt;/i&gt; they have found a drama worthy of their combined talents.

Manon, the tragic heroine of Massenet's work, is torn between flirtatiousness and profound love, between frivolity and deep commitment. Netrebko seems predestined for this role, with her body language alternating between girlish, introspective and carefree, and her voice radiating brilliance, warmth, mystery and longing. As the impoverished young nobleman Des Grieux, Rolando Villazón compellingly depicts the burning passion of an ultimately doomed lover with his glowing, supple, slender tenor voice.

The glittering production's distinctly Hollywood touch is due to director Vincent Paterson, who makes his operatic debut with &lt;i&gt;Manon.&lt;/i&gt; Paterson knows what stars want: he worked his way up from dancer to director of music video clips and internationally renowned choreographer who has worked with Madonna, Michael Jackson and Paul McCartney, and staged several Broadway musicals. He also worked on films such as &lt;i&gt;Dancer in the Dark,&lt;/i&gt; &lt;i&gt;Evita&lt;/i&gt; and &lt;i&gt;The Birdcage.&lt;/i&gt; Paterson sees &lt;i&gt;Manon&lt;/i&gt; as a cinematic tale for the opera stage, Massenet's colorful music as a kind of film soundtrack. This is why he put the accent clearly on glamour.

"Barenboim infuses the appealing melodies with color, and is finely attuned to the emotional fragility that they express" (Süddeutsche Zeitung, 2 May 2007). As befits an event of such dimensions, one of the performances of the opera was projected on 70-square-meter screen on a major Berlin square in front of 20,000 people. This is a &lt;i&gt;Manon&lt;/i&gt; which appeals clear across the board to lovers of opera, movies, Broadway shows and beautiful people with gorgeous voices!</marc:subfield>
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            <marc:subfield code="a">MAHLER,G.: Symphony No. 9 in D Major (Barenboim) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Symphony No. 9 in D Major (NTSC) ( 00 sec. ) / Mahler</marc:subfield>
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            <marc:subfield code="a">Barenboim, Daniel, Conductor -- Berlin Staatskapelle, Orchestra -- Mahler, Gustav, Composer</marc:subfield>
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            <marc:subfield code="a">"Mahler created a new world with each of his symphonies (...) It is a fantastic journey for both of us". With these few words, Daniel Barenboim sums up the vast scope of a project undertaken with his friend Pierre Boulez: two very different world-class conductors tackle all nine completed symphonies of Gustav Mahler (1860-1911) with one orchestra, the Staatskapelle Berlin. Performed as a complete cycle in Berlin, Vienna and New York, the concerts were a tremendous success. The Financial Times even wrote: "New York is going Mahler mad".

In addition to being a fascinating insight into Mahler's symphonic oeuvre, which allows the viewer to uncover the essence of Mahler's music, "The Mahler Project" also features a complete concert recording from the Berliner Philharmonie of the colossal &lt;i&gt;Ninth Symphony&lt;/i&gt;, which is considered as the culmination of the Austrian composer's works. Conductor Daniel Barenboim delivers an interpretation which The New York Times proclaimed "a milestone for the Staatskapelle Berlin".</marc:subfield>
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            <marc:subfield code="a">Der Rosenkavalier, Op. 59, TrV 227 (Baden-Baden, 2009) (NTSC) ( 03 hrs., 36 min. ) / Strauss</marc:subfield>
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            <marc:subfield code="a">Grundheber, Franz, Artist -- Kaufmann, Jonas, Artist -- Damrau, Diana, Artist -- Fleming, Renée, Artist -- Hawlata, Franz, Artist -- Koch, Sophie, Artist -- Vilsmaier, Irmgard, Artist -- Thielemann, Christian, Conductor -- Munich Philharmonic Orchestra, Orchestra -- Henschel, Jane, Artist -- Vienna Philharmonia Chorus, Choir -- Ablinger-Sperrhacke, Wolfgang, Artist -- Hofmannsthal, Hugo von, Lyricist -- Strauss, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">"The best of the best assembled on stage," wrote Germany's leading newspaper Frankfurter Allgemeine Zeitung after the premiere of Richard Strauss' &lt;i&gt;Der Rosenkavalier&lt;/i&gt; at the Festspielhaus Baden-Baden. Indeed, it would be hard to find a more ideal cast for this late-Romantic Rococo pastiche anywhere in the world. As the Marschallin, stellar soprano Renée Fleming uses her velvety tones and autumnal shadings to complement the youthfully lyrical and dynamic voice of Sophie Koch as her young lover Octavian. Diana Damrau's Sophie enhances the trio's sparkle with her ethereal high notes. Next to Franz Hawlata as a swaggering Baron Ochs and the always impressive Franz Grundheber as Faninal, the Baden-Baden production rounds off its male leads with international tenor star Jonas Kaufmann as the "Italian Singer."

Leading his Münchner Philharmoniker, acclaimed Romantic specialist Christian Thielemann revels in Strauss's lustrous melancholy and obtains a rarely heard transparency from the brass and woodwinds. Bolstered by these solid orchestral underpinnings, Herbert Wernicke's Salzburg Festival production - which also scored a great success at Paris' Opéra de la Bastille - has been polished and trimmed here by Alejandro Stadler. It places the cast of fabulous singers in a sumptuous setting of timeless elegance dominated by a play of mirrors reflecting the shifting emotions of the lead trio.</marc:subfield>
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            <marc:subfield code="a">Requiring 38 soloists, chorus and large orchestra, &lt;i&gt;Palestrina,&lt;/i&gt; Hans Pfitzner's (1869-1949) "most important work" (Süddeutsche Zeitung), is a challenging opera to stage. In Munich, the city in which it was given its world premiere in 1917, the Bavarian State Opera succeeded - director Christian Stückl, best known for his staging of the Oberammergau Passion Play and the Salzburg Festival's &lt;i&gt;Jedermann,&lt;/i&gt; transformed the monumental work into an optical pop art event.

Stückl's production infuses such color and life into the serious work that even the German tabloid "Abendzeitung" delightedly wrote: "Who would have thought that Pfitzner could be such fun?" Written in a lush late-Romantic idiom, the masterpiece weaves a fictitious tale around Giovanni Pierluigi da Palestrina, one of the most important Renaissance composers and renovators of sacred music, who fears losing his creative powers and his role in society.

Conductor Simone Young maintains a silky, organic orchestral texture and expertly holds the reins of the many vocal and instrumental parts. Heading the many outstanding soloists are the imposing Christopher Ventris as Palestrina, Bayreuth regular Falk Struckmann and baritone Michael Volle.</marc:subfield>
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            <marc:subfield code="a">Following the cycles of orchestral works by Mahler, Beethoven and Brahms, Unitel chose to honor Robert Schumann in 1984/85 with this cycle performed by the Vienna Philharmonic under Leonard Bernstein. Schumann's orchestral works are firmly established in the repertoire of the Vienna Philharmonic. The glowing, romantic sound of this orchestra and Leonard Bernstein's expressive interpretation complement each other in an ideal way to produce a perfect rendering of Schumann's symphonic oeuvre. Schumann's four symphonies, his Piano Concerto, the Violoncello Concerto and the Manfred Overture have been filmed and recorded in the "Golden Hall" of the Vienna Musikverein, held to rank acoustically among the world's best halls. The soloists are Justus Frantz, piano, and the cellist Misha Maisky.</marc:subfield>
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            <marc:subfield code="a">Robert Schumann wrote his Cello Concerto in Düsseldorf in only two weeks. He himself did not play the cello, a fact which is immediately apparent from his treatment of the solo part. Passages of sweeping lyricism contrast sharply with excruciatingly difficult technical passages quite unsuited to the instrument. They make the concerto one of the most fearsome in all of cello literature. Schumann never heard the concerto played in public: the first performance did not take place until four years after his death. Recorded in 1985/86 at the Grosser Musikvereinssaal in Vienna, this recording features world-renowned cellist Mischa Maisky as the soloist accompanied by the Vienna Philharmonic Orchestra under the direction of Leonard Bernstein.</marc:subfield>
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            <marc:subfield code="a">Filmed mainly in Vienna's splendid Musikvereinssaal, the Mozart symphonies conducted by Karl Bohm are all interpreted by one of the world's foremost orchestras, the Vienna Philharmonic Orchestra, whose principal conductors have included Wilhelm Furtwangler, Bruno Walter, Herbert von Karajan, Claudio Abbado and, of course, Karl Bohm. "Thanks to Bruno Walter's exemplary performances, particularly of Mozart's works, I grabbed on to Mozart and fell in love with him so much that I had only one wish: to conduct Mozart, Mozart, Mozart" (Karl Bohm).

Like the "Little" G minor Symphony, K. 183, the Symphony in C major, K. 200 is also one of the early "Salzburg" symphonies. Its originality places it on a par with the G minor work. The onward-rushing, sharply profiled theme prefigured an evolution which led to a more individual characterization of the melodies and to a more thorough exploitation of their combinative possibilities. While the muted strings and "sigh" motifs of the Andante point to techniques Mozart was to perfect in later works, the final sprightly Presto recalls the structure of the opening movement, thus rounding off the work in an admirable fashion.

Karl Böhm was universally acclaimed for his Mozart interpretations. Though Wagner was one of Bohm's first loves, his friendship with Richard Strauss led to a deep knowledge and appreciation of Mozart. In his autobiography, Bohm wrote that "Richard Strauss revealed to me the ultimate secrets of this, in my opinion, greatest of all musical geniuses, Mozart." Bohm's discovery of these secrets transformed his Mozart interpretations into unforgettable events.</marc:subfield>
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            <marc:subfield code="a">Leonard Bernstein was the first conductor ever to record all of Mahler's symphonies not only on disk, but also on video. The Mahler cycle was the first project in the more than 20-year-long association between Leonard Bernstein and Unitel. The leading Mahler interpreter of our time, Bernstein recorded all of Mahler's symphonies between 1971 and 1985, chiefly with the Vienna Philharmonic, producing a unique musical document and triggering a major re-appreciation of Mahler's works. "All Mahler symphonies, all Mahler works for that matter, deal in extremes, extremes of dynamic, of tempo, of emotional meaning. When it is bare, it's extremely bare, when it is thick and rich, it's thicker and richer than anything in &lt;i&gt;Gotterdammerung,&lt;/i&gt; and when it is suffering it suffers to a point that no music has ever suffered before" (Leonard Bernstein).</marc:subfield>
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Leonard Bernstein was the first conductor ever to record all of Mahler's symphonies not only on disk, but also on video. The Mahler cycle was the first project in the more than 20-year-long association between Leonard Bernstein and Unitel. The leading Mahler interpreter of our time, Bernstein recorded all of Mahler's symphonies between 1971 and 1985, chiefly with the Vienna Philharmonic, producing a unique musical document and triggering a major re-appreciation of Mahler's works.</marc:subfield>
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            <marc:subfield code="a">First performed in Berlin in 1821, Weber's &lt;i&gt;Der Freischutz&lt;/i&gt; quickly became one of the most celebrated German operas, and its overture one of the most popular in all of music literature. The overture follows a symphonic form that determines the thematic unity of the work. Surprisingly innovative for its time, it announces the programmatic works of Berlioz and Liszt, as well as Wagner's first overtures. The fresh and limpid music evokes the fairytale setting of the opera, with its ghosts, evil spirits, seven charmed bullets, loving couple, friendly hermit and happy ending. This recording of the &lt;i&gt;Freischutz&lt;/i&gt; Overture dates from 1975 and is part of an overture special directed by Herbert von Karajan and produced with the Berlin Philharmonic for Unitel.</marc:subfield>
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            <marc:subfield code="a">Filmed mainly in Vienna's splendid Musikvereinssaal, the Mozart symphonies conducted by Karl Böhm are all interpreted by one of the world's foremost orchestras, the Vienna Philharmonic Orchestra, whose principal conductors have included Wilhelm Furtwängler, Bruno Walter, Herbert von Karajan, Claudio Abbado and, of course, Karl Böhm. "Thanks to Bruno Walter's exemplary performances, particularly of Mozart's works, I grabbed on to Mozart and fell in love with him so much that I had only one wish: to conduct Mozart, Mozart, Mozart" (Karl Böhm).

Mozart wrote his first symphony in London in 1764/65 at the age of 8. The boy sought his inspiration above all in the works of a German composer who had settled in London: Johann Christian Bach, the youngest son of the great Johann Sebastian, who became a lifelong friend of Mozart and exerted a strong influence on his style. The work reflects the Italian opera buffa atmosphere of the young symphonic genre, and its freshness and experimental delight in sonorities anticipate the inventiveness and mastery of Mozart's later works.

Karl Böhm was universally acclaimed for his Mozart interpretations. Though Wagner was one of Böhm's first loves, his friendship with Richard Strauss led to a deep knowledge and appreciation of Mozart. In his autobiography, Böhm wrote that "Richard Strauss revealed to me the ultimate secrets of this, in my opinion, greatest of all musical geniuses, Mozart."</marc:subfield>
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            <marc:subfield code="a">Act I: Adagio - Allegro ( 00 sec. ) / Beethoven -- Act II: Adagio ( 00 sec. ) / Beethoven -- Act II: Finale: Allegretto - Allegro molto ( 00 sec. ) / Beethoven -- Die Geschöpfe des Prometheus (The Creatures of Prometheus), Op. 43: Overture (NTSC) ( 00 sec. ) / Beethoven</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;The Creatures of Prometheus&lt;/i&gt;, a ballet produced in Vienna in 1801, was not well received at its first performance. Today, aside from the overture, the ballet music is rarely heard. This work was composed during a time of intense personal crisis for Beethoven. In 1801 he wrote a friend, "I am leading a miserable life; for almost two years now I have been avoiding all social functions simply because I feel incapable of telling people that I am deaf." The ballet is based on the myth of the god Prometheus, who stole the fire from the heavens and gave it to mankind, along with the knowledge of arts and sciences. In writing the Prometheus score, Beethoven had to adhere to the conventions of ballet music, which required a chain of relatively short pieces.

This recording is part of Leonard Bernstein&amp;#x2019;s Beethoven cycle, recorded primarily with the Vienna Philharmonic Orchestra in the early 1980s. Writing in The New York Times, critic John J. O'Connor stated: "As Mr. Bernstein says, there is 'no single body of work in the universe of orchestral music that is in any way comparable to this one.' Conducted with intense dedication and soaring spirits by Mr. Bernstein, these recordings are superb, both visually and aurally."</marc:subfield>
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            <marc:subfield code="a">In the spring of 1810, the Vienna Burgtheater commissioned Beethoven to compose incidental music for a stage production of Goethe's tragedy &lt;i&gt;Egmont.&lt;/i&gt; Although Beethoven was a great admirer of Goethe and was profoundly flattered by this commission, he did not complete the music by the time the play was given its premiere on 24 May 1810. Only at the third performance of the play on 15 June was Beethoven's music heard for the first time. Like the &lt;i&gt;Leonore&lt;/i&gt; overtures, the &lt;i&gt;Egmont&lt;/i&gt; foreshadows the events to come; they are encapsulated in the main theme of defiance of tyranny, which gives the music its explosive power.

Bernstein's impassioned renderings of Beethoven move audiences in a unique way. "Beethoven has always meant universality to me, ever since my early adolescence, when I first heard that unforgettable cry of 'Brüder!' From that moment on, every...symphony came to mean heart-to-heart communication, travelling satellite-fashion via the cosmos itself. I offer [this cycle] to all music-loving ears as a testament of faith and of my most profound reactions to this greatest of all composers" (Leonard Bernstein, 1980).</marc:subfield>
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            <marc:subfield code="a">Carlos Kleiber's all too rare concert appearances are always musical occasions to cherish and remember. The vitality and precision of his authoritative gestures never fail to generate excitement and inspire playing of great elan from orchestras throughout the world. When Carlos Kleiber conducts the Concertgebouw Orchestra of Amsterdam in Beethoven, one can expect a performance of intense musical concentration and exceptional expressive power. Carlos Kleiber made this recording with the Dutch orchestra in 1983, conducting Beethoven's &lt;i&gt;Fourth&lt;/i&gt; and &lt;i&gt;Seventh Symphonies&lt;/i&gt;. The mesmeric command of this elusive conductor over his musicians is fascinating. With none of the excessive glamor of the star performer, Carlos Kleiber, with meticulous care for detail, creates clear instrumental textures, compelling rhythmic designs and magical moments of fine repose. This is spell-binding music-making. This is vintage Carlos Kleiber.</marc:subfield>
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written by Mozart in Salzburg in January 1776. What sets this work apart from other serenades is its scoring for two small orchestras, which produces a deliberate echo effect. One can almost imagine the courtly guests bantering amidst the two groups of players at the opposite ends of a grand salon. Although the work begins with a march, called "Marcia maestoso," it soon gives up all martial pretenses for lightness and grace. The final Rondo is particularly spirited and frisky, with episodes of a nature that must have made more than one guest stop mid-conversation!

Karl Böhm was universally acclaimed for his Mozart interpretations. Though Wagner was one of Böhm's first loves, his friendship with Richard Strauss led to a deep knowledge and appreciation of Mozart. In his autobiography, Böhm wrote that "Richard Strauss revealed to me the ultimate secrets of this, in my opinion, greatest of all musical geniuses, Mozart." Böhm's discovery of these secrets transformed his Mozart interpretations into unforgettable events.</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Minuet in C Major, K. 409 (Bohm) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Böhm, Karl, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Mozart, Wolfgang Amadeus, Composer</marc:subfield>
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            <marc:subfield code="a">Karl Bohm heads the Vienna Philharmonic Orchestra in this performance of the Minuet, K. 409, written in Vienna towards 1782. It was presumably composed for a performance of the Symphony in C major, K. 338 in Vienna's Augarten in May 1782. Let us recall that the autograph of the Symphony, K. 338, written in Salzburg, contained only the beginning of a minuet, which was then crossed out. The more progressive Viennese public preferred four-movement works, which might explain the origin of this minuet, one of Mozart's most imaginative and beguiling.

Karl Bohm was universally acclaimed for his Mozart interpretations. Though Wagner was one of Bohm's first loves, his friendship with Richard Strauss led to a deep knowledge and appreciation of Mozart. In his autobiography, Bohm wrote that "Richard Strauss revealed to me the ultimate secrets of this, in my opinion, greatest of all musical geniuses, Mozart." Bohm's discovery of these secrets transformed his Mozart interpretations into unforgettable events.</marc:subfield>
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            <marc:subfield code="a">SHOSTAKOVICH, D.: Symphony No. 6 (Bernstein) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Bernstein, Leonard, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Shostakovich, Dmitry, Composer</marc:subfield>
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            <marc:subfield code="a">In early October 1986, Leonard Bernstein conducted a benefit concert
for the restoration of Vienna's Musikvereinssaal. In this program he led
the Vienna Philharmonic in Shostakovich's Sixth Symphony and Sibelius's Second Symphony.</marc:subfield>
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            <marc:subfield code="a">Just a few months before his final illness and death, Leonard Bernstein conducted three masterworks by Gustav Mahler in a concert at Vienna's Musikvereinssaal with the Vienna Philharmonic. The program consisted of the &lt;i&gt;Lieder eines fahrenden Gesellen&lt;/i&gt;, the &lt;i&gt;Ruckertlieder&lt;/i&gt; and the &lt;i&gt;Kindertotenlieder&lt;/i&gt;. The soloist was the American baritone Thomas Hampson. The trade publication &lt;i&gt;Musik &amp; Theater&lt;/i&gt; wrote: "I know of no other baritone today who can profess a similar mastery of these three Mahler song cycles on a vocal, emotional and textually sensitive level ... [It is] a singular vocal accomplishment and a worthy conclusion of Bernstein's extensive Mahler discography."</marc:subfield>
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This work was recorded at the Salzburg "Mozartwoche" 2001. Here the ensemble plays Haydn's &lt;i&gt;String Quartet in G minor Hob. III:74&lt;/i&gt;, one of the quartets which Haydn wrote for his second London visit in 1794. This work  was conceived above all to show off the performers' skill and virtuosity rather than to explore innovative harmonies and structures.</marc:subfield>
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This little work was written by Mozart in Salzburg in January 1776. What sets this work apart from other serenades is its scoring for two small orchestras, which produces a deliberate echo effect. One can almost imagine the courtly guests bantering amidst the two groups of players at the opposite ends of a grand salon. Although the work begins with a march, called "Marcia maestoso," it soon gives up all martial pretenses for lightness and grace. The final Rondo is particularly spirited and frisky, with episodes of a nature that must have made more than one guest stop mid-conversation!</marc:subfield>
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            <marc:subfield code="a">Anne-Sophie Mutter chose to begin her homage to Mozart's 250th birthday with the violin concertos. The choice is certainly fitting, as the concertos have been a major pillar of her repertoire ever since her earliest days: she played the &lt;i&gt;Second Concerto&lt;/i&gt; at her public debut when she was nine, and performed the &lt;i&gt;G major Concerto K. 216&lt;/i&gt; at her spectacular Salzburg debut under Herbert von Karajan when she was 13. She vigorously affirms that Mozart has since been present in her life on a daily basis.

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            <marc:subfield code="a">MOZART, W.A.: Violin Concerto No. 4 (Mutter) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Violin Concerto No. 4 in D Major, K. 218 (NTSC) ( 00 sec. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Mutter, Anne-Sophie, Artist -- Camerata Salzburg, Orchestra -- Mozart, Wolfgang Amadeus, Composer</marc:subfield>
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            <marc:subfield code="a">Anne-Sophie Mutter chose to begin her homage to Mozart's 250th birthday with the violin concertos. The choice is certainly fitting, as the concertos have been a major pillar of her repertoire ever since her earliest days: she played the Second Concerto at her public debut when she was nine, and she performed the G major Concerto K. 216 at her spectacular Salzburg debut under Herbert von Karajan when she was 13. She vigorously affirms that Mozart has since been present in her life on a daily basis.

Although she has already recorded Mozart's violin concertos in the past, Ms. Mutter is aware that her more recent interpretations bring a different perspective and greater maturity to her view of Mozart &amp;#x2013; while not diminishing the value of her earlier recordings. For this recording, which was filmed in Salzburg in December 2005, Ms. Mutter decided to conduct the ensemble herself. And with the Camerata Salzburg, she had at her disposal a supple and sensitive partner.

Mozart was not only a gifted pianist but also an accomplished string player who enjoyed playing both the violin and the viola. His first violin concerto, K. 207 in B flat major, was written in 1773 and is possibly Mozart's very first concerto for solo instrument and orchestra. The other four works &amp;#x2013; K. 211, 216, 218 and 219 &amp;#x2013; were all composed within a few months from June to December 1775, while Mozart was in the employ of the Archbishop of Salzburg.

The concertos underscore Mozart's genius in character portrayal while reconciling virtuosity with the needs of dramatic expression. They unfold prodigious melodic invention, fluid rhythms and a voluptuous orchestral fabric. Among Ms. Mutter's favorite moments in these concertos are the Adagio of K. 216, with its muted strings that give it a magical atmosphere; the concerto K. 218, which reminds her of a symphonic drama; and K. 219, which she calls the "crowning achievement" and is generally considered as the ripest of the five in emotional content and the most fascinating in form.</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Piano Trios Nos. 3-5 (Mutter, Previn, Muller-Schott)</marc:subfield>
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            <marc:subfield code="a">Piano Trio No. 5 in C Major, K. 548 (NTSC) ( 00 sec. ) / Mozart -- Piano Trio No. 4 in E Major, K. 542 (NTSC) ( 00 sec. ) / Mozart -- Piano Trio No. 3 in B-Flat Major, K. 502 (NTSC) ( 00 sec. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">When Anne-Sophie Mutter says that Mozart wrote his trios for violin, violoncello and piano for his own enjoyment, then this is not merely a conclusion derived from the artist's own pleasure in playing these works with talented colleagues. Mozart himself, in a letter of June 1788 to his friend Michael Puchberg, added this postscript: "When are we to have a little musical party at your house again? I have composed a new trio!" He was referring to the Piano Trio in E major, K. 542.

All three trios on this recording are not only late works, but were also published together in 1788, lending weight to the claim that they are the three finest and most exemplary works in this genre by Mozart. In the earliest of the three, K. 502, Mozart broke through the traditional predominance of the piano to give equal weight to the strings, whereby the violin is given ample opportunity to display the soloist's bravura.

The Trios K. 542 and 548 were both written in the astonishingly fruitful summer of 1788, during which Mozart wrote the great trilogy of his last symphonies. They show Mozart at the very height of his powers. Proof that Mozart thought highly of K. 542 emerges in the fact that he played it at the court of Dresden in 1789 when he was seeking an appointment there. Finally, K. 548 in C major is a more restrained work that concentrates on motivic development and, in its slow movement, foreshadows the chamber music of the early 19th century.

Joining Anne-Sophie Mutter on this recording is the internationally acclaimed young cellist Daniel Müller-Schott, who, as a scholarship holder from her Foundation, benefited from Ms. Mutter's personal sponsorship at the outset of his career. More than one critic is already mentioning his name in one breath with Pablo Casals and Mstislav Rostropovich. At the piano is Sir André Previn, pianist, conductor, composer and gifted accompanist. The stunning location of the concert &amp;#x2013; the late-Baroque Teatro Bibiena in Mantua &amp;#x2013; bears a subtle connection to Mozart, for it is here that the 14-year-old Wolfgang gave a recital with his father in January 1770 while on his first tour of Italy.</marc:subfield>
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            <marc:subfield code="a">"Grandiose, unaffected, expansive, majestic, immovable..." &amp;#x2013; Christian Thielemann's description of Anton Bruckner's music vividly captures its essence and uniqueness. And he himself captures the soul of the great romantic composer in his interpretation of Bruckner's &lt;i&gt;Seventh Symphony&lt;/i&gt; with the Munich Philharmonic. Recorded live at the Festspielhaus Baden-Baden on 14 November 2006, the concert also features three orchestral preludes from the opera &lt;i&gt;Palestrina&lt;/i&gt; by another late-romantic composer, Hans Pfitzner. 

The preludes from Pfitzner's &lt;i&gt;Palestrina&lt;/i&gt;, the composer's most well-known work, evoke the events about to transpire in the acts that follow them. While the subtle, refined nuances of the first prelude suggests the creative crisis of the opera's hero, the Renaissance composer Palestrina, the second reflects the turbulent atmosphere of the Council of Trent and the third the inner peace found at long last by &lt;i&gt;Palestrina&lt;/i&gt; beneath the cupola of St. Peter's. Completed in September 1883, several months after the death of Richard Wagner, Anton Bruckner's &lt;i&gt;Symphony No. 7 in E major&lt;/i&gt; is a stunning homage to the composer of the &lt;i&gt;Ring&lt;/i&gt;. A passionate admirer of Wagner, Bruckner claimed that he had the master's death in mind while writing the "Adagio" of this symphony. With its particularly soaring and melodious themes, the &lt;i&gt;Seventh&lt;/i&gt; is Bruckner's most popular and accessible symphony.

It would be difficult to find a better team to interpret Bruckner's music today than Christian Thielemann and the Munich Philharmonic. Thielemann, the General Music Director of the Munich ensemble, is a universally recognized Bruckner and Wagner expert, who inaugurated his tenure at the head of the Philharmonic by conducting Bruckner's &lt;i&gt;Fifth&lt;/i&gt;. The Munich orchestra has a long-standing tradition of performing Bruckner's music and boasts a particular attachment to the &lt;i&gt;Seventh&lt;/i&gt;: it was the second orchestra to play the work, and the success it obtained with it in 1885 helped establish Bruckner as a major contemporary composer. Thielemann also led the Munich Philharmonic and the Regensburg Boys' Choir in the first concert given in honor of Pope Benedict XVI in Vatican City in October 2005.</marc:subfield>
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            <marc:subfield code="a">Simón Bolívar Youth Orchestra of Venezuela, Orchestra -- Dudamel, Gustavo, Conductor -- Beethoven, Ludwig van, Composer -- Ginastera, Alberto, Composer -- Moncayo, José Pablo, Composer -- Márquez, Arturo, Composer -- Gutiérrez, Pedro Elías, Composer</marc:subfield>
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            <marc:subfield code="a">The concert given by the Simón Bolívar Youth Orchestra of Venezuela under its conductor Gustavo Dudamel at the Beethovenfest 2007 in Bonn was a highlight of the musical year. Over 200 young musicians between the ages of 10 and 24, many from underprivileged backgrounds, performed with nearly untamable energy under the baton of a young maestro destined to conduct the most fabled orchestras in the world.

Born in 1981, Gustavo Dudamel is a product of Venezuela's Sistema de Orquestas, which was founded by J. A. Abreu to allow children of all social milieus to learn an instrument and play in an ensemble. After winning a competition in 2004, Dudamel quickly went on to conduct several major orchestras. Critics try to capture Dudamel's effect on musicians and audiences with words such as "electricity," "vibrancy" and "magic," and Sir Simon Rattle has called him "the most astonishingly gifted conductor I have ever come across."

The concert program includes Beethoven's "Eroica" Symphony and pieces by Latin-American composers Moncayo, Márquez and Ginastera. At the end of the concert, when the youngsters rip loose in the encores and turn the Beethovenfest into a Latin fiesta, no one will be able to resist tapping the rhythms with their foot and joining in the unbridled and infectious cheer of this singular ensemble!</marc:subfield>
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            <marc:subfield code="a">MENDELSSOHN, Felix: Violin Concerto in E Minor / Piano Trio No. 1 in D Minor / Violin Sonata in F Major  (Mutter) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Violin Concerto in E Minor, Op. 64 (NTSC) ( 00 sec. ) / Mendelssohn -- Piano Trio No. 1 in D Minor, Op. 49 (NTSC) ( 00 sec. ) / Mendelssohn -- Violin Sonata in F Major (NTSC) ( 00 sec. ) / Mendelssohn</marc:subfield>
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            <marc:subfield code="a">Mutter, Anne-Sophie, Artist -- Masur, Kurt, Conductor -- Leipzig Gewandhaus Orchestra, Orchestra -- Harrell, Lynn, Artist -- Previn, André, Artist -- Mendelssohn, Felix, Composer</marc:subfield>
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            <marc:subfield code="a">One of the world's foremost violinists, Anne-Sophie Mutter is a musical celebrity known even by countless people who rarely listen to classical music. The artist and teacher, who promotes young musicians and commissions new works from contemporary composers, made her spectacular breakthrough under Herbert von Karajan at the 1977 Salzburg Easter Festival. She has since concertized at every major venue throughout the world. In 2008 she was awarded not only the prestigious Ernst von Siemens Music Award, but also the Leipzig Mendelssohn Award. The award ceremony in March 2008 was crowned by a gala concert at Leipzig's Gewandhaus with the Gewandhaus Orchestra under Kurt Masur, at which Mutter performed the Mendelssohn Violin Concerto in E minor, Op. 64 presented here.

Mutter has performed the Violin Concerto several times in her career. Joining her in Mendelssohn's Violin Sonata is pianist Andre Previn, who is also an internationally renowned conductor and composer. Previn accompanied Mutter in several Mozart Trios that are part of her "Mozart Project." He and cellist Lynn Harrell now interpret the D minor Trio with her. This is a stunning anthology of chamber and orchestral music from one of the most vibrant composers of the early Romantic Era, performed by top artists of today!</marc:subfield>
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            <marc:subfield code="a">Elemental, metaphysical, primordial &amp;#x2013; these are some of the terms used to describe Bruckner's nine symphonies and which fully apply to his Fourth Symphony, the "Romantic." Though Bruckner provided programmatic explanations to the music, one seeks in vain the "medieval city" and "leaping steeds" in this work, which disregards conventions and expectations. Monolithic blocks of sound derived from the simple horn melody of the opening measures, sweeping themes that hypnotically revolve around themselves, long build-ups that suddenly break off when a climax is imminent &amp;#x2013; the Fourth is a milestone in Bruckner's symphonic oeuvre. Bruckner originally wrote the Fourth Symphony in 1874 but revised it thoroughly in 1880 before its premiere in Vienna in 1881, which was a resounding success. Although he continued to revise it in later years, the version most often played today is the first revised version of 1880. This is also the version featured on this recording of a concert held at the Festspielhaus Baden-Baden, which was greeted with storms of applause. Leading the Munchner Philharmoniker in this concert is its principal conductor Christian Thielemann, a maestro internationally known and admired above all as a specialist of Romantic music. Having mastered the repertoire of Wagner and Strauss operas during his tenure as General Music Director of the Deutsche Oper Berlin, Thielemann became a sought-after interpreter of German opera. He debuted at the Bayreuth Festival in 2000 and has been conducting there regularly ever since.</marc:subfield>
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            <marc:subfield code="a">Overture ( 00 sec. ) / Wagner -- Act III. Prelude ( 00 sec. ) / Pfitzner -- Cello Concerto in A Minor, Op. posth. (NTSC) ( 00 sec. ) / Pfitzner -- Romanze in F Major, TrV 118 (NTSC) ( 00 sec. ) / Strauss -- Act I. Prelude ( 00 sec. ) / Pfitzner -- Der Rosenkavalier Suite, Op. 59, TrV 227 (NTSC) ( 00 sec. ) / Strauss</marc:subfield>
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            <marc:subfield code="a">Johannes Moser is the name to watch among today's young violoncello virtuosos. Born in 1979, he has already performed with many of the world's leading orchestras, such as the New York Philharmonic, the London Symphony Orchestra and the Chicago Symphony Orchestra, with which he made his U.S. debut under Pierre Boulez. His agenda is packed with appearances ranging from concerto soloist to chamber music partner to interpreter of avant-garde music on an electric cello.

In this concert of late Romantic music with the Deutsche Radio Philharmonie, the 2008 Echo Classic Award winner boldly infuses Hans Pfitzner's Cello Concerto in A minor with a jolt of adrenaline that could very well boost this rarely heard work &amp;#x2013; which was long thought to be lost &amp;#x2013; into the concert repertoire. Written in 1883, Richard Strauss' Romance in F major for cello and orchestra is an early work from the pen of this orchestral master, and another showcase for the talent of Johannes Moser.

The concert also features another rising star of the classical music scene, the young Slovak conductor Juraj Valcuha, the principal conductor of the Swedish Radio Symphony Orchestra. Doing full justice to the refined atmosphere of the German late Romantic works on the program, which also includes a Wagner overture, excerpts from Pfitzner's opera &lt;i&gt;Palestrina&lt;/i&gt; and Strauss' &lt;i&gt;Rosenkavalier&lt;/i&gt; Suite, conductor Juraj Valcuha soon makes it clear that elegance and transparency are his specialty. Critics praised his ability to achieve a remarkable depth and to entice top-quality playing from the orchestra without exaggerated gestures.</marc:subfield>
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            <marc:subfield code="a">Once upon a time there was a king who took great delight in the melody of a little bird outside his window. Then, as winter came, the bird disappeared and the king grew melancholy. Three brave men set out to find one that could sing "the most beautiful song." Did they succeed? What begins as an enchanting fairy tale turns into exciting reality in this documentary on the first edition of baritone Thomas Quasthoff's new international song competition for young singers, &lt;i&gt;Das Lied.&lt;/i&gt; With the fairy tale gently articulating the course of the competition, the film sweeps the viewer away on a thrilling "search for singers." Thomas Quasthoff founded this contest to ensure that the Lied, which the baritone calls "the most beautiful form of music making," continues to hold its place in the concert repertoire of the future.

The film accompanies some of the young singers during the competition's three rounds, providing a showcase not only for beautiful voices and poignant Lieder, but also, and above all, for emotions. The hopes and disappointments, the joys and doubts, the tension and exhilaration of the young singers are all captured on film. And it soon emerges that the contest is as stimulating and galvanizing for the jurors as it is for the contestants! Excerpts from the closing gala concert recorded at the sumptuous Apollo Hall of the Staatsoper Unter den Linden Berlin round off the film.

In addition to Thomas Quasthoff, one of the top baritones and Lied singers of our day, the jury includes such distinguished vocalists as Brigitte Fassbaender and Annette Dasch, as well as the famed accompanists Helmut Deutsch and Charles Spencer. Among the prizewinners who perform at the gala concert are German baritone Tobias Berndt and Austrian baritone Daniel Schmutzhard. According to Quasthoff, the goal of this project is to find the successors to the greatest singers of today and to discover new voices. It is, in essence, very much like the melancholy king's search for his little bird and its unforgettable melody.</marc:subfield>
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The film accompanies some of the young singers during the competition's three rounds, providing a showcase not only for beautiful voices and poignant Lieder, but also, and above all, for emotions. The hopes and disappointments, the joys and doubts, the tension and exhilaration of the young singers are all captured on film. And it soon emerges that the contest is as stimulating and galvanizing for the jurors as it is for the contestants! Excerpts from the closing gala concert recorded at the sumptuous Apollo Hall of the Staatsoper Unter den Linden Berlin round off the film.

In addition to Thomas Quasthoff, one of the top baritones and Lied singers of our day, the jury includes such distinguished vocalists as Brigitte Fassbaender and Annette Dasch, as well as the famed accompanists Helmut Deutsch and Charles Spencer. Among the prizewinners who perform at the gala concert are German baritone Tobias Berndt and Austrian baritone Daniel Schmutzhard. According to Quasthoff, the goal of this project is to find the successors to the greatest singers of today and to discover new voices. It is, in essence, very much like the melancholy king's search for his little bird and its unforgettable melody.</marc:subfield>
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            <marc:subfield code="a">One of the warmest personalities on the opera and concert stage today, soprano Diana Damrau has put together a beguiling program for her recital at the Festspielhaus Baden-Baden. The selection of Romantic to fin-de-siècle pieces not only underscores her own vocal artistry, but also pays tribute to her accompanist Xavier de Maistre and, in particular, to the diaphanous delicacy of his instrument, the harp.

The use of the harp to replace the piano in a voice recital is a truly unique and unexpected musical treat. De Maistre does more than simply transpose the piano part to his instrument; under the fingers of the Wiener Philharmoniker's solo harpist, the ethereal sound of this instrument melds consummately with the soprano's finely honed vocal part, so that the masterpieces by composers such as Schumann, Faure and Debussy sound as if they had been conceived for voice and harp.

The unrivalled intimacy of a chamber concert is conveyed by the placing of the soloists and public within touching distance on the stage of the Festspielhaus. This distinctly informal atmosphere is captured by Emmy Award winning director Brian Large. Discreetly highlighting the interpretative subtleties and spontaneous personality of Diana Damrau, he helps confirm her status as one of the most exciting, expressive and, above all, natural and unaffected sopranos of our time.</marc:subfield>
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            <marc:subfield code="a">In only a few years, trumpeter Alison Balsom has shot forward to the topmost ranks of today's instrumental soloists, reaching untold popularity for her playing - and for the trumpet. Since her appearance in a live international broadcast of the Last Night of the Proms, she has become one of the best known UK artists of today, with sales of her CDs topping the charts. She won two Classical BRIT Awards, one in 2006 as best young British classical performer, and another in 2009 as female artist of the year - one of the rare brass players to win such acclaim. She was also the first female UK artist to win an ECHO Klassik Award as best young artist (2007). For her CD with trumpet concertos by Haydn and Hummel, she took home another ECHO Klassik award in 2009.

At the center of the documentary are two performances. One is a public performance of Haydn's celebrated Trumpet Concerto in E flat major with the Berlin Konzerthaus Orchestra under the Chinese conductor Xian Zhang, recorded in the classicistic hall of the Konzerthaus Berlin. The other is a "private" recording of Bach's Concerto in D major, BWV 792 with organist David Goode, Gigue, BWV 1008 and  Debussy's &lt;i&gt;Syrinx.&lt;/i&gt; The recording in the Sophienkirche was made with a RED One camera, a special HD camera that impressively captures the church's unique atmosphere. In the documentary section, Alison Balsom also explains why she enjoys performing in churches, and dicusses her love of the trumpet and how she came to the instrument as a child.</marc:subfield>
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            <marc:subfield code="a">BEETHOVEN, L. van: Fidelio (Palau de les Arts "Reina Sofia", 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Fidelio, Op. 72 (Palau de les Arts "Reina Sofia", 2006) (NTSC) ( 02 hrs., 15 min. ) / Beethoven</marc:subfield>
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            <marc:subfield code="a">Raimondi, Ildikó, Artist -- Seiffert, Peter, Artist -- Trost, Rainer, Artist -- Meier, Waltraud, Artist -- Salminen, Matti, Artist -- Stabell, Carsten, Artist -- Mehta, Zubin, Conductor -- Uusitalo, Juha, Artist -- Valencia Regional Government Choir, Choir -- Valencian Community Orchestra, Orchestra -- Treitschke, Georg Friedrich, Lyricist -- Beethoven, Ludwig van, Composer -- Sonnleithner, Joseph, Lyricist</marc:subfield>
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            <marc:subfield code="a">Thunderous applause and loud cries of "bravo" greeted the premiere of Ludwig van Beethoven's &lt;i&gt;Fidelio&lt;/i&gt; at the inaugural performance of the first opera season in Valencia's new Palau de les Arts on 25 October 2006. Attending the stellar performance in architect Santiago Calatrava's breathtaking theater complex was Queen Sofía of Spain, who added to the glamour of the event. With this spectacular production directed by Pierluigi Pier'Alli, Valencia has put itself back on the map of the international opera world.

Calatrava's sweeping structure recalls the organic forms of Catalonia's "Modernisme" style. Hints of Gaudì and traces of Gothic arches and nave-like spaces project a feeling of openness and freedom. Not surprisingly, &lt;i&gt;Fidelio&lt;/i&gt; was chosen to inaugurate the theater's main concert hall - an opera about freedom set in Spain, and in which the contrast between the darkness of Florestan's dungeon and the light of justice and love embodied by Leonore is both heard in the music and seen on the stage.

The production by noted Italian director Pierluigi Pier'Alli does full justice to the opera's concept with an imaginative treatment of light, projections and digital wizardry. Pier'Alli himself says that his concept "becomes increasingly symbolic and abstract" as the work progresses. Dominating the activity on stage are two of today's most distinguished German singers, Waltraud Meier (Leonore) and Peter Seiffert (Florestan), who have left their mark above all on the Wagner interpretation of our time. Finnish bass Matti Salminen stamped his forceful character on his role as the jailer Rocco. Under the baton of internationally acclaimed maestro Zubin Mehta, the Orquestra de la Comunitat Valenciana played with fire and precision.</marc:subfield>
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            <marc:subfield code="a">ALFANO, F.: Cyrano de Bergerac (Palau de les Arts "Reina Sofia", 2007) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Cyrano de Bergerac (Palau de les Arts "Reina Sofia", 2007) (NTSC) ( 02 hrs., 21 min., 04 sec. ) / Alfano</marc:subfield>
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            <marc:subfield code="a">Mentxaka, Itxaro, Artist -- Gilfry, Rodney, Artist -- Domingo, Plácido, Artist -- Accurso, Roberto, Artist -- Vázquez, Silvia, Artist -- Fournillier, Patrick, Conductor -- Caruso, Carmelo Corrado, Artist -- Valencia Regional Government Choir, Choir -- Valencian Community Orchestra, Orchestra -- Sola, Miguel, Artist -- Radvanovsky, Sondra, Artist -- Chacon-Cruz, Arturo, Artist -- Franco, Javier, Artist -- Pierro, Nahuel di, Artist -- Navarro, Juan Jose, Artist -- Cain, Henri, Lyricist -- Alfano, Franco, Composer</marc:subfield>
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            <marc:subfield code="a">Domingo creates the magical illusion that Alfano wrote the role especially for him: Domingo de Bergerac" (review of the premiere in the Madrid daily ABC). Plácido Domingo's triumph in Valencia's stunningly futuristic theater El Palau de les Arts in February 2007 echoes the overwhelmingly positive reception he obtained at the Metropolitan Opera and the Royal Opera House Covent Garden in this role. A coproduction of the New York, London and Valencia houses, Franco Alfano's little-known 1936 opera &lt;i&gt;Cyrano de Bergerac&lt;/i&gt; has been reawakened to life by the great Spanish tenor. Although Alfano (1875-1954) enjoyed a long and prolific career as an opera composer, he is known today above all for having completed Puccini's &lt;i&gt;Turandot&lt;/i&gt;. His earlier works not surprisingly reflect Puccini's verismo style, but his later works - including &lt;i&gt;Cyrano de Bergerac&lt;/i&gt; - are clearly inspired by Debussy, Ravel and Strauss. Opulent scoring and colorful orchestral effects elegantly underscore the tragic story based on Rostand's famous drama of 1897, which achieved international celebrity in the Oscar-nominated 1990 film adaptation with Gérard Depardieu. Alfano's work faithfully relates the story of the large-nosed soldier poet who pines for the beautiful Roxane and writes her glowing love letters in the name of his fellow soldier Christian, who also loves her.

At an age when most singers start contemplating retirement, Domingo unearthed this opera, which was premiered in Rome in 1936, and added the role of Cyrano to his repertoire - as the 121st of his career! Domingo had long been looking for a new role that was both a vocal and dramatic challenge. He was particularly delighted by the role's "anti-hero" quality. "It's a beautiful role", he asserts, "and I'm so happy I could discover it this late in my career."

With his charismatic stage presence, Domingo clearly dominates the production, directed by Michal Znaniecki and conducted by Patrick Fournillier, one of France's leading conductors. Nevertheless, his
pairing with American soprano Sondra Radvanovsky could hardly be more felicitous, as she brings a full, dramatic voice that rises effortlessly above the work's luxuriant orchestration. The many supporting roles are equally well cast and accompanied by the expressively playing Orquestra de la Comunitat Valenciana and the Cor de la Generalitat Valenciana.</marc:subfield>
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            <marc:subfield code="a">WAGNER, R.: Walküre (Die) (Palau de les Arts "Reina Sofia", 2008)</marc:subfield>
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            <marc:subfield code="a">Seiffert, Peter, Artist -- Larsson, Anna, Artist -- Salminen, Matti, Artist -- Schnitzer, Petra-Maria, Artist -- Minutillo, Hannah Esther, Artist -- Mehta, Zubin, Conductor -- Uusitalo, Juha, Artist -- Mayer, Christa, Artist -- Valencian Community Orchestra, Orchestra -- Bress, Manuela, Artist -- Wilson, Jennifer, Artist -- Flaitz, Bernadette, Artist -- Ralston, Helen Huse, Artist -- Vazquez, Pilar, Artist -- Bethencourt, Eugenia, Artist -- Grotzinger, Heike, Artist -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">"This production quite possibly shows us the path that musical theater will be taking in the future" (Die Zeit). Indeed, the Catalan city of Valencia is setting new accents in 21st-century opera not only with its spectacular, futuristic opera house, the Palau de les Arts "Reina Sofía" designed by Santiago Calatrava, but also with the visually transfixing production of Wagner's &lt;i&gt;Ring&lt;/i&gt; staged there by Carlus Padrissa and his theater group La Fura dels Baus. The Barcelona-based Fura became known internationally when it designed and carried out the opening ceremonies of the 1992 Barcelona Olympics, and made its breakthrough in the classical world with its production of Berlioz's &lt;i&gt;La damnation de Faust&lt;/i&gt; at the 1999 Salzburg Festival.

The Fura's trademark is its spellbinding fusion of movement, sound, music, dance, acrobatics and technology into unforgettable stage events of sometimes raw but always captivating power. In the world of opera, the ensemble has defined its personal style through its exploitation of large-screen projections, the extraordinary mobility of the performers, and the magical use of human beings to create organic structures that evoke objects such as Valhalla (in this &lt;i&gt;Ring&lt;/i&gt; production). Indeed, La Fura was predestined for Wagner's visionary world: his dream of a &lt;i&gt;Gesamtkunstwerk&lt;/i&gt; becomes reality as a shape-shifting sequence of tableaux unfolds before our eyes with all the elements that constitute the "lenguaje furero" or "Fura idiom".

Eminent conductor Zubin Mehta leads world-class Wagner singers such as Matti Salminen, Peter Seiffert, Juha Uusitalo, Jennifer Wilson and Lance Ryan. Most prominent among the younger cast members are Jennifer Wilson, a "singer we'll be hearing more of" (Frankfurter Allgemeine Zeitung) and Juha Uusitalo, whom the F.A.Z. hailed as a new "Number One among the opera gods". Equally outstanding is the Orquestra de la Comunitat Valenciana, one of the "youngest and best opera orchestras in Europe" (Opernglas), playing "with rapturous beauty under Zubin Mehta. [...] The suppleness, rhythmic presence and singer-friendly dynamic that Mehta achieves with this orchestra are nothing less than miraculous" (F.A.Z.).</marc:subfield>
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            <marc:subfield code="a">Making of Cyrano de Bergerac (The) (Palau de les Arts "Reina Sofia", 2007)</marc:subfield>
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            <marc:subfield code="a">"Domingo creates the magical illusion that Alfano wrote the role especially for him: Domingo de Bergerac" (review of the premiere in the Madrid daily ABC). Placido Domingo's triumph in Valencia's stunningly futuristic theater El Palau de les Arts in February 2007 echoes the overwhelmingly positive reception he obtained at the Metropolitan Opera and the Royal Opera House Covent Garden in this role. A coproduction of the New York, London and Valencia houses, Franco Alfano's little-known 1936 opera &lt;i&gt;Cyrano de Bergerac&lt;/i&gt; has been reawakened to life by the great Spanish tenor. Although Alfano (1875-1954) enjoyed a long and prolific career as an opera composer, he is known today above all for having completed Puccini's &lt;i&gt;Turandot.&lt;/i&gt; His earlier works not surprisingly reflect Puccini's verismo style, but his later works - including &lt;i&gt;Cyrano de Bergerac&lt;/i&gt; - are clearly inspired by Debussy, Ravel and Strauss. Opulent scoring and colorful orchestral effects elegantly underscore the tragic story based on Rostand's famous drama of 1897, which achieved international celebrity in the Oscar-nominated 1990 film adaptation with Gerard Depardieu. Alfano's work faithfully relates the story of the large-nosed soldier poet who pines for the beautiful Roxane and writes her glowing love letters in the name of his fellow soldier Christian, who also loves her.

At an age when most singers start contemplating retirement, Domingo unearthed this opera, which was premiered in Rome in 1936, and added the role of Cyrano to his repertoire - as the 121st of his career! Domingo had long been looking for a new role that was both a vocal and dramatic challenge. He was particularly delighted by the role's "anti-hero" quality. "It's a beautiful role," he asserts, "and I'm so happy I could discover it this late in my career."

With his charismatic stage presence, Domingo clearly dominates the production, directed by Michal Znaniecki and conducted by Patrick Fournillier, one of France's leading conductors. Nevertheless, his
pairing with American soprano Sondra Radvanovsky could hardly be more felicitous, as she brings a full, dramatic voice that rises effortlessly above the work's luxuriant orchestration. The many supporting roles are equally well cast and accompanied by the expressive playing of the Orquestra de la Comunitat Valenciana and the Cor de la Generalitat Valenciana.</marc:subfield>
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            <marc:subfield code="a">Mayer, Albrecht, Artist -- Lucerne Festival Orchestra, members, Ensemble -- Sinfonia Varsovia, Orchestra -- Bamberg Symphony Orchestra, Orchestra -- Dudamel, Gustavo, Conductor -- Bach, Johann Sebastian, Composer -- Tarkmann, Andreas, Arranger -- Anonymous, Arranger -- Françaix, Jean, Composer</marc:subfield>
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            <marc:subfield code="a">Unlike the piano, the violin or even the flute, the oboe is a relatively rare instrument for a solo career. And when a soloist such as Albrecht Mayer plays the oboe, one wishes composers had written more works for this sweetly mellow instrument. Critics write about the "divine spark" that inspires his playing, and about the "miraculous oboe" that turns into "an instrument of seduction." With his particularly warm tone and exceptionally broad palette of nuances, it's no surprise that Albrecht Mayer is one of today's most sought-after international oboists. In this documentary portrait of the oboist, we retrace the musician's impressive career and witness some of its many high points. Mayer embarked on a professional career in 1990, when he joined the Bamberg Symphony Orchestra as solo oboist. Two years later, he made the transition to the absolute top league with his appointment as solo oboist of the Berlin Philharmonic, and since then he has made countless international appearances, playing under such eminent conductors as Abbado, Rattle and Harnoncourt. In addition to his work as a soloist, Mayer also attaches great importance to chamber music. He is a permanent member of the Sabine Meyer Wind Ensemble and also plays with such partners as Thomas Quasthoff, Matthias Goerne and Leif Ove Andsnes.</marc:subfield>
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            <marc:subfield code="a">SIBELIUS, J.: Luonnotar, Op. 70 (Segerstam) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Segerstam, Leif, Conductor -- Slovak Radio Symphony Orchestra, Orchestra -- Hakola, Riikka, Artist -- Kalevala,, Lyricist -- Sibelius, Jean, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Luonnotar&lt;/i&gt; is a music film based on the symphonic poem composed by Jean Sibelius for soprano and symphony orchestra. The music composition is an interpretation of the first song of Kalevala, a myth about the birth of the world. 

The film &lt;i&gt;Luonnotar&lt;/i&gt; tells about "the time before beginning." The story conveys in a parallel manner two different creation stories: the Kalevalan mythology about the birth of the world is compared with naturalistic ideas about the birth of Earth and life.

The virtual stage, realized through computer animation, paints a spectrum of fierce natural powers, a convulsing scene where the mythical figures of the story travel, telling the story sung for thousands of years to new generations.

Sibelius modelled the Kalevala poetry to suit his modern music and for the soprano to sing. 

&lt;i&gt;Bonus feature:&lt;/i&gt;

- &lt;i&gt;Sibelius and Luonnotar&lt;/i&gt; - the documentary &lt;i&gt;Sibelius and Luonnotar&lt;/i&gt; (28 min.) shows the background of the symphonic poem via expert and musician interviews and concert recording.</marc:subfield>
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            <marc:subfield code="a">Vocal Recital: Nucci, Leo - ROSSINI / DONIZETTI / VERDI / PUCCINI (30 Years at La Scala) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factocum (NTSC) ( 00 sec. ) / Rossini -- Lucia di Lammermoor, Act I: Cruda, funesta smania … La pietade in suo favore (NTSC) ( 00 sec. ) / Donizetti -- L'elisir d'amore (The elixir of love), Act I: Come Paride vezzoso (NTSC) ( 00 sec. ) / Donizetti -- I due Foscari, Act I: Eccomi solo alfine … O vecchi cor (NTSC) ( 00 sec. ) / Verdi -- Macbeth, Act IV: Perfidi! All'Anglo … Pieta, rispetto, onore (NTSC) ( 00 sec. ) / Verdi -- Un ballo in maschera, Act III: Alzati! … Eri tu che macchiavi quell'anima (NTSC) ( 00 sec. ) / Verdi -- Don Carlo, Act IV: Per me giunto … O Carlo, ascolta (NTSC) ( 00 sec. ) / Verdi -- Gianni Schicchi: Era eguale la voce? … Ah! Vittoria! (NTSC) ( 00 sec. ) / Puccini -- Otello, Act II: Credo in un Dio crudel (NTSC) ( 00 sec. ) / Verdi -- Il trovatore, Act II: Tutto e deserto … Il balen del suo sorriso (NTSC) ( 00 sec. ) / Verdi -- Rigoletto, Act II: Cortigiani, vil razza dannata (NTSC) ( 00 sec. ) / Verdi -- La forza del destino, Act III: Morir tremenda cosa … Urna fatale … Egli e salvo! Oh gioia immensa! (NTSC) ( 00 sec. ) / Verdi -- La traviata, Act II: Di Provenza il mar, il suol (NTSC) ( 00 sec. ) / Verdi -- Andrea Chenier, Act III: Nemico della patria (NTSC) ( 00 sec. ) / Giordano -- Non t'amo più (version for voice and piano) (NTSC) ( 00 sec. ) / Tosti -- Mamma (NTSC) ( 00 sec. ) / Bixio</marc:subfield>
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            <marc:subfield code="a">Nucci, Leo, Artist -- Vaughan, James, Artist -- Piave, Francesco Maria, Lyricist -- Verdi, Giuseppe, Composer -- Romani, Felice, Lyricist -- Donizetti, Gaetano, Composer -- Maffei, Andrea, Lyricist -- Cammarano, Salvadore, Lyricist -- Puccini, Giacomo, Composer -- Forzano, Giovacchino, Lyricist -- Du Locle, Camille, Lyricist -- Méry, François-Joseph, Lyricist -- Bardare, Leone Emanuele, Lyricist -- Somma, Antonio, Lyricist -- Illica, Luigi, Lyricist -- Giordano, Umberto, Composer -- Sterbini, Cesare, Lyricist -- Rossini, Gioachino, Composer -- Boito, Arrigo, Lyricist -- Anonymous, Arranger -- Errico, Carmelo, Lyricist -- Tosti, Paolo, Composer -- Cherubini, Bixio, Lyricist -- Bixio, Cesare Andrea, Composer</marc:subfield>
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            <marc:subfield code="a">Thirty years at La Scala: this is what Leo Nucci's recital commemorated, an event celebrated by the fact that it was sold out only a few days after the booking opened.

It was in 1977, and it was naturally the &lt;i&gt;Barbiere&lt;/i&gt; by Rossini that opened in style the career at La Scala of a singer amongst the dearest in the heart of opera audiences, in particular in Milan.

From then onwards, Nucci has performed in the greatest theatres in the world. He has sung with the most famous opera singers and has worked with conductors such as Karajan, Solti, Giulini, Muti, Abbado, Maazel, Mehta, and Levine.  In addition to numerous videos of live opera performances, he has participated in two "opera films": &lt;i&gt;Macbeth&lt;/i&gt; and &lt;i&gt;Il barbiere di Siviglia.&lt;/i&gt;  Recently Nucci has added "popular" pieces to his opera repertoire and has performed many concerts in Italy and abroad, accompanied by the musical ensemble Salotto '800.

But for the recital at La Scala on Monday 15 January, Nucci did not neglect his "duty" as a great opera performer: he didn't sing any parlour romances nor surrogates, but only and exclusively arias from the highest and most renowned repertoire &amp;#x2013; precisely that for which he is universally appreciated and awaited.</marc:subfield>
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            <marc:subfield code="a">Nucci, Leo, Artist -- Guleghina, Maria, Artist -- Oren, Daniel, Artist -- Krief, Denis, Artist -- Faelli, Marco, Artist -- Battistelli, Giorgio, Artist -- Verdi, Giuseppe, Composer</marc:subfield>
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            <marc:subfield code="a">After his first two operas &lt;i&gt;Oberto&lt;/i&gt; and &lt;i&gt;Un giorno di regno,&lt;/i&gt; Verdi fell into a depression that dissipated only when he was shown the libretto to &lt;i&gt;Nabucco&lt;/i&gt; and discovered the chorus "Va, pensiero." The words sung by the Hebrew exiles made an indelible impression on the composer, who also saw the political potential within them: an echo of the Italians' longing for freedom and a unified nation. The work was premiered at the Teatro alla Scala on 9 March 1842 and was an enormous success. The story of the Babylonian king and the captive Israelites struck a patriotic chord in the hearts of the Milan audiences and swiftly carried Verdi's name throughout Italy and the rest of the world. &lt;i&gt;Nabucco&lt;/i&gt; has long been at home in the Arena di Verona, and for many, the "Va, pensiero" chorus is, along with the triumphal march from &lt;i&gt;Aida,&lt;/i&gt; the very embodiment of the Verona experience. This video production vividly captures this unique experience and provides the viewer with fascinating details that escape many of the Arena's spectators. Stage director Denis Krief casts the work in a sparse modern setting, providing a highly effective showcase for the true heroes of the evening, the singers under conductor Daniel Oren. "Nuanced and temperamental, Daniel Oren's interpretation dazzles with wonderfully suspense-filled pianissimi. The chorus of the Hebrew captives is so perfect that it is probably impossible to find it sung anywhere else more beautifully than in Verona. 

As so often in the Arena, the chorus presents itself as protagonist and perfectly homogeneous ensemble in this acoustically delicate theater. But with Leo Nucci as an aging Nabucco reminiscent of Lear, Fabio Sartori as his antagonist Ismaele and Maria Guleghina as a power-hungry Abigaille, the stage was dominated by three "brilliantly-disposed soloists who rousingly did justice to the drama of their characters, who are struggling for power and love" (Suddeutsche Zeitung, 26 June 2007).</marc:subfield>
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            <marc:subfield code="a">PIZZETTI, I.: Making of Assaninio Nella Cattedrale (The) (Teatro Petruzzelli di Bari, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Raimondi, Ruggero, Artist -- Marrocu, Paoletta, Artist -- Morandi, Pier Giorgio, Artist -- Mancini, Tiziano, Artist -- Pizzetti, Ildebrando, Composer</marc:subfield>
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            <marc:subfield code="a">What more appropriate venue for Ildebrando Pizzetti's operatic masterwork of 1958 &lt;i&gt;Assassinio nella Cattedrale&lt;/i&gt; than the austere, Romanic Basilica di San Nicola in the southern Italian port city of Bari. A striking coincidence: the action of T.S. Eliot's stage play &lt;i&gt;Murder in the Cathedral,&lt;/i&gt; on which the opera is based, takes place in December 1170; the Basilica di San Nicola also dates from the 12th century and was consecrated in 1197. 

Pizzetti, one of Italy's leading lyrical composers of the first half of the 20th century, composed several operas, of which &lt;i&gt;Assassinio nella Cattedrale&lt;/i&gt; is one of his most famous. It unites all the elements of his lyrical style, including a supple arioso treatment of the text that bears echoes of Debussy's &lt;i&gt;Pelleas et Melisande&lt;/i&gt; and of Monteverdi and the Florentine monodists, and also powerful, surging choral movements that are even more breathtaking when performed in a church. Pizzetti's religiosity also manifests itself in his choice of T.S. Eliot's modern-day miracle play about St. Thomas Becket, the Archbishop of Canterbury, who returns from a seven-year exile only to be confronted by various torments, including four temptations; he succumbs to the fourth, the temptation of martyrdom.

Internationally acclaimed bass-baritone Ruggero Raimondi, at home on all of the world's major stages and unforgotten as Don Giovanni in Joseph Losey's celebrated 1979 film, brings the firmness and authority of his vocal artistry to this role, elevating it to one of the most passionate and intriguing portrayals of a 20th-century operatic hero.</marc:subfield>
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            <marc:subfield code="a">Solomon, HWV 67, Act III: Sinfonia, "The arrival of the Queen of Sheba" (NTSC) ( 00 sec. ) / Handel -- Act I Scene 1: Aria: Ombra mai fu, "Largo" ( 00 sec. ) / Handel -- Act III: Aria: Crude Furie Degl' Orridi ( 00 sec. ) / Handel -- Act III: Fatto inferno e il mio petto ( 00 sec. ) / Handel -- Act III: Aria: Pastorello d'un povero armento ( 00 sec. ) / Handel -- I. Overture ( 00 sec. ) / Handel -- II. Adagio e staccato ( 00 sec. ) / Handel -- III. Allegro - Andante - Allegro da capo ( 00 sec. ) / Handel -- Act I: Aria: Ciel e terra armi di sdegno ( 00 sec. ) / Handel -- Act III: Recitative: Oh, per me lieto ( 00 sec. ) / Handel -- Act III: Arioso: Figlia mia ( 00 sec. ) / Handel -- V. Air ( 00 sec. ) / Handel -- VIII. Hornpipe ( 00 sec. ) / Handel -- VII. Bourree ( 00 sec. ) / Handel -- VI. Menuet ( 00 sec. ) / Handel -- Act III: Aria: Dopo notte ( 00 sec. ) / Handel -- Act II: Recitative and Aria: Scherza infida ( 00 sec. ) / Handel</marc:subfield>
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            <marc:subfield code="a">McCreesh, Paul, Conductor -- Gabrieli Consort and Players, Orchestra -- Villazón, Rolando, Artist -- Travers-Brown, Tim, Artist -- Bottone, Rebecca, Artist -- Handel, George Frideric, Composer -- Salvi, Antonio, Lyricist -- Haym, Nicola, Lyricist -- Minato, Nicolò, Lyricist</marc:subfield>
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            <marc:subfield code="a">It would be hard to imagine a more seductive hero, a more passionate performer, a more glorious interpreter of the great Romantic roles of Verdi and Puccini than Rolando Villazon. Yet the singer's temporary withdrawal from the spotlight in 2007 opened up a wealth of new possibilities for the singer. Among the "new paths" that Villazon envisioned for the future were "adventures" such as Baroque music. Next to a recording of works by the early Baroque composer Claudio Monteverdi, he now offers a selection of arias by George Frideric Handel.

This intimate concert featuring Villazon and the Gabrieli Players under Paul McCreesh was filmed in a setting that ideally suits the style of the music, St. Paul's Church in Deptford, near London, one of Britain's finest Baroque churches. It was built between 1712 and 1730, almost exactly when Handel was writing his most celebrated operas and oratorios.

Villazon proves that he is a master of dazzling coloratura, virtuoso runs and expressive cantabile melodies. Among the highlights of the concert &amp;#x2013; which also includes two purely orchestral works &amp;#x2013; are the beloved arioso "Ombra mai fu" from &lt;i&gt;Serse&lt;/i&gt;, Grimoaldo's aria "Pastorello d'un povero armento" from &lt;i&gt;Rodelinda&lt;/i&gt;, the lyrical, longing "Scherza infida" from &lt;i&gt;Ariodante&lt;/i&gt;, and Bajazet's spirited aria "Ciel e terra armi di sdegno" from &lt;i&gt;Tamerlano&lt;/i&gt;. Villazon is joined by soprano Rebecca Bottone and countertenor Timothy Travers-Brown in the death scene of Bajazet from Tamerlano.</marc:subfield>
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            <marc:subfield code="a">VERDI, G.: Traviata (La) (Salzburg Festival, 2005) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Hampson, Thomas, Artist -- Netrebko, Anna, Artist -- Villazón, Rolando, Artist -- Vienna State Opera Chorus, Choir -- Rizzi, Carlo, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Piave, Francesco Maria, Lyricist -- Verdi, Giuseppe, Composer</marc:subfield>
        </marc:datafield>
        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">Within only a few years, Anna Netrebko has become one of the most acclaimed performers of our time, whose popularity transcends by far the boundaries of classical music. With her CDs garnering phenomenal sales and her stage appearances causing worldwide box-office stampedes, Anna Netrebko is on her way to becoming the new diva assoluta. 

This recording of Verdi's &lt;i&gt;La Traviata&lt;/i&gt; from the 2005 Salzburg Festival &amp;#x2013; the uncontested and hopelessly sold-out highlight of the festival season &amp;#x2013; captures the triumphal performance not only of Anna Netrebko as Violetta Valery, but also of Rolando Villazon as her lover Alfredo. The glamorous Russian soprano and the heartthrob Mexican tenor have become the new dream team of the opera world. 

The international press was unanimous in praising the singers' phenomenal range, heavenly timbre, musical finesse and powerful, charismatic stage presence. Portraying Alfredo's father is one of the leading baritones of our time, Thomas Hampson. The Austrian Broadcasting Corporation's (ORF) simultaneous telecast of the premiere scored a phenomenal 29% market share. Willy Decker's stark, elegantly stylish stage production makes Anna Netrebko the center of attention at all times. The sets and costumes are by Wolfgang Gussmann. &lt;i&gt;La Traviata&lt;/i&gt; is conducted by Carlo Rizzi, performed by the world-renowned Vienna Philharmonic Orchestra and directed for television by Emmy Award winner Brian Large.</marc:subfield>
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            <marc:subfield code="a">Mozart, Wolfgang Amadeus</marc:subfield>
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            <marc:subfield code="a">Czernowin, Chaya</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Zaide / CZERNOWIN, C.: Adama (Salzburg Festival, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Girolami, Renato, Artist -- Reuter, Johan, Artist -- Erdmann, Mojca, Artist -- Ainsley, John Mark, Artist -- Lehtipuu, Topi, Artist -- Windmüller, Yaron, Artist -- Bolton, Ivor, Conductor -- Kalitzke, Johannes, Conductor -- Salzburg Mozarteum Orchestra, Orchestra -- Basler Madrigalisten, Ensemble -- Fischer, Andreas, Artist -- Frenkel, Noa, Artist -- Lorenger, Paul, Artist -- Grawert, Bernd, Artist -- Austrian Ensemble for Contemporary Music, Ensemble -- Mozart, Wolfgang Amadeus, Composer -- Czernowin, Chaya, Composer</marc:subfield>
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            <marc:subfield code="a">An abducted beauty in a harem, a noble rescuer from Europe, a merciless Muslim ruler - aren't these the ingredients for Mozart's &lt;i&gt;Die Entfuhrung aus dem Serail&lt;/i&gt;? Yes, but not only. They are also found in the fragment of a Turkish opera that Mozart wrote shortly before the &lt;i&gt;Entfuhrung&lt;/i&gt;, a work that was later given the title &lt;i&gt;Zaide&lt;/i&gt;. The fragmentary nature and splendid music of &lt;i&gt;Zaide&lt;/i&gt; have long stimulated enterprising artists to attempt completions or collages to make the work performable. For the Mozart 22 project, Salzburg Festival director Peter Ruzicka commissioned the Israeli composer Chaya Czernowin to produce a new work that stage director Claus Guth would then interweave with the &lt;i&gt;Zaide&lt;/i&gt; fragment.

In &lt;i&gt;Zaide&lt;/i&gt; we have two lovers, Zaide and Gomatz, held prisoner in a harem in an imaginary past, somewhere in the Middle East. In &lt;i&gt;Adama&lt;/i&gt; we have two lovers, a Woman and a Man, caught in the irreconcilable religious and political conflicts of today's Middle East. Mozart's themes are imprisonment, doomed love, culture clash and despotism; Czernowin's are the same, but transported into our time. She tells of the love between an Israeli woman and a Palestinian man, a partnership doomed to fail in a world torn by violence.

Czernowin approached her task with great reverence for Mozart's work.
"&lt;i&gt;Adama&lt;/i&gt; establishes a counterpoint to &lt;i&gt;Zaide&lt;/i&gt;'s plot," she says. "My contributions to this new complete work are not traditional arias, but often fragments, musical pieces that are cut in the middle. Mozart's excerpts alternate with elements from Adama and sometimes overlap as well: then the two scores are almost synchronized. In that sense, &lt;i&gt;Adama&lt;/i&gt; is a mirror of Mozart's &lt;i&gt;Zaide&lt;/i&gt;."</marc:subfield>
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            <marc:subfield code="a">SCHLOMER, J.: Irrfahrten II - Abendempfindung (Salzburg Festival, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Murray, Ann, Artist -- Hofstetter, Michael, Conductor -- Camerata Salzburg, Orchestra -- Hamre, Marianne, Artist -- Smith, Graham, Artist -- Schlomer, Joachim, Composer</marc:subfield>
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            <marc:subfield code="a">The &lt;i&gt;Irrfahrten&lt;/i&gt; (Odysseys) trilogy comprises three independent,
self-contained performances that are motivically interwoven into a
compelling whole through a great variety of references. Various artistic genres - music, theater, dance and video - are fused into an original form of music theater that could very well point to the future. The trilogy was conceived by Joachim Schlomer, a noted dancer, choreographer and director. He sees his project as the "odyssey of an artist from external control to self-determination." (Schlomer) This concerns not only Mozart himself, but also the artist in general, and, by extension, everyone who has overcome a crisis in their life to achieve their personal freedom.

At the beginning of the trilogy is the twelve-year-old Mozart's first opera buffa, &lt;i&gt;La finta semplice&lt;/i&gt; (The Make-Believe Simpleton), a full-length opera with commedia dell'arte-style characters. "The music," says Schlomer, "tells of wanting something - even if the characters still don't really know what they want." The second Odyssey, &lt;i&gt;Abendempfindung&lt;/i&gt; (Evening Sensation), a pasticcio of Mozart arias, songs, instrumental pieces (including some for the rare and evocative glass harmonica) and letters. The great Ann Murray is the featured performer here. The third Odyssey, "Rex tremendus" presents a thought-provoking combination of two opera buffa fragments, &lt;i&gt;Lo sposo deluso&lt;/i&gt; and &lt;i&gt;L'oca del Cairo&lt;/i&gt;, along with various unfinished pieces and fragments from Mozart's last work, the &lt;i&gt;Requiem&lt;/i&gt;. It represents the artist's ultimate liberation from the restrictions and conventions of society, his farewell from the world, in total darkness. Schlomer on his Odysseys: "It is about the path the artist follows from his entrance into adult life to a period of artistic crisis, comparable to the midlife crisis we all go through, and on to a fragmentation and liberation from all interpretation of the artist's activity." &lt;i&gt;Irrfahrten/Odysseys&lt;/i&gt; is one of the most illuminating productions of the Mozart 22 cycle, one that makes Mozart's genius shine in all of its facets.</marc:subfield>
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            <marc:subfield code="a">Die Schuldigkeit des ersten Gebots, K. 35 (Salzburg Festival, 2006) (NTSC) ( 01 hrs., 29 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Berchtold, Bernhard, Artist -- Karg, Christiane, Artist -- Salzburg Mozarteum University Symphony Orchestra, Orchestra -- Wallnig, Josef, Conductor -- Watanabe, Michiko, Artist -- Schuster, Cordula, Artist -- Sonn, Peter, Artist -- Mozart, Wolfgang Amadeus, Composer -- Weiser, Ignaz Anton von, Composer</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Die Schuldigkeit des ersten Gebots&lt;/i&gt; is an allegorical drama in three parts that was first performed in the Archibishop's residence in March 1767. Mozart composed the first part. The work is an offshoot of the 17th-century tradition of the Jesuit school drama in which the characters are purely symbolic. Here, the "lukewarm Christian" becomes the object of contention between two authorities. Worldliness tempts him with the pleasures of the senses; a trio formed by Justice, Mercy and Christian Spirit urges him to choose an active Christian life. Mozart included such subtle musical touches as a 3/4 dance rhythm and merry woodwinds deployed by Worldliness and an alto trombone that summons the hero to the Last Judgement &amp;#x2013; an instrumental color that will appear prominently in &lt;i&gt;Don Giovanni&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Zauberflöte (Die) (The Magic Flute) (Salzburg Festival, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Die Zauberflöte, K. 620 (The Magic Flute) (Salzburg Festival, 2006) (NTSC) ( 02 hrs., 57 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Pape, René, Artist -- Groves, Paul, Artist -- Damrau, Diana, Artist -- Kühmeier, Genia, Artist -- Gerhaher, Christian, Artist -- Bespalovaite, Irena, Artist -- Vienna State Opera Chorus, Choir -- Muti, Riccardo, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Mozart, Wolfgang Amadeus, Composer -- Schikaneder, Emanuel, Lyricist</marc:subfield>
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            <marc:subfield code="a">&lt;i&gt;Die Zauberflote (The Magic Flute)&lt;/i&gt; is Mozart's most popular and beloved opera, and its melodies - from Papageno's folkloric tunes to the Queen of the Night's breathtaking coloraturas - are familiar even among non-listeners of classical music. In this production by Pierre Audi, however, it is the eyes and not the ears that first fall under the spell of this truly magical &lt;i&gt;Magic Flute&lt;/i&gt;. From the illustration on the stage curtain to the incredible, wildly colored, primeval-looking monsters, animals and decorative elements on the stage, the production is dominated by the unmistakable expressive world of the Dutch artist and sculptor Karel Appel. A co-founder of the acclaimed Cobra Group, Appel developed a darkly expressionistic idiom and was the "secret dramaturge" of the production, says director Audi. Appel died at the age of 85 three months before the premiere of &lt;i&gt;Die Zauberflote&lt;/i&gt; at the Salzburg Festival.

While the sets may be a treat for the eyes, the music is a feast for the ears. Metropolitan Opera and La Scala star Diana Damrau shines as a Queen of the Night who effortlessly tosses out her coloraturas with dazzling accuracy. Rene Pape's Sarastro is a worthy counterpart, a solemn figure with balsamic bass tones. Paul Groves' supple tenor voice ensures a faultless Tamino next to the captivatingly natural lyricism of Genia Kuhmeier's Pamina. Christian Gerhaher is a welcome, almost restrained Papageno. His Papagena, Irena Bespalovaite, brings her fresh musicality to the ensemble. The Vienna Philharmonic is led with an expert hand by the great Riccardo Muti.</marc:subfield>
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            <marc:subfield code="a">Idomeneo, K. 366 (Salzburg Festival, 2006) (NTSC) ( 02 hrs., 47 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Vargas, Ramón, Artist -- Kožená, Magdalena, Artist -- Siurina, Ekaterina, Artist -- Norrington, Roger, Conductor -- Francis, Jeffrey, Artist -- Camerata Salzburg, Orchestra -- Salzburg Bach Choir, Choir -- Harteros, Anja, Artist -- Mozart, Wolfgang Amadeus, Composer -- Varesco, Giovanni Battista, Lyricist</marc:subfield>
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            <marc:subfield code="a">Written for the court of Munich in 1780/81, &lt;i&gt;Idomeneo&lt;/i&gt; is often regarded as the first of the seven undisputed masterworks in Mozart's dramatic oeuvre. Never before had he cast such bold, impassioned music into a dramatic form or devised such a well-calibrated dramaturgy. Was it the plot that drove Mozart to such extremes of expressive power? The story evokes countless other opera seria subjects: King Idomeneo has promised to sacrifice to Neptune the first person he meets if he is saved from shipwreck;  this turns out to be his son Idamante, who stands between two women, the Trojan Princess Ilia, whom he loves, and the Greek princess Elettra, who loves him. Four people on the edge of the abyss, drawn together by passion, torn apart by reasons of state...

Such an extraordinary work deserves an exceptional interpretation. And this is ensured by Sir Roger Norrington and the Camerata Salzburg playing on an "island" (the action unfolds on Crete) surrounded by narrow ramps on which the singers, literally "on the edge of the abyss," pace about in search of one another, of love, of redemption... Simplicity and elegance stamp both the production of Ursel and Karl-Ernst Herrmann, and the playing of the Camerata Salzburg. Norrington entices entire catalogues of nuances from his players, but never yields to manneristic over-refinement. His Mozart is slender and suave, rigorous and concise.

Under his baton, the soloists Ramon Vargas as Idomeneo, who colors his despair with exquisite delicacy and rousing bravura. Magdalena Kozena is a passionate, glowing Idamante and Ekaterina Siurina a lyrical Ilia. As Elettra, Anja Harteros triumphs with dramatic fire and intensity. Every inch a noblewoman, she hurls out her vengeance aria with repressed fury rather than scenery-chewing theatrics. They and their colleagues Jeffrey Francis, Robin Leggate and Gunther Groissbock, along with the Salzburger Bachchor, lend their artistry to this unforgettably intense performance.</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Re pastore (Il) (Salzburg Festival, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Il re pastore, K. 208 (Salzburg Festival, 2006) (NTSC) ( 02 hrs., 02 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Petersen, Marlis, Artist -- Karasiak, Andreas, Artist -- Hengelbrock, Thomas, Conductor -- Balthasar Neumann Ensemble, Ensemble -- Dasch, Annette, Artist -- Spicer, Kresimir, Artist -- Rahdjian, Arpine, Artist -- Mozart, Wolfgang Amadeus, Composer -- Metastasio, Pietro, Lyricist</marc:subfield>
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            <marc:subfield code="a">Critics were unanimous in their praise of the opening production of the Mozart 22 project at the Salzburg Festival 2006: the premiere of the serenata &lt;i&gt;Il rè pastore, K. 208&lt;/i&gt;. It was composed in early 1775 for the visit to Salzburg of Archduke Maximilian. As in &lt;i&gt;La finta giardiniera&lt;/i&gt; of the previous year, it takes up the motif of the trials of love and virtue in a pastoral setting. The shepherd Aminta unexpectedly learns that he is the rightful heir to a kingdom. Initially delighted to become a king, Aminta loses his enthusiasm when he learns he must marry Tamiri instead of his beloved Elisa.

Thomas Hengelbrock, the production's director and conductor, gives eloquent voice to Mozart's tale with his Balthasar Neumann Ensemble, which plays on original instruments (including an early "fortepiano" instead of the traditional harpsichord as continuo instrument). At 19, Mozart was no beginner, and his next work was to be &lt;i&gt;Idomeneo,&lt;/i&gt; which is generally considered to be his first operatic masterpiece. In &lt;i&gt;Il rè pastore,&lt;/i&gt; it is amazing how Mozart manages to infuse life into the rigid conventions of the opera seria genre. There is dramatic impact and emotional depth, for
example in Aminta's rondo "L'amerò, sarò costante" with obbligato solo violin; and there are poignant depictions of inner torment, as in Agenore's great aria supported by four natural horns. The music is a panorama of contrasting colors, a kaleidoscope of changing moods that are given a sharp and brilliant profile in this performance.

Hengelbrock underscores the youthful freshness and liveliness of the score by keeping the singers on stage during the entire performance. They change costumes and apply make-up in two curtained-off cubicles, emerging to watch their colleagues' performances. And although the performers are always in action, the character of the production remains intimate, almost concert-like. Hengelbrock explains this from a historical viewpoint: "Our stage version guides itself on the circumstances of the premiere, which took place [in April 1775] at the Archbishop's Residence and not in a theater."</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Sogno di Scipione (Il) (Salzburg Festival, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Il sogno di Scipione, K. 126 (Salzburg Festival, 2006) (NTSC) ( 01 hrs., 49 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Nacoski, Blagoj, Artist -- Sellier, Robert, Artist -- Ticciati, Robin, Conductor -- Fribo, Louise, Artist -- Bobro, Bernarda, Artist -- Paton, Iain, Artist -- Kovalko, Anna, Artist -- Klagenfurt Municipal Theater Chorus, Choir -- Carinthian Symphony Orchestra, Orchestra -- Mozart, Wolfgang Amadeus, Composer -- Metastasio, Pietro, Lyricist</marc:subfield>
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            <marc:subfield code="a">The genre of &lt;i&gt;Il sogno di Scipione&lt;/i&gt; hovers between opera seria and oratorio. Devoid of psychological development or even dramatic conflict, it centers on Scipio, who dreams of two beautiful allegorical women: Fortuna (Fortune) and Costanza (Constancy). The two women both try to win him over. Ultimately, Scipio has to choose one, and his choice falls, unsurprisingly, on Costanza.

The Mozart 22 production of &lt;i&gt;Il sogno di Scipione (Scipio's Dream)&lt;/i&gt; adds two more superlatives to the already stunning list of this project's matchless achievements. The musical direction is in the hands of the youngest conductor of all Mozart 22 works, Robin Ticciati, born in 1983; and it is most likely the very first staged performance ever of this work, which was not given its first full-length concert premiere until 1979, at the Salzburg Mozartwoche. Based on a libretto by Pietro Metastasio, like &lt;i&gt;Betulia liberata,&lt;/i&gt; &lt;i&gt;Tito&lt;/i&gt; and &lt;i&gt;Rè pastore,&lt;/i&gt; the azione teatrale was composed between April and August 1771. Although it was intended for Archbishop Schrattenbach, he died before the work was completed.

Director Michael Sturminger has devised a light and witty staging with artists from the Klagenfurt Municipal Theater. He transposes the action to what looks like a large suite in a luxury hotel. Gone are all traces of pallid allegory in the depictions of the two women: Fortuna (a warmly intoning Bernarda Bobro) is a vamp and seductress in revealing dresses; Costanza (a dazzlingly virtuoso Louise Fribo) is the sensible housewife and mother who, however, hasn't forgotten how to turn on her man. To help guide Scipio back on the path of virtue, Sturminger has Costanza trot out the couple's two cute little children...

Musically, the work flickers with flashes of genius that prefigure the later operatic master. Already self-confident in his treatment of emotions, Mozart relishes his chance to formulate breathtaking vocal fireworks as his protagonists grapple with lust, desire and virtue. Thanks to Blagoj Nacoski, the title role stands out for its brilliance and clarity. British conductor Robin Ticciati leads the chorus of the Klagenfurt Municipal Theater and the Carinthian Symphony Orchestra with irrepressible verve.</marc:subfield>
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            <marc:subfield code="a">Klink, Matthias, Artist -- Hartelius, Malin, Artist -- Comparato, Marina, Artist -- Hofstetter, Michael, Conductor -- Ovenden, Jeremy, Artist -- Turk, Miljenko, Artist -- Salzburg Camerata Academia, Ensemble -- Wagner, Josef, Artist -- Hamre, Marianne, Artist -- Moi, Silvia, Artist -- Mozart, Wolfgang Amadeus, Composer -- Goldoni, Carlo, Lyricist</marc:subfield>
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            <marc:subfield code="a">The &lt;i&gt;Irrfahrten (Odysseys)&lt;/i&gt; trilogy comprises three independent, self-contained performances that are motivically interwoven into a compelling whole through a great variety of references. Various artistic genres - music, theater, dance and video - are fused into an original form of music theater that could very well point to the future. The trilogy was conceived by Joachim Schlömer, a noted dancer, choreographer and director. He sees his project as the "odyssey of an artist from external control to self-determination" (Schlömer). This concerns not only Mozart himself, but also the artist in general, and, by extension, everyone who has overcome a crisis in their life to achieve their personal freedom.

At the beginning of the trilogy is the twelve-year-old Mozart's first opera buffa, &lt;i&gt;La finta semplice (The Make-Believe Simpleton),&lt;/i&gt; a full-length opera with commedia dell'arte-style characters. "The music," says Schlömer, "tells of wanting something - even if the characters still don't really know what they want." The second Odyssey, &lt;i&gt;Abendempfindung (Evening Sensation),&lt;/i&gt; a pasticcio of Mozart arias, songs, instrumental pieces (including some for the rare and evocative glass harmonica) and letters. The great Ann Murray is the featured performer here. The third Odyssey, &lt;i&gt;Rex tremendus&lt;/i&gt; presents a thought-provoking combination of two opera buffa fragments, &lt;i&gt;Lo sposo deluso&lt;/i&gt; and &lt;i&gt;L'oca del Cairo,&lt;/i&gt; along with various unfinished pieces and fragments from Mozart's last work, the &lt;i&gt;Requiem.&lt;/i&gt; It represents the artist's ultimate liberation from the restrictions and conventions of society, his farewell from the world, in total darkness...

Schlömer on his Odysseys: "It is about the path the artist follows from his entrance into adult life to a period of artistic crisis, comparable to the midlife crisis we all go through, and on to a fragmentation and liberation from all interpretation of the artist's activity." &lt;i&gt;Irrfahrten / Odysseys&lt;/i&gt; is one of the most illuminating productions of the Mozart 22 cycle, one that makes Mozart's genius shine in all of its facets.</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Nozze di Figaro (Le) (Salzburg Festival, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Le nozze di Figaro (The Marriage of Figaro), K. 492 (Salzburg Festival, 2006) (NTSC) ( 03 hrs., 24 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Skovhus, Bo, Artist -- Röschmann, Dorothea, Artist -- Selig, Franz-Josef, Artist -- Schäfer, Christine, Artist -- McLaughlin, Marie, Artist -- Netrebko, Anna, Artist -- Vienna State Opera Chorus, Choir -- Harnoncourt, Nikolaus, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Boesch, Florian, Artist -- Ringelhahn, Oliver, Artist -- Liebau, Eva, Artist -- Henckens, Patrick, Artist -- Kirsch, Uli, Artist -- D'Arcangelo, Ildebrando, Artist -- Mozart, Wolfgang Amadeus, Composer -- Da Ponte, Lorenzo, Lyricist</marc:subfield>
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            <marc:subfield code="a">Anna Netrebko, Christine Schäfer, Dorothea Röschmann, Bo Skovhus and Ildebrando D'Arcangelo under the direction of Nikolaus Harnoncourt and accompanied by the Vienna Philharmonic - this &lt;i&gt;Marriage of Figaro&lt;/i&gt; is a feast for musical gourmets. Of all the Mozart 22 productions of the Salzburg Festival's Mozart year 2006, &lt;i&gt;Figaro&lt;/i&gt; is no doubt the most popular, both among connoisseurs and amateurs - perhaps because it is above all a triumph of superior music-making.

The story is well-known, the work is fast-moving, witty, touching and vibrant. Based on a politically and socially explosive comedy by Beaumarchais, but toned down by Mozart's librettist Lorenzo da Ponte, it treats the topic of love, lust and justice among the various classes: nobility, indentured servants and the rising bourgeoisie. The joy of the work lies above all in its characters, which are perhaps the most "human" human beings to be found on the opera stage.

Harnoncourt's musical concept is meticulously worked-out, interpreted with a wealth of subtle nuances and, with respect to the madness of the romantic intrigues unfolding on the stage, nothing less than thought-provoking. Director Claus Guth's staging fits the music like a glove: there are no farcical elements or slapstick; he takes each and every character seriously. He sees the ensembles and arias as emotional rooms that are to be opened by the director. Everything takes place in Count Almaviva's summer residence - a place devoid of furnishings but filled with erotic energy.

The most erotically charged role in the opera is that of Cherubino, and with Christine Schäfer, Cherubino became the fulcrum of the performance, a luminous, dazzlingly virtuoso singer and consistently poignant actress - perhaps the vocal discovery of the Mozart 22 project. The celebrated Anna Netrebko proves her greatness by harnessing her sensual soprano to make it fit seamlessly into the ensemble. Bo Skovhus and Dorothea Röschmann give realistic and intense accounts of the Count and Countess as they movingly depict their "scenes of a marriage." Finally, Ildebrando D'Arcangelo employs his powerful bass baritone to give authority to the work's title role.</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Mitridate, re di Ponto (Salzburg Festival, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Mitridate, re di Ponto, K. 87 (Salzburg Festival, 2006) (NTSC) ( 02 hrs., 31 min. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Croft, Richard, Artist -- Persson, Miah, Artist -- Bertin, Pascal, Artist -- Bohlin, Ingela, Artist -- Minkowski, Marc, Conductor -- Lee, Colin, Artist -- Musiciens du Louvre, Les, Orchestra -- Or, Netta, Artist -- Mehta, Bejun, Artist -- Mozart, Wolfgang Amadeus, Composer -- Cigna-Santi, Vittorio Amedeo, Lyricist</marc:subfield>
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            <marc:subfield code="a">Widely acclaimed as one of the absolute top productions of the Mozart 22 cycle in Salzburg, &lt;i&gt;Mitridate&lt;/i&gt; has everything going for it. It is a wild story of erotic desire, jealousy, intrigue and betrayal; a dramatically focused staging that does full justice to the conflicted relations; a cast of singers who are all of the highest caliber; and a sensational musical ensemble led by a singularly powerful and charismatic conductor.

Indeed, the real star of this production is conductor Marc Minkowski, who is famed for his recordings of Baroque music with his ensemble Les Musiciens du Louvre - Grenoble, who also play on this recording. It is nothing less than phenomenal how Minkowski storms into the score and unleashes raw emotions encompassing everything from happiness and tenderness to madness and murderous jealousy. As he plumbs the depths of this music, he carries his singers on his orchestra's richly nuanced fabric, whips them along impetuously, and envelops them in opulent sounds.

In stage director Günter Krämer and his set designer Jürgen Bäckmann, Minkowski found partners on a par with his vibrant talent. Through cleverly placed mirrors, Krämer reveals what's going on "behind the scenes" at the same time that we see what is occurring before our eyes - a breathtaking layering of the events that illuminates the characters' psychology in a subtle manner.

&lt;i&gt;Mitridate&lt;/i&gt; is the first major opera seria of the 14-year-old Mozart, and its plot typical of this genre, which had its heyday in the mid to late 18th century. King Mitridate, blinded by his lust for power, believes his sons Farnace and Sifare, as well as his betrothed Aspasia, are betraying him. He wants to put them to the test by staging his own death. The two sons, who want to go their own ways, are thus forced to oppose their father, even as they long for his love. Mitridate is ready to sacrifice all three - but in the end, he is the only one who dies.</marc:subfield>
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            <marc:subfield code="a">Schade, Michael, Artist -- Eröd, Adrian, Artist -- Struckmann, Falk, Artist -- Botha, Johan, Artist -- Vienna State Opera Chorus, Choir -- Thielemann, Christian, Conductor -- Vienna State Opera Orchestra, Orchestra -- Merbeth, Ricarda, Artist -- Anger, Ain, Artist -- Lang, Thomas, Chorus Master -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">Wagner's &lt;i&gt;Meistersinger&lt;/i&gt; is a festive opera in its own right, but at the reprise of the work at the Vienna State Opera in January 2008, the festive spirit literally leapt out into the audience as well. Vienna's dailies exploded with praise such as "A feast of singers" (Der Standard), "A feast ... grandiose" (Die Presse) and "Nearly six hours of pure enjoyment" (Kurier). The plaudits applied to all the singers, from Hans Sachs to the night watchman, as well as to the chorus and orchestra.

Conductor Christian Thielemann deserves a great deal of the credit for fashioning a multi-faceted drama that is anything but black-and-white in its musical depiction of the characters. Innate in Thielemann is both the grand gesture, the broad arch and sweep of a scene, as well as a meticulous attention to subtle details. Since his Bayreuth Festival debut in 2000 with this very work, Thielemann has established himself as one of the world's leading Wagner conductors. Among the vocal surprises of this live recording is Adrian Erod as Beckmesser, a fully fleshed-out character whose every gesture and every note reflects a well-rounded concept of the usually unsympathetic role of the critic. Erod is on a par with the great Wagner baritone Falk Struckmann as Hans Sachs, who injects earthy humor into his role while building a tender rapport with Ricarda Merbeth's Eva. As Walther von Stolzing, Johan Botha (who sang this role alongside Falk Struckmann at Vienna's "second" house, the Volksoper, two years earlier) is pure tenor gold, whose impressive reserves of strength allow him to sing brilliantly and effortlessly throughout the work.</marc:subfield>
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            <marc:subfield code="a">VERDI, G.: Otello (Salzburg Festival, 2008) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Otello (Salzburg Festival, 2008) (NTSC) ( 02 hrs., 23 min. ) / Verdi</marc:subfield>
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            <marc:subfield code="a">Alvarez, Carlos, Artist -- Antonenko, Aleksandrs, Artist -- Porta, Andrea, Artist -- Ceron, Antonello, Artist -- Vienna State Opera Chorus, Choir -- Muti, Riccardo, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Di Castri, Barbara, Artist -- Poplavskaya, Marina, Artist -- Savio, Simone del, Artist -- Petrenko, Mikhail, Artist -- Costello, Stephen, Artist -- Salzburg Festival Children's Chorus, Choir -- Verdi, Giuseppe, Composer -- Boito, Arrigo, Lyricist</marc:subfield>
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            <marc:subfield code="a">"An amazing range, with fresh young lows and girlish highs, full, glowing middle and high registers, a timbre of silk, champagne and sandpaper, a great lyrical-dramatic soprano," wrote Berlin's Tagesspiegel about Marina Poplavskaya. The Moscow native was clearly "the queen of this operatic performance," as the eminent critic Joachim Kaiser put it in the Suddeutsche Zeitung, and perhaps the most dazzling discovery of this Salzburg Festival production of Verdi's &lt;i&gt;Otello&lt;/i&gt;.

Poplavskaya's Desdemona shares the limelight on the stage of Salzburg's Grosses Festspielhaus with her partner Aleksandrs Antonenko, an up-and-coming Latvian tenor with an impressive stage presence and a light, heady timbre that gives his Otello a youthful note.

Particularly noteworthy are Carlos Alvarez, a powerful, charismatic baritone who infuses his manipulating Iago with criminal energy and threatening darkness; and Stephen Costello, whose sensitive, elegant Cassio reminds us that this young American tenor is already singing Donizetti at the Metropolitan Opera. Leading the vocal ensemble and the Wiener Philharmoniker with commanding presence is the great Riccardo Muti, whose conducting is "the motor of this Verdi opera" (Wiener Zeitung).

With its "enlightened realism" (Die Welt), Stephen Langridge's production remains within the boundaries of the "classical" canon of Verdi interpretation. Using filmic means as well as sand, rain and fire, Langridge finds many images that underscore the fragility and volatility of Otello's position as a social outcast and of his love for Desdemona. Unforgettable is the moment when we see the wronged woman no longer in her ornate Renaissance gown, but in a simple white nightgown, virginal, angelic, a lamb waiting for the slaughter...</marc:subfield>
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            <marc:subfield code="a">GOUNOD, C.-F.: Romeo et Juliette [Opera] (Salzburg Festival, 2008) (Blu-ray, HD)</marc:subfield>
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            <marc:subfield code="a">Romeo et Juliette (Salzburg Festival, 2008) (Blu-ray, HD) ( 02 hrs., 43 min. ) / Gounod</marc:subfield>
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            <marc:subfield code="a">Resmark, Susanne, Artist -- Struckmann, Falk, Artist -- Braun, Russell, Artist -- Villazón, Rolando, Artist -- Vienna State Opera Chorus, Choir -- Salzburg Mozarteum Orchestra, Orchestra -- Nézet-Séguin, Yannick, Conductor -- Ballestra, Jean-Luc, Artist -- Hausmann, Mathias, Artist -- Gatell, Juan Francisco, Artist -- Andresen, Jorn Hinnerk, Conductor -- Machaidze, Nino, Artist -- Burggraaf, Cora, Artist -- Horn, Christian van, Artist -- Murray, Robert, Artist -- Carré, Michel, Lyricist -- Barbier, Jules, Lyricist -- Gounod, Charles-François, Composer</marc:subfield>
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            <marc:subfield code="a">While Charles Gounod's &lt;i&gt;Romeo et Juliette&lt;/i&gt; is less well-known than his &lt;i&gt;Faust&lt;/i&gt;, it is blessed with four great show-stopping love duets that let its two title roles bask in lyrical luxury. In this Salzburg Festival production recorded at the Felsenreitschule, the titular heroes are the much acclaimed Mexican tenor Rolando Villazon and the young Georgian soprano Nino Machaidze – two singers and personalities with the makings of a new "dream couple".

"Villazon is "ideal" Romeo. His vocal cords seem to be grafted directly onto his heart" (Der Tagesspiegel) – a charming image that captures the singer's one-hundred-percent commitment to emotion, his hot-blooded stage artistry, and his ability to express erotic fulfillment, the blaze of passion, and the hopelessness of his fate with his voice alone. His Juliette, Nino Machaidze, unites captivating good looks with a bright, clear voice and an agile, youthful stage presence – a singer on her way to stardom!

Broadway director Bartlett Sher and his team succeed in evoking Shakespeare's Verona with a few evocative props, many fine costumes and much plot-driven action. In the eyes of many, however, the real discovery of the production is the young Montreal conductor Yannick Nezet-Seguin, who gives a vivid and passionate reading of Gounod's work. In the words of the Frankfurter Allgemeine Zeitung, Nezet-Seguin "plunges so earnestly into the specific charm of the score that he brings all of its treasures to light... With the Mozarteum Orchester Salzburg, playing with a marvelous wealth of nuances, he intones a hymn to a sensuality that reconciles religious, aesthetic and erotic moments..." This vibrant interpretation of "Romeo et Juliette" makes a case for this intensely lyrical work as a companion piece of equal value to &lt;i&gt;Faust&lt;/i&gt;".</marc:subfield>
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            <marc:subfield code="a">Schäfer, Christine, Artist -- Davies, Ryland, Artist -- Fink, Bernarda, Artist -- McVinnie, James, Artist -- Bolton, Ivor, Conductor -- Freiburg Baroque Orchestra, Orchestra -- Kaiser, Joseph, Artist -- Mehta, Bejun, Artist -- Kränzle, Johannes Martin, Artist -- Salzburg Bach Choir, Choir -- Glassner, Alois, Chorus Master -- Morell, Thomas, Lyricist -- Handel, George Frideric, Composer</marc:subfield>
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            <marc:subfield code="a">A highlight of the Handel commemorative year (250th anniversary of death) was the Salzburg Festival's first-ever staging of Handel's oratorio &lt;i&gt;Theodora&lt;/i&gt; of 1750. Christof Loy, who was voted "director of the year" three times by the prestigious journal "Opernwelt", created a production that is, in his words, "almost as an installation", and groups his characters around the remains of a gigantic organ in situations that echo the libretto's tragic dilemma of love, faith and virtue. His concept is supported by the vigorous Ivor Bolton and the Freiburger Barockorchester playing on original instruments, the Salzburger Bachchor, and, above all, by a fine cast. It is led by the luminous Christine Schafer as a Theodora who "perfectly encapsulates the heroine's combination of fragility and defiance" (AFP), and countertenor Bejun Mehta, who "excels as Theodora's lover Didymus" (The New York Times). 

Video director Hannes Rossacher, known both in the pop (Rolling Stones) and classical worlds, captures the essence of this rarely recorded work, another joint project of the exclusive audiovisual partners Salzburg Festival and Unitel Classica.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=A04001521</marc:subfield>
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            <marc:subfield code="a">Mozart, Wolfgang Amadeus</marc:subfield>
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            <marc:subfield code="a">MOZART, W.A.: Symphony No. 41 in C Major, K. 551, "Jupiter" (Bohm) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Symphony No. 41 in C Major, K. 551, "Jupiter" (NTSC) ( 00 sec. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Böhm, Karl, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Mozart, Wolfgang Amadeus, Composer</marc:subfield>
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            <marc:subfield code="a">Filmed mainly in Vienna's splendid Musikvereinssaal, the Mozart symphonies conducted by Karl Bohm are all interpreted by one of the world's foremost orchestras, the Vienna Philharmonic Orchestra, whose principal conductors have included Wilhelm Furtwangler, Bruno Walter, Herbert von Karajan, Claudio Abbado and, of course, Karl Bohm. "Thanks to Bruno Walter's exemplary performances, particularly of Mozart's works, I grabbed on to Mozart and fell in love with him so much that I had only one wish: to conduct Mozart, Mozart, Mozart" (Karl Bohm).

Mozart's last symphony is a solemn and formal work which looks back to the past more than its two fellow works K. 504 and 550. It contains strong reminiscences of Baroque forms like the fugue and the concerto grosso in its opposition of clear-cut themes and the interplay of solo and tutti groups. Particularly the last movement is one of the most impressive in symphonic literature because of its unique blend of melodic flow and "scholarly" fugal treatment. Although not truly a fugue, the movement incorporates some exciting imitative work. The theme was well known and often used in the 18th century. Mozart himself used it in two of his masses and in the Symphony, K. 319. The "Jupiter" Symphony, a truly Olympian work, must be viewed together with the two preceding symphonies as Mozart's final word in a genre he raised to heights never before attained.

Karl Bohm was universally acclaimed for his Mozart interpretations. Though Wagner was one of Bohm's first loves, his friendship with Richard Strauss led to a deep knowledge and appreciation of Mozart. In his autobiography, Bohm wrote that "Richard Strauss revealed to me the ultimate secrets of this, in my opinion, greatest of all musical geniuses, Mozart." Bohm's discovery of these secrets transformed his Mozart interpretations into unforgettable events.</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=A04500067</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/A04500067</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">MAYER, Albrecht.: Magic of Oboe (The) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Albrecht Mayer: The Magic of Oboe (NTSC) ( 00 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Mayer, Albrecht, Artist -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Unlike the piano, the violin or even the flute, the oboe is a relatively rare instrument for a solo career. And when a soloist such as Albrecht Mayer plays the oboe, one wishes composers had written more works for this sweetly mellow instrument. Critics write about the "divine spark" that inspires his playing, and about the "miraculous oboe" that turns into "an instrument of seduction." With his particularly warm tone and exceptionally broad palette of nuances, it's no surprise that Albrecht Mayer is one of today's most sought-after international oboists.

In this documentary portrait of the oboist, we retrace the musician's impressive career and witness some of its many high points. Mayer embarked on a professional career in 1990, when he joined the Bamberg Symphony Orchestra as solo oboist. Two years later, he made the transition to the absolute top league with his appointment as solo oboist of the Berlin Philharmonic, and since then he has made countless international appearances, playing under such eminent conductors as Abbado, Rattle and Harnoncourt. In addition to his work as a soloist, Mayer also attaches great importance to chamber music. He is a permanent member of the Sabine Meyer Wind Ensemble and also plays with such partners as Thomas Quasthoff, Matthias Goerne and Leif Ove Andsnes.</marc:subfield>
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            <marc:subfield code="a">SCHLOMER, J.: Irrfahrten III - Rex Tremendus (Salzburg Festival, 2006) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Rex Tremedus (after W.A. Mozart) (NTSC) ( 01 hrs., 55 min. ) / Schlomer</marc:subfield>
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            <marc:subfield code="a">Murray, Ann, Artist -- Hartelius, Malin, Artist -- Martins, Marisa, Artist -- Hofstetter, Michael, Conductor -- Ovenden, Jeremy, Artist -- Turk, Miljenko, Artist -- Salzburg Camerata Academia, Ensemble -- Wagner, Josef, Artist -- Ludwigsburger Schlossfestspiele Choir, Choir -- Hamre, Marianne, Artist -- Schlomer, Joachim, Composer</marc:subfield>
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            <marc:subfield code="a">The &lt;i&gt;Irrfahrten (Odysseys)&lt;/i&gt; trilogy comprises three independent, self-contained performances that are motivically interwoven into a compelling whole through a great variety of references. Various artistic genres - music, theater, dance and video - are fused into an original form of music theater that could very well point to the future. The trilogy was conceived by Joachim Schlömer, a noted dancer, choreographer and director. He sees his project as the "odyssey of an artist from external control to self-determination." (Schlömer) This concerns not only Mozart himself, but also the artist in general, and, by extension, everyone who has overcome a crisis in their life to achieve their personal freedom.

At the beginning of the trilogy is the twelve-year-old Mozart's first opera buffa, &lt;i&gt;La finta semplice (The Make-Believe Simpleton)&lt;/i&gt;, a full-length opera with commedia dell'arte-style characters. "The music," says Schlömer, "tells of wanting something - even if the characters still don't really know what they want." The second Odyssey, &lt;i&gt;Abendempfindung" (Evening Sensation)&lt;/i&gt;, a pasticcio of Mozart arias, songs, instrumental pieces (including some for the rare and evocative glass harmonica) and letters. The great Ann Murray is the featured performer here. The third Odyssey, &lt;i&gt;Rex tremendus&lt;/i&gt; presents a thought-provoking combination of two opera buffa fragments, &lt;i&gt;Lo sposo deluso&lt;/i&gt; and &lt;i&gt;L'oca del Cairo,&lt;/i&gt; along with various unfinished pieces and fragments from Mozart's last work, the &lt;i&gt;Requiem&lt;/i&gt;. It represents the artist's ultimate liberation from the restrictions and conventions of society, his farewell from the world, in total darkness...

Schlömer on his &lt;i&gt;Odysseys&lt;/i&gt;: "It is about the path the artist follows from his entrance into adult life to a period of artistic crisis, comparable to the midlife crisis we all go through, and on to a fragmentation and liberation from all interpretation of the artist's activity." &lt;i&gt;Irrfahrten (Odysseys)&lt;/i&gt; is one of the most illuminating productions of the Mozart 22 cycle, one that makes Mozart's genius shine in all of its facets.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=A045004500000</marc:subfield>
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            <marc:subfield code="a">Mozart, Wolfgang Amadeus</marc:subfield>
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            <marc:subfield code="a">MOZART GALA (A) (Harding) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Act I: Aria: Madamina, il catalogo e questo ( 00 sec. ) / Mozart -- Act I: Aria: Dalla sua pace ( 00 sec. ) / Mozart -- Overture ( 00 sec. ) / Mozart -- Mitridate, re di Ponto, K. 87, Act II: Aria: Nel grave tormento (NTSC) ( 00 sec. ) / Mozart -- Act II: Aria: Se all impero, amici Dei ( 00 sec. ) / Mozart -- Act I: Aria: Parto, ma tu ben mio ( 00 sec. ) / Mozart -- Così fan tutte, K. 588, Act I: Rivolgete a lui lo sguardo (NTSC) ( 00 sec. ) / Mozart -- Act III Scene 2: S'io non moro a questi accenti ( 00 sec. ) / Mozart -- Act III Scene 10: D'Oreste, d'Ajace ho in seno i tormenti ( 00 sec. ) / Mozart -- Act II Scene 2: Se il padre perdei la patria, il riposo ( 00 sec. ) / Mozart -- Overture ( 00 sec. ) / Mozart -- Symphony No. 38 in D Major, K. 504, "Prague" (NTSC) ( 00 sec. ) / Mozart</marc:subfield>
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            <marc:subfield code="a">Schade, Michael, Artist -- Pape, René, Artist -- Harding, Daniel, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Petibon, Patricia, Artist -- Kožená, Magdalena, Artist -- Hampson, Thomas, Artist -- Netrebko, Anna, Artist -- Siurina, Ekaterina, Artist -- Mozart, Wolfgang Amadeus, Composer -- Cigna-Santi, Vittorio Amedeo, Lyricist -- Metastasio, Pietro, Lyricist -- Varesco, Giovanni Battista, Lyricist -- Da Ponte, Lorenzo, Lyricist</marc:subfield>
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            <marc:subfield code="a">The most spectacular homage to Wolfgang Amadeus Mozart on his 250th birthday in 2006 was incontestably the presentation of all of his operas and operatic fragments at the Salzburg Festival, "Mozart 22." Recorded on film, this monumental project has been preserved for posterity as a benchmark of Mozart interpretation in the early 21st century. The Mozart Gala held at the Felsenreitschule on 30 July 2006, in the first days of the 2006 Salzburg Festival, presents a kind of microcosm of the Mozart festivities, with a selection of arias and orchestral music performed by the Vienna Philharmonic under Daniel Harding and featuring some of the top vocalists of the 2006 Salzburg Festival.

A sampling of exquisite hors d'oeuvres prepared by the most outstanding musical chefs! Internationally celebrated soprano Anna Netrebko lives up to her reputation as a fiery, dramatic diva in her passionate rendition of Elettra's aria "D'Oreste, d'Aiace" from &lt;i&gt;Idomeneo.&lt;/i&gt; Thomas Hampson, one of the greatest baritones of our time, burnishes Guglielmo's aria "Rivolgete a lui lo sguardo" from &lt;i&gt;Cosi fan tutte&lt;/i&gt; with his full, rich, mellow tone. Leading Mozart tenor Michael Schade appears twice, in arias from &lt;i&gt;Don Giovanni&lt;/i&gt; and &lt;i&gt;La clemenza di Tito.&lt;/i&gt; A particularly bright moment awaits listeners when Rene Pape gives a spirited rendition of Leporello's "catalogue" aria from &lt;i&gt;Don Giovanni.&lt;/i&gt; Sopranos Patricia Petibon and Ekaterina Siurina dazzle in arias from &lt;i&gt;Mitridate&lt;/i&gt; and &lt;i&gt;Idomeneo,&lt;/i&gt; wherein Siurina is joined by mezzo Magdalena Kozena in the duet of Idamante and Ilia, "S'io non moro a questi accenti." Kozena, who was acclaimed for her passionate account of Idamante in the Salzburg Festival production of &lt;i&gt;Idomeneo,&lt;/i&gt; also sings an aria of Sesto from &lt;i&gt;La clemenza di Tito.&lt;/i&gt; The Vienna Philharmonic, which adds orchestral accents with the overtures to &lt;i&gt;Don Giovanni&lt;/i&gt; and &lt;i&gt;Idomeneo,&lt;/i&gt; concludes the program with Mozart's "Prague" Symphony, K. 504.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">WORLD OF THE VIENNA PHILHARMONIC ORCHESTRA (THE) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The World of the Vienna Philharmonic Orchestra (NTSC) ( 00 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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        <marc:datafield tag="520" ind1=" " ind2=" ">
            <marc:subfield code="a">For the first time we have received the unique and wonderful opportunity to give a close-up and detailed account on the insides of this institution. For one whole season, we were permitted to be a part of every decision-making process and performance so that you might have the chance to dive into the working world of this world-renowned orchestra. 

What does it take and what are the motivations to become a member of the Vienna Philharmonic? What are the emotions one might feel upon looking back at over forty years of music? What is the Philharmonic&amp;#x2019;s secret to success?  Interviews with the musicians, conductors, and people in the background give us answers to these questions and many more.  How does a tour organization work?  What are the necessary preparations, and how does one make sure that everything has been taken care of?

Experience the full range, from the rehearsals all the way to the international concerts. From Tokyo to New York, and from the Salzburg pageants to the Wiener Staatsoper, you will receive complete accounts from behind the scenes in unseen detail. This documentary provides insider information on the exciting, emotional, and unique world of the Wiener Philharmoniker.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/A04500526.jpg</marc:subfield>
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            <marc:subfield code="a">Strauss I, Johann</marc:subfield>
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            <marc:subfield code="a">Mussorgsky, Modest Petrovich</marc:subfield>
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            <marc:subfield code="a">Ginastera, Alberto</marc:subfield>
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            <marc:subfield code="a">BEETHOVEN, L. van: Concerto for Violin, Cello and Piano / MUSSORGSKY, M. P.: Pictures at an Exhibiton (Dudamel) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Triple Concerto for Violin, Cello and Piano in C Major, Op. 56 (NTSC) ( 00 sec. ) / Beethoven -- Pictures at an Exhibiton (NTSC) ( 00 sec. ) / Mussorgsky -- Radetzky March, Op. 228 (NTSC) ( 00 sec. ) / Strauss I -- Estancia Suite, Op. 8a: IV. Malambo (NTSC) ( 00 sec. ) / Ginastera</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Argerich, Martha, Artist -- Capuçon, Renaud, Artist -- Capuçon, Gautier, Artist -- Simón Bolívar Youth Orchestra of Venezuela, Orchestra -- Dudamel, Gustavo, Conductor -- Strauss I, Johann, Composer -- Mussorgsky, Modest Petrovich, Composer -- Beethoven, Ludwig van, Composer -- Ginastera, Alberto, Composer</marc:subfield>
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            <marc:subfield code="a">Under the heading "Party in the Felsenreitschule," the Munich daily Munchner Merkur boldly proclaimed: "Venezuela's Simón Bolivar Youth Orchestra guests at the Salzburg Festival – and delivers the biggest audience hit of the summer." Two days after the concert reviewed by the Merkur, the ensemble united its massive forces once again for a spectacular concert in the Grosses Festspielhaus – another unqualified success! Rarely has an orchestra reached out and grabbed its audience in such a visceral manner; and even more rarely has such a feat been accomplished by an orchestra of youngsters between the ages of 12 and 26!

The Simón Bolivar Youth Orchestra, the Salzburg Festival's resident orchestra of 2008, is a product of the "Sistema de Orquestas" set up to allow children of all social levels to learn a musical instrument and play in an ensemble. Today, 250,000 youths are learning from 15,000 instructors and playing in over 120 youth orchestras and nearly 60 children's orchestras. Some of the Sistema's finest players were picked to form the S.B.Y.O. to work in Salzburg with such outstanding musicians as Nikolaus Harnoncourt and Martha Argerich. Documenting their activity there is the program "School for the Ear" featuring works by Beethoven and Mahler. 

Conducting the present concert is the Sistema's most celebrated alumnus, Gustavo Dudamel, born in 1981. The young maestro, who was appointed chief conductor of the Los Angeles Philharmonic Orchestra in 2007, is, in the words of the Salzburg Festival's music director, Markus Hinterhauser, "the most charismatic conductor since Leonard Bernstein." The concert opens with Beethoven's sparkling &lt;i&gt;Triple Concerto&lt;/i&gt;. The distinguished soloists are Martha Argerich (piano), Renaud Capuçon (violin) and Gautier Capuçon (cello). Ravel's orchestration of Mussorgsky's monumental &lt;i&gt;Pictures at an Exhibition&lt;/i&gt; forms the second part of the concert, in which "Dudamel channels his juvenile forces into a compelling flow with dynamic gestures" (Der Standard). The young conductor proved that "he has an extraordinary talent not only to stimulate his players, but also to accompany creatively and imaginatively" (Die Presse).</marc:subfield>
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            <marc:subfield code="a">Mussorgsky, Modest Petrovich</marc:subfield>
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            <marc:subfield code="a">Ginastera, Alberto</marc:subfield>
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            <marc:subfield code="a">MUSIC ACROSS ALL BORDERS: Daniel Barnboim and the West-Eastern Divan Orchestra (NTSC)</marc:subfield>
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            <marc:subfield code="a">The West-Eastern Divan Orchestra left its significant mark on the programming of the Salzburg Festival 2007. The symphonic concerts in the Grosses Festspielhaus, the chamber music concerts in the Mozarteum and the "School for Listening" workshops in the Great University Hall under the guidance of Daniel Barenboim turned out to be another highlight of the politically ambitious project that started in 1999 as a workshop for chamber music.

This documentary provides an insight into the rehearsals of the musicians, covers political discussions and shows the legendary West-Eastern Divan Orchestra - Vienna Philharmonic Orchestra soccer match. The final tour concert in the sold-out Berliner Philharmonie forms the grand finale.</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
        <marc:controlfield tag="001">A04500548</marc:controlfield>
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            <marc:subfield code="a">MUTTER, Anne-Sophie: Encounters with Mendelssohn (NTSC)</marc:subfield>
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            <marc:subfield code="a">Anne-Sophie Mutter - Encounters with Mendelssohn (NTSC) ( 00 sec. ) / Not Applicable</marc:subfield>
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Mutter, Anne-Sophie, Artist -- Harrell, Lynn, Artist -- Previn, André, Artist -- Masur, Kurt, Conductor -- Leipzig Gewandhaus Orchestra, Orchestra -- Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">One of the world's foremost violinists, Anne-Sophie Mutter is a musical celebrity known even by countless people who rarely listen to classical music. The artist and teacher, who promotes young musicians and commissions new works from contemporary composers, made her spectacular breakthrough under Herbert von Karajan at the 1977 Salzburg Easter Festival. She has since concertized at every major venue throughout the world. In 2008 she was awarded not only the prestigious Ernst von Siemens Music Award, but also the Leipzig Mendelssohn Award. The award ceremony in March 2008 was crowned by a gala concert at Leipzig's Gewandhaus with the Gewandhaus Orchestra under Kurt Masur, at which Mutter performed the Mendelssohn Violin Concerto in E minor Op. 64. 

On the occasion of the Mendelssohn Year, Unitel Classica offers the documentary &lt;i&gt;Anne-Sophie Mutter &amp;#x2013; Encounters with Mendelssohn,&lt;/i&gt; in which the artist discusses her affinity to Mendelssohn and explains why she particularly admires the works presented here.</marc:subfield>
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            <marc:subfield code="a">Liszt, Franz</marc:subfield>
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            <marc:subfield code="a">Piano Recital: Volodos, Arcadi - SCRIABIN, A. / RAVEL, M. / SCHUMANN, R. / LISZT F. (NTSC)</marc:subfield>
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            <marc:subfield code="a">4 Preludes, Op. 37: No. 1 in B-Flat Minor: Mesto (NTSC) ( 00 sec. ) / Scriabin -- 24 Preludes, Op. 11: No. 16 in B-Flat Minor (NTSC) ( 00 sec. ) / Scriabin -- 4 Pieces, Op. 51: No. 4. Danse Languide (NTSC) ( 00 sec. ) / Scriabin -- 2 Dances, Op. 73: No. 1. Guirlandes (NTSC) ( 00 sec. ) / Scriabin -- Piano Sonata No. 7, Op. 64, "White Mass" (NTSC) ( 00 sec. ) / Scriabin -- Valses nobles et sentimentales (version for piano) (NTSC) ( 00 sec. ) / Ravel -- Waldscenen, Op. 82 (NTSC) ( 00 sec. ) / Schumann -- Annees de pelerinage, 2nd year, Italy, S161/R10b: No. 7 Apres une lecture du Dante, fantasia quasi sonata (NTSC) ( 00 sec. ) / Liszt -- Organ Concerto in D Minor, BWV 596 (arr. of Vivaldi's Violin Concerto, RV 565) (arr. A. Cortot): II. Sicilienne (NTSC) ( 00 sec. ) / Bach -- 16 Songs for Children, Op. 54: No. 10. Kolibel'naya pesn' y buryu (Lullaby in a Storm) (NTSC) ( 00 sec. ) / Tchaikovsky -- 3 Pieces, Op. 45: No. 1. Feuillet d'Album (NTSC) ( 00 sec. ) / Scriabin</marc:subfield>
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        <marc:datafield tag="506" ind1="1" ind2=" ">
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        <marc:datafield tag="511" ind1="0" ind2=" ">
            <marc:subfield code="a">Volodos, Arcadi, Artist -- Liszt, Franz, Composer -- Scriabin, Alexander, Composer -- Ravel, Maurice, Composer -- Schumann, Robert, Composer -- Tchaikovsky, Pyotr Il'yich, Composer -- Cortot, Alfred, Arranger -- Bach, Johann Sebastian, Composer</marc:subfield>
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            <marc:subfield code="a">For the first time in over nine years, Arcadi Volodos has agreed to record an entire concert for TV again. Indeed, his recital at Vienna's Musikverein, for which he has chosen works by Scriabin, Ravel, Schumann and Liszt, features a line-up of Romantic to early 20th-century heavyweights, which Volodos renders with his inimitable blend of ethereal lightness and forceful vigor.

The recital begins with a selection of pieces by Alexander Scriabin, in which Volodos displays his phenomenal technique, culminating in the White Mass. Under Volodos' hands, Maurice Ravel's &lt;i&gt;Valses nobles et sentimentales&lt;/i&gt; becomes "a kaleidoscope of transparent, gossamer colors" (Die Presse). While Volodos' account of Schumann's &lt;i&gt;Waldscenen&lt;/i&gt; flashes with startling harmonic echoes of the Ravel piece, his rendition of Liszt's "Apres une lecture du Dante" from the &lt;i&gt;Annees de pelerinage&lt;/i&gt; "radiates modernity" (Der Standard). The keyboard sensation provides a further example of his artistry in his encores, in which he demonstrates his talent for creating his own dazzling piano transcriptions of works by other composers. In an interview recorded on the occasion of the Vienna recital, Volodos discusses many aspects of his career, his playing, and his life.

Born in St. Petersburg in 1972, Arcadi Volodos burst onto the musical scene as consummate virtuoso and full-fledged master of expressiveness practically overnight: since he refused to take part in competitions in his youth, he was discovered almost by chance in the late 1990s. He made his international breakthrough with his first recording, a collection of bravura transcriptions that brought him epithets such as "young sorcerer" and "new Horowitz" &amp;#x2013; plaudits confirmed by the many awards he has since received for his recordings and the many prestigious venues at which he has played.</marc:subfield>
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            <marc:subfield code="a">Mass No. 6 in E-Flat Major, D. 950 (NTSC) ( 00 sec. ) / Schubert</marc:subfield>
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            <marc:subfield code="a">Schreier, Peter, Artist -- Berry, Walter, Artist -- Krenn, Werner, Artist -- Vienna State Opera Chorus, Choir -- Vienna Boys Choir, Choir -- Böhm, Karl, Conductor -- Vienna Hofmusikkapelle, Orchestra -- Schubert, Franz, Composer</marc:subfield>
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            <marc:subfield code="a">Little is known about the origin of the Mass No. 6 other than that Schubert wrote it in 1828, just a few months before his death. He does not seem to have had a specific performance in mind, and the work was only premiered in November 1829, a year after his death. Critics have since given the Mass an honored place among the composer's great works, many ranking it as his finest church composition. Although Schubert calls for five soloists (soprano, alto, two tenors and bass), the Mass is essentially a choral Mass. The composer calls for a large orchestra, including three trombones, but he omits the flutes and keeps the violins in their lower register, thereby giving the piece a dark, shaded tone.

Schubert's E flat major Mass was recorded at the Court Music Chapel (Hofmusikkapelle) in Vienna in June 1976. The eminent conductor Karl Böhm leads the Vienna Philharmonic and the male choir of the Hofmusikkapelle. The upper registers are provided by the world-renowned Vienna Boys' Choir. The distinguished soloists are Walter Berry, Peter Schreier and Hans Krenn.</marc:subfield>
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            <marc:subfield code="a">SCHUBERT, F.: Symphony No. 9 in C Major, D. 944, "Great" (Bohm) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Symphony No. 9 in C Major, D. 944, "Great" (NTSC) ( 52 min., 53 sec. ) / Schubert</marc:subfield>
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            <marc:subfield code="a">Böhm, Karl, Conductor -- Vienna Symphony Orchestra, Orchestra -- Schubert, Franz, Composer</marc:subfield>
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            <marc:subfield code="a">In the throes of his mortal illness, Franz Schubert (1797-1828) heroically succeeded in putting to paper his splendid last symphony, whose "divine lengths" are truly unique. Composed in 1825/26, Schubert's largest symphonic work lay nearly untouched for a decade after his death, finally catching the attention of Robert Schumann in 1838 and receiving its first performance one year later by Felix Mendelssohn-Bartholdy in the Leipzig Gewandhaus. In marked contrast to the equally-beloved "Unfinished" Symphony, Schubert devises a labyrinth of harmonies in a piece full of artless directness and joyful dance-like rhythms. Echoes of the visionary secrets of Romanticism surface from the depths of the work, only to be washed away by the inexorable current of the melodies. Never did Schubert write with such a lavish and impetuous hand than in his Ninth Symphony: "...it bears the eternal seed of youth within it" (Robert Schumann).

Karl Böhm conducts the Wiener Symphoniker in this recording made in the mid 1960s.</marc:subfield>
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            <marc:subfield code="a">Kubelík, Rafael, Conductor -- Vienna Philharmonic Orchestra, Orchestra -- Mozart, Wolfgang Amadeus, Composer</marc:subfield>
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            <marc:subfield code="a">Rafael Kubelik (1914-1996) was the son of the well-known Bohemian violinist Jan Kubelik. He studied music in Prague and made his conducting debut at 20 at the head of the Czech Philharmonic Orchestra. Later he became the principal conductor of this famous orchestra and founded the Prague Spring Festival. After the Communist takeover of the government, Kubelik emigrated to the West and returned to his native land only after the end of the Communist regime. From 1950 to 1953 he headed the Chicago Symphony, and from 1955 to 1958 he was music director of the Covent Garden Opera in London. A period of great artistic successes began in 1961, when he was appointed principal conductor of the Bavarian Radio Symphony Orchestra. Many recordings document Kubelik's mastery and sense of artistry, his enjoyment of music and his temperament. His connection with the Munich orchestra lasted 18 years; in between, he also briefly served as music director of New York's Metropolitan Opera. Kubelik retired from the concert stage in 1985, but on the occasion of the first Prague Spring Festival after the fall of Communism in 1990, he returned to the podium of the Czech Philharmonic after more than 40 years in exile and conducted Smetana's &lt;i&gt;My Fatherland&lt;/i&gt; cycle. His profound bonds with his native land and its composers were always clearly visible. Rafael Kubelik was a full-blooded musician. Every performance of his radiated a feeling of spontaneity, impulsiveness and joy. Kubelik died in Lucerne in August 1996 at the age of 82 after a long illness.

A symphony for connoisseurs, K. 504 reflects the taste and discernment of the audience it was intended for: the musical public of Prague. Since his &lt;i&gt;Marriage of Figaro&lt;/i&gt; was the hit of the town in late 1786, Mozart decided to travel to Prague; in his luggage was the D major symphony, premiered on 19 January 1787. Written between &lt;i&gt;Figaro&lt;/i&gt; and &lt;i&gt;The Magic Flute&lt;/i&gt;, it shares unmistakable affinities with these two works and even quotes a theme from &lt;i&gt;Figaro&lt;/i&gt; in the finale. And it is also a work in which Mozart could be completely himself. He thus indulged in a dramatic slow introduction and in some austere contrapuntal writing in the first movement. Since the wind players in the Bohemian capital were rightly praised for their excellence, Mozart also rewarded them with some truly beautiful pages.</marc:subfield>
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            <marc:subfield code="a">Baker, Janet, Artist -- Edinburgh Festival Chorus, Choir -- Bernstein, Leonard, Conductor -- London Symphony Orchestra, Orchestra -- Armstrong, Sheila, Artist -- Mahler, Gustav, Composer -- Klopstock, Friedrich Gottlieb, Lyricist</marc:subfield>
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            <marc:subfield code="a">Gustav Mahler's &lt;i&gt;Symphony No. 2&lt;/i&gt; is the first of Mahler's symphonies to introduce voices - soprano, alto and chorus - into the orchestral texture, and the first to refer explicitly to his songs based on &lt;i&gt;Des Knaben Wunderhorn.&lt;/i&gt; This it shares with the symphonies Nos. 3 and 4 as well, which stamps it as the first part of a trilogy. Mahler worked on it from 1888 to 1894 and conducted the first performance in Berlin on 13 December 1895.

Leonard Bernstein was the first conductor ever to record all of Mahler's symphonies not only on disk, but also on video. The Mahler cycle was the first project in the more than 20-year-long association between Leonard Bernstein and Unitel. The leading Mahler interpreter of our time, Bernstein recorded all of Mahler's symphonies between 1971 and 1985, chiefly with the Vienna Philharmonic, producing a unique musical document and triggering a major re-appreciation of Mahler's works.</marc:subfield>
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            <marc:subfield code="a">WAGNER, R.: Tannhauser (Bayreuth Festival, 1978) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Sotin, Hans, Artist -- Weikl, Bernd, Artist -- Mazura, Franz, Artist -- Bayreuth Festival Chorus, Choir -- Davis, Colin, Conductor -- Bayreuth Festival Orchestra, Orchestra -- Jones, Gwyneth, Artist -- Balatsch, Norbert, Chorus Master -- Wenkoff, Spas, Artist -- Schunk, Robert, Artist -- Feldhoff, Heinz, Artist -- Pickering, John, Artist -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">This is the first complete television production recorded at the annual Wagner Festival in Bayreuth. Director Gotz Friedrich sees the minstrel &lt;i&gt;Tannhauser&lt;/i&gt; as a rugged artistic individualist, much as Wagner was himself, misunderstood by his contemporaries who seek to throttle his inalienable right of expression. He turns his back on a regulated, stifling society and retreats into the world of his own impossible dreams. Whereas other productions of &lt;i&gt;Tannhäuser&lt;/i&gt; show the minstrel acutally biding time in the court of Venus, in Friedrich's version Tannhauser's  harp triggers an imaginary Venusberg, in which the strings become a tangled web of pure sensuality. Tannhauser discovers that a completely anything-goes society is just as restrictive in the end, and he returns to the real world. But Tannhauser can't go home again. Once again he lashes out at his hypocritical associates, who condemn him. His only defender is the saintly Elisabeth, who in this production is played by the same soprano who sings Venus &amp;#x2013; two sides of the coin in the eternal feminine. She prays for her own death, so that thereby Tannhauser's soul leaves this restrictive world for a better one in which his genius is appreciated.</marc:subfield>
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            <marc:subfield code="a">CHRISTMAS WIND CONCERTS, PART I: Heavenly Chorus (NTSC)</marc:subfield>
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            <marc:subfield code="a">Brass concerts at Christmas are famous in Germany. In Soest, a historic city which once belonged to the Hanseatic League, Christmas music has been ringing from the city's tower on Christmas Day since the Middle Ages.

This is a film of pageantry which shows the full diversity of the world of mountains, with their proud peaks, deep valleys and gorges, forbidding fir forests, and the park of Linderhof, one of the castles built by Ludwig II, the fairytale king of Bavaria. The distant beauty of the mountains is just one of the moods which the film evokes, moods which recall to mind those conveyed by the Romantic artist Caspar David Friedrich, moods which quietly help us in our preparation for the joys of the festive days to come.

The path taken by the film leads us out of the barren isolation of remote upland valleys and the handful of remaining farms, down into the lush, colourful Baroque ornamentation of Bavarian churches, and then finally to the Bavarian National Museum, where some of the most beautiful mangers in the world have been collected.

The Berlin Philhamonic Brass Ensemble journeys through the countryside, from mountain peaks to fortress courtyards whose only illumination is provided by torches. The modern troubadours play rousing, ceremonial music as the spirit moves them. The high points are the ringing trumpet sonatas in a mausoleum populated by life-size statues of the departed counts, and a splendid canzone in the Cistercian abbey of Stams in the valley of the Inn near Innsbruck.</marc:subfield>
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The Berlin Philhamonic Brass Ensemble journeys through the countryside, from mountain peaks to fortress courtyards whose only illumination is provided by torches. The modern troubadours play rousing, ceremonial music as the spirit moves them. The high points are the ringing trumpet sonatas in a mausoleum populated by life-size statues of the departed counts, and a splendid canzone in the Cistercian abbey of Stams in the valley of the Inn near Innsbruck.</marc:subfield>
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This is a film of pageantry which shows the full diversity of the world of mountains, with their proud peaks, deep valleys and gorges, forbidding fir forests, and the park of Linderhof, one of the castles built by Ludwig II, the fairytale king of Bavaria. The distant beauty of the mountains is just one of the moods which the film evokes, moods which recall to mind those conveyed by the Romantic artist Caspar David Friedrich, moods which quietly help us in our preparation for the joys of the festive days to come.

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The Berlin Philhamonic Brass Ensemble journeys through the countryside, from mountain peaks to fortress courtyards whose only illumination is provided by torches. The modern troubadours play rousing, ceremonial music as the spirit moves them. The high points are the ringing trumpet sonatas in a mausoleum populated by life-size statues of the departed counts, and a splendid canzone in the Cistercian abbey of Stams in the valley of the Inn near Innsbruck.</marc:subfield>
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            <marc:subfield code="a">In a career now spanning more than a quarter of a century, Gidon Kremer has confirmed his reputation as an artist of international stature and as a markedly individual personality. Kremer was born in Riga, Latvia, in 1947. At the age of 18, he auditioned for David Oistrach and was one of the few pupils chosen by the maestro to study under him at the Moscow Conservatory. In 1967 Kremer won his first international prize at the Reine Elisabeth Competition in Brussels. This was followed by further awards in Montreal and Genoa, and culminated in the first prize at the Tchaikovsky Competition in Moscow in 1970. In 1981 Kremer founded the Lockenhaus Chamber Music Festival, where he gathers around him a varying, but always dynamic group of chiefly young musicians to discover new pieces and rediscover the standard works through new interpretations. Kremer is also actively committed to contemporary composers from Russia and Eastern Europe, such as Schnittke, Denisov, Gubaidulina and Pärt. In this recording, Kremer not only plays the solo part, but also leads the renowned English Chamber Orchestra. The recording was made in April 1981 in the splendid Baroque library of the monastery in Polling near Munich.</marc:subfield>
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            <marc:subfield code="a">Violinist Christian Tetzlaff was born in Hamburg and trained in Lubeck and Cincinnati. He has appeared with the world's leading orchestras, and as chamber musician he concertizes with prominent partners. Roger Norrington was born in Oxford and studied in Cambridge and London. From 1969 to 1984 he was musical director of the Kent Opera and conducted productions at the Royal Opera House Covent Garden, Milan's La Scala and the Teatro La Fenice in Venice. He founded the London Classical Players and is principal conductor of the Camerata Salzburg and the Stuttgart Radio Symphony Orchestra.

The former Camerata Academica Salzburg was renamed simply Camerata Salzburg in 2001. It was founded in 1951 by Bernhard Paumgartner, who was its head and mentor for many years. From 1978 to 1997 its artistic director was Sandor Vegh and in 1997 Roger Norrington was appointed principal conductor of the ensemble. The Camerata Salzburg can be heard every year at the Salzburg Mozartwoche and Salzburg Festival.</marc:subfield>
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            <marc:subfield code="a">Orgonášová, Luba, Artist -- Salzburg Mozarteum Orchestra, Orchestra -- Soudant, Hubert, Conductor -- Mozart, Wolfgang Amadeus, Composer -- Scarcone, D., Lyricist</marc:subfield>
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            <marc:subfield code="a">The Slovakian soprano Luba Orgonasova sings at all the major opera houses of the world and numbers among the most sought-after interpreters of the lyrical and coloratura parts of opera and concert literature. She was one of the last discoveries of Herbert von Karajan: she sang the part of Marzelline &lt;i&gt;(Fidelio)&lt;/i&gt; at the Salzburg Festival in 1990, which marked the beginning of her rapid rise to celebrity. The Mozarteum Orchestra Salzburg has been the orchestra of the city and Land of Salzburg since 1958 and regularly concertizes at the Salzburg Festival and the Mozartwoche. The principal conductor is the Dutch-born Hubert Soudant, who led the Nouvel Orchestre Philharmonique de France in Paris from 1981 to 1983 and the Utrecht Symphony Orchestra from 1983 to 1986. In addition to his activities in Salzburg, Soudant is also the principal conductor of the Orchestra and Opera des Pays de Loire in Nantes and Angers, France.</marc:subfield>
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The Dutch musician Ton Koopman was born in 1944 and ranks among the outstanding specialists in the field of historical performance practice. He studied organ, harpsichord and musicology in Amsterdam and turned to conducting during his training. From the very beginning, he used original instruments and combined theory and practice into a fascinating, historically well-founded interpretation of the works. In 1979 he founded the Amsterdam Baroque Orchestra. He is the principal conductor of the Netherlands Radio Chamber Orchestra. As a performing artist and teacher, Koopman has made decisive contributions to the renaissance of the music of the 17th and 18th centuries. He has published many books and articles, teaches at the Conservatory of The Hague and is an honorary member of the Royal Music Academy in London. The Mozarteum Orchester Salzburg goes back to the Dom-Musik-Verein und Mozarteum founded in 1841. Since 1938 it has been an independent institution with professional musicians. It has been the orchestra of the city and the Land of Salzburg since 1958 and, in addition to its activity as opera and concert orchestra, it also performs regularly at the Salzburg Festival and the Mozartwoche.</marc:subfield>
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After his trip to Paris in 1778, Mozart spent only two and a half more years in Salzburg before leaving the service of the hated Prince Archbishop forever. During this period, his self-confidence seems to have grown considerably, if we are to judge from the bold, ambitious Symphonies K. 318, 319 and 338 that were the last he wrote in Salzburg before settling in Vienna as a freelance musician. Written in the brilliant, formal key of C major, the symphony has a grand, majestic flow. The vigorous first movement is followed by a graceful, rococo-like Andante for strings and bassoons. The work closes with a lilting Allegro vivace in a tarantella rhythm.</marc:subfield>
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            <marc:subfield code="a">THREE SUPERSTARS IN BERLIN (Domingo, Netrebko, Villazon, Armiliato) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Nabucco: Overture (NTSC) ( 00 sec. ) / Verdi -- L'arlesiana, Act II: E la solita storia … anch'io vorrei (NTSC) ( 00 sec. ) / Cilea -- Gianni Schicchi: O mio babbino caro (NTSC) ( 00 sec. ) / Puccini -- Ah! parais, ostre de mon ciel ( 00 sec. ) / Massenet -- Otello, Act I: Gia nella notte (NTSC) ( 00 sec. ) / Verdi -- Carmen, Act II: Entr'acte (NTSC) ( 00 sec. ) / Bizet -- Les pecheurs de perles (The Pearl Fishers), Act I: Au fond du temple saint (NTSC) ( 00 sec. ) / Bizet -- Semiramide: Overture (NTSC) ( 00 sec. ) / Rossini -- Jurame (NTSC) ( 00 sec. ) / Grever -- Giuditta, Act IV: Meine Lippen, sie kussen so heiss (NTSC) ( 00 sec. ) / Lehár -- Non ti scordar di me (NTSC) ( 00 sec. ) / De Curtis -- La bohème, Act I: O soave fanciulla (NTSC) ( 00 sec. ) / Puccini -- Intermezzo ( 00 sec. ) / Mascagni -- Vurria (NTSC) ( 00 sec. ) / Rendine -- West Side Story, Act I: Tonight (NTSC) ( 00 sec. ) / Bernstein -- Les soirees musicales: No. 8. La danza, "Tarantella napoletana" (NTSC) ( 00 sec. ) / Rossini -- La bohème, Act II: Quando me'n vo (NTSC) ( 00 sec. ) / Puccini -- La tabernera del puerto: No puede ser (NTSC) ( 00 sec. ) / Sorozábal -- La traviata, Act I: Libiamo, ne' lieti calci, "Brindisi" (Drinking Song) (NTSC) ( 00 sec. ) / Verdi -- Das Land des Lachelns (The Land of Smiles), Act II: Dein ist mein ganzes Herz! (NTSC) ( 00 sec. ) / Lehár</marc:subfield>
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Looking back on an extraordinary career that has been honored with 9 Grammys and 3 Latin Grammys, Plácido Domingo has become the very epitome of the operatic tenor, even among people who have no particular interest in classical music. He is a star who beguiles every audience with his virile charisma. Russian soprano Anna Netrebko's phenomenal career keeps her rushing from one highlight to the next. Her debut as Natasha Rostova in Prokofiev's &lt;i&gt;War and Peace&lt;/i&gt; at New York's Metropolitan Opera had the critics hailing her as an "Audrey Hepburn with a voice." On stage, Anna's heart belongs to the Mexican breakout star Rolando Villazon, whom Placido Domingo sees as his potential successor and as the tenor with the brightest future. And how can the heartrendingly expressive singer not touch each and every one of us when he says of himself: "I love people. I love to sing. And I love surprises." Together, Netrebko and Villazon unleashed a worldwide media frenzy in the summer of 2005 with their rapturously acclaimed &lt;i&gt;La Traviata&lt;/i&gt; at the Salzburg Festival, and the subsequent &lt;i&gt;Violetta&lt;/i&gt; album immediately shot up to the top of the charts.</marc:subfield>
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            <marc:subfield code="a">Sinfonia ( 00 sec. ) / Bellini -- Act II Scene 1: Mira, o Norma ( 00 sec. ) / Bellini -- L'elisir d'amore, Act II Scene 2: Una furtiva lagrima (NTSC) ( 00 sec. ) / Donizetti -- Act I Scene 1: Ah! per sempre io ti perdei ( 00 sec. ) / Bellini -- Act I Scene 1: Or dove fuggo io mai? ( 00 sec. ) / Bellini -- Act I Scene 1: T'appellan le schiere … Bel sogno beato ( 00 sec. ) / Bellini -- Act I Scene 1: Casta diva ( 00 sec. ) / Bellini -- La cenerentola (Cinderella), Act II: Nacqui all'affano (NTSC) ( 00 sec. ) / Rossini -- Act I: Dio, che nell'alma infondere ( 00 sec. ) / Verdi -- Act II: Duet: E lui! desso! l'infante ( 00 sec. ) / Verdi -- Act III: Bacchanale ( 00 sec. ) / Saint-Saëns -- Act I: Sous le dome epais, "Flower Duet" ( 00 sec. ) / Delibes -- Act I: Viens, Mallika … Dome epais le jasmin ( 00 sec. ) / Delibes -- Les pecheurs de perles (The Pearl Fishers),  Act I: Au fond du temple saint (NTSC) ( 00 sec. ) / Bizet -- Act II: Mon coeur s'ouvre a ta vox … ( 00 sec. ) / Saint-Saëns -- Act II: Oh! fede negar potessi ( 00 sec. ) / Verdi -- Act II: Quando le sere al placido ( 00 sec. ) / Verdi -- Act IV: Per me giunto … O Carlo, ascolta ( 00 sec. ) / Verdi -- La bohème, Act I: O soave fanciulla (NTSC) ( 00 sec. ) / Puccini -- Act III: Un di, se ben rammentomi ( 00 sec. ) / Verdi -- Rigoletto, Act III: Bella figlia dell'amore (NTSC) ( 00 sec. ) / Verdi -- Act IV: Ich weiss es selber nicht (Sur mes levres) ( 00 sec. ) / Lehár -- Act IV: Meine Lippen, sie kussen so heiss ( 00 sec. ) / Lehár -- Les soirees musicales: No. 8. La danza, "Tarantella napoletana" (NTSC) ( 00 sec. ) / Rossini -- Las hijas de Zebedeo: Al pensar en el dueno, "Carceleras" (NTSC) ( 00 sec. ) / Chapi -- Carmen, Act II: Toreador Song: Votre toast, je peux vous le rendre (NTSC) ( 00 sec. ) / Bizet -- La traviata, Act I: Libiamo, ne' lieti calci, "Brindisi" (Drinking Song) (NTSC) ( 00 sec. ) / Verdi</marc:subfield>
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            <marc:subfield code="a">Netrebko, Anna, Artist -- Garanča, Elīna, Artist -- South West German Radio Symphony Orchestra, Orchestra -- Armiliato, Marco, Conductor -- Vargas, Ramón, Artist -- Tézier, Ludovic, Artist -- Saint-Saëns, Camille, Composer -- Lemaire, Ferdinand, Lyricist -- Pepoli, Carlo, Lyricist -- Bellini, Vincenzo, Composer -- Halévy, Ludovic, Lyricist -- Meilhac, Henri, Lyricist -- Bizet, Georges, Composer -- Verdi, Giuseppe, Composer -- Du Locle, Camille, Lyricist -- Méry, François-Joseph, Lyricist -- Piave, Francesco Maria, Lyricist -- Gondinet, Edmond, Lyricist -- Gille, Philippe, Lyricist -- Delibes, Léo, Composer -- Romani, Felice, Lyricist -- Donizetti, Gaetano, Composer -- Giacosa, Giuseppe, Lyricist -- Puccini, Giacomo, Composer -- Illica, Luigi, Lyricist -- Pepoli, Alessandro, Lyricist -- Rossini, Gioachino, Composer -- Ferretti, Jacopo, Lyricist -- Cammarano, Salvadore, Lyricist -- Cormon, Eugene, Lyricist -- Carré, Michel, Lyricist -- Löhner-Beda, Fritz, Lyricist -- Knepler, Paul, Lyricist -- Lehár, Franz, Composer -- Estremera, José, Lyricist -- Chapi, Ruperto, Composer</marc:subfield>
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            <marc:subfield code="a">Four of the greatest singers of our time combine their talents and their artistry in an evening of beloved operatic numbers &amp;#x2013; rarely has a concert deserved the title "Opera Summit" as much as this one, recorded live at the Festspielhaus in Baden-Baden on 3 August 2007. Heading the quartet is soprano Anna Netrebko with her inimitable blend of glamour and simplicity, her enticing appearance and seductive singing, a musical powerhouse who tops the pop charts and sells out operas houses within hours.

Hardly less dazzling than her Russian colleague is Latvian mezzo Elina Garanca, whose crystal-clear voice and charismatic stage presence never fail to enthrall her audiences. She is a frequent guest of the Vienna State Opera and the Salzburg Festival, where she made her sensational debut as Annio in Mozart's &lt;i&gt;La clemenza di Tito&lt;/i&gt; in 2003. Her international career has taken her to Covent Garden, the Met and other prestigious stages. She was awarded the European Cultural Prize in Dresden in 2006.

Replacing the indisposed Rolando Villazon is his fellow Mexican tenor Ramon Vargas, who began his career in Europe after winning the first prize in the Enrico Caruso Competition in Milan. His international breakthrough came in 1993 when he replaced Luciano Pavarotti as Edgardo in &lt;i&gt;Lucia di Lammermoor&lt;/i&gt;. Today he sings at all the world's major theaters.

French baritone Ludovic Tezier is a frequent guest at La Scala, the Opera Bastille and the Met. His interpretations of Don Giovanni and Count Almaviva, as well as Tchaikovsky's Eugene Onegin have brought him ovations at the Glyndebourne Festival and the Bregenz Festival.

Under experienced opera conductor Marco Armiliato, the orchestra of the SWR Baden-Baden lends its sensitive musical support to the singers. The first part of the program consists of Italian arias in which the stars dazzle above all in bel canto fireworks. The second half is devoted to the more lyrical outpourings of the romantic masters such as "O soave fanciulla" from &lt;i&gt;La Boheme&lt;/i&gt; and the quartet "Bella figlia dell'amore" from &lt;i&gt;Rigoletto&lt;/i&gt;. Five encores round off the concert, which concludes with a rousing rendition of the "Brindisi" from &lt;i&gt;La Traviata&lt;/i&gt;.</marc:subfield>
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            <marc:subfield code="a">Mozart, Wolfgang Amadeus</marc:subfield>
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            <marc:subfield code="a">Munich's court theater was the venue for the premiere of Mozart's &lt;i&gt;Idomeneo&lt;/i&gt; on 29 January 1781; today, it hosts another premiere of this same work to celebrate the reopening of this sparkling Rococo gem of a theater, now known after its architect as the Cuvilliés Theater. Restored at the cost of over 25 million euros, the theater provides an exultant red, gold and white setting for Mozart's opera seria, which is considered as the first of the seven uncontested masterworks of his dramatic oeuvre.

Drama keynotes &lt;i&gt;Idomeneo,&lt;/i&gt; which is drenched in endless despair, the constant threat of death, and the destructive passions of jealousy and hatred. For having saved his life, King Idomeneo promises Neptune to sacrifice the first person he encounters. Unfortunately, this happens to be his son Idamante, who is torn between two women: the Trojan Princess Ilia, whom he loves, and the Greek Princess Elettra, who desperately wants to marry him and ascend the throne.

Mozart's highly expressive music is given a passionate reading by conductor Kent Nagano, who leads his singers and players with brisk energy. The dark, full sound of the Bayerisches Staatsorchester provides lush underpinnings for the bravura arias and glittering coloraturas. In the title role, John Mark Ainsley tackles his demanding lines with impressive firmness. Idamante, a role usually sung by a contralto, is rivetingly portrayed by the tenor Pavol Breslik. As Ilia, Juliane Banse glows with tenderness, the opposite of Annette Dasch's darkly simmering Elettra, who, in Dieter Dorn's pared-down staging, is dragged away to her doom at the close of the work. Though Mozart did not foresee this end for the wrathful princess, he "would surely have been pleased with the first-rate singers" (The New York Times) in this Munich production.</marc:subfield>
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            <marc:subfield code="a">BAYREUTH - FROM MYTH TO MODERNITY (NTSC)</marc:subfield>
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            <marc:subfield code="a">Bayreuth: From Myth to Modernity (NTSC) ( 00 sec. ) / Not Applicable</marc:subfield>
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            <marc:subfield code="a">Not Applicable, na, Composer</marc:subfield>
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            <marc:subfield code="a">Nowhere in the world is the myth of Wagner as alive as in Bayreuth, and nowhere are performances of his works followed as closely as those at the Festspielhaus in Bayreuth. But after a decade-long reign as the uncontested ruler of the Wagner Festival, the composer's grandson Wolfgang Wagner has stepped down from his post. A new era is about to begin...

This documentary thematizes the past, present and future of the festival and provides rare insights behind the scenes of the Wagner "workshop." For the first time ever, the film team was able to record in the legendary Bayreuth orchestra pit, giving rise to stunningly candid shots of conductor Christian Thielemann rehearsing &lt;i&gt;Götterdämmerung.&lt;/i&gt; A conversation with Wolfgang Wagner recorded especially for this production is presumably the patriarch's last appearance on film as head of the festival. The program also features rehearsals of the new 2008 production of &lt;i&gt;Parsifal&lt;/i&gt; with director Stefan Herheim and conductor Daniele Gatti. Members of the Wagner family and leading Wagner interpreters of our time also comment on the unique Wagner aura. The authors have assembled an amazing collection of historical film material and photos on the history of the festival. There are also excerpts from great productions recorded by Unitel starting in the 1970s.

&lt;i&gt;Bayreuth - From Myth to Modernity&lt;/i&gt; also describes the collapse of a world order: the twilight of the gods depicted in &lt;i&gt;Götterdämmerung&lt;/i&gt; is a powerful symbol in the canon of the Bayreuth Festival. Wagnerians of today, however, look confidently toward the future and see in Bayreuth less a twilight than a dawn - the dawn of a new leadership, a new artistic direction, a new era with Wolfgang Wagner's daughters Eva Wagner-Pasquier and Katharina Wagner.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=A05512343</marc:subfield>
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            <marc:subfield code="a">Making of The Gambler (The) (Staatsoper unter den Linden, 2008) (NTSC)</marc:subfield>
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            <marc:subfield code="a">The Making of The Gambler (Staatsoper unter den Linden, 2008) (NTSC) ( 00 sec. ) / Prokofiev</marc:subfield>
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            <marc:subfield code="a">Barenboim, Daniel, Conductor -- Toczyska, Stefania, Artist -- Ognovenko, Vladimir, Artist -- Didyk, Misha, Artist -- Rügamer, Stephan, Artist -- Opolais, Kristīne, Artist -- Prokofiev, Sergey, Composer</marc:subfield>
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            <marc:subfield code="a">Blame it on the Russian Revolution: it took Sergey Prokofiev (1891&amp;#x2013;1953) only a few months to write his early opera &lt;i&gt;The Gambler&lt;/i&gt; between October 1915 and March 1916, but problems arose during rehearsals in January 1917, and the premiere in St. Petersburg (then Petrograd) had to be cancelled when the first revolution broke out in February. This first version of the work was never heard, since the composer revised the tempestuous score eleven years later, reducing it and eliminating what he considered "padding." The work was premiered in this version in Brussels in 1929.

Based on Dostoyevsky&amp;#x2019;s novel of the same name, &lt;i&gt;The Gambler&lt;/i&gt; is a dark study of human failings and the corruptive power of money. In this work, everyone gambles: the hero Alexey, the General and even the wealthy aunt Babulenka gamble with money; Blanche, the Marquis and Polina &amp;#x2013; who loves Alexey &amp;#x2013; gamble with their fellow human beings. The results are humiliation, ruin and self-delusion. But when the Staatskapelle Berlin under world-famous conductor Daniel Barenboim provide the orchestral sound to the full, lustrous voices of Vladimir Ognovenko, Kristine Opolais, Misha Didyk, Stefania Toczyska and their colleagues, there is nothing even remotely dismal about the opera or its production.

Directed by Dmitri Tcherniakov, "the evening zips past entertainingly, yet leaves its traces in the listener's mind: a stroke of genius like Prokofiev's opera itself" (Frankfurter Allgemeine Zeitung). One of the production's brilliant touches is the movable set which allows us to look into various rooms while the characters think they are not being observed. With its restless, intense drive, the music underscores the novelty of the work, which rejects heady arias and set pieces. The Prokofiev renaissance has reclaimed one of the composer's most daring, almost "futuristic" pieces from neglect &amp;#x2013; a work that is nothing less than "a discovery" (Süddeutsche Zeitung).</marc:subfield>
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            <marc:subfield code="a">Mode of access: Available online.</marc:subfield>
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            <marc:subfield code="a">WAGNER, R.: Rheingold (Das) (Palau de les Arts "Reina Sofia", 2007) ) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Das Rheingold (Palau de les Arts "Reina Sofia", 2007) (NTSC) ( 02 hrs., 47 min. ) / Wagner</marc:subfield>
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            <marc:subfield code="a">Larsson, Anna, Artist -- Salminen, Matti, Artist -- Milling, Stephen, Artist -- Bannik, Ilya, Artist -- Vázquez, Silvia, Artist -- Kapellmann, Franz-Josef, Artist -- Minutillo, Hannah Esther, Artist -- Mehta, Zubin, Conductor -- Daszak, John, Artist -- Uusitalo, Juha, Artist -- Siegel, Gerhard, Artist -- Naidu, Ann-Katrin, Artist -- Mayer, Christa, Artist -- Valencian Community Orchestra, Orchestra -- Villar, German, Artist -- Walther, Sabina von, Artist -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">"This production quite possibly shows us the path that musical theater will be taking in the future" (Die Zeit). Indeed, the Catalan city of Valencia is setting new accents in 21st-century opera not only with its spectacular, futuristic opera house, the Palau de les Arts "Reina Sofía" designed by Santiago Calatrava, but also with the visually transfixing production of Wagner's &lt;i&gt;Ring&lt;/i&gt; staged there by Carlus Padrissa and his theater group La Fura dels Baus. The Barcelona-based Fura became known internationally when it designed and carried out the opening ceremonies of the 1992 Barcelona Olympics, and made its breakthrough in the classical world with its production of Berlioz's &lt;i&gt;La damnation de Faust&lt;/i&gt; at the 1999 Salzburg Festival.

The Fura's trademark is its spellbinding fusion of movement, sound, music, dance, acrobatics and technology into unforgettable stage events of sometimes raw but always captivating power. In the world of opera, the ensemble has defined its personal style through its exploitation of large-screen projections, the extraordinary mobility of the performers, and the magical use of human beings to create organic structures that evoke objects such as Valhalla (in this &lt;i&gt;Ring&lt;/i&gt; production). Indeed, La Fura was predestined for Wagner's visionary world: his dream of a &lt;i&gt;Gesamtkunstwerk&lt;/i&gt; becomes reality as a shape-shifting sequence of tableaux unfolds before our eyes with all the elements that constitute the "lenguaje furero" or "Fura idiom".

Eminent conductor Zubin Mehta leads world-class Wagner singers such as Matti Salminen, Peter Seiffert, Juha Uusitalo, Jennifer Wilson and Lance Ryan. Most prominent among the younger cast members are Jennifer Wilson, a "singer we'll be hearing more of" (Frankfurter Allgemeine Zeitung) and Juha Uusitalo, whom the F.A.Z. hailed as a new "Number One among the opera gods". Equally outstanding is the Orquestra de la Comunitat Valenciana, one of the "youngest and best opera orchestras in Europe" (Opernglas), playing "with rapturous beauty under Zubin Mehta. [...] The suppleness, rhythmic presence and singer-friendly dynamic that Mehta achieves with this orchestra are nothing less than miraculous" (F.A.Z.).</marc:subfield>
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        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">ABBADO IN LUCERNE (NTSC)</marc:subfield>
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Solti achieved great success with the first complete recording of &lt;i&gt;Das Rheingold&lt;/i&gt; in 1958, after which his reputation for recording Wagner escalated. He was also known for his dramatic and expressive performances of works by Richard Strauss, demonstrated by this exciting rendition of &lt;i&gt;Don Juan,&lt;/i&gt; with revealing bonus rehearsal material and an interview by John Culshaw. The 1985 performance of Beethoven's Fifth with the BBC Symphony Orchestra is equally thrilling, filmed during his tenure as Chief Conductor of the Chicago Symphony, with whom he recorded the full set of Beethoven symphonies.</marc:subfield>
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            <marc:subfield code="a">Die Fledermaus: Overture (NTSC) ( 09 min. ) / Strauss II -- Unter Donner und Blitz (Thunder and Lightning), Op. 324 (NTSC) ( 04 min., 05 sec. ) / Strauss II -- Pizzicato-Polka (NTSC) ( 02 min., 40 sec. ) / Strauss II -- Rosen aus dem Suden (Roses from the South), Op. 388 (NTSC) ( 09 min., 35 sec. ) / Strauss II -- Act II: Czardas - Klange der Heimat (NTSC) ( 05 min., 34 sec. ) / Strauss II -- Act II: Mein Herr Marquis (NTSC) ( 04 min., 20 sec. ) / Strauss II -- Gold und Silber (Gold and Silver), Op. 79 (NTSC) ( 08 min., 37 sec. ) / Lehár -- Leichtes Blut, Op. 319 (NTSC) ( 02 min., 55 sec. ) / Strauss II -- Tritsch-Tratsch, Op. 214 (NTSC) ( 02 min., 55 sec. ) / Strauss II -- Der Zigeunerbaron: Overture (NTSC) ( 08 min., 49 sec. ) / Strauss II -- Der Zigeunerbaron: Marsch (NTSC) ( 02 min., 58 sec. ) / Strauss II -- Vergnugungszug, Op. 281 (NTSC) ( 02 min., 48 sec. ) / Strauss II -- Perpetuum mobile, Op. 257, "Musikalischer Scherz" (Musical Joke) (NTSC) ( 03 min., 15 sec. ) / Strauss II -- An der schönen, blauen Donau (The Beautiful Blue Danube), Op. 314 (NTSC) ( 10 min., 30 sec. ) / Strauss II -- Radetzky March, Op. 228 (NTSC) ( 03 min., 16 sec. ) / Strauss I -- Leichte Kavallerie (Light Cavalry): Overture (NTSC) ( 07 min., 10 sec. ) / Suppé</marc:subfield>
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These characteristic Viennese waltzes, polkas and overtures represent some of the best moments from Viennese Night Prom concerts spanning a vintage period in their history. Classics featured on this recording include the &lt;i&gt;Blue Danube Waltz&lt;/i&gt;, &lt;i&gt;Radetsky March&lt;/i&gt; and "Csardas" and "Laughing Song" from &lt;i&gt;Die Fledermaus&lt;/i&gt;, all performed with exuberance, good humour and panache by three conductors well suited to the genre.</marc:subfield>
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            <marc:subfield code="a">GLINKA, M.: Ruslan and Lyudmilla: Overture / TCHAIKOVSKY, P.I.: Nutcracker: Act II (Rozhdestvensky) (BBC Proms, 1981) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Ruslan and Lyudmilla: Overture (NTSC) ( 05 min., 53 sec. ) / Glinka -- 3 Dances from A Life for the Tsar (NTSC) ( 16 min., 27 sec. ) / Glinka -- The Nutcracker, Op. 71, Act II (NTSC) ( 42 min., 40 sec. ) / Tchaikovsky</marc:subfield>
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            <marc:subfield code="a">Rozhdestvensky, Gennady, Conductor -- BBC Symphony Orchestra, Orchestra -- Tchaikovsky, Pyotr Il'yich, Composer -- Glinka, Mikhail Ivanovich, Composer</marc:subfield>
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Performed during his tenure as Chief Conductor of the BBC Symphony, the Proms performances featured on this recording represent Gennadi Rozhdestvensky at the highest point of his relationship with the orchestra. One of the premier conductors of Russian repertoire, Rozhdestvensky is well known for his interpretations of ballet music - this performance of the second act of Tchaikovsky's &lt;i&gt;Nutcracker&lt;/i&gt; perfectly demonstrates his affinity with the genre.</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/title/ICAD5027</marc:subfield>
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Munch gave extensive performances of Brahms' &lt;i&gt;Symphonies Nos. 1 and 2&lt;/i&gt; during his time at the Boston Symphony, particularly during the orchestra's many national and international tours. His readings of both works exhibit his characteristic energy and enthusiasm, which, coupled with the BSO's distinctive sound, makes for a captivating recording.</marc:subfield>
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            <marc:subfield code="a">This video features the three-act opera &lt;i&gt;Aleksis Kivi&lt;/i&gt; (1996) by iconic Finnish composer Einojuhani Rautavaara who also wrote the libretto.

The opera tells the story of Finland's national author Aleksis Kivi (1834-1872) and draws on many of Kivi's own poems and texts. Aleksis Kivi wrote the first significant novel in the Finnish language (Seven Brothers), but during his short lifetime he suffered from moral and artistic condemnation by literary rivals. He died, insane and impoverished, at age 38.

This Finnish National Opera production is conducted by Mikko Franck and staged by Pekka Milonoff and features Jorma Hynninen in the lead role. Hynninen, upon whose request the opera was written, already headed the casts at the opera's world premiere performance in 1997, as well as for the acclaimed premiere CD recording in 2002.</marc:subfield>
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            <marc:subfield code="a">Ysaÿe, Eugène</marc:subfield>
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            <marc:subfield code="a">Hannover International Violin Competition 2009 - Preliminary Round: Miura, Fumiaki (NTSC)</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/images/video_cover/HannoverC2009-27P.jpg</marc:subfield>
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            <marc:subfield code="u">https://univportal.naxosvideolibrary.com/search?filter=catalogue%26search=HannoverC2009-27P</marc:subfield>
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    <marc:record>
        <marc:leader>     njm a22     2i 4500</marc:leader>
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            <marc:subfield code="a">ADAM, A.: Giselle / CHOPIN, F.: Les Sylphides (Robinson, Rignold) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Les Sylphides (orch. R. Douglas) (NTSC) ( 00 sec. ) / Chopin -- Giselle (NTSC) ( 00 sec. ) / Adam</marc:subfield>
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            <marc:subfield code="a">Access restricted to subscribers.</marc:subfield>
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            <marc:subfield code="a">Robinson, Eric, Conductor -- Beriosova, Svetlana, Artist -- Elvin, Violetta, Artist -- Markova, Alicia, Artist -- Field, John, Artist -- Royal Opera House Orchestra, Covent Garden, Orchestra -- Fadeyechev, Nikolai, Artist -- Nerina, Nadia, Artist -- Larsen, Niels Bjorn, Artist -- Sokolova, Lydia, Artist -- Hill, Margaret, Artist -- Farron, Julia, Artist -- Rodrigues, Alfred, Artist -- Wright, Peter, Artist -- Ringold, Hugo, Conductor -- Adam, Adolphe, Composer -- Chopin, Fryderyk, Composer -- Douglas, Roy, Arranger</marc:subfield>
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            <marc:subfield code="a">The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on video for the first time, incorporating rare archive footage that has been expertly and lovingly restored.

These two exceptional studio performances represent some of the earliest filmed dance material from the BBC archives. &lt;i&gt;Les Sylphides&lt;/i&gt;, introduced by Tamara Karsavina, one of the founders of modern British ballet, and the 1958 performance of &lt;i&gt;Giselle&lt;/i&gt; both feature stellar international casts embodying a bygone era.</marc:subfield>
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            <marc:subfield code="a">This recording presents the most important work of the baroque keyboard repertoire ?EUR" &lt;i&gt;The Well-Tempered Clavier&lt;/i&gt; - played by four world-class pianists. Each artist performs twelve &lt;i&gt;Preludes and Fugues&lt;/i&gt; selected from this well-cherished collection of educational and yet artistically highly-strung pieces. The performances were recorded at four exceptionally charming venues: the Palazzo Labia in Venice, the Guell Palace in Barcelona, the Wartburg in Eisenach, Germany and the New Art Gallery in Walsall in England. The performances were impressively staged and skilfully filmed, thus - together with interpretations by four high-class clavichordists ?EUR" it opens up new perspectives on the work.</marc:subfield>
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            <marc:subfield code="a">The German Brass Ensemble presents some of Bach's most popular tunes in breathtakingly brilliant and virtuoso arrangements for brass instruments. Recorded live in "Bach's church" ?EUR" the wonderful St Thomas's Church in Leipzig - the programme includes immortal pieces such as &lt;i&gt;Toccata and Fugue in D minor&lt;/i&gt;, &lt;i&gt;Adagio on a G string&lt;/i&gt;, &lt;i&gt;Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring)&lt;/i&gt; and more.

German Brass counts among the most successful brass ensembles of our time and draws musicians from the best German orchestras, such as the Berliner Philharmoniker and the Munich Philharmonic. Filmed with a full view of the church for which Bach conceived most of his works and making use of the amazing acoustics, the state-of-the-art recording is a visual and aural feast and a most fitting celebration of Bach's music.</marc:subfield>
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            <marc:subfield code="a">Abbado, Claudio, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Shaham, Gil, Artist -- Dvořák, Antonín, Composer -- Beethoven, Ludwig van, Composer -- Brahms, Johannes, Composer -- Verdi, Giuseppe, Composer</marc:subfield>
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            <marc:subfield code="a">Leonore Overture No. 3, Op. 72b (NTSC) ( 15 min., 29 sec. ) / Beethoven -- Carmina Burana (NTSC) ( 01 hrs., 03 min., 42 sec. ) / Orff -- Messiah, HWV 56, Part II: Hallelujah (NTSC) ( 00 sec. ) / Handel</marc:subfield>
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            <marc:subfield code="a">A joyful celebration welcoming the New Year, this Gala from Berlin presents the world-renowned Berlin Philharmonic, conducted by Sir Simon Rattle, in Carl Orff's famous &lt;i&gt;Carmina Burana&lt;/i&gt;, an intensely dramatic cantata that remains one of the most widely performed works from the twentieth century. With an exceptional vocal line-up ?EUR" soprano Sally Matthews, tenor Lawrence Brownlee and baritone Christian Gerhaher ?EUR" this is an energetic and thrilling performance. Beethoven's &lt;i&gt;Leonore No. 3 overture&lt;/i&gt; and Handel's supreme &lt;i&gt;Hallelujah Chorus&lt;/i&gt; are also included.</marc:subfield>
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            <marc:subfield code="a">At 88, Artur Rubinstein showed no trace of losing that quality of &lt;i&gt;joie de vivre&lt;/i&gt; that had so fascinated audiences for almost three quarters of a century. The true Rubinstein sound, full and sonorous at every pitch, was always one of the distinctive marks of his playing ever since he began appearing in public. Rubinstein's performance of Grieg's ever-popular piano concerto, accompanied by the London Symphony Orchestra under Andre Previn, is a perfect testimony of his notion of a "singing tone." With playing that is by turns vital and poetic, extroverted and reflective, rhapsodic and poised, this performance, filmed in April 1975 at London's Fairfield Hall, is Rubinstein at his warm-hearted, lyrical best.</marc:subfield>
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            <marc:subfield code="a">In this light-hearted documentary portrait, Christine Schafer reveals how she has come to position herself in the top ranks of today's sopranos while still maintaining her artistic freedom. With razor-sharp wit and intelligence, she describes how she keeps herself grounded in a world that craves celebrities. Among the friends and colleagues who provide insights into her artistry as well as her refreshing normality are conductors Christian Thielemann and Sylvain Cambreling, stage director Christoph Marthaler, music journalist Jurgen Kesting, singer Jose van Dam and others.

Christine Schafer is the anti-diva of the vocal world, a no-nonsense,
down-to-earth singer who transforms her opera roles and lieder recitals into grippingly realistic scenes of universal human drama. When it comes to choosing her repertoire and her roles, she unwaveringly follows her own path and refuses to subject herself to marketing campaigns designed to stamp her as the new heroine of whatever is currently in demand. With a repertoire ranging from early music to contemporary works, Schafer does not need a specialty, and she can even indulge in "light" music with Max Raabe's Palastorchester and hits of the 1920s. Excerpts from concert performances and rehearsals of works by Henry Purcell and George Crumb and from performances of Brahms' Deutsches Requiem, Verdi's &lt;i&gt;La Traviata,&lt;/i&gt; and Mozart's &lt;i&gt;Le nozze di Figaro&lt;/i&gt; impressively confirm her reputation as "the most versatile and exciting young female singer of today" (Suddeutsche Zeitung).</marc:subfield>
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            <marc:subfield code="a">SCHUMANN, R.: 20 Lieder und Gesänge aus dem Lyrischen Intermezzo  / 12 Gedichte, Op. 35 (Hampson, Rieger) (NTSC)</marc:subfield>
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            <marc:subfield code="a">12 Gedichte, Op. 35 (NTSC) ( 00 sec. ) / Schumann -- 20 Lieder und Gesänge aus dem Lyrischen Intermezzo (original version of Dichterliebe, Op. 48) (NTSC) ( 00 sec. ) / Schumann</marc:subfield>
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            <marc:subfield code="a">If there is one genre of music which baritone Thomas Hampson is exceptionally passionate about, it is the lied. To Hampson, song and singing are "the diary of our existence" and he has invested a great amount of time, work and love into luring this genre out of the shadow of the more spectacular opera. One composer he particularly cherishes is Robert Schumann. Hampson begins this Schumann recital, recorded at Munich's Prinzregententheater with Wolfram Rieger at the piano, with the cycle &lt;i&gt;Zwolf Gedichte,&lt;/i&gt; Op. 35 on poems by Justinus Kerner. The second part of the recital is devoted to the original version of the popular &lt;i&gt;Dichterliebe,&lt;/i&gt; Op. 48. While Hampson was preparing his first performance of the cycle based on poems by Heinrich Heine, he consulted the composer's manuscript, only to find that the original cycle of 1840 was a completely distinctive work containing many musical and textual differences. Among the most notable differences was the presence of four songs that were omitted from the later cycle. These works – "Dein Angesicht so lieb und schon," "Lehn deine Wang an meine Wang," "Es leuchtet meine Liebe" and "Mein Wagen rollet langsam" – are featured here as first-ever recordings of these rediscovered works.

Today's baritone landscape would be barren without Thomas Hampson. He has provided unforgettable accounts of the title roles in &lt;i&gt;Don Giovanni,&lt;/i&gt; &lt;i&gt;Il barbiere di Siviglia,&lt;/i&gt; &lt;i&gt;Macbeth,&lt;/i&gt; &lt;i&gt;Simon Boccanegra,&lt;/i&gt; &lt;i&gt;Eugene Onegin,&lt;/i&gt; Massenet's &lt;i&gt;Werther&lt;/i&gt; and Busoni's &lt;i&gt;Doktor Faust,&lt;/i&gt; and he added a unique warmth to the role of Germont pere in the celebrated Netrebko-Villazon &lt;i&gt;La Traviata&lt;/i&gt; of the Salzburg Festival. Through his encounter with Leonard Bernstein, he became a leading interpreter of the music of Gustav Mahler and recorded several Mahler cycles.</marc:subfield>
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            <marc:subfield code="a">HOLLIGER, Heinz: OBOE FANTASY (Keller Quartet) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Oboe Quartet in F Major, K. 370 (NTSC) ( 00 sec. ) / Mozart -- Phantasy, Op. 2 (NTSC) ( 13 min., 31 sec. ) / Britten -- Oboe Sonata (NTSC) ( 00 sec. ) / Holliger -- Fantasia, H. 301 (NTSC) ( 16 min., 42 sec. ) / Martinů</marc:subfield>
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            <marc:subfield code="a">This video is a documentary of Heinz Holliger, the leading oboist of our day. As a composer Holliger has become a classic exponent of musical modernism, while as an oboist and conductor he is one of the most inspirational figures on the contemporary music scene. Here too we encounter him here as an enthusiastic guide through each of the work that recorded with the Keller Quartet in a private concert for the home viewer recorded at the Musik-Akademie in Basel in 2005. The programme is made up of four exceptionally interesting works, starting with Mozart's &lt;i&gt;Quartet for oboe, violin, viola and cello K 370&lt;/i&gt;, a kind of crypto-concerto that the 25 year-old composer wrote in Munich in 1781. The next work is another early piece, Benjamin Britten's &lt;i&gt;Phantasy op. 2&lt;/i&gt; for oboe and string quartet, which was composed in 1932, when the composer was 19. Holliger too was only 17 when he wrote his own &lt;i&gt;Oboe Sonata&lt;/i&gt; in 1956?EUR"7, a work that strikes up a strange conversation between the oboist and his instrument. Bohuslav Martinu's &lt;i&gt;Fantasia&lt;/i&gt; for theremin, oboe, string quartet and piano is a mature work dating from 1945, when the composer was already 55 years of age. It was written for an instrument that is something like a pioneer of electronic instruments, invented by the engineer Lev Sergeyevich Termen (1896?EUR"1993) and operated by means of hand movements over a closed electrical circuit. It produces sounds that seem positively otherworldly. The work is delightfully rich in effect and introduces the viewer to a curiosity about early electronic music, thus rounding off an inspirational and entertaining concert on video.</marc:subfield>
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            <marc:subfield code="a">EUROPA-KONZERT 2007 - BRAHMS, J.: Symphony No. 4 / Double Concerto / WAGNER, R.: Parsifal: Prelude (Batiashvili, Mork, Rattle) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Parsifal: Prelude (NTSC) ( 15 min., 39 sec. ) / Wagner -- Double Concerto for Violin and Cello in A Minor, Op. 102 (NTSC) ( 37 min., 38 sec. ) / Brahms -- Symphony No. 4 in E Minor, Op. 98 (NTSC) ( 45 min., 50 sec. ) / Brahms</marc:subfield>
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            <marc:subfield code="a">Rattle, Simon, Conductor -- Berlin Philharmonic Orchestra, Orchestra -- Mørk, Truls, Artist -- Batiashvili, Lisa, Artist -- Brahms, Johannes, Composer -- Wagner, Richard, Composer</marc:subfield>
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            <marc:subfield code="a">Live from the Kabelwerk Oberspree in Berlin, Simon Rattle is conductor to the Berlin Philharmonic on its 125th anniversary on May 2007. With superb acoustics and magnificent architecture, the building proved to be an ideal setting for the annual Europa-Konzert. This recording features the magnificent works of Wagner and Brahms to be amazingly performed by Rattle, the Berlin Philharmonic Orchestra and featured artists Lisa Batiashvili (violinist) and Truls Mørk (cellist).</marc:subfield>
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            <marc:subfield code="a">EL SISTEMA - Music to Change Life (NTSC)</marc:subfield>
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            <marc:subfield code="a">A film by Paul Smaczny and Maria Stodtmeier. Venezuela's unique system of music education takes children from violent slums and turns some of them into world-class musicians. &lt;i&gt;El Sistema&lt;/i&gt; shows how Venezuelan visionary Jose Antonio Abreu has changed the lives of hundreds of thousands of children over the past three decades. This lyrical and moving documentary takes us from the rubbish dumps and barrios of Caracas to the world's finest concert halls. Children from streets dominated by the gun battles of gang warfare are taken into music schools, given access to music, and taught through the model of the symphony orchestra how to build a better society. Paul Smaczny and Maria Stodtmeier's film finds hope and joy in unlikely places.</marc:subfield>
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            <marc:subfield code="a">Piano Concerto No. 3 in C Major, Op. 26 (NTSC) ( 00 sec. ) / Prokofiev -- Symphony No. 1 in D Major, "Titan" (NTSC) ( 00 sec. ) / Mahler</marc:subfield>
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            <marc:subfield code="a">The charismatic and inspiring Claudio Abbado and the mesmerising young pianist Yuja Wang, with the Lucerne Festival Orchestra, hold the audience spellbound in this opening concert of the 2009 Lucerne Festival. Prokofiev's popular and vibrant &lt;i&gt;Third Piano Concerto&lt;/i&gt; demonstrates the composer's sharp musical wit, and Yuja Wang is a brilliant exponent of the work. Following this, and chiming beautifully with the festival's theme of the relationship between art and nature, Mahler's &lt;i&gt;First Symphony&lt;/i&gt; is given an illuminating and rapturously received performance.</marc:subfield>
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            <marc:subfield code="a">Fiesta Cubana (NTSC) ( 01 hrs., 25 min. ) / Not Applicable -- Tal vez (NTSC) ( 04 min., 25 sec. ) / Portuondo -- Amame como soy (NTSC) ( 04 min., 06 sec. ) / Portuondo -- O que sera (NTSC) ( 07 min., 56 sec. ) / Portuondo -- Dos gardenias (NTSC) ( 04 min., 54 sec. ) / Portuondo -- Yo vi (NTSC) ( 03 min., 25 sec. ) / Portuondo -- La sitiera (NTSC) ( 03 min., 09 sec. ) / Portuondo -- Guantanamera (NTSC) ( 04 min., 40 sec. ) / Portuondo</marc:subfield>
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            <marc:subfield code="a">On New Year's Eve 2009 Havana's legendary nightclub, Tropicana, celebrated its seventieth birthday with a colourful revue, and the evening's special guest was the world-famous Omara Portuondo. Together with her five-man band, which ranges in style from the Cuban guajira, bolero, mambo and son to elements of jazz, the grande dame of traditional Cuban singing offers a delightful contrast to the exuberant joy in dancing shown by the Tropicana Ballet. Recorded live at the Tropicana, Havana, 2009.

&lt;i&gt;Bonus features:&lt;/i&gt;

- &lt;i&gt;Omara Portuondo&lt;/i&gt; - an interview in which the singer gives a fascinating insight into her life as a musician.

- &lt;i&gt;Equilibrists&lt;/i&gt; - feats of agility from the Tropicana.</marc:subfield>
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            <marc:subfield code="a">May morning in Oxford, and the Berliner Philharmoniker join in the celebratory mood abroad in the university city's medieval streets with this concert in Sir Christopher Wren's glorious Sheldonian Theatre. For 20 years, the Philharmoniker have given a May Day concert in one of Europe's great historic cities, and here, under the baton of Daniel Barenboim, the Berlin players thrill the Oxford audience with the sonorous Prelude to Act III of Wagner's &lt;i&gt;Die Meistersinger&lt;/i&gt;, a deeply-felt account of Elgar's autumnal &lt;i&gt;Cello Concerto&lt;/i&gt; by the young American cellist Alisa Weilerstein, and a rousing performance of Brahms's life-affirming &lt;i&gt;First Symphony&lt;/i&gt;.</marc:subfield>
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&lt;i&gt;Bonus features:&lt;/i&gt;

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The story is astonishing, exciting, wildly unusual and, at the end, deeply touching. It is one of the most extraordinary tales in the history of music and it is told with all the Nupen finesse and commitment that have won him DVD of the Year Award four times in the past six years. 

In the recording, Christopher Nupen looks at the legend and the strange man who created it with his dazzling combination of technical brilliance, supreme showmanship, Italian melody and unbridled manipulative skill — a man whose extraordinary personality unsettled even the most sophisticated and educated minds and provoked wildly contradictory opinions. 

It presents Paganini's music, shot and edited in the style developed by Christopher Nupen and his colleagues for their prize winning DVDs about Sibelius, Schubert and Tchaikovsky and combines it with extracts from Paganini's letters and quotations from both his admirers and his many detractors.</marc:subfield>
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            <marc:subfield code="a">SCHUMANN, R.: Eichendorff-Lieder / Kerner-Lieder (Fischer-Dieskau, Holl) (NTSC)</marc:subfield>
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            <marc:subfield code="a">Even though the Mekong originates in the Tibetan Highlands and flows through China, its true source lies within South East Asia, in Cambodia, Thailand and Vietnam, fascinating countries whose inhabitants can look back proudly on both a colorful and glorious past.

Around 35 kilometres from the Cambodian capital of Phnom Penh, the jungle temple of Ta Prohm is a unique combination of both nature and culture. Colossal feigen, banyan and kapok trees cover the splendid temple site, and their huge roots intermingle with the ruins and thus give the sanctuary a magical atmosphere.

Most of the country's traditional dances date back to the Angkor Period. The dancers of the classical and extremely complex Apsara dance once enjoyed great respect and were given the status of divine beings and were considered to be mediators between heaven and earth.

For many centuries, the Tonle Sap, the largest fresh water lake in South East Asia, was a vital source of water for around 10 percent of Cambodia's population. It is also of great importance for wildlife. Innumerable villages and houseboats fill the Tonle Sap with life. Furthermore, the extraordinary biodiversity of the indigenous bird population is truly remarkable. The lake, and particularly the Prek Toal Bird Sanctuary, are a true paradise for ornithologists.

Over 400 Buddhist temples are to be found in Bangkok, Thailand. One of the most important is the magnificently-designed Wat Phra Kaew that, in addition to many other valuable treasures, also contains the Emerald Buddha.

Hanoi, the capital of Vietnam, is an exceptionally beautiful city with many lakes and parks. Despite its 3.5 million inhabitants, Hanoi is a relatively easy-going city. It boasts an amazing number of beautiful and historic monuments.

The Mekong is a unique habitat that comprises some of the most impressive countries in South East Asia, Cambodia, Thailand and Vietnam, countries whose fascinating cultures are both historic and enchantingly exotic.</marc:subfield>
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            <marc:subfield code="a">Halka: Mazurka (NTSC) ( 05 min., 04 sec. ) / Moniuszko -- Polonaise No. 1 in D Major, Op. 4 (NTSC) ( 05 min., 02 sec. ) / Wieniawski -- Souvenir d'un lieu cher, Op. 42: III. Melodie (arr. A.K. Glazunov for violin and orchestra) (NTSC) ( 03 min., 46 sec. ) / Tchaikovsky -- Valse-scherzo, Op. 34 (NTSC) ( 06 min., 27 sec. ) / Tchaikovsky -- La Revoltosa: Overture (NTSC) ( 05 min., 06 sec. ) / Chapi -- Elegy (NTSC) ( 03 min., 51 sec. ) / Kim -- Champagne Galop (NTSC) ( 02 min., 43 sec. ) / Lumbye -- Yugen: Dance of the Celestials (NTSC) ( 06 min., 02 sec. ) / Toyama -- Valse triste, Op. 44, No. 1 (NTSC) ( 05 min., 56 sec. ) / Sibelius -- The Wand of Youth Suite No. 2, Op. 1b: VI. The Wild Bears (NTSC) ( 02 min., 33 sec. ) / Elgar -- Lohengrin: Act III. Prelude (NTSC) ( 04 min., 35 sec. ) / Wagner -- Tambourin chinois, Op. 3 (NTSC) ( 04 min., 04 sec. ) / Kreisler -- Por una cabeza (arr. J. Williams) (NTSC) ( 05 min., 08 sec. ) / Gardel -- Variations on O mamma, mamma cara from Il carnevale di Venezia, Op. 10, MS 59 (NTSC) ( 04 min., 13 sec. ) / Paganini -- Wiener Burger, Op. 419 (NTSC) ( 08 min., 24 sec. ) / Ziehrer -- Cavalleria rusticana: Intermezzo (NTSC) ( 03 min., 31 sec. ) / Mascagni -- Slavonic Dances, Series 2, Op. 72, B. 147: No. 7 in C Major (NTSC) ( 03 min., 37 sec. ) / Dvořák -- The Nutcracker, Op. 71: Pas de deux (NTSC) ( 05 min., 51 sec. ) / Tchaikovsky -- L'arlesienne Suite No. 2: IV. Farandole (NTSC) ( 04 min., 25 sec. ) / Bizet -- Le Cid: Aragonaise and Navarraise (NTSC) ( 04 min., 50 sec. ) / Massenet -- Frau Luna: Berliner Luft (NTSC) ( 04 min., 40 sec. ) / Lincke</marc:subfield>
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            <marc:subfield code="a">As the cameras reveal the scale of this open-air event, held at Berlin's Waldbuhne in 2002, it is not only the music that is transmitted but the extraordinary atmosphere. This is a full programme of musical bon-bons ?EUR" pieces regularly given as encores: it?EUR(TM)s as if the joyous moment following a successful performance has blossomed into a whole evening. Vadim Repin is clearly happy to indulge, performing here with all the appropriate showmanship and artistry alongside the first-class Berliner Philharmoniker and Mariss Jansons. There is a palpable satisfaction from all involved, musicians and crowd alike.</marc:subfield>
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            <marc:subfield code="a">Symphony No. 98 in B-Flat Major, Hob.I:98 (NTSC) ( 25 min., 12 sec. ) / Haydn -- Symphony No. 7 in E Major, WAB 107 (NTSC) ( 52 min., 03 sec. ) / Bruckner</marc:subfield>
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            <marc:subfield code="a">Munch, Charles, Conductor -- Boston Symphony Orchestra, Orchestra -- Bruckner, Anton, Composer -- Haydn, Franz Joseph, Composer</marc:subfield>
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            <marc:subfield code="a">The ICA Classics Legacy series represents a historical account of performances by some of the world's greatest artists. This video features some of the earliest televised concerts with the Boston Symphony Orchestra and their Music Director Charles Munch.

While the material has been restored using the greatest care and state-of-the-art techniques, certain visual artefacts and distortions remain in some instances due to the age of the film. Despite this, it remains of exceptional musical interest and historic value.

Programmed by Munch during his years at the Boston Symphony but never recorded, his renderings of the two works featured on this video are exciting and spontaneous with the kind of precision and flair we have come to expect from the BSO under the buoyant direction of their charismatic music director.</marc:subfield>
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            <marc:subfield code="a">Master of the baton and one of Britain's leading conductors, Sir Adrian Boult was renowned for his interpretations of English works, in particular music by Ralph Vaughan Williams, who was said to be "totally in favour of Sir Adrian's approach to his music" (John Culshaw). &lt;i&gt;Job: A Masque for Dancing&lt;/i&gt; was dedicated to Sir Adrian, a fitting conductor for this magnificent centenary celebration.

The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on video for the first time, incorporating rare archive footage that has been expertly and lovingly restored.</marc:subfield>
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The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on video for the first time, incorporating rare archive footage that has been expertly and lovingly restored.</marc:subfield>
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            <marc:subfield code="a">Characteristically lively renditions, Charles Munch's interpretations of both Mendelssohn symphonies are energetic and precise with excellent articulation from the Boston Symphony Orchestra.

The ICA Classics Legacy series represents a historic account of performances by some of the world's greatest artists. This video features some of the earliest televised concerts with the Boston Symphony Orchestra and their Music Director, Charles Munch.

While the material has been restored using the greatest care and state-of-the-art techniques, certain visual artefacts and distortions remain in some instances due to the age of the film. Despite this, it remains of exceptional musical interest and historic value and is released here for the first time on video.</marc:subfield>
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            <marc:subfield code="a">Klaus Tennstedt (1926-1998), a renowned Mahlerian, conducted this live performance at the Royal Festival Hall a year after stepping down as the LPO's Principal Conductor.

Issued here for the first time on video, this live performance was hailed as "legendary" by Michael Manus in the Gramophone and has been released on CD by EMI.

Tennstedt's 1978 studio recording of Mahler's Fifth Symphony is described in one edition of the Penguin Guide as "an outstanding performance, thoughtful on the one hand, warm and expressive on the other."

This 1988 live performance is described in a later edition of the same guide as "more daring and more idiosyncratic than Tennstedt's earlier studio recording, but the tension is far keener. The experience hits one at full force. The emotional tension of the occasion is vividly captured."

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            <marc:subfield code="a">Known for enjoying live performances and having an affinity for late Mahler, Sanderling's reading of &lt;i&gt;Das Lied von der Erde&lt;/i&gt; is inherently musical. Mitchinson's 'firm, heroic tone' is ideal for this role, with the BBC Philharmonic providing a sympathetic accompaniment. Schumann's Fourth Symphony makes an excellent filler.

The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on video for the first time, incorporating rare archive footage that has been expertly and lovingly restored.</marc:subfield>
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            <marc:subfield code="a">The BSO's Music Director for seven seasons, Leinsdorf had a long and distinguished career, having worked at the Metropolitan Opera, New York City Opera, Cleveland Orchestra and Berlin Radio Symphony Orchestra in addition to his tenure at the BSO. A particular favourite of Leinsdorf's, the Schumann is powerful and precise under his direction, whilst the "Good Friday Music" is a warm and sensitive rendition from a great Wagnerian conductor. Schubert's Ninth Symphony is a new addition to his discography.

The ICA Classics Legacy series represents an historic account of performances by some of the world's greatest artists. This video features some of the earliest televised concerts with the Boston Symphony Orchestra and their Music Director, Erich Leinsdorf.

While the material has been restored using the greatest care and state-of-the-art techniques, certain visual artefacts and distortions remain in some instances due to the age of the film. Despite this, it remains of exceptional musical interest and historic value and is released here for the first time on video.</marc:subfield>
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The ICA Classics Live series features performances from ICA's own artists recorded in prestigious venues around the world. The majority of the recordings are enjoying their first commercial release.</marc:subfield>
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            <marc:subfield code="a">Prize-winning French composer Laurent Petitgirard has written accomplished music in many forms, notably symphonic works and music for film and television, but it is as an operatic composer that he has received perhaps the greatest acclaim. His opera on the subject of Joseph Merrick, the Elephant Man, was hailed as "a compelling and moving score - the composer's melodic gift is very much his own" (Sunday Telegraph). &lt;i&gt;Guru,&lt;/i&gt; completed in 2009, is a work of similar stature. Ostensibly it concerns mass suicides in a cult, reminiscent of the 1978 Jonestown suicides, but Petitgirard's pleas for humanity and against manipulation are expressed with tremendous and very personal power and with compelling theatrical immediacy.</marc:subfield>
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